As Dense & Pika, Alex Jones and Chris Spero have garnered an enviable reputation for making devastating club ordnance that finds the sweet spot between dark, mysterious house and roaring, brawny techno. With over a decade of material under their belt, Jones and Spero are set to release their first studio length debut album, ‘Colour Burn’ via London major imprint BMG on 4th December, home to the likes of Leftfield, The Prodigy, Holy Ghost and Faithless. ‘Colour Burn’ is a 13-track composition crossing through downtempo house and electronica, built as a conceptual sonic representation of the pair’s live audio and visual set up. The album is a step away from harder and faster material and a move towards a more leftfield sonic trajectory, featuring a handful of impressive heavyweight features of Jones & Spero’s musical heroes who have informed the Dense & Pika output. Released today, album moment ‘Honey’ features the master of sensual, slow-burn techno, Matthew Dear whose contribution to ‘Honey’ arrives in vocal form – a breathy, brooding ensemble of spoken word that glues perfectly with the duo’s trademark rough and textured sound palette. It helps turn what Alex calls “a headsy, dusty piece of housey tech” into something sensual and otherworldly. Dark and smouldering, it seems to the suck the air out of the room like a tightly packed subterranean dancefloor deep in the throes of night. Glitched out percussion and fizzling hi-hats feel caustic against the track’s low-end frequencies. The thumping bassline and kick drum combination delivers punch and pressure to the mix in a true Dense & Pika format. Matthew’s sauntering vocal contribution guides the track into a deep and hypnotic groove well equipped for any late-night excursion. “The boys sent over a lengthy jam, but there was that simple loop that stood out and had me hooked. I put it on repeat and let the mind and pen wander. It’s a bit of cosmic abandonment, brazenly sung by a professional of the night.” Matthew Dear Elsewhere on the LP, standout track ‘Hidden’ features the drums of Sepultura’s legendary metal icon Igor Cavalera resulting in a fabulous frenzy of percussion and driving rhythm. The equally momentous and unforgettable ‘Control’ features the heavily robotic vocoder of Leftfield’s Neil Barnes aiding and abetting in its quest to be a high-octane, twisted rave jam. The impressive features on ‘Colour Burn’ are an insight into the hugely artistic and visionary A&R skills of Alex and Chris and the start of a new chapter for Dense & Pika kicking off with the long-awaited release of their first studio length album.

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Hotflush’s remix series continues in style with fresh interpretations of Dense & Pika’s ‘Colt’ and ‘Airless’. The UK techno duo’s slamming main-room originals are still hot properties, but in the hands of George FitzGerald and Grain they get new life and perspective breathed into them. George FitzGerald is the Berlin based Brit who made a big impact with his bass heavy tunes on labels like Aus and Hotflush before getting snapped up by a Domino offshoot Double Six for his acclaimed debut album earlier this year. He returns to Hotflush in grand style with a remix of the now-classic cut ‘Colt’. Uplifting and replete with the inimitable tropes on which he has made his name - emotion and groove in equal measure - FitzGerald revitalises the original’s unforgettably forlorn piano hook. The second remix comes from Grain aka influential and multifaceted producer, Artwork. This is an old alias of his that makes a stomping return. His take on Airless is an exquisitely boisterous techno roller: heavyweight kicks, lively ticks and some serious main-room heft.

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hand]stamped white label 12-inches, anonymous duo Dense & Pika re]emerge for their debut on Scuba's Hotflush Recordings. 'Crispy Duck,' their 3] track take on modern underground techno, kicks off with a chugging A side, giving serious nods to Detroit and beyond with it's deadly shuffle. On the flip, Dense and Pika claim the dancefloor with 'Coil' a tripped out up]tempo techno track, abound with hihats and fist-] pumps, followed by '31', a rough and ready tune that melds 4/4 with acid and dub grooves. Doing their best to remain incognito, the duo are on course to make 2013 their year. Huge early support from Dubfire, Adam Beyer, Midland, Will Saul....

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Release no.4 for the mysterious Dense & Pika. 'Who Cares Wins' is another slice of grimey warehouse rawness, the kinetic drums and synths combing for a peak time cacophony of sound. Flipsides 'Morse Mode' ups the tempo whilst still keeping the duos signature rough vibe whilst 'Crackling' rounds things off nicely, more streamlined than the previous tracks with a touch of dub techno thrown in for good measure to make a brilliant end to a superbly balanced package.


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The third release from mysterious double act Dense & Pika sees them returning to the more low slung techno vibes of their first release. '31' is a slow burner; submerged beats shuffle along before the tracks off kilter Millsianesque riff is introduced which gradually oscillates in intensity throughout. A truly heady experience all wrapped up in D&P's super skilled production, it was a feature in Jackmaster's recent RA Podcast and has gained further support from a wide range of djs from DJ Koze to Sven Vath. Flip sides 'Bad Ink' ratchets up the tension with a serious warehouse style jam, big booming cavernous kicks and twisted fx stamp their mark before dropping into a raw melancholic bass riff that takes the track to epic heights. DJ Support from. DJ Koze, Scuba, Peason Sound, Maya Jane Cole, Craig Richards, Untold, Midland, Mosca, Ame, Dexter, Sven Vath, Agoria, Jackmaster, George Fitzgerald, Paul Woolford, Will Saul, Comix, Carl Craig

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After the supremely well received first release 'Vommee' which featured on Sven Vath's recent 'Cocoon' mix CD, the mysterious Dense & Pika's next release well could be one of 2012s biggest - 'Buttplug' is the lead track (already Dj Mag's 'Killer Tune' in it's recent December issue) - a kinetic powerhouse ride of roughed up beats & bass complete with a jacked up female vocal from an anonymous source. If that wasn't enough, flip side track 'Cartoon Heart' continues the high octane thrills with a phunked up house number, the duos tight production giving the track an edge over legions of derivative here today, gone tomorrow fillers.

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High quality rough n'ready warehouse techno from two established producers (who have produced on planet E among others) coming together under the mysterious Dense & Pika alias. 'Vomee' launches the label, all guns blazing with a grimey bass led groove. Flip sides 'Bad Back' continues the low slung vibe but injects more of a fucked up lo-fi feel with a crunched up kick and metalic shards of sound. First in a series...



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2012 was without doubt the breakthrough year for South London Ordnance. In the space of twelve months the 23 year old artist put out three separate 12”s alongside a five track EP, which garnered support from Jamie XX, Scuba, Benji B, Mary Ann Hobbes, Mosca, Claude Vonstroke, Richie Hawtin and more. His jungle-advised, finely honed productions also rightly earned him notable mention in several annual end of year roundups including DJ Mag’s Best of British

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Jack Dixon follows a string of critically acclaimed releases for Apollo (R&S), Take and Losing Suki (Hypercolour) with his debut outing for Hotflush. Influenced by the sparse atmospherics of Wolfgang Voigt, the playful intricacy of Autechre beats and the off-kilter grooves of UK garage, the Berlin-based producer is unconstrained by genre or place, pioneering a modern, progressive sound that?s already garnered him a glowing reputation. In turns colourful, ambient, melodic and driving, his new EP feels right at home on Scuba?s label. Beginning with a deceptively clean
and minimal rhythm, ?E? slowly gives way to lush glacial drones, skittering beats and huge euphoric drops to form a bold production that sits somewhere between the early morning techno dancefloors of Berlin and the murky sweatbox raves of late-night South London. On the flip, he delivers the soulfully taut ?Find Shelter?. Warped vocals weave in and out of an insistent, jazzy house groove, backed by a tapestry of glitches, vinyl crackle and live drum flourishes. It all leads to one of the most delirious and ecstatic drops you?ll hear this year.


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hand]stamped white label 12-inches, anonymous duo Dense & Pika re]emerge for their debut on Scuba's Hotflush Recordings. 'Crispy Duck,' their 3] track take on modern underground techno, kicks off with a chugging A side, giving serious nods to Detroit and beyond with it's deadly shuffle. On the flip, Dense and Pika claim the dancefloor with 'Coil' a tripped out up]tempo techno track, abound with hihats and fist-] pumps, followed by '31', a rough and ready tune that melds 4/4 with acid and dub grooves. Doing their best to remain incognito, the duo are on course to make 2013 their year. Huge early support from Dubfire, Adam Beyer, Midland, Will Saul....

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Belgian producer, Tim Van de Meutter, aka Locked Groove, returns to Hotflush for a second EP following the success of January’s
pivotal Rooted release. Keep It Simple comprises four weighty examples of why the young producer’s unique fusion of big-room
techno and moodier, deep-house elements has been resonating so loudly of late. Central to the EP is simplicity itself; how simple
structures create something larger than the sum of their parts as “Keep Running”, with its rattling percussion, acidic bass stabs and
euphoric builds, flaunts to the full. “Aller Simple” adds swing to a similar palette that’s as stripped-back as it is heavy-duty. Force is
replaced by introspection on vinyl-closer, “Even” – an inebriated voice reverberates over whispered organs and an understated
groove – while digital buyers are offered a dubbed-out, tool version of “Keep Running”. Simple, but effective

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Following last year's triumphant debut on Untold's imprint Hemlock, Brighton based producer Guy Andrews is back with his first 12"
for Hotflush Recordings. A superb followup to his 2011 auditory missive, The Wait / Hands in Mine merges percussive elements with
heavy basslines resulting in two dark dancefloor cuts.
Shuffling and persistent, Side A is bass-driven track filled with arpeggiated goodness, while on the flip, Andrews shows off his ability
to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune.
With recent acclaim from XLR8R, Resident Advisor and Truants along with DJ and radio support from the likes of Benji B, L-Vis 1990,
Brackles, Sound Pellegrino, Shortstuff, Benjamin Damage and Throwing Snow, Guy Andrews is on the rise

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Hotflush presents the debut 12" from Belgian newcomer Locked Groove aka Tim Van de Meutter. The young producer delivers three hypnotizing and genre bending tracks that expertly weave the sounds of Berghain, soulful house and UK garage into a single crushing package. The “Rooted” EP draws you in with the title track, bouncing along to an acid baseline, then moves onto “Drowning”, a moody techno track that was included on Scuba’s DJ-Kicks mix compilation, filled with drum and ambient samples taken from field recordings. Lastly, “Change”, a production that smartly melds classic house grooves with industrial techno, demonstrates Locked Groove's rhythmic finesse and long-term promise as an artist.


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Hotflush presents the third single from George FitzGerald: “Shackled”. Having already dropped two excellent EPs for Aus and Man Make Music this year, George returns on Hotflush Two with three tracks embodying the style he has matured over the last two years. Using a sonic palette that melts the emotive flavors of UK garage & soulful house into a slower amalgam of dubstep and techno, this emerging London producer offers his own suave and enticing blend of bass music. “Shackled” has already made a distinct impression as a standout track on Scuba’s DJ Kicks mix compilation released in October.


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Hotflush presents a special collaboration between two modern-day techno innovators: Paul Woolford and Psycatron. Both maintaining an influential discography on labels such as Planet E, Intimacy, Tresor, and Bedrock, they've come together to produce "Stolen", a nine-minute techno excursion. Utilising relentless, throbbing percussion that sizzles over growling, acidic synthesis and carefully placed samples, it's presented in three distinct versions, introducing filter-swept chords in the Dub Mix, and an even deeper submersion in the second Dub Mix that perfectly eclipses the raw temperament of the original.

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Hotflush presents the debut collaborative release from Arkist and Kidkut, both based in Bristol, UK. The title track is a four to the floor deep cut, adorned with subaquatic atmospherics, warm contours of bass and subtly stirring melodies, a magnificent pairing with Scuba’s imprint. On the flip side, “Vanilla Imitate” maintains the vibe and amps the energy with a smart infusion of shuffling UK garage flavors and emotive soundscapes. Arkist’s solo productions have been recently released on Appleblim’s Apple Pips label, If Symptoms Persist, and Deca Rhythm. Kidkut is the mastermind behind the Immerse Records label, which has been releasing quality bass music since 2006. His solo productions can also be found on Apple Pips and Well Rounded Records.

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Hotflush Recordings presents the follow-up single to George FitzGerald’s summer debut “The Let Down” & “Weakness”. Due for release in mid-January 2011 on Hotflush Two, this much-touted single is seeing the light of day after its inclusion in Scuba’s groundbreaking SUB:STANCE mix compilation on Ostgut Ton earlier this year. Here we see the budding London-based producer reaching into the brighter side of dubstep and garage styles, achieving a mood that is both blissful and emotive. On the flipside, Scuba gives the original mix a churning techno re-flex under his SCB guise.


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Hotflush Recordings presents the follow-up single to George FitzGerald’s summer debut “The Let Down” & “Weakness”. Due for release in mid-January 2011 on Hotflush Two, this much-touted single is seeing the light of day after its inclusion in Scuba’s groundbreaking SUB:STANCE mix compilation on Ostgut Ton earlier this year. Here we see the budding London-based producer reaching into the brighter side of dubstep and garage styles, achieving a mood that is both blissful and emotive. On the flipside, Scuba gives the original mix a churning techno re-flex under his SCB guise.


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