House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl. From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013. The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production. ‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion. The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style.

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Tracklisting:
A1 EJECA - Take It
A2 EJECA - Away
A3 EJECA - Clunk
B1 EJECA - Mallusk
B2 EJECA - Static

Release Note:
Northern Irish Techno maestro EJECA is back with his fourth full-length EP on Shall Not Fade, following up on the sublime grooves of Free From. This time round, expect high-octane drama from the off; borrowing sounds from across the hardcore continuum EJECA shows off his skill for dance music production.

Take It EP's title track is a force of bouncing hardcore, harsh synths and firey vocals which begs to be played out in the early hours for a fever-pitch dancefloor, nonstop to the end. By comparison, "Away" is minimalist. Riding on a chunky bassline, the glittering melody rises slowly to create an effervescent soundscape with a driving beat.

The peaks and drops of "Clunk" are dizzying, a tight rave-influenced number closing the A-Side; B1 "Mallusk" builds the tension with elongated pads and rolling breaks. Take It closes out with "Static", an icy crescendo of cold vocal cuts and ghostly distortion holding the line between techno and noise.

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One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.

The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.

The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine.

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Off the back of his debut album as Trance Wax in November, Belfast producer Ejeca returns with his new project of mixtapes of all original material spanning across his musical influences. The first instalment of the mixtape series comes in the shape of 45 minutes of hi-nrg hardcore and rave. The first run of cassette tapes sold out over a weekend and this new edition includes on body printing and fluo pink cassette tape. Limited run of 100 tapes.

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The Belfast based DJ & producer, Garry McCartney, otherwise known as EJECA, has been steadily and consistently building his sound and profile over time, through a series of impressive releases for Aus Music, Unknown To The Unknown, W&O Street Tracks, BPitch Control and Last Night On Earth, amongst others. EJECA carves out an energetic slab of audacious party house on ‘Unloving’, resplendent with rolling beats and stabby chords, and topped off with dramatic strings and vocal chops. Elsewhere on the EP, EJECA unleashes some 303 bassline action and dark vocals on ‘Standard Acid House Track’, which thankfully rises well above anything standard! And on ‘Crystal Maze’, EJECA harks back to the darker dance energies that were a staple of the late 1980s UK acid house boom. Wrapping up the EP, ‘ISWHATIS’ gets ever so slightly twisted with an orbiting synth hook and weighty stabs over a spirited rhythm section.

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The debut release on Exploris has finally arrived from label head Ejeca. Having initially built a name with more vocal lead releases, 2014 has seen Ejeca move into slightly tougher territory and EXP001 drops 3 techno cuts that range from the off kilter to the more industrial in style. This first release makes its stamp and sets the tone for what is to follow from both Ejeca and Exploris, genre bending music that is hard to categorise, whilst always maintaining that dance floor effectiveness found in his earlier works. With support from major players ranging from underground stalwarts Steve Bug, Eats Everything, Catz N Dogz, Bicep, Dusky,Tim Sweeney and Mark Henning, to nationally recognised radio hosts such as Skream, B.Traits and Monki, this is a record that will have mass appeal. Having already received acclaim as techno record of the month in Mixmag and with press support across the board from the likes of DJ Mag and XLR8R, now is the time for this to find it’s way into the public domain. A bold opening statement from Exploris and an insight into what to expect from Ejeca and Exploris.

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After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.


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Northern Irishman Ejeca makes his second appearance on London based Needwant after his highly successful 'Horizon EP'. Title track 'Together' showcases the talented producer's style when it comes to combining a new twist on 90s garage with a 4/4 beat. The tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that Ejeca has become so well known for over the past twelve months. House maestro Terrence Parker makes his first appearance on Needwant with his flawless 'Motor City Soul Mix' of 'Together' adding deep, warm chords for an elevating affair. A major highlight in his recent DJ sets, Ejeca has included a special 'Night Edit' of the mighty 'Horizon' for the flip side of this release with the second original track 'Forest' taking things deeper to round off this killer package. Things have really been taking off lately for fast rising star Ejeca with a residency at this years Warehouse Project in Manchester, various Ibiza dates including Pacha, Ushuaia and Sankey's and a thirteen date tour of the USA about to kick off.

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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM

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LA threesome ASHRR aka lead vocalist Steven Davis and producer-musician-vocalists Josh Charles and Ethan Allen are back with a brilliant new album for Ralph Lawson's superb 20/20 Vision Recordings that finds them working by the old mantra of 'art for art's sake'. This effortlessly eclectic record collides electronic soul, post-punk, space disco and indie-dance and is rich in melancholic melody, hazy, late-summer moods and late-night dancing. The vocals bring an indie edge to jangling delights like 'Please Don't Stop The Rain' while 'What's Been Turning You On' is a laidback and languid groove for lazy sessions.

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Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings. 'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.

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20/20 Vision and Crazy P continue their long and fruitful relationship with a fourth volume of carefully curated and super-fresh new cuts as part of this fine ongoing series. Scandi-disco don Ray Man opens up with typically lush cosmic melodies and loose-limed nu-disco beats with more than a hint of funk. Tigerbalm then heads into a tropical oasis with 'Cosmic Union' (feat Joy Tyson) which has Afro rhythms and steamy vocals bringing the heat. Ruf Dug shows his multi-genre chops again with 'Vape Quarter Rhythm' which is part proto-house cut and part dreamy Italo bliss out with rave whistles and hands-in-the-air chords. Ibiza's Tuccillo closes out with one of his signature Balearic gems in 'Siroco', which is as breezy and carefree as cocktails by the sea at sundown.

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Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.

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After the first two well-received outings of this series, Crazy P is back with another of their Curates offerings This is another limited edition selection with four cuts all carefully selected by the disco funksters and all served p with fresh art by the one and only Bristol artist Victoria Topping. Hardway Bros kick off with some nice far-sighted deep disco, Das Komplex's is a more psyched-out offering then Lea Lisa brings a lush and symphonic sound and Red Rack'em offers late-night lover's grooves to make for a very tasteful and nicely diverse selection

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Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

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Following the epic dystopian LP 'Manifold' Versalife returns with his second album on 20/20 Vision 'Chronoception'. The accomplished Dutch producer Boris Bunnik aka Conforce delves deep into the cosmic abyss with 8 auditory adventures laced with shadowy tones, deep base and robotic funk.

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Ralph Lawson's 20/20 Vision has been a reliable home for disco funksters Crazy P over the years. Even though the label has veered more into electro sounds of late, happily it still has the space for this second volume of tunes curated by the Nottingham outfit. It shows how their sound has broadened over the years and takes in the gorgeous downtempo lushness of A Certain Ratio's 'Atmosphere Sings' next to Hot Toddy's deep and thoughtful groove 'Barry & The Mouse'. On the flip is some majestic and cosmic Italo from scene-godfather Daniele Baldelli & Marco Dionigi on 'Neono' and then Sarah Bates rounds out with some rugged bass guitar riffs and late-night tropical heat on 'All About That'.

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20/20 Vision have enlisted disco overlords Crazy P to curate a brand new series of records for the label, with exclusive tracks produced by some of their favourite artists on the cards. Designed to stretch beyond the world of disco and showcase the band's wide ranging and eclectic musical tastes, there'll be Balearic moments, downtempo beats, indie dance and electronica spread over four vinyl records.
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments.

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Originally from France and now based in Berlin Isolated Material has dropped a steady run of heavy hitting releases on labels including; Brokntoys, Haws, Ukonx, 909 Connection and Mind Controlled Rectifier before joining us for his debut EP on 20/20 Vision.

'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.

On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks.

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Subb-an returns to 20/20 Vision with 'State Of Flow' featuring vocals from Oli Gosh (Crosstown Rebels). Ash Subhan has been an integral part of the deep house and techno scenes over the last decade and more with releases for One Records, Spectral and Culprit.

'State Of Flow' is a beautiful slice of deep techno that incapsulates atmospheric layers of melodies and vocals with powerful bottom heavy bass and percussive floor control. SOF is the first collaboration between Subb-an and singer songwriter Oli Gosh and has resulted in new directions and musical landscapes.ASOF comes complete with remixes from Adam Pits and Armec.
Adam Pits delivers a devious little gem aimed at dance-floor destruction that winds it's way between a heavy garage bassline and 90's four to floor house rhythms, fragmenting the vocal around an increasingly unhinged and infectious groove. It's fusion served at it's finest and a super fresh sound perfectly placed for the current club scene.

Armec accentuates and expands the immense power hidden in 'State Of Flow' by breakin' the beats up and adding heavily swung filtered loops snaking around a massive bass. The Armec remix comes complete with a twist to its tale with the additional of a magnificently wobbly arpeggiated synth twisting our melons into a right old state.

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The much loved and highly sought after Hot Toddy Remix of Never Gonna Reach Me is finally getting a long overdue vinyl repress from the original masters and artwork. It's no exaggeration to say that NGRM has become a bona fide disco classic since its first release that has stood the test of time. Crazy P band member Chris Todd took the original version from the band's Stop, Space, Return album and remixed it up for the dance floor adding disco drums, rhodes keys and arpeggiated synth sequences. On the flip side there is another sublime remix from Still Going, the New York duo best known for their output on DFA. All in all an absolutely essential addition to any record collection...

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Carl Finlow has produced an astonishing catalogue of music over a career spanning three decades, with his discography including hundreds of releases and remixes under a variety of monikers. 'Desequence' is the latest edition to Finlow's expansive productions and a masterclass in electronic music.A

'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.A

'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes.

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ATAXIA & Mister Joshooa kick off with 'Subversive' - a slick tripped-out breakbeat-driven jam from Detroit's Marble Bar and TV Lounge residents. It's a powerful and expertly programmed production with a barrage of drums and bass held down by an array of ricocheting synth and vocal FX, tried and tested on Detroit's most discerning dancefloors. Next up Harrison BDP let's loose with 'Dirty Mochyn', a 90's inspired roller from the prolific producer featuring his signature dubby sound design, synth licks and a throbbing bassline.

Strap yourselves in, as the flip side opens with a deep house composition from hotly tipped Leeds based producer Adam Pits. 'Pat On The Back' sucks you into a wormhole of bubbling music with cosmic pads swirling around the stereo field and a beautifully expressive synth line - finished to perfection with a highly swung TR909 groove. The record is then perfectly balanced by Berlin based Keisuke with 'Ok Taiko' - a deep driving house track following hot on the heels from his killer debut EP on Phonica White. 'Ok Taiko' oozes with TB303 goodness and nostalgia-evoking piano stabs, all strung together with an ever evolving house rhythm.

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The Exit Planet Earth series continues with the first ever collaboration between two undisputed electro-funk heavyweights Egyptian Lover & Soul Clap. Egypt knows how to rock the TR 808 like no other and has been a true player on the LA electro scene since 1984. While Soul Clap have forged their unique E-Funk sound coming out of New York City as part of the Crew Love collective. The resulting track 'Hai Karate' is a slice of superbly produced classic electro designed to rattle bass bins from Miami to Mars.
Following form in classic electro directions, Futurenauts present their debut track 'We are the Futurenauts' that brings a slower based groove reminiscent of 'A Love from Outer Space' into the cosmos and delivers a powerful message to humanity. The flip sees a welcome return to 20/20 Vision from the Maltese magician Sound Synthesis who continues the vocoded vocals but adds a state-of-the-art assault on the senses with a slamming track aimed firmly at the discerning dancefloor. EPE 08 is finished off in fine style by Mick Wilson & August Artier with 'Akira's Cry', which fuses a deep house bassline and chords with tight break beat programming and powerful lead strings.

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Fragments of Reality continues to suck you through wormholes into the multiverse with the second selection of exclusive V/A tracks produced for the fledgling imprint.

FOR 02 opens with a brand new collaboration between Subb-an (ONE records) and Luther Vine (Phonica) with a track called 'Expression' - an ominous, swirling, floor-filling monster that combines relentless rhythms, otherworldly vocals and futuristic synths into a high-quality production. It's closely followed by 'Animal Anthem' from acid breaks maestro Rudolf C, that features his trademark multi-dimensional layers of sound wrapped up in a contemplative mood and finished with intense production skills.

The flip side opens with 'Pyramid' a fresh new sound from a mysterious duo, Voodoos and Taboos. Following a string of high calibre releases on Phonica AM and their own label the duo continue to make their mark as masters of cinematic sound design with this tripped out mind melter! FOR 02 is beautifully balanced with 'Enchanted' from Berlin based duo ERIS, known amongst other things for their releases on Tokyo based label, Cabaret. Once again Fragments of Reality delivers four unique excursions into different dimensions and soundscapes.

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Barcelona based Annie Hall drops her debut EP on 20/20 Vision 'Maruxaina', following releases on D1, Detroit Underground, Semantica, CPU and most recently our Exit Planet Earth vinyl series. Annie's eclectic and uniquely expressive output has seen her serve up tracks that take you straight to the dance floor, alongside complex and inventive musical soundscapes.

Kicking things off on the A side the title track 'Maruxaina' draws you in with nostalgic breaks and bass trudges, complimented by warm echoed chords and hypnotic tones. Next up on the A side 'Meiga' serves up a driving groove with deep rolling drums and patterned glitches, intertwining uplifting chord progressions and a soothing vocal, forming a uniquely mesmerising electronic soundscape.A

'Bretema' opens up the B side with a space bound atmospheric gem, grounded by a solid break groove yet elevated with cinematographic synths and harmonic melodies. Wrapping up the EP 'Sarabia' provides an unapologetic experimental expression that blurs the boundaries of genre, with off kilter pads, deep kicks and edgy glass synths creating a beautifully obscure serenity.

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