Presales Week 06
WAS Exclusives
Label:Die Schachtel
Cat-No:DS50/1
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Die Schachtel
Cat-No:DS50/1
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Non Exclsuive Title! Preirder Only. No Returns.
Format: Box-set, includes LP, Book and Poster (200 copies only, limited
stock remaining)
Within the world of theatrical archives, there are the known, the
unknown, the forgotten, and the lost. Demetrio Stratos' stage
compositions for Teatro dell'Elfo's groundbreaking 1979 production
Satyricon - directed by future Oscar winner Gabriele Salvatores -
represents one such lost artifact now wondrously returned to life. This
radical sonic work, integrating extended vocal techniques, Balinese
instruments, and pioneering whale song recordings, stands as the final
masterpiece of Italy's most visionary vocal experimenter, lost for over
four decades until Die Schachtel's extraordinary recovery. As Stratos
himself explained: "The musical operation performed on Satyricon is
particular: the composer-musician here does not compose, but borrows
ready-made music, vivisects it, melts it, intervenes and recomposes it
on magnetic tape. The structure of the signifier, from a morphological
point of view, presents itself as a conceptual collage."
The music is obtained by utilizing compositions and musical elements
from David Behrman, Joan La Barbara, Balinese Ketyak, Turkish Nay flute,
Yugoslavian bagpipe, Pan flute, and whale song, with synthesizer
interventions by Paolo Tofani. It began as part of something known - a
wild, immersive theatrical event that inaugurated Teatro dell'Elfo's
historic venue in 1979, was almost entirely forgotten, becoming lost and
then unknown. The original production marked a radical departure for the
company: no longer popular street theatre, but a dark, immersive,
sophisticated spectacle that transformed their space into a rough wooden
arena with a sand floor. Demetrio Stratos, working with Paolo Tofani
(fellow Area member), created an entire sonic universe that subverted
every conventional function of stage music. Their composition wasn't
accompaniment, but autonomous sonic dramaturgy that integrated extended
vocal techniques, archaic electronic elements, Nay flutes, Balinese
instruments, and pioneering whale song recordings.
The result was a three-dimensional soundscape that enveloped audiences,
creating an otherworldly acoustic dimension. Stratos' score even
intervened in the actors' vocal delivery, with the recordings capturing
both the performance and his coaching sessions with the cast. The
production featured young actors destined for fame - Elio De Capitani,
Ferdinando Bruni, Cristina Crippa, Corinna Agustoni, Ida Marinelli -
guided by Gabriele Salvatores in this adaptation of Petronius' ancient
novel.
Shortly after the Satyricon performances, Stratos was hospitalized for
the condition that would lead to his death at just 33 years old. This
work represents his final composition - a haunting farewell from one of
Italy's most innovative sound artists. Die Schachtel presents this
recovered work in collaboration with Teatro dell'Elfo, pulled from the
original magnetic tape and carefully restored.
Satyricon '79 is one of the great artifacts of 1970s Italian avant-garde
- a wild, grinding sonic expose which sucks the ear into its depths,
made in the spirit of collaboration and creative risk-taking. The
edition includes critical apparatus with essays, testimonies from
protagonists, and period photographic documentation, documenting an
unrepeatable moment where theatre, vocal research and sonic
experimentation converged. This release marks a poignant moment in
experimental music history - Stratos' final work, now rescued from the
archives and restored to its rightful place in the canon of Italian
avant-garde masterpieces. A true wonder of towering historical
importance. As essential as it gets for any fan of experimental music,
or the history of the Italian avant-garde. Fully restored and newly
mastered from the original analog tapes. Absolutely essential.
Track list: https://tinyurl.com/yaae25sp
a1. Filastrocca (Nursery Rhyme) 1:11
a2. Scuola di retorica (School of Rethorics) 2:08
a3. Retarius in lotta (Retarius' Fight) 2:13
a4. Scena, Fiaba, Pantomima (Scene, Tale, Pantomime) 5:24
a5. Quartilla 0:31
a6. Quartiere dei bordelli (Brothels' Quarter) 2:26
a7. Mercato, nebbia (Market, Fog) 1:02
a8. Orgia (Orgy) 2:34
b1. Bali 7:02
b2. Epitaffio (Epitaph) 1:09
b3. La nave (The Ship) 1:34
b4. Inizio tempesta (Storm Begins) 1:04
b5. Tempesta violenta (Violent Storm) 1:30
b6. Succhiata (Sucking) 0:12
b7. Naufragio (Shipwreck) 1:33
b8. Giardino di Circe (Circe's Garden) 0:43
b9. Proseleno 0:51
b10. La Maga (The Witch) 1:19
b11. Mangiando il cadavere + L'uccello (Eating the Corpse + The Bird) 2:27
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: Box-set, includes LP, Book and Poster (200 copies only, limited
stock remaining)
Within the world of theatrical archives, there are the known, the
unknown, the forgotten, and the lost. Demetrio Stratos' stage
compositions for Teatro dell'Elfo's groundbreaking 1979 production
Satyricon - directed by future Oscar winner Gabriele Salvatores -
represents one such lost artifact now wondrously returned to life. This
radical sonic work, integrating extended vocal techniques, Balinese
instruments, and pioneering whale song recordings, stands as the final
masterpiece of Italy's most visionary vocal experimenter, lost for over
four decades until Die Schachtel's extraordinary recovery. As Stratos
himself explained: "The musical operation performed on Satyricon is
particular: the composer-musician here does not compose, but borrows
ready-made music, vivisects it, melts it, intervenes and recomposes it
on magnetic tape. The structure of the signifier, from a morphological
point of view, presents itself as a conceptual collage."
The music is obtained by utilizing compositions and musical elements
from David Behrman, Joan La Barbara, Balinese Ketyak, Turkish Nay flute,
Yugoslavian bagpipe, Pan flute, and whale song, with synthesizer
interventions by Paolo Tofani. It began as part of something known - a
wild, immersive theatrical event that inaugurated Teatro dell'Elfo's
historic venue in 1979, was almost entirely forgotten, becoming lost and
then unknown. The original production marked a radical departure for the
company: no longer popular street theatre, but a dark, immersive,
sophisticated spectacle that transformed their space into a rough wooden
arena with a sand floor. Demetrio Stratos, working with Paolo Tofani
(fellow Area member), created an entire sonic universe that subverted
every conventional function of stage music. Their composition wasn't
accompaniment, but autonomous sonic dramaturgy that integrated extended
vocal techniques, archaic electronic elements, Nay flutes, Balinese
instruments, and pioneering whale song recordings.
The result was a three-dimensional soundscape that enveloped audiences,
creating an otherworldly acoustic dimension. Stratos' score even
intervened in the actors' vocal delivery, with the recordings capturing
both the performance and his coaching sessions with the cast. The
production featured young actors destined for fame - Elio De Capitani,
Ferdinando Bruni, Cristina Crippa, Corinna Agustoni, Ida Marinelli -
guided by Gabriele Salvatores in this adaptation of Petronius' ancient
novel.
Shortly after the Satyricon performances, Stratos was hospitalized for
the condition that would lead to his death at just 33 years old. This
work represents his final composition - a haunting farewell from one of
Italy's most innovative sound artists. Die Schachtel presents this
recovered work in collaboration with Teatro dell'Elfo, pulled from the
original magnetic tape and carefully restored.
Satyricon '79 is one of the great artifacts of 1970s Italian avant-garde
- a wild, grinding sonic expose which sucks the ear into its depths,
made in the spirit of collaboration and creative risk-taking. The
edition includes critical apparatus with essays, testimonies from
protagonists, and period photographic documentation, documenting an
unrepeatable moment where theatre, vocal research and sonic
experimentation converged. This release marks a poignant moment in
experimental music history - Stratos' final work, now rescued from the
archives and restored to its rightful place in the canon of Italian
avant-garde masterpieces. A true wonder of towering historical
importance. As essential as it gets for any fan of experimental music,
or the history of the Italian avant-garde. Fully restored and newly
mastered from the original analog tapes. Absolutely essential.
Track list: https://tinyurl.com/yaae25sp
a1. Filastrocca (Nursery Rhyme) 1:11
a2. Scuola di retorica (School of Rethorics) 2:08
a3. Retarius in lotta (Retarius' Fight) 2:13
a4. Scena, Fiaba, Pantomima (Scene, Tale, Pantomime) 5:24
a5. Quartilla 0:31
a6. Quartiere dei bordelli (Brothels' Quarter) 2:26
a7. Mercato, nebbia (Market, Fog) 1:02
a8. Orgia (Orgy) 2:34
b1. Bali 7:02
b2. Epitaffio (Epitaph) 1:09
b3. La nave (The Ship) 1:34
b4. Inizio tempesta (Storm Begins) 1:04
b5. Tempesta violenta (Violent Storm) 1:30
b6. Succhiata (Sucking) 0:12
b7. Naufragio (Shipwreck) 1:33
b8. Giardino di Circe (Circe's Garden) 0:43
b9. Proseleno 0:51
b10. La Maga (The Witch) 1:19
b11. Mangiando il cadavere + L'uccello (Eating the Corpse + The Bird) 2:27
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:The Outer Edge
Cat-No:EDGE-039
Release-Date:06.02.2026
Genre:PostRockNouvelleVague
Configuration:7" Excl
Label:The Outer Edge
Cat-No:EDGE-039
Release-Date:06.02.2026
Genre:PostRockNouvelleVague
Configuration:7" Excl
1
FEX - Dead End (with Ilona Rückwardt)
2
FEX - Sarah (with Ilona Rückwardt)
GENRE/S: Post-Punk / New Wave / Alternative
Were FEX the Wildest & Weirdest German New Wave Band in 1984?
Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).
Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.
On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.
Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."
The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.
Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.
Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP "More Waves from the Past."
Side A
Dead End (with Ilona Rückwardt)
Side B
Sarah (with Ilona Rückwardt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Were FEX the Wildest & Weirdest German New Wave Band in 1984?
Few cult mysteries in modern music have captured the internet's imagination quite like "The Most Mysterious Song on the Internet." Eventually identified as "Subways of Your Mind" by the elusive German band FEX, the track became a viral sensation decades after its creation-and even made its way into a recent Hollywood blockbuster (Black Phone 2).
Now, two more lost FEX recordings have emerged from an old demo cassette: "Dead End" and "Sarah." And they're every bit as electrifying as the legend suggests.
On both songs, guitarist and main songwriter Ture Rückwardt joins forces on lead vocals with his former wife and musical partner Ilona Rückwardt, forming a vocal pairing that channels raw energy and eerie chemistry. What they deliver are two of the most urgent, adrenaline-fueled post-punk artifacts you're likely to hear this year-even if they were recorded more than forty years ago.
Opening with a sharp, melodic guitar solo, "Dead End" bursts forward with uptempo drive-catchy, fierce, and full of momentum. Apparently inspired by Orwell's 1984, its lyrics depict urban desolation-loneliness, homelessness, hopelessness-yet still shimmer with defiance in lines like, "Truth is amazing - hoping is like waiting."
The second track, "Sarah," dives even deeper into darkness. Mixing post-punk intensity with psychedelic textures, Rückwardt tells an imaginary story of a couple lost in drugs and spiraling through a bad trip, only to wake and realize that sobriety offers little comfort-the real world itself can be just as brutal and offers no easy escape.
Neither song makes the slightest concession to commercial trends. Instead, they feel utterly uncompromising-wild, strange, and defiantly timeless. In a world obsessed with polish and playlists, "Dead End" and "Sarah" sound like transmissions from a different planet.
Both tracks were originally recorded as demos in 1984 in the band's rehearsal room, with Hase engineering. The newly restored versions preserve the raw spirit of the original tapes while adding subtle layers to enhance their atmosphere without losing the authentic 1980s sound. FEX hint that the untouched demo versions might surface later, possibly on a second volume of their archival EP "More Waves from the Past."
Side A
Dead End (with Ilona Rückwardt)
Side B
Sarah (with Ilona Rückwardt)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Extraviolette - Tonight is the Night
2
Extraviolette - Sterelove
3
Extraviolette - Let's not forget
4
Extraviolette - Leave the Ground
5
Extraviolette - Journey
6
Extraviolette - It's my turn
NO Return!
"Leave The Ground" the 1st album of the powerhouse live-band Extraviolette. Get ready to groove along the funky rhythm section, the soulful vocals and the piercing brass that transport you back to the heart of the Disco Era. Based in Leipzig these nine musicians want spread their love for the music of the 70ties and are committed to energise their audience with new music they haven't heard, yet.
Side a
1. Tonight is the Night
2. Sterelove
3. Let's not forget
Side b
4. Leave the Ground
5. Journey
6. It's my turn
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Leave The Ground" the 1st album of the powerhouse live-band Extraviolette. Get ready to groove along the funky rhythm section, the soulful vocals and the piercing brass that transport you back to the heart of the Disco Era. Based in Leipzig these nine musicians want spread their love for the music of the 70ties and are committed to energise their audience with new music they haven't heard, yet.
Side a
1. Tonight is the Night
2. Sterelove
3. Let's not forget
Side b
4. Leave the Ground
5. Journey
6. It's my turn
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Chromosome - A1 – Makhtub
2
Chromosome - A2 – Conception Of Dust
3
Chromosome - B1 – Afrika
4
Chromosome - B2 – Show Of Terrorism
5
Chromosome - B3 – Gazolina
Special remarks: Original artwork reproduction, includes insert with archival photos and liner notes
In the humid static of early-’80s Tel Aviv, Chromosome emerged like a wiretap from the future. Formed in 1981 by provocateur Rami Fortis and sonic instigator Doron “Shultz” Eyal, the group fused punk abrasion, new wave architecture, avant-garde dissonance, and Middle Eastern textures. Joined by David Gervai and Rona Vered, they produced a singular 12" EP on their DIY imprint TOV Production - now a collector’s treasure.
This reissue of the Chromosome EP resurrects a raw, percussive artifact that slips between English, Arabic, and indecipherable phonetics like a busted shortwave signal. Anchored by “Makhtub” and backed with incendiary tracks such as “Show of Terrorism” and “Gazolina,” it is a vital document of Tel Aviv’s underground, mapping out a borderless, feral lineage for Israeli music.
VITAL SALES POINTS:
First-ever reissue of Chromosome’s sole 1981 EP.
Features Rami Fortis, one of Israel’s most influential post-punk provocateurs.
Rare artifact of Tel Aviv’s underground: a fusion of punk, new wave, avant-garde, and Middle Eastern textures.
Original copies are extremely hard to find, regularly selling for 150 USD+ on Discogs.
Includes reproduction of original artwork plus insert with archival photos and liner notes.
Fully remastered for vinyl and digital formats.
Essential for fans of international post-punk, underground music history, and collectors of rare 1980s experimental releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In the humid static of early-’80s Tel Aviv, Chromosome emerged like a wiretap from the future. Formed in 1981 by provocateur Rami Fortis and sonic instigator Doron “Shultz” Eyal, the group fused punk abrasion, new wave architecture, avant-garde dissonance, and Middle Eastern textures. Joined by David Gervai and Rona Vered, they produced a singular 12" EP on their DIY imprint TOV Production - now a collector’s treasure.
This reissue of the Chromosome EP resurrects a raw, percussive artifact that slips between English, Arabic, and indecipherable phonetics like a busted shortwave signal. Anchored by “Makhtub” and backed with incendiary tracks such as “Show of Terrorism” and “Gazolina,” it is a vital document of Tel Aviv’s underground, mapping out a borderless, feral lineage for Israeli music.
VITAL SALES POINTS:
First-ever reissue of Chromosome’s sole 1981 EP.
Features Rami Fortis, one of Israel’s most influential post-punk provocateurs.
Rare artifact of Tel Aviv’s underground: a fusion of punk, new wave, avant-garde, and Middle Eastern textures.
Original copies are extremely hard to find, regularly selling for 150 USD+ on Discogs.
Includes reproduction of original artwork plus insert with archival photos and liner notes.
Fully remastered for vinyl and digital formats.
Essential for fans of international post-punk, underground music history, and collectors of rare 1980s experimental releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deep Space Organisms - Inner Moment
2
Deep Space Organisms - Outer Moment
Originally released in 2002, Inner Moment / Outer Moment by UK duo Deep Space Organisms stands as a cornerstone in the intersection of dub techno and progressive house. Deep, atmospheric, and immaculately crafted, both tracks unfold with hypnotic warmth and forward momentum—designed for introspection yet perfectly tuned for an elevated dancefloor experience.
Championed at the time by Sasha and John Digweed, these cuts became secret weapons within the UK underground of the early 00s, capturing the essence of an era where melody met texture. Now remastered from original tape source material, Glossy Mistakes revives this sought-after gem as part of the Glossyfloor series, preserving its analogue depth while unveiling new sonic clarity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Championed at the time by Sasha and John Digweed, these cuts became secret weapons within the UK underground of the early 00s, capturing the essence of an era where melody met texture. Now remastered from original tape source material, Glossy Mistakes revives this sought-after gem as part of the Glossyfloor series, preserving its analogue depth while unveiling new sonic clarity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Watch the new video for second single 'Death Valley Morning Dew' here -
"Death Valley Morning Dew"
South London's Jerkcurb - aka Jacob Read - is back with news that his sophomore album 'Night Fishing On A Calm Lake' is to be released at the end of November following 2019's 'Air Con Eden'.
After that album's successful release Read had planned to expand Jerkcurb into a full band setup when his father, a painter like himself and a creative inspiration, passed away. Instead of the envisioned plan of taking his project bigger Read returned to the family home and re-examined the material for the new album and instead the album became one of reflection, grief and redemption. It's not much of a stretch to see clear musical inspirations for the record too - Prefab Sprout, Talk Talk and The Blue Nile, records where the moments of silence are stretched out.
Read produced and engineered the album himself, mostly at home with Lara Laeverenz and Gray Rimmer providing cocals. The album is mixed by Dilip Harris (King Krule, Mount Kimbie).
The enchanting cover artwork was painted at Read's father's studio in Camberwell, painted in oil with its dreamlike blur of blue and black . It hints at the early film noir and magical realist influences for the album.
Previous single 'Larchmont' which came out last month also tips its hat to those elements:
https://www.youtube.com/watch?v=9WXD5zDXi58
Tracklist: 1) The Rocks 2) Death Valley Morning Dew 3) Hungry 4) Mothematics 5) Loss Dub 6)
Larchmont 7) Too Much Intelligence 8) Help You 9) Night Fishing ON A Calm Lake 10) Home On The Ranch 11) Oh No
JERKCURB live in 2026:
28/01 - Bristol, The Louisiana
29/01 - Manchester, Yes
30/01 - Leeds, Headrow House
31/01 - Glasgow, Nice & Sleazy
02/02 - Nottingham, The Bodega
11/02 - London EartH
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Watch the new video for second single 'Death Valley Morning Dew' here -
"Death Valley Morning Dew"
South London's Jerkcurb - aka Jacob Read - is back with news that his sophomore album 'Night Fishing On A Calm Lake' is to be released at the end of November following 2019's 'Air Con Eden'.
After that album's successful release Read had planned to expand Jerkcurb into a full band setup when his father, a painter like himself and a creative inspiration, passed away. Instead of the envisioned plan of taking his project bigger Read returned to the family home and re-examined the material for the new album and instead the album became one of reflection, grief and redemption. It's not much of a stretch to see clear musical inspirations for the record too - Prefab Sprout, Talk Talk and The Blue Nile, records where the moments of silence are stretched out.
Read produced and engineered the album himself, mostly at home with Lara Laeverenz and Gray Rimmer providing cocals. The album is mixed by Dilip Harris (King Krule, Mount Kimbie).
The enchanting cover artwork was painted at Read's father's studio in Camberwell, painted in oil with its dreamlike blur of blue and black . It hints at the early film noir and magical realist influences for the album.
Previous single 'Larchmont' which came out last month also tips its hat to those elements:
https://www.youtube.com/watch?v=9WXD5zDXi58
Tracklist: 1) The Rocks 2) Death Valley Morning Dew 3) Hungry 4) Mothematics 5) Loss Dub 6)
Larchmont 7) Too Much Intelligence 8) Help You 9) Night Fishing ON A Calm Lake 10) Home On The Ranch 11) Oh No
JERKCURB live in 2026:
28/01 - Bristol, The Louisiana
29/01 - Manchester, Yes
30/01 - Leeds, Headrow House
31/01 - Glasgow, Nice & Sleazy
02/02 - Nottingham, The Bodega
11/02 - London EartH
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Ghost Of Rico Puestel Jr. - Above The Trancesphere
2
The Ghost Of Rico Puestel Jr. - There Must Have Been Trance
Genre: Trance, Melodic Techno
Tracklist 12":
A1 – Above The Trancesphere
B1 – There Must Have Been Trance
Info:
Trance always had a special place in the heart of Rico Puestel’s younger self, so he travelled through time and made this record!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 – Above The Trancesphere
B1 – There Must Have Been Trance
Info:
Trance always had a special place in the heart of Rico Puestel’s younger self, so he travelled through time and made this record!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Last Year At Marienbad
Cat-No:LYAM011
Release-Date:06.02.2026
Genre:House / Techno
Configuration:12" Excl
Label:Last Year At Marienbad
Cat-No:LYAM011
Release-Date:06.02.2026
Genre:House / Techno
Configuration:12" Excl
1
M1NT & STRNGE - New Horizons
2
M1NT & STRNGE - New Horizons (Edmondson Remix)
3
M1NT & STRNGE - Spheres
4
M1NT & STRNGE - Let Go
Territory: Worldwide
Tracklist:
A1. New Horizons
A2. New Horizons (Edmondson Remix)
B1. Spheres
B2. Let Go
Info
LYAM welcomes duo M1NT and STRNGE with 'Spheres', a breathtaking EP that embodies late night star gazing, all encompassing introspection and deep immersion in feeling.
M1NT and STRNGE, known as NRMNT, have built a compelling foundation for their sound, which speaks broadly with a deft, organic approach and enables intimacy, emotion and mood. They combine their production knowledge with M1NT's trumpet playing, a cornerstone of their unique sound, and move effortlessly through the realms of dance music, drawing inspiration from soft undulations, tonal waves and euphoric melodic frequencies, with strong emphasis on musical evolution.
'Spheres' encapsulates their musicianship, giving the music room to grow and morph as the EP unravels. 'New Horizons' has a hopeful gleam, with synths hinting at sun kissed skies and optimism, while M1NT's trumpet offers graceful cameos and expressive chordal lines over soft yet purposeful drums.
The title track leans into its dream-like synth intro before highly energised drums take hold, and its polyrhythmic keys and tight groove create spiritual release.
'Let Go' leans into the emotive power of melodics, with angelic touches that create a divine atmosphere, sparkling in softly spoken intensity as its wave-like approach washes over the ears.
Edmondson's remix of 'New Horizons' picks up the core motifs, softens the drums and shifts the mix, allowing new features to surface and creating a playful interchange between the trumpet and a creative vocal sample, offering a tour de force that homages the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. New Horizons
A2. New Horizons (Edmondson Remix)
B1. Spheres
B2. Let Go
Info
LYAM welcomes duo M1NT and STRNGE with 'Spheres', a breathtaking EP that embodies late night star gazing, all encompassing introspection and deep immersion in feeling.
M1NT and STRNGE, known as NRMNT, have built a compelling foundation for their sound, which speaks broadly with a deft, organic approach and enables intimacy, emotion and mood. They combine their production knowledge with M1NT's trumpet playing, a cornerstone of their unique sound, and move effortlessly through the realms of dance music, drawing inspiration from soft undulations, tonal waves and euphoric melodic frequencies, with strong emphasis on musical evolution.
'Spheres' encapsulates their musicianship, giving the music room to grow and morph as the EP unravels. 'New Horizons' has a hopeful gleam, with synths hinting at sun kissed skies and optimism, while M1NT's trumpet offers graceful cameos and expressive chordal lines over soft yet purposeful drums.
The title track leans into its dream-like synth intro before highly energised drums take hold, and its polyrhythmic keys and tight groove create spiritual release.
'Let Go' leans into the emotive power of melodics, with angelic touches that create a divine atmosphere, sparkling in softly spoken intensity as its wave-like approach washes over the ears.
Edmondson's remix of 'New Horizons' picks up the core motifs, softens the drums and shifts the mix, allowing new features to surface and creating a playful interchange between the trumpet and a creative vocal sample, offering a tour de force that homages the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
dj koze - XTC
2
dj koze - Knee On Belly
2026 repress
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2026 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Roudi Vagou - Gleisende Lichter
2
Roudi Vagou - Halb So Schwer
3
Roudi Vagou - So Sueß
4
Roudi Vagou - Lila Gibt Es Nicht
5
Roudi Vagou - Iss Mich Ganz Auf
6
Roudi Vagou - Grenzueberschreitung
7
Roudi Vagou - Aufgeben Ist Kein Verzicht
8
Läuten der Seele - Komischer Anruf
9
Läuten der Seele - Punkt Mitternacht
10
Läuten der Seele - Nur Fuer Uns Zwei
11
Läuten der Seele - Mineralwasserflasche 1
12
Läuten der Seele - Glaskopf Mit Watte
13
Läuten der Seele - Rathausdach
14
Läuten der Seele - Ein Kitzeln In Den Graebern
15
Läuten der Seele - Mineralwasserflasche 2
16
Läuten der Seele - Mondraetsel
Across an extensive suite of enchanting miniatures, Matthias Kremsreiter and Christian Schoppik present the hypnagogic vision of Taghelle Nacht. Recording under their respective Roudi Vagou and Läuten der Seele aliases, Kremsreiter and Schoppik combine their distinct but equally accomplished instrumental practices into a new collaboration that weaves swooning samples amongst instrumental passages. They lead us through 16 vignettes that revel in the cognitive dissonance and seductive magic of moonlight at midnight.
Both artists have past form within the folds of contemporary experimental electronic music in Germany. Kremsreiter's work as alibikonkret has manifested on DIY tape releases created with a methodical, technically-minded approach. Debuting his Roudi Vagou pseudonym on Taghelle Nacht, he pivots to a more playful, instinctively felt method that allows the compositions to flow with a natural cadence. Schoppik has been a key figure in the celebrated dark-ambient-folk scene, not least as part of the group Brannten Schnüre. His work as Läuten der Seele includes the acclaimed 'water trilogy' of LPs between 2022 and 2024, with a greater emphasis on instrumental, atmospheric production, and a last, stunning collaborative album with Nový Sv?t's Jota Solo.
On Taghelle Nacht the precise ingredients of each piece soften at the edges as tape loops and swathes of reverb seal the joints between spellbinding melodic refrains. Opening track and lead single 'Gleisende Lichter' sets the tone with ghostly murmurs, spine-tingling string refrains and splashes of cymbal that cut through the gloom with stark clarity. A lilting romanticism stirs at the heart of the orchestral samples that populate the likes of "Grenzu?berschreitung" - old-world beauty sometimes buried in dust, elsewhere rendered with startling clarity. 'So Süß' lets buzzing, sustained drones and dissonant sweeps of extended technique glide in and out of each other. Granular processing subtly breaks apart the mellow swell on 'Komischer Anruf', and forlorn sax calls out into heavy-hearted space on 'Glaskopf Mit Watte'. At every turn a new scene is painted, distinct from the last and yet all bound up in the pervasive, pale blue light cast over the sleeping landscape Kremsreiter and Schoppik have sculpted.
Snatches of song drift by like dreamlike fragments, and achingly tender flourishes fleetingly appear and retreat - ideas and expressions momentarily caught in the light before retreating into the shadows once more. This is the evocative world of Taghelle Nacht - an unsettling depiction of the surreal blend of memories and imagination that merge into each other once the sun goes down.
TRACKLISTS:
A1 Roudi Vagou - Gleisende Lichter
A2 Roudi Vagou - Halb So Schwer
A3 Roudi Vagou - So Sueß
A4 Roudi Vagou - Lila Gibt Es Nicht
A5 Roudi Vagou - Iss Mich Ganz Auf
A6 Roudi Vagou - Grenzueberschreitung
A7 Roudi Vagou - Aufgeben Ist Kein Verzicht
B1 Läuten der Seele - Komischer Anruf
B2 Läuten der Seele - Punkt Mitternacht
B3 Läuten der Seele - Nur Fuer Uns Zwei
B4 Läuten der Seele - Mineralwasserflasche 1
B5 Läuten der Seele - Glaskopf Mit Watte
B6 Läuten der Seele - Rathausdach
B7 Läuten der Seele - Ein Kitzeln In Den Graebern
B8 Läuten der Seele - Mineralwasserflasche 2
B9 Läuten der Seele - Mondraetsel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Both artists have past form within the folds of contemporary experimental electronic music in Germany. Kremsreiter's work as alibikonkret has manifested on DIY tape releases created with a methodical, technically-minded approach. Debuting his Roudi Vagou pseudonym on Taghelle Nacht, he pivots to a more playful, instinctively felt method that allows the compositions to flow with a natural cadence. Schoppik has been a key figure in the celebrated dark-ambient-folk scene, not least as part of the group Brannten Schnüre. His work as Läuten der Seele includes the acclaimed 'water trilogy' of LPs between 2022 and 2024, with a greater emphasis on instrumental, atmospheric production, and a last, stunning collaborative album with Nový Sv?t's Jota Solo.
On Taghelle Nacht the precise ingredients of each piece soften at the edges as tape loops and swathes of reverb seal the joints between spellbinding melodic refrains. Opening track and lead single 'Gleisende Lichter' sets the tone with ghostly murmurs, spine-tingling string refrains and splashes of cymbal that cut through the gloom with stark clarity. A lilting romanticism stirs at the heart of the orchestral samples that populate the likes of "Grenzu?berschreitung" - old-world beauty sometimes buried in dust, elsewhere rendered with startling clarity. 'So Süß' lets buzzing, sustained drones and dissonant sweeps of extended technique glide in and out of each other. Granular processing subtly breaks apart the mellow swell on 'Komischer Anruf', and forlorn sax calls out into heavy-hearted space on 'Glaskopf Mit Watte'. At every turn a new scene is painted, distinct from the last and yet all bound up in the pervasive, pale blue light cast over the sleeping landscape Kremsreiter and Schoppik have sculpted.
Snatches of song drift by like dreamlike fragments, and achingly tender flourishes fleetingly appear and retreat - ideas and expressions momentarily caught in the light before retreating into the shadows once more. This is the evocative world of Taghelle Nacht - an unsettling depiction of the surreal blend of memories and imagination that merge into each other once the sun goes down.
TRACKLISTS:
A1 Roudi Vagou - Gleisende Lichter
A2 Roudi Vagou - Halb So Schwer
A3 Roudi Vagou - So Sueß
A4 Roudi Vagou - Lila Gibt Es Nicht
A5 Roudi Vagou - Iss Mich Ganz Auf
A6 Roudi Vagou - Grenzueberschreitung
A7 Roudi Vagou - Aufgeben Ist Kein Verzicht
B1 Läuten der Seele - Komischer Anruf
B2 Läuten der Seele - Punkt Mitternacht
B3 Läuten der Seele - Nur Fuer Uns Zwei
B4 Läuten der Seele - Mineralwasserflasche 1
B5 Läuten der Seele - Glaskopf Mit Watte
B6 Läuten der Seele - Rathausdach
B7 Läuten der Seele - Ein Kitzeln In Den Graebern
B8 Läuten der Seele - Mineralwasserflasche 2
B9 Läuten der Seele - Mondraetsel
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://www.transfernow.net/dl/20251126muIWAEPd/UD8VuE4X
Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contrib-uted greatly to his success in this country. We are delighted to present eleven of the songs he played, rec-orded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of There's No Reason You Should Remember Me. Comes with full recording de-tails and extensive sleeve notes.
Side One
1. You Know Who I Am
2. Bird On The Wire
3. The Stranger Song
4. So Long, Marianne
5. Sisters Of Mercy
Side Two
1. Master Song
2. There's No Reason Why You Should Remember Me
3. Teachers
4. Dress Rehearsal Rag
5. Suzanne
6. Hey, That's No Way To Say Goodbye
All Tracks Excellent Recording Quality
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contrib-uted greatly to his success in this country. We are delighted to present eleven of the songs he played, rec-orded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of There's No Reason You Should Remember Me. Comes with full recording de-tails and extensive sleeve notes.
Side One
1. You Know Who I Am
2. Bird On The Wire
3. The Stranger Song
4. So Long, Marianne
5. Sisters Of Mercy
Side Two
1. Master Song
2. There's No Reason Why You Should Remember Me
3. Teachers
4. Dress Rehearsal Rag
5. Suzanne
6. Hey, That's No Way To Say Goodbye
All Tracks Excellent Recording Quality
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://www.transfernow.net/dl/20251126yzZkDTWf/3fCgkL1m
The last gig played by The Who before the Quadrophenia tour was this seven track greatest hits set, broad-cast on Dutch television in March 1973. Featuring material from Tommy and Who's Next, the encore was a lengthy but engrossing version of Magic Bus. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Pinball Wizard
2. Baba O'Riley
3. Won't Get Fooled Again
4. See Me, Feel Me
Side Two
1. Summertime Blues
2. My Generation
3. Magic Bus*
All Tracks Excellent Recording Quality except*
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The last gig played by The Who before the Quadrophenia tour was this seven track greatest hits set, broad-cast on Dutch television in March 1973. Featuring material from Tommy and Who's Next, the encore was a lengthy but engrossing version of Magic Bus. Comes with full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Pinball Wizard
2. Baba O'Riley
3. Won't Get Fooled Again
4. See Me, Feel Me
Side Two
1. Summertime Blues
2. My Generation
3. Magic Bus*
All Tracks Excellent Recording Quality except*
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sauna Radio
Cat-No:SR001-t
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:12" Excl
Label:Sauna Radio
Cat-No:SR001-t
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:12" Excl
1
MOLØ - Luffs
2
Abstraxion & Bella Sarris - Shake it
3
Sean Fender - Secret Society
4
Peder Mannerfelt - Razzle Dazzle
5
Staffan Lindberg - Famous Last Words
6
Julia Wallin - Echo Bloom
7
Brenda El Rayes - Rotterna Södertälje
Format: 12" Vinyl (Limited 100 copies)
Tracklist:
A1 - MOLØ - Luffs - 5:32
A2 - Abstraxion & Bella Sarris - Shake it - 6:00
A3 - Sean Fender - Secret Society - 6:09
B1 - Peder Mannerfelt - Razzle Dazzle - 5:19
B2 - Staffan Lindberg - Famous Last Words - 6:17
B3 - Julia Wallin - Echo Bloom - 5:17
B4 - Brenda El Rayes - Rotterna Södertälje - 4:56
Short Info:
Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.
Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.
Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 - MOLØ - Luffs - 5:32
A2 - Abstraxion & Bella Sarris - Shake it - 6:00
A3 - Sean Fender - Secret Society - 6:09
B1 - Peder Mannerfelt - Razzle Dazzle - 5:19
B2 - Staffan Lindberg - Famous Last Words - 6:17
B3 - Julia Wallin - Echo Bloom - 5:17
B4 - Brenda El Rayes - Rotterna Södertälje - 4:56
Short Info:
Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.
Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.
Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:DENSE TRUTH
Cat-No:TJRUTH010CD
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:CD Excl
Label:DENSE TRUTH
Cat-No:TJRUTH010CD
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:CD Excl
CD Digisleeve
Remastered by Rashad Becker in Berlin
With two previously unheard tracks from the original sessions - one exclusive to this pressing
Re-released for the very first time via the artist’s own label Dense Truth
"A visionary voice in modern Britain's experimental music scene"
– The New York Times
Instantly singular - 8.5 Best New Music” - Pitchfork
“Breathtaking” - Resident Advisor
“Has the kind of beauty that sees you playing it, and only it, for the next three weeks” - Observer
"A set of remarkable electronic rituals” - NME
Forest Swords' debut album 'Engravings' is back in print on vinyl and CD for the first time in years, newly remastered by Rashad Becker with previously unheard bonus tracks exclusive to this edition.
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, organic soundscape reflected the landscape and climate: all silt and sandstone, woodlands and wind, with the ghosts of Liverpool's pop music and clubbing history echoing in the near distance.
The album was a prototype for a sonic vocabulary Barnes has expanded on over the next few years: in critically acclaimed studio albums ('Compassion' and 'Bolted' via Ninja Tune), collaborations with Massive Attack and Neneh Cherry, remixes for the likes of Bjork, as well as commissions for video games, ballet and film scores - of which he has carved a career as an in-demand composer and sound designer.
'Engravings' is a snapshot of an artist confidently defining their own language: a piece of work that distills influences like dub, ambient, rave, post-rock and psychedelia into an ancient-futurist musical vision that feels timeless and vital.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Remastered by Rashad Becker in Berlin
With two previously unheard tracks from the original sessions - one exclusive to this pressing
Re-released for the very first time via the artist’s own label Dense Truth
"A visionary voice in modern Britain's experimental music scene"
– The New York Times
Instantly singular - 8.5 Best New Music” - Pitchfork
“Breathtaking” - Resident Advisor
“Has the kind of beauty that sees you playing it, and only it, for the next three weeks” - Observer
"A set of remarkable electronic rituals” - NME
Forest Swords' debut album 'Engravings' is back in print on vinyl and CD for the first time in years, newly remastered by Rashad Becker with previously unheard bonus tracks exclusive to this edition.
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, organic soundscape reflected the landscape and climate: all silt and sandstone, woodlands and wind, with the ghosts of Liverpool's pop music and clubbing history echoing in the near distance.
The album was a prototype for a sonic vocabulary Barnes has expanded on over the next few years: in critically acclaimed studio albums ('Compassion' and 'Bolted' via Ninja Tune), collaborations with Massive Attack and Neneh Cherry, remixes for the likes of Bjork, as well as commissions for video games, ballet and film scores - of which he has carved a career as an in-demand composer and sound designer.
'Engravings' is a snapshot of an artist confidently defining their own language: a piece of work that distills influences like dub, ambient, rave, post-rock and psychedelia into an ancient-futurist musical vision that feels timeless and vital.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:DENSE TRUTH
Cat-No:TJRUTH010LP
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:DENSE TRUTH
Cat-No:TJRUTH010LP
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP Excl
**Ltd edition double ‘night smoke’ gatefold vinyl **
Vinyl edition of 500
‘Night smoke’ marble double vinyl, in gatefold packaging newly designed by Forest Swords
Shrinkwrapped with hype sticker
Remastered by Rashad Becker in Berlin
With two previously unheard tracks from the original sessions - one exclusive to this pressing
Re-released for the very first time via the artist’s own label Dense Truth
"A visionary voice in modern Britain's experimental music scene"
– The New York Times
Instantly singular - 8.5 Best New Music” - Pitchfork
“Breathtaking” - Resident Advisor
“Has the kind of beauty that sees you playing it, and only it, for the next three weeks” - Observer
"A set of remarkable electronic rituals” - NME
Forest Swords' debut album 'Engravings' is back in print on vinyl and CD for the first time in years, newly remastered by Rashad Becker with previously unheard bonus tracks exclusive to this edition.
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, organic soundscape reflected the landscape and climate: all silt and sandstone, woodlands and wind, with the ghosts of Liverpool's pop music and clubbing history echoing in the near distance.
The album was a prototype for a sonic vocabulary Barnes has expanded on over the next few years: in critically acclaimed studio albums ('Compassion' and 'Bolted' via Ninja Tune), collaborations with Massive Attack and Neneh Cherry, remixes for the likes of Bjork, as well as commissions for video games, ballet and film scores - of which he has carved a career as an in-demand composer and sound designer.
'Engravings' is a snapshot of an artist confidently defining their own language: a piece of work that distills influences like dub, ambient, rave, post-rock and psychedelia into an ancient-futurist musical vision that feels timeless and vital.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Christine Aufderharr and City of Prague - Orphans
2
Christine Aufderharr and City of Prague - Timejump
3
Christine Aufderharr and City of Prague - In Captivity Of Soldiers
4
Christine Aufderharr and City of Prague - Way To America
5
Christine Aufderharr and City of Prague - Filmset
6
Christine Aufderharr and City of Prague - Way To Kurdish People
7
Christine Aufderharr and City of Prague - With Kurds
8
Christine Aufderharr and City of Prague - Meeting Shepard And Way To Uncle
9
Christine Aufderharr and City of Prague - Uncle First Part
10
Christine Aufderharr and City of Prague - Uncle Second Part
11
Christine Aufderharr and City of Prague - Leaving Cousin
12
Christine Aufderharr and City of Prague - Hotel Lamar
13
Christine Aufderharr and City of Prague - Jump To Freedom
14
Christine Aufderharr and City of Prague - Mother's Death
15
Christine Aufderharr and City of Prague - Swimming
16
Christine Aufderharr and City of Prague - Train To Tbilisi
17
Christine Aufderharr and City of Prague - Newspaper Brother
18
Christine Aufderharr and City of Prague - Shepard
19
Christine Aufderharr and City of Prague - Betrayal
20
Christine Aufderharr and City of Prague - Aurora In School
21
Christine Aufderharr and City of Prague - Devastation
22
Christine Aufderharr and City of Prague - Aurora's Theme Gathering For Brother
23
Christine Aufderharr and City of Prague - Finding The Gun
24
Christine Aufderharr and City of Prague - River
25
Christine Aufderharr and City of Prague - House Mrs. Harrimann
26
Christine Aufderharr and City of Prague - Memories Jump
27
Christine Aufderharr and City of Prague - Memories Train
28
Christine Aufderharr and City of Prague - Aurora's Piano Theme Silk Cocons
29
Christine Aufderharr and City of Prague - Aunt's Killing
30
Christine Aufderharr and City of Prague - Stage Collaps
31
Christine Aufderharr and City of Prague - Crucifixion
Territories: WORLD
DLP: Limited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. Orphans
A2. Timejump
A3. In Captivity Of Soldiers
A4. Way To America
A5. Filmset
A6. Way To Kurdish People
A7. With Kurds
B1. Meeting Shepard And Way To Uncle
B2. Uncle First Part
B3. Uncle Second Part
B4. Leaving Cousin
B5. Hotel Lamar
B6. Jump To Freedom
B7. Mother's Death
B8. Swimming
B9. Train To Tbilisi
C1. Newspaper Brother
C2. Shepard
C3. Betrayal
C4. Aurora In School
C5. Devastation
C6. Aurora's Theme Gathering For Brother
C7. Finding The Gun
C8. River
D1. House Mrs. Harrimann
D2. Memories Jump
D3. Memories Train
D4. Aurora's Piano Theme Silk Cocons
D5. Aunt's Killing
D6. Stage Collaps
D7. Crucifixion
Info
WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.
Points of interest
" For fans of animated documentaries, historical narratives, deeply moving real-life stories, orchestral soundtracks, classical music, film scores, intimate melodies, big emotions, humans.
" The first ever vinyl release of Aurora's Sunrise (Original Motion Picture Soundtrack) by Christine Aufderhaar and City of Prague Philharmonic Orchestra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. Orphans
A2. Timejump
A3. In Captivity Of Soldiers
A4. Way To America
A5. Filmset
A6. Way To Kurdish People
A7. With Kurds
B1. Meeting Shepard And Way To Uncle
B2. Uncle First Part
B3. Uncle Second Part
B4. Leaving Cousin
B5. Hotel Lamar
B6. Jump To Freedom
B7. Mother's Death
B8. Swimming
B9. Train To Tbilisi
C1. Newspaper Brother
C2. Shepard
C3. Betrayal
C4. Aurora In School
C5. Devastation
C6. Aurora's Theme Gathering For Brother
C7. Finding The Gun
C8. River
D1. House Mrs. Harrimann
D2. Memories Jump
D3. Memories Train
D4. Aurora's Piano Theme Silk Cocons
D5. Aunt's Killing
D6. Stage Collaps
D7. Crucifixion
Info
WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.
Points of interest
" For fans of animated documentaries, historical narratives, deeply moving real-life stories, orchestral soundtracks, classical music, film scores, intimate melodies, big emotions, humans.
" The first ever vinyl release of Aurora's Sunrise (Original Motion Picture Soundtrack) by Christine Aufderhaar and City of Prague Philharmonic Orchestra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tubby Isiah - Soul Catcher
2
Tubby Isiah - Astral Traveler
3
Tubby Isiah - Low Rise (Original)
4
Tubby Isiah - Low Rise (Version)
5
Tubby Isiah - Glide
6
Tubby Isiah - Empire
7
Tubby Isiah - Long Time (Original)
8
Tubby Isiah - Long Time (Version)
LP non-returnable!
Tracklist:
A1 Soul Catcher
A2 Astral Traveler
A3 Low Rise (Original)
A4 Low Rise (Version)
B1 Glide
B2 Empire
B3 Long Time (Original)
B4 Long Time (Version)
Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Soul Catcher
A2 Astral Traveler
A3 Low Rise (Original)
A4 Low Rise (Version)
B1 Glide
B2 Empire
B3 Long Time (Original)
B4 Long Time (Version)
Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tubby Isiah - Soul Catcher
2
Tubby Isiah - Astral Traveler
3
Tubby Isiah - Low Rise (Original)
4
Tubby Isiah - Low Rise (Version)
5
Tubby Isiah - Glide
6
Tubby Isiah - Empire
7
Tubby Isiah - Long Time (Original)
8
Tubby Isiah - Long Time (Version)
LP non-returnable!
Collectors Edition - Marbled Vinyl - Limited To 40 Copies.
Tracklist:
A1 Soul Catcher
A2 Astral Traveler
A3 Low Rise (Original)
A4 Low Rise (Version)
B1 Glide
B2 Empire
B3 Long Time (Original)
B4 Long Time (Version)
Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Collectors Edition - Marbled Vinyl - Limited To 40 Copies.
Tracklist:
A1 Soul Catcher
A2 Astral Traveler
A3 Low Rise (Original)
A4 Low Rise (Version)
B1 Glide
B2 Empire
B3 Long Time (Original)
B4 Long Time (Version)
Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rico Puestel - Sun Ship Arriving Too Late To Save A Drowning Sax
2
Rico Puestel - Om My God!
Genre: House, Jazz House, Electronica
Tracklist 12":
A1 – Sun Ship Arriving Too Late To Save A Drowning Sax
B1 – Om My God!
Info:
Hot psychedelic jazz groover and hand-drawn artwork strictly limited and only on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 – Sun Ship Arriving Too Late To Save A Drowning Sax
B1 – Om My God!
Info:
Hot psychedelic jazz groover and hand-drawn artwork strictly limited and only on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Non Exclusives
1
Niccolo Turini - Take Me To The Moon
2
Niccolo Turini - A Guy Called GU
3
Niccolo Turini - Let The Music Bring You Up
4
Niccolo Turini - People From My Loves
5
Niccolo Turini - KC Is My Idol
6
Niccolo Turini - Get Down
Pure feel-good club energy from Italian producer Niccolo Turini, landing on 4lux with a killer slice of classic-inspired house magic! Think warm MPC grooves, rolling basslines, dusty chords and that unmistakable 90s US vibe -- deep, soulful and built for sweaty late-night floors. Essential material for true house lovers!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
2991.Mi - Psychedelia
2
Nizar Sarakbi - In ma House
3
Brenda - Suenalo
4
Alvar - Nocturnal Spirit
Secretsundaze’s 9FINITY imprint continues its future-focused club explorations with its sixth release, a wide-ranging Various Artists EP uniting rising and established talents. The A-side features 2991.Mi’s technicolour, synth-driven ‘Psychedelia’ and Nizar Sarakbi’s deep, machine-led ‘In Ma House’. On the flip, Brenda delivers the percussive peak-time weapon ‘Suénalo’, while Alvar closes with the moody, late-night roller ‘Nocturnal Spirit’. A digital bonus, Sarakbi’s buoyant ‘Secure Desire’, rounds out the package ahead of the EP’s January 2026 landing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Elektrotechnik - Delta
2
Elektrotechnik - Options
3
Elektrotechnik - Electro
4
Elektrotechnik - Electro (Lloyd Stellar Remix)
5
Elektrotechnik - A.I.
6
Elektrotechnik - Primate Dance
Fictional Reality is the new EP from Elektrotechnik, joining us for our first release in 2026. The EP contains five original tracks and one remix by LDI Records label head Lloyd Stellar. Track “Delta” sets the right mood straight away with its nice warm and atmospheric pads, while “Options” already brings in the energy for the dancefloor. The A Side closes with the track “Electro”, a real old school style Electro hymn. For his remix of “Electro” on B1, Lloyd Stellar focusses on a few elements of the original track and creates a totally new groove. The tracks “A.I.” and “Primate Dance” are both energetic, eclectic and round up the EP in a perfect way.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dae Han - Dc2nyc
2
Dae Han - Interlude 1
3
Dae Han - dc2nyc2 featuring maryanne ito shing02 spin master a-1
4
Dae Han - Interlude 2
5
Dae Han - Blue
6
Dae Han - Interlude 3
7
Dae Han - Honolulu Jazz
8
Dae Han - Disco
9
Dae Han - The Flu
10
Dae Han - In A Dream
Dae Han is the unsung backbone behind progressive Honolulu acts and international artists. He’s the go-to drummer whenever Japanese rapper Shing02 tours the US and Asia with a full band. In 2019, Takuya Kuroda tapped Dae to organize a band to support the Brooklyn-based trumpeter’s gig at Blue Note Hawaii. Dae also recently teamed up with guitarist Gilbert Batangan and bassist Mark Tanouye to open for Khruangbin. And every year he organizes an always impressive jazz-forward tribute to the late J Dilla.
On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.
BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.
The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.
BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.
The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DHÆÜR - Sense Of Space
2
DHÆÜR - Sculpting The Body
3
Beste Hira - In Zone
4
Beste Hira - Come With Me
Tracklisting
A1 DHÆÜR - Sense Of Space
A2 DHÆÜR - Sculpting The Body
B1 Beste Hira - In Zone
B2 Beste Hira - Come With Me
Sales Note
Next up on Amotik's split series he welcomes DHAEUR. The Berlin based Italian is known for his powerful, detailed and primordial grooves and this is exactly what he offers on this edition. Two highly functional, percussive deep cuts with effective vocal chops make it a perfect fit to the series.
On the flip, well-known Amsterdam nightlife figure Beste Hira steps up with two of her iconic dancefloor jams. With a precise eye for percussion and movement she presents two stripped down techno grooves, once again with excellent vocal use and playful rhythmic patterns it's an excellent addition to a pack that will come to use in many DJ sets.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 DHÆÜR - Sense Of Space
A2 DHÆÜR - Sculpting The Body
B1 Beste Hira - In Zone
B2 Beste Hira - Come With Me
Sales Note
Next up on Amotik's split series he welcomes DHAEUR. The Berlin based Italian is known for his powerful, detailed and primordial grooves and this is exactly what he offers on this edition. Two highly functional, percussive deep cuts with effective vocal chops make it a perfect fit to the series.
On the flip, well-known Amsterdam nightlife figure Beste Hira steps up with two of her iconic dancefloor jams. With a precise eye for percussion and movement she presents two stripped down techno grooves, once again with excellent vocal use and playful rhythmic patterns it's an excellent addition to a pack that will come to use in many DJ sets.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Normally Invisible - Psychotronics (Keep Going Mix)
2
Normally Invisible - Psychotronics (Deep Underground Mix)
3
Normally Invisible - Psychotronics (Album Version)
4
Normally Invisible - Cookie
Psychotronics is arguably one of the finest creations from a quite unique Dutch formation called Normally Invisible. In the primordial, early nineties phase of what we now call electronic music, a fellowship of students at the prestigious The Hague Institute for Sonology was formed. Not to become superstars, as there was no real commercial scene to speak of, but driven by sheer artistic curiosity and intrinsic passion for this new way of musical expression.
Nico, Olaf, and Thiemo demonstrate their interest in a broad range of tempos, feelings, and styles across their discography, with Psychotronics as one of the more dance floor oriented releases. Anacalypto Records brings you this former promo EP in a transformed and remastered official re-release. To complete the label's 5th release, the B-side of Psychotronics is topped off with the formerly unreleased "Cookie" from the same year, 1995.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Nico, Olaf, and Thiemo demonstrate their interest in a broad range of tempos, feelings, and styles across their discography, with Psychotronics as one of the more dance floor oriented releases. Anacalypto Records brings you this former promo EP in a transformed and remastered official re-release. To complete the label's 5th release, the B-side of Psychotronics is topped off with the formerly unreleased "Cookie" from the same year, 1995.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jadu Heart - Jewel
2
Jadu Heart - Warm Magic
3
Jadu Heart - Meeting Faro
4
Jadu Heart - The Love
5
Jadu Heart - Jadu Temple
6
Jadu Heart - Cursed
7
Jadu Heart - Intro
8
Jadu Heart - Galaxy Surfing
9
Jadu Heart - Ocra
10
Jadu Heart - Late Night
11
Jadu Heart - Memory Rock
12
Jadu Heart - Moon Rising
Jadu Heart’s Wanderflower and Ezra’s Garden reissued together on vinyl for the first time.
Since their 2016 debut EP, Wanderflower, Jadu Heart has been slowly building a catalog of electro-pop, R&B, and psychedelic bops. The UK-based duo, consisting of Alex Headford and Diva Jeffery, now has roughly 30 songs that are a collective myriad of immersive soundscapes.
Jadu Heart's Wanderflower was a project released as part of a school project at The British and Irish Modern Music Institute in 2016. Diva described the project as a "story of two characters - Dina and Faro - who get cursed in a temple [and] every song [in Wanderflower] corresponds to a different chapter in their story." Their tutor sent the EP to Mura Masa who immediately took a liking to the duo and made them an opening act for his album release show. They were subsequently signed to his label and given the same manager.
The couple's sophomore EP, Ezra's Garden, is a continuation of Jadu Heart's now-signature DIY, psych-funk sound inspired by Jai Paul. The tracks are accompanied by a visual component on Youtube, as Spotify hadn't quite explored the necessity of visualizers yet. After the fantastical characters were introduced in Jadu Heart's first EP, the second EP explores the relationship between Dina and Faro when they are whisked out of the cursed temple and stumble upon a friend who takes them to a machine that shoots them through the galaxy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Since their 2016 debut EP, Wanderflower, Jadu Heart has been slowly building a catalog of electro-pop, R&B, and psychedelic bops. The UK-based duo, consisting of Alex Headford and Diva Jeffery, now has roughly 30 songs that are a collective myriad of immersive soundscapes.
Jadu Heart's Wanderflower was a project released as part of a school project at The British and Irish Modern Music Institute in 2016. Diva described the project as a "story of two characters - Dina and Faro - who get cursed in a temple [and] every song [in Wanderflower] corresponds to a different chapter in their story." Their tutor sent the EP to Mura Masa who immediately took a liking to the duo and made them an opening act for his album release show. They were subsequently signed to his label and given the same manager.
The couple's sophomore EP, Ezra's Garden, is a continuation of Jadu Heart's now-signature DIY, psych-funk sound inspired by Jai Paul. The tracks are accompanied by a visual component on Youtube, as Spotify hadn't quite explored the necessity of visualizers yet. After the fantastical characters were introduced in Jadu Heart's first EP, the second EP explores the relationship between Dina and Faro when they are whisked out of the cursed temple and stumble upon a friend who takes them to a machine that shoots them through the galaxy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
VC-118A - Ritmo
2
VC-118A - Hide
3
VC-118A - Back To Life
4
VC-118A - Coexist
5
VC-118A - Ether
6
VC-118A - Standby
7
VC-118A - Lara
8
VC-118A - Icro
9
VC-118A - Future Past
Repress!
Apnea welcomes VC118A to the label for the first time with Back To Life, his next album following the 2024 collaboration Flow Zone with CRC. Across nine tracks on two 12"s, he delivers a potent mix of deep electronics, acid bleeps, mechanically crafted rhythms, and atmospheric dub infusions--pulling the listener into a hypnotic, meditative space. Driven by futuristic machine grooves and evolving textures, Back To Life moves between fluid, weightless passages and tightly constructed sequences, balancing structure with deep immersion. Each track unfolds with intention, guiding through shifting sonic landscapes that blur the line between motion and stillness. Landing April 2025 on Apnea.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Apnea welcomes VC118A to the label for the first time with Back To Life, his next album following the 2024 collaboration Flow Zone with CRC. Across nine tracks on two 12"s, he delivers a potent mix of deep electronics, acid bleeps, mechanically crafted rhythms, and atmospheric dub infusions--pulling the listener into a hypnotic, meditative space. Driven by futuristic machine grooves and evolving textures, Back To Life moves between fluid, weightless passages and tightly constructed sequences, balancing structure with deep immersion. Each track unfolds with intention, guiding through shifting sonic landscapes that blur the line between motion and stillness. Landing April 2025 on Apnea.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Telemaco Xavier Quintet - The Kidnappers
2
Telemaco Xavier Quintet - Xavier's Non-Return
3
Telemaco Xavier Quintet - Mr. Doe's Soon
4
Telemaco Xavier Quintet - Caravaca Research
5
Telemaco Xavier Quintet - Time Pawn
Repress!
Eduardo de la Calle and DJ Surgeles meet Fabio Giachino, David Strike, and Manu Melero Amaya in Telmaco Xavier Quintet, a project where jazz and electronics engage in a real-time exchange rather than a controlled experiment. Set for release on Apnea 115 in May 2025, Time Pawn is built on interaction--musicians and machines reacting to each other, shifting between structure and instinct. Eduardo and Surgeles don't frame jazz within an electronic grid, nor do they treat electronic textures as a decorative layer. Instead, they allow both elements to retain their full character, pushing and pulling in ways that never settle into easy resolutions. Fabio Giachino's piano moves freely, alternately threading through and cutting across the pulse. David Strike and Manu Melero Amaya bring movement that resists the obvious, allowing groove to exist without being locked in place. The result isn't about merging styles but letting them exist in the same space--sometimes in harmony, sometimes in friction, always in motion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Eduardo de la Calle and DJ Surgeles meet Fabio Giachino, David Strike, and Manu Melero Amaya in Telmaco Xavier Quintet, a project where jazz and electronics engage in a real-time exchange rather than a controlled experiment. Set for release on Apnea 115 in May 2025, Time Pawn is built on interaction--musicians and machines reacting to each other, shifting between structure and instinct. Eduardo and Surgeles don't frame jazz within an electronic grid, nor do they treat electronic textures as a decorative layer. Instead, they allow both elements to retain their full character, pushing and pulling in ways that never settle into easy resolutions. Fabio Giachino's piano moves freely, alternately threading through and cutting across the pulse. David Strike and Manu Melero Amaya bring movement that resists the obvious, allowing groove to exist without being locked in place. The result isn't about merging styles but letting them exist in the same space--sometimes in harmony, sometimes in friction, always in motion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Troma & PERS1 - Atomic
2
Blazej Malinowski - Brudnopis
3
Téo Dréan - Honeymoon Phase
4
Nicola Dal Sacco - Papaia
5
747 - Decades
Tracklisting
A1 Troma & PERS1 - Atomic
A2 Blazej Malinowski - Brudnopis
B1 Téo Dréan - Honeymoon Phase
B2 Nicola Dal Sacco - Papaia
B3 747 - Decades
Sales Note
Aquaregia celebrates its tenth anniversary with '10', a five-track compilation bringing together artists who have each shaped the imprint's sound over the past decade.
The release sees Troma & PERS1, Blazej Malinowski, Teo Drean, Nicola Dal Sacco, and 747 return to the label with new work, each interpreting acid through their own lens. Across the EP, Aquaregia's distinct blend of emotional, hypnotic, and musically rich acid techno is assembled in a nod to the label's foundation.
The record opens with Troma & PERS1's Atomic, a deep and dreamlike cut filled with metallic textures and drifting movement, followed by Blazej Malinowski's Brudnopis, sliding into a low-slung, seductive groove. On the flipside, Teo Drean's Honeymoon Phase injects orchestral euphoria and cinematic tension, while Nicola Dal Sacco channels vintage '90s hypnosis on Papaia. To close, 747's Decades offers a reflective, bittersweet finale - a fitting coda to Aquaregia's first ten years.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Troma & PERS1 - Atomic
A2 Blazej Malinowski - Brudnopis
B1 Téo Dréan - Honeymoon Phase
B2 Nicola Dal Sacco - Papaia
B3 747 - Decades
Sales Note
Aquaregia celebrates its tenth anniversary with '10', a five-track compilation bringing together artists who have each shaped the imprint's sound over the past decade.
The release sees Troma & PERS1, Blazej Malinowski, Teo Drean, Nicola Dal Sacco, and 747 return to the label with new work, each interpreting acid through their own lens. Across the EP, Aquaregia's distinct blend of emotional, hypnotic, and musically rich acid techno is assembled in a nod to the label's foundation.
The record opens with Troma & PERS1's Atomic, a deep and dreamlike cut filled with metallic textures and drifting movement, followed by Blazej Malinowski's Brudnopis, sliding into a low-slung, seductive groove. On the flipside, Teo Drean's Honeymoon Phase injects orchestral euphoria and cinematic tension, while Nicola Dal Sacco channels vintage '90s hypnosis on Papaia. To close, 747's Decades offers a reflective, bittersweet finale - a fitting coda to Aquaregia's first ten years.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ben Reymann - Feel The Funk
2
Ben Reymann - Polarized
3
Ben Reymann - Rundown
4
Ben Reymann - Telepathy
Tracklisting
A1 Ben Reymann - Feel The Funk
A2 Ben Reymann - Polarized
B1 Ben Reymann - Rundown
B2 Ben Reymann - Telepathy
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Ben Reymann - Feel The Funk
A2 Ben Reymann - Polarized
B1 Ben Reymann - Rundown
B2 Ben Reymann - Telepathy
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Doc L. Junior - You Do Know How To Dance (2025 Remaster)
2
Doc L. Junior - Baracuda (2025 Remaster)
This record is like the lost crown jewels of House Music with a story that spans decades.
Originally programmed in 1998 on an Akai S3000XL, this was meant to be released on Bjørn Torske's Footnotes in 2001. Unfortunately the original matrix and the master DAT tapes got lost under crazy circumstances. Yet several years later the tapes were found by Sex Tags Mania in the studio of mastering engineer Helmut Erler and the record eventually got issued in 2009 when a totally different House sound was "en vogue."
Then due to some unfortunate coincidences most of the records ended up in far flung Japan, and so this record stayed totally underground. Yet it became a cult hit when House Music and later Disco got a proper revival around 2010/11. So over the years prices for this rarity were rising and rising...
Then fast forward to 2025: after a sunny day off Berlin's modular synthesizer show "Superbooth" ATJ boss Mr. Fonk and Doc L. Junior teamed up to finally reissue this gem with new masters by Andreas Kauffelt of "Schnittstelle" / Berlin. On this 12“ Norwegian Disco and Balearic sounds meet: funky but deep to the core, playful but hypnotic, stripped down but with baroque details. Truly one of House Music's greatest productions.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Originally programmed in 1998 on an Akai S3000XL, this was meant to be released on Bjørn Torske's Footnotes in 2001. Unfortunately the original matrix and the master DAT tapes got lost under crazy circumstances. Yet several years later the tapes were found by Sex Tags Mania in the studio of mastering engineer Helmut Erler and the record eventually got issued in 2009 when a totally different House sound was "en vogue."
Then due to some unfortunate coincidences most of the records ended up in far flung Japan, and so this record stayed totally underground. Yet it became a cult hit when House Music and later Disco got a proper revival around 2010/11. So over the years prices for this rarity were rising and rising...
Then fast forward to 2025: after a sunny day off Berlin's modular synthesizer show "Superbooth" ATJ boss Mr. Fonk and Doc L. Junior teamed up to finally reissue this gem with new masters by Andreas Kauffelt of "Schnittstelle" / Berlin. On this 12“ Norwegian Disco and Balearic sounds meet: funky but deep to the core, playful but hypnotic, stripped down but with baroque details. Truly one of House Music's greatest productions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Andy Martin - Waterhouse
2
Andy Martin - The Ark
3
Christian Coiffure - Lure
4
Christian Coiffure - Decoy
Bait kicks off their 2026 release schedule hot and heavy with a split EP from Andy Martin and Christian Coiffure. With both producers coming through with the next generation of artists exploring the dub-tech connection, the EP starts with two tracks from Mexican-Jamaican artist Andy Martin with the murky 'Waterhouse' and the hypnotic stepper 'The Ark'. On the other side, French producer Christian Coiffure lands with two sleazy minimal-tech tracks nodding to the early 2000s with 'Lure' and 'Decoy'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Daniel Monaco Feat. Manuel Rodriguez On - Flamenca
2
Daniel Monaco Feat. Manuel Rodriguez On - Fantasia
3
Daniel Monaco Feat. Manuel Rodriguez On - Sìnteme
4
Daniel Monaco Feat. Manuel Rodriguez On - Granapoli
The sunshine of Andalucía has come to the Bordello. The musical magpie that is Daniel Monaco arrives with just a hint of a Spanish accent and a daring record under his arm. Known for finding the intersections of boogie, disco, italo and house, Monaco is going that bit further with Manuel Rodriguez for the Flamenca EP. Melting the percussive drive of his machines with the spirit of Southern Spain, the four tracks on offer are a journey into a sound and style that is inspiringly original. Ruffled hi-hats and smooth basslines are the foundation for the title piece. The soul of the Sierra Nevada and the warmth of Granada pour forth through Rodriguez’s unparalleled performance. The claps of Chicago are reimagined as an interplay of melody and rhythm awakens; the traditions of Flamenco married with a modern groove. Talent and technique are coupled with pure passion in the intense instrumentation of “Fantasia” before the flip shifts with “Sìnteme.” The culture of Italy and Spain combine, taut string plucks peppered in handclaps before the Only Bee’s vocals descend. Ardent, the lyrics tell of our shared humanity through the dialect of Ischitella from the southern tip of Italy. The homes of our musicians are the inspiration for the finale. Blending the decadent splendour of Napoli with the old-world romance of Granada, Rodriguez’s guitar is the focus of “Granapoli.” Bitter-sweet, blissful and sorrowful, a lone beat wandering through the winding melody that twins these great cities. From Italy and Andalucía to Amsterdam, a 12” like few others.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Special Characters - Abyssus Theory
2
Special Characters - Tidal Drift
3
Special Characters - Abyssus Theory (Iron Curtis remix)
4
Special Characters - Enceladus’s Gratitude
Tracklisting
A1 Special Characters - Abyssus Theory
A2 Special Characters - Tidal Drift
B1 Special Characters - Abyssus Theory (Iron Curtis remix)
B2 Special Characters - Enceladus’s Gratitude
Sales Note
Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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A1 Special Characters - Abyssus Theory
A2 Special Characters - Tidal Drift
B1 Special Characters - Abyssus Theory (Iron Curtis remix)
B2 Special Characters - Enceladus’s Gratitude
Sales Note
Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Carlo - Because Feat. Lora Ute
2
Carlo - Wild Things
3
Carlo - Todo Mal Feat. Jose Fernancaster
4
Carlo - Todo Bien
5
Carlo - All I've Got To Say
6
Carlo - Lemon Haze Feat. Intr0beatz
7
Carlo - Sugar Dummy
8
Carlo - Bola De Interludio
9
Carlo & Black Loops - Midnight Cruiser
10
Carlo - B & S
11
Carlo - Left Out
12
Carlo - May
13
Carlo & Piek - Esperanza
14
Carlo - Wolf Suit
15
Carlo - Last Dance
16
Carlo - Tchüsikowsky
180gr vinyl Repress!
Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.
Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon.
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WAS - Word and Sound Medien GmbH
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Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.
Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Black Knoll Editions
Cat-No:BKE023LP
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Black Knoll Editions
Cat-No:BKE023LP
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:LP
1
Rafael Anton Irisarri - Faded Ghosts Of Clouds
2
Rafael Anton Irisarri - Breaking The Unison
3
Rafael Anton Irisarri - Signals From A Distant Afterglow Feat. Karen Vogt
4
Rafael Anton Irisarri - Memory Strands
A chance meeting in Mexico City set Points of Inaccessibility into motion. When Ibero-American composer Rafael Anton Irisarri crossed paths with Dutch media artist Jaco Schilp at MUTEK in 2024, a conversation about how technology shapes perception revealed an unexpected common ground. Schilp invited Irisarri to a spring 2025 residency at Uncloud, the Utrecht-based collective he co-founded, where Irisarri's sound began to take form amid an environment shaped by Schilp’s visual research.
The Uncloud studio was located inside the former Pieter Baan Centre, a forensic psychiatric prison where suspects of violent crimes were once confined. Its long history of silence and containment shaped the atmosphere in which the project developed. Within this setting, Irisarri coaxed long bowed-guitar tones through a network of pedals and looping systems. The raw gestures thickened into a vaporous and architectural field of sound. Schilp processed the material through a custom point-cloud software patch that produced images in continuous flux. The visuals flickered, dissolved and reformed like memories that resist coherence, functioning as a digital Rorschach that reflected the observer’s own perception.
Amid these spectral echoes, the project evolved into an examination of how the past persists within present signals. Memory endures as residue and interference, continually shaping perception even when its source has faded.
Schilp’s visual process required a continuous stream of sound in real time. Irisarri improvised throughout the residency, generating material that allowed the visuals to develop in parallel. Once back in his New York studio, he began shaping the recordings by carving pathways through the improvisations and mapping selected passages into MIDI. This process allowed him to build outward from the bowed-guitar material with minimal overdubs, adding Prophet 5 textures, Moog bass and strings that expanded the harmonic field while keeping the original performances at the center. To refine the structure, Abul Mogard provided editorial input, working with Irisarri’s stems to guide transitions and strengthen the overall pacing. The material, originally created under conditions of immediacy and constraint, evolved into a fully realized work through careful revision, patience and sustained reworking.
The title engages the geographic concept of the Poles of Inaccessibility, locations defined solely by their distance from all surrounding points. Irisarri adapts this idea to the conditions of digital life, where new forms of inaccessibility arise through the informational enclosures that structure perception. What appears to be a fully connected network often produces a deeper kind of separation, one shaped by the filtering logic of the systems that mediate experience. In this sense, the digital sphere mirrors its geographic counterpart. We inhabit spaces saturated with signals, yet the possibility of genuine contact becomes increasingly remote.
At its core, Points of Inaccessibility considers what can be understood as the new rituals of capitalist realism. Irisarri uses the term digital shamanism to describe the forms of simulated connection that organize contemporary life. These systems promise comfort through algorithms, influencers and AI interlocutors, yet they often reproduce the same conditions that generate loneliness in the first place. What appears as connection becomes the echo of connection, a sequence of gestures that imitate solidarity while withholding it. Like the geographic poles, these rituals are defined by distance. They pull us into environments where everything is illuminated, yet meaningful proximity becomes increasingly rare. In this sense, the work approaches a hauntology of the present, a reflection on futures that have stalled and intimacies that have been thinned by the algorithmic infrastructures that surround us.
This thematic tension unfolds across the album’s four movements. Faded Ghosts of Clouds introduces the work with textures that rise and dissipate in slow cycles, creating an atmosphere that resists clear definition. Breaking the Unison occupies a pivotal position in the sequence and focuses on the moment when the individual and the system fall out of alignment. Its shifting patterns trace the scattering of signals that once suggested connection, revealing the instability at the heart of contemporary perception. Signals from a Distant Afterglow forms the center of the album and features vocals by Karen Vogt, whose presence enters the sound field like a fragile transmission shaped by distance and delay. The closing piece, Memory Strands, follows motifs that appear, recede and briefly intersect before returning to quiet. Across these movements, the album outlines a landscape in which emergence and disappearance continually inform one another.
Listening to Points of Inaccessibility is an encounter with a sound field that is constantly in flux. Elements surface briefly, shift position and recede, creating a sense of motion that resists stable interpretation. The music moves between closeness and vastness, carrying traces of memory while withholding a clear point of resolution.
The album’s visual identity completes the project’s conceptual arc. In Mexico City, where Irisarri and Schilp first met, Daniel Castrejón transformed stills from Schilp’s point-cloud visuals into the cover image. The final artwork captures a single suspended frame of the digital material, a moment extracted from a field that is normally in constant motion. Its surface recalls the texture and abstraction found in the work of Catalan artist Antoni Tàpies, where material presence and erasure coexist within the same plane.
What emerges is a work that examines the tension between technological systems and human presence. Points of Inaccessibility asks whether connection is still possible within environments shaped by mediation and delay, or whether we have become isolated points within the very networks that promise proximity. What possibilities for relation persist within environments organized by algorithms and interruption? And how are we meant to understand presence when so much of it is constructed at a distance?
Points of Inaccessibility will be released on BioVinyl on February 6, 2026, with audiovisual performances planned throughout 2026.
Mastered by Stephan Mathieu
Artwork by Jaco Schilp
Design and layout by Daniel Castrejón
Artist photo by Iulia Alexandra Magheru.
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The Uncloud studio was located inside the former Pieter Baan Centre, a forensic psychiatric prison where suspects of violent crimes were once confined. Its long history of silence and containment shaped the atmosphere in which the project developed. Within this setting, Irisarri coaxed long bowed-guitar tones through a network of pedals and looping systems. The raw gestures thickened into a vaporous and architectural field of sound. Schilp processed the material through a custom point-cloud software patch that produced images in continuous flux. The visuals flickered, dissolved and reformed like memories that resist coherence, functioning as a digital Rorschach that reflected the observer’s own perception.
Amid these spectral echoes, the project evolved into an examination of how the past persists within present signals. Memory endures as residue and interference, continually shaping perception even when its source has faded.
Schilp’s visual process required a continuous stream of sound in real time. Irisarri improvised throughout the residency, generating material that allowed the visuals to develop in parallel. Once back in his New York studio, he began shaping the recordings by carving pathways through the improvisations and mapping selected passages into MIDI. This process allowed him to build outward from the bowed-guitar material with minimal overdubs, adding Prophet 5 textures, Moog bass and strings that expanded the harmonic field while keeping the original performances at the center. To refine the structure, Abul Mogard provided editorial input, working with Irisarri’s stems to guide transitions and strengthen the overall pacing. The material, originally created under conditions of immediacy and constraint, evolved into a fully realized work through careful revision, patience and sustained reworking.
The title engages the geographic concept of the Poles of Inaccessibility, locations defined solely by their distance from all surrounding points. Irisarri adapts this idea to the conditions of digital life, where new forms of inaccessibility arise through the informational enclosures that structure perception. What appears to be a fully connected network often produces a deeper kind of separation, one shaped by the filtering logic of the systems that mediate experience. In this sense, the digital sphere mirrors its geographic counterpart. We inhabit spaces saturated with signals, yet the possibility of genuine contact becomes increasingly remote.
At its core, Points of Inaccessibility considers what can be understood as the new rituals of capitalist realism. Irisarri uses the term digital shamanism to describe the forms of simulated connection that organize contemporary life. These systems promise comfort through algorithms, influencers and AI interlocutors, yet they often reproduce the same conditions that generate loneliness in the first place. What appears as connection becomes the echo of connection, a sequence of gestures that imitate solidarity while withholding it. Like the geographic poles, these rituals are defined by distance. They pull us into environments where everything is illuminated, yet meaningful proximity becomes increasingly rare. In this sense, the work approaches a hauntology of the present, a reflection on futures that have stalled and intimacies that have been thinned by the algorithmic infrastructures that surround us.
This thematic tension unfolds across the album’s four movements. Faded Ghosts of Clouds introduces the work with textures that rise and dissipate in slow cycles, creating an atmosphere that resists clear definition. Breaking the Unison occupies a pivotal position in the sequence and focuses on the moment when the individual and the system fall out of alignment. Its shifting patterns trace the scattering of signals that once suggested connection, revealing the instability at the heart of contemporary perception. Signals from a Distant Afterglow forms the center of the album and features vocals by Karen Vogt, whose presence enters the sound field like a fragile transmission shaped by distance and delay. The closing piece, Memory Strands, follows motifs that appear, recede and briefly intersect before returning to quiet. Across these movements, the album outlines a landscape in which emergence and disappearance continually inform one another.
Listening to Points of Inaccessibility is an encounter with a sound field that is constantly in flux. Elements surface briefly, shift position and recede, creating a sense of motion that resists stable interpretation. The music moves between closeness and vastness, carrying traces of memory while withholding a clear point of resolution.
The album’s visual identity completes the project’s conceptual arc. In Mexico City, where Irisarri and Schilp first met, Daniel Castrejón transformed stills from Schilp’s point-cloud visuals into the cover image. The final artwork captures a single suspended frame of the digital material, a moment extracted from a field that is normally in constant motion. Its surface recalls the texture and abstraction found in the work of Catalan artist Antoni Tàpies, where material presence and erasure coexist within the same plane.
What emerges is a work that examines the tension between technological systems and human presence. Points of Inaccessibility asks whether connection is still possible within environments shaped by mediation and delay, or whether we have become isolated points within the very networks that promise proximity. What possibilities for relation persist within environments organized by algorithms and interruption? And how are we meant to understand presence when so much of it is constructed at a distance?
Points of Inaccessibility will be released on BioVinyl on February 6, 2026, with audiovisual performances planned throughout 2026.
Mastered by Stephan Mathieu
Artwork by Jaco Schilp
Design and layout by Daniel Castrejón
Artist photo by Iulia Alexandra Magheru.
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DE - 22113 Hamburg
Germany
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1
Trent - BB Disco
2
Trent - Incubi Ricorrenti
3
Trent - Stop
Further exploring his signature darker peak-time Cocktail D'Amore sound with highly effective collages of samples and added elements, Trent comes on strong at 127BPM with "BB Disco" on the A side, a disco percussive heavy 8 minute galloping excursion with an array of trippy layers, guitar and sound effects. B side goes more in the cosmic hole chugger realm with two hypnotic tracks at 111 and 106 BPM. Big sounding club tools ood for the healthy DJ bag, mastered at man made mastering.
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1
Glenn & Derrick - Got it Going On
2
Glenn & Derrick - Syntax of Style
3
Rico Scott & Leigh Hunt - Node 01
4
Dominic Oswald - Soft Touch
5
Dominic Oswald - Private Energy
6
Rico Scott & Leigh Hunt - Node 03
Frits Wentink’s Bobby Donny returns for the fifth various artist 12” vinyl release in the Ace Series. Welcoming new additions, Glenn & Derrick for some peak time dancefloor business as well as Leigh Hunt who joins forces with label favourite Rico Scott. On the flip Dominic Oswald returns with two soulful and deep cuts. Six heavy heaters for house fans of the deeper persuasion. Another essential release from Bobby Donny!
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1
Tamati - Cielo Di Nuvole
2
Haverdi - Coffee Coffee
3
Joi N'Juno - Bom Bit
4
HotchPotch - No Title
Brera Groove returns with its third vinyl release, Brera Groove 003, a various artists that bridges early 80's Mediterranean disco with a warm and vibrant touch. The project, curated by Tamati and inspired by the artistic soul of Milan’s Brera district, opens up once again to new sounds with contributions from Haverdi, Joi N’Juno and HotchPotch, each offering their own reinterpretation of these classics. Four dancefloor cuts made to recreate the atmosphere of the golden age of disco clubs, where groove, rhythm and melody ruled the night, adding a new chapter to the Brera Groove library.
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1
Mike Huckaby - The Jazz Republic
2
Mike Huckaby - Jazz Delirium
3
Mike Huckaby - Groove Box
4
Mike Huckaby - The Stranger
Repress!
Melodic, powerfull and very deep classic tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.
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Melodic, powerfull and very deep classic tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.
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1
Kanyon / DJ John Brooklyn - C U Dance
2
Kanyon / DJ John Brooklyn - Disco Freak
3
Kanyon / DJ John Brooklyn - Locked Groove
4
Kanyon / DJ John Brooklyn - Clemencia
5
Kanyon / DJ John Brooklyn - Plasma Link
Kanyon (John) is a NYC based producer/dj who has cut his teeth in the underground US techno scene through raw live sets, and dynamic djing. Keeping the quality high with his signature no-bs style of production and performing, he has played live supporting legends like Steve Poindexter, DJ Hyperactive, and Francois K. His productions have garnered support from Ben Sims, Akua, Ron Like Hell, Kush Jones and many others.
The Duplex EP is a split record featuring John's house alias DJ John Brooklyn on the A side (A1, A2, locked groove) & techno alias Kanyon on the B side (B1, B2). Exploring NY house and trippy, dubby minimal techno respectively, Duplex EP is a heady start to 2026.
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The Duplex EP is a split record featuring John's house alias DJ John Brooklyn on the A side (A1, A2, locked groove) & techno alias Kanyon on the B side (B1, B2). Exploring NY house and trippy, dubby minimal techno respectively, Duplex EP is a heady start to 2026.
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1
riko - Whoa 55
2
riko - Le Bom Bom
3
riko - Drum God
4
riko - Phrygian
Tracklisting
A1 riko - Whoa 55
A2 riko - Le Bom Bom
B1 riko - Drum God
B2 riko - Phrygian
Sales Note
After a short break, CEP Records is back and opens a new chapter with the X-Series. An imprint dedicated to raw club energy and oldschool-inspired sounds that redefine the label's identity. Leading the way is riko, the head of the label, with a four track release.
'Whoa 55' on A1 pulls you in with its striking vocal and weighty bassline, delivering a perfect balance of groove and drive. 'Le Bom Bom' follows with a deeper feel, clean drums and little sound bits that play nicely around the low end. On the B side, 'Drum God' goes all out and hits the hardest, made for late nights and busy rooms. Closing it off, 'Phrygian' opens things up again with a mix of catchy melodies and deep frequencies that stick with you.
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A1 riko - Whoa 55
A2 riko - Le Bom Bom
B1 riko - Drum God
B2 riko - Phrygian
Sales Note
After a short break, CEP Records is back and opens a new chapter with the X-Series. An imprint dedicated to raw club energy and oldschool-inspired sounds that redefine the label's identity. Leading the way is riko, the head of the label, with a four track release.
'Whoa 55' on A1 pulls you in with its striking vocal and weighty bassline, delivering a perfect balance of groove and drive. 'Le Bom Bom' follows with a deeper feel, clean drums and little sound bits that play nicely around the low end. On the B side, 'Drum God' goes all out and hits the hardest, made for late nights and busy rooms. Closing it off, 'Phrygian' opens things up again with a mix of catchy melodies and deep frequencies that stick with you.
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1
Pumphouse Gang - Welcome Back Into My Life
2
Pumphouse Gang - Welcome Back Into My Life (The Medlar Reprise Edit)
We’re back on Celestial Echo Records and kicking off 2026 with one of the most essential 7 inches of the year.
CER009 finally brings Pumphouse Gang – “Welcome Back Into My Life” back to the 7inch format, a killer slice of Irish modern soul perfection from 1979. Originally pressed in tiny quantities and barely escaping dublin, it’s one of those records that rarely becomes available. A favourite of label boss miche, it’s in his words “an unbeatable soul track, that really fills a dancefloor with smiles”
On the flip, Medlar steps up once again, this time sending his mix straight from the Cayman Islands — a dubbed-out, Part 2-style reprise that stretches the groove, teases the rhythm, and gives the track a second life for late-night dancefloors.
As always, Celestial Echo digs deep into the overlooked corners of soul and disco, unearthing some of the best soul records and giving them a new lease of life. Each release is remastered with care and presented with the respect these recordings deserve.
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CER009 finally brings Pumphouse Gang – “Welcome Back Into My Life” back to the 7inch format, a killer slice of Irish modern soul perfection from 1979. Originally pressed in tiny quantities and barely escaping dublin, it’s one of those records that rarely becomes available. A favourite of label boss miche, it’s in his words “an unbeatable soul track, that really fills a dancefloor with smiles”
On the flip, Medlar steps up once again, this time sending his mix straight from the Cayman Islands — a dubbed-out, Part 2-style reprise that stretches the groove, teases the rhythm, and gives the track a second life for late-night dancefloors.
As always, Celestial Echo digs deep into the overlooked corners of soul and disco, unearthing some of the best soul records and giving them a new lease of life. Each release is remastered with care and presented with the respect these recordings deserve.
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1
Combo Efectivo - La Llave Maestra
2
Combo Efectivo - B. Picada De Culebra
Combo Efectivo was formed in November 2024 in Bogota in a studio in the Teusaquillo district, at the invitation of Jazztropicante. It brings together an all-star cast from Bogota's neotropical movement and three iconic brass players from the current French jazz scene.
The chemistry was immediate and the energy palpable: a sound that was both playful and demanding, exuding groove, rich material rooted in contemporary jazz structures, and breathing the spirit of brass bands and the splendor of popular expression from the Colombian Caribbean.
A two-track EP was produced from this unique studio session, recorded and mixed at Mambo Negro Records, with the expertise of Daniel Michel. Mastered in Paris at Loom, this first 45 rpm single was released in February 2026 with The Pusher, officially marking the birth of the Casa Maguey Records label, which promotes the catalog resulting from Jazztropicante's encounters.
On the French side, three musicians who are making their mark on their generation: Stéphane Montigny on trombone, Antoine Berjeaut on trumpet, and saxophonist Léon Phal, the spearhead of a new generation of jazzmen. The Colombians are a cocktail of musicians from the most exciting groups on the current scene: Karen Nerak on vocals, rap, gaita, and percussion, Ruben Aragon on keyboards, Pelango on bass, and Kike Narvaez on drums.
Combo Efectivo magnifies the alchemy between the finesse of European jazz and the power of Colombian rhythms. A tropical trance fueled by improvisation, where the contemporary jazz scene and neo-tropicality meet in a spirit of openness and exploration.
TRACKLIST:
A. La Llave Maestra
B. Picada De Culebra
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The chemistry was immediate and the energy palpable: a sound that was both playful and demanding, exuding groove, rich material rooted in contemporary jazz structures, and breathing the spirit of brass bands and the splendor of popular expression from the Colombian Caribbean.
A two-track EP was produced from this unique studio session, recorded and mixed at Mambo Negro Records, with the expertise of Daniel Michel. Mastered in Paris at Loom, this first 45 rpm single was released in February 2026 with The Pusher, officially marking the birth of the Casa Maguey Records label, which promotes the catalog resulting from Jazztropicante's encounters.
On the French side, three musicians who are making their mark on their generation: Stéphane Montigny on trombone, Antoine Berjeaut on trumpet, and saxophonist Léon Phal, the spearhead of a new generation of jazzmen. The Colombians are a cocktail of musicians from the most exciting groups on the current scene: Karen Nerak on vocals, rap, gaita, and percussion, Ruben Aragon on keyboards, Pelango on bass, and Kike Narvaez on drums.
Combo Efectivo magnifies the alchemy between the finesse of European jazz and the power of Colombian rhythms. A tropical trance fueled by improvisation, where the contemporary jazz scene and neo-tropicality meet in a spirit of openness and exploration.
TRACKLIST:
A. La Llave Maestra
B. Picada De Culebra
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1
Pharoah Chromium - INTRO / RIAH ACH-CHARK
2
Pharoah Chromium - IA JEBEL SARFIT 1
3
Pharoah Chromium - MIRBAT ICHADI
4
Pharoah Chromium - IA CHAID AD-DARB
5
Pharoah Chromium - BAR SETIQUE KOUHSANRAN
6
Pharoah Chromium - OUT A FAT AL-JEMAHIR
7
Pharoah Chromium - IA JEBEL SARFIT 2
8
Pharoah Chromium - SIAH-KHAL
Between innocence and anger, a record of witness.
Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018).
In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants Révolutionnaires d’Oman on the French label Expression Spontanée — a record that connected seamlessly with the material at hand.
As you listen, Side A reveals its dedication to the children of Gaza. Without exploiting recordings from an ongoing genocide, the music instead channels hope through the voices of Omani children, offering a vision of resilience and possibility in the Middle East.
Side B grows darker, more funerary, reflecting the escalation of the conflict after October 7. Trumpeter Philipp Selalmazidis, a recent collaborator, appears throughout these sessions, adding weight and urgency. Over time, the adolescent voices of the A side give way to adult voices, filling the space with anger and ideological rhetoric — a stark progression from innocence to confrontation.
This is a record that refuses detachment: a work of mourning, resistance, and improbable connections that insists on listening as an act of witness.
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Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018).
In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants Révolutionnaires d’Oman on the French label Expression Spontanée — a record that connected seamlessly with the material at hand.
As you listen, Side A reveals its dedication to the children of Gaza. Without exploiting recordings from an ongoing genocide, the music instead channels hope through the voices of Omani children, offering a vision of resilience and possibility in the Middle East.
Side B grows darker, more funerary, reflecting the escalation of the conflict after October 7. Trumpeter Philipp Selalmazidis, a recent collaborator, appears throughout these sessions, adding weight and urgency. Over time, the adolescent voices of the A side give way to adult voices, filling the space with anger and ideological rhetoric — a stark progression from innocence to confrontation.
This is a record that refuses detachment: a work of mourning, resistance, and improbable connections that insists on listening as an act of witness.
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1
Stef Mendesidis - No Title
2
Stef Mendesidis - No Title
3
Stef Mendesidis - No Title
4
Stef Mendesidis - No Title
Tracklisting:
A1 Stef Mendesidis - Critical Ratio
A2 Stef Mendesidis - Interlynx
B1 Stef Mendesidis - Memorex
B2 Stef Mendesidis - Chroma
Sales Note
- 2026 repress -
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A1 Stef Mendesidis - Critical Ratio
A2 Stef Mendesidis - Interlynx
B1 Stef Mendesidis - Memorex
B2 Stef Mendesidis - Chroma
Sales Note
- 2026 repress -
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1
False Aralia - Time to Erase
2
Philipp Otterbach - Keeping Time Remix
3
Motoko & Myers - Petal Crusher Remix
4
Slowfoam - Atemporal Remix
In early 2025 Oakland-based Jerod S. Rivera released his second full length Dot-Dash, featuring a collaboration with CST co-founder Cat Lauigan and Jonathan James Carr. From the beginning we were mesmerized with the result, a perfect melding of Cat's processed spoken-word and Jerod's Buchla experimentations.
The thought of remixes presented immediately, the material extra ripe for interpolation. Enlisting friends from geographically and sonically disparate locations to present an ideal remix 12". Something for everyone, something for every setting, a tool with multiple functions...
The mysterious dub/techno/leftfield mastermind behind False Aralia dives further into territory explored on iri.gram, uptempo and dancefloor-ready in a more maximal Perlon-ish way while still embracing a half-time dub feel. Philipp Otterbach (Music from Memory, Offen, RIO) goes deeper into the guitar zone he’s been exploring, channeling Earth 2, Boris, and the like for some heavy drone. Oakland duo DJ ML and Wonja adopt their Motoko & Myers moniker (Future Times, Soda Gong), zeroing in on some choice vocal snippets that mesh perfectly with a live drum break and bassline for a Seefeel-esque version that could have come from a 90’s UK studio. Finally, Slowfoam embraces the more experimental elements of the original with a remix that starts sparse and minimal but builds into a glitchy rhythmic climax.
The 12” includes a 2-sided riso insert and a download code with access to an additional remix by close collaborator Jon Carr that twists the vocals into a throbbing industrial caucaphony.
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The thought of remixes presented immediately, the material extra ripe for interpolation. Enlisting friends from geographically and sonically disparate locations to present an ideal remix 12". Something for everyone, something for every setting, a tool with multiple functions...
The mysterious dub/techno/leftfield mastermind behind False Aralia dives further into territory explored on iri.gram, uptempo and dancefloor-ready in a more maximal Perlon-ish way while still embracing a half-time dub feel. Philipp Otterbach (Music from Memory, Offen, RIO) goes deeper into the guitar zone he’s been exploring, channeling Earth 2, Boris, and the like for some heavy drone. Oakland duo DJ ML and Wonja adopt their Motoko & Myers moniker (Future Times, Soda Gong), zeroing in on some choice vocal snippets that mesh perfectly with a live drum break and bassline for a Seefeel-esque version that could have come from a 90’s UK studio. Finally, Slowfoam embraces the more experimental elements of the original with a remix that starts sparse and minimal but builds into a glitchy rhythmic climax.
The 12” includes a 2-sided riso insert and a download code with access to an additional remix by close collaborator Jon Carr that twists the vocals into a throbbing industrial caucaphony.
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1
MSD - Moonboom (Love Will Save The Day Mix)
2
MSD - Moonboom (Lanzatech Mix)
3
MSD - Moonboom (Original 94 Mix)
4
MSD - Moonboom (Collies Midnight Dub Mix)
5
MSD - Moonboom (Seo E Mo Teach Mix)
Originally released in 1994, MSD - Moonboom is a true cornerstone of Irish dance music and one of the defining dancefloor anthems of the '90s. Fusing Techno, Progressive House and raw 303 energy, it became a staple on floors across Ireland and beyond, a track whose power has only grown with time. Now beautifully remastered and repressed on the newly launched CeltTribe label, Moonboom returns sounding bigger and sharper than ever. Created by Fintan McDonald alongside Dublin DJ Liam Dollard, with Paul Clifford and Peter Coss present during the original mixdown, the track was produced on a Tac Scorpion desk using Akai S1000 and S950 samplers, capturing the raw, hardware-driven spirit of early '90s dance music. Originally released on the Inner Conscience label, this reissue celebrates Ireland's underground dance heritage and is expanded with a strong set of 2026 remixes. The "Love Will Save the Day" Remix delivers a piano-led '90s House groove with nods to New York and Chicago, reflecting the deep Irish house sound loved in Cork and Waterford. The Lanzatech Remix is a tribal, acid-fuelled slammer driven by reworked piano, 303 lines and Detroit-inspired synth pads. Collie's "Midnight" Dub dives deeper into jazzy, hypnotic territory, while Ian's Techno Mix pushes Moonboom into darker, harder underground space with reimagined piano and vocals. A timeless Irish classic, respectfully reimagined!
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Germany
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Germany
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1
Torrent - Azimuth
2
Torrent - Calculating Machine
3
Torrent - Disco Dreams
4
Torrent - Dating Jeff
Machinery Of Emotions marks Torrent’s debut on Cupula Recordings, yet his bond with the label runs far deeper. A trusted figure in our circle and a selector with a rare sensitivity for mood and movement, Torrent channels his craft into four tracks that blur the line between mechanical precision and human feeling.
From hypnotic rhythms to cinematic synth work, designed for both the floor and the mind.
Pressed on vinyl, Machinery Of Emotions captures the essence of our shared vision where sound speaks as strongly as emotion.
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Germany
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From hypnotic rhythms to cinematic synth work, designed for both the floor and the mind.
Pressed on vinyl, Machinery Of Emotions captures the essence of our shared vision where sound speaks as strongly as emotion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Arp Frique & The Perpetual Singers - Alpha & Omega feat. Rocq-E Harrell & Brandon Delagraentiss
2
Arp Frique & The Perpetual Singers - For Your Love feat. Rocq-E Harrell
3
Arp Frique & The Perpetual Singers - Help Me Jesus feat. Rocq-E Harrell & Brandon Delagraentiss
4
Arp Frique & The Perpetual Singers - Live Together Live
After the release of long player ‘The Gospel Of Jesamy’, Arp Frique & The Perpetual Singers return with a heavy hitting 4-track EP entitled ‘Alpha & Omega’.
The Amsterdam-based multi-instrumentalist, composer and producer follows up his very well received gospelfunk album with a big chunk of funk fuelled, high energy spiritual music featuring some stellar vocals also present on the previous record:Texas born gospel singer Brandon Delagraentiss, longtime collaborator Marissa Nyamekye aka Mariseya and the legendary LA-born vocalist Rocq-E Harrell who - in her career spanning decades - has sung with Stevie Wonder, Patti Labelle, Earth Wind & Fire, and toured with Diana Ross and the legendary Barry White.
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Germany
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The Amsterdam-based multi-instrumentalist, composer and producer follows up his very well received gospelfunk album with a big chunk of funk fuelled, high energy spiritual music featuring some stellar vocals also present on the previous record:Texas born gospel singer Brandon Delagraentiss, longtime collaborator Marissa Nyamekye aka Mariseya and the legendary LA-born vocalist Rocq-E Harrell who - in her career spanning decades - has sung with Stevie Wonder, Patti Labelle, Earth Wind & Fire, and toured with Diana Ross and the legendary Barry White.
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DE - 22113 Hamburg
Germany
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1
SUBWAVE - LEVITATE
2
THEMATIC & FAIB - SIDE BY SIDE
3
THEORETICAL - MASK OF GLASS
4
RUNOUT - THE REVERSED
Tracklisting
A1 SUBWAVE - LEVITATE
A2 THEMATIC & FAIB - SIDE BY SIDE
B1 THEORETICAL - MASK OF GLASS
B2 RUNOUT - THE REVERSED
Sales Note
Data Music proudly presents Various Artists "Levitate EP" - the label's first-ever vinyl release!
Staying true to the core vision, we've carefully selected four deep and atmospheric drum & bass cuts from the label's key artists and close friends.
"Levitate EP" embodies the diverse identity of Data Music - a perfect soundtrack for home listening, long journeys, and dark, smoky dancefloors alike.
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A1 SUBWAVE - LEVITATE
A2 THEMATIC & FAIB - SIDE BY SIDE
B1 THEORETICAL - MASK OF GLASS
B2 RUNOUT - THE REVERSED
Sales Note
Data Music proudly presents Various Artists "Levitate EP" - the label's first-ever vinyl release!
Staying true to the core vision, we've carefully selected four deep and atmospheric drum & bass cuts from the label's key artists and close friends.
"Levitate EP" embodies the diverse identity of Data Music - a perfect soundtrack for home listening, long journeys, and dark, smoky dancefloors alike.
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Germany
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1
Various Artists - A1. Tops (LTJ & Les Inferno Edit)
2
Various Artists - A2. Wright (M.B. Edits & Les Inferno)
3
Various Artists - B1. Get A Man (Les Inferno Reflamed)
4
Various Artists - B2. JH Vibes (DJ Rocca Edit)
Hyper-limited (300 only!) four header heavy weight tracks… certified Disco and Funk bangers from the Italians heavy weight funkteers of this genre…!!!
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Germany
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1
Esmeralda - Extasy
2
Esmeralda - Friends
limited edition 7" for Valentines day 2026..
Born in the Netherlands and raised in Aruba, Esmeralda was embedded in the Dutch-Caribbean island’s vibrant music scene from an early age, first as a teenage dancer, then as a singer with latin band Los Bravos. She was soon a fixture of the local circuit, singing in hotels, bars, and carnival parades, before setting off on a solo career. Recorded in the late 80s and early 90s with a cadre of friends and collaborators both at home and in New York City, her debut album, All My Love 4 U, pulled together her wide-ranging influences into a sun-soaked, genre-blurring statement.
The album was a success, even landing a couple hits at NYC pop station Z100, but ultimately the momentum was short-lived. After being stiffed by her record label and with a child on the way, Esmeralda retired from music in 1998. Though she reemerged in 2010 with her own radio show on Aruba’s 98.8 Cool FM, and later returned to the stage in 2014, her debut CD faded quietly into obscurity.
Now three decades after its release, listening to “All My Love 4 U” feels like opening a time capsule that perfectly captures the optimistic, globalized essence of the early 90s with impressive versatility. Sultry balearic jams, uptempo dancefloor house, soca, breakbeat-forward new jack, and hip-hop all find a groove here, colliding with a boundlessly joyful and cheeky energy.
This 7” version includes the record’s two hottest hits, plus a digital download for the whole deal. On the A-Side, “Extasy” conjures images of an open air beach club, complete with the setting sun and a cocktail in hand. On the flip, it’s “Friends”, an endlessly re-playable late-night jam up there with the best of them. All My ?? 4 U !
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Born in the Netherlands and raised in Aruba, Esmeralda was embedded in the Dutch-Caribbean island’s vibrant music scene from an early age, first as a teenage dancer, then as a singer with latin band Los Bravos. She was soon a fixture of the local circuit, singing in hotels, bars, and carnival parades, before setting off on a solo career. Recorded in the late 80s and early 90s with a cadre of friends and collaborators both at home and in New York City, her debut album, All My Love 4 U, pulled together her wide-ranging influences into a sun-soaked, genre-blurring statement.
The album was a success, even landing a couple hits at NYC pop station Z100, but ultimately the momentum was short-lived. After being stiffed by her record label and with a child on the way, Esmeralda retired from music in 1998. Though she reemerged in 2010 with her own radio show on Aruba’s 98.8 Cool FM, and later returned to the stage in 2014, her debut CD faded quietly into obscurity.
Now three decades after its release, listening to “All My Love 4 U” feels like opening a time capsule that perfectly captures the optimistic, globalized essence of the early 90s with impressive versatility. Sultry balearic jams, uptempo dancefloor house, soca, breakbeat-forward new jack, and hip-hop all find a groove here, colliding with a boundlessly joyful and cheeky energy.
This 7” version includes the record’s two hottest hits, plus a digital download for the whole deal. On the A-Side, “Extasy” conjures images of an open air beach club, complete with the setting sun and a cocktail in hand. On the flip, it’s “Friends”, an endlessly re-playable late-night jam up there with the best of them. All My ?? 4 U !
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DE - 22113 Hamburg
Germany
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1
Re:Axis - Ancient Ways (Blazej Malinowski remix)
2
Re:Axis - Right On The Center (RCHTR x Invalid Request remix)
3
Re:Axis - Midjourney (Claudio PRC remix)
4
Re:Axis - Back To The Now [Revisited]
Tracklisting
A1 Re:Axis - Ancient Ways (Blazej Malinowski remix)
A2 Re:Axis - Right On The Center (RCHTR x Invalid Request remix)
B1 Re:Axis - Midjourney (Claudio PRC remix)
B2 Re:Axis - Back To The Now [Revisited]
Sales Note
Remixes by Blazej Malinowski, Claudio PRC, RCHTR & Invalid Request and a revisit by Re:Axis himself.
As the Derailed Records x Planet Rhythm vinyl saga continues, a new force materializes: the remix EP of Re:Axis's Ancient Ways. Reverent yet fearless, it transforms the original into something darker, deeper, and undeniably compelling.
Wrapped in a soft silver glow, this vinyl edition mirrors the legacy of its marbled-gold predecessor. The contrast is intentional, the pairing essential. Don't miss the chance to complete the set.
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A1 Re:Axis - Ancient Ways (Blazej Malinowski remix)
A2 Re:Axis - Right On The Center (RCHTR x Invalid Request remix)
B1 Re:Axis - Midjourney (Claudio PRC remix)
B2 Re:Axis - Back To The Now [Revisited]
Sales Note
Remixes by Blazej Malinowski, Claudio PRC, RCHTR & Invalid Request and a revisit by Re:Axis himself.
As the Derailed Records x Planet Rhythm vinyl saga continues, a new force materializes: the remix EP of Re:Axis's Ancient Ways. Reverent yet fearless, it transforms the original into something darker, deeper, and undeniably compelling.
Wrapped in a soft silver glow, this vinyl edition mirrors the legacy of its marbled-gold predecessor. The contrast is intentional, the pairing essential. Don't miss the chance to complete the set.
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Germany
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1
Distant Strangers - Virtual Morality
2
Distant Strangers - Take Us In Deeper
3
Distant Strangers - Virtual Morality (Adam Collins Mix)
Originally released in 2005, this standout EP returns as part of the much-anticipated reissue campaign from cult New York imprint Drugsex — a label that quickly became a treasured name among heads who lived and breathed the underground. Born from the creative partnership between UK producers Rob Pearson and Simon Copleston, Drugsex carved out its own raw, hypnotic corner of the international tech house movement.
For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.
The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.
On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.
Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.
Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For the second instalment in the reissue series, label head Rob Pearson teams up with Daniel Poli under their Distant Strangers moniker — a project that, even back then, was whispered about among selectors for its deep, rolling grooves and stripped-back intensity. Both artists had already made their mark with releases on some of the most respected labels of the era — from Rekids and Swag Records to Evasive Records, Rescue Recordings, and beyond.
The pair’s first collaboration, the Lost Souls EP, became a highly limited, in-demand underground gem, pressed in small quantities and played by those in the know. This follow-up, crafted at Online Studios in Croydon, took their sound to the next level — two original tracks built for dancefloors that like things hypnotic, physical and uncompromising.
On the A-side, Virtual Morality is a slick and driving slice of tech house pressure. Crisp percussion, rolling low-end and a subtle but addictive hook make it a peak-time weapon that never goes out of style. Flip it over for Take Us In Deeper — a track that lives up to its name with a shadowy groove, atmospheric layers and a perfectly balanced push and pull that draws dancers further into the late-night haze.
Adding even more weight to the release, Adam Collins — known for his work with Omni AM and Euphoria Records — steps in with a remix of Virtual Morality on B2. His version injects an unmistakable acid edge, elevating the original into a tripped-out, floor-focused burner that fits as comfortably in a basement sweatbox as it does on a sunrise terrace.
Nearly two decades later, these tracks still carry the same raw power and effortless groove that made them cult favourites in the first place. This reissue isn’t just a nod to the past — it’s a reminder of why this sound endures.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Michael Wagner - Invisible Man
2
Michael Wagner - Michael's Plan
3
Michael Wagner - Moments
4
Michael Wagner - Rue 69
5
Michael Wagner - New Life
Dig This branch out into new territory with the launch of their new label, Dig This Records.
Its debut release comes courtesy of Austria’s rising talent Michael Wagner, a producer who’s been making seriously stylish & refined house music for the past few years behind closed doors. A debut record for both the label & producer.
Across five tracks, Wagner delivers a diverse journey through the house spectrum. Expect tribal percussion, lush pads, and perfectly placed vocals woven throughout. The EP captures the energy of summer with cuts like Invisible Man and Michael’s Plan, while also providing peak-time club weapons in Moments and Rue 69. Closing things out, New Life on the B3 offers a more laid-back, deep jazz vibe, rounding off a versatile and memorable debut.
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Its debut release comes courtesy of Austria’s rising talent Michael Wagner, a producer who’s been making seriously stylish & refined house music for the past few years behind closed doors. A debut record for both the label & producer.
Across five tracks, Wagner delivers a diverse journey through the house spectrum. Expect tribal percussion, lush pads, and perfectly placed vocals woven throughout. The EP captures the energy of summer with cuts like Invisible Man and Michael’s Plan, while also providing peak-time club weapons in Moments and Rue 69. Closing things out, New Life on the B3 offers a more laid-back, deep jazz vibe, rounding off a versatile and memorable debut.
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1
Fatboy Slim & The Rolling Stones - Satisfaction Skank
LIMITED EDITION SO PLEASE MAKE SURE YOU PRE-SALE AS THIS WILL SELL OUT QUICKLY
After 25 years as a fan-favourite in his DJ sets, Fatboy Slim’s ‘Satisfaction Skank’ arrives with full approval from The Rolling Stones and access to the original stems.
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After 25 years as a fan-favourite in his DJ sets, Fatboy Slim’s ‘Satisfaction Skank’ arrives with full approval from The Rolling Stones and access to the original stems.
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1
Notzing - Tabula
2
Notzing - Tefara
3
Notzing - Resomnarium
4
Notzing - Foresta
Tracklisting
A1 Notzing - Tabula
A2 Notzing - Tefara
B1 Notzing - Resomnarium
B2 Notzing - Foresta
Sales Note
Kabalion returns.
Early support from Samuli Kemppi, Takaaki Itoh, Brando Lupi, Forest on Stasys, Joachim Spieth, Martyn Pasch, Michal Wolski, Na Nich, Svarog, and Toki Fuko, to name a few.
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A1 Notzing - Tabula
A2 Notzing - Tefara
B1 Notzing - Resomnarium
B2 Notzing - Foresta
Sales Note
Kabalion returns.
Early support from Samuli Kemppi, Takaaki Itoh, Brando Lupi, Forest on Stasys, Joachim Spieth, Martyn Pasch, Michal Wolski, Na Nich, Svarog, and Toki Fuko, to name a few.
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1
LNS - Sweet Acid
2
LNS - Micro Acid
3
LNS - Cosmacid
4
LNS - Acid Rated
Emotional Response presents the first of 2 EPs by Laura Sparrow aka LNS, the Calgary raised, Berlin based producer and DJ with 8 acid-tinged cuts that are equally expansive and inspiring, personal and inventive.
After her debut Malinge Range (cassette) on fellow native Canadian 1080p label in 2016, LNS moved to Berlin and has released a steady stream of 12”s, exploring ambient, dub, electro and techno. Initially appearing on Vancouver émigré’s Jayda G’s (alongside Fett Burger) Freakout Cult label before settling at DJ Sotofett’s cult WANIA label and more recently on the legendary and ‘original’ German techno label, Tresor.
A love of the Roland TR-303, alongside deep diving into breakbeat creation, manipulation, mutation and production, plus some intrepid mixing and post-production assistance, development and support with DJ Sofofett, have led to a collection of some of her favourite music to date.
LNS-ID 1 and LNS ID 2 are the result. Recorded during a burst of creativity through dedication, new studio equipment and learning techniques, as well the necessity of artistic expression in the moment.
Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Rolant TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Sweet Acid, Micro Acid, Cosmacid and Acid Rated, there is a clarity in the call. We call it Acid.
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After her debut Malinge Range (cassette) on fellow native Canadian 1080p label in 2016, LNS moved to Berlin and has released a steady stream of 12”s, exploring ambient, dub, electro and techno. Initially appearing on Vancouver émigré’s Jayda G’s (alongside Fett Burger) Freakout Cult label before settling at DJ Sotofett’s cult WANIA label and more recently on the legendary and ‘original’ German techno label, Tresor.
A love of the Roland TR-303, alongside deep diving into breakbeat creation, manipulation, mutation and production, plus some intrepid mixing and post-production assistance, development and support with DJ Sofofett, have led to a collection of some of her favourite music to date.
LNS-ID 1 and LNS ID 2 are the result. Recorded during a burst of creativity through dedication, new studio equipment and learning techniques, as well the necessity of artistic expression in the moment.
Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Rolant TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Sweet Acid, Micro Acid, Cosmacid and Acid Rated, there is a clarity in the call. We call it Acid.
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1
LNS - Easygoing Acid Express
2
LNS - Alive Acid
3
LNS - Blue Acid
4
LNS - Gentle Acid
Emotional Response presents Volume 2 of the LNS-ID series. Atmospheric, infectious, at times nostalgic, warm yet ghosty, the tension of Laura Sparrow’s music is her exploration in electronic music.
An introduction to DJing and music production has been a natural progression, applying skills in new and fresh formats. Built on the heritage of Chicago and Detroit house, alongside old IDM and electro, her first productions might have been raw, but the creativity was lit.
While her recent productions have explored club orientated, loud cut records, in collaborations with DJ Sotofett, that represent the sound found in her residency on the Globus floor at the Tresor club, LNS’s interest in the solo productions of the LNS-ID recordings and more organic-style explored in the recent Misiats EP burns bright.
LNS-ID 1 and LNS ID 2 are her latest offering. Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Roland TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Easygoing Acid Express, Alive Acid, Blue Acid and Gentle Acid. Get the message. We call it Acid.
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An introduction to DJing and music production has been a natural progression, applying skills in new and fresh formats. Built on the heritage of Chicago and Detroit house, alongside old IDM and electro, her first productions might have been raw, but the creativity was lit.
While her recent productions have explored club orientated, loud cut records, in collaborations with DJ Sotofett, that represent the sound found in her residency on the Globus floor at the Tresor club, LNS’s interest in the solo productions of the LNS-ID recordings and more organic-style explored in the recent Misiats EP burns bright.
LNS-ID 1 and LNS ID 2 are her latest offering. Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Roland TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Easygoing Acid Express, Alive Acid, Blue Acid and Gentle Acid. Get the message. We call it Acid.
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1
DJ Esprit - Esprit A
2
DJ Esprit - Esprit B
Classy Deep House winners,,
Two tunes sent from an artist in a small town in the middle of Europe. The email signed off simply saying "Just A Chance".
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Two tunes sent from an artist in a small town in the middle of Europe. The email signed off simply saying "Just A Chance".
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1
PappEdits - Afrikano
2
PappEdits - More Disco
3
PappEdits - Always Runnin
4
PappEdits - Hang Out
5
PappEdits - Aphrodisiac
6
PappEdits - Almond Latte
Julius Papp’s “Excursions" series returns with six hot edits for the dance floor! An Integral part of the scene since the mid 90’s, Julius's “PappEdits” digs deeper into Disco, Afro and Jazz-Funk to rework them into DJ friendly gems. Essential!
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1
Megaton - Birdy
2
Megaton - Virus
3
Megaton - The Return
4
Megaton - Challenge
We are pleased to present a new E.P. of carefully selected, previously unreleased tracks from the vaults of Megaton, aka Roberto Cagnoli.
Produced between ‘97 and ‘99 during one of the artist’s most prolific periods, the record explores multiple facets of Roberto’s creative omniverse: from acid-infused, dubby techno on the A-side to more trance-leaning, progressive territory on the B-side. Remastered by Manmade Mastering..
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Germany
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Produced between ‘97 and ‘99 during one of the artist’s most prolific periods, the record explores multiple facets of Roberto’s creative omniverse: from acid-infused, dubby techno on the A-side to more trance-leaning, progressive territory on the B-side. Remastered by Manmade Mastering..
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Rob Pearson & Paul Donton - Who's The Boss ?
2
Rob Pearson & Paul Donton - Loosen Up
3
Rob Pearson & Paul Donton - Who's The Boss ? (Jay Tripwire Remix)
Label head Rob Pearson and long-time collaborator Paul Donton return with a heavyweight 12” that captures the essence of the Evasive sound — raw, hypnotic and undeniably underground. Fresh from a run of gigs, remixes and late-night studio sessions, the duo present the latest instalment in the coveted limited vinyl-only series on Evasive Records.
Kicking things off is the title cut “Who’s The Boss”, a peak-time weapon forged back in 2018 and road-tested extensively on dancefloors worldwide. Revisited and reworked in the Online Studios lab, the track has been given a sharp 2025 update, pushing the tempo and intensity into perfect territory at 125 BPM. Anchored by a hypnotic rolling groove, its trippy synth riff weaves around eerie pads, FX flourishes and a sly narrated vocal. Underneath it all, a thunderous sub bass line locks everything down — the kind of cut that commands the floor rather than asks.
Track 2 on the A-side, “Loosen Up” continues the pressure. Don’t be fooled by the name — this is high-grade tech-funk built for serious heads. A driving percussive backbone keeps the energy surging forward while vocal stabs teasing “Relax” and “Pretty Deep” contrast its relentless momentum. Filtered arpeggios ripple through the mix, adding texture without ever smothering the groove. And just when you think you’ve found steady ground, a wobbling low-end flex hits you right in the chest — all hips, toes and tingles from there.
To complete the package, the pair turned to a true underground icon: Jay Tripwire. Known for his deep, intricate and uncompromising sound, Jay delivers an extended reinterpretation of “Who’s The Boss” that’s nothing short of masterful. Clocking in at 11 minutes and 12 seconds, this remix is a full-blown journey — expansive, detailed and effortlessly hypnotic. So strong, in fact, that it takes the entire side of the record. No gimmicks, no shortcuts. Just a seasoned craftsman at work, reimagining a future classic.
Who’s The Boss EP is a statement of intent from Rob Pearson & Paul Donton — timeless underground energy pressed to wax for those who know.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kicking things off is the title cut “Who’s The Boss”, a peak-time weapon forged back in 2018 and road-tested extensively on dancefloors worldwide. Revisited and reworked in the Online Studios lab, the track has been given a sharp 2025 update, pushing the tempo and intensity into perfect territory at 125 BPM. Anchored by a hypnotic rolling groove, its trippy synth riff weaves around eerie pads, FX flourishes and a sly narrated vocal. Underneath it all, a thunderous sub bass line locks everything down — the kind of cut that commands the floor rather than asks.
Track 2 on the A-side, “Loosen Up” continues the pressure. Don’t be fooled by the name — this is high-grade tech-funk built for serious heads. A driving percussive backbone keeps the energy surging forward while vocal stabs teasing “Relax” and “Pretty Deep” contrast its relentless momentum. Filtered arpeggios ripple through the mix, adding texture without ever smothering the groove. And just when you think you’ve found steady ground, a wobbling low-end flex hits you right in the chest — all hips, toes and tingles from there.
To complete the package, the pair turned to a true underground icon: Jay Tripwire. Known for his deep, intricate and uncompromising sound, Jay delivers an extended reinterpretation of “Who’s The Boss” that’s nothing short of masterful. Clocking in at 11 minutes and 12 seconds, this remix is a full-blown journey — expansive, detailed and effortlessly hypnotic. So strong, in fact, that it takes the entire side of the record. No gimmicks, no shortcuts. Just a seasoned craftsman at work, reimagining a future classic.
Who’s The Boss EP is a statement of intent from Rob Pearson & Paul Donton — timeless underground energy pressed to wax for those who know.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Evigt Mörker - Kapa Alla Grenar
2
Evigt Mörker - Hagn Vid Tidens Ande
3
Evigt Mörker - Stangt Rike Oppnas
4
Evigt Mörker - Tala Glodande
5
Evigt Mörker - Ljus Som Ater Himlen
6
Evigt Mörker - Negativ Eld
Stripped of its branches and reduced to the bare trunk, Evigt Morker 6 stands at the threshold where fire becomes voice and light devours the sky. Across six tracks, the music moves through hushed revelation, listening for a call that cannot be refused. Salvation and damnation burn side by side on the horizon, as everything else is consumed by flame. "Kapa grenarna. Lat stammen sta ren infor slutet. Nar riket oppnas ska rosten tala i lagor, bara for dig. Lyssna, och se hur ljuset ater himlen tills oandligheten skymtar. Kliv in i den negativa elden dar intet vander sig om och blir till."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
DJ Superherb x Ten Years Lost - Govanhill 6am
2
DJ Superherb x Ten Years Lost - Select It, Get Excited
3
DJ Superherb x Ten Years Lost - Ghost Toon
4
DJ Superherb x Ten Years Lost - Dreamz
5
DJ Superherb x Ten Years Lost - All Choir, All Fire
6
DJ Superherb x Ten Years Lost - Stuntz
7
DJ Superherb x Ten Years Lost - Nummer Wan
8
DJ Superherb x Ten Years Lost - It's Time You Went Up The Road
Concrete City's two residents re-emerge with 'Serious Coin', the second long-player from label head DJ Superherb and long-time collaborator Ten Years Lost. Where their 2023 debut basked in heat-hazed hedonism, this follow-up sharpens the focus. At times deeper, and consistently drawing from the pair's shared language, Serious Coin is an unmissable entry in the Full Dose catalogue.
Across eight tracks, the duo lean further into their soulful instincts, balancing weighty low-end pressure with a distinctly human emotional warmth. Vocoded vocals, coalescing with dungeon synths, being carried by heavily swung rhythms represent a new strand in the pair's musical DNA.
The album captures the stillness of early morning city streets, yet still manages to push rhythmic elements forward. Barely-present samples and subtly detuned synths give the tracks a lived-in feel, as if they’ve already soundtracked a hundred late nights before reaching your speakers.
Like the first, this album has one foot firmly in dancefloor utility and the other in headphone introspection. Don't miss this dustier and deeper evolution to the Full Dose sound!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Across eight tracks, the duo lean further into their soulful instincts, balancing weighty low-end pressure with a distinctly human emotional warmth. Vocoded vocals, coalescing with dungeon synths, being carried by heavily swung rhythms represent a new strand in the pair's musical DNA.
The album captures the stillness of early morning city streets, yet still manages to push rhythmic elements forward. Barely-present samples and subtly detuned synths give the tracks a lived-in feel, as if they’ve already soundtracked a hundred late nights before reaching your speakers.
Like the first, this album has one foot firmly in dancefloor utility and the other in headphone introspection. Don't miss this dustier and deeper evolution to the Full Dose sound!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
TLF Trio - Desire
2
TLF Trio - Theme
3
TLF Trio - The Touch
4
TLF Trio - Dancer
5
TLF Trio - Welcome To L.A.
6
TLF Trio - Romance X
7
TLF Trio - Motif
8
TLF Trio - String Trio
9
TLF Trio - Voyage
10
TLF Trio - What I Always Have Been And Always Will Be Looking For
‘Desire’ is the sophomore full-length album by TLF Trio, following their beloved debut album ‘Sweet Harmony’ from 2022. On ‘Desire’, the group presents their signature, contemporised chamber music through their main instruments: piano, cello and electric guitar; now enhanced by a pervasive use of sampling and a distinct use of silence as musical material.
The album is an aesthetic voyage in a musical landscape of minimalism, classical music, free improvisation, left-field-electronica, and references to pop and house music. It blends into a sound that is experimental and unpredictable – yet at the same time strangely familiar and self-explanatory.
The ten pieces balance an open-ended improvisational intimacy with a tight compositional intention. Each track's repetitiveness operates as a trickling plateau of layered sentiments of times and spaces through the sampling of different acoustic rooms, the playing in specific styles and the curated selection of sounds and instrumentations; a collage of memories and associations patched together to create new meanings.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album is an aesthetic voyage in a musical landscape of minimalism, classical music, free improvisation, left-field-electronica, and references to pop and house music. It blends into a sound that is experimental and unpredictable – yet at the same time strangely familiar and self-explanatory.
The ten pieces balance an open-ended improvisational intimacy with a tight compositional intention. Each track's repetitiveness operates as a trickling plateau of layered sentiments of times and spaces through the sampling of different acoustic rooms, the playing in specific styles and the curated selection of sounds and instrumentations; a collage of memories and associations patched together to create new meanings.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Earl Sixteen - My Son
2
The 18th Parallel - Hear My Dub
With a career spanning over 50 years, Earl Sixteen is one of the major artists in the history of Jamaican music. He has been produced by some of the biggest names in the business, from Studio One to Jah Shaka, Lee ‘Scratch’ Perry and Mad Professor. Earl Sixteen has always stood out for the accuracy of his performances and the smooth depth of his voice.
Today, in collaboration with Switzerland most active studio group of the last decade, The 18th Parallel, he presents his new single ‘My Son’, written by the genius lyricist Marc Ismail. The lyrics touch on the harsh reality of the younger generations in Jamaica who grow up in precarious conditions and, in some cases, have no choice but to turn to crime. Here, the elder's voice urges young listeners to take a hard look at themselves and weigh the consequences of their decisions.
The message is enhanced by Earl Sixteen's performance and the extraordinarily powerful rhythm section of The 18th Parallel. B side features a scorcher dub by Westfinga: 'Hear My Dub'. A masterpiece of contemporary roots reggae!
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Germany
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Today, in collaboration with Switzerland most active studio group of the last decade, The 18th Parallel, he presents his new single ‘My Son’, written by the genius lyricist Marc Ismail. The lyrics touch on the harsh reality of the younger generations in Jamaica who grow up in precarious conditions and, in some cases, have no choice but to turn to crime. Here, the elder's voice urges young listeners to take a hard look at themselves and weigh the consequences of their decisions.
The message is enhanced by Earl Sixteen's performance and the extraordinarily powerful rhythm section of The 18th Parallel. B side features a scorcher dub by Westfinga: 'Hear My Dub'. A masterpiece of contemporary roots reggae!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Young Kulcha - More Work To Be Done
2
The 18th Parallel - More Dub
For several years now, Young Kulcha has been establishing himself as the favourite of European sound systems. The young German-Congolese artist sets dub and reggae parties alight with his sharp lyrics and voice reminiscent of some of the most admired reggae artists such as Hugh Mundell, Dennis Brown and Garnett Silk.
With ‘More Work To Be Done’, Young Kulcha presents a track that encourages younger generations to remain optimistic and resilient despite the difficult times our societies are going through. Accompanied by the exceptional Swiss studio band The 18th Parallel, ‘More Work To Be Done’ plunges us straight into a Jamaican sound system party from the early 1980s, where the combination of Roots Radics and Scientist would have shaken the neighbourhood with their unparalleled heavy sound. With a dub B-side by Westfinga, the new European generation pays tribute to Jamaican legends with this musical bombshell!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With ‘More Work To Be Done’, Young Kulcha presents a track that encourages younger generations to remain optimistic and resilient despite the difficult times our societies are going through. Accompanied by the exceptional Swiss studio band The 18th Parallel, ‘More Work To Be Done’ plunges us straight into a Jamaican sound system party from the early 1980s, where the combination of Roots Radics and Scientist would have shaken the neighbourhood with their unparalleled heavy sound. With a dub B-side by Westfinga, the new European generation pays tribute to Jamaican legends with this musical bombshell!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Grape City Records
Cat-No:GRAPE002
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Grape City Records
Cat-No:GRAPE002
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:12"
1
Hanna & Robbie - One
2
Hanna & Robbie - Accidental Transportation
3
Hanna & Robbie - Pleasant Flight
4
Hanna & Robbie - Spear Out
5
Hanna & Robbie - Gate 42
For their very first offering, Hanna & Robbie unveils a 5-track album making an ever possible encounter between psychedelic fractured grooves and mellow sci-fi haze in a divergent electronic shell. Planet42 carves a slow-burning path through severance and trance, a trip back to the subconscious like an escape or a sin, guiding both body and mind into unfamiliar exploration
Taking a fey look on electronic performance, where dubby-inspired and fractured rhythms tend to unveil ethereal ambiances, HR was born and raised in the emergent underground electronic French scene and started being moving targets in 2023 with a first live show at the Supercamp Festival happy few’s gathering.
With a mosaic of gritty textures, clubby breaks and otherworldly echoes in the lead-off project Planet42, Hanna & Robbie dives deep in this restless esoteric tension their identity is all about : an spunky early signal sculpting precise and intricate yet atypical tones revealing this crawling need of delivering unsettled arrangements and dreamscaped lines. Already in the move for their next in order work, it is settled in their experimentation lab that new doses of psychedelia and delusive resonances were written as an incipit to a future alternative live act.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Taking a fey look on electronic performance, where dubby-inspired and fractured rhythms tend to unveil ethereal ambiances, HR was born and raised in the emergent underground electronic French scene and started being moving targets in 2023 with a first live show at the Supercamp Festival happy few’s gathering.
With a mosaic of gritty textures, clubby breaks and otherworldly echoes in the lead-off project Planet42, Hanna & Robbie dives deep in this restless esoteric tension their identity is all about : an spunky early signal sculpting precise and intricate yet atypical tones revealing this crawling need of delivering unsettled arrangements and dreamscaped lines. Already in the move for their next in order work, it is settled in their experimentation lab that new doses of psychedelia and delusive resonances were written as an incipit to a future alternative live act.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Nic David - Magnetic
2
Nic David - The Feeling
3
Nic David - Work It (Listen Up)
4
Nic David - Work It (Nate S.U Remix)
Introducing Human Behaviour Records, a vibrant new realm where music meets the soul, a home for fresh, innovative sounds and frequencies that resonate with the very essence of what makes us uniquely human. A journey into the deep, timeless grooves of dance music, blending rhythms and harmonious beats that transcend space and time. Our mission is to create a profound, unforgettable connection with all those who hear it, inviting listeners to lose themselves in the universal pulse that binds us together. We hope to spark a sense of unity, bringing together individuals from all walks of life and fostering a community built on shared experience and creative expression.
First up one up on the label is Nic David with his highly anticipated EP “Magnetic”. It pushes and pulls the boundaries of house and electro, connecting frequencies that attract positive feelings and inspire irresistible movement on the dance floor. Followed by A2 we have “The Feelin” a track that takes you on a journey with no destination, an ever-evolving ride through funky basslines and enlightened melodies. B1 taking a turn into the harder sounds with “Work it (Listen up)” capturing the mind with heavy drums and mind altering sounds through peak moments. And for the final track we are proud to have none other than Nate S.U for the remix of “Work It”. A forward thinking human known for his hypnotic sounds, creating timeless music that sits on its own throne. His take on “Work It” fuses electronic textures and a rock inspired rhythm, pushing the boundaries from the ordinary.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
First up one up on the label is Nic David with his highly anticipated EP “Magnetic”. It pushes and pulls the boundaries of house and electro, connecting frequencies that attract positive feelings and inspire irresistible movement on the dance floor. Followed by A2 we have “The Feelin” a track that takes you on a journey with no destination, an ever-evolving ride through funky basslines and enlightened melodies. B1 taking a turn into the harder sounds with “Work it (Listen up)” capturing the mind with heavy drums and mind altering sounds through peak moments. And for the final track we are proud to have none other than Nate S.U for the remix of “Work It”. A forward thinking human known for his hypnotic sounds, creating timeless music that sits on its own throne. His take on “Work It” fuses electronic textures and a rock inspired rhythm, pushing the boundaries from the ordinary.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
freephilipp - Random Chrods Memory
2
freephilipp - 90mins
3
freephilipp - Gumo Glitch
4
freephilipp - Eso-Nummer
5
robin - Tau-37
6
robin - Omega-5
This record contains six tracks by Freephilipp and Robin — two Bremen-based musicians who meet where the void of digital subculture and experimental electronic music opens up. Freephilipp contributes four glitch-driven pieces that move between IDM-tinged ambient, electro, atmospheric broken beats and junglish fragments. Random Chords Memory is one of the reasons this release needed to be carried out into the nexus: it stands on its own, just like the rest of the EP, yet it may be the signature track of Freephilipp’s nocturnal enthusiasm — mixing between night shifts and sharing production skills with the people around him. Robin (zckr rec / ph17) completes the EP on the flipside. Tau-37 and Omega5, named after two star systems, invite you onto a dub-soaked, drifting flight. The Basic Channel- esque impact of Tau-37 rounds out the journey in combination with Omega5, whose drone-laden soundscape slowly opens and dissolves. This music was never meant to be produced for an audience. It is a document of what it sounds like when you say goodbye to the outer world and begin building landscapes in another.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Sunil Sharpe Faetch - Bleed In
2
Sunil Sharpe Faetch - Test Breaks
3
Sunil Sharpe Faetch - Bleed In (Bleedo Mix) (DJ Plant Texture remix)
4
Sunil Sharpe Faetch - Vapornation
5
Sunil Sharpe Faetch - Shinplant
Tracklisting
A1 Sunil Sharpe Faetch - Bleed In
A2 Sunil Sharpe Faetch - Test Breaks
A3 Sunil Sharpe Faetch - Bleed In (Bleedo Mix) (DJ Plant Texture remix)
B1 Sunil Sharpe Faetch - Vapornation
B2 Sunil Sharpe Faetch - Shinplant
Sales Note
HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.
The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.
On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.
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DE - 22113 Hamburg
Germany
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A1 Sunil Sharpe Faetch - Bleed In
A2 Sunil Sharpe Faetch - Test Breaks
A3 Sunil Sharpe Faetch - Bleed In (Bleedo Mix) (DJ Plant Texture remix)
B1 Sunil Sharpe Faetch - Vapornation
B2 Sunil Sharpe Faetch - Shinplant
Sales Note
HAVEN are back with their vinyl operation with a fresh plate of grubby Techno heat from Irish heavyweights Faetch & Sunil Sharpe on the Grotteca EP. Featuring 4 original rippers and a remix from Italian legend DJ Plant Texture of upfront club pressure, the NZ-based label are proud to transmit some of the finest in creeping electronics from across the globe.
The A-side kicks off with 'Bleed In' with its tough drum-work and hypnotising atmospheres eventually descending in to an all-out stomp with one of the filthiest synth-lines in the label's history hitting half-way through. This is followed up with 'Test Breaks' - a broken-beat slammer with a ton of gritty synth design and rear-shaking rhythms. The first side is closed with DJ Plant Texture's remix of 'Bleed In', where driving 909 hits combine with the original synth line for a club-ready weapon ready to get those feet moving.
On the B-side 'Vapornation' keeps the energy rolling with its rolling congas, heavy kick, and eerie atmospheres tailor-made for a concrete basement. Finally, 'Shinplant' closes the record with full-steam-ahead drums and squalid synth rhythms to end yet another plate of dance-floor ammunition from the HAVEN camp.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Ingo Hammer - Kneejerk
2
Ingo Hammer - Insane
3
Ingo Hammer - Chinois
4
Ingo Hammer - New York
Following his incendiary debut, Ingo Hammer delivers four devilishly great burners on Industrial Lies.
This time, his satanic majesty drops the sleazy, pulsating ‘Kneejerk’ and ‘Insane’, rewires body music with the robotic ‘Chinois’ before riding the D train to hell and back on the breakin’ ‘New York’.
Each one is a guaranteed dance floor 'hammer'.
DJ support for ‘Hammer Time’ came from I-f; Intergalactic Gary, Legowelt, Marcel Dettmann and Sunil Sharpe.
Limited edition of 100 vinyl copies.
Written & Produced by Ingo Hammer
Mastering by Tom Haunstein (Rand Muzik)
Artwork by Jonny Costello (Adult Art Club)
Industrial Lies
Industrial Lies is the offshoot label of Dublin house and techno imprint in First Cut.
Established in 2023, the label is named after the B-side of Cybotron’s electro classic ‘Clear’.
Industrial Lies shines a light on left-of-centre music from the past and present, including proto-Chicago house, ebm/industrial, electro and adjacent sounds.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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This time, his satanic majesty drops the sleazy, pulsating ‘Kneejerk’ and ‘Insane’, rewires body music with the robotic ‘Chinois’ before riding the D train to hell and back on the breakin’ ‘New York’.
Each one is a guaranteed dance floor 'hammer'.
DJ support for ‘Hammer Time’ came from I-f; Intergalactic Gary, Legowelt, Marcel Dettmann and Sunil Sharpe.
Limited edition of 100 vinyl copies.
Written & Produced by Ingo Hammer
Mastering by Tom Haunstein (Rand Muzik)
Artwork by Jonny Costello (Adult Art Club)
Industrial Lies
Industrial Lies is the offshoot label of Dublin house and techno imprint in First Cut.
Established in 2023, the label is named after the B-side of Cybotron’s electro classic ‘Clear’.
Industrial Lies shines a light on left-of-centre music from the past and present, including proto-Chicago house, ebm/industrial, electro and adjacent sounds.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Ben Silver - Inside
2
Ben Silver - Outside
Next up on Industry Standard we have a very unique vinyl release from Melbourne’s Ben Silver, who recently released his ‘F So Good’ EP on the label in 2025. ‘Inside / Outside’ is pressed on to a 10” vinyl, with the ‘Inside’ track being cut from the inside of the vinyl. Flip the vinyl and ‘Outside’ is cut from the outside. Following on from his release on IS, and also his ‘Cosmic Weapon’ collab with Oliver Dollar & Boogs on Rekids, Ben has delivered two heads down, tracky cuts that are sure to take any dancefloor on a late-night trip. They are both energetic, underground tension builders that bridge the house / techno divide perfectly.
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WAS - Word and Sound Medien GmbH
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Germany
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Germany
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1
Ranking Barnabas - Roast Fish & Stout
2
Ranking Barnabas - Raw Meat
3
Ranking Barnabas - White Whale
4
Ranking Barnabas - Cold Crusher
5
Ranking Barnabas - 11-9-0
6
Ranking Barnabas - Dub Them Roots Man
7
Ranking Barnabas - Murderer
8
Ranking Barnabas - Run For Cover
9
Ranking Barnabas - Dub Me Right
10
Ranking Barnabas - Corn Meal Porridge
Ranking Barnabas or simply Barnabas, is one of the many unsung heroes of Jamaican dub music, which is usually associated with names such as King Tubby, Lee Perry, Scientist, or Prince Jammy. Barnabas was born Stanley Bryan in Kingston in 1960, a few years later he became a regular at the legendary Channel One Studios. In the 1970s, Channel One was the hot spot in Jamaica's studio landscape, offering the best technology and producing reggae at an internationally competitive level. Stanley Bryan was an all-rounder. During the day, he sat at the mixing desk as an engineer and mixed, to name just one, the Eek-a-Mouse classic "Wah Do Dem." If the drummer dropped out during a recording, Barnabas stepped in. And at night, he took the microphone at the Channel One Sound System as Ranking Barnabas and toasted over riddims that he had frequently recorded himself in the studio. It was the heyday of Jamaican dub, and Barnabas was the often uncredited creator of countless dubs for maxi-singles and single B-sides. Although he contributed to countless Dub LPs, only The Cold Crusher was released under his name. Barnabas' only LP was released in a mini edition in the USA, was never repressed, and became a highly priced, sought-after rarity. The Italian label Jamdung, known for its high-quality reissues, has now unearthed The Cold Crusher after 50 years and reissued it with a new artwork that matches the original design. The album has been restored to high quality in Berlin by Dubplates & Mastering and features detailed liner notes by dub specialist Helmut Philipps (Dub – The Sound Of Surprise) and Lee Perry biographer David Katz (People Funny Boy, Solid Foundation). Two renowned reggae authors who have collaborated for the first time on this reissue. Photo on cover by legendary Beth Lesser. Stanley "Barnabas" Bryan did not live to see the release of his album. He passed away while working on the reissue on August 18, 2025, at the age of 65. Thus, the reissue of The Cold Crusher unexpectedly became his musical legacy. The edition is limited and will sell out quickly.
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1
8004 - 8000 Dub
2
8004 - 8005 Dub
3
8004 - 8007
4
8004 - 8004 Dub
5
8004 - 8023 Dub
6
8004 - 8007 Dub
Minimal & patient 6 track EP of abstract dub rhythms recorded 2021-2025 in Chicago
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1
The Appetizers - Make It Reggay
2
The Appetizers - A Message From The Meters
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1
Justyn Nell & Nachtwaker - Embodiment
2
Justyn Nell & Nachtwaker - Reclaim
3
Justyn Nell & Nachtwaker - Drift
4
Justyn Nell & Nachtwaker - Horizon
Tracklisting
A1 Justyn Nell - Embodiment
A2 Justyn Nell - Reclaim
B1 Nachtwaker - Drift
B2 Nachtwaker - Horizon
Sales Note
The second release of "X" brings together Justyn Nell and Nachtwaker, delivering relentless, dance-driving techno cuts crafted for club play.
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A1 Justyn Nell - Embodiment
A2 Justyn Nell - Reclaim
B1 Nachtwaker - Drift
B2 Nachtwaker - Horizon
Sales Note
The second release of "X" brings together Justyn Nell and Nachtwaker, delivering relentless, dance-driving techno cuts crafted for club play.
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1
Rebellions - Disco Soca Song
2
Rebellions - Funky Rainbow
Third release on the Lava On Wax label, as usual bringing back to life forgotten gems from back in the day. Since many years Matteo Fava, label's founder, has been digging old records in the Caribbean, especially Trinidad & Tobago and Barbados. During one of his last trip he managed to meet the band members of Rebellions, a very obscure band that only recorded two singles. One of the two singles they made is the ultra rare Funky Rainbow/Disco Soca Song. Despite the record being pressed in Barbados, each musician from the band is from Trinidad & Tobago. Heavy hitting funky Disco with a psychedelic touch, resulting in a sexy, explosive, musical experience.
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1
M Sexton - In My Heart
2
M Sexton - Feelings Can't Explain
3
M Sexton - Savin' Me
4
M Sexton - Club Mozambique (Party Break)
The debut 12 from M Sexton delivers four cuts of soulful house steeped in live musicianship and dusty sample work. From the shuffling energy of “In My Heart” to the hypnotic depth of “Feelings Can’t Explain,” and the screaming gospel of “Savin’ Me” to the tension-filled funk of “Club Mozambique,” this record bridges classic soulful house and old-school production with modern finesse.
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1
Xhato - Almost There
2
Xhato - Three Phases
3
Xhato - Reaching Out
4
Xhato - Gentle Fall
Tracklisting
A1 Xhato - Almost There
A2 Xhato - Three Phases
B1 Xhato - Reaching Out
B2 Xhato - Gentle Fall
Sales Note
Berlin-based producer and live-act Xhato presents his first solo EP on the newly founded label Little Endian.
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A1 Xhato - Almost There
A2 Xhato - Three Phases
B1 Xhato - Reaching Out
B2 Xhato - Gentle Fall
Sales Note
Berlin-based producer and live-act Xhato presents his first solo EP on the newly founded label Little Endian.
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1
Da Lukas - Disco Brick
2
Da Lukas - Disco Pick Up
3
Da Lukas - Disco Body
4
Da Lukas - Disco Killer
Brand-new release for Legofunk Records. With this vinyl, Da Lukas officially inaugurates the new series “Re-Disco”, a concept dedicated to reworking, reimagining, and reshaping disco and funk influences through a modern, dancefloor-oriented lens.
Blending classic grooves with contemporary energy, Da Lukas delivers a refined selection of tracks that pay tribute to the roots of disco while pushing the sound forward. The Re-Disco series sets out to bridge past and present, celebrating timeless rhythms and transforming them into fresh tools for DJs and vinyl lovers alike.
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Blending classic grooves with contemporary energy, Da Lukas delivers a refined selection of tracks that pay tribute to the roots of disco while pushing the sound forward. The Re-Disco series sets out to bridge past and present, celebrating timeless rhythms and transforming them into fresh tools for DJs and vinyl lovers alike.
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1
Specific Objects - Respect The Hustle
2
Specific Objects - Hephaistos
3
Specific Objects - Disko Rekah
4
Specific Objects - Effortless
5
Specific Objects - Determination
Tracklisting
A1 Specific Objects - Respect The Hustle
A2 Specific Objects - Hephaistos
B1 Specific Objects - Disko Rekah
B2 Specific Objects - Effortless
B3 Specific Objects - Determination
Sales Note
Specific Objects debuts on Life In Patterns with Helios, a powerful 6-track EP shaped by the pressures, ambitions, and contradictions that define creative work in a hyper-competitive society. The record explores the perpetual pursuit of success - an ever-distant horizon that inspires as much as it consumes.
Named after the sun, Helios symbolizes the personal goals we orient ourselves toward: radiant and motivating, yet capable of overwhelming those who chase them too closely. The EP was written during a period of intense reflection on performance culture, "hustle" mentality, and the rat race of late capitalism - an environment amplified by constant comparison on social media.
Helios is both a celebration and critique of ambition - a techno journey through the heat, pressure, and brilliance of striving. It is scheduled to release on February 6, 2026 on both digital and vinyl formats.
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A1 Specific Objects - Respect The Hustle
A2 Specific Objects - Hephaistos
B1 Specific Objects - Disko Rekah
B2 Specific Objects - Effortless
B3 Specific Objects - Determination
Sales Note
Specific Objects debuts on Life In Patterns with Helios, a powerful 6-track EP shaped by the pressures, ambitions, and contradictions that define creative work in a hyper-competitive society. The record explores the perpetual pursuit of success - an ever-distant horizon that inspires as much as it consumes.
Named after the sun, Helios symbolizes the personal goals we orient ourselves toward: radiant and motivating, yet capable of overwhelming those who chase them too closely. The EP was written during a period of intense reflection on performance culture, "hustle" mentality, and the rat race of late capitalism - an environment amplified by constant comparison on social media.
Helios is both a celebration and critique of ambition - a techno journey through the heat, pressure, and brilliance of striving. It is scheduled to release on February 6, 2026 on both digital and vinyl formats.
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1
Ess O Ess - Simply Nothing
2
Ess O Ess - Simply Nothing (Hybrid Man Remix)
3
Ess O Ess - The Lotus & The Banksman
4
Ess O Ess - The Lotus & The Banksman (Mayurashka Remix)
For their fourth release, Australian label Lunatic Music welcomes Chris Stoker (UK) and Jamie Blanco (UK born, AUS based) to the fray for a dubbed out analogue synth workout that is indisputably Ess O Ess.
Fusion unfolds in Simply Nothing. Analogue synths intertwine with exquisitely programmed percussion and George Humes' chorus-drenched, draped in a veil of spectral vocals by Sarah-May Brown. The result is a retro-futuristic sonic whirlpool that is as memorable as it is delicate.
A waterfall forms in The Lotus & The Banksman. An otherworldly mutant breakbeat techno floor filler. Ethereal pads and dubby textures ripple across the surface whilst the resonant bassline churns below. Gentle currents give way to surging momentum as the percussion kicks in wth the repetitive chant of Time Travelling Man throughout, again by Sarah-May Brown.
On Remix duties, Hybrid Man applies their refined proto-trance formula to Simply Nothing, drawing out its hypnotic core.
Mayurashka fractures The Lotus & The Banksman, sifts through the pieces, and assembles a mind-melting, wonky techno drum work-out from the fragments.
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Fusion unfolds in Simply Nothing. Analogue synths intertwine with exquisitely programmed percussion and George Humes' chorus-drenched, draped in a veil of spectral vocals by Sarah-May Brown. The result is a retro-futuristic sonic whirlpool that is as memorable as it is delicate.
A waterfall forms in The Lotus & The Banksman. An otherworldly mutant breakbeat techno floor filler. Ethereal pads and dubby textures ripple across the surface whilst the resonant bassline churns below. Gentle currents give way to surging momentum as the percussion kicks in wth the repetitive chant of Time Travelling Man throughout, again by Sarah-May Brown.
On Remix duties, Hybrid Man applies their refined proto-trance formula to Simply Nothing, drawing out its hypnotic core.
Mayurashka fractures The Lotus & The Banksman, sifts through the pieces, and assembles a mind-melting, wonky techno drum work-out from the fragments.
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1
Adria Duch - Inner Peace
2
Adria Duch - Relief
3
Adria Duch - Resist
4
Adria Duch - What If?
Lempuyang has been at the heart of the second wave of dub techno since day one. It's a label that deals in super deep and high-quality sounds from a range of artists. Now they welcome back Adria, three years after his debut, with a heavyweight follow-up that dives deep into the murky edges of dub experimentation. This new release trades dancefloor immediacy for atmosphere and weight by blending low-slung rhythms, hazy tape hiss and hypnotic textures that nod to classic sound system culture. Each track comes rich in analogue warmth and restrained tension. This is dub crafted with precision and that fully rewards close listening and real exploration of space, texture and bass pressure.
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1
Lis Sarroca - Real Times
2
Lis Sarroca - Multicolor
3
Lis Sarroca - Stuck On You
4
Lis Sarroca - Appaerances
Lis Sarroca marks the tenth release on her Maai Records imprint with her debut vinyl release on the label, “Signals.” The EP spans four tracks, moving seamlessly between refined house and electro energy, tinges of Italo nostalgia and of course all infused with Lis’ signature uplifting touch. Since 2021 Maai has quickly become an essential label for tastemakers, and in parallel, Lis has been steadily carving out her path as an artist making this a milestone release of her journey this far.
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1
Grace & Raffaella - John Is Not There
2
Grace & Raffaella - It's A Strange World
3
Grace & Raffaella - My Animal Thinking
4
Grace & Raffaella - Candy Culture
5
Grace & Raffaella - Microscopic Touch
6
Grace & Raffaella - What A Beautiful Dress
7
Grace & Raffaella - Walking Around With K.A
8
Grace & Raffaella - Gaby's Coat
Grace & Raffaella is the first collaborative release by ML and Vittoria Totale. Over nine tracks, the album strikes a deceptively minimalist tone, taking in a ton of musical as well as literary references. An elegy on a journey back to the present, with all the hushed intensity of an informed fever dream, Grace & Raffaella has a magic-realist feel. Its vocal parts serve as loopy self-fulfilling prophecies. Cut off from the sun, the gorge grows darker. Using an electroacoustic sense of spacing, as well as abstracted current-day club influences, with scraps of background noise fading in and out, this album's use and treatment of a snippet-like narrative is its core aesthetic. A digital gleam drenches the spoken bits into instances of subtle surrealism. Like a kitchen sink drama stripped of all deadweight. We are on the edge of relinquishing all control here. Rip up your diary and let go of the language of the old ones. Grace & Raffaella is a seductive slice of modern hyper-pop that defines its own intentions over and over again.
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1
Fabiano Do Nascimento & E Ruscha V - Nascer
2
Fabiano Do Nascimento & E Ruscha V - Rain
3
Fabiano Do Nascimento & E Ruscha V - Chegada
4
Fabiano Do Nascimento & E Ruscha V - Bio
5
Fabiano Do Nascimento & E Ruscha V - Purpose
6
Fabiano Do Nascimento & E Ruscha V - Solar
7
Fabiano Do Nascimento & E Ruscha V - Leaves
8
Fabiano Do Nascimento & E Ruscha V - Immerso
9
Fabiano Do Nascimento & E Ruscha V - Rio Inverso
Music From Memory is thrilled to present ‘Aquáticos’, a captivating new record from Los Angeles producer Eddie Ruscha and Brazilian guitarist Fabiano Do Nascimento. Blending Nascimento’s expressive, Afro-samba and choro-inflected guitar with Ruscha’s cosmic, groove-driven sound, ‘Aquáticos’ marks the start of a vibrant musical partnership—an organic, free-spirited collaboration full of interplay and vitality.
Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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1
Endemica - Constellation 1
2
D I N - Constellation 2
3
Bryz - Constellation 3
4
Realgar & Andrey Djackonda - Constellation 4
Tracklisting
A1 Endemica - Constellation 1
A2 D I N - Constellation 2
B1 Bryz - Constellation 3
B2 Realgar & Andrey Djackonda - Constellation 4
Sales Note
Four constellations. Four rhythms. Four endless stories told without words. They don't play for us - they translate the motion of the cosmos into something we can feel. And when you listen, you disappear into their patterns, realizing you were always inside the loop.
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A1 Endemica - Constellation 1
A2 D I N - Constellation 2
B1 Bryz - Constellation 3
B2 Realgar & Andrey Djackonda - Constellation 4
Sales Note
Four constellations. Four rhythms. Four endless stories told without words. They don't play for us - they translate the motion of the cosmos into something we can feel. And when you listen, you disappear into their patterns, realizing you were always inside the loop.
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1
UFO95 - Dystopie
2
UFO95 - Absence Has Shape
3
UFO95 - Uncall
4
UFO95 - Radiation
5
UFO95 - Resolution 2
6
UFO95 - Resolution 1
7
UFO95 - Pulsation 3
8
UFO95 - Pulsation 2
9
UFO95 - Meditation 1
10
UFO95 - Surface 1
11
UFO95 - Meditation 3
12
UFO95 - Fight Against Yourself
13
UFO95 - Paradoxe Du Silence
14
UFO95 - No More To Say
Tracklisting
A1 UFO95 - Dystopie
A2 UFO95 - Absence Has Shape
A3 UFO95 - Uncall
B1 UFO95 - Radiation
B2 UFO95 - Resolution 2
C1 UFO95 - Resolution 1
C2 UFO95 - Pulsation 3
D1 UFO95 - Pulsation 2
D2 UFO95 - Meditation 1
E1 UFO95 - Surface 1
E2 UFO95 - Meditation 3
F1 UFO95 - Fight Against Yourself
F2 UFO95 - Paradoxe Du Silence
F3 UFO95 - No More To Say
Sales Note
***
you are much more than simply dead:
I am a dish for your ashes,
I am a fist for your vanished air.
***
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A1 UFO95 - Dystopie
A2 UFO95 - Absence Has Shape
A3 UFO95 - Uncall
B1 UFO95 - Radiation
B2 UFO95 - Resolution 2
C1 UFO95 - Resolution 1
C2 UFO95 - Pulsation 3
D1 UFO95 - Pulsation 2
D2 UFO95 - Meditation 1
E1 UFO95 - Surface 1
E2 UFO95 - Meditation 3
F1 UFO95 - Fight Against Yourself
F2 UFO95 - Paradoxe Du Silence
F3 UFO95 - No More To Say
Sales Note
***
you are much more than simply dead:
I am a dish for your ashes,
I am a fist for your vanished air.
***
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1
Robert Hood - Insurrection
2
Robert Hood - Black Ops
3
Robert Hood - Soul Protector
4
Robert Hood - Warfare
M-Plant's 2026 schedule starts as it means to go on with a blistering, adrenaline-charged Techno EP from the minimal master, Robert Hood.
Robert Hood's minimalist approach helped define Techno's evolution in the early 1990s, as he's continued to push a stripped-down, hypnotic sound. His solo work, marked by precise drum programming and deep grooves, has become hugely influential across modern Techno. While he continues to innovate through projects like Floorplan (with daughter, Lyric) here he returns to his roots on the "Soul Sonic Force EP".
From A-side opener "Insurrection" that blends a tough peak-time Techno sound with sweeping strings, to the reverberating tonal "Black Ops". Then flip to the AA-side for the relentless pared down groove of "Soul Protector", before "Warfare" with its layered precision. This is classic Hood in action; unparalleled.
Tracklist:
A1. Robert Hood - Insurrection
A2. Robert Hood - Black Ops
B1. Robert Hood - Soul Protector
B2. Robert Hood - Warfare
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Robert Hood's minimalist approach helped define Techno's evolution in the early 1990s, as he's continued to push a stripped-down, hypnotic sound. His solo work, marked by precise drum programming and deep grooves, has become hugely influential across modern Techno. While he continues to innovate through projects like Floorplan (with daughter, Lyric) here he returns to his roots on the "Soul Sonic Force EP".
From A-side opener "Insurrection" that blends a tough peak-time Techno sound with sweeping strings, to the reverberating tonal "Black Ops". Then flip to the AA-side for the relentless pared down groove of "Soul Protector", before "Warfare" with its layered precision. This is classic Hood in action; unparalleled.
Tracklist:
A1. Robert Hood - Insurrection
A2. Robert Hood - Black Ops
B1. Robert Hood - Soul Protector
B2. Robert Hood - Warfare
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1
Nat Home / DJ ADHD - Early Riser with Chiara Mascara
2
Nat Home / DJ ADHD - Early Riser (Dub)
3
Nat Home / DJ ADHD - 100 Foot Wave
DJ Support: Crookers, Dr Banana, Make A Dance, Bluetoof, Joe Milli and more
Nat Home & DJ ADHD deliver a no-holds-barred EP built for the afterhours and beyond. Sleazy, chunky, and unapologetically club-ready, Early Riser / 100 Foot Wave brings rolling grooves and heavyweight energy straight to the floor, featuring powerhouse vocals from Chiara Mascara.
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Nat Home & DJ ADHD deliver a no-holds-barred EP built for the afterhours and beyond. Sleazy, chunky, and unapologetically club-ready, Early Riser / 100 Foot Wave brings rolling grooves and heavyweight energy straight to the floor, featuring powerhouse vocals from Chiara Mascara.
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1
P.J. City - Straight Forward (Non-Stop) (DJ Nature Re-Edit)
2
Grupo Los Yoyi - Del Copacabana A 34 (DJ Nature Re-Edit)
3
Antoniou - Sound On Sound (DJ Nature Re-Edit)
4
Marxist Love Disco Ensemble - Dust (DJ Nature Re-Edit)
Stepping up next in our Mr Bongo 12” Edits series, we’ve invited another legend of the game, DJ Nature, to craft a special EP of signature edits. Following editions by Dan Tyler and Nick The Record, Luke Una, and Danny Krivit, DJ Nature selects four prime cuts spanning modern soul, psychedelic funk, boogie, and leftfield disco, giving each his trademark tweak for today’s dancefloor.
In 1989, Bristol-born DJ Nature moved to New York, a city where he knew his raw and textured aesthetic would be more appreciated at the time. He immersed himself in the NY scene, frequently attending underground house and disco clubs to hear pioneers such as Larry Levan (The Choice), Louie Vega (Sound Factory Bar), and Tony Humphries (Zanzibar). That same year, being surrounded by a wealth of underground dance music, DJ Nature set up an export company to supply the Japanese market. “I have had a connection with Japan for over 40 years, beginning when I visited as part of Ray Petri’s Buffalo fashion house as a DJ. From there, I linked up with the Major Force crew and others,” he explains.
Having already been a record collector for 20 years, DJ Nature launched his own label, Ruff Disco Records, in 1992, releasing productions under his early moniker, Natureboy. Since then, Nature has gone on to become an underground DJ/producer legend himself, touring the world and releasing records on esteemed labels such as Golf Channel Recordings, Jazzy Sport, Hot Biscuit Recordings, and Futureboogie Recordings.
Reflecting his love of raw, independent disco, jazz fusion, and early house music, DJ Nature has chosen four tracks from the Mr Bongo archive that he felt had club-ready production ripe for an edit. First up, is an extended rework of the ultra-rare Chicago modern soul/disco joint ‘Straight Forward (Non-Stop)’ by P.J. City from 1986. Staying true and respectful to the original, DJ Nature tweaks and extends it so it feels like a longer take lifted from the original recording session. Next is a sublime version of Cuban band Grupo Los Yoyi’s 1977 track ‘Del Copacabana A 34’. Here, Nature extends and enhances the song, looping the more driving, hypnotic, spacey sections to let the energy brew and bubble to boiling point.
On the B-side, DJ Nature revamps a lesser-known gem from the Elite Records catalogue. Originally produced by Andy Sojka, Antoniou’s pulsating 1982 electronic disco groover ‘Sound On Sound’ is transformed into a peak-time cosmic boogie whirlwind. Rounding off the EP, he turns to the mysterious Marxist Love Disco Ensemble’s 2022 album ‘MLDE’, re-editing the quirky leftfield disco winner ‘Dust’ into a more DJ-friendly club track.
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In 1989, Bristol-born DJ Nature moved to New York, a city where he knew his raw and textured aesthetic would be more appreciated at the time. He immersed himself in the NY scene, frequently attending underground house and disco clubs to hear pioneers such as Larry Levan (The Choice), Louie Vega (Sound Factory Bar), and Tony Humphries (Zanzibar). That same year, being surrounded by a wealth of underground dance music, DJ Nature set up an export company to supply the Japanese market. “I have had a connection with Japan for over 40 years, beginning when I visited as part of Ray Petri’s Buffalo fashion house as a DJ. From there, I linked up with the Major Force crew and others,” he explains.
Having already been a record collector for 20 years, DJ Nature launched his own label, Ruff Disco Records, in 1992, releasing productions under his early moniker, Natureboy. Since then, Nature has gone on to become an underground DJ/producer legend himself, touring the world and releasing records on esteemed labels such as Golf Channel Recordings, Jazzy Sport, Hot Biscuit Recordings, and Futureboogie Recordings.
Reflecting his love of raw, independent disco, jazz fusion, and early house music, DJ Nature has chosen four tracks from the Mr Bongo archive that he felt had club-ready production ripe for an edit. First up, is an extended rework of the ultra-rare Chicago modern soul/disco joint ‘Straight Forward (Non-Stop)’ by P.J. City from 1986. Staying true and respectful to the original, DJ Nature tweaks and extends it so it feels like a longer take lifted from the original recording session. Next is a sublime version of Cuban band Grupo Los Yoyi’s 1977 track ‘Del Copacabana A 34’. Here, Nature extends and enhances the song, looping the more driving, hypnotic, spacey sections to let the energy brew and bubble to boiling point.
On the B-side, DJ Nature revamps a lesser-known gem from the Elite Records catalogue. Originally produced by Andy Sojka, Antoniou’s pulsating 1982 electronic disco groover ‘Sound On Sound’ is transformed into a peak-time cosmic boogie whirlwind. Rounding off the EP, he turns to the mysterious Marxist Love Disco Ensemble’s 2022 album ‘MLDE’, re-editing the quirky leftfield disco winner ‘Dust’ into a more DJ-friendly club track.
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1
Hollie Cook - Milk And Honey
2
Hollie Cook - That Very Night
3
Hollie Cook - Walking In The Sand
4
Hollie Cook - Cry (Disco Mix) Ft. Horseman
5
Hollie Cook - It's So Different Here
6
Hollie Cook - Sugar Water (Look At My Face) Ft. Horseman
7
Hollie Cook - Shadow Kissing
8
Hollie Cook - Used To be
9
Hollie Cook - Body Beat Ft. Horseman
Mr Bongo present a yellow vinyl repress of Hollie’s sensational, self-titled 2011 debut album. 14 years on, this timeless debut produced by Prince Fatty fuses Hollie's self-coined ‘tropical pop’ sound with her passion for reggae and lovers rock singers such as Janet Kay and Phyllis Dillon and classic '60s girl groups.
An album that radiates with highlights, it features what would become one of Hollie’s most popular songs, the super catchy, sun-soaked ‘Milk & Honey’ that has racked up over 46 million streams on Spotify alone. Elsewhere, there are distinctive reggae cover versions of the Shangri-Las ‘(Remember) Walkin’ In The Sand’, transformed from a dark, emotive cut into one filled with a flavour of hope, alongside a signature new spin on Rachel Sweet’s amazing, laidback ‘It's So Different Here’. Take to the bass-heavy ‘Sugar Water (Look At My Face)’ for a dub-leaning workout and look to the singles ‘That Very Night’ and ‘Body Beat’ to further feel the synergy between Hollie and Prince Fatty, showcasing songs that are inspired and influenced by the past but with a definitive foot in the present.
Adding further weight to this iconic debut, there are a talented array of musicians featuring across the record, including Omar, Dennis Bovell, George Decker (The Pioneers), Horseman, Style Scott, Black Steel, Mutant Hi-Fi and more. Along with Prince Fatty at the controls and Hollie on the mic, together they crafted a classic sound that feels as fresh (but also as vintage) as it did fourteen years ago. A modern masterpiece in its genre, and the start of Hollie’s journey to becoming the contemporary queen of the lovers rock sound.
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An album that radiates with highlights, it features what would become one of Hollie’s most popular songs, the super catchy, sun-soaked ‘Milk & Honey’ that has racked up over 46 million streams on Spotify alone. Elsewhere, there are distinctive reggae cover versions of the Shangri-Las ‘(Remember) Walkin’ In The Sand’, transformed from a dark, emotive cut into one filled with a flavour of hope, alongside a signature new spin on Rachel Sweet’s amazing, laidback ‘It's So Different Here’. Take to the bass-heavy ‘Sugar Water (Look At My Face)’ for a dub-leaning workout and look to the singles ‘That Very Night’ and ‘Body Beat’ to further feel the synergy between Hollie and Prince Fatty, showcasing songs that are inspired and influenced by the past but with a definitive foot in the present.
Adding further weight to this iconic debut, there are a talented array of musicians featuring across the record, including Omar, Dennis Bovell, George Decker (The Pioneers), Horseman, Style Scott, Black Steel, Mutant Hi-Fi and more. Along with Prince Fatty at the controls and Hollie on the mic, together they crafted a classic sound that feels as fresh (but also as vintage) as it did fourteen years ago. A modern masterpiece in its genre, and the start of Hollie’s journey to becoming the contemporary queen of the lovers rock sound.
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1
Tilaye Gebre - Alibek’agnimi
2
Tilaye Gebre - Anichi keto gidi yeleshimi
3
Tilaye Gebre - Tizita
4
Tilaye Gebre - Ts’igereda
5
Tilaye Gebre - Alichalikumi
6
Tilaye Gebre - Eyut sitinafik’egni
7
Tilaye Gebre - Feqresh yemench weha
8
Tilaye Gebre - Ye’ayine tesifa
9
Tilaye Gebre - Tizi alegni yet’initu
Tilaye Gebre is one of Ethiopia’s most soulful saxophone giants, with a musical legacy that’s hard to surpass. A founding member of the Equators, later renamed the Dahlak Band, he was a key figure in Ethiopia’s vibrant hotel music scene and a sought-after musician and arranger for artists like Aster Aweke, Mahmoud Ahmed, Tilahun Gessesse, and Muluken Melesse.
Tilaye — still going strong — was at the epicenter of the Ethiopian music scene during one of the most turbulent periods in the country’s history. Tilaye’s musical trajectory, regardless of the forms it has taken over the decades, is simply ceaseless. The road to a musical career spanning six decades started out winding, and the first steps came almost as a fluke.
With the Dahlak Band, Tilaye had managed to secure a musical residency at the legendary Ghion Hotel, where they honed their skills and developed their musical expression to unparalleled levels. From the late sixties onwards, Dahlak Band lit up Addis Ababa with a mixture of James Brown and Wilson Pickett tunes, rhythm and blues, soul, funk, and the sound of the disco era — mixed with modern Ethiopian styles — serving up majestic concoctions with full-range instrumentation, featuring trumpet, keyboard, saxophone, bass, drums, and guitar. Through their hotel sessions, Tilaye developed further as an arranger, arranging fellow band member Muluken Melesse’s first solo album, Muluken Melesse with the Dahlak Band (Kaifa Records – LPKF 39), recorded during the turbulent years of 1975–1976, following the fall of Haile Selassie. Everything was in flux in this transitional period, but a constant was how Tilaye stood in the spotlight. On that record, there’s a loose vibe to the soundscape that lets Tilaye’s skills shine, while all the other musical contributions coalesce into a slowly cooking atmosphere where the groove at times fluctuates into psychedelic territory, making the music stand out from most contemporaries.
Most of their recorded output came from one-take live cassette recordings at the Ghion, or from music shops at that time — one microphone at the front, hit record: no EQ, no reverb, just some delay. Some of the Dahlak Band’s releases featured Tilaye as frontman, such as Tilaye’s Saxophone with the Dahlak Band from the late 1970s — typical of a rare groove on the Ethiopian scene — with excursions into reggae territory, including the band’s characteristic sound featuring Tilaye Gebre (tenor and alto saxophone), Dawit Yifru (organ), David Kassa (electric guitar), Shimelis Beyene (trumpet), Moges Habte (tenor saxophone), Abera Feyissa (bass guitar), Tesfaye Tessema (drums), and Muluken Melesse (cowbell). The Dahlak Band’s output was so prodigious that they simply couldn’t be pigeonholed.
No saxophonist in Ethiopia influenced the sound of popular music more than Tilaye in the 1970s, yet his recordings have been hard to come by for ages, which has meant that newcomers to the scene have gems to uncover in retrospect. Arguably, Tilaye shifted gears when he relocated to the U.S. to such an extent that his musicianship became even more renowned, accompanying the greatest of his contemporaries internationally. Tilaye is one of Ethiopia’s all-time greats, with a musical legacy — both as musician and arranger — that’s hard to surpass. It’s a wonder to be able to enjoy a recording like this half a century later.
TRACKLIST:
A1. Alibek’agnimi
A2. Anichi keto gidi yeleshimi
A3. Tizita
B1. Ts’igereda
B2. Alichalikumi
C1. Eyut sitinafik’egni
C2. Feqresh yemench weha
D1. Ye’ayine tesifa
D2. Tizi alegni yet’initu
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Tilaye — still going strong — was at the epicenter of the Ethiopian music scene during one of the most turbulent periods in the country’s history. Tilaye’s musical trajectory, regardless of the forms it has taken over the decades, is simply ceaseless. The road to a musical career spanning six decades started out winding, and the first steps came almost as a fluke.
With the Dahlak Band, Tilaye had managed to secure a musical residency at the legendary Ghion Hotel, where they honed their skills and developed their musical expression to unparalleled levels. From the late sixties onwards, Dahlak Band lit up Addis Ababa with a mixture of James Brown and Wilson Pickett tunes, rhythm and blues, soul, funk, and the sound of the disco era — mixed with modern Ethiopian styles — serving up majestic concoctions with full-range instrumentation, featuring trumpet, keyboard, saxophone, bass, drums, and guitar. Through their hotel sessions, Tilaye developed further as an arranger, arranging fellow band member Muluken Melesse’s first solo album, Muluken Melesse with the Dahlak Band (Kaifa Records – LPKF 39), recorded during the turbulent years of 1975–1976, following the fall of Haile Selassie. Everything was in flux in this transitional period, but a constant was how Tilaye stood in the spotlight. On that record, there’s a loose vibe to the soundscape that lets Tilaye’s skills shine, while all the other musical contributions coalesce into a slowly cooking atmosphere where the groove at times fluctuates into psychedelic territory, making the music stand out from most contemporaries.
Most of their recorded output came from one-take live cassette recordings at the Ghion, or from music shops at that time — one microphone at the front, hit record: no EQ, no reverb, just some delay. Some of the Dahlak Band’s releases featured Tilaye as frontman, such as Tilaye’s Saxophone with the Dahlak Band from the late 1970s — typical of a rare groove on the Ethiopian scene — with excursions into reggae territory, including the band’s characteristic sound featuring Tilaye Gebre (tenor and alto saxophone), Dawit Yifru (organ), David Kassa (electric guitar), Shimelis Beyene (trumpet), Moges Habte (tenor saxophone), Abera Feyissa (bass guitar), Tesfaye Tessema (drums), and Muluken Melesse (cowbell). The Dahlak Band’s output was so prodigious that they simply couldn’t be pigeonholed.
No saxophonist in Ethiopia influenced the sound of popular music more than Tilaye in the 1970s, yet his recordings have been hard to come by for ages, which has meant that newcomers to the scene have gems to uncover in retrospect. Arguably, Tilaye shifted gears when he relocated to the U.S. to such an extent that his musicianship became even more renowned, accompanying the greatest of his contemporaries internationally. Tilaye is one of Ethiopia’s all-time greats, with a musical legacy — both as musician and arranger — that’s hard to surpass. It’s a wonder to be able to enjoy a recording like this half a century later.
TRACKLIST:
A1. Alibek’agnimi
A2. Anichi keto gidi yeleshimi
A3. Tizita
B1. Ts’igereda
B2. Alichalikumi
C1. Eyut sitinafik’egni
C2. Feqresh yemench weha
D1. Ye’ayine tesifa
D2. Tizi alegni yet’initu
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1
Mr. K - Remember The Time (House remix)
2
Mr. K - Any Time, Any Place (House remix)
For his next trick, Danny Krivit serves up a fitting musical tribute to what he refers to as "the royal family of soul" aka The Jacksons. This double A-side brings two classics to 7" for the first time having been pulled from the golden era of 90s house. Both original Michael and Janet remixes have long been staples in Krivit's sets and here he refines E-Smoove's Late Nite remix of 'Remember The Time' into a mix-friendly gem that keeps the essence and bumps up the beats. On the flip, Janet's 'Any Time, Any Place' appears as the beloved D&D remix, which is uplifting, funky and timeless.
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1
Motëm - Always Been
2
Motëm - Let Love Live
3
Motëm - The Scrill Is Gone
4
Motëm - Catch The Vibe
5
Motëm - Sandie's Jazz
6
Motëm - Toyota Corolla
7
Motëm - Mist Thru The Trees
8
Motëm - Truth Be Knownst
9
Motëm - Alexis
10
Motëm - The Gothschild Family
11
Motëm - Perfect Moments
12
Motëm - Blossum
13
Motëm - Can't Help It
Tracklisting
A1 Motëm - Always Been
A2 Motëm - Let Love Live
A3 Motëm - The Scrill Is Gone
A4 Motëm - Catch The Vibe
A5 Motëm - Sandie's Jazz
A6 Motëm - Toyota Corolla
A7 Motëm - Mist Thru The Trees
B1 Motëm - Truth Be Knownst
B2 Motëm - Alexis
B3 Motëm - The Gothschild Family
B4 Motëm - Perfect Moments
B5 Motëm - Blossum
B6 Motëm - Can't Help It
Sales Note
Motem - a Retrospective
Unsung hero of home recording, undercover Trap lord, flag bearer of Canadian Skweee and bass guitar grunge wizard. Two decades of Motem on an album as wild and diverse as his outfits, cherry picked by Coco Bryce.
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A1 Motëm - Always Been
A2 Motëm - Let Love Live
A3 Motëm - The Scrill Is Gone
A4 Motëm - Catch The Vibe
A5 Motëm - Sandie's Jazz
A6 Motëm - Toyota Corolla
A7 Motëm - Mist Thru The Trees
B1 Motëm - Truth Be Knownst
B2 Motëm - Alexis
B3 Motëm - The Gothschild Family
B4 Motëm - Perfect Moments
B5 Motëm - Blossum
B6 Motëm - Can't Help It
Sales Note
Motem - a Retrospective
Unsung hero of home recording, undercover Trap lord, flag bearer of Canadian Skweee and bass guitar grunge wizard. Two decades of Motem on an album as wild and diverse as his outfits, cherry picked by Coco Bryce.
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1
Lomax - House Train
2
Paperkraft - Bad Boy
3
Stones Taro - Supa
4
Shex - GIO (Shex YTG Edit)
Tracklisting
A1 Lomax - House Train
A2 Paperkraft - Bad Boy
B1 Stones Taro - Supa
B2 Shex - GIO (Shex YTG Edit)
Sales Note
NC4K, based in Kyoto, presents the third installment of their vinyl-only series. This four-track EP features House and Breakbeats tracks exclusively produced by artists residing in the Kansai region.
Expect raw, impactful drums and skillful sample manipulation designed to deliver a jolt of energy to the dance floor.
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A1 Lomax - House Train
A2 Paperkraft - Bad Boy
B1 Stones Taro - Supa
B2 Shex - GIO (Shex YTG Edit)
Sales Note
NC4K, based in Kyoto, presents the third installment of their vinyl-only series. This four-track EP features House and Breakbeats tracks exclusively produced by artists residing in the Kansai region.
Expect raw, impactful drums and skillful sample manipulation designed to deliver a jolt of energy to the dance floor.
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1
Stefan Braatz Feat. Virgo Four - Planet 2 Planet
2
Stefan Braatz - Futurism
3
Stefan Braatz - Grand Devotion
4
Stefan Braatz - Notes Of Chicago
Founded in 1988 by Frank and Karen Mendez as a vehicle for The Burrell Brother’s prolific creative output, the legendary NYC label Nu Groove was relaunched in 2021, reinstating its cult status and quickly becoming a home for genre pioneers. Today its eclectic catalogue continues to grow with label returnee Stefan Braatz delivering his ‘Planet 2 Planet EP’, a four-track vinyl release showcasing this Berlin underground authority’s deeply synthetic club sound and timeless influences, including a collaboration with Virgo Four on the title track.
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Tracklist:
1.1THE DAYS GREW LONGER FOR LOVE
1.2SUNDAY
1.3LOST A NUMBER FOUND A KING
1.4MAN WITHOUT A NAME
1.5CLOCKWORK MAN
1.6COCAINE
1.7SHADES OF GRAY
1.8HIGH ON A MOUNTAIN
1.9ANDWELLS
1.10MIDDAY SUN
1.11TAKE MY ROAD
1.12FELIX
1.13GOODBYE
Total abgefahrene irische Psychedelia für den Kater am Morgen nach dem "Summer of Love". Angeführt vom in Belfast geborenen Wunderkind David Lewis, verwischt Andwellas Dreams Debütalbum Love and Poetry" aus dem Jahr 1969 die Grenze zwischen Denmark Street und Cyprus Avenue. Ein 13 Songs umfassender pastoraler Fiebertraum, der im CBS-Lagerhaus verloren gegangen war, jetzt neu gemastert und in seiner ursprünglichen Pracht wiederhergestellt.
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1.1THE DAYS GREW LONGER FOR LOVE
1.2SUNDAY
1.3LOST A NUMBER FOUND A KING
1.4MAN WITHOUT A NAME
1.5CLOCKWORK MAN
1.6COCAINE
1.7SHADES OF GRAY
1.8HIGH ON A MOUNTAIN
1.9ANDWELLS
1.10MIDDAY SUN
1.11TAKE MY ROAD
1.12FELIX
1.13GOODBYE
Total abgefahrene irische Psychedelia für den Kater am Morgen nach dem "Summer of Love". Angeführt vom in Belfast geborenen Wunderkind David Lewis, verwischt Andwellas Dreams Debütalbum Love and Poetry" aus dem Jahr 1969 die Grenze zwischen Denmark Street und Cyprus Avenue. Ein 13 Songs umfassender pastoraler Fiebertraum, der im CBS-Lagerhaus verloren gegangen war, jetzt neu gemastert und in seiner ursprünglichen Pracht wiederhergestellt.
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1
Nelson Of The East - Honest Thoughts
2
Nelson Of The East - Sangre Welsungo
3
Nelson Of The East - Oun Gan
4
Nelson Of The East - Super Deception
5
Nelson Of The East - Xanadu
6
Nelson Of The East - Ephemeral Shush
Super Deception dives into the uncanny beauty within the everyday, drawing inspiration from M.C. Escher’s idea of “super deception”: the art of creating the impossible without illusion. Nelson of the East translates that concept into sound: deep, tactile basslines and intricate percussion twist familiar rhythms into hypnotic new forms. Textures and samples are lifted from their origins and reimagined, creating tracks that feel both ancient and futuristic, physical and dreamlike. The result is an electronic landscape where sound folds in on itself: a timeless, shape-shifting exploration of rhythm, resonance and perception.
Nelson of the East is a Berlin-based sound artist, producer and educator. He operates at the intersection of experimental composition and club culture, shaping his craft both as a music teacher and behind the scenes as an experienced ghost producer.
Artwork & Layout by Alicia Carrera
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Nelson of the East is a Berlin-based sound artist, producer and educator. He operates at the intersection of experimental composition and club culture, shaping his craft both as a music teacher and behind the scenes as an experienced ghost producer.
Artwork & Layout by Alicia Carrera
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Label:Obscurity Is Infinite
Cat-No:OII002
Release-Date:06.02.2026
Genre:House / Techno
Configuration:12"
Label:Obscurity Is Infinite
Cat-No:OII002
Release-Date:06.02.2026
Genre:House / Techno
Configuration:12"
1
ASSAILANTS - The Roller
2
ASSAILANTS - Fracture
3
ASSAILANTS - Fracture 2
4
ASSAILANTS - Effort 12
Ben Sims and Truncate return under their ASSAILANTS guise and drop the long awaited follow up to 2018's 'Chase Sequences' EP on the jointly run 'Obscurity is Infinite' imprint. Original Hardgroove flavours blended with tough Machine Funk, showcasing the sounds they're both individually celebrated for and delivering some unique fusions on this all thriller, no filler EP
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Label:Orchestra veneta
Cat-No:OV003
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Orchestra veneta
Cat-No:OV003
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:12"
1
Unknown Artist - Untitled
2
Unknown Artist - Untitled
The Venetian Orchestra strikes again, this time with "Señora" on the A side, an extended new take on Victor “Il Pirulli’s” rendition of “Señora”, kept in secret for years, but a track that few lucky ones might have already heard on certain DJ Harvey sets over the last recent years. Skilfully encapsulating the Balearic juices of the original while still giving it a playful full bodied new sound, sitting somewhere in between the categories of a remix and cover version with a newly made instrumentation, pure drama!
B side shifts the listener into a slower gear with a Gypsy Kings downtempo classic “Caminando”, stretching it out into dreamy mediterranean bliss, a chuggy dub atmospheric re-work of a Flamenco love anthem. Limited quantities, buy on sight.
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B side shifts the listener into a slower gear with a Gypsy Kings downtempo classic “Caminando”, stretching it out into dreamy mediterranean bliss, a chuggy dub atmospheric re-work of a Flamenco love anthem. Limited quantities, buy on sight.
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1
Subway Feat. Wave - Ten Toes Up Ten Down
2
Subway Feat. Wave - You Can Bet I'll Get You Yet
3
Subway Feat. Wave - What You Do For Love
4
Subway Feat. Wave - What's In The Dark (Will Come To Life)
Jerome Derradji’s Past Due Records is proud to announce the first part in a reissue series of Lee Moore’s rarest and meanest boogie funk tracks originally produced for his labels Score Records and LM Records, circa 1981-85.
Lee Moore produced the seminal soul stomper “Ain’t Gonna Spread Myself” in 1971 for Michigan-based label Tri-City. While this 7” is fantastic, nothing could have predicted what Lee Moore would unleash in the studio, out of his own frustration, a decade later.
Fast forward to 1979 in Memphis, Tennessee, Lee released the disco hit “Reachin’ Out (For Your Love),” a song he co-wrote with his then-wife Patricia Moore, on Source Records. Lee still claims the song inspired “Ring My Bell” after he played it to the TK Disco execs.
Obviously fed up with major labels and their shady biz, Lee then decided to work on new material with Patricia Moore. Lee hired Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.
Lee, his wife, and the studio band locked themselves in the legendary Sound Of Memphis studio with a bunch of forward thinking engineers, such as Paul Zaleski, and created the music that would soon be released on their own label, Score Records, supposedly named after scoring cocaine during a studio session in 1980.
Score records never achieved any commercial success as Lee, his team, and the studio crew were more focused on recording and producing music than selling records, wanting to get them played on the radio or live. They would, for example, spend “two weeks working on a snare drum sound”, just so it matched their vision of future funk.
As rare as can be, what came out of these sessions is now considered the holy grail of Memphis boogie funk, and its superior quality is undeniable. Original Score vinyl releases are so rare that only a handful of aficionados around the world own copies, and their prices are astronomical.
Jerome Derradji is thrilled to reissue the first four Score releases on vinyl & digitally for the first time since their release via Past Due Records as an introduction to a comprehensive Lee Moore Anthology that will be released later this year.
Now let’s focus on the sounds of Lee and Patricia Moore, Subway Featuring Wave, The First Family, and Alien. Four incredible records, way ahead of their time, finally available again..
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Lee Moore produced the seminal soul stomper “Ain’t Gonna Spread Myself” in 1971 for Michigan-based label Tri-City. While this 7” is fantastic, nothing could have predicted what Lee Moore would unleash in the studio, out of his own frustration, a decade later.
Fast forward to 1979 in Memphis, Tennessee, Lee released the disco hit “Reachin’ Out (For Your Love),” a song he co-wrote with his then-wife Patricia Moore, on Source Records. Lee still claims the song inspired “Ring My Bell” after he played it to the TK Disco execs.
Obviously fed up with major labels and their shady biz, Lee then decided to work on new material with Patricia Moore. Lee hired Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.
Lee, his wife, and the studio band locked themselves in the legendary Sound Of Memphis studio with a bunch of forward thinking engineers, such as Paul Zaleski, and created the music that would soon be released on their own label, Score Records, supposedly named after scoring cocaine during a studio session in 1980.
Score records never achieved any commercial success as Lee, his team, and the studio crew were more focused on recording and producing music than selling records, wanting to get them played on the radio or live. They would, for example, spend “two weeks working on a snare drum sound”, just so it matched their vision of future funk.
As rare as can be, what came out of these sessions is now considered the holy grail of Memphis boogie funk, and its superior quality is undeniable. Original Score vinyl releases are so rare that only a handful of aficionados around the world own copies, and their prices are astronomical.
Jerome Derradji is thrilled to reissue the first four Score releases on vinyl & digitally for the first time since their release via Past Due Records as an introduction to a comprehensive Lee Moore Anthology that will be released later this year.
Now let’s focus on the sounds of Lee and Patricia Moore, Subway Featuring Wave, The First Family, and Alien. Four incredible records, way ahead of their time, finally available again..
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gockel - Otorongo
2
Gockel - Pulsation
3
Gockel - Visions
4
Gockel - Euphoria
Tracklisting
A1 Gockel - Otorongo
A2 Gockel - Pulsation
B1 Gockel - Visions
B2 Gockel - Euphoria
Sales Note
Gockel steps out with Otorongo - a 4-track EP of deep, dub-infused techno touched with Detroit spirit. Heavy low-ends, driving rhythms, and atmospheric layers make this one built for heads and dancefloors alike. Each track carries its own depth and character, yet together they form a powerful and immersive journey. Released as the second chapter on Patent, this record showcases the label's evolving sonic identity.
Limited run of 300 copies, pressed on transparent green leaves colored vinyl, hand numbered and hand stamped, including stickers.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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A1 Gockel - Otorongo
A2 Gockel - Pulsation
B1 Gockel - Visions
B2 Gockel - Euphoria
Sales Note
Gockel steps out with Otorongo - a 4-track EP of deep, dub-infused techno touched with Detroit spirit. Heavy low-ends, driving rhythms, and atmospheric layers make this one built for heads and dancefloors alike. Each track carries its own depth and character, yet together they form a powerful and immersive journey. Released as the second chapter on Patent, this record showcases the label's evolving sonic identity.
Limited run of 300 copies, pressed on transparent green leaves colored vinyl, hand numbered and hand stamped, including stickers.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
The Orphic Hymns - Deeper
2
The Orphic Hymns - The Voyage Of The Bookla
3
The Orphic Hymns - Invisible Self
4
The Orphic Hymns - A Clear Channel
5
The Orphic Hymns - Linn Boys Restaurant
6
The Orphic Hymns - Ojai Spiros
7
The Orphic Hymns - Pyramid Mushroom
8
The Orphic Hymns - Uplift Bubbler
9
The Orphic Hymns - Freedom
10
The Orphic Hymns - Underwater Drums
11
The Orphic Hymns - Whale Jazz
12
The Orphic Hymns - Deeper And Deeper
THE OPRHIC HYMNS is an ode to the mystical. A celebration of the languid. An exploration of the id. A journey into self. The project was written, performed, and produced by Ryan Grieve and Tom Kuntz over the course of a year in a secluded location, with a few visits from notable guest contributors such as Alex Kassian and Logan Hone to sprinkle in a little of their magic. Kuntz (aka Pinchy Don) is the Pinchy in PINCHY AND FRIENDS. Grieve is the man behind HOLE IN THE SKY RECORDS and projects such as Heart People, Canyons, and Absolute Unity. This is their first release as THE ORPHIC HYMNS.
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DE - 22113 Hamburg
Germany
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Germany
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1
Yogg - The Ductile Swing
2
Yogg - Don't You
3
Yogg - It's Always Seven
4
Yogg - Low On Life
Yogg delivers the second release on his Polarized Future label, with four deep and sub-heavy cuts on ‘Don’t You’. Produced in his new Brussels studio, the EP channels the tension between familiarity and instability. The sounds here are deconstructed, fizzing and alive, produced with a pointillistic attention to detail.
This is music built for soundsystems, with a strong emphasis on bass weight and meditative, spacious minimalism. Elements are removed to the bare essentials, at times feeling like a contemporary reimagining of the early sound of dubstep; echoing the unease of a society in the midst of a dystopian timeline.
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Germany
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This is music built for soundsystems, with a strong emphasis on bass weight and meditative, spacious minimalism. Elements are removed to the bare essentials, at times feeling like a contemporary reimagining of the early sound of dubstep; echoing the unease of a society in the midst of a dystopian timeline.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lakej - Functioning
2
VSK - Blue Mirror
3
Ksenia Kamikaza - Friends Thru Drugs
4
Liza Aikin - AES
5
Igors Vorobjovs - Fragile Thoughts
Tracklisting
A1 Lakej - Functioning
A2 VSK - Blue Mirror
B1 Ksenia Kamikaza - Friends Thru Drugs
B2 Liza Aikin - AES
B3 Igors Vorobjovs - Fragile Thoughts
Sales Note
The second vinyl release on Platz fur Tanz continues the narrative of techno's past and future. Experienced artists reinterpret the shadowy vibe of dancefloors around the world, giving it new form and depth.
The record opens with a track by Swedish techno futurist Lakej, featuring his signature sound of machinery on a working factory floor. The music immediately transports you into the industrial atmosphere of a rave.
This time, the Italian-born, Berlin-based artist VSK takes us on a journey through the emotional waves of deep techno. A slightly jazzy groove makes this track perfect for pick time dancefloors.
Latvian producer Ksenia Kamikaza stays true to her style, transporting us into a world of visualized melodies and rhythms. The bassline sets the groove, while the unhurried rhythm allows you to fully surrender to the dance.
Liza Aikin brings an uncompromising Berlin vibrations to the release, reminding us how a true rave should sound. Her style is not heavy but persistent. Liza never stops experimenting, and this track will be a highlight of any DJ set.
Another Latvian electronic talent closes the release. Igors Vorobjovs blends the best of electro and techno in his track. Nervous rhythms and loud sounds stir the emotions, while the raw, untamed resonance will leave no true connoisseur of feral techno indifferent.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Lakej - Functioning
A2 VSK - Blue Mirror
B1 Ksenia Kamikaza - Friends Thru Drugs
B2 Liza Aikin - AES
B3 Igors Vorobjovs - Fragile Thoughts
Sales Note
The second vinyl release on Platz fur Tanz continues the narrative of techno's past and future. Experienced artists reinterpret the shadowy vibe of dancefloors around the world, giving it new form and depth.
The record opens with a track by Swedish techno futurist Lakej, featuring his signature sound of machinery on a working factory floor. The music immediately transports you into the industrial atmosphere of a rave.
This time, the Italian-born, Berlin-based artist VSK takes us on a journey through the emotional waves of deep techno. A slightly jazzy groove makes this track perfect for pick time dancefloors.
Latvian producer Ksenia Kamikaza stays true to her style, transporting us into a world of visualized melodies and rhythms. The bassline sets the groove, while the unhurried rhythm allows you to fully surrender to the dance.
Liza Aikin brings an uncompromising Berlin vibrations to the release, reminding us how a true rave should sound. Her style is not heavy but persistent. Liza never stops experimenting, and this track will be a highlight of any DJ set.
Another Latvian electronic talent closes the release. Igors Vorobjovs blends the best of electro and techno in his track. Nervous rhythms and loud sounds stir the emotions, while the raw, untamed resonance will leave no true connoisseur of feral techno indifferent.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Vince Void - Thunder
2
Vince Void - Fashion Victim
3
DJ Gamba & Quim - The Universe
4
DJ Gamba - Your Vision
Phosphor’s fourth release connects two promising talents from Barcelona’s underground scene: French producer Vince Void and Mexican DJ Gamba. Together, they deliver a finely crafted EP that blends punchy club dynamics with dreamy, psychedelic touches. From electro with 80s Italian accents to glitchy grooves and spacey breaks, PHP004 stands as a floor-ready release, moving with a subtle balance of tension and elevation.
Vince Void takes the A-side with two effective cuts. “Thunder” builds on a saturated Italo-style bassline and crisp, stripped-back drums, creating a steady tension that works perfectly at the start of a set. “Fashion Victim” switches the mood with acid-tinged grooves, glitchy stabs and a playful swing. It’s less linear but just as effective, adding contrast and movement to any DJ set.
On the B-side, DJ Gamba goes deeper. “The Universe”, in collaboration with Quim, weaves lush pads and shimmering arps into a rolling club structure, with subtle breakbeat accents that add lift and fluidity. To close, “Your Vision” slows the pulse slightly, blending filtered melodies, melancholic textures and a steady groove, locking in emotion without losing the club energy.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Vince Void takes the A-side with two effective cuts. “Thunder” builds on a saturated Italo-style bassline and crisp, stripped-back drums, creating a steady tension that works perfectly at the start of a set. “Fashion Victim” switches the mood with acid-tinged grooves, glitchy stabs and a playful swing. It’s less linear but just as effective, adding contrast and movement to any DJ set.
On the B-side, DJ Gamba goes deeper. “The Universe”, in collaboration with Quim, weaves lush pads and shimmering arps into a rolling club structure, with subtle breakbeat accents that add lift and fluidity. To close, “Your Vision” slows the pulse slightly, blending filtered melodies, melancholic textures and a steady groove, locking in emotion without losing the club energy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Roto - Breathe
2
Roto - Let's Go
3
Roto - Lose Yourself
4
Roto - Make Me
Roto makes his PILLZ debut with Lose Yourself, a high-voltage statement from one of Spain’s fastest-rising names. Across four razor-sharp cuts, the EP reflects a shared vision between artist and label: music with deliberate intent—sometimes hypnotic, sometimes fast and direct, and at moments pared down to pure introspection. Lose Yourself carries that spirit throughout, built to lock the floor under peak-time pressure while opening space for release in the glow of sunrise. Already echoing through the underground, it’s primed to soundtrack the circuit.
With this release, Roto steps forward as one of the new voices shaping tomorrow’s dance floor, balancing mystery, pace, and stripped-back tension.
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Germany
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With this release, Roto steps forward as one of the new voices shaping tomorrow’s dance floor, balancing mystery, pace, and stripped-back tension.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Poly Dance Theatre
Cat-No:POL011
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Poly Dance Theatre
Cat-No:POL011
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:12"
1
Androo, Xavier Robel - XRVBCBC12AP 09-2023
2
Androo, Xavier Robel - VEXARII DUB OR SNARE AVENTURE
Two sides, each lasting 8 minutes and 50 seconds. A clash that resonates in friction, united by the materiality of vinyl - if only for a time. Or at best, a rapprochement, like in cinema. On side A, a MIDI composition by Xavier Robel for synthesized piano, based on La Monte Young's tuning system for The Well-Tuned Piano. Mouse clicks, boxing gloves, vibrancy, and mischief. On side B, a positively insistent On-U Sound-flavored rhythmic investigation, produced by Androo in response to Xavier Robel's composition (one he hadn't asked for). From sparse elements, a kaleidoscopic pulse unfolds - as dub seeps within a fog of electroacoustic fluctuations.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Germany
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1
Audrey Danza - Next Stop
2
Audrey Danza - The Run
3
Audrey Danza - Dissolve
4
Audrey Danza - Hallucinating
Swiss DJ and producer Audrey Danza returns with Next Stop, her first self-released vinyl EP on her own imprint, Proxima. The four-track release sharpens her sound into a direct, club-focused statement rooted in acid techno.
Each track is carefully engineered for the dancefloor. Driving acidic basslines and distinctive percussion interlock with warped, spacey textures to form forward-moving, high-pressure grooves. Processed vocal fragments punctuate the tracks, heightening tension and momentum. The EP moves through trippy, mental territory, balancing functional DJ tools with off-kilter details and strange sonic flourishes.
Built for movement and momentum, Next Stop works equally well in late-night warehouse settings and peak-time club moments.
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Germany
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Each track is carefully engineered for the dancefloor. Driving acidic basslines and distinctive percussion interlock with warped, spacey textures to form forward-moving, high-pressure grooves. Processed vocal fragments punctuate the tracks, heightening tension and momentum. The EP moves through trippy, mental territory, balancing functional DJ tools with off-kilter details and strange sonic flourishes.
Built for movement and momentum, Next Stop works equally well in late-night warehouse settings and peak-time club moments.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Not A Headliner Presents José - Declarado En Rebeldía
2
Not A Headliner Presents José - Conciliación Previa
3
Not A Headliner Presents José - Preguntas Capciosas
4
Not A Headliner Presents José - Noche Kafkiana
For the tenth release on Rhythm Control Barcelona, we present something truly special: the debut of Not A Headliner presents José. This marks a new step in the journey of the Spanish artist, recognized in recent years as one of the leading figures of the national underground techno scene, who now introduces his alter ego to reconnect with his house roots.
"Usufructo (Uso + Disfruto)" is a four-track EP where the spirit of the mid-90s UK sound merges with tech house, acid, and breaks influences, resulting in a solid, characterful record set to delight all lovers of those classic and timeless vibes.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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"Usufructo (Uso + Disfruto)" is a four-track EP where the spirit of the mid-90s UK sound merges with tech house, acid, and breaks influences, resulting in a solid, characterful record set to delight all lovers of those classic and timeless vibes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Emily Wittbrodt - Prelude
2
Emily Wittbrodt - Safe Pair Of Hands
3
Emily Wittbrodt - Now Rain
4
Emily Wittbrodt - Cold Shelter
5
Emily Wittbrodt - Porous
6
Emily Wittbrodt - Lied
7
Emily Wittbrodt - Wearing Words
8
Emily Wittbrodt - Lost Ground
9
Emily Wittbrodt - The Angry Men
10
Emily Wittbrodt - Coda
Emily Wittbrodt's "Wearing Words" is a cycle of ten instrumentals and songs for harpsichord, cello, drums, clarinet, accordion and tenor. With precision, humor and grace, Wittbrodt translates a baroque sensibility into pop terrain, combining her fascination for language and poetry with her love for unusual instrumentation and classical forms.
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Germany
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1
Boo Williams - Mortal Trance
2
Boo Williams - Eternal Mind
3
Boo Williams - Day And Night
4
Boo Williams - Teckno Drome
Repress!
Late nineties saw three releases of Boo Williams on Titonton Duvante run Residual Records. From these three eps we pulled the four best tracks, which make up this 'Residual EP'. Four times raw, deep, melancholic, late night grooves at which Boo is a master. Essential house music!
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Late nineties saw three releases of Boo Williams on Titonton Duvante run Residual Records. From these three eps we pulled the four best tracks, which make up this 'Residual EP'. Four times raw, deep, melancholic, late night grooves at which Boo is a master. Essential house music!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Various Artists - Occibel - Coton Dancefloor
2
Various Artists - Merov' - Quefrency Domain
3
Various Artists - Emi Ömar - C'est la Vibe
4
Various Artists - Wooka - Faster or Slower
Repress!
Gaston and the crew are taking a much-needed break!
Catch Merov’, Occibel, Emi Omar, and Wooka on a magical island, where mojitos have replaced tap water and the sound of the waves is swapped for dream house beats. You in?
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Gaston and the crew are taking a much-needed break!
Catch Merov’, Occibel, Emi Omar, and Wooka on a magical island, where mojitos have replaced tap water and the sound of the waves is swapped for dream house beats. You in?
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DE - 22113 Hamburg
Germany
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1
EAS - ABSOLUTE TERRITORY (PERC remix)
2
TRIPPED - THIS DOES NOT CONTAIN RAVE STABS (KILBOURNE remix)
3
7CIRCLE - SEVASTRA (EAS remix)
4
MDD - APEX SWITCH (STRISC. remix)
Tracklisting
A1 EAS - ABSOLUTE TERRITORY (PERC remix)
A2 TRIPPED - THIS DOES NOT CONTAIN RAVE STABS (KILBOURNE remix)
B1 7CIRCLE - SEVASTRA (EAS remix)
B2 MDD - APEX SWITCH (STRISC. remix)
Sales Note
To celebrate their 5th anniversary Pure Hate Trax brings you 5 Years Remixed Pt.2, inviting Perc, Kilbourne, EAS & STRISC. to remix their favourite tracks from the last 5 years.
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A1 EAS - ABSOLUTE TERRITORY (PERC remix)
A2 TRIPPED - THIS DOES NOT CONTAIN RAVE STABS (KILBOURNE remix)
B1 7CIRCLE - SEVASTRA (EAS remix)
B2 MDD - APEX SWITCH (STRISC. remix)
Sales Note
To celebrate their 5th anniversary Pure Hate Trax brings you 5 Years Remixed Pt.2, inviting Perc, Kilbourne, EAS & STRISC. to remix their favourite tracks from the last 5 years.
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1
Coco Bryce - Bir Allah
2
Coco Bryce - Klezmer Crew
3
Coco Bryce - Labyrinth
Tracklisting
A1 Coco Bryce - Bir Allah
A2 Coco Bryce - Klezmer Crew
B1 Coco Bryce - Labyrinth
Sales Note
Following on from his globe trotting album Noches Sephardies, Coco Bryce keeps it hella international on this here 3 tracker, reworking a Greek rebetiko song about a love that wasn't meant to be, a klezmer party jam and some 80s German synth wizardry respectively.
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A1 Coco Bryce - Bir Allah
A2 Coco Bryce - Klezmer Crew
B1 Coco Bryce - Labyrinth
Sales Note
Following on from his globe trotting album Noches Sephardies, Coco Bryce keeps it hella international on this here 3 tracker, reworking a Greek rebetiko song about a love that wasn't meant to be, a klezmer party jam and some 80s German synth wizardry respectively.
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1
DeFeKT - My Mother
2
DeFeKT - Disastrous Infinity
3
DeFeKT - No Coffee
4
DeFeKT - Soaked
5
DeFeKT - Phaser
6
DeFeKT - Early Morning Tea
Helena Hauff's Return To Disorder keeps it disordered with legendary producer DeFeKT next up with his vision of twisted electro. 'My Mother' has a dark undercurrent but is doused in synth radiance that provides great comfort, so if you ask us, it's a fitting title. It's texture that again stands out on 'Disastrous Infinity which has a squelch, acidic lead wriggling about the mix, pounding drums and crispy percussion that all pull back to reveal pixel-thin and eerie pads. 'No Coffee' is a dense and gauzy world of ice-cold melody and rigid grooves, and 'Soaked' turns the same vibe up to 11. 'Phaser' and 'Early Morning Tea' close out with opposing energies - raw and prickly, then more smooth and serene.
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Label:Sacred Bones
Cat-No:SBRLP373
Release-Date:06.02.2026
Genre:Alternative/Electronic
Configuration:LP
Label:Sacred Bones
Cat-No:SBRLP373
Release-Date:06.02.2026
Genre:Alternative/Electronic
Configuration:LP
Tracklist:
1.1SEVASTOPOL
1.2MAGAZINE
1.3TRY SAYING
1.4DODECAHEDRON
1.5A BRIGHTER TOMORROW
1.6LIFE HEX
1.7IST HALT SO
1.8SICKO! FT. BILLY WOODS
1.9CURSIVE
1.10I'LL ASK HER
For Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece - vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall - are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.
Much of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.
Yet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protest movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I'll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.
Although there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlying connective tissue.
Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits.
URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1.1SEVASTOPOL
1.2MAGAZINE
1.3TRY SAYING
1.4DODECAHEDRON
1.5A BRIGHTER TOMORROW
1.6LIFE HEX
1.7IST HALT SO
1.8SICKO! FT. BILLY WOODS
1.9CURSIVE
1.10I'LL ASK HER
For Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece - vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall - are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.
Much of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.
Yet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protest movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I'll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.
Although there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlying connective tissue.
Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits.
URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eternal Love - Luna Manga
2
Eternal Love - Echo Danza
3
Eternal Love - Nakarap
4
Eternal Love - Nakarap Esas (Afro-Synth Band Version)
5
Eternal Love - Luna Manga (Masalo Remix)
5 track EP including 2 remixes.
Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.
The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.
With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.
The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.
With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Proposition Joe - The Principle Club
2
Proposition Joe - If Your Mother (OG Version)
3
Proposition Joe - Trashit 96
4
Proposition Joe - Enter New World
Tracklisting
A1 Proposition Joe - The Principle Club
A2 Proposition Joe - If Your Mother (OG Version)
B1 Proposition Joe - Trashit 96
B2 Proposition Joe - Enter New World
Sales Note
Genre neutral raw cuts from Rotterdam! SCHwuNG RECORDS presents its first weapon of music destruction featuring the debut of Proposition Joe. A four tracker that leads you from starters to desert. Proposition Joe is dead! Shot in the head by Chris Partlow and Marlo Stanfield, we respect Joe. Now Let's Dance!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Proposition Joe - The Principle Club
A2 Proposition Joe - If Your Mother (OG Version)
B1 Proposition Joe - Trashit 96
B2 Proposition Joe - Enter New World
Sales Note
Genre neutral raw cuts from Rotterdam! SCHwuNG RECORDS presents its first weapon of music destruction featuring the debut of Proposition Joe. A four tracker that leads you from starters to desert. Proposition Joe is dead! Shot in the head by Chris Partlow and Marlo Stanfield, we respect Joe. Now Let's Dance!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Silent Earth - Waving The Sky
2
Silent Earth - Into Your Head
3
Silent Earth - Into Your Head (DJ Normal's Psychotropic Refixx)
4
Silent Earth - Slide Into Yellow Dimensions
Sunny Crypt is happy to announce their eleventh release, a reissue of the now sought-after,
trance-inducing ambient-techno debut record by German duo Silent Earth.
Founded in 1998 in a small town in the Frankfurt-area, Silent Earth was founded by Michael
Gutsch and Marco Schumann: their artistic output was largely inspired from their experience in
being regulars at legendary clubs such as Omen and Dorian Gray, also catching influences from
their formative years - spent listening to the more synthesiser-oriented sound of the ’80s - while
keeping a close eye to the ambient aesthetic of the Café del Mar compilations and UK’s 90s
electronica scene.
With copies of the original records now being hard to get ahold of, we’re honoured to bring “Slide
Into Yellow Dimensions” to a renewed life, with a brand new additional remix by DJ Normal 4.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
trance-inducing ambient-techno debut record by German duo Silent Earth.
Founded in 1998 in a small town in the Frankfurt-area, Silent Earth was founded by Michael
Gutsch and Marco Schumann: their artistic output was largely inspired from their experience in
being regulars at legendary clubs such as Omen and Dorian Gray, also catching influences from
their formative years - spent listening to the more synthesiser-oriented sound of the ’80s - while
keeping a close eye to the ambient aesthetic of the Café del Mar compilations and UK’s 90s
electronica scene.
With copies of the original records now being hard to get ahold of, we’re honoured to bring “Slide
Into Yellow Dimensions” to a renewed life, with a brand new additional remix by DJ Normal 4.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
M’Bamina - Kyrie Paien
2
M’Bamina - Wendo
3
M’Bamina - Malonga
4
M’Bamina - Bakoko
5
M’Bamina - Messe Noire
6
M’Bamina - Benguela
7
M’Bamina - Ayewa
8
M’Bamina - Watchiwara
9
M’Bamina - Nzoumba
10
M’Bamina - Roll Drums
Gatefold Sleeve
M’Bamina – African Roll (1975)
The story of an album born between Africa, Italy, and the nightclub culture of the 1970s
In the heart of 1970s Italy — a country undergoing profound social change and a music scene just beginning to open itself to distant sounds and cultures — an extraordinary, almost improbable story took shape. It is the story of a group of young African musicians who found their way to Europe, of a Turin nightclub that became a crossroads for communities and experimenters, and of an album which, released in small numbers and largely unnoticed at the time, is now considered a rare jewel of Afro-fusion.
The band called themselves M’Bamina — an ensemble of musicians from Congo, Cameroon, and Benin, who arrived in Italy in the early Seventies. Settling between northern Italy and the Pavia area, they began performing in small clubs and community events, bringing with them a vibrant rhythmic heritage: African polyrhythms, call-and-response vocals, funk-infused bass lines, and Caribbean or Afro-Latin colours absorbed along their musical journeys. Their raw, contagious energy on stage quickly drew attention.
Meanwhile, in Turin, another story was unfolding. There was a venue becoming almost legendary: Voom Voom, one of the city’s liveliest nightclubs, run by Ivo Lunardi. The club attracted an eclectic crowd — students, artists, foreigners, night owls — and Lunardi quickly understood that the dancefloor wasn’t just a place for music, but a melting pot for a new kind of cultural energy. Out of this vibrant atmosphere came his idea: to turn the club’s name into a small independent record label, Voom Voom Music, capable of capturing the spirit of those years and giving voice to unconventional projects.
When Lunardi heard M’Bamina, he immediately sensed that this was the sound he had been searching for: fresh, different from anything circulating in Italy at the time, and capable of blending African tradition with funk and European sensibility. He brought them into the studio.
Production was handled by Lunardi along with Christian Carbaza Michel, while the engineering was entrusted to Danilo Pennone, a young sound technician with a sharp, intuitive ear.
The recording sessions — held in Turin in 1975 — produced a remarkably warm and direct sound. The music feels almost live: grooves rooted in African tradition, but open to funk-rock structures and modern arrangements. It is a natural fusion, never forced. Tracks move between tribal rhythms, funk basslines, light electric guitars, congas and Afro-Latin percussion, with call-and-response vocals and melodies that echo both Congolese tradition and the lineage of Latin jazz. Not by chance, one of the album’s most striking tracks, Watchiwara, reinterprets a Latin standard through M’Bamina’s own rhythmic language.
The album was titled African Roll — a name that was already a statement of intention. It is African music that “rolls,” that moves, adapts, transforms within a new geographic and cultural setting. It is not strictly Afrobeat, nor Congolese rumba, nor Western funk: it is a spontaneous, hybrid blend, shaped more by lived experience than by any calculated aesthetic program.
When African Roll was released, the world around it barely noticed. Distribution was limited, and 1970s Italy had yet to develop a cultural framework for receiving such music. The national music press rarely paid attention to African or “world” productions. The album slipped into silence — though the band’s own story did not.
M’Bamina continued performing across Europe and Africa, even sharing a stage in Cameroon with none other than Manu Dibango. By the late Seventies, they moved to Paris, signed with Fiesta/Decca, and recorded a second LP, Experimental (1978). Meanwhile, the peculiar record they had made in Turin began to resurface quietly among vinyl collectors, Afro-funk enthusiasts, and DJs hunting for forgotten grooves.
That is when the album’s fate began to shift.
Over the decades, African Roll emerged as an almost unique document: a snapshot of an intercultural Italy before the word “intercultural” even existed, a fragment of migrant history, a spontaneous experiment in musical fusion born far from major industry circuits but rich in authenticity. Original copies began commanding high prices on the collector’s market, and the album became recognized as one of the hidden classics of European Afro-fusion from the 1970s.
Today, more than fifty years later, this reissue finally restores visibility and dignity to a project that deserves to be heard, studied, and celebrated. It is not simply an album: it is the testimony of a rare cultural encounter, born in an Italy unaware of how fertile such exchanges would one day become.
It is the story of a visionary producer, an extraordinary band, and a fleeting moment in which music, migration, and nightlife came together to create something genuinely new.
African Roll is — now more than ever — the sound of a bridge: between continents, between eras, between cultures. A record that, after rolling far and wide, has finally come home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
M’Bamina – African Roll (1975)
The story of an album born between Africa, Italy, and the nightclub culture of the 1970s
In the heart of 1970s Italy — a country undergoing profound social change and a music scene just beginning to open itself to distant sounds and cultures — an extraordinary, almost improbable story took shape. It is the story of a group of young African musicians who found their way to Europe, of a Turin nightclub that became a crossroads for communities and experimenters, and of an album which, released in small numbers and largely unnoticed at the time, is now considered a rare jewel of Afro-fusion.
The band called themselves M’Bamina — an ensemble of musicians from Congo, Cameroon, and Benin, who arrived in Italy in the early Seventies. Settling between northern Italy and the Pavia area, they began performing in small clubs and community events, bringing with them a vibrant rhythmic heritage: African polyrhythms, call-and-response vocals, funk-infused bass lines, and Caribbean or Afro-Latin colours absorbed along their musical journeys. Their raw, contagious energy on stage quickly drew attention.
Meanwhile, in Turin, another story was unfolding. There was a venue becoming almost legendary: Voom Voom, one of the city’s liveliest nightclubs, run by Ivo Lunardi. The club attracted an eclectic crowd — students, artists, foreigners, night owls — and Lunardi quickly understood that the dancefloor wasn’t just a place for music, but a melting pot for a new kind of cultural energy. Out of this vibrant atmosphere came his idea: to turn the club’s name into a small independent record label, Voom Voom Music, capable of capturing the spirit of those years and giving voice to unconventional projects.
When Lunardi heard M’Bamina, he immediately sensed that this was the sound he had been searching for: fresh, different from anything circulating in Italy at the time, and capable of blending African tradition with funk and European sensibility. He brought them into the studio.
Production was handled by Lunardi along with Christian Carbaza Michel, while the engineering was entrusted to Danilo Pennone, a young sound technician with a sharp, intuitive ear.
The recording sessions — held in Turin in 1975 — produced a remarkably warm and direct sound. The music feels almost live: grooves rooted in African tradition, but open to funk-rock structures and modern arrangements. It is a natural fusion, never forced. Tracks move between tribal rhythms, funk basslines, light electric guitars, congas and Afro-Latin percussion, with call-and-response vocals and melodies that echo both Congolese tradition and the lineage of Latin jazz. Not by chance, one of the album’s most striking tracks, Watchiwara, reinterprets a Latin standard through M’Bamina’s own rhythmic language.
The album was titled African Roll — a name that was already a statement of intention. It is African music that “rolls,” that moves, adapts, transforms within a new geographic and cultural setting. It is not strictly Afrobeat, nor Congolese rumba, nor Western funk: it is a spontaneous, hybrid blend, shaped more by lived experience than by any calculated aesthetic program.
When African Roll was released, the world around it barely noticed. Distribution was limited, and 1970s Italy had yet to develop a cultural framework for receiving such music. The national music press rarely paid attention to African or “world” productions. The album slipped into silence — though the band’s own story did not.
M’Bamina continued performing across Europe and Africa, even sharing a stage in Cameroon with none other than Manu Dibango. By the late Seventies, they moved to Paris, signed with Fiesta/Decca, and recorded a second LP, Experimental (1978). Meanwhile, the peculiar record they had made in Turin began to resurface quietly among vinyl collectors, Afro-funk enthusiasts, and DJs hunting for forgotten grooves.
That is when the album’s fate began to shift.
Over the decades, African Roll emerged as an almost unique document: a snapshot of an intercultural Italy before the word “intercultural” even existed, a fragment of migrant history, a spontaneous experiment in musical fusion born far from major industry circuits but rich in authenticity. Original copies began commanding high prices on the collector’s market, and the album became recognized as one of the hidden classics of European Afro-fusion from the 1970s.
Today, more than fifty years later, this reissue finally restores visibility and dignity to a project that deserves to be heard, studied, and celebrated. It is not simply an album: it is the testimony of a rare cultural encounter, born in an Italy unaware of how fertile such exchanges would one day become.
It is the story of a visionary producer, an extraordinary band, and a fleeting moment in which music, migration, and nightlife came together to create something genuinely new.
African Roll is — now more than ever — the sound of a bridge: between continents, between eras, between cultures. A record that, after rolling far and wide, has finally come home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tommy Soul - Crazy Funky (Disco Version)
2
Tommy Soul - Crazy Funky (Club Version)
“Crazy Funky” marks the official debut of Tommy Soul as a producer — a track born from the desire to blend the groove of 80s funk and disco with a contemporary sonic approach. A warm, dominant funky bassline drives the track alongside a vintage-flavoured, punchy drum groove, supported by modern electronic synths and sound details that firmly place it in the present.The lyrics and vocal melody sung by Tommy Soul, reveal an unexpected falsetto, especially in the harmonic tension of the hook “make me crazy!” The goal was to reinterpret the spirit of original disco productions and bring it into a modern, more electronic and club-oriented dimension, while preserving the analogue soul and authentic warmth of the sound. The result is a track with a strong character: a relentless bassline, gritty vocals, an infectious groove, and an energy built for the dancefloor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Picture - Waaaaaaaa
2
Picture - Tyyyyyyyyy
3
Picture - Heeeeeeee
4
Picture - Keeeeeee
5
Picture - Yeeeeeee
6
Picture - Qeeeeeeee
Killer set of six from Picture aka Central aka Natal Zaks.
Speedy, flighty stuff. Filter dials turning, little licks, sometimes small vocal hits. Zephyr and pressure. Some midwestern techno vivre carrying the whole thing along. If you've caught any of the Picture records from the last few years you might know the momentum at play already, a mix of breezy euphoria and deeper, dubbier minimalist force.
Combining a live and impactful improvised energy with Nat's signature twinkling production that has always been in a class of its own. Club tools as well as multifarious instruments of levitation. You could have the 38 most productive minutes of your life with it spinning as your soundtrack next to you.
Mastered & cut by Mike Grinser at Manmade.
Art by Mammo.Works.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Speedy, flighty stuff. Filter dials turning, little licks, sometimes small vocal hits. Zephyr and pressure. Some midwestern techno vivre carrying the whole thing along. If you've caught any of the Picture records from the last few years you might know the momentum at play already, a mix of breezy euphoria and deeper, dubbier minimalist force.
Combining a live and impactful improvised energy with Nat's signature twinkling production that has always been in a class of its own. Club tools as well as multifarious instruments of levitation. You could have the 38 most productive minutes of your life with it spinning as your soundtrack next to you.
Mastered & cut by Mike Grinser at Manmade.
Art by Mammo.Works.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Glenn Underground - Grass Root (I Control Your Pleasure)
2
Glenn Underground - Transparent Streets (GU Vs CVO Mix)
3
Glenn Underground - Bending & Stretching (GU Vs CVO Mix)
4
Glenn Underground - Mama's House (Homan & Harrison Mix)
5
Glenn Underground - Flight Zone
6
Glenn Underground - Jack Magnanimous
7
Glenn Underground - Dance-R
8
Glenn Underground - Eli Opus Omnis (Main)
GLENN UNDERGROUND's forthcoming album, due out in Spring 2026. A long awaited followup to the last "Tech House" release on PEACEFROG back in 1996, 8 tracks packing an "atmospheric punch".
Since the days of the disco demolition and the emergence of the four to the floor.....
Sound has traveled from the hands of Heard, Knuckles, Hardy, Chip, Jefferson, Hunt, Terrible Ted, and a host of others but has been Perfected in Underground!
Presenting...
Grass Root (Tech House LP)
On Strictly Jaz Unit Muzic.
Since the last Tech House release on Peacefrog Records in 1996 the fire never stopped burning under the fingers of the Chicago Maestro. Circumnavigating the globe and archiving life experiences bottled up to the point of combustion
Witness now the dawning of the Strictly Jaz Unit Muzic release: Grass Root (Tech House LP)
This Eight song bequeath to your eardrums packs Atmospheric Punch, Omni Directional Drive, Crispy Hi-hat, Thumping Kicks, Punchy Deep Bass and Emotional Content to rattle your limbs..
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Since the days of the disco demolition and the emergence of the four to the floor.....
Sound has traveled from the hands of Heard, Knuckles, Hardy, Chip, Jefferson, Hunt, Terrible Ted, and a host of others but has been Perfected in Underground!
Presenting...
Grass Root (Tech House LP)
On Strictly Jaz Unit Muzic.
Since the last Tech House release on Peacefrog Records in 1996 the fire never stopped burning under the fingers of the Chicago Maestro. Circumnavigating the globe and archiving life experiences bottled up to the point of combustion
Witness now the dawning of the Strictly Jaz Unit Muzic release: Grass Root (Tech House LP)
This Eight song bequeath to your eardrums packs Atmospheric Punch, Omni Directional Drive, Crispy Hi-hat, Thumping Kicks, Punchy Deep Bass and Emotional Content to rattle your limbs..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Normal 4 - Electromancer Signet
2
DJ Normal 4 - 454 Jam
DJ Normal 4 appears first time on the label with 10” record consisting different flavored genre tracks for the ears of the curious listeners, and die-hard music lovers. Tim has been creating electronic music for a long time and has appeared in some of the key music events around the globe. With a high level of skill and accuracy this artist is able to tackle music of many styles which also can be witnessed on this record. This is the second ten inch record the label has welcomed to its catalogue so you can imagine the level of excitement in the air. From the A side going into the electro approach right to the trance infused B side, this disc is guaranteed to feel absolutely correct in the record bag if these are the genres of music that resonates with you.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Indi Zone - Congo River
2
Indi Zone - Moonrise Kingdom
3
Indi Zone - Microgramma
4
Indi Zone - Slow But Steady
5
Indi Zone - Nature In Numbers
6
Indi Zone - D.T.
7
Indi Zone - Magic Multicolored Diamond
Repress!
Presenting the debut solo LP by Indi Zone, member of Slow Life, the label's graphic designer, and half of the Ethereal Logic project. The album is a deep, soothing journey with organic grooves and blissful harmonies that takes you to his "Natural Habitat."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Presenting the debut solo LP by Indi Zone, member of Slow Life, the label's graphic designer, and half of the Ethereal Logic project. The album is a deep, soothing journey with organic grooves and blissful harmonies that takes you to his "Natural Habitat."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Paolo Mosca - Ex-Stasy
2
Paolo Mosca - Revolution
3
Paolo Mosca - Astromelody (Original Mix)
4
Paolo Mosca - Astromelody (Love Mix)
The final chapter of "La Teoria delle Stringhe" by the Italian wizard Paolo Mosca.
He closes the trilogy with an outstanding selection of tracks that showcases the maturity of his sound, rooted in emotion and driven by powerfull basslines.
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He closes the trilogy with an outstanding selection of tracks that showcases the maturity of his sound, rooted in emotion and driven by powerfull basslines.
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1
Robbert Mononom - Untitled
2
Robbert Mononom - Untitled
3
Robbert Mononom - Untitled
The starting point of the Robert Mononom’s oeuvre with the Mononom series. Quintessential Dutch Freetekno sound originally from 1997. A side comes on at a time warping 170BPM, no time to loose full throtle, intense acid sounds raging over crisp hats and drum machine patterns for a solid 15 minutes. B1 is more atmospheric and dubby, with B2 featuring a very hypnotic and psychedelic sounding 10 minute long excursion, both well within the Mononom aesthetic. Restored and remastered.
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69db - Untitled
2
69db - Untitled
3
69db - Untitled
4
69db - Untitled
Replenish your record collection with another precious historical artefact from the Free Tekno/Freeparty scene. The second half of the LSD series from 69db, further exploring a dialogue with what was going on in Chicago, in the artist’s words: “ This Ep was a respose to what the pioneers laid down in Chicago and were out of step with the hard-Tec / Tribe we were doing.”
At a slower pace than the more known Spiral Tribe sound, this 4 track EP offers the DJ an arsenal of percussive elaborations, minimal sounds with hints of tribal feel and layered samples used for potent dance floor oriented outcomes. Remastered for optimal effect.
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At a slower pace than the more known Spiral Tribe sound, this 4 track EP offers the DJ an arsenal of percussive elaborations, minimal sounds with hints of tribal feel and layered samples used for potent dance floor oriented outcomes. Remastered for optimal effect.
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1
69db - Untitled
2
69db - Untitled
3
69db - Untitled
4
69db - Untitled
5
69db - Untitled
6
69db - Untitled
7
69db - Untitled
8
69db - Untitled
Often cited as the strongest Tribe 69db live recording, this cassette emerged from a tense and pivotal moment in the early 90s free party scene.
At the time, Techno Import was the largest electronic music shop in Paris, and arguably in France. The shop planned to release a CD compilation titled Sound Of Teknival, featuring Spiral Tribe. As the project progressed, disagreements over money, copyrights and control led Spiral Tribe to withdraw their approval.
Despite this, Shark Records, the label linked to Techno Import for the project, proceeded with the CD release without full artist consent. In response, 69db released a tape titled "Fuck Techno Import". This cassette stands as raw testimony to the clash between underground culture and commercial structures, capturing both the sound and spirit of an era when autonomy mattered more than compromise. Originally released in 1997, specially remastered for tape.
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At the time, Techno Import was the largest electronic music shop in Paris, and arguably in France. The shop planned to release a CD compilation titled Sound Of Teknival, featuring Spiral Tribe. As the project progressed, disagreements over money, copyrights and control led Spiral Tribe to withdraw their approval.
Despite this, Shark Records, the label linked to Techno Import for the project, proceeded with the CD release without full artist consent. In response, 69db released a tape titled "Fuck Techno Import". This cassette stands as raw testimony to the clash between underground culture and commercial structures, capturing both the sound and spirit of an era when autonomy mattered more than compromise. Originally released in 1997, specially remastered for tape.
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1
SYT - Echo System
2
SYT - Echo System (E-Talking Remix)
3
SYT - School Of Thought
4
SYT - School Of Thought (Trent Remix)
Originally released in 1988 as a side project from members of Münster rock band The New Colours. New Harbours was produced by Graziano Mallozzi, member of influential Italian darkwave group Kirlian Camera. The result is an irresistible melancholic synth pop anthem. Due to an extremely limited pressing, the track never received the attention it deserves aside from within Discogs digger circles or in the bags of a few virtuous DJs, including JD Twitch of Optimo who introduced us to the record.The 2025 reissue features a stunning club remix from Berlin’s own Italian darkwave master Curses.
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1
Ignez - Face (Rødhåd remix)
2
Ignez - Dawn (Sterac remix)
3
Ignez - Ethereal (Ø [Phase] remix)
4
Ignez - Tavisupali (Mathys Lenne remix)
Tracklisting
A1 Ignez - Face (Rødhåd remix)
A2 Ignez - Dawn (Sterac remix)
B1 Ignez - Ethereal (Ø [Phase] remix)
B2 Ignez - Tavisupali (Mathys Lenne remix)
Sales Note
British techno veteran Justin Berkovi joins Somov with three timeless recordings that bridge pounding minimalism and emotive ambience. Cemented in the 90s history books Berkovi's sound lives on as always with timeless energy and emotive power. Adding to the release, Ignez contributes a remix of 'Step Up'.
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A1 Ignez - Face (Rødhåd remix)
A2 Ignez - Dawn (Sterac remix)
B1 Ignez - Ethereal (Ø [Phase] remix)
B2 Ignez - Tavisupali (Mathys Lenne remix)
Sales Note
British techno veteran Justin Berkovi joins Somov with three timeless recordings that bridge pounding minimalism and emotive ambience. Cemented in the 90s history books Berkovi's sound lives on as always with timeless energy and emotive power. Adding to the release, Ignez contributes a remix of 'Step Up'.
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1
Ácido Pantera - Te Quiero
2
Ácido Pantera - Pajaro Cantor
" A very limited 7” for the tropical heads, beat travellers and cosmic cumbia astronauts on the new imprint Sun Of A Beach — the free-spirited daughter of Editions de Lux, who skipped town, fell in love somewhere between Kingston and Cartagena, and came back glowing, barefoot, and heavy on the bass.
At home in the steaming rainforest as much as the urban jungle of the Chapinero district of Bogotá, Colombia’s psychedelic groove pilots Ácido Pantera deliver a double-sided tropical weapon aimed straight at late-night sweatboxes, boat parties, and sun-soaked terraces.
"Te quiero, te amo” is a declaration of love at 132 bpm, bouncing along like a low-rider over cobblestones while neon synths float in the humid air.
Flip it for “Pájaro cantor”, a sound system destroyer that will lock the floor in an acid trance that feels both ancestral and futuristic in the same breath. This one’s featured on the FC26 soundtrack and will have you shimmying like Luis Díaz right before he bangs one into the top corner!
You know what to do!"
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At home in the steaming rainforest as much as the urban jungle of the Chapinero district of Bogotá, Colombia’s psychedelic groove pilots Ácido Pantera deliver a double-sided tropical weapon aimed straight at late-night sweatboxes, boat parties, and sun-soaked terraces.
"Te quiero, te amo” is a declaration of love at 132 bpm, bouncing along like a low-rider over cobblestones while neon synths float in the humid air.
Flip it for “Pájaro cantor”, a sound system destroyer that will lock the floor in an acid trance that feels both ancestral and futuristic in the same breath. This one’s featured on the FC26 soundtrack and will have you shimmying like Luis Díaz right before he bangs one into the top corner!
You know what to do!"
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1
B.L. Underwood - Taltex
2
B.L. Underwood - Space Ace
3
B.L. Underwood - Mobius
4
B.L. Underwood - Somnambulist
5
B.L. Underwood - Plastique
6
B.L. Underwood - Paraglide
As often, it started with discovering a CD, leading to the depths of the Internet Archive. I still remember the excitement of going through B.L. Underwood's recordings for the first time and realising how unique his approach to electronic music was, every track had something powerful yet moving within it, as he could play around with genres and tempos yet carrying a very distinctive touch. After a short detective work to get in touch with the artist, and quite some time curating the content of this compilation (the hardest part by far), System Of Objects is proudly presenting the remastered version of 6 of his tracks that showcast B.L. Underwood talent and uniqueness.
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1
Rod Modell - Pt. 1
2
Rod Modell - Pt. 2
Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet...
Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden by clouds of steam in constant motion... A fantastic journey, almost “suspended” in a void, crossing immaterial, confused and evanescent landscapes.
TRACKLIST
A) PART. 1 (19.33)
B) PART. 2 (21.58)
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Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden by clouds of steam in constant motion... A fantastic journey, almost “suspended” in a void, crossing immaterial, confused and evanescent landscapes.
TRACKLIST
A) PART. 1 (19.33)
B) PART. 2 (21.58)
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1
Rod Modell - Pt. 1
2
Rod Modell - Pt. 2
Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacular, enveloping and surprising sound quality, in which every nuance and every small detail makes the listening experience even more intense and engaging. A new exciting masterpiece by Maestro Rod Modell.
A1) PART. 1 (20.24)
B1) PART. 2 (20.06)
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A1) PART. 1 (20.24)
B1) PART. 2 (20.06)
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1
Gloria Scott - (A Case Of) Too Much Lovemakin'
2
Gloria Scott - What Am I Gonna Do
Gloria Scott’s ‘What Am I Gonna Do’ is considered by many as one of the greatest soul records of all time. A masterpiece produced by Barry White, that oozes class, lush instrumentation and the remarkable vocal talent and emotive delivery of Ms Scott.
Selector Series are proud to present arguably the two best songs from the album, the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’ backed here with the impeccable LP opener ‘What Am I Gonna Do’. Paired together officially for the first time on a 7” since it’s initial limited release in 1975.
Another essential addition to the ever-growing Selector Series discography! Don’t sleep.
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Selector Series are proud to present arguably the two best songs from the album, the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’ backed here with the impeccable LP opener ‘What Am I Gonna Do’. Paired together officially for the first time on a 7” since it’s initial limited release in 1975.
Another essential addition to the ever-growing Selector Series discography! Don’t sleep.
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1
The R.A.S.E. - Get On Up (Groove Disco Mix)
2
The R.A.S.E. - Get On Up (Boomin System Mix)
3
The R.A.S.E. - Say It Loud
4
The R.A.S.E. - The Luv Of U (Feat. Tina V)
After recent Ron Allen reissues on Emotions Electric and our own Classic Cuts imprint, it's time to revamp the mothership itself: Strobe Records. First one up in this new campaign is R.A.S.E.'s The Ron Allen Sound Experience EP -- a four-tracker, originally out in 1991, that captures what is timeless about Allen's signature sound: warm basslines, soulful vocals, and that Toronto swing. The A-side serves up two uplifting mixes of Get On Up, while the B-side goes deeper, yet keeping the soul fully intact. A perfect reintroduction to one of Canada's prime house architects.
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1
Charles Webster & Thabo Tonick - Flame
2
Charles Webster & Atmos Blaq - Free
3
Charles Webster, Sive Msolo & Sakhe... - Qiniseka
4
Charles Webster & Daev Martian - Up The Hill
5
Charles Webster & Daev Martian - From The Hill
6
Charles Webster & EMAMKAY ft Bokang... - Rain
7
Charles Webster, Daev Martian & Sio - Film Me
8
Charles Webster & Bokani Dyer - The Artist
9
Charles Webster & Muzi - Bakulindele
10
Charles Webster, El Payo & Girly - A Journey
11
Charles Webster & WAPO Jije - Part Two
12
Charles Webster, China Charmeleon &Girly - Many Blessings
13
Charles Webster & Fka Mash - Soweto Sunrise
Stay True Sounds supremo Allan Nicoll, aka Kid Fonque, and legendary UK producer Charles Webster have brought together the cream of the South African deep house scene for a unique album. The record was recorded at Flame Studios, a facility built inside a prison at Constitution Hill in South Africa, which is very significant to South Africans, because that's where the Constitution was written. “It's a remarkable institution,” says Charles. “Mandela was in there; you can really feel the history. You're working in a prison cell from a brutal regime. It's an important place. So, I didn't want the album to be too light, because you can't escape from politics anywhere, but especially somewhere like here - and you shouldn't.”
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1
Sound Synthesis - Somnautica
2
Sound Synthesis - What Is Reality?
3
Sound Synthesis - Unwanted Experience
4
Sound Synthesis - Aligned Hypotesis
4th installment of Sound Synthesis techno approach is on the way! His Submersive Underground label has recently been gaining strong support amongst the techno community, and will without any doubt grow even stronger with this release. What Is Reality EP features 4 perfectly executed and driving atmospheric bangers.
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1
Sciahri - Just 30 Seconds
2
Sciahri - Groundbound
3
Sciahri - 2014
4
Sciahri - Silent Embers
5
Sciahri - Anime
6
Sciahri - Essenza
7
Sciahri & Temudo - Encontro
8
Sciahri - Offset
Tracklisting
A1 Sciahri - Just 30 Seconds
A2 Sciahri - Groundbound
B1 Sciahri - 2014
B2 Sciahri - Silent Embers
C1 Sciahri - Anime
C2 Sciahri - Essenza
D1 Sciahri & Temudo - Encontro
D2 Sciahri - Offset
Sales Note
Sublunar is proud to present Pareidolia IV, the fourth chapter of the saga written by its founder Sciahri.
With this new LP, the journey continues and reaches its most complete sonic expression to date a statement of evolution, depth and identity, featuring a special collaboration with Temudo.
The record opens with "Just 30 Seconds", driven by powerful low-end foundations balanced by warm, enveloping textures that immediately pull the listener in. "Groundbound" follows, deep and immersive, built around a memorable synth and arrangement designed to linger in the mind.
The voyage continues with "2014", a melodic and transportive track that drifts effortlessly into "Silent Embers", where raw power and mysticism merge into a uniquely intense atmosphere.
The second half opens with "Anime", propelled by a massive rumble beneath a delicate groove and finely crafted stabs. "Essenza" dives into darker, hypnotic territory, defining its own distinct mood and tension.
The only collaboration on the LP, "Encontro", sees Sciahri and Temudo blending their respective visions into something truly memorable, where both styles converge naturally and with purpose.
The journey closes with "Offset", a reflective and emotional piece that encapsulates a sense of travel and quiet melancholy a final moment designed to resonate long after the record ends.
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A1 Sciahri - Just 30 Seconds
A2 Sciahri - Groundbound
B1 Sciahri - 2014
B2 Sciahri - Silent Embers
C1 Sciahri - Anime
C2 Sciahri - Essenza
D1 Sciahri & Temudo - Encontro
D2 Sciahri - Offset
Sales Note
Sublunar is proud to present Pareidolia IV, the fourth chapter of the saga written by its founder Sciahri.
With this new LP, the journey continues and reaches its most complete sonic expression to date a statement of evolution, depth and identity, featuring a special collaboration with Temudo.
The record opens with "Just 30 Seconds", driven by powerful low-end foundations balanced by warm, enveloping textures that immediately pull the listener in. "Groundbound" follows, deep and immersive, built around a memorable synth and arrangement designed to linger in the mind.
The voyage continues with "2014", a melodic and transportive track that drifts effortlessly into "Silent Embers", where raw power and mysticism merge into a uniquely intense atmosphere.
The second half opens with "Anime", propelled by a massive rumble beneath a delicate groove and finely crafted stabs. "Essenza" dives into darker, hypnotic territory, defining its own distinct mood and tension.
The only collaboration on the LP, "Encontro", sees Sciahri and Temudo blending their respective visions into something truly memorable, where both styles converge naturally and with purpose.
The journey closes with "Offset", a reflective and emotional piece that encapsulates a sense of travel and quiet melancholy a final moment designed to resonate long after the record ends.
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1
Black Uhuru - Leaving To Zion
2
Black Uhuru - General Pententiary
3
Black Uhuru - Guess Who is Coming for Dinner
4
Black Uhuru - Shine Eye
5
Black Uhuru - Abortion
6
Black Uhuru - Natural Reggae Beat
7
Black Uhuru - Plastic Smile
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1
Stefano Breda - Electric Fling Afro Dance Version (1986 Original Track)
2
Stefano Breda - Electric Fling Dance Version (1986 Original Track)
3
Stefano Breda - Electric Fling Afro Version (1986 Original Track)
4
Stefano Breda - Electric Fling Long Afro Version (Unreleased & Remastered Track)
Borrowing from the melody of Rah Band’s “Electric Fling”, Stefano Breda’s cover version completely re-invents the theme into what came to be a “Afro Cosmic” classic. Not your average Italo Disco sound, the downtempo chuggy beat quickly got picked up by pioneering jocks in the cosmic scene. With plenty of silence in between transients putting the spotlight on the multiple percussive elements employed by the skilful drum machine techniques of Breda along with trippy electric wind instrument sounds, resulting in an overall aesthetic of highly unforgettable mediterranean dreaminess, take a deep dive into Breda’s instrumental bliss. This release is remastered and further embellished with yet another previously unreleased mix of “Electric Fling” which was recently alchemized by the artist himself — the “Long Afro Version” which goes in the bonus beat realm with another study in his percussive generosities.
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Label:Transmigration
Cat-No:TM029
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Transmigration
Cat-No:TM029
Release-Date:04.02.2026
Genre:Electronic, Electronica
Configuration:2LP
1
Jane Fitz, David Fogarty - Talisman & Hudson - Warmth Re-Heated
2
Jane Fitz, David Fogarty - Conscious - Morpheus
3
Jane Fitz, David Fogarty - Treacle People - Rupununi Rhythm
4
Jane Fitz, David Fogarty - The Obsession Project - The Dream
5
Jane Fitz, David Fogarty - Interphaze - Aman
6
Jane Fitz, David Fogarty - So-Low - The Hourglass (Time Mix)
7
Jane Fitz, David Fogarty - Jay Trance - Ridiculous
8
Jane Fitz, David Fogarty - Connective Zone - Multiple Sensory Contact
9
Jane Fitz, David Fogarty - CXX - The Comfort of Strangers (Rhythm Doctor Mix)
10
Jane Fitz, David Fogarty - C. Hudd & P. Lazonby - The Colours (Mix 2)
Barking-born Jane Fitz, and Transmigration label founder David Fogarty, curate a collection of tracks from East London and Essex’s rich but largely overlooked constellation of independent record labels and distributors operating from London’s E16 to the edges of the Thames estuary during the 1990s.
Mysterious Vastness documents a hidden and largely detached scene that only forms into something coherent with hindsight. From a time when record labels could press and hand-distribute 1000 copies locally, the late 80s acid house and outdoor rave scenes were moving from the fields to the clubs of London and DJs such as Colin Dale, Colin Faver and Darren Emerson were dominating the airwaves and parties with a distinct mix of other-worldly techno, trance and out-there house music. Among the seemingly bland post-war housing estates and factories, a scattered handful of producers were experimenting with early versions of music production software to create an exotic, end-of-the-century soundtrack to the suburban-meets-industrial landscape.
The compilation features a selection of finds from East London’s second hand record or charity shops over a period of 15 years. Many of which have featured in Jane’s sets over the years, most notably the “Beyond The A13" Podcast for Furthur Electronix. A mix she described at the time as the soundtrack to an area of London “totally bereft of natural beauty, but to me, somehow always full of mystery and wonder.”
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Mysterious Vastness documents a hidden and largely detached scene that only forms into something coherent with hindsight. From a time when record labels could press and hand-distribute 1000 copies locally, the late 80s acid house and outdoor rave scenes were moving from the fields to the clubs of London and DJs such as Colin Dale, Colin Faver and Darren Emerson were dominating the airwaves and parties with a distinct mix of other-worldly techno, trance and out-there house music. Among the seemingly bland post-war housing estates and factories, a scattered handful of producers were experimenting with early versions of music production software to create an exotic, end-of-the-century soundtrack to the suburban-meets-industrial landscape.
The compilation features a selection of finds from East London’s second hand record or charity shops over a period of 15 years. Many of which have featured in Jane’s sets over the years, most notably the “Beyond The A13" Podcast for Furthur Electronix. A mix she described at the time as the soundtrack to an area of London “totally bereft of natural beauty, but to me, somehow always full of mystery and wonder.”
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1
Tommmy McGee - Now That I Have You (Orig Soundtrack '81 Version)
2
Tommmy McGee - Now That I Have You (Orig '86 Hip Kik Version)
3
Tommmy McGee - Stay With Me - Orig Soundtrack '81 Version
4
Tommmy McGee - Now That I Have You - Orig '86 Hip Kik Inst Version
Indispensable 1981 cosmic funk business from Tommy McGee, remastered and reissued with replica artwork that has been calling out for an official reissue due to its eye watering £250+ price tag. Now with limited edition Red Rose vinyl in a hi gloss lipstick-pink sleeve, just in time for Valentines day; for all you lovers out there.
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1
Jerome T - Back To Life
2
Jerome T - Reach
3
Jerome T - Waiting On Anything
4
Jerome T - Always There
TNYR 005 – HOUSE NATION stays true to the roots of the label. A sound that runs deep, hits raw, and radiates energy. This is house music: rhythms that move your body, music for your body, your mind and your soul.
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1
Nørbak - Sonho
2
Nørbak - Leveza
3
Nørbak - Chuva
4
Nørbak - Capa
Checking back into Token with his unmistakable sound, Nørbak's 'Chuva' delivers four relentless slices of modern techno. Stretching textures and grilling circuits, the EP presents itself as a statement expressing a high pressure dancefloor experience.
Signing off for this latest contribution to Token records, Nørbak's flare in the studio reasserts his position as one of techno's most anticipated creators of recent years.
Tracklist
A1. Nørbak - Sonho
A2. Nørbak - Leveza
B1. Nørbak - Chuva
B2. Nørbak - Capa
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Signing off for this latest contribution to Token records, Nørbak's flare in the studio reasserts his position as one of techno's most anticipated creators of recent years.
Tracklist
A1. Nørbak - Sonho
A2. Nørbak - Leveza
B1. Nørbak - Chuva
B2. Nørbak - Capa
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1
Serge Papo - Crystal Clear
2
Serge Papo - Zeva
THE PARTY is a celebration that has existed for nearly 10 years in Paris. A private event, off the radar of social media, THE PARTY is inspired by the New York Loft, and gathers between 150 and 400 people twice a year, under a church.
It was created by Serge Papo and his wife Maryvonne Beaune. Serge Papo organized the first rave parties in Paris in the early 1990s; he has been a DJ and party organizer for over 30 years.
On January 31, 2026, THE PARTY will celebrate its 10th anniversary, will invite the DJ of the New York Loft, Douglas Sherman, and will launch its label, THE PARTY RECORDS, along with a debut release — the double single Crystal Clear / Zeva — the result of a collaboration between Serge and Etibar Asadli, an exceptional jazz pianist from Azerbaijan who now lives in Paris.
TRACKLIST:
A. Crystal Clear
B. Zeva
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It was created by Serge Papo and his wife Maryvonne Beaune. Serge Papo organized the first rave parties in Paris in the early 1990s; he has been a DJ and party organizer for over 30 years.
On January 31, 2026, THE PARTY will celebrate its 10th anniversary, will invite the DJ of the New York Loft, Douglas Sherman, and will launch its label, THE PARTY RECORDS, along with a debut release — the double single Crystal Clear / Zeva — the result of a collaboration between Serge and Etibar Asadli, an exceptional jazz pianist from Azerbaijan who now lives in Paris.
TRACKLIST:
A. Crystal Clear
B. Zeva
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1
Jonny Liebeck Group - Sunset Islands
2
Jonny Liebeck Group - Sunrise Islands
Jonny Liebeck Group features Jonny Liebeck (keyboards/synths), Tom Mason (electric bass), Andrew McLean (drums), and Santiago Morales (congas). The A-side is a breezy jazz-funk tune full of Rhodes textures and a groovy rhythm, while the B-side is a reinterpretation of Piero Piccioni's "Isole del Tramonto" from the film "In Viaggio con Papà".
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1
Sweely - Shake Dat Thang
2
Sweely - Uno Dos Tres
3
Sweely - Le Son Dancefloor
4
Sweely - Hash'n Funk'n
The Sound of Limo arrives at its grand finale and 20th release. There's no one more fitting for the closing than Sweely, one of our generation's great house producers, with four proven nuggets taken from his inimitable live set, including the pièce de résistance, Shake Dat Thang. What happens next is anybody's guess!
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1
Ini Kamoze - Trouble You A Trouble Me
2
Ini Kamoze - World-A-Music
3
Ini Kamoze - Them Thing Deh
4
Ini Kamoze - General
5
Ini Kamoze - Wings With Me
6
Ini Kamoze - Hail Me Idrin
Repress!
A true hot stepper and one of the best of its kind, this 1984 masterpiece from Ini Kamoze is heavy, real and authentic. It was actually Jamaican born artist Cecil Campbell's debut album and features spacious, slow motion dubs that invite you deep within their cavernous drums. The chattery percussion, echoing hits and loose percussion all make a real mark. "World-A-Music" has a beat fans of Damien Marley will recognise, and "General" features some of Campbells more vulnerable vocal work. For fans old and new, this is a perfect roots album with a unique perspective.
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A true hot stepper and one of the best of its kind, this 1984 masterpiece from Ini Kamoze is heavy, real and authentic. It was actually Jamaican born artist Cecil Campbell's debut album and features spacious, slow motion dubs that invite you deep within their cavernous drums. The chattery percussion, echoing hits and loose percussion all make a real mark. "World-A-Music" has a beat fans of Damien Marley will recognise, and "General" features some of Campbells more vulnerable vocal work. For fans old and new, this is a perfect roots album with a unique perspective.
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1
Heavora - Absysion
2
Heavora - Jabbernaut
3
Heavora - Runout
4
Heavora - Sophia (Heavora remix)
Tracklisting
A1 Heavora - Absysion
A2 Heavora - Jabbernaut
B1 Heavora - Runout
B2 Jacidorex - Sophia (Heavora remix)
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A1 Heavora - Absysion
A2 Heavora - Jabbernaut
B1 Heavora - Runout
B2 Jacidorex - Sophia (Heavora remix)
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Label:Underground Resistance
Cat-No:UR-049
Release-Date:06.02.2026
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-049
Release-Date:06.02.2026
Genre:Detroit Techno
Configuration:12"
1
UR - Jaguar
2
UR - Ascesion
Repress!
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.
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1
Yamila - Embrasser Un Arbre
2
Yamila - Ascensión
3
Yamila - Sin Desarraigo
4
Yamila - Lo Animal
5
Yamila - Prado
6
Yamila - Luces Robóticas
7
Yamila - If You
8
Yamila - Diamonds
9
Yamila - Vida
Yamila presents her second album on Umor Rex, Noor. Following Visions, Yamila returns with a work that merges nature-experience listening with expansive musicality. Noor was born from her time in an ecologist community, where she sought refuge in stillness, learned from animals, and tried to forget the human. In this communion with nature, she discovered a new compositional approach: reducing acoustic noise to allow unheard voices to emerge, transforming music into a possibility for interspecies dialogue.
Since ancient times, sound has been used to care for herds, to call across distances, to communicate with the non-human. Noor reimagines that ancestral role in a contemporary language, where epic harmonies collide with delicate micro-tonalities, and where rhythm unfolds not only as pulse but as movement for the body, a natural extension of Yamila’s work with dance companies and choreographers.
Her voice is interwoven with electronics and the resonant strings of Echo Collective, creating sonic landscapes that radiate intensity and fragility. At times monumental, at others almost whispered, Noor oscillates between composition and spontaneity, structure and suspension.
The album unfurls as a dialogue between the organic and the artificial, where sound grows like a sprout breaking through hard soil. Yamila’s music here is not only to be heard, but to be inhabited: a choreography of air, vibration, and resonance. Noor is both shelter and revelation, a reminder that music can still be epic, luminous, and deeply human, while listening beyond the human.
All music and voices by Yamila Ríos. Recorded at Destelheide by Christophe Albertijn. Strings by Trio Echo Collective (Violin: Margaret Hermant, Viola: Neil Leiter), (Cello: Stijn Kuppens), (Arrangements: Pierre Slinckx). Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Photos by Assiah Alcázar. Design & layout by Daniel Castrejón.
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Since ancient times, sound has been used to care for herds, to call across distances, to communicate with the non-human. Noor reimagines that ancestral role in a contemporary language, where epic harmonies collide with delicate micro-tonalities, and where rhythm unfolds not only as pulse but as movement for the body, a natural extension of Yamila’s work with dance companies and choreographers.
Her voice is interwoven with electronics and the resonant strings of Echo Collective, creating sonic landscapes that radiate intensity and fragility. At times monumental, at others almost whispered, Noor oscillates between composition and spontaneity, structure and suspension.
The album unfurls as a dialogue between the organic and the artificial, where sound grows like a sprout breaking through hard soil. Yamila’s music here is not only to be heard, but to be inhabited: a choreography of air, vibration, and resonance. Noor is both shelter and revelation, a reminder that music can still be epic, luminous, and deeply human, while listening beyond the human.
All music and voices by Yamila Ríos. Recorded at Destelheide by Christophe Albertijn. Strings by Trio Echo Collective (Violin: Margaret Hermant, Viola: Neil Leiter), (Cello: Stijn Kuppens), (Arrangements: Pierre Slinckx). Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Photos by Assiah Alcázar. Design & layout by Daniel Castrejón.
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1
Sidney Charles - On My Mind
2
Sidney Charles - The Missing Link
3
Sidney Charles - Astral Express
4
Sidney Charles - Till The Early Mornin
Hamburg-born DJ/producer and Heavy House Society boss Sidney Charles steps into the Up The Stuss universe for the first time with the fourth release in the UTSOFF series. Arriving on 6th February, his deftly curated ‘On My Mind’ EP delivers five high-impact house cuts, each crafted with the depth, melody, and groove that have made him a favourite on the global scene. A long-time friend of label head Chris Stussy, Sidney brings a wealth of experience and dancefloor know-how to his UTSOFF debut. The title track, ‘On My Mind’, is a magnetic journey through skippy rhythms, silky melodies, and irresistible soulful vocal hooks - a track that builds and pulses with undeniable dancefloor buzz and appeal. From the cosmic propulsion of ‘Astral Express’ to the vibrant and glossy textures of ‘The Missing Link’, the EP traverses a spectrum of moods, keeping things dynamic yet always rooted in physical grooves. ‘Till The Early Mornin’ delivers a winding late-hours voyage guided by an immersive flow, while closer ‘Cardinal Virtue’ ties the package together with shimmering layers, weighty low-ends, and an abundance of dancefloor-ready energy. While this marks Sidney Charles’ first appearance on Up The Stuss, the connection runs deep. Having known Chris for years, the two have shared a musical dialogue built on mutual respect, late-night sessions, and a shared obsession with house music’s edge and ever-changing experimentation. The ‘On My Mind’ EP captures that understanding perfectly; a release that feels both intimately personal and engineered for maximum club impact, where the lines between friendship, inspiration, and sheer dancefloor bliss blur effortlessly.
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1
Boyd Schidt & Uväll - Bullet Train
2
Commissar Lag - Battle Rites
3
MMSS - Aion_01
4
Time Traveler - Stud
Tracklisting
A1 Boyd Schidt & Uväll - Bullet Train
A2 Commissar Lag - Battle Rites
B1 MMSS - Aion_01
B2 Time Traveler - Stud
Sales Note
The first chapter of a new series exploring identity, temporality and the many dialects of contemporary techno. Four tracks, four distinct approaches, yet bound by a shared pursuit of tension, texture and transcendence.
Chronicles Diary introduces its identity with WAYF VOL1, the first entry in a series asking when, not where, this music belongs. The answer comes in four club pieces that favour impact over ornament, tracing tension, texture and a sense of forward movement.
Boyd Schidt & Uvall's "Bullet Train" is tensile 4/4, serrated hats and a tunnelling bassline pulling the room into a tight zone. Commissar Lag's "Battle Rites" ups the pressure, all offline bass and percussive rhythm. MMSS pares things back on "Aion_01," a looping, hypnotic figure that blurs time without dropping energy. Time Traveller (UK) closes with "Stud," glitched and driving, a roughcast groove that breathes between the hits. Four perspectives, one intent: functional, underground Techno that works.
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A1 Boyd Schidt & Uväll - Bullet Train
A2 Commissar Lag - Battle Rites
B1 MMSS - Aion_01
B2 Time Traveler - Stud
Sales Note
The first chapter of a new series exploring identity, temporality and the many dialects of contemporary techno. Four tracks, four distinct approaches, yet bound by a shared pursuit of tension, texture and transcendence.
Chronicles Diary introduces its identity with WAYF VOL1, the first entry in a series asking when, not where, this music belongs. The answer comes in four club pieces that favour impact over ornament, tracing tension, texture and a sense of forward movement.
Boyd Schidt & Uvall's "Bullet Train" is tensile 4/4, serrated hats and a tunnelling bassline pulling the room into a tight zone. Commissar Lag's "Battle Rites" ups the pressure, all offline bass and percussive rhythm. MMSS pares things back on "Aion_01," a looping, hypnotic figure that blurs time without dropping energy. Time Traveller (UK) closes with "Stud," glitched and driving, a roughcast groove that breathes between the hits. Four perspectives, one intent: functional, underground Techno that works.
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Pianist Bas Bulteel has been actively exploring the boundaries of solo piano work for several years now. This resulted, among other things, in his first solo album Eye Of The Storm, which was released in 2024 on W.E.R.F. Records.
In the compositions for that album, he drew inspiration on the one hand from the minimalist school and on the other from contemporary avant-garde pianists. However, his hunger for experimentation was not satisfied after just one solo album. In the months following the release, Bas recorded an extensive collection of free improvisations, driven by the freedom of the moment and his intuition.
A selection of these has been brought together in this digital album release, aptly titled Improvised Textures.
Tracklist
1. Bas Bulteel - Goss
2. Bas Bulteel - On the way to Twelve
3. Bas Bulteel - Playground in motion
4. Bas Bulteel - Doglife
5. Bas Bulteel - Vienna Emperor
6. Bas Bulteel - Organic M
7. Bas Bulteel - Euruzze
8. Bas Bulteel - Foemp
9. Bas Bulteel - Temporal Density
10. Bas Bulteel - Whist
11. Bas Bulteel - Blaruth
12. Bas Bulteel - Wasdaman
13. Bas Bulteel - Open Call
14. Bas Bulteel - Bjost
15. Bas Bulteel - Piètons vers la plaine
16. Bas Bulteel - Grey Sky
17. Bas Bulteel - La petite crevette
18. Bas Bulteel - Sunlit
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In the compositions for that album, he drew inspiration on the one hand from the minimalist school and on the other from contemporary avant-garde pianists. However, his hunger for experimentation was not satisfied after just one solo album. In the months following the release, Bas recorded an extensive collection of free improvisations, driven by the freedom of the moment and his intuition.
A selection of these has been brought together in this digital album release, aptly titled Improvised Textures.
Tracklist
1. Bas Bulteel - Goss
2. Bas Bulteel - On the way to Twelve
3. Bas Bulteel - Playground in motion
4. Bas Bulteel - Doglife
5. Bas Bulteel - Vienna Emperor
6. Bas Bulteel - Organic M
7. Bas Bulteel - Euruzze
8. Bas Bulteel - Foemp
9. Bas Bulteel - Temporal Density
10. Bas Bulteel - Whist
11. Bas Bulteel - Blaruth
12. Bas Bulteel - Wasdaman
13. Bas Bulteel - Open Call
14. Bas Bulteel - Bjost
15. Bas Bulteel - Piètons vers la plaine
16. Bas Bulteel - Grey Sky
17. Bas Bulteel - La petite crevette
18. Bas Bulteel - Sunlit
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1
Acidulant - Systematically Connected
2
Acidulant - T-Zerohour
3
Acidulant - Salvation Of The Acid Kingdom
4
Acidulant - Dance For The Thriving Soul
5
Acidulant - Intimate Exposure
Strong acidic electro mayhem!
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1
Chazbo - Jah Powers
2
Chazbo - Jah Dub
3
J.Robinson WhoDemSound - Tears
4
J.Robinson WhoDemSound - Tears Dub
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1
Tom Esselle - Livewire
2
Tom Esselle - Don't Have To
3
Tom Esselle - Small Talk
4
Tom Esselle - Spaced Out
WOLF proudly welcomes the return of Tom Esselle to the label. Fresh from his latest release on Rhythm Section, Tom follows up his 2022 Praise Bes EP on WOLF with a new four-track collection of deep, dancefloor-ready cuts.
Opening track Livewire sets the tone immediately, pulling you in with a heads-down, UK garage influenced groove. A-side follow-up Don’t Have To is a strong contender for standout moment, pairing luscious keys with a sweet vocal for peak-time soulful impact.
On the flip, Small Talk delivers a quirky vocal sample over an undeniable groove, before EP closer Spaced Out dives deeper, unfolding beautiful, emotive chords. Another standout release that oozes quality from a producer hitting their stride and firmly establishing himself as one to watch.
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Opening track Livewire sets the tone immediately, pulling you in with a heads-down, UK garage influenced groove. A-side follow-up Don’t Have To is a strong contender for standout moment, pairing luscious keys with a sweet vocal for peak-time soulful impact.
On the flip, Small Talk delivers a quirky vocal sample over an undeniable groove, before EP closer Spaced Out dives deeper, unfolding beautiful, emotive chords. Another standout release that oozes quality from a producer hitting their stride and firmly establishing himself as one to watch.
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