Tracklist:
A. Loverboy (Catz 'n Dogz Remix)
B. Loverboy (Acid Pauli Retouch)

An undisputed classic of the electronic music scene, Steve Bug's 'Loverboy' was released on the first Poker Flat release ever ' Double Action' back in 1999.
Over the years it has been reworked only by a few - but the list includes the likes of Josh Wink and Guido Schneider. Now, as part of the 20 years of Poker Flat celebration, more names are added to that remix list with two new superb remixes from Catz 'n Dogz and Acid Pauli.
Catz 'n Dogz are a Polish producer duo making big waves in recent years, and their version of 'Loverboy' brims with their unmistakable energy - chugging, hypnotic groove and tons of effects and melodic twists and turns. Berlin legend Acid Pauli approaches it from a different angle - stripping away elements until a deeply trippy skeletal house track remains.


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Double-LP + download code

Tracklist:
A1. Ludic Loops
A2. Hijacked Minds
A3. Yellow Snake
B1. Locked Away In My Head
B2. Electro Harmonix
B3. The Awakening
C1. The Clock Is Ticking
C2. A Conscious Machine
D1. Confidence Dub
D2. Raindance 101
D3. Upon Mountains

The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.

With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.



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Special Remarks: clear marbled vinyl

Tracklist:

A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)


Short info:

Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.



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180 g Vinyl
Tracklist 12":
A1. Coconut Paradise B1. Thick As Mus B2. Pants On Fire
Info:
Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant "Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track "Coconut Paradise" is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. "Thick As Mud" lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. "Pants on Fire" is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.


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Barcode 4250382427247 Rel date 9.6.2014
First pressing comes as 180g Vinyl!
Tracklist A. Pelican Glide B1. Till It’s Gone feat. Delhia De France B2. Pelican Glide (youANDme Remix)
Info
Celebrating the 150th vinyl EP release, and as a prelude to 15 years of Poker Flat Recordings, Steve Bug returns to his own label to drop a sizzling three track EP of
powerful, seductive house music. Lead cut "Pelican Glide" exhibits his trademark driving grooves and highly effective off-kilter synths – the sort of track that turns dance floors and festivals upside down when dropped at the right moment. The deep kick hits hard while clever interplay between pads, melodic leads and percussion keep the tension finely tuned. Fellow Berliners youANDme yield a remix of "Pelican Glide", which transforms the track into something spacey and cinematic, before subtly reintroducing Steve Bug's killer synth line. Also gracing this release is "Till It's Gone"; built around a tough-as-nails house groove, and coupled with a breathy, alluring vocal from Delhia De France: the grand diva of the German electronic scene.


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27 January 2014 EAN 4250382423911
Tracklisting: A The Arpeggio B1 Thickest Bass B2 Smoking Parrot
Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect. 'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 'Thickest Bass' is also fairly self explanatory pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment. 'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics.

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'EAN 4250382416272 Rel date 18th February 2013
Tracklist: A. No Adjustments feat. Foremost Poets (Steve Bug’s Re-adjustment) B1. No Adjustments feat. Foremost Poets (Alex Niggemann Remix) B2. No Adjustments feat. Foremost Poets (Arttu Remix)
Steve Bug returns with a brilliant set of killer reworks from his much-lauded 'Noir' album. 'No Adjustments' features the vocal talents of Foremost Poets, and remains one of the standout moments on the label boss’s enigmatic long player. Where 'Noir' explored the themes of light and shade, it was always clear that 'No Adjustments' was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by DJs. Steve Bug himself provides one growling, up-for-it rework – a chunky floor wrecking tool that epitomises the sentiment of the vocal – drop it in and stand well back. Long time Poker Flat collaborator Alex Niggemann is also drawn towards the edgy, menacing vibe, constructing a sick groove that builds via a dirty, swirling synth bass and clattering hi hats. Arttu, the Portuguese producer making waves with his recent releases via Royal Oak / Clone, also puts his stamp on 'No Adjustments'. Raw kicks, claps and hats fire this version along, the vocals cut up, treated and tweaked for maximum effect. The neurotic synths bubble away below the surface before breaking out spectacularly towards the track’s conclusion. A sure-fire ‘wtf?’ moment for ecstatic clubbers worldwide.


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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
CD Tracklist:
01. Tell Me Why
02. Poison Of Choice
03. Serve Your Mistress
04. No Adjustments feat. Foremost Poets
05. The Spiral Staircase
06. Moment Of Ease feat. Emilie Chick
07. Those Grooves
08. Somewhere In The Night
09. Farewell Friend
10. The Seventh Victim

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
2x12” Tracklist:
A1. Those Grooves
A2. Moment Of Ease feat. Emilie Chick
B1. No Adjustments feat. Foremost Poets
B2. The Spiral Staircase
B3. Farewell Friend
C1. Serve Your Mistress (Extended Version)
C2. Tell Me Why (Extended Version)
D1. Somewhere In The Night
D2. Poison Of Choice
D3. The Seventh Victim

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Tracklist 12":
A1. Double Dip
A2. Organism
B1. Soul Alive
B2. Playtime (Dub)
Info:
The UK's best kept secret Chocky returns to Dessous Recordings after the success of his first outing, the well received Self Knowledge EP. Here we see the talented DJ / producer drop four tracks via the Playtime EP - yet more sublime house music for Steve Bug's imprint.
'Double Dip' is a chunky, stripped down vibe, reduced the vitals that will slay dancefloors - firing percussion over a shuffling groove and a cut-up vocal reminiscent of Pepe Bradock.
'Organism' is a deep affair - spacy pads provide the counterbalance to the tough drum track, softening the edges but keeping the vibe high.
'Soul Alive' taps into Chocky's clear appreciation for the 90s, with a strong vocal, atmospheric strings and a loose yet crispy beat.
'Playtime (Dub)' brings the whole EP home with yet another stormer - beginning as a driving basement jam but then introducing an unexpected piano riff that flips the script and takes things in a welcome jazzy direction.




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Tracklist 12":
A. Self Knowledge
B1. A Reefa
B2. Casa De Estrela
Info:
London's Chocky joins the Dessous Recordings label and shares four tracks of sublime house music on Steve Bug's imprint.
'Self Knowledge' is a deep, techy roller clocking it at nearly 10 mins - plenty of space to expand into its full potential - the groove grows ever more hypnotic and engaging as the track unfolds.
Next up is 'A Reefa' - a non too subtle reference to a certain herb that might have inspired this loose yet highly funky deep house jam.
'Casa De Estrela' changes the vibe up with a more direct and jacking track - even though it would work at prime time, Chocky's feel for space and drama make sure the track will be heard in many diverse surrounding and sets this year.


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12" - EP , Limited Edition

Tracklist 12":
A. Art Of Flying
B1. Art Of Flying (Eddie Fowlkes Mix)
B2. Art Of Flying (Crazy Dub Mix)


IvanLatyshev is a record producer and DJ with more than 10-years experience, having grown up in Russia's cultural epicentre of St Petersburg. Developing a love for deep house, the young producer has been releasing his perfectly-realised club tunes on labels such as Toolroom, and now provides us with a second outing on Dessous Recordings. The Art of Flying EP presents two original tracks and a pair of remixes of the lead cut.
The original 'Art of Flying' is quite a statement - a jazzy, swingy beat introduces the track, before solidifying around punchy 4 / 4 groove. Restless synths drift in and out resulting in a track that is both exceptionally funky and deeply wonky - topped off with a killer spoken word vocal.
The ever-dependable Eddie Fowlkes steps up on remix duties and supplies a more jacking interpretation, adding a filthy bassline on his Fly Mix.
The same track also gets a 'Crazy Dub' rework which expands the space within the track and strips it down for maximum club effect.


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12" - EP , Limited Edition
Tracklist 12":
A1. Drift
A2. Take Me
B1. Whose Rules ?
B2. Disco Deep
Info:
James Dexter's star has been rising for a while now - the young Brit turning out killer tracks regularly on the back of hugely well received DJ sets. On his second outing for Dessous Recordings, Dexter does what he does best - four slices of deep, funky and vibing house music for the floor.
Lead track 'Drift' is typical of Dexter's flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. Elements come and go, but the shuffling, infection feel runs throughout.
'Take Me' is a more upfront vibe with a seriously bumping groove - Dexter clearly well versed in the roots of house music from Chicago.
'Whose Rules ?' is a snappy, bright and lively production, with a sub bass that will troubler some of the world's best club systems in the coming months. The light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of DJs.
The last track of the release is 'Disco Deep' - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.





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12" - EP , Limited Edition

Tracklist 12":
A. Be There
B1. Give Me
B2. Feel It Dizzy

Hailing from Japan, Iori Wakasa is a name that has been gathering a great deal of hype over the past few years - and with good reason. Having built up his skills as a majorly talented DJ in Tokyo spinning a wide range of sounds and styles, his reputation continues to grow at pace thanks to a string of amazing releases on labels such as Highgrade and WirSindEins in recent years - not to mention strong support by some of the scene's biggest names. Here he proves what all the fuss is about - a stunning three track EP on Steve Bug's Dessous Recordings.
'Be There' starts things off right - uber deep vibes throughout, with bubbling synths and spacey effects, all tied together by a hypnotic Chandler-esque rhythm track.
'Give Me' continues the vibe, deep and jazzy chords punctuate the shuffling rhythm and trippy vocal samples add a layer of wonkiness that will see this get a lot of attention.
'Feel It Dizzy' strips things down a notch, a bass heavy dancefloor filler with dubbed out percussion, effects and vocals snippets.
A triumphant EP from Iori Wakasa - truly one to watch.



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Tracklist:
A1. Jade A2. Room 210 A3. Groove 26
B1. Shadows feat. Blakkat B2. Never Worry
C1. Dreamliner C2. I´ll Be Late
D1. Planitz Proposal D2. Rain & Roses

After a considerable career releasing on numerous labels, as well as being co-founder of Essen based label Mild Pitch, Langenberg finally drops his first album under this alias. Max Heesen, (who is also one half of Ribn with Manuel Tur) delivers the smartly titled 'Central Heated House' for Steve Bug's Dessous Recordings.
The LP format suits Langenberg's hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl - working both for the DJs and perfect as a soundtrack for the autumn.
The LP kicks off with 'Jade', a melancholic, tape saturated introduction to Langenberg's deep tastes. 'Room 210' maintains this atmosphere, with fizzing percussion and warm Detroit-esque melodies.
'Groove 26' is perfectly timed for the hot summer, as lush Rhodes chords and KDJ style vocal snippets provide the heat for the openair vibes.
The single from earlier this year 'Shadows' features the talents of vocalist Blakkat, and caused some serious response when it hit airwaves and dancefloors alike.
'Never Worry' is a heads down roller, built around a simple but perfectly executed bassline, while 'Dreamliner' is trippy laidback sunshine house all the way. 'I'll Be Late' and 'Planitz Proposal' step back into the club, with Langenberg's signature crisp percussion, crunchy hits and analog synth wizardry on full display. 'Rain & Roses' closes out the album in a similar way to how it started wistful, thoughtful house music with soul.



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Tracklist 12":
A1. Grim Fandango
A2. Bosh
B1. Bosh (James Dexter Remix)
B2. Safety First
Info:
Timmy P's latest outing on Dessous Recordings continues the long list of illustrious labels that have been home to his house vision. Now based in London, Timmy has a string of emphatic releases under his belt, not least on influential imprints such as Local Talk, Extended Play, Dirt Crew and MadTech.
With Safety First, Timmy's playful approach to the deeper side of house shines though. The title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. The fantastically named 'Grim Fandango' is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. Timmy's balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes.
'Bosh' is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while James Dexter's remix is a robust, deep roller. This is house music made with joy and passion.


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Tracklist 12":
A. To My Youth
B1. Can't Go Away
B2. Old Ages
Info:
St. Petersburg talent Ivan Latyshev drops a killer EP on the ever-dependable Dessous Recordings.
Ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as What's in the Box, Street King and Spaghetti Monster - but this To My Youth EP sees the young Russian step up to another level. The title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. The sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. Can't Go Away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. Old Ages also highlights Ivan's love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - it's infectious stuff and suggests Ivan Latyshev is going to be name to watch in the next months and years.



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12" - EP , Limited Edition

Tracklist 12":
A1. Langenberg: Shadows feat. Blakkat A2. Langenberg: Shadows feat. Blakkat (Atjazz Remix)
B. Langenberg: Shadows feat. Blakkat (Frank & Tony Remix)
Long an unsung hero of the underground, Langenberg (a.k.a Max Heesen) has a string of quality releases to his name, both on his own solo as a part of his Ribn moniker with Manuel Tur. This outing on Dessous Recordings provides yet another string to his bow; 'Shadows' is a supremely soulful outing featuring the vocal talents of Blakkat. Liquid deep and balanced perfectly between euphoric and melancholic, 'Shadow' sees Mark Bell (Blakkat) deliver an emotional invocation over a beautifully crafted track, with echoes of the master Larry Heard clearly present.

Also included on the vinyl release are two extraordinary remixes - UK legend Atjazz providing a sumptuously realized fusion of melody and driving, dance-floor urgency.

Brooklyn's house veterans Frank & Tony (Scissor & Thread) drop a huge remix of their own to complete the package - serving up their distinctive and timeless NYC deep and raw vibes to complement Langenberg's original fully.


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Tracklist 12":
A1. Have It Like That A2. No Time B1. Get To This B2. 120
Info:
Sublime and slinky four tracker from James Dexter on Dessous Recordings - Steve Bug's label for the deeper side of house. The Young Brit shows his mastery of the form with an EP that combines effortlessly club-ready grooves with exceptional sound design and a strong melodic sensibility. Dexter clearly know a thing or two about creating dance floor moments, with each track exhibiting a classiness that belies his age. Have It Like That kicks things off with a chugging, hypnotic feel and crisp drums providing the basis for a cool vocal hook and thick, warm bass. No Time gets a shade deeper and no less funky, while Get To This points a little further towards the center of the dance floor. Closing track 120 goes even further into the late night vibes with a seriously infectious groove.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12":
A1. Let's Talk
A2. Yearning
B1. Let's Talk (Nils Penner Remix)
B2. Sway (Vinyl Only Version)
Info:
Always eager to champion new talent, Dessous Recordings unearth a precious gem from Brussels-based Lockwood, a duo comprising childhood friends Gert-Jan Haegeman and Billy Hillaert. 'Let's Talk' sets out their stall: a shuffling, shimmying groove upon which an unruffled bassline and blue-tinged jazz chords blissfully coast. This is warm, dreamy, house so deliciously laidback and soulful that it never outstays its 9-minute running time. The choppy, busy handclaps and ridiculously over-the-top squidgy bass of "Sway" explore different territory - frenetic synth-funk shimmering with layers of synth and zingy repetitions. 'Yearning' for its part melds a tough, rubbery tick to cycling keys and choric pads. It's the bass that's the star here, bending the tune around its abrasive low-end. Meanwhile, Nils Penner underpins "Let's Talk" with a huge, booming bassline and brings its spoken-word sample to the fore: a treatment which somehow retains the magic of the original's vibe while lending it a dark, glittering technoid edge.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ean barcode: 4250382427032 releasedate : 02.06.2014
Tracklisting: A. It's Been Done Before B1. Gilmore Heureux B2. All The Difference
Alex Blaxx drops three original tracks for Dessous Recordings following a couple of very well received releases on Buzzing Fly and Sccucci Manucci. Blaxx now resides in Manchester by way of Cape Town - both cities with strong house music credentials. Blaxx himself excels in lush house productions with plenty of soul and a lot of dance floor knowledge. The EP’s title track 'It’s Been Done Before' gives a healthy nod to the hugely fertile period of New York house in the 1990s, but retains a freshness and spark that sets it apart from many of his contemporaries. It’s highly musical and organic, with hugely effective hooks, builds and pads that will bring smiles to the faces of dancers worldwide. 'Gilmore Heureux' is a darker affair, with a raw evolving groove with a Detroit flavor. It’s got plenty of grit, and a few innovative twists and turns along the way. 'All the Difference' slows the pace slightly, unwinding a killer groove driven by a piano and punchy drums. About midway through a sublime synth bass joins the fray, and the track lifts off into the ether.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ean barcode: 4250382426752 releasedate : 14.04.2014
Tracklisting: A1. Merry Go Round A2. Merry Go Round (Reprise Mix) B. Merry Go Round (Axel Boman Mix)
Vincenzo returns to Dessous Recordings with something a little special. 'Merry Go Round' features the stunning vocal talents of Language aka Kaori Kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else. Kaori already released two albums on Japanese Crue-L Records as Kaori and three albums with her band Language on Madoromi / Atari Productions and was also featured on the Chi Chi Squads classic 'Treat Me Right'. Built on dreamlike, evolving pads and textures, the vocals are reminiscent of the best work of Tracey Thorn, rising and falling over the 7-minute duration of the original mix. After some minutes a crisp, chugging, mid-tempo beat develops and lifts the track yet further, a moment perhaps best enjoyed at sunrise. The Reprise Mix is a totally beatless mix, emphasising the pads, guitar and piano work. The third track sees Axel Boman on remix duties, who primes it for the dance-floor with a loopy, hypnotic rework that retains the original character but adds a visceral, gritty quality for the dancers.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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BARCODE 4250382423928 REL DATE 03.03.2014
Tracklisting: A. Egregius B1. Madness B2. Bac A Sable
The young French producer and DJ Oliver Andrade returns to Dessous Recordings with his brand new, fresh for 2014 EP, 'Madness'. Madness kicks off with 'Egregius' – quite a statement for this rising talent in European house circles. The lead track evokes classic deep house from the US Mid-West, whilst never being defined by its influence. Synths bubble to the surface, pads wash over the raw and funky drum track, and a looped vocal ties the whole piece together. 'Madness' treads a similar path, but with a slightly tougher vibe. The atmospheric, late-night mood is enhanced with reversed samples, lush chords and the occasional robotic voice. 'Bac a Sable' shakes things up with an unsettling rhythm that works its way into an infectious driving groove, accentuated by jarring synths. It feels specifically tailored to pushing that early morning crowd to the next level.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ean barcode: 4250382424406 releasedate : 03.02.2014
Tracklisting: A Workin B1 Mindflow B2 Release and Check Pt.1
Liverpool’s Andy Ash has been releasing finely crafted, authentic house music for a number of labels over the past few years, including appearances on StilLove4Music, Kolour and Quintessentials. Here he joins Steve Bug’s Dessous imprint and drops some of his best work yet - four
slices of deep and raw house grooves. 'Workin' shares a little headspace with that other Liverpudlian pioneer, John Heckle - emotionally uplifting electronic music that keeps things rough round the edges. 'Mindflow' references the classic sound of Chicago in the early 90s, a disco/funk vocal sample interplays with tightly woven percussion and an ever present bump - Mr. Ash clearly knows a thing or two about moving dance floors. 'Release and Check' makes up the remainder of the EP - a deep, rolling jam with live sounding keys, and a highly effective acidic bassline which send the whole to several both groovy and euphoric moments.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ean barcode: 4250382419433 releasedate : 29.07.2013
Tracklisting: A Imagine B1 Eyes Wide Open B2 Eyes Wide Open (Alix Alvarez Remix)
Dessous Recordings team up with one of Berlin’s most talented and thoughtful producers for this sublime three tracker. Andre Lodemann has been quietly turning out deep classics for some years now, both on his own Best Works label and influential imprints such as Freerange and Room With a View. Here, Lodemann provides us with some perfect examples of why he’s held in such high regard by DJs, producers and clued up music lovers alike. 'Imagine' starts out with an insistent, nagging groove that’s counterbalanced with an ethereal, soulful vocal. Lodemann then allows the track to grow and evolve through a series of gear changes – a beautiful synth melody, string stabs and fizzing percussion all drift to the forefront and then recede. This is head music for the dance floor – Deep House with true feeling. 'Eyes Wide Open' also contains a wealth of melody, welded expertly to a groove that works the soul as much as the body. Lodemann’s knack for creating epically emotional house music is on full display here – 'Eyes Wide Open' will no doubt be the choice of many a DJ looking for that perfect sunrise record over the summer months. Likewise the stunning remix provided here by the Bronx’s Alix Alvarez - his reinterpretation maintains the gorgeous melodies but adds a little of that NY house bump to the groove – working up a highly infectious, heady dance floor potion.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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EAN: 4250382415992 Releasedate : 03.12.2012
Tracklisting: A1. The Finisher B1. Wait State B2. Sun & Sorrow
Langenberg has been busy releasing his distinctive brand of knowledgeable deepness for well over half a decade now. As co-founder of the Essen-based label Mild Pitch, the man otherwise known as Max Heesen has been responsible for some sublime moments in house, both on his own label, and for imprints such as Liebe*Detail, Drumpoet Community and Poker Flat. Here, Dessous Recordings get their hands on the sumptuous release ‘The Finisher‘. Informed and influenced by the classic Detroit sound, Langenberg produces yet another exceptional transmission. The title track is as smooth as liquid gold, yet contains a dub-tinged techno edge reminiscent of Langenberg’s Ribn project with Manuel Tur. The soulful piano interplay is pure Detroit meets Essen, and combines to produce one of the year’s standout moments. Next up is ‘Wait State‘, a bouncing groove featuring Langenberg’s trademark crisp drums and percussion, and a fantastic revolutionary vocal sample. ‘Sun and Sorrow‘ is on a more driving tip, but maintains a familiar minor key motor city deepness.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1. The Long Run (Steve Bug’s Vocal Mix) A2. The Long Run (Steve Bug’s Instrumental Mix) B1. The Long Run (Mr V’s Vocal Mix) B2. The Long Run (Mr V’s Instrumental Mix)
Release Date: 19.11.2012 Barcode: 4250382415961
Fresh on the trail of this year’s exceptional long player ‘Noir’, Steve Bug returns with perhaps his most deep house-oriented track in a while – ‘The Long Run’. Teaming up with US house legend Mr. V, who inititally donated vocals only, the collaboration brought up Mr V‘s own interpretation of Bug‘s track. This release is as delicious a serving of classic New York deep house as you will hear all year – or any year. The a-side is Dessous’ main man at the controls, riding out a sumptuous, Rhodes-driven groove that references golden era Kerri Chandler and friends, but remains completely rooted in 2012. Mr V’s spoken word vocal lays out the manifesto for these two house pioneers – both are committed to quality music, made with passion and respect. Flip this 12 and you get Mr. V’s stunning take on the same track. Ratcheting up the percussive elements, the New York native injects hints of the Latin rhythms that define many of his productions, making this into a stone-cold club banger whatever the party. Both tracks come with corresponding instrumental versions for the DJs, rounding out this irresistible 12“ that continues Dessous’ outstanding run of releases this year.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore