Label:rex club music
Cat-No:rcm003
Release-Date:29.09.2016
Genre:House / Techno
Configuration:12"
Barcode:
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Label:rex club music
Cat-No:rcm003
Release-Date:29.09.2016
Genre:House / Techno
Configuration:12"
Barcode:
1
steve bug - What’s Happened
2
steve bug - What’s Happened (Rod remix)
3
steve bug - Berlinian Rexing
After a run of releases including music from Rex Club residents D'julz and Phil Weeks, and a beautiful Atlantic breakaway with Fred P, Rex Club Music brings in the boss of Poker Flat Recordings, the maestro himself, Steve Bug. A gentleman and a scholar who has been a key figure of the techno scene since its very early days, Steve Bug is also the mastermind behind a prolific and in demand label. He is a man who is always on point, looking to the future, maintaining the present and drawing on the past to operate in that magical intersection between the different eras of time.Indulge in this short course of Rexology for proof of his mastery, which is expertly applied with this polished new EP.First up we have ‘What’s Happened’, a track that occupies the space between tech house, acid and dub. Get ready for some hard stepping on the dance floor when this track is unleashed. Then ROD goes in hard with two remixes of ‘What’s Happened’, upping the ante, increasing the tempo and urgency to create an air of emergency. With ‘Remix One’ ROD has us on high alert, while ‘Remix Two’ focuses a little more on the groove and catchy analogue flashes. On the flip we have a night of ‘Berlinian Rexing’, with its time-lapse atmosphere allowing us to teleport between Berlin and Paris in a cacophony of whirring synths and uplifting stabs. The track plays on timelessness, creating classic tropes and creating the kind of atmosphere that underpins all of the most unforgettable nights.
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More records from steve bug
Label:Dubwax
Cat-No:DUBWAX008
Release-Date:20.09.2024
Genre:House / Techno
Configuration:12"
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Label:Dubwax
Cat-No:DUBWAX008
Release-Date:20.09.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Steve Bug - Ebb And Flow
2
Steve Bug - Back From Eternity
3
Steve Bug - Lost Sector
4
Steve Bug - Shadow Master
Steve Bug returns to RAWAX! Presenting "The Dark Lion" on DUBWAX - a superb dubby piece of art with this typical Steve Bug trippiness.
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Label:Chiwax Classic Edition
Cat-No:CCE042
Release-Date:02.08.2024
Genre:House
Configuration:12"
Barcode:
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Label:Chiwax Classic Edition
Cat-No:CCE042
Release-Date:02.08.2024
Genre:House
Configuration:12"
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1
Steve Bug - HO - Future Line I
2
Steve Bug - HO - Future Line II
3
Steve Bug - Girls On Lighters
4
Steve Bug - Mohair
RAWAX proudly presents the upcoming CHIWAX CLASSIC EDITION by Steve Bug!
This beauty came out originally on STICKMAN RECORDS in 1996. We are very happy
to bring this fantastic record back to (remastered) life! More
This beauty came out originally on STICKMAN RECORDS in 1996. We are very happy
to bring this fantastic record back to (remastered) life! More
12" Excl
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Label:Poker Flat
Cat-No:pfr226
Release-Date:11.12.2020
Genre:House
Configuration:12" Excl
Barcode:4250382442042
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Label:Poker Flat
Cat-No:pfr226
Release-Date:11.12.2020
Genre:House
Configuration:12" Excl
Barcode:4250382442042
1
Steve Bug - A. Loverboy (Catz 'n Dogz Remix)
2
Steve Bug - B. Loverboy (Acid Pauli Retouch)
Tracklist:
A. Loverboy (Catz 'n Dogz Remix)
B. Loverboy (Acid Pauli Retouch)
An undisputed classic of the electronic music scene, Steve Bug's 'Loverboy' was released on the first Poker Flat release ever ' Double Action' back in 1999.
Over the years it has been reworked only by a few - but the list includes the likes of Josh Wink and Guido Schneider. Now, as part of the 20 years of Poker Flat celebration, more names are added to that remix list with two new superb remixes from Catz 'n Dogz and Acid Pauli.
Catz 'n Dogz are a Polish producer duo making big waves in recent years, and their version of 'Loverboy' brims with their unmistakable energy - chugging, hypnotic groove and tons of effects and melodic twists and turns. Berlin legend Acid Pauli approaches it from a different angle - stripping away elements until a deeply trippy skeletal house track remains.
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A. Loverboy (Catz 'n Dogz Remix)
B. Loverboy (Acid Pauli Retouch)
An undisputed classic of the electronic music scene, Steve Bug's 'Loverboy' was released on the first Poker Flat release ever ' Double Action' back in 1999.
Over the years it has been reworked only by a few - but the list includes the likes of Josh Wink and Guido Schneider. Now, as part of the 20 years of Poker Flat celebration, more names are added to that remix list with two new superb remixes from Catz 'n Dogz and Acid Pauli.
Catz 'n Dogz are a Polish producer duo making big waves in recent years, and their version of 'Loverboy' brims with their unmistakable energy - chugging, hypnotic groove and tons of effects and melodic twists and turns. Berlin legend Acid Pauli approaches it from a different angle - stripping away elements until a deeply trippy skeletal house track remains.
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2LP Excl
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Label:Poker Flat Recordings
Cat-No:pfrlp39
Release-Date:13.11.2020
Genre:House
Configuration:2LP Excl
Barcode:4250382442325
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Label:Poker Flat Recordings
Cat-No:pfrlp39
Release-Date:13.11.2020
Genre:House
Configuration:2LP Excl
Barcode:4250382442325
1
Steve Bug - A1. Ludic Loops
2
Steve Bug - A2. Hijacked Minds
3
Steve Bug - A3. Yellow Snake
4
Steve Bug - B1. Locked Away In My Head
5
Steve Bug - B2. Electro Harmonix
6
Steve Bug - B3. The Awakening
7
Steve Bug - C1. The Clock Is Ticking
8
Steve Bug - C2. A Conscious Machine
9
Steve Bug - D1. Confidence Dub
10
Steve Bug - D2. Raindance 101
11
Steve Bug - D3. Upon Mountains
Double-LP + download code
Tracklist:
A1. Ludic Loops
A2. Hijacked Minds
A3. Yellow Snake
B1. Locked Away In My Head
B2. Electro Harmonix
B3. The Awakening
C1. The Clock Is Ticking
C2. A Conscious Machine
D1. Confidence Dub
D2. Raindance 101
D3. Upon Mountains
The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.
With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.
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Tracklist:
A1. Ludic Loops
A2. Hijacked Minds
A3. Yellow Snake
B1. Locked Away In My Head
B2. Electro Harmonix
B3. The Awakening
C1. The Clock Is Ticking
C2. A Conscious Machine
D1. Confidence Dub
D2. Raindance 101
D3. Upon Mountains
The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.
With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.
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Last in:27.08.2018
Label:Ornaments
Cat-No:orn045
Release-Date:17.08.2018
Genre:House
Configuration:12" Excl
Barcode:4260544825675
1
Steve Bug - Different In Detroit
2
Steve Bug - Different In Detroit (Rhauder Remix)
3
Steve Bug - Different In Detroit (Marko Fuerstenbergs DubHouse)
Special Remarks: clear marbled vinyl
Tracklist:
A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)
Short info:
Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.
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Tracklist:
A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)
Short info:
Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.
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Label:Poker Flat
Cat-No:pfr161
Release-Date:18.05.2015
Genre:House
Configuration:12" Excl
Barcode:4250382430001
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Label:Poker Flat
Cat-No:pfr161
Release-Date:18.05.2015
Genre:House
Configuration:12" Excl
Barcode:4250382430001
180 g Vinyl
Tracklist 12":
A1. Coconut Paradise B1. Thick As Mus B2. Pants On Fire
Info:
Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant "Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track "Coconut Paradise" is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. "Thick As Mud" lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. "Pants on Fire" is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.
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Tracklist 12":
A1. Coconut Paradise B1. Thick As Mus B2. Pants On Fire
Info:
Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant "Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track "Coconut Paradise" is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. "Thick As Mud" lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. "Pants on Fire" is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.
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Label:Poker Flat
Cat-No:pfr150
Release-Date:07.05.2014
Genre:House
Configuration:12" Excl
Barcode:4250382427247
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Last in:29.03.2016
Label:Poker Flat
Cat-No:pfr150
Release-Date:07.05.2014
Genre:House
Configuration:12" Excl
Barcode:4250382427247
1
steve bug - pelican glide
2
steve bug - till it's gone feat delhia de france
3
steve bug - pelican glide youandme remix
Barcode 4250382427247 Rel date 9.6.2014
First pressing comes as 180g Vinyl!
Tracklist A. Pelican Glide B1. Till It’s Gone feat. Delhia De France B2. Pelican Glide (youANDme Remix)
Info
Celebrating the 150th vinyl EP release, and as a prelude to 15 years of Poker Flat Recordings, Steve Bug returns to his own label to drop a sizzling three track EP of
powerful, seductive house music. Lead cut "Pelican Glide" exhibits his trademark driving grooves and highly effective off-kilter synths – the sort of track that turns dance floors and festivals upside down when dropped at the right moment. The deep kick hits hard while clever interplay between pads, melodic leads and percussion keep the tension finely tuned. Fellow Berliners youANDme yield a remix of "Pelican Glide", which transforms the track into something spacey and cinematic, before subtly reintroducing Steve Bug's killer synth line. Also gracing this release is "Till It's Gone"; built around a tough-as-nails house groove, and coupled with a breathy, alluring vocal from Delhia De France: the grand diva of the German electronic scene.
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First pressing comes as 180g Vinyl!
Tracklist A. Pelican Glide B1. Till It’s Gone feat. Delhia De France B2. Pelican Glide (youANDme Remix)
Info
Celebrating the 150th vinyl EP release, and as a prelude to 15 years of Poker Flat Recordings, Steve Bug returns to his own label to drop a sizzling three track EP of
powerful, seductive house music. Lead cut "Pelican Glide" exhibits his trademark driving grooves and highly effective off-kilter synths – the sort of track that turns dance floors and festivals upside down when dropped at the right moment. The deep kick hits hard while clever interplay between pads, melodic leads and percussion keep the tension finely tuned. Fellow Berliners youANDme yield a remix of "Pelican Glide", which transforms the track into something spacey and cinematic, before subtly reintroducing Steve Bug's killer synth line. Also gracing this release is "Till It's Gone"; built around a tough-as-nails house groove, and coupled with a breathy, alluring vocal from Delhia De France: the grand diva of the German electronic scene.
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Label:Poker Flat
Cat-No:pfr144
Release-Date:19.12.2013
Genre:House
Configuration:12" Excl
Barcode:4250382423911
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Label:Poker Flat
Cat-No:pfr144
Release-Date:19.12.2013
Genre:House
Configuration:12" Excl
Barcode:4250382423911
27 January 2014 EAN 4250382423911
Tracklisting: A The Arpeggio B1 Thickest Bass B2 Smoking Parrot
Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect. 'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 'Thickest Bass' is also fairly self explanatory pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment. 'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics. More
Tracklisting: A The Arpeggio B1 Thickest Bass B2 Smoking Parrot
Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect. 'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 'Thickest Bass' is also fairly self explanatory pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment. 'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics. More
12" Excl
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Label:Poker Flat
Cat-No:pfr136
Release-Date:17.01.2013
Genre:House
Configuration:12" Excl
Barcode:4250382416272
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Last in:19.06.2014
Label:Poker Flat
Cat-No:pfr136
Release-Date:17.01.2013
Genre:House
Configuration:12" Excl
Barcode:4250382416272
'EAN 4250382416272 Rel date 18th February 2013
Tracklist: A. No Adjustments feat. Foremost Poets (Steve Bug’s Re-adjustment) B1. No Adjustments feat. Foremost Poets (Alex Niggemann Remix) B2. No Adjustments feat. Foremost Poets (Arttu Remix)
Steve Bug returns with a brilliant set of killer reworks from his much-lauded 'Noir' album. 'No Adjustments' features the vocal talents of Foremost Poets, and remains one of the standout moments on the label boss’s enigmatic long player. Where 'Noir' explored the themes of light and shade, it was always clear that 'No Adjustments' was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by DJs. Steve Bug himself provides one growling, up-for-it rework – a chunky floor wrecking tool that epitomises the sentiment of the vocal – drop it in and stand well back. Long time Poker Flat collaborator Alex Niggemann is also drawn towards the edgy, menacing vibe, constructing a sick groove that builds via a dirty, swirling synth bass and clattering hi hats. Arttu, the Portuguese producer making waves with his recent releases via Royal Oak / Clone, also puts his stamp on 'No Adjustments'. Raw kicks, claps and hats fire this version along, the vocals cut up, treated and tweaked for maximum effect. The neurotic synths bubble away below the surface before breaking out spectacularly towards the track’s conclusion. A sure-fire ‘wtf?’ moment for ecstatic clubbers worldwide.
More
Tracklist: A. No Adjustments feat. Foremost Poets (Steve Bug’s Re-adjustment) B1. No Adjustments feat. Foremost Poets (Alex Niggemann Remix) B2. No Adjustments feat. Foremost Poets (Arttu Remix)
Steve Bug returns with a brilliant set of killer reworks from his much-lauded 'Noir' album. 'No Adjustments' features the vocal talents of Foremost Poets, and remains one of the standout moments on the label boss’s enigmatic long player. Where 'Noir' explored the themes of light and shade, it was always clear that 'No Adjustments' was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by DJs. Steve Bug himself provides one growling, up-for-it rework – a chunky floor wrecking tool that epitomises the sentiment of the vocal – drop it in and stand well back. Long time Poker Flat collaborator Alex Niggemann is also drawn towards the edgy, menacing vibe, constructing a sick groove that builds via a dirty, swirling synth bass and clattering hi hats. Arttu, the Portuguese producer making waves with his recent releases via Royal Oak / Clone, also puts his stamp on 'No Adjustments'. Raw kicks, claps and hats fire this version along, the vocals cut up, treated and tweaked for maximum effect. The neurotic synths bubble away below the surface before breaking out spectacularly towards the track’s conclusion. A sure-fire ‘wtf?’ moment for ecstatic clubbers worldwide.
More
Label:Poker Flat
Cat-No:pfrlp32
Release-Date:01.10.2012
Genre:Tech-House
Configuration:2LP Excl
Barcode:4250382415619
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Label:Poker Flat
Cat-No:pfrlp32
Release-Date:01.10.2012
Genre:Tech-House
Configuration:2LP Excl
Barcode:4250382415619
Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
2x12” Tracklist:
A1. Those Grooves
A2. Moment Of Ease feat. Emilie Chick
B1. No Adjustments feat. Foremost Poets
B2. The Spiral Staircase
B3. Farewell Friend
C1. Serve Your Mistress (Extended Version)
C2. Tell Me Why (Extended Version)
D1. Somewhere In The Night
D2. Poison Of Choice
D3. The Seventh Victim More
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
2x12” Tracklist:
A1. Those Grooves
A2. Moment Of Ease feat. Emilie Chick
B1. No Adjustments feat. Foremost Poets
B2. The Spiral Staircase
B3. Farewell Friend
C1. Serve Your Mistress (Extended Version)
C2. Tell Me Why (Extended Version)
D1. Somewhere In The Night
D2. Poison Of Choice
D3. The Seventh Victim More
Label:Poker Flat
Cat-No:pfrcd32
Release-Date:01.10.2012
Genre:Tech-House
Configuration:CD Excl
Barcode:4250382415565
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Label:Poker Flat
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Release-Date:01.10.2012
Genre:Tech-House
Configuration:CD Excl
Barcode:4250382415565
Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
CD Tracklist:
01. Tell Me Why
02. Poison Of Choice
03. Serve Your Mistress
04. No Adjustments feat. Foremost Poets
05. The Spiral Staircase
06. Moment Of Ease feat. Emilie Chick
07. Those Grooves
08. Somewhere In The Night
09. Farewell Friend
10. The Seventh Victim More
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
CD Tracklist:
01. Tell Me Why
02. Poison Of Choice
03. Serve Your Mistress
04. No Adjustments feat. Foremost Poets
05. The Spiral Staircase
06. Moment Of Ease feat. Emilie Chick
07. Those Grooves
08. Somewhere In The Night
09. Farewell Friend
10. The Seventh Victim More
Label:Poker Flat
Cat-No:pfr130
Release-Date:16.05.2012
Genre:House
Configuration:12" Excl
Barcode:4250382414131
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Last in:17.08.2017
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Label:Poker Flat
Cat-No:pfr130
Release-Date:16.05.2012
Genre:House
Configuration:12" Excl
Barcode:4250382414131
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Steve Bug drops a new outstanding 12” on his own highly prolific Poker Flat Recordings. 'Those Grooves' is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. 'Those Grooves', the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. Mid way through its 10 minutes, Bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. The flip side is no less dramatic – 'Tell Me Why' creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. A true peak-time burner with enough energy and tension to smash any floor.
Tracklist:
A: Those Grooves
B: Tell Me Why (Vinyl Version) More
Tracklist:
A: Those Grooves
B: Tell Me Why (Vinyl Version) More
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