Tracklist:
A. Loverboy (Catz 'n Dogz Remix)
B. Loverboy (Acid Pauli Retouch)

An undisputed classic of the electronic music scene, Steve Bug's 'Loverboy' was released on the first Poker Flat release ever ' Double Action' back in 1999.
Over the years it has been reworked only by a few - but the list includes the likes of Josh Wink and Guido Schneider. Now, as part of the 20 years of Poker Flat celebration, more names are added to that remix list with two new superb remixes from Catz 'n Dogz and Acid Pauli.
Catz 'n Dogz are a Polish producer duo making big waves in recent years, and their version of 'Loverboy' brims with their unmistakable energy - chugging, hypnotic groove and tons of effects and melodic twists and turns. Berlin legend Acid Pauli approaches it from a different angle - stripping away elements until a deeply trippy skeletal house track remains.
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Double-LP + download code

Tracklist:
A1. Ludic Loops
A2. Hijacked Minds
A3. Yellow Snake
B1. Locked Away In My Head
B2. Electro Harmonix
B3. The Awakening
C1. The Clock Is Ticking
C2. A Conscious Machine
D1. Confidence Dub
D2. Raindance 101
D3. Upon Mountains

The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.

With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.

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180 g Vinyl
Tracklist 12":
A1. Coconut Paradise B1. Thick As Mus B2. Pants On Fire
Info:
Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant "Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track "Coconut Paradise" is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. "Thick As Mud" lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. "Pants on Fire" is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.
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Barcode 4250382427247 Rel date 9.6.2014
First pressing comes as 180g Vinyl!
Tracklist A. Pelican Glide B1. Till It’s Gone feat. Delhia De France B2. Pelican Glide (youANDme Remix)
Info
Celebrating the 150th vinyl EP release, and as a prelude to 15 years of Poker Flat Recordings, Steve Bug returns to his own label to drop a sizzling three track EP of
powerful, seductive house music. Lead cut "Pelican Glide" exhibits his trademark driving grooves and highly effective off-kilter synths – the sort of track that turns dance floors and festivals upside down when dropped at the right moment. The deep kick hits hard while clever interplay between pads, melodic leads and percussion keep the tension finely tuned. Fellow Berliners youANDme yield a remix of "Pelican Glide", which transforms the track into something spacey and cinematic, before subtly reintroducing Steve Bug's killer synth line. Also gracing this release is "Till It's Gone"; built around a tough-as-nails house groove, and coupled with a breathy, alluring vocal from Delhia De France: the grand diva of the German electronic scene.
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27 January 2014 EAN 4250382423911
Tracklisting: A The Arpeggio B1 Thickest Bass B2 Smoking Parrot
Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect. 'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 'Thickest Bass' is also fairly self explanatory pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment. 'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics. More

'EAN 4250382416272 Rel date 18th February 2013
Tracklist: A. No Adjustments feat. Foremost Poets (Steve Bug’s Re-adjustment) B1. No Adjustments feat. Foremost Poets (Alex Niggemann Remix) B2. No Adjustments feat. Foremost Poets (Arttu Remix)
Steve Bug returns with a brilliant set of killer reworks from his much-lauded 'Noir' album. 'No Adjustments' features the vocal talents of Foremost Poets, and remains one of the standout moments on the label boss’s enigmatic long player. Where 'Noir' explored the themes of light and shade, it was always clear that 'No Adjustments' was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by DJs. Steve Bug himself provides one growling, up-for-it rework – a chunky floor wrecking tool that epitomises the sentiment of the vocal – drop it in and stand well back. Long time Poker Flat collaborator Alex Niggemann is also drawn towards the edgy, menacing vibe, constructing a sick groove that builds via a dirty, swirling synth bass and clattering hi hats. Arttu, the Portuguese producer making waves with his recent releases via Royal Oak / Clone, also puts his stamp on 'No Adjustments'. Raw kicks, claps and hats fire this version along, the vocals cut up, treated and tweaked for maximum effect. The neurotic synths bubble away below the surface before breaking out spectacularly towards the track’s conclusion. A sure-fire ‘wtf?’ moment for ecstatic clubbers worldwide.
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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
2x12” Tracklist:
A1. Those Grooves
A2. Moment Of Ease feat. Emilie Chick
B1. No Adjustments feat. Foremost Poets
B2. The Spiral Staircase
B3. Farewell Friend
C1. Serve Your Mistress (Extended Version)
C2. Tell Me Why (Extended Version)
D1. Somewhere In The Night
D2. Poison Of Choice
D3. The Seventh Victim More

Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
CD Tracklist:
01. Tell Me Why
02. Poison Of Choice
03. Serve Your Mistress
04. No Adjustments feat. Foremost Poets
05. The Spiral Staircase
06. Moment Of Ease feat. Emilie Chick
07. Those Grooves
08. Somewhere In The Night
09. Farewell Friend
10. The Seventh Victim More

Steve Bug drops a new outstanding 12” on his own highly prolific Poker Flat Recordings. 'Those Grooves' is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. 'Those Grooves', the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. Mid way through its 10 minutes, Bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. The flip side is no less dramatic – 'Tell Me Why' creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. A true peak-time burner with enough energy and tension to smash any floor.
Tracklist:
A: Those Grooves
B: Tell Me Why (Vinyl Version) More

Steve Bug finally returns to Ovum after his 2004 breakthrough Houze EP. Hard to believe it has been 6 years, but during that time Steve has cemented himself as one of the top DJ/Producers in the world. For the A side, Steve brings us My Sweet Vital Angel which is a rocking straight up house jam. Great use of vocal sample here and one that will blow up any primetime set. This has been a secret weapon for Wink all summer. The flipside As It Was shows Steve’s techier side. A perfect track for the likes of Panorama Bar or the Womb in Tokyo. Once again Steve shows how minimal can be maximal!

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Special Remarks: clear marbled 180g vinyl + stamped sleeve


Tracklist:

A - Tizinabi Part I (23:02 min)
B - Tizinabi Part II (22:38 min)


Short info:

Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.

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Special Remarks: clear marbled vinyl + stamped sleeve


Tracklist:

A — Echoes
B1 — A Time To Rebuild
B2 — Destination Detroit


Short info:

Deep, trippy, Dub Techno and Detroit inspired cuts by Daniel Stefanik.
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Special Remarks: clear marbled vinyl + stamped sleeve


Tracklist:

A — "Lost Traxx #3"
B — "Lost Traxx #3" (youANDme Remix)


Short info:

Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme. Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.

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Special Remarks: clear marbled vinyl + stamped sleeve

Tracklist:
A1 — "To Infinity"
A2 — "The Second Message" feat. Keter Darker
A3 — "The Next"
B1 — "Smile"
B2 — "The Pass"
B3 — "Infinity"


Short info:
Carlos Nilmmns is back on Ornaments with another diverse EP ranging from Detroit-inspired house grooves, Dub-Techno, deep electro patterns and stunning soundtracks.
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Special Remarks: 180g clear marbled vinyl + stamped sleeve + inside out printed cover

Tracklist:

A1 — "Scan”
A2 — "Protective Wings"
A3 — "Nightmare Girls"
A4 — "Desert Dreams"
A5 — "Templefield Midnightskate"
A6 — "Life Transpose"
B1 — "Stoned Bones"
B2 — "Blueprinter"
B3 — "Dollars"
B4 — "Another Reminder"
B5 — "Footsteps"
B6 — "Until The End Of The World"

Short info:

Mood of departure presents the 50th release of ORNAMENTS. "Roadmap" LP is crossing borders, forests, mountains and deep atmospheres on a trip of finest electronics from the past and today combined with recordings of destructions.
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Special Remarks: 3 x 12” clear marbled vinyl (blue splashes) + stamped natural carton sleeve

Tracklist:

A — "No News"
B1 — "No News" (Rhauders Dub)
B2 — "No News" (Assemblage Mix)
C — "Sidechain"
D1 — "Sidechain" (Dub Version)
D2 — "Sidechain" (Pop-A-Dub Version)
E1 — "Molekule"
E2 — "Molekule Version"
F1 — "No More"
F2 — "No More Version"

Short info:

„Assemblage“ of Rhauder & Paul St. Hilaire contains all originals of their Ornaments works plus an unreleased bonus version. It’s a recut on three 12 inches with clear marbled vinyl (blue splashes) in a stamped natural carton sleeve. Expect 10 dub techno tracks combined with the beautiful voice of Paul St. Hilaire aka Tikiman.

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Special Remarks: clear marbled vinyl

Tracklist:

SIDE A (16:01 min)

A1 - Pal Joey: "Hot Music" (retouched by Takeshi Fukushima) [06:05]
A2 - Pal Joey: "Freaky" (retouched by Takeshi Fukushima) [04:09]
A3 - Takeshi Fukushima: "Mood7" [02:45]
A4 - Pal Joey: "Bounce" (retouched by Takeshi Fukushima) [03:02]

SIDE B (15:56 min)

B1 - Takeshi Fukushima: "When I Get Kindness" [05:15]
B2 - Takeshi Fukushima: "Close The Lid" [04:08]
B3 - Takeshi Fukushima: "What Is This Thing Called Boogie" [03:45]
B4 - Takeshi Fukushima: "Nostalgic Memory" [02:48]

Short info:

The new ORNAMENTS presents 2 legends from New York and Tokyo. Pal Joey Music was created by Joseph Longo III (aka Pal Joey / Earth People / French Touch) and it is one of the most important genre defining house labels from New York. Takeshi Fukushima took some of his favourites from the catalog, retouched it and did his own interpretations. You can expect a well balanced excursion into deep & soulful house, downbeats and electronica.
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Special Remarks: clear marbled vinyl


Tracklist:

A1. Carlos Nilmmns - Copa
A2. Carlos Nilmmns - Blue Room
A3. Carlos Nilmmns, Keter Darker - Iris
A4. Carlos Nilmmns - December In New York
B1. Carlos Nilmmns - Older, Wiser
B2. Carlos Nilmmns - Efflorescence
B3. Carlos Nilmmns - Loft

Short info:

Carlos Nilmmns returns to Ornaments with another slice of artful songwriting ranging from classic deep house, Detroit inspired techno, dubby sketches, a pinch of acid, some New York jazz downbeats and stunning soundtracks.


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Special Remarks: clear marbled vinyl


Tracklist:

A1 - "Goya"
A2 - "Goya" (Rhauder remix)
B1 - "Saka"
B2 - "Yoto"

Short info:

Mathimidori from Mule Musiq shows us his dub inspired roots incl. a fine balanced remix by Rhauder.


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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Grains"
A2 - "Alternative Thinking Methods"
B1 - "Alternative Thinking Methods" (Basic-Variation)
B2 - "Grains" (Basic-Variation)

Short info:
youANDme and Richard Rozen (aka 6FEET) from New York team up for some bass heavy driving deep house cuts.
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Special Remarks: clear marbled vinyl
Written, produced, arranged and engineered by Joseph Longo III | Pal Joey Music aka Earth People

Tracklist:
A1 - French Touch 2: "Come On" (Frédo Remix)
A2 - French Touch 2: "Breakin Necks" (Papastomp Remix)
A3 - French Touch 2: "Crowd Jumpin" (DJ PH Remix)
B1 - French Touch 2: "What Would You Change" (feat. Teddy.G)
B2 - French Touch 2: "Yes Yes Y'all" (feat. Benjamin Muller)
B3 - French Touch 2: "Check Out" (Déni Shaïn Remix)
B4 - French Touch 2: "Movin Up" (feat. Ben Muller)


Short info:
New York finest Joseph Longo III (aka Pal Joey / Earth People) presents an excursions into deep & soulful house, downbeats and electronica.
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Special Remarks: clear marbled vinyl
Tracklist:
A - "Heebie Jeebies"
B1 - " Heebie Jeebies" (Rolando Remix)
B2 - " Heebie Jeebies" (The Analog Roland Orchestra Remix)

Short info:
Bass heavy, subtly rhythmical Detroit inspired original by Carlos Nilmmns incl. 2 substantial interpretations by DJ Rolando and The Analog Roland Orchestra
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12" clear marbled 180g vinyl, recycled grey sleeve
Style: Dub Techno, Modulardub, Experimental, Ambient, Listening

Tracklist:
A1 - "Eigenleben 1"
A2 - "Eigenleben 2"
A3 - "Eigenleben 3"
A4 - "Eigenleben 4"

B1 - "Eigenleben 5"
B2 - "Eigenleben 6"
B3 - "Eigenleben 7"
B4 - "Eigenleben 8"

Short info:
"Eigenleben" was written and produced by Holger Flinsch & Martin Müller from March '05 till June '06 in Hochtaunus, Ohmgebirge and Humboldthain. After 10 years it is the first time available as limited clear marbled 180g vinyl.
Release info:
Creating something selfexistent might be the most difficult part of doing arts - something that isn't just a rigid thing but an entity of itself. Our goal is to bear something upon our technical possibilities without involving any other entity's energy.
Our selfexistent entity should be made up of dead matter and brought to life by technical components which interact with their surrounding and make decisions based on observations which are being analyzed and torn through programs to calculate potential procedures. It should not be limited to its current level of experience. To remain state-of-the-art, apprehension and intelligence are indispensable capabilities our entity should be able to make use of.
The needed technology is basically built on coincidental scientific observations which have been analyzed, processed and at best industrialized. This only works on repetitive or - even better - repeatable processes, because otherwise an industrialization would make no sense. As a result nature is being squeezed into our own pattern of predictability.
But there is a fundamental problem: intelligence cannot be satisfied with predictability. Entities bound to programs are always waiting for known and already categorized input. They cannot handle yet unknown impressions or re-categorize them. Intelligence is beyond predictability - it deals with the unknown and tries to integrate it into the limited and predictable world, of which itself is - and will always be - part.
We have to ask ourself: will it ever be possible? And is it worth it all?
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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Molekule" A2 - "Molekule Version" B1 - "No More" B2 - "No More Version"

Short info:
Paul St. Hilaire's soulful voice meets Rhauder's deep & dub inspired beats.

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Special Remarks: clear marbled vinyl

Tracklist:
A1 - "Cab Ride (To Cafe De Flore)"
A2 - "Nocturne"
A3 - "P-Funk" feat. Keter Darker
B1 - "Earthbound"
B2 - "Scuba"
B3 - "The Sessions 001"

Short info:
A collection of atmospheric tracks between classical compositions, Detroit techno and oldschool deep house.

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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Lightlandscapes"
A2 - "Melody 4"
A3 - "Roden Crater Vision"
A4 - "Broken Sky"
A5 - "Lay Down"
B1 - "Curvature"
B2 - "Impact"
B3 - "Orange Rainrain"
B4 - "Melody 8"
B5 - "Polyblue"
Short info:
A collection of Tracks, skits and moods for James Turell´s visionary Roden Crater project by
The Analog Roland Orchestra.
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Marbled Vinyl
Tracklist:
A - "Tribute" (Original Version) B1 - "Tribute" (DJ JUS-ED Deep Sleep Remix) B2 - "Tribute" (Disco Version)
Short info:
Deep and moody House excursions.
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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Metal Sunrise" A2 - "Rippling Waves" B1 - "Time Regression Study" B2 - "Interruptions"

Short info:
Fine moody and dubbed out Techno & Electronica cuts from another space.
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