Hotflush’s remix series continues in style with fresh interpretations of Dense & Pika’s ‘Colt’ and ‘Airless’. The UK techno duo’s slamming main-room originals are still hot properties, but in the hands of George FitzGerald and Grain they get new life and perspective breathed into them. George FitzGerald is the Berlin based Brit who made a big impact with his bass heavy tunes on labels like Aus and Hotflush before getting snapped up by a Domino offshoot Double Six for his acclaimed debut album earlier this year. He returns to Hotflush in grand style with a remix of the now-classic cut ‘Colt’. Uplifting and replete with the inimitable tropes on which he has made his name - emotion and groove in equal measure - FitzGerald revitalises the original’s unforgettably forlorn piano hook. The second remix comes from Grain aka influential and multifaceted producer, Artwork. This is an old alias of his that makes a stomping return. His take on Airless is an exquisitely boisterous techno roller: heavyweight kicks, lively ticks and some serious main-room heft.

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Set for release next month, Chris Spero (otherwise known as UK house and techno producer Glimpse) and Hypercolour co-founder and producer, Alex Jones, return once again as Dense & Pika to the Hotflush fold with ‘Move Your Body Back.’ Having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, Dense & Pika went on to bolster their rising profile with the release of their Hotflush debut (‘Crispy Duck') which landed late last year as well as with their memorable live set at Hotflush's recent Boiler Room Takeover.
There is nothing chin-strokingly complicated or needlessly over-worked about their productions. They make interesting techno aimed at the dance floor and ‘Move Your Body Back,’ continues with this central aesthetic. The three track EP plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno. The title track of the EP may already be familiar to many having appeared on their Resident Advisor podcast in March and is already being played out by Maya Jane Coles, Boddika and Adam Beyer, amongst others.

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hand]stamped white label 12-inches, anonymous duo Dense & Pika re]emerge for their debut on Scuba's Hotflush Recordings. 'Crispy Duck,' their 3] track take on modern underground techno, kicks off with a chugging A side, giving serious nods to Detroit and beyond with it's deadly shuffle. On the flip, Dense and Pika claim the dancefloor with 'Coil' a tripped out up]tempo techno track, abound with hihats and fist-] pumps, followed by '31', a rough and ready tune that melds 4/4 with acid and dub grooves. Doing their best to remain incognito, the duo are on course to make 2013 their year. Huge early support from Dubfire, Adam Beyer, Midland, Will Saul....

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Release no.4 for the mysterious Dense & Pika. 'Who Cares Wins' is another slice of grimey warehouse rawness, the kinetic drums and synths combing for a peak time cacophony of sound. Flipsides 'Morse Mode' ups the tempo whilst still keeping the duos signature rough vibe whilst 'Crackling' rounds things off nicely, more streamlined than the previous tracks with a touch of dub techno thrown in for good measure to make a brilliant end to a superbly balanced package.


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The third release from mysterious double act Dense & Pika sees them returning to the more low slung techno vibes of their first release. '31' is a slow burner; submerged beats shuffle along before the tracks off kilter Millsianesque riff is introduced which gradually oscillates in intensity throughout. A truly heady experience all wrapped up in D&P's super skilled production, it was a feature in Jackmaster's recent RA Podcast and has gained further support from a wide range of djs from DJ Koze to Sven Vath. Flip sides 'Bad Ink' ratchets up the tension with a serious warehouse style jam, big booming cavernous kicks and twisted fx stamp their mark before dropping into a raw melancholic bass riff that takes the track to epic heights. DJ Support from. DJ Koze, Scuba, Peason Sound, Maya Jane Cole, Craig Richards, Untold, Midland, Mosca, Ame, Dexter, Sven Vath, Agoria, Jackmaster, George Fitzgerald, Paul Woolford, Will Saul, Comix, Carl Craig

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After the supremely well received first release 'Vommee' which featured on Sven Vath's recent 'Cocoon' mix CD, the mysterious Dense & Pika's next release well could be one of 2012s biggest - 'Buttplug' is the lead track (already Dj Mag's 'Killer Tune' in it's recent December issue) - a kinetic powerhouse ride of roughed up beats & bass complete with a jacked up female vocal from an anonymous source. If that wasn't enough, flip side track 'Cartoon Heart' continues the high octane thrills with a phunked up house number, the duos tight production giving the track an edge over legions of derivative here today, gone tomorrow fillers.

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High quality rough n'ready warehouse techno from two established producers (who have produced on planet E among others) coming together under the mysterious Dense & Pika alias. 'Vomee' launches the label, all guns blazing with a grimey bass led groove. Flip sides 'Bad Back' continues the low slung vibe but injects more of a fucked up lo-fi feel with a crunched up kick and metalic shards of sound. First in a series...



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The new album from Primal Scream - ‘Come Ahead’ produced by David Holmes, is due for release on the 8th of November. Black Science Orchestra have remixed lead track ‘Love Insurrection’ with a tight funky drummer back beat, parping pipes, rolling keys and wooshes of L.O.V.E. The release follows the white label of Terry Farley & Wade Teo’s take on album track ‘Ready To Go Home’ and is sure to follow it’s sold out status.

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Two stonecold classic UK Garage songs from 1997 are thrown together for this extremely limited colour 10” release.

Tumblin’ Down – Bass Organ Mix, is a previously unreleased version taken from the Tuff Jam vaults.
Dangerous – ‘2 In 1’ Remix, is brand new for 2024 and sees Karl and Matt back in the studio to deliver a fresh take on one of their biggest tracks.

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34 years after Terry Farley created the seminal remixes of Loaded and Come Together for Primal Scream he returns to the band to remix a brand new track ‘Ready To Come Home’. Only available via white label.

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Welcome to the third part of the TELE MUSIC saga, the label founded by Roger Tokarz. He deeply marked the era with his audacity and his vision of music on film. This irresistible new selection tells the story from 1968 to 1985 of a prolific label that sometimes produced ten albums a year, and which delighted many French and foreign film directors who, to 'flavour' their films, drew on this sumptuous catalogue.
In this volume 3 TELE MUSIC, we have highlighted legendary artists who have left an indelible mark on the history of the music bookshop and on the history of music in general:

• Janko Nilovic (also known as Yanko Nilovic, Anady Loore, E. Orti or Alan Blackwell),
• Jean-Jacques Debout with his irresistible “Mitsuko” released in 1967 and re-released in 1969 on “Music Bazaar”, • Bernard Lubat, the impressive percussionist, vibraphonist, multi-instrumentalist and very good “scator” (Bernard played in the Doubles Six with Quincy Jones and Eddy Louiss),
• Gabriel Yared, the man with a hundred film scores. Arranger and composer for Johnny Hallyday and Charles Aznavour, among others!
• Hervé Roy conductor and writer for Nancy Holloway,
• George Chatelain, pianist, guitarist, clarinettist, founder of the famous studio “CBE” created in 1966 with his sister Janine Bisson and his high school friend Bernard Estardy.

All these composers were renowned for their acute sense of composition, arrangement, conducting and inter- pretation, and in their own way left their mark on many sound recordings of musical illustration "made in France!
CBE, the Chatelain, Bisson and Estardy studio is located in the 18th arrondissement of Paris. Still in operation and run by Julie Estardy, it has been receiving major artists for over half a century. It is a place of reference. At the time: Johnny Hallyday, Claude François, Sheila, Carlos, Françoise Hardy, Nino Ferrer recorded their hits there.
Now it's the turn of Sebastien Tellier, Bertrand Burgalat, Keziah Jones, Tony Allen, Jeff Miles to name but a few. CBE and its giant Bernard Estardy put TELE MUSIC in the best conditions to produce an atypical and powerful sound.
Bernard Estardy had a custom- built mixing console built by his German friend Gunther Loof, offering the perfect tool for recording 4 and then 32-track Arp 2000, Moog, Korg, Prophet synthesizers and all acoustic instruments. The field of experi- mentation was limitless.
Until now, the titles of this collection were only available in vinyl format, via rare and expensive prints that collectors sell for a high price on dedicated websites. This volume 3 gives you access to the "crème de la crème" of the legendary repertoire made in France!

Tracklist:

A1 - Raymond Guiot - District Machine
A2 - Gabriel Yared - Vocal in Love
A3 - Slim Pezin - Mam's Song
A4 - Pierre-Alain Dahan - Rythmique n°3
A5 - Georges Chatelain - Piège nocturne
A6 - Bernard Lubat - Rocket 2
A7 - Janko Nilovic - Pop Percussions
B1 - Raymond Guiot - Bass Duettino
B2 - Guy Pedersen - Les copains de la basse
B3 - Marc Chantereau & Pierre-Alain Dahan - Synthétiseur & Company
B4 - Bernard Estardy - Phasing Round
B5 - Pierre-Alain Dahan & Mat Camison - Mister Mistery
B6 - Raymond Guiot - Oriental Vibrato
C1 - Pierre-Alain Dahan & Mat Camison - West Coast Drive
C2 - Jean-Jacques Debout - Mitsuko
C3 - Hervé Roy - Percussionissimo
C4 - Luis Conti & François Langel - Midnight Rendez-vous
C5 - Pierre-Alain Dahan & Mat Camison - Rythmique n°8
C6 - Michel Gonet - Suspense Time
C7 - Sauveur Mallia - Meteor One
D1 - Bernard Estardy - Gang Train
D2 - Pierre-Alain Dahan - Rythmiques n°2
D3 - Bernard Estardy - Vertigo Leitmotiv
D4 - Georges Chatelain & Hervé Roy - Voix d'eau
D5 - Luis Conti & François Langel - Sierra Sunrise
D6 - Jean-Jacques Debout - Bossa a Gogo

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TELE MUSIC is a label of Éditions Musicales Sforzando now owned by BMG Production Music. It is entirely devoted to the music library, that is to say, music for sound illustration used in audiovisual productions. Created in 1966 by Roger Tokarz, just before advertising was allowed on French television, Editions Sforzando specialised from the outset in sound illustration for radio and television.

This collection, soberly entitled “Volume 2”, is the sequel to “Volume 1”, produced with equal care, passion and fervour by Lord Funk & DJ L.C. In the mid-90s, Tele Music vinyl was sold at ridiculously low prices. Often disparaged by collectors and record shops, considered by some as lift music or vulgarly called “music by the meter”, the music store was only of interest to fans of instrumental music! But in the 2000's, it had a second life and saw its prices soar on Discogs, thanks to sampling and digging in Hip-Hop mainly. This advent of the library is an era that Lord Funk, curator of this compilation, experienced when he brought several music library collections to New York City (NYC) to his A1 Records stronghold in 1997.
A1 was a world-famous downtown record shop where Lord Funk served as a custom sample salesman to hip-hop stars. His reputation as a Frenchman of note quickly grew to the point where all the hip-hop and electro producers in the Big Apple swore by his loops and drum breaks. For them, not a day went by without buying A1 to feed their productions. That's how tracks like Michel Gonet's “Flower Dance” (sampled by Mighty Mi for Promoe's classic “Off The Records”) or Mat Camison & Pierre-Alain DAHAN's “Blue Leopard” (sampled by Jake One for G Unit's “Bette Ask Somebody”) became highly sought-after tracks, first on the East Coast of the United States, then all over the country, and then all over the world, as far as Japan. From then on, music books became a world treasure!

In this 2nd volume, Lord Funk & DJ L.C. have chosen a range of music from 1969 to 1983, from psychedelic jazz to electro funk via rnb, soul and jazz-funk. We find Raymond Guiot, flutist, winner of the Geneva International Music Performance Competition in 1954. Raymond is a pianist, composer (notably for Serge Gainsbourg, François de
Roubaix, Alain Goraguer) with Guy Pedersen, his lifelong friend, guitarist at the beginning, then bassist of the jazz quintet set up on Raymond's initiative. What a good idea! Raymond and Guy went on to accompany Quincy Jones, Michel Legrand and Lionel Hampton, to name but a few; they are both to be found on albums such as “Indian Pop Bass”, “Contre- basses” and “Musique en Vrac”.

Then comes one of the best French drummers Pierre-Alain Dahan of the group Voyage (Sirocco, a label founded by Roger Tokarz), who began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon
and Daniel Humair and who participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson'. Pierre-Alain's playing can be heard improving through the albums “Continental Pop Sound”, “TV Themes”, “Rythmiques”, "Discothèques“ and ”Neo Rythmiques". His guitar colleague Slim Pezin (Manu Dibango, Nino Ferrer, Ray Charles, Tina Turner) is not far behind, as are Michel Gonet, Hervé Roy, Pierre Bachelet, Mat Camison, Pierre Dutour, André Arpino and Sauveur Mallia.

Most of the titles in this collection were recorded in the magic place that was the famous CBE recording studio set up by Georges Chatelain, Janine Bisson and Bernard Estardy. Bernard, nicknamed the giant, was a sound genius and a mixing perfectionist. Georges Chatelain was an electronic engineer. Together, they brought a sound, a colour, a trademark.

Bernard Estardy was also considered as one of the greatest French sound engineers and an energetic organist for Nino Ferrer or Nancy Holloway. We warmly thank Julie Estardy for her total and unreserved involvement in these reissue and compilation projects.

The combination of all these prodigies has given TELE MUSIC a phenomenal and unique sound colour in the service of a sound repertoire that is now part of the French heritage.

A1 - Raymond Guiot - Quintett Flash
A2 - Hervé Roy - Repetition Echo
A3 - Raymond Guiot - Primitive Spirit
A4 - Jean-Pierre Martin - Jelly Roll Dance
A5 - Pierre Dutour - Savage trumpet
A6 - Pierre-Alain Dahan & Slim Pezin - Slim Bertha
B1 - Jean-Pierre Martin - Sesame
B2 - Sauveur Mallia - All the bass
B3 - Michel Gonet - Cuica-racas
B4 - Pierre-Alain Dahan & Mat Camison - Baby Rider
B5 - Pierre Bachelet & Mat Camison - Miami Blues
B6 - Guy Pedersen - Bass session
C1 - Andre Arpino & Maurice Plessac - Pop Drums
C2 - Guy Pedersen - Indian Pop Bass
C3 - Michel Gonet - Nuclear Tension
C4 - Michel Gonet - Red Sunset
C5 - Pierre-Alain Dahan & Mat Camison - Rythmiques n°10
C6 - Pierre-Alan Dahan & Slim Pezin - Soul Car
C7 - Pierre-Alain Dahan - Slowrama
D1 - Sauveur Mallia - Double Polygone
D2 - Pierre-Alain Dahan & Mat Camison - Long Time Playing
D3 - Michel Gonet - Devil Dance (version B)
D4 - Bernard Estardy - Super Angoisse

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Electronic icons from across the ages come together to contribute to a stunning new package that features Grammy winner Midge Ure and cult house artists Ame on a record inspired by legendary Kraftwerk drummer Wolfgang Flür. This project came about when Midge Ure was performing with his group Band Electronica in Dusseldorf in 2020. Wolfgang Flur was in the audience and later asked Ure to join a new project he was working on. A few days later, with thoughts of Wolfgang's pioneering electronic drumming, the role Dusseldorf has played in the scene, and the beat which makes the world move, Midge Ure wrote 'Das Beat'. Whilst Wolfgang went on to record his own version of the song for his LP, Ure laid down ‘Das Beat’ with Band Electronica in its original form. Ultravox and Visage legend Midge Ure played a pivotal role in the world of electronic music and here gives credit to those that inspired him, Wolfgang Flür among them. Says Midge of the new record, "'Das Beat' is a nod of thanks to the people who created the inspirational sounds and music I heard in the clubs in the late seventies and early eighties." 'Das Beat' is an archetypal piece of European electronic music. This superb single nods to the heritage of the genre through the proudly stark synth sounds of the 80s, right through electro-pop and modern techno. The clean, crisp vocals nod to Midge's knack for pop songwriting as they muse on the enduring appeal of electronic beats. Finishing it in style are the sleek Kraftwerk-esque melodies that are filled with a subtle sense of hope. Remixing the record is German duo Âme. Kristian Beyer and Frank Wiedemann have fomented their own deeply emotive house sound over the last 15 years. They run the influential Innervisions label and constantly drive the scene forward with their widely-influenced sounds, whilst bringing DJ and Live sets to the world's best events. Their excellent remix fills out the sound for the club, with chunky broken drums bouncing beneath visceral acid, big hits locking you into the groove and a vocal that brings a standout retro-future flourish. The remix also comes with an alternative ‘Dub version’.

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Circle Sky is an electronic band and communications network. Based in London, with operatives working worldwide, the network is anonymous by nature, but inclusive and open source by design. Iris is the current voice of the network, its messenger, its communicator and its focal point. She is always in the present. The network is evolving in real time and its actions are guided by the response from its members, for whom all like minds are welcome to participate. The network has started online but will continue offline as connections are made IRL with performances and transmissions. Circle Sky represents positive use of technology. There will inevitably be glitches in the network however. Which is where the fun starts... The objective is to create a world and inclusive communications network around the band, using current and future technology. Circle Sky is music first. The network is brought together by the music, and is there to support the musical connection with fans around the world. Circle Sky is a network.

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