House and techno purveyor Ejeca delivers with a high-octane release, ‘Keep Climbing EP’ on Needwant Records, which celebrates 100 releases. The four-tracker is available on a limited run of vinyl. From its inception, Needwant has focussed on pioneering the sounds of tomorrow, developing exciting artists in the world of crossover dance and electronic music including lau.ra, Kiwi, and Ejeca, who first released on the label in 2013. The title track kicks off the EP with serious force; heavy kicks and a glitchy melody loops hypnotically before making way for the track’s commanding vocal which is equally entrancing. Like its title, ‘Keep Climbing’ builds and builds, generating full-throttle energy that is finally erupted after a euphoric piano breakdown. ‘Vader’ reduces the pace and deepens the mood with a deep humming bassline, twinkling chords, and eerie strings. A breakdown follows with Ejaca’s signature ravey piano-lines in combination with hooky top-line vocals that seamlessly takes the track into peak-time party territory. The track is dynamic, enthralling, and highlights the depth to Ejeca’s production. ‘Won’t Beat Me’ is colourfully uplifting from the offset with bright piano and arpeggiating pads shimmering in tandem. The vocal is contagiously catchy, topping the instrumentation with positive energy which is present throughout the track’s duration. ‘Won’t Beat Me’ is a peak-time club big-hitter. Rounding off the EP is ‘Zyfer’ which boasts uncompromisingly chunky kicks and raw industrial echoes, before cleverly switching to a contrasting sonic soundscape in true Ejeca style. 8-bit arpeggiating chords bubble before warping into a driving club melody which dances on top of the heavy-hitting kicks and groovy percussion. The EP perfectly captures the ethos of Needwant; forward-thinking music with innovative ideas from an artist who contributed to the label in its early stages. 100 releases on and Needwant continues to push the sounds of tomorrow in slick style.

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Tracklisting:
A1 EJECA - Take It
A2 EJECA - Away
A3 EJECA - Clunk
B1 EJECA - Mallusk
B2 EJECA - Static

Release Note:
Northern Irish Techno maestro EJECA is back with his fourth full-length EP on Shall Not Fade, following up on the sublime grooves of Free From. This time round, expect high-octane drama from the off; borrowing sounds from across the hardcore continuum EJECA shows off his skill for dance music production.

Take It EP's title track is a force of bouncing hardcore, harsh synths and firey vocals which begs to be played out in the early hours for a fever-pitch dancefloor, nonstop to the end. By comparison, "Away" is minimalist. Riding on a chunky bassline, the glittering melody rises slowly to create an effervescent soundscape with a driving beat.

The peaks and drops of "Clunk" are dizzying, a tight rave-influenced number closing the A-Side; B1 "Mallusk" builds the tension with elongated pads and rolling breaks. Take It closes out with "Static", an icy crescendo of cold vocal cuts and ghostly distortion holding the line between techno and noise.

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One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.

The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.

The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine.

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Off the back of his debut album as Trance Wax in November, Belfast producer Ejeca returns with his new project of mixtapes of all original material spanning across his musical influences. The first instalment of the mixtape series comes in the shape of 45 minutes of hi-nrg hardcore and rave. The first run of cassette tapes sold out over a weekend and this new edition includes on body printing and fluo pink cassette tape. Limited run of 100 tapes.

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The debut release on Exploris has finally arrived from label head Ejeca. Having initially built a name with more vocal lead releases, 2014 has seen Ejeca move into slightly tougher territory and EXP001 drops 3 techno cuts that range from the off kilter to the more industrial in style. This first release makes its stamp and sets the tone for what is to follow from both Ejeca and Exploris, genre bending music that is hard to categorise, whilst always maintaining that dance floor effectiveness found in his earlier works. With support from major players ranging from underground stalwarts Steve Bug, Eats Everything, Catz N Dogz, Bicep, Dusky,Tim Sweeney and Mark Henning, to nationally recognised radio hosts such as Skream, B.Traits and Monki, this is a record that will have mass appeal. Having already received acclaim as techno record of the month in Mixmag and with press support across the board from the likes of DJ Mag and XLR8R, now is the time for this to find it’s way into the public domain. A bold opening statement from Exploris and an insight into what to expect from Ejeca and Exploris.

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After a great response from Ejeca’s ‘Frequency‘ EP previously released on Sasha's imprint 'Last Night On Earth' in January 2013, the label continues to support his sound by releasing a new 4 track EP called ‘Contemplation’ that will be available on the 28th July consisting of a wide range of electronics from Ejeca’s many musical influences. Never one to stick with a particular sound for too long, Ejeca has constantly explored numerous styles, reflecting his own eclectic taste in music and shows that he has no strict music policy. Just good quality and interesting electronic music, which is exactly what ‘Contemplation’ and Last Night On Earth are all about.


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Northern Irishman Ejeca makes his second appearance on London based Needwant after his highly successful 'Horizon EP'. Title track 'Together' showcases the talented producer's style when it comes to combining a new twist on 90s garage with a 4/4 beat. The tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that Ejeca has become so well known for over the past twelve months. House maestro Terrence Parker makes his first appearance on Needwant with his flawless 'Motor City Soul Mix' of 'Together' adding deep, warm chords for an elevating affair. A major highlight in his recent DJ sets, Ejeca has included a special 'Night Edit' of the mighty 'Horizon' for the flip side of this release with the second original track 'Forest' taking things deeper to round off this killer package. Things have really been taking off lately for fast rising star Ejeca with a residency at this years Warehouse Project in Manchester, various Ibiza dates including Pacha, Ushuaia and Sankey's and a thirteen date tour of the USA about to kick off.

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Jump’ kicks things off in style here, with it’s off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. Sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration. Stepping up next is ‘Purnsley’, taking things deeper with a cosseting, ethereal vibe, the Brit producer employs warm, heavily side-chained pads with dubbed-out vocal lines and shuffling drums, to create a sensual after-hours groove. Entering the B-Side we have ‘Home’, where Ejeca journeys on a retro-inspired tip, with classic Hammond organ sounds, NY garage style vocals and crunchy 909 drums. The cut blossoms in true house fashion introducing and retracting elements every thirty-two bars, resulting in simple yet undeniably effective structure sure to grab attention on dance floors. Finally to close the release, ‘Agent Of The Deep’, is turned in, and as the name would suggest, the record is soul-laden, emotive house, instilled with some smoky production techniques such as fluttering white noise, chorused strings and rolling toms, thrown into the depths of the background for good measure, resulting in a tasteful, classic meets contemporary workout.


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A1. HI ROLLIN A2. NEVA 2 FAR B1. TIME FOR CHANGE B2. NASSAU STORM

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LoveHrtz bounce back onto Richy Ahmed’s Four Thirty Two label with a bumper release, brining together two original tracks and remixes from Chicago house don, K’Alexi Shelby, and rising star, Seb Zito. ‘Crazy About Your Love’ is a euphoric and hyperactive house track; a Marshall Jefferson-esque piano riff hammers over a pacey groove and classic strings augment the sense of drama in this dramatic vocal track. Seb Zito (FUSE/Edible) provides two remixes here; ‘Remix 1’ pairs quirky organ stabs and a bubbling acid motif with chopped up vocals, whilst ‘Remix 2’ takes a darker route, reminiscent of Sound Factory era NYC house, with a decidedly dubbier and sleazier take on the original. In their original mix of ‘Burning Up’, LoveHrtz deliver more top notch, classic house vibes, with a frenetic and bouncing club heater. Relentless bells, a seductive saxophone riff and a roof-raising vocal, a future classic this does make! House music royalty, in the shape of K’Alexi Shelby, graces Four Thirty Two with his musical presence, remixing ‘Burning Up’ into an everlasting (well, just shy of 10 minutes) slice of pure disco heaven. With a musical curriculum vitae that has contributed to pivotal labels like Trax, DJ International, Djax-Up-Beats, and countless more, K’Alexi sprinkles huge handfuls of feel-good factor over his version of ‘Burning Up’, topping off a huge release package from Four Thirty Two

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The ‘Vista’ EP caps off an intensely busy year for Geoff Kirkwood, otherwise known as Man Power. The British DJ/producer has become quite the ‘tour de force’ in 2018, with releases and remixes for Futureboogie, DFA, Correspondant, Exotic Series, Skint Records, and his very own Me Me Me imprint. So it seems quite fitting to seal a productive 12 months with a release on Richy Ahmed’s Four Thirty Two, a label that itself has been firing out big releases this year from EJECA, Jansons & Senzala and Ahmed himself. And joining this big end of year party, enter stage left, Roman Flu¨gel, who delivers an absolutely stellar remix of ‘Vista’. Meaty synths and clattering 909 drums are doused in futuristic Italo disco vibes for ‘Outrider’, whilst a winning combo of breakbeats and acid affected bass provide the backbone of the simply gargantuan ‘Vista’. Roman Flu¨gel’s interpretation of the title track brings the break to the fore, playfully teasing out the acidic sounds and surging strings for another truly memorable remix that we’ve come to expect from Mr. Flu¨gel. Closing the EP, ‘Poly Pop’ delivers a vivid and bright burst of melody over clanking percussion and sturdy beats, filled with ‘end of the night’ optimism that’s become Man Power’s forte.

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London duo Senzala is made up of Jonni Santos and Sam Holland, a pair who have impressed with their inventive sounds and rich musical palettes on labels like Pets Recordings and forthcoming releases on No. 19. Fellow Londoner Jansons, meanwhile, has been tipped as one to watch, with numerous plays of his recent releases on Four Thirty Two, Knee Deep In Sound and VIVa across all the BBC radio specialist dance shows. Opening up in brilliantly arresting fashion is ‘JNZ’, a big-hearted house track with bouncy rubber kicks and scattered percussion, bringing a loose sense of funk to the groove. Perfectly soulful, pitch shifted vocals (from Margaret Grace, for the spotters out there) bring an inescapable ‘hands in the air’ vibe that’s already tearing up some of the more discerning dancefloors out there, and already big with jocks like Jamie Jones, Richy Ahmed, Hot Since 82 and many more. On the flip is ‘Aura’, with its razor sharp hi hats and exuberant drums molding an expertly functional track. Withering sci-fi synths shoot through the mix as frazzled chords bring more energy and atmospherics to this full fat house banger!

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Richy Ahmed has been steadily building his Four Thirty Two label over the last 12 months, introducing talented artists such as Jansons and Senzala to the fold. The imprint is fast becoming a ‘go to’ label for those who like their house music uncomplicated and hype free, ensuring the Chicago and Detroit house sound burns bright with new music indebted to the roots of the music. After recent releases on Seth Troxler’s Play It Say It label, and remixes for London Grammar, Richy brings the goods back to home on this latest Four Thirty Two release. On “Can’t Stop Us”, chunky stabs incessantly jab at meaty drums, as a female vocal loop rides on an opening filter. The good vibes build to a classic house piano crescendo that Marshall Jefferson would certainly approve of, as the soaring strings and evolving drums raise the rapturous mood to dizzying heights. On the flip, the percussive disco drums of “Dials Mavis” are bolstered by a booming sub bassline whilst deft keys and deep Rhodes chords deliver the infectious melody on this bumping jazz ride.

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Richy Ahmed’s Four Thirty Two imprint continues to shine a light on the freshest talent emerging from the house music underground, and on the label’s third release, the London based Senzala get to flex their muscle on a fine release, backed with a remix from Ahmed and Jansons AKA Lovehertz. Having previously released on the French label Mr. KS & Friends, and Politics Of Dancing, the Senzala boys, otherwise known as Jonni Santos & Sam Holland, deliver the goods once more on the “Phase” EP. The title track packs rolling 909s and looping filtered disco riffs into its punch; never letting the energy levels drop. Vocal licks and techno-laced stabs drive this club-focused track fantastically, with a glossy production that really shines through. Richy Ahmed and Jansons come correct with a Loveherts remix; a heavyweight analogue bassline dominated the mix and the vocal parts slide down the arpeggiated riff as incessant synth stabs ramp up the heat, taking their remix right to fever pitch. The Senzala boys grind out more solid house grooves on “All For You”, deploying disco samples and vocals that are filtered and twisted around the tough drums to great effect, whilst on “Agora”, the mood remains unfaltering as feel good riffs and warm keys wrap around Senzala’s steady beat to complete a stellar release that’s packed with energy and infectious vibes.

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Four Thirty Two, the new record label directed and curated by Richy Ahmed, reveals its second release this Spring with a fantastic new single from Luca Cazal. Out on vinyl & digital in April, ‘Be Alone’ is backed with collaboration with Italian producer, Andrea Fiorito. Cazal has previously released music on Crosstown Rebels, Classic Music Company and his own See Double label, and once again displays his house music credentials on this Four Thirty Two release. His understanding of club music runs deep; knowing what makes a dancefloor tick is an essential skill for any producer, and Cazal’s DJ residency at the Paradise DC10 club nights and regular gigs at Circoloco keep him firmly in tune and adept at carving out modern and fresh party moments. ‘Be Alone’ is an inspiriting, rolling house track that builds steadily over its tenure. A filtered vocal hook unfurls over tension building strings and nimble keys, the hi-hats assuredly rattling over rolling snare fills and with the energy levels never dropping, Cazal serves up a cracking club cut with all the hallmarks of a filtered house classic in the making. The infectious house grooves keep coming with ‘Manali’, with Cazal partnering up with Andrea Fiorito (Cynosure) for a no-nonsense, heads down, acidic basement moment. An urgent bassline bounces around the locked groove whilst choppy vocals, haunting synths and energetic percussion all hustle for prime position in this lively and effective track.

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Richy Ahmed launches his new imprint, Four Thirty Two, with a self-produced two-track single, “Put Me In A Trance”, featuring the vocal talents of Gloria Adereti and a collaboration with up and coming producer, Janson. The new label is a back to basics, analogue vision, directed by Richy, which will include original material, unearthed and undiscovered artist appearances, and remixes from the Richy and Janson alias Love Hurtz, as well as featuring a variety of vocalists from surrounding circles. Each release will have a clear focus on the sound of vinyl and clean-cut imagery presented with each record. Since his debut EP “The Drums” on Hot Creations in 2013, Richy has continued to pave the way for genre spanning and aspiring artists. Aside from his recording and production ventures, Richy has been at the forefront of UK house music and its surrounding avenues for some years, taking a lead role in programming DC10’S Paradise parties, and a variety of club projects. Richy has forthcoming remixes for the likes of FFRR and Snatch, and has recently had solo singles out on Strictly Rhythm and Rinse Records, as well as a prestigious remix for New Order. As an extension to the label releases, Four Thirty Two will tour the UK as an operating label party brand, with early shows selling out in record time and forthcoming label nights around the UK and Europe scheduled, all side stepping Richy’s usual realms of clubland for smaller and more intimate venues.

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