Tracklist:
A. Loverboy (Catz 'n Dogz Remix)
B. Loverboy (Acid Pauli Retouch)

An undisputed classic of the electronic music scene, Steve Bug's 'Loverboy' was released on the first Poker Flat release ever ' Double Action' back in 1999.
Over the years it has been reworked only by a few - but the list includes the likes of Josh Wink and Guido Schneider. Now, as part of the 20 years of Poker Flat celebration, more names are added to that remix list with two new superb remixes from Catz 'n Dogz and Acid Pauli.
Catz 'n Dogz are a Polish producer duo making big waves in recent years, and their version of 'Loverboy' brims with their unmistakable energy - chugging, hypnotic groove and tons of effects and melodic twists and turns. Berlin legend Acid Pauli approaches it from a different angle - stripping away elements until a deeply trippy skeletal house track remains.


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Double-LP + download code

Tracklist:
A1. Ludic Loops
A2. Hijacked Minds
A3. Yellow Snake
B1. Locked Away In My Head
B2. Electro Harmonix
B3. The Awakening
C1. The Clock Is Ticking
C2. A Conscious Machine
D1. Confidence Dub
D2. Raindance 101
D3. Upon Mountains

The electronic musician and Poker Flat founder's contemplative new studio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as "elegantly euphoric" by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve's headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. Steve's formative musical years were spent during Germany's techno and acid-house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound-merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day.
"My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn't have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date." says Steve Bug.

With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve's celebrated attention to detail and consummate originality. Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head.
This album more than perhaps any other in his career sees Steve experimenting with broken-beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally-rich cuts: burst of radiant optimism that juxtapose beautifully with the album's darker moments. Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.



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Special Remarks: clear marbled vinyl

Tracklist:

A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)


Short info:

Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.



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180 g Vinyl
Tracklist 12":
A1. Coconut Paradise B1. Thick As Mus B2. Pants On Fire
Info:
Not content with presiding over three outstanding labels - Dessous, Audiomatique and Poker Flat (now in its 16th year) - and dusting down his long-dormant Traffic Signs pseudonym for the brilliant "Cookie Jar", Steve Bug finds time in his schedule to spoil you with another stellar release. The title track "Coconut Paradise" is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. "Thick As Mud" lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. "Pants on Fire" is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes. Another formidable addition to an impressive discography.


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Barcode 4250382427247 Rel date 9.6.2014
First pressing comes as 180g Vinyl!
Tracklist A. Pelican Glide B1. Till It’s Gone feat. Delhia De France B2. Pelican Glide (youANDme Remix)
Info
Celebrating the 150th vinyl EP release, and as a prelude to 15 years of Poker Flat Recordings, Steve Bug returns to his own label to drop a sizzling three track EP of
powerful, seductive house music. Lead cut "Pelican Glide" exhibits his trademark driving grooves and highly effective off-kilter synths – the sort of track that turns dance floors and festivals upside down when dropped at the right moment. The deep kick hits hard while clever interplay between pads, melodic leads and percussion keep the tension finely tuned. Fellow Berliners youANDme yield a remix of "Pelican Glide", which transforms the track into something spacey and cinematic, before subtly reintroducing Steve Bug's killer synth line. Also gracing this release is "Till It's Gone"; built around a tough-as-nails house groove, and coupled with a breathy, alluring vocal from Delhia De France: the grand diva of the German electronic scene.


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27 January 2014 EAN 4250382423911
Tracklisting: A The Arpeggio B1 Thickest Bass B2 Smoking Parrot
Kicking off the new year Steve Bug style – Poker Flat Recordings sets course for another year of quality house music. The label boss himself presents us with the first transmission of 2014 - and the title succinctly nails what to expect. 'Simple, Thick & Raw' contains three tracks that are simultaneously gritty, tough and highly effective. 'The Arpeggio' contains Bug’s signature control of tension – an arpeggiated synth line bubbles along, hardly restrained, on top of a firing drum pattern, resulting in a groove wound tight and packed with suspense. 'Thickest Bass' is also fairly self explanatory pitched down vocal introduces what might just be the filthiest bottom end Bug has ever produced. The track has a raw, off-kilter quality that will see it destroy many clubs when dropped at the optimum moment. 'Smoking Parrot' completes the trio, a tough yet spacey burner that builds into a indisputable floor-rocker, complete with punchy claps, descending bass-line and Bug’s well honed dynamics.

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'EAN 4250382416272 Rel date 18th February 2013
Tracklist: A. No Adjustments feat. Foremost Poets (Steve Bug’s Re-adjustment) B1. No Adjustments feat. Foremost Poets (Alex Niggemann Remix) B2. No Adjustments feat. Foremost Poets (Arttu Remix)
Steve Bug returns with a brilliant set of killer reworks from his much-lauded 'Noir' album. 'No Adjustments' features the vocal talents of Foremost Poets, and remains one of the standout moments on the label boss’s enigmatic long player. Where 'Noir' explored the themes of light and shade, it was always clear that 'No Adjustments' was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by DJs. Steve Bug himself provides one growling, up-for-it rework – a chunky floor wrecking tool that epitomises the sentiment of the vocal – drop it in and stand well back. Long time Poker Flat collaborator Alex Niggemann is also drawn towards the edgy, menacing vibe, constructing a sick groove that builds via a dirty, swirling synth bass and clattering hi hats. Arttu, the Portuguese producer making waves with his recent releases via Royal Oak / Clone, also puts his stamp on 'No Adjustments'. Raw kicks, claps and hats fire this version along, the vocals cut up, treated and tweaked for maximum effect. The neurotic synths bubble away below the surface before breaking out spectacularly towards the track’s conclusion. A sure-fire ‘wtf?’ moment for ecstatic clubbers worldwide.


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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
CD Tracklist:
01. Tell Me Why
02. Poison Of Choice
03. Serve Your Mistress
04. No Adjustments feat. Foremost Poets
05. The Spiral Staircase
06. Moment Of Ease feat. Emilie Chick
07. Those Grooves
08. Somewhere In The Night
09. Farewell Friend
10. The Seventh Victim

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Originally it was planned that way, but in the end Steve found the concept too rigid.
"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "
The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."
‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-released single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.
‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has injected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a technical difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track.
Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre-scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'. The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.
Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose music always seemed so rich, was done with the help of others, I have always been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own. From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric album that throws a long and impressive shadow over most contemporary dance albums.
2x12” Tracklist:
A1. Those Grooves
A2. Moment Of Ease feat. Emilie Chick
B1. No Adjustments feat. Foremost Poets
B2. The Spiral Staircase
B3. Farewell Friend
C1. Serve Your Mistress (Extended Version)
C2. Tell Me Why (Extended Version)
D1. Somewhere In The Night
D2. Poison Of Choice
D3. The Seventh Victim

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Steve Bug drops a new outstanding 12” on his own highly prolific Poker Flat Recordings. 'Those Grooves' is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. 'Those Grooves', the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. Mid way through its 10 minutes, Bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. The flip side is no less dramatic – 'Tell Me Why' creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. A true peak-time burner with enough energy and tension to smash any floor.
Tracklist:
A: Those Grooves
B: Tell Me Why (Vinyl Version)

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2024 repress

Tracklist:
A Inessa 08.08
written & produced by Marek Hemmann
B Gemini 09:09
written & produced by Marek Hemmann

The Hemmann lasagna is ready! With a healthy dose of ground beef and sun-ripened tomatoes between the sauce and layers of pasta with a peppy salad.
Once again Marek has two tracks with which he arms the planet richly, but also where the cooking spoon just explodes in the kitchen. The writer has quite a steam building upÖbut this music is just so filling, that the stomach just knows that there was a hole there.
To prepare for this first album from the Hemmann kitchen, two long sides strike a tone with a powerful punch, breathless grooves with a long puff and an empire of sounds for the endorphin thrust within and without the headphones. This isnít a construction, but rather a composition.
Exquisitely vibrating grooves with a hopping deepness, percussive elements together with a melodic party radiating in a finely sensed positivity. Itís as if you could together with Inessa and Gemini mutate into a bouncing ball. When his tracks begin to spin, that which happens to the listeners is the stuff dreams are made of.

A Inessa
A track like the remembrance of an energetic dream. The typically exhilarating Marek tribalism (without the tribal) cares for the ëhousyí elegance and hearty thumps for an enriching regarding the musical vocabulary of techno. Music for ass and hips, likewise for knees and shoulders and not to forget the calves and lumbar regions which just pulsate relentlessly.

B Gemini
A balance of driven sounds called from the crowd, and that exactly with a concentration and cunning confronted which one doesnít so soon let go of. Fully packed and tidy kept brings Hemmann to the fore with this solsticeish enterprise. Emotionality in the laptop space and leaving the machines croaking and singing. With an impactful and gentle interior, cheerfulness is probing just in case!

Regards,
Oliver Goldt

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Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop!

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