House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl. From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013. The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production. ‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion. The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style. More

Tracklisting:
A1 EJECA - Take It
A2 EJECA - Away
A3 EJECA - Clunk
B1 EJECA - Mallusk
B2 EJECA - Static

Release Note:
Northern Irish Techno maestro EJECA is back with his fourth full-length EP on Shall Not Fade, following up on the sublime grooves of Free From. This time round, expect high-octane drama from the off; borrowing sounds from across the hardcore continuum EJECA shows off his skill for dance music production.

Take It EP's title track is a force of bouncing hardcore, harsh synths and firey vocals which begs to be played out in the early hours for a fever-pitch dancefloor, nonstop to the end. By comparison, "Away" is minimalist. Riding on a chunky bassline, the glittering melody rises slowly to create an effervescent soundscape with a driving beat.

The peaks and drops of "Clunk" are dizzying, a tight rave-influenced number closing the A-Side; B1 "Mallusk" builds the tension with elongated pads and rolling breaks. Take It closes out with "Static", an icy crescendo of cold vocal cuts and ghostly distortion holding the line between techno and noise. More

One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.

The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.

The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine. More

Off the back of his debut album as Trance Wax in November, Belfast producer Ejeca returns with his new project of mixtapes of all original material spanning across his musical influences. The first instalment of the mixtape series comes in the shape of 45 minutes of hi-nrg hardcore and rave. The first run of cassette tapes sold out over a weekend and this new edition includes on body printing and fluo pink cassette tape. Limited run of 100 tapes. More

The Belfast based DJ & producer, Garry McCartney, otherwise known as EJECA, has been steadily and consistently building his sound and profile over time, through a series of impressive releases for Aus Music, Unknown To The Unknown, W&O Street Tracks, BPitch Control and Last Night On Earth, amongst others. EJECA carves out an energetic slab of audacious party house on ‘Unloving’, resplendent with rolling beats and stabby chords, and topped off with dramatic strings and vocal chops. Elsewhere on the EP, EJECA unleashes some 303 bassline action and dark vocals on ‘Standard Acid House Track’, which thankfully rises well above anything standard! And on ‘Crystal Maze’, EJECA harks back to the darker dance energies that were a staple of the late 1980s UK acid house boom. Wrapping up the EP, ‘ISWHATIS’ gets ever so slightly twisted with an orbiting synth hook and weighty stabs over a spirited rhythm section. More

The debut release on Exploris has finally arrived from label head Ejeca. Having initially built a name with more vocal lead releases, 2014 has seen Ejeca move into slightly tougher territory and EXP001 drops 3 techno cuts that range from the off kilter to the more industrial in style. This first release makes its stamp and sets the tone for what is to follow from both Ejeca and Exploris, genre bending music that is hard to categorise, whilst always maintaining that dance floor effectiveness found in his earlier works. With support from major players ranging from underground stalwarts Steve Bug, Eats Everything, Catz N Dogz, Bicep, Dusky,Tim Sweeney and Mark Henning, to nationally recognised radio hosts such as Skream, B.Traits and Monki, this is a record that will have mass appeal. Having already received acclaim as techno record of the month in Mixmag and with press support across the board from the likes of DJ Mag and XLR8R, now is the time for this to find it’s way into the public domain. A bold opening statement from Exploris and an insight into what to expect from Ejeca and Exploris. More

After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.
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Jump’ kicks things off in style here, with it’s off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. Sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration. Stepping up next is ‘Purnsley’, taking things deeper with a cosseting, ethereal vibe, the Brit producer employs warm, heavily side-chained pads with dubbed-out vocal lines and shuffling drums, to create a sensual after-hours groove. Entering the B-Side we have ‘Home’, where Ejeca journeys on a retro-inspired tip, with classic Hammond organ sounds, NY garage style vocals and crunchy 909 drums. The cut blossoms in true house fashion introducing and retracting elements every thirty-two bars, resulting in simple yet undeniably effective structure sure to grab attention on dance floors. Finally to close the release, ‘Agent Of The Deep’, is turned in, and as the name would suggest, the record is soul-laden, emotive house, instilled with some smoky production techniques such as fluttering white noise, chorused strings and rolling toms, thrown into the depths of the background for good measure, resulting in a tasteful, classic meets contemporary workout.
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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM More

VINYL TRACKLISTING:
A1. Róisín Murphy - Incapable (The Reflex Revision)
A2. Daisybelle & Tasty Lopez - Starlight (Future Disco Ballroom Dub)
A3. Roosevelt - See You Again (Lazywax Remix)
B1. Saison - Rocinante
B2. Breakbot, Irfane & Yuksek - Taqa
B3. PPJ - Primavera
B4. Bondax - Don't Want It (feat. Tara McDonald)
C1. Boys Shorts - Suburban Love Affair (Brian Ring Remix)
C2. Italoconnection - All Over (Future Disco Edit)
C3. Elder Island - I Fold You (Kassian Remix)
C4. Digitalism - Offline
D1. Clive From Accounts - You Understand
D2. Storken - Think Happy Be Happy (Dorothys Fortress Remix)
D3. Gilligan Moss - Ultraparadiso
D4. Kosmo Kint & Kapote - Strangers

OVERVIEW: Welcome to the Mirrorball Motel - the shimmering nocturnal world of Future Disco from the NeedWant label. It's a 19-track exploration of the magical and escapist sounds of artists like Digitalism, Cinthie, Bondax, Reflex, Roosevelt and more. The Mirrorball Motel is a place that transports you to another place, a party you don't want to end and when it does, you'll feel it was all a dream. It’s where the magic happens, an evening without inhibitions, where you dance without thinking. Musically it's a mix of all forms of disco and house as represented here.

This bumper collection features five exclusive new tunes. Daisybelle & Tasty Lopez's 'Starlight' (Future Disco Ballroom Dub) has a classic disco feel from the two first ladies of the green. Italoconnection - 'All Over' (Future Disco Edit) brings an eighties vibe that reminds of Ibiza venue Pikes, whilst the mysterious Clive From Accounts 'You Understand' impresses with its soaring strings and house bassline. The final two exclusives are Charlie Hepworth's 'It's Satisfaction' with its full thrill house drums and acid flashes, and Boys Shorts's 'Suburban Love Affair' (Brian Ring Remix), which sounds like summer on the shores of Los Angeles in 1989.

Elsewhere is the simple but effective future disco of Bondax, a Brazilian via French disco cut from PPJ, and exciting and intricate grooves from the trio of Breakbot, Irfane & Yuksek. There is euphoric 90s house from Saison, challenging yet reassuring vocal work from the legendary Roisin Murphy as remixed to perfection by the wizard that is The Reflex and much more besides. More

House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl. From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013. The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production. ‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion. The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style. More

The infamous Kiwi returns to Needwant with his second EP on the London label (home to the likes of The Revenge, Ejeca, Maxxi Soundsystem and many more) On this cut Kiwi does what he does best by incorporating emotion and grit into dance music. The EP features 3 mixes of ‘Kiya’ as well as a remix from underground hero Brian Ring. The record has already seen support form the likes of Theo Kottis, AME, Tensnake, catz n dogz, Nick Warren & Fort Romeau to name a few. The record opens with the original version of ‘Kiya' which features warm bass tones, spaced out synth lines, shuffling percussion and a tribal-esq vocal. The Rave mix gives ‘Kiya’ dance floor authority, introducing driving acid synth lines and a weightier low end. On the B side Kiwi delivers a deconstructed ‘Dreamscape’ mix stripping ‘Kiya' back to it’s beautiful bare bones. ‘Kiya’ will be another addition to Kiwi’s already impressive physical discography which includes releases on imprints such as Disco Halal, Future Boogie & 17 Steps. His unique approach to remixing and producing over the years has meant that he has seen a wealth of support from names such as Andrew Weatherall, DJ Harvey, Gerd Janson, Daniel Avery, Erol Alkan, Optimo, Annie Mac and Skream. More

Needwant welcome Bristol born, Berlin based Geoff Wright aka Kemback (Omena/Futureboogie) to the label. By day, Kemback teaches music production classes to students in Berlin, with such a musical background behind him, his latest EP Moving Through Clouds is every bit exquisite as you’d think. Opening with the luscious ‘I Need You’, hi-hat, bongos and sumptuous strings are just some of the elements that blend together seamlessly, a touch of modern jazz-house. The experimental combinations continue on ‘Stepping Back’, a heavy breaks track coupled with harps and saxophones. Whilst the hazy pads of ‘Moving Through Clouds’ goes down a more atmospheric route. The EP includes remixes from Soulphiction and Kim Brown (Needwant). Over the past ten years the Needwant mantra has been to push the very best in new talent, hav-ing provided the platform for the likes of Kiwi, The Mekanism, Maxxi Soundsystem, The Revenge and many more. More

Needwant welcome Berlin duo Kim Brown back into the fold with the stellar ‘Pleasuredome Continuum’’. Comprised of two dynamic breakbeat cuts to sink into and some incredible remixes from Earth Boys (Let’s Play House) and Kemback (Omena/Futureboogie). ‘Helical Scan’ comes straight from the Berlin 5am scene with raw breakbeat production and huge hitting pads and rolling synths. Whilst the uniquely titled ‘Ceramic Unicorns’ is anything but fluffy and cuddly. The pulsating hi-hat, lofi percussion and cosmic chords take you to another level. Kim Brown is Ji-Hun Kim & Julian Braun, local heroes on the Berlin club scene and rising producers with previous releases on Just Another Beat, Retreat, Rivulet, Rimini, Freerange, Fauxpas Musik, Film and Permanent Vacation. More

Johannes Albert is a producer as diverse as they come. Comfortable across all sub genres of dance music from deep house to italo disco, in Italy they call him Giovanni Alberto. He’s been praised by the likes BICEP, Gerd Janson, Lauer and the Keinemusik crew, and he’s only just getting started. The Dancing Plague EP is summer music for summer people. Opening with the hefty, wonky basslines of the club ready; TPTS. Gravy Train is a combination of grooving bass-lines and disco drums, the end result is a solid dancefloor stomper. The uniquely titled Pachanga follows, abundant with nu disco and italo references. This is a real summer track, as the sun sets in the city ahead of a huge party, the one that will entice the shyest of dancers to move. Keeping with the off the cuff track names, the EP finishes with the dusty, sun tinged Rainbow Pan.
Over the past ten years the Needwant mantra has been to push the very best in new talent, having provided the platform for the likes of Kiwi, The Mekanism, Maxxi Soundsystem, The Revenge and many more. More

Ashworth's Grain LP captured the imagination of many in the music world on it's release last year. After releasing two original EP's from the album we get an excellent remix package from three leading lights in electronic music. What better way to wrap up his debut with Needwant. The EP serves up three very different remixes all for a different occasion and mood. The ever reliable Dorisbourg, who remains one half of the lauded Genius of Time, takes a laidback Electronica approach but with Techno at it's heart. Newcomer Kris Davis and Yost keep the original feel of Cork but provide a sensual but progressive vibe.
While Simon Haydo drives all the way to the end with his remix of Fireworks. Great production on show across the EP for the emerging producer Ashworth. More

The much-hyped TRAXX compilation from London-based record label Needwant is back after a near two-year hiatus. After the critically acclaimed ‘The House That Garage Built’, that captured the sound of the scene and called it right with early tracks from Disclosure, Ben Pearce, Breach and Ejeca, the long anticipated follow up - Vol. 2 – ‘My House is Your House’ is guaranteed to have you jacking and stepping all through Spring, Summer and beyond. Curated and compiled by DJ/Producer Anna Wall, the track selection fuses classic inspirations with forward thinking House. Bringing together standout cuts from some of the genres most respected and forward-thinking producers, along with unreleased and original tracks from the very best of up-and-coming talent. Featuring new cuts from Italian favourite Nicholas, London-based REbEL, LA-born Evan Iff and Manchester’s Cy Humphreys, and limited to just 300 copies world wide, this 12” sampler proves the current crop can kick out inspired floor-filling originals. More

Celebrating 5 years of Needwant, the imprint that made the world familiar with Mario Basanov, Kim Ann Foxman, Ejeca, Maxxi Soundsystem and many more, asks their now admired artists and its extended family to create fresh reinterpretations of its stunning back catalogue. This 4 track vinyl sampler creates new associations between artists with standout results, as artists reinterpret material from the Needwant vaults for this special limited edition 12”. The sampler features brand new mixes from Nicholas’, with his take on Kim Ann Foxman’s ‘Hyopnotic Dance’, as well as a Uluru’s reversion of Maxi Soundsystem’s ‘Make or Break’, all seemingly fording a new groove to these already formidable house records. Mark E makes his own retake on ‘We Could Love’ with a Sadness Of Yesterday mix and The Revenge unearths fresh depths with his take on James Fox’s cut, ‘Holding On’. All 12” vinyl samplers come with a download code of the 4 remixes, as well as nearly 20 other tracks taken from the double digital album including further new remixes and some highlights from the Needwant back catalogue.
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Needwant welcome Berlin duo Kim Brown into the fold with the stellar ‘Batteries Not Included’ EP comprised of three shimmering, deep cuts to sink into. Lead track ‘Other People’s Space’ features warm strings, mellow keys, and plenty of atmosphere while the softly melodic bassline, raw percussion and shakers provide the groove. Next up ‘Snow Measurement’ combines an infectious wiggly bassline and ethereal minor keys while nu­disco esque closing track ‘Bladenhorst’ is immersed in aquatic keys, soft rolling drums and more luscious strings. In short, this EP is your answer to summer sonic daydreaming...Kim Brown is Ji­Hun Kim & Julian Braun, local heroes on the Berlin club scene and rising producers with previous releases on Just Another Beat, Retreat, Rivulet, Rimini, Freerange, Fauxpas Musik, Film and Permanent Vacation. Their debut album ‘Somewhere Else It’s Going To Be Good’ was released in 2013 on Just Another Beat to wide critical acclaim with Groove Magazine declaring it “one of the best house albums made in the last decade”
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Needwant welcome back family member Mario Basanov with his ‘Bill EP’ to delve into the harder and darker side of his production skills with three bombs guaranteed to destroy any dance floor. The Lithuanian based producer Mario Basanov released his first solo album ‘Journey’ on Needwant at the end of 2012, which showcased his undeniable talents as a producer and garnered huge international support. Now he follows that long player with a switch in tempos and heads straight to floor with the three track Bill EP. Headline track ‘Bill’ is full of brooding energy and sure to be inspiring open air parties across the summer. ‘Tor’ heads in a more electronic direction with a barrage of enchanting synths, while ‘Give Me Back’ is a relentless slice of electronic Italo inspired House that completes an epic EP. Mario has more recently released on the mighty Innervisions with his dark and mysterious track ‘Red Line’ as part of the ‘Secret Weapons EP Part 5’ as well as penning an upcoming release on Mood Music. His recent remixes for the likes of Kruse & Nuernberg, Hollis P Monroe and Crazy P have only gone on to establish Mario’s versatility and consistent quality as a producer. More

Having recently relocated to London, Urulu & Chaos in the CBD join forces for Needwant’s next stellar release. Sharing the same musical passion and vision, yet each holding distinct style and influences, they were able to come together and deliver something really special. A combination of four deep, diverse cuts where old school meets the new school. Rising star Taylor Freels aka Urulu flies solo for the first track on the A-side, giving us a solid dose of 90s inspired house. Grabbing you from the first beat ‘Never Again’ is awash with deep chords, ethereal pads and smooth vocals. The first team effort comes with ‘Mind The Gap’, the perfect slice of garage style house, beautifully deep and rolling with a skipping beat, offering plenty of drive for the dance floor. Brothers Ben and Louis Helliker-Hales aka Chaos in the CBD take the reins for the first track on the B-side, boasting an unmistakable classic sound in ‘Mariana Trench’ with rich synths and warm analogue percussion. They team up with Urulu once more to deliver a piece of Chicago House in ‘Between Us’ with an acid drenched bassline, deep fluid chords and intoxicating vocals to round off this flawless release. More

Rising electronic producer Mario Basanov releases his highly sought after debut album with long time label partners Needwant Records this autumn. Available as an limited double vinyl pack with specially created gate fold artwork including exclusive vinyl versions. Also included is the full album as bonus CD insert. Basanov’s consistent and quality production techniques express a style that is both elegant yet enigmatic winning him fans from many different corners of dance music’s spectrum. His music sits as comfortably in the worlds of House and Disco as it does electronic or even popular music. In this debut album he walks the tightrope between the popular and the underground and makes the crossing with true finesse. Mario Basanov’s Vinyl versions of ‘Journey’ exposes new and exclusive records made especially for the LP that sit alongside some of his biggest tracks to date. Discover new interpretations of ‘Just Think About’ and ‘We Are Child of Love’ alongside new material featuring the vocals from the likes of Stee Downs or Jazzu. The vinyl version of ’Journey’ will also include a 16 track CD version of the album so you can enjoy both the exclusive vinyl version and full length album. More

Needwant proudly presents a blissful slice of disco tinted house courtesy of Ghostly International favourite Mark E with his new ‘We Could Love’ release that features the iconic voice of Robert Owens. The revered producer is back to deliver one of his best productions to date. Working his studio magic, ‘We Could Love’ is filled with fluid keys and soothing synths that flow through the layers of delicate percussion, with a deep rolling undertone providing plenty of groove. On the vocal version Fingers Inc. legend Robert Owens steps in with his flawless vocals, exploring a range from deep seductive whispers through to higher pitched vocal melodies. The ‘Instrumental’ version offers an alternative to the original. Stripped from the vocals, added radiant synths shine through with a deep prominent bass line to bring out a sure House classic. Mark is without doubt one of the true heroes of the electronic music scene, producing real honest music that is unique, classic and filled with emotion. ‘We Could Love’ is the perfect addition to the Needwant catalogue, keeping standards sky high, and a sign that the label’s blinding form is here to stay. More

Solid member of the Needwant family Mario Basanov is back with the eagerly awaited 'We Are Child Of Love' - a deep house, disco tinted, emotive masterpiece featuring redubs from Mario himself and a seductively smooth and effortlessly groovy remix from Needwant's newest recruits, The Mekanism. 'We Are Child Of Love' is utterly mesmerizing with it's sultry grooves, deep piano keys and radiant synth structures. A true delivery of smooth, emotive electronica of the highest caliber; exactly what we have come to expect from Mr. Basanov. Mario's dub version hits us with a deep driving bass, progressing into a Balearic ambience with reverbed vocals, fluid warm keys and shimmering synths that provide the perfect soundtrack to a beautiful Ibiza sunset. More

Needwant call upon on the immaculate production skills of Bonar Bradberry for his second release on the label. Bonar's You Were Away EP is a journey through emotive disco dreams, with remixes from two rising producers Maxxi Soundsystem and Space Ranger.'You Were Away' is a thought-provoking slice of day dreaming disco. Steady shakes and claps set the pace while sleek synth licks and emotive piano keys build the track into full momentum. More

Needwant is proud to present a truly unique package of ‘Interpretations’ featuring the Chicago legend Robert Owen’s brand new ‘One Body’ vocal as individually sound tracked by four of house music’s most exciting producers and Needwant friends and family, Kaine, Mario Basanov, Nicholas and No Regular Play. Robert Owens is widely regarded as a bona-fide originator from the 80’s golden era of Chicago house. Revered for his creations with Larry Heard as Fingers Inc. and responsible for club classics including ‘Ordinary People’ and ‘I’ll Be Your Friend’ (recently remastered and remixed for 1Trax), these days Owens continues to explore new terrain with diverse output and collaborations with the likes of Photek and Coldcut. It is Owens’ velvet, deep, soulful voice that has been a constant thread throughout the history of dance music. Nicholas is the humble Italian disco producer who was last seen on Needwant dropping a stunning remix for Mario Basanov’s ‘Up’ release. His ‘One Body Interpretation’ is a classic house workout with crisp kicks and pulsing synths and bass and the result is a track that could easily be mistaken for an old school 90’s house record. No Regular Play are the unstoppable musical minds of Greg Paulus and Nick De Bryn from the Wolf + Lamb camp and their ‘Interpretation’ moves the body on a deeper level with chugging slo-mo house grooves, syncopated beats and a mid-point transition that melts with deep chords and muted jazz. Young Lithuanian, Mario Basanov lends his dextrous touch to ‘One Body’ with languid house grooves, clipped beats and evolving patterns of warm keys and harmonies. Kaine is already well known to Needwant fans for his monster hit ‘Love Saves The Day feat. Kathy Diamond’ (due a re-release on Defected this year.) With his ‘Interpretation’ he brings the bass, with rolling percs, club worthy piano stabs and dreamy chords. A flawless union between a veteran and a new generation of artists, ‘One Body’ is a true reflection of the Needwant label’s love for classic sounds and dedication to raising the stars of the future. With such a high calibre of artists in its stable, the label has fast become a beacon of originality and class. More