Ambient/Balearic/Kraut/Electro

12" GENRE/S: Deep House, Deep Techno TRACKLISTS: A1 Pablo Bolivar - Tali A2 Yarosslav - Boundaries (Iron Curtis no boundaries mix) A3 Krissky - Candelaria B1 In2Deep - Vine of the soul (Powel Remix) B2 Anton Lanski - Never knew her B3 Agatha Pher - Light shadow SHORT INFO: It is incredible, but yes, Seven Villas turns 10yo today! In April 2014 Pablo started this exciting music adventure, since then we have been delivering our best quality, music, photos and Dj mixes, introducing new talented artists and collaborating with well known creators. Now its time to celebrate, during this year we will release three compilations with our favourite tracks from the catalogue, and three vinyl EP with the best songs that has never been released in wax. Thanks for supporting our work during this wonderful journey, we'll continue delivering our best!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

2024 RP Edition Tracklist A ACID LOVE B ACID LOVE DUB Shortinfo: ACID LOVE!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

12" Berlin’s Midnight In A Toyshop aka Mørbeck delivers the ‘Dreams For Sale’ EP this May on a white and red marbled 12’’, comprised of four dreamy, lo-fi leaning House cuts. Track List: 1. 100’s & 1000’s 2. 90’s Memento 3. Dreams For Sale 4. Every Night Since 2011, the Berlin born and raised producer and DJ Mørbeck has been delivering numerous acclaimed Techno releases via Vault Series and his own Code Is Law imprint as well as making his mark on the global club scene as a DJ. Fast forward to 2023 and we see Mørbeck inaugurate his house guise, Midnight In A Toyshop, aimed to showcase his passion for House productions in a lighter shade, whilst still retaining his signature rawness. Setting the tone to open the EP is ‘100’s & 1000’s’, laying down warbling pad sequences and crunchy saturated drums in combination with a bouncy bass line and hypnotic vocal hooks throughout. The aptly titled ‘90’s Memento’ follows, encapsulating a classic House sound with bright, mesmeric chords, rumbling subs, processed vocal lines and a bumpy drum machine workout. On the flip-side title-track ‘Dreams For Sale’ shifts focus to Trance tinged staccato melodies, cinematic atmospherics, acid licks and a heavily swung rhythm before ‘Every Night’ rounds out the EP on a classic Deep House tip via ethereal pads, robust percussion, circling synth lines and a vacillating low-end drive.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Special remarks: The record buyers will find included in the vinyl packaging a poster inlay in 7inch sleeve size + sticker (10x12cm) Info: Apparel Wax's 7inches vinyl series continues with a release focused on new, exciting sounds. APLMINI003 is composed, as usual, of two tracks, one per side. Side A kicks off with a nu-disco track, in which the solos of a wild sax and a loopy guitar riff takes the listener by the hand until the very last second. Side B, however, shows the more experimental part of APLWAX's soul, with a beat that seems nostalgic of the 90s/00s UK sounds, a broken beat and a decidedly more pressing rhythm, which recalls D&B influences, British-style Electronica. The possibility of combining tracks with different styles on the same record represents a sonic challenge, but APLWAX has always been accustomed to combining different musical currents, keeping the fresh and happy soul of its brand clear. Everything is represented by the new, elegant graphic design of APLWAXMINI, in which even the smallest details and small changes fill the record's release with anticipation. APLWAXMINI003 is coming. Tracklist A. MINI003A B. MINI003B

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient TRACKLIST: A1 Prologue A2 CineStill A3 Buena Vista Social Dub A4 Monika B1 Mirror B2 Eastman B3 Winter Light B4 Tiffen SHORT INFO: Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments. The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind. Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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GENRE/S: Experimental Folk TRACKLISTS: A1. Cotenius X - Intro A2. Cotenius X - Oceans in Flames A3. Cotenius X - Burunduk B1. Cotenius X - Plastic Bag (feat. Sergey Letov) B2. Cotenius X - Fukushima Tuna (feat. Sergey Letov) B3. Cotenius X - Melting Pot B4. Cotenius X - Udarnitsy SHORT INFO: Cotenius X is an exploratory improvisational project of the Ukrainian sound artist Daria Redkina and the Russian experimental vocalist Varya Pavlova aka Lisokot. Improvising together since 2017 they incorporate folk, electronic and musique concrète elements into their spontaneous compositions. “Plastic Bag” is a testament to collaboration - an archival reflection of the time the duo spent experimenting together. Their theatrical performances involve impersonation or adoption of different characters and are informed by social, political, historical, and site-specific narratives. The duo has been compared to The Residents and see themselves carrying the psychedelic absurdity of the US group forward by giving it a feminine twist.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

NO RETURNS! - Special remarks: 2x12" vinyl in full colour cover Genre: Techno, Detroit Techno, Deep Techno, Dub Techno - reissue of legendary Convextion classics - collectable full color cover-art by David A. Hardy Tracklist 2x12": A - Kuiper B - Miranda C - Ebulience D - Niche Short Info: Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit). Cover illustration by David A. Hardy. Mastered by Redshape.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP (WW-FR-USA-UK-AU) Tracklist: 1. War On The Mind / 2. Faraway / 3. The Start Of The End / 4. The Eternal / 5. Body Electric / 6. Mantra / 7. Sovereign For fans of: Spectrum / Recurring Era Spacemen 3, Loop, AR Kane, MBV, bdrmm, Cocteau Twins, Telescopes and early 90s Creation records. Following a series of meditative explorations in the form of the Singularity Zone series of releases, The Oscillation have returned with a new sense of vigour and purpose. Refreshed and re-energized, the result is The Start Of The End, an album that casts more light and shade than ever before to create a mood of hope and re-birth. At once warm and welcoming, The Start Of The End is an album quite unlike anything that The Oscillation have ever released before. Fuelled by optimism and taking stock of what’s good about life and what needs to be jettisoned, the record is a result of spiritual and physical re-charging and cleansing. Leaving the claustrophobic environs of the big city for a more bucolic backdrop, the change in location has left a profound mark on Demian Castellanos, the creative force behind The Oscillation. Where the exorcism of dark emotions of previous album Untold Futures left Castellanos wondering if he’d ever make music again, his new surroundings stirred something within him. “When I made my new home, I allowed myself time to do nothing for a while,” says Castellanos, “and I then started some new songs without worrying about them being on an album. I just wrote with the mindset to put out something positive.” He continues: “I did a lot of reflecting on the past and really wanted to change something in myself, but not knowing how and thinking that a lot of people must be feeling the same way.” Recalling the creation of The Start Of The End, Castellanos says, “Writing and recording in an environment where I had little contact with people, no hanging out or partying or even having conversations was very interesting.” The result is an album that’s recognisably the work of The Oscillation while pointing to a variety of new directions. Be it the celestial majesty of the title track, the melodic infusions that drive opening track ‘War On The Mind’ or the pulsing grooves underpinning ‘Faraway’ and ‘Body Electric’ or even hypnotic repetition at the heart of ‘Mantra’ and ‘The Eternal’, this music brimming with zeal and confidence. And to crown it all, closer ‘Sovereign’ is akin to communing with angels. The Start Of The End is a line in the sand and one that points to a better tomorrow.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP (WW-FR-USA-UK-AU) Tracklist: 1. War On The Mind / 2. Faraway / 3. The Start Of The End / 4. The Eternal / 5. Body Electric / 6. Mantra / 7. Sovereign For fans of: Spectrum / Recurring Era Spacemen 3, Loop, AR Kane, MBV, bdrmm, Cocteau Twins, Telescopes and early 90s Creation records. Following a series of meditative explorations in the form of the Singularity Zone series of releases, The Oscillation have returned with a new sense of vigour and purpose. Refreshed and re-energized, the result is The Start Of The End, an album that casts more light and shade than ever before to create a mood of hope and re-birth. At once warm and welcoming, The Start Of The End is an album quite unlike anything that The Oscillation have ever released before. Fuelled by optimism and taking stock of what’s good about life and what needs to be jettisoned, the record is a result of spiritual and physical re-charging and cleansing. Leaving the claustrophobic environs of the big city for a more bucolic backdrop, the change in location has left a profound mark on Demian Castellanos, the creative force behind The Oscillation. Where the exorcism of dark emotions of previous album Untold Futures left Castellanos wondering if he’d ever make music again, his new surroundings stirred something within him. “When I made my new home, I allowed myself time to do nothing for a while,” says Castellanos, “and I then started some new songs without worrying about them being on an album. I just wrote with the mindset to put out something positive.” He continues: “I did a lot of reflecting on the past and really wanted to change something in myself, but not knowing how and thinking that a lot of people must be feeling the same way.” Recalling the creation of The Start Of The End, Castellanos says, “Writing and recording in an environment where I had little contact with people, no hanging out or partying or even having conversations was very interesting.” The result is an album that’s recognisably the work of The Oscillation while pointing to a variety of new directions. Be it the celestial majesty of the title track, the melodic infusions that drive opening track ‘War On The Mind’ or the pulsing grooves underpinning ‘Faraway’ and ‘Body Electric’ or even hypnotic repetition at the heart of ‘Mantra’ and ‘The Eternal’, this music brimming with zeal and confidence. And to crown it all, closer ‘Sovereign’ is akin to communing with angels. The Start Of The End is a line in the sand and one that points to a better tomorrow.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

First vinyl reissue with extended inserts, 500 copies Truly unique Australian 80s dub/post-punk EP GENRE/S: Dub, Post-Punk, New Wave, Pop TRACKLIST: A1. Glad To Be Australian A2. Ship And Boats B1. Night Flight Over Palestine B2. Death By Numbers SHORT INFO: Super-rare, highly sought-after EP from 1983 Adelaide, Australia - a raw blend of post-punk and new-wave under a heavy blanket of dub and afro-pop experimentation from Toyland

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Rights: World excluding FR & UK Packaging: 1 x Crystal Clear Vinyl, Sleeve with UV gloss finish, black dust inner sleeve, marketing sticker TRACKLISTING A1 - Spooky Island A2 – Air A3 – Magik A4 – Frenzymess A5 – PAYBACK A6 – Strangers B1 – Dickstraction B2 - Whispers (So Loud) B3 – STARMANIAK B4 - Eye Candy B5 - Sad Lovers And Giants SHORT BIOG Introducing ‘‘Sad Lovers and Giants’’, a captivation debut album that delves into the personal journey of self-discovery and emotional exploration. Each song is a heartfelt expression of Crystal’s experiences, painted with raw honesty and authenticity. With a blend of genres and a focus on evoking emotions, this album showcases the duality, embracing both beauty and darkness.It’s a musical striptease, where she bares her soul, using her raw voice to convey the depth of her emotions. ‘‘Sad Lovers and Giants’’ transcends genres, aiming to touch hearts and connect with listeners on a universal level. It’s an intimate portrayal of the artist’s inner world, inviting you to join on a captivating journey of self-expression and personal growth.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Territories: Worldwide no restrictions Format: LP Format Notes: 2024 re-press, 180g vinyl Track List: A1 : Get It Up For Love (4:42) A2 : If You Should Fall (3:36) A3 : Each Time You Pray (3:39) A4 : When Love Hangs In The Balance (5:12) B1 : A Love Of Your Own (3:46) B2 : I’ve Got Your Number (3:15) B3 : On The Swingshift (3:03) B4 : Sing To Me (3:37) B5 : Valentine (I Was Wrong About You) (5:07) Release Notes: Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years. Be With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk. Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since. Pressed on audiophile 180g vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this limited reissue is one not to be missed.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Format: LP Format Notes: 2024 repress, 180g vinyl EAN: 4251648412519 Track List: A1 : Oh, Love A2 : Rollalong Songs A3 : Feel My Love B1 : Party On The Corner B2 : You Can Do It Release Notes: If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”. Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”. This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music. The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”. The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes. This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Territory: Worldwide no exceptions 2024 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks. Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic. Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”. The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential. Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock. “There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously. “I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music. Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals. Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer. TRACKLISTING A1 : Here I Am Baby (Come And Take Me) A2 : Everything I Own A3 : Green Grasshopper A4 : Play Me A5 : Children At Play B1 : Sweet Bitter Love B2 : Gypsy Man B3 : There’s No Me Without You B4 : The First Time Ever I Saw Your Face B5 : I Just Don’t Want To Be Lonely C1 : Mark My Word C2 : The First Cut Is The Deepest C3 : Melody Life C4 : Work And Slave C5 : Working To The Top (My Ambition) (Part 1) C6 : Don’t Let Me Down C7 : Band Of Gold D1 : Put A Little Love In Your Heart D2 : I See You, My Love D3 : It’s Too Late D4 : Baby If You Don’t Love Me D5 : Love Walked In D6 : When Will I See You Again D7 : Play Me (Part 2)

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Territories: Worldwide no restrictions Format Notes: 2024 repress, 140g double vinyl, original picture sleeve and insert Track List: 1 A1 : Rhythm-al-ism (Intro) (1:40) 2 A2 : We Still Party (5:13) 3 A3 : So Many Wayz (5:41) 4 A4 : Hand In Hand (4:18) 5 B1 : Down, Down, Down (4:43) 6 B2 : You’z a Ganxta (4:22) 7 B3 : I Useta Know Her (3:50) 8 B4 : No Doubt (4:12) 9 C1 : Speed (3:21) 10 C2 : Whateva U Do (7:47) 11 C3 : Thinkin’ Bout U (4:05) 12 C4 : EL’s Interlude (4:05) 13 D1 : Medley For A “V” (The P***y Medley) (6:27) 14 D2 : Bombudd II (2:59) 15 D3 : Get 2Getha Again (4:41) 16 D4 : Reprise (Medley For A “V”) (2:39) Release Notes: DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue. A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues. Released in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe. The album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps. Then we get to the three huge singles. The R&B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side. “Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional. The exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning. This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match. As that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Territories: Worldwide no restrictions Format Notes: 2024 repress, 140g vinyl, includes “Pure Thought” bonus track from the original CD version, original picture sleeve and printed inner sleeves based on the original one. Track List: A* : Blood (1:08) A1 : Bullies Of The Block (4:55) A2 : Everything’s Everything (3:47) A3 : Shammy’s (4:16) A** : Heat Mizer (1:08) B1 : Six Tray (4:39) B2 : Danger (3:58) B3 : Inner City Boundaries (4:39) B* : Bomb Zombies (1:06) C1 : Cornbread (4:21) C2 : Way Cool (4:22) C3 : Hot Potato (4:30) C4 : Mary (3:45) C5 : Park Bench People (4:59) D1 : Heavyweights (6:11) D* : Tolerate (1:01) D2 : Respect Due (3:53) D3 : Pure Thought (3:14) Release Notes (Short Version): Innercity Griots, the second album from Freestyle Fellowship, is perhaps *the* essential West Coast left-field rap album of the early ’90s. Released in 1993 on 4th & Broadway, it’s a towering, progressive hip-hop masterpiece that expanded rap’s boundaries through lyrical elevation and production innovation. Their talent was ahead of everybody else by light years. This is pure b-boy jazz. The original single vinyl LP is now hideously scarce, and of course the sound suffers from not being officially released as a double. This Be With re-issue fixes both problems, and for completeness also includes “Pure Thought” from the CD version of the album. This incredible display of imaginative hip-hop sounds better than ever. Freestyle Fellowship were some of the earliest technically dazzling rappers to come out of California. Mikah 9, P.E.A.C.E., Aceyalone and Self Jupiter - along with DJ Kiilu - forged their famed lyrical dexterity in the ultra-competitive crucible of the Good Life Cafe. Founded in Leimert Park, South Central LA in December 1989, this earthy health-food store and cafe was where the city’s finest microphone fiends would gather to showcase their freestyle skills at the Thursday night open-mic. Innercity Griots has been described as the Rosetta Stone for rap styles. The group’s dense, vibrant wordplay and enviable interplay quickly earned the attention and respect of the city’s hip-hop underground. Frenetically trading acrobatic rhymes with agility and grace, the Fellowship used their voices as instruments like true virtuosos, spraying improvised raps like a Coltrane sax solo. With the bulk of the album’s production handled by The Earthquake Brothers, and Bambawar, Daddy-O, and Edman taking over for some of the tracks, Innercity Griots dances between organic and programmed music, largely forgoing sampling and instead built around live jazz jams. The likes of Freddie Hubbard’s “Red Clay” and Miles Davis’s “Black Comedy” were used more as templates for house band The Underground Railroad Band to spiral out from. As Pitchfork noted in their recent 9.0 review of this classic album, “Freestyle Fellowship embodied the style and spirit of jazz on a molecular level. They shared the effortless cool and tough countenance of the great bebop players from the ’50s without verging into jazz-rap parody. Their innate jazziness felt tangible and hard-earned”. The unusual approach to the music was matched by the Fellowship’s lyrics. Eschewing the tired rap tropes of the time, this multifaceted album instead explores their ruminations on greed and homelessness, weed, sex, survival, insecurity and tribalism. Remastered by Simon Francis for double vinyl and cut by Pete Norman, we hope this long-overdue re-issue of Innercity Griots satisfies the legions of fans that have since been bewitched by the majesty of this record. It should also introduce some new listeners to yet another overlooked classic.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Format Notes: 2024 first time vinyl reissue, remastered audio with original artwork, 140g vinyl Track List: A1 Honey Pot A2 Mess Around A3 Calypsoul A4 Long Gone A5 Sweetlips A6 Girl B1 Love Ya' Baby B2 Sunday-Goin' To Meetin' Time B3 Snap Back B4 Harlem Hendoo B5 Ludwig Release Notes: Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"! Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000. However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for. A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills! Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn". The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection. The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Format Notes: 2024 first time vinyl release, 140g double vinyl, remastered audio with restored artwork Track List: A1 Mr. Righteous (Intro) 0:35 A2 You Need Knowledge 3:45 A3 88 Soul 3:12 A4 Black Shakespeare 3:02 B1 For My People...It's Spiritual 2:55 B2 Lonely At The Top 3:56 B3 Just Listen 4:05 B4 California Dreamin' 4:33 C1 Purity 3:59 C2 Kunta Kente 4:20 C3 1993 Shit 3:49 D1 We Got Plots 3:38 D2 Do Win-Dis 4:11 D3 Hope She Remembers Me 3:15 Release Notes: Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world. Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen. Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley. With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr. Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow! Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational. Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!" This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

GENRE: Techno TRACKLIST: Border One – Organoid (Original Mix) Border One – Spheroid (Original Mix) BLANKA – Close (Original Mix) BLANKA – I Need You (Original Mix) SHORT INFO: The fourth release on the BINÄR-Label is a split between Border One and BLANKA. The EP starts with a peak time sound, continues with dreamy bleeps and ends with two deep and hypnotizing tunes. The tracks are mastered by Nihad Tule.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

GENRE/S: Techno/Tech House TRACKLISTS: A1: André Galluzzi & Daniel Stefanik - Passages A2: André Galluzzi & Daniel Stefanik - Don't Panic B1: André Galluzzi & Daniel Stefanik - Out Of The Past (Pan-Pot Remix) B2: André Galluzzi & Daniel Stefanik - Out Of The Past (Original) SHORT INFO: For the next installment on Break New Soil, we are very excited to welcome two artists, who might be new additions to our label, but who are surely not new faces to the world of electronic music: André Galluzzi and Daniel Stefanik have both cemented their status as true musical innovators with a strong sense for details and sonic quality in their productions. The three original tracks showcase their signature sound, trippy on one hand but with both feet firmly on the dance floor! For the remix, we are happy to welcome our good friends Thomas and Tassilo, better known as the infamous Pan-Pot, who delivered one belter of a remix that sounds classic yet modern at the same time! This is a release you don't want to miss for sure!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Special remarks: VINYL ONLY//180G VINYL//PRINTED KRAFTPACK SLEEVE Tracklist 12": A1 Dachshund – Keep On A2 Sascha Dive & Pornbugs - Digital Dusk B1 Markus Homm, Brad Brunner, AG Swifty - Take out B2 Alex Ranerro - Gotiva German label Bondage Music delivers the tenth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Dachshund, Sascha Dive, Pornbugs, Markus Homm and Alex Ranerro.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Genre: Alternative, Electronic, Piano Solo Tracklist CD: 01. Unless - 02. Piccolo - 03. Sway - 04. Almost There (Piano Version) - 05. Ventas Rumba - 06. Pianovado - 07. La ligne (Modular Version) - 08. Opus 53 - 09. Eclair - 10. Flat Feet - 11. La valse des singes - 12. Louanges - 13. Fly Finger - 14. Ferveur Short Info: With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized. The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia. A new piano: the Una Corda Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames. The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Genre: Alternative, Electronic, Piano Solo Tracklist LP: A1. Unless - A2. Piccolo - A3. Sway - A4. Almost There (Piano Version) - A5. Ventas Rumba - A6. Pianovado - A7. La ligne (Modular Version) - B1. Opus 53 - B2. Eclair - B3. Flat Feet - B4. La valse des singes - B5. Louanges - B6. Fly Finger - B7. Ferveur Short Info: With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized. The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia. A new piano: the Una Corda Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames. The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Tracklist: (1) Riccardo De Polo – Ascension (DE-Q20-24-00011) (2) Riccardo De Polo – Wahnstimmung (DE-Q20-24-00012) (3) Riccardo De Polo – Inception (DE-Q20-24-00013) The epochal energy of "Ascension" captivated us from the very first moment, making it an ideal intro track. With its cinematic soundtrack reminiscent of "Vangelis", Italian producer Riccardo De Polo has crafted a sublimely ethereal experience that transports listeners into the vast expanse of space. As stars and planets drift by, the music beckons us to explore further, to surrender ourselves to the moment. The low strings serve as a booster until the rocket engine roars to life and the spaceship disappears into another galaxy. Subsequently the polyrhythmic sequence of "Wahnstimmung" spirals abstractly far below the cerebral cortex. The driving bass drum, paired with shakers and percussion, propels the composition forward at a steady pace. The tension intensifies, painting a picture of liquid metal pouring into a melting pot. Pure, stripped-down techno as we know it from its origins. "Inception" hypnotically takes you into a deep state of trance, engulfing you in a tribe's energy. It’s truly a classic Cocoon sound that has its very own place in Sven's sets. The vigor is palpable, the shimmering sequence will make the dust visibly glow above the open-air dance floors while the air begins to shimmer. Noisy snare drums heat the narrowed arrangement to the absolute boiling point. This is the energy we have been looking for!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Territories: WORLD MINUS US Tracklist: A1 / Métaraph - Ultimatum B1 / OCD - patriarchat violence B2 / dj genderfluid - convergence C1 / Akribisch Rapid - Opera UBHFX C2 / H369 & Trancemaster Krause - Gate to Heaven D1 / Tonni 3000 - The Hope D2 / Sabu! feat. $errano$chinken - bbballet Key Selling Points It was just a matter of time till these two pearls of the Berlin club scene came together for the ultimate master combo: SACHSENTRANCE x DURCH. The result stands for the core values of both collectives itself: pressed into a double vinyl with tracks of Metaraph, OCD, dj genderfluid, H369 & Trancemaster Krause, Tonni3000, Sabu! ft. $errano $chinken and Akribisch Rapid, this collaboration embodies a harmonious blend pushing the ideals of inclusivity, diversity and a liberated mindset, celebrating the beauty of different perspectives expressed through music and paving the way for a culture founded on openness and freedom of existence.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Listen: https://listen.empi.re/274157 About: Free Nationals are back with "Gangsta," their first single since 2020. The GRAMMY Nominated group enlists longtime collaborator Anderson .Paak and A$AP Rocky for the smooth yet ominous track, infused with the funky retro-soul sound that brought the four-piece to prominence. With an accompanying video by renowned director Francois Rousselet, who has worked with The Rolling Stones, Jack White, and Pharrell in the past, Free Nationals give fans a taste of what's to come and reintroduce themselves as the leaders of the funk. Key Marketing/Selling: Free Nationals are a GRAMMY Nominated group First single released since 2020 Features on the track include longtime collaborator Anderson .Paak & A$AP Rocky 45 rpm 7" includes instrumental version of "Gangsta" & includes free 45 adapter "Gangsta" music video had over 2M views in the first week of release Free Nationals are most notably the live band that performs with Anderson .Paak, & will be performing with him at New Orleans Jazz Fest 2024 The single release was covered by all major outlets - NME, UPROXX, Hypebeast, COS, FADER, RapRadar Free Nationals have over 6M monthly listeners on Spotify alone Their debut album, Free Nationals, is an evergreen physical title at retail Tracklist: A1/1. Gangsta (feat. A$AP Rocky & Anderson .Paak) B1/2. Gangsta (Instrumental) Socials: Twitter: 16.5k followers IG: 171k followers FB: 35k followers YT: 103k subs / 57.7M views

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop." Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat." Key Selling: First time pressed on Vinyl since 2001 First time pressed on CD in the US since 2001 Aaliyah debuted at number two and peaked at number one on the Billboard 200 Cited by critics as one of the best and influential R&B records from this era The album was certified 2x Platinum in the US, certified Platinum in the UK and Canada, & certified Gold in France, Australia, Germany & Japan The album has sold 13 million copies worldwide Aaliyah was nominated for Best R&B Album and the single, Rock The Boat, was nominated for Best Female R&B Vocal Performance at the 2001 GRAMMY Awards Key Marketing: Single/Video rereleases for "We Need A Resolution," "Rock The Boat," "More Than A Woman," & "I Care 4 U" Fully produced visualizers for each song using album packaging planned OOH activations planned worldwide - digital billboards, stenciling, wheatpasting, murals, etc Fan activation: Aaliyah Immersive Experience Virtual events on Clubhouse, Verzuz x Triller Virtual Official Dance Party planned with D-Nice Content planned with Genius Artist testimonials planned Radio: Mixshow/DJ Club Takeovers

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

2xLP Black Vinyl with White Splatter, Printed Inner Sleeves, Widespine Jacket About: Yung Bleu, also known as, Bleu Vandross, is a Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views early in his career with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with "You're Mines Still," a joint single featuring Drake, which debuted at #52. It's parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut studio album, Moon Boy. Featuring hit songs such as "Baddest (feat. Chris Brown & 2 Chainz)," "You're Mines Still (feat. Drake)," Beautiful Lies (feat. Kehlani)," & "Way More Close (Stuck In A Box) (feat. Big Sean)," the album also sees appearances from heavyweight artists such as H.E.R, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Pressed on Black vinyl with White Splatter. Key Marketing: Extensive outdoor campaign Extensive social media campaign Features include Drake, Chris Brown, 2 Chainz, Big Sean, John Legend, Kehlani, Davido, Moneybagg Yo, Kodak Black, H.E.R., Jeezy, Gunna, & A Boogie Wit Da Hoodie Multiple videos released - all of which have millions of views each Key Selling: Over 1 Billion streams-to-date Over 1.5 Billion views on YouTube Youre Mines Still (Feat. Drake) peaked at #1 at Urban & Rhythmic Radio Youre Mines Still (Feat. Drake) achieved 2x RIAA Platinum Certification Youre Mines Still (feat. Drake) peaked at #18 on Billboard Hot 100 You're Mines Still (feat. Drake) has 325M views on YT and over 224M streams on Spotify Baddest (feat. Chris Brown & 2 Chainz) has over 68M views The album had over 35k pre-adds before release 3x GRAMMY Nominated artist, writer, producer Tracklist: A1/1. Die Under The Moon (feat. John Legend) A2/2. Tired Of You (feat. H.E.R.) A3/3. Angels Never Cry (feat. Moneybagg Yo & Kodak Black) A4/4. Beautiful Lies (feat. Kehlani) B1/5. Contract Killers B2/6. Way More Close (Stuck In A Box) (feat. Big Sean) B3/7. Shoe Box (feat. Jeezy) B4/8. Last Summer C1/9. You're Mines Still (feat. Drake) C2/10. Water Works (feat. Gunna) C3/11. Baddest (feat. Chris Brown & 2 Chainz) C4/12. Unforgiving (feat. Davido) D1/13. Dark Clouds D2/14. Old Days D3/15. Ghetto Love Birds (feat. A Boogie Wit Da Hoodie)

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Made in M is known for his smooth lofi beats. This new release picks up where his other releases have left off. Cranking up the bpm a notch but keeping his signature organic grooves in his house debut LP. FLUX is jazzy lofi house at its best for those lofi beat graduates that haven’t forgotten their roots. Full LP dropping May 3rd on ear-sight and limited to 350 black vinyl. 1. River 5:58 2. Go Winter 4:31 3. Meeelt w/ Felipe Gordon 4:45 4. Turista Loco w/ digitalluc & xev 4:45 5. Take Six 5:25 6. Cacatuidae w/ DJ Krille 5:19 7. Cachalote 5:47 8. Yum Yum 4:25

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Genres: Rock / Folk / Psych 2LP Tracklist: 1. Sharkey - Someone Like Me 2. Lynne Ann Kingan - If You Love Me - Hate Me 3. James Thornbury - So Tan 4. Jim Huxley - Only A Song 5. Charlie Webster - Snodland 6. The Bob Hughes Band - You Broke My Heart 7. Goldrust - Going Yesterday 8. Jim Kennedy - You Are The Reason 9. Jon Betmead - Marie Elene 10. Charles Murphy - The Foot That's Holding Me Down 11. Remnant - I Will Set You Free 12. Fred Potts - Following Rainbows 13. The Superwomen - Lowlands 14. Robison Kaplan Ltd. - Don't Say Goodbye 15. Gary Ramey - You Are His 16. John Agostino - Loss of Love 17. Ritchie Tierney - Please Stop Breaking Me Down Short info: A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour. Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn. Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’. Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg. Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Genres: Rock / Folk / Psych Digipack CD Tracklist: 1. Sharkey - Someone Like Me 2. Lynne Ann Kingan - If You Love Me - Hate Me 3. James Thornbury - So Tan 4. Jim Huxley - Only A Song 5. Charlie Webster - Snodland 6. The Bob Hughes Band - You Broke My Heart 7. Goldrust - Going Yesterday 8. Jim Kennedy - You Are The Reason 9. Jon Betmead - Marie Elene 10. Charles Murphy - The Foot That's Holding Me Down 11. Remnant - I Will Set You Free 12. Fred Potts - Following Rainbows 13. The Superwomen - Lowlands 14. Robison Kaplan Ltd. - Don't Say Goodbye 15. Gary Ramey - You Are His 16. John Agostino - Loss of Love 17. Ritchie Tierney - Please Stop Breaking Me Down Short info: A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour. Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn. Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’. Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg. Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Tracklist: 1. Enchancity 2. Do You Bless It? 3. No Know 4. Elixa 5. Knuckledust 6. Esk 7. Umbrah 8. E v E Short info: Efficient Space welcomes Th Blisks to the fold with their mutant strain of melodica dub, torched hip hop breaks, post-punk and procession song. Th Blisks' members have many notches on their collective belt. Amelia Besseny and Altered States Tapes’ founder Cooper Bowman are prolific in their ritualistic ambient-pop duo Troth, while Yuta Matsumura holds a formidable Sydney punk band pedigree on top of his Low Company-backed solo work. A reward for those who took the time to dig it out, Th Blisks’ 2022 debut How So? was a DIY creation that fully embraced its outsider roots, revelling in opportunities for connection through pop flourishes. Feeling like it might have been a one-off, we proclaim their return with Elixa. With an unseen clarity of vision, Elixa conjures its meticulously fleshed out world. Those familiar pieces are all there - the mystery, the patience, a cheeky pop hook - however this time there's an intentionality to it all. A blurred dialogue stretching across Australia, it was largely recorded remotely with tracks bouncing between Bowman and Besseny in Muloobinba (Newcastle) and Nipaluna (Hobart), and Matsumura stationed in Warumpi (Papunya). Every element is carefully considered, stemming from their individual time spent as lifers in the local DIY scenes. Through these tracks you can feel that history; echoes of Castings and Vincent Over The Sink in ‘Do You Bless It?’, Bowman's distinctive submerged tape loops gurgling away under boom bap and *that* Sydney guitar tone in ‘Esk’. Elixa attempts to bottle some pinged-eye wonder at the magic surrounding, whether in the city or the bush. Informed by the old but drug into The New, it is a begrudgingly current Australien record that respectively nods at the UK’s sound history.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP GENRE/S: Indie Rock [Rock (Rock / Rockpop) TRACKLISTS: 1. Problem 2. Verhaftet 3. Paparazzi feat. SALÒ 4. Côte d'Azur 5. Dopamin 6. Durch die Nacht 7. Niemand 8. Fassade 9. Blaue Augen 10. Bevor du gehst SHORT INFO: EN: Chasing dopamine in free fall through a burning world. Looks that make you want to go swimming, even though you know you're going to drown. Where is my value? Who do I want to be? And who do I definitely not want to be? Mental health, body positivity, queerness, sexualized violence and self-determination: Elena Rud sings about these things, loud and wild. With a voice that sometimes seems on the verge of breaking and then hangs deep in the ear canal again. As raspy as after a handful of cigarettes. So distinctive that you will recognize them again and again from a big bunch of newcomer bands. Because the songs go through the marrow and bone. Under the skin or into the heart. Maybe left in and right out, but it's good in between. Because you feel that you're no longer quite so alone with yourself and this shitty world. DE: Mental Health, Body Positivity, Queerness, sexualisierte Gewalt und Selbstbestimmung: Elena Rud singt von diesen Dingen, laut und wild. Mit einer Stimme, die mal kurz vorm Wegbrechen scheint und dann wieder ganz tief im Gehörgang hängt. So kratzig wie nach einer Handvoll Selbstgedrehten. So markant, dass man sie aus einem großen Haufen Newcomer-Bands immer und immer wieder erkennen wird. Mittlerweile hat Elena ein Rudel aus vier Jungs dazu gewonnen. Ein Rudel, das seiner Frontfrau nicht nur den Rücken stärkt, sondern sich auch gegen die toxischen Ideale wehrt, an denen sie selbst gemessen werden - für mehr Schwäche, Unsicherheit und GlitzerMakeup statt Dominanz, Unterdrückung und Aggression. Auch in Sachen Sound. Die fünf Münchner:innen klingen ehrlich, tanzbar und wild. Nach Indie-Rock und Punk. Oder nach NDW - Deutschsprachiges Debütalbum - Support - Tränen - Support - Deine Cousine - Gemeinsam Weinen Tour 2024: 27.09.24 Regensburg - Alte Mälzerei 02.10.24 Berlin - Berghain Kantine 03.10.24 Hamburg - Hebebühne 04.10.24 Köln - Helios37 05.10.24 München – Milla

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Tracklist: A1. Alias A2. Kaleido B1. NTMYT B2. Yvette C1. Tagoma C2. Compass D1. Swarm D2. Down Info: The first LP is always a reason to celebrate, and also grounds for elated expectation (for more, of course): and now, respect is in order because here is the double premier. The first LP from Marek Hemmann, the multifaceted electro-tinkerer near side of the Saale River, and as well the first CD-Long player from the house of FAT! We know Marek Hemmann is solo as well as half of the congenial duo Hemmann & Kaden, who for years have been the pillars of the new house & techno scene, both as producer and live act. The complete releases are in the meantime around a dozen; the innumerable remix business for colleagues from Trentemøller to Monika Kruse can it be counted. After the most recent EP, the floor storming Gemini, it was clear that the time is now to get a load of the night fulfilling complete artwork. On to the in between. What Mr. Hemmann offers here on technoid material, despite the stacked title, is but a small universe. Not quite a snack, but rather right in the middle we find ourselves standing in an eclectic house-world, which in every corner offers a new discovery. From classic deep-droning dub epos over the ëfrizzed-upí house with Bossa shots and demanding horn action up to highly complex sample tone-art. Yes, it is a long trip through techno-land; one in which Marek takes us along, and one which it must be said, is quite wonderful. In the best way. With a round of wholly comprehensive melancholy, it comes over us like a sunrise through the broken club doors after a completely danced-through night. That happens often enough, but for the swinging beauty and manually-labored final touch, flashes forth Mr. Hemmann’s golden hands, bringing back the hypnotic bass lines. The humming monotony lives, as does the subconscious when it says to us: Stay! Move your ass! And look, what beauteous northern melodies there on the horizon. Then the sun arises. Blazing through those same - broken club doors... Thank you Mr. Hemmann!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

CD,16 page Booklet - Second album from Wolfgang Tillmans - Artwork designed and photographed by the artist 2. GENRE/S: Electronica Pop Leftfield 3. TRACKLISTS: CD 1. Where Does The Tune Hide? 2. Regratitude 3. Cab Ride 4. Primal (Intro) 5. We Are Not Going Back 6. Morning Light 7. ADA403 8. French Lesson 9. Grüne Linien feat. FRAGILE 10. Build From Here 11. Modernist Survival Unit 12. There’s More That Connects Us 13. Not Telling A Friend 14. Language 4. SHORT INFO: Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its prominence throughout, serving as the album's core.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP - BioVinyl - Gatefold - Printed Innersleeves - Second album from Wolfgang Tillmans - Cover and inner sleeve designed and photographed by the artist 2. GENRE/S: Electronica Pop Leftfield 3. TRACKLISTS: LP Side 1 1. Where Does The Tune Hide? 2. Regratitude 3. Cab Ride 4. Primal (Intro) 5. We Are Not Going Back 6. Morning Light 7. ADA403 8. French Lesson Side 2 1. Grüne Linien feat. FRAGILE 2. Build From Here 3. Modernist Survival Unit 4. There’s More That Connects Us 5. Not Telling A Friend 6. Language 4. SHORT INFO: Wolfgang Tillmans’ latest album, Build from Here, is driven by a desire to explore and to expose. It navigates joy and heartbreak amid ruin and rebuilding, embodying hopeful defiance in uncertain futures. The songs vary in style, from propulsive and catchy to contemplative, featuring lush instrumentals transitioning into danceable beats. Tillmans’ voice, whether growling and confrontational or tender and stripped down, maintains its prominence throughout, serving as the album's core.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

LP - Eight album after the success of "Cavalante", released in Hozulam - Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences GENRE/S: Ambient, Fourth World, New Age, Minimal TRACKLIST: Side A: Esperança Retrato Momento Claro Side B: Retiro Guerreiro Excerto Só Loser Sol Nascente Tempo Batalha Real SHORT INFO: "Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration. Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second. At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth. Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it". Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth. Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

12" GENRE/S: Techno, House TRACKLIST: A Roland Leesker - Respect B Roland Leesker - Respect (Robert Hood Remix) SHORT INFO: Roland Leesker has kept the legendary Get Physical label right at the forefront of the scene in his years at the helm. His music has been a small but vital part of that: he doesn't release often, but when he does it is timeless house music that always makes its mark. As well as a steady stream of singles, he also curated and mixed the crucial 20 x Get Physical compilation back in 2022. He has collaborated with greats of the scene like DJ Pierre, Roland Clark and Terrence Parker and will soon serve up his latest sonic statement with new full-length 'Searching For Peace' which will arrive in August following two more singles after this one. The brilliant 'Respect' is a spritely and serene deep techno journey. The shimmering chords echo early Detroit techno and the supple drums are packed with warmth and bounce. Together they make for a cut that subtly uplifts as it unfolds in an engaging fashion over seven fantastic minutes. Remixer Robert Hood is one of the foundational figures of techno. The Motor City innovator works under his own name and as Floorplan and has mastered the art of seductive loops, whether making stripped-back minimal or gospel-laced house. Here, he flips 'Respect' into a thumping and emotionally intense cut with faster drums than the original but just as much machine soul and a little extra texture in the percussion.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

2LP GENRE/S: Melodic House, Indie Dance TRACKLIST: A1 Helsloot - Mirrors A2 Helsloot - It's Alright (feat. Malou) A3 Helsloot - Midnight Fog A4 Helsloot - Outburst B1 Helsloot - One Step B2 Helsloot - Disco Maxi B3 Helsloot - Beautiful Losers (feat. Rangleklods) C1 Helsloot - Cycles C2 Helsloot - Hideaway (feat. Tinlicker) C3 Helsloot - Never Tried (feat. Beacon) D1 Helsloot - Lowlands D2 Helsloot - In Your Hands feat. Yorina D3 Helsloot - Take Care D4 Helsloot - Let's Pretend SHORT INFO: Helsloot announces debut album 'Never Tried' arriving on Get Physical this May. Thomas Helsloot's debut album comes on the heels of a run of great releases on Get Physical Music. He is a master of melody who has released on the likes of Domino, remixed Bob Moses and Fritz Kalkbrenner and secured huge streaming numbers such as 400m plays for his track 'Because You Move Me'. His freshman LP, 'Never Tried,' sees him distil everything to date into something profoundly personal and engaging. Says the artist, "My debut album is mainly about me, which was the hardest thing to do for a people pleaser. I tried digging as deep as I could and ignored every trend to explain it to every future me in its purest way. It's a translation of the excitement but also the insecurity you feel when trying something new." 'Mirrors' opens up in absorbing fashion with a signature deep house groove before 'It's Alright' feat. Malou sends shivers down the spine with its angelic vocal and icy beats. There is a rueful feel to the well-crafted pads that soar above the warm rhythms of 'Midnight Fog' and after the wispy cosmic synths and brooding bass weight of the fantastically serene 'Outburst' comes the masterful melancholic album single 'One Step' featuring Ninja Tune artist Jono McCleery. As the journey continues and Helsloot's evocative synths keep bringing seriously potent emotions, there are darker drums to 'Disco Maxi' and silky arpeggios that lift you to the heavens on 'Beautiful Losers' (feat. Rangleklods). Elsewhere, Helsloot collaborates with Tinlicker on the languid 'Hideaway' with a bittersweet bassline, whilst 'Lowlands' keeps your head amongst the stars with its celestial melodic glow and airy house drums. 'Let's Pretend' is the standout closer with its retro 80s synth sounds and snappy beats, sending you off with a sense of great resolve. Helsloot's 'Never Tried' releases on Get Physical Music on the 10th of May. The record will be supported by two release shows - one on May 9 at Melkweg, Amsterdam, and one on May 10 at Ritter Butzke, Berlin.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net