Over the past few years, Lando Kal (a.k.a. Antaeus Roy) has undergone quite the transformation. In the process of relocating from San Francisco to New York to Berlin, the man has blossomed as an artist. Where he was once simply known as one half of Lazer Sword, he's now celebrated as an accomplished producer in his own right, having released music for the esteemed Rush Hour and Hotflush labels while also helping to pilot the Stillcold imprint. Throughout this time, he's also been considered an extended member of the Icee Hot family, a crew whose ranks include Ghosts on Tape, Shawn Reynaldo, Rollie Fingers, and Lando's Lazer Sword compatriot, Low Limit. As such, when the San Francisco-based Icee Hot made the leap from party promotion to record label earlier this year, Lando Kal was an obvious choice to join the roster, and his "Let You in the Sky" / "Help Myself" single just might be some of his best work yet. Since installing himself in the German capital, Lando has (unsurprisingly) found himself delving deeper into the world of techno and its various sound palettes, an exploration which has properly borne fruit here. "Let You in the Sky" is a churning slice of techno colored by lilting synths, melodic stabs, and an almost robotic vocal sample. "Help Myself" takes a slightly funkier approach, layering swaying pads and sassy vocal snippets over a steady pulse before exploding with an array of claps and hi-hats about halfway through. Digital-only cut "So Correct" might be the most propulsive track on the release, its uptempo percussion and chunky rhythms carried along by an insistent piano riff. The remixes also come correct, the first courtesy of Detroit legend Anthony Shakir. "Shake" has always been a bit of a chameleon, but his take on "Help Myself" finds him exploring a new sound, one punctuated by overdriven synths, wildly distorted vocal bits, and a wonderfully sashaying pattern of bongos. Rounding out the record is a rework from Montreal youngsters Grown Folk, who will also be at the helm of the next Icee Hot release. The duo's version of "Let You in the Sky" offers a dark, pounding undercarriage that's unique to its discography, but also bathes the tune in a warm cloud of the pair's trademark billowing synth melodies.

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2 Corkers From Kal!! TIP Lando is known for teaming up with Low Limit as Lazer Sword, a future hip-hop from group from the Bay Area. His solo tracks are freaked out juggernauts of electronic music, primarily experimenting with various mutations of house. Dense instrumentation, analog synth and drum machine work, complex melodies, and creeping basslines are pooled from his musical obsessions with 90's RnB, classic house, freestyle, garage, Detroit Techno, early synthesizer music, Timbaland, and? to be honest, everything in between. 'Maneuver' is a sure shot banger, a futuristic synth piece with heavy garage leanings and even a hint of Robin S' classic 'Show Me Love'. On the flip we find 'Run It', a more introvert electro fused b-boy classic from future times.

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Set for release next month, Chris Spero (otherwise known as UK house and techno producer Glimpse) and Hypercolour co-founder and producer, Alex Jones, return once again as Dense & Pika to the Hotflush fold with ‘Move Your Body Back.’ Having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, Dense & Pika went on to bolster their rising profile with the release of their Hotflush debut (‘Crispy Duck') which landed late last year as well as with their memorable live set at Hotflush's recent Boiler Room Takeover.
There is nothing chin-strokingly complicated or needlessly over-worked about their productions. They make interesting techno aimed at the dance floor and ‘Move Your Body Back,’ continues with this central aesthetic. The three track EP plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno. The title track of the EP may already be familiar to many having appeared on their Resident Advisor podcast in March and is already being played out by Maya Jane Coles, Boddika and Adam Beyer, amongst others.

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2012 was without doubt the breakthrough year for South London Ordnance. In the space of twelve months the 23 year old artist put out three separate 12”s alongside a five track EP, which garnered support from Jamie XX, Scuba, Benji B, Mary Ann Hobbes, Mosca, Claude Vonstroke, Richie Hawtin and more. His jungle-advised, finely honed productions also rightly earned him notable mention in several annual end of year roundups including DJ Mag’s Best of British

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Jack Dixon follows a string of critically acclaimed releases for Apollo (R&S), Take and Losing Suki (Hypercolour) with his debut outing for Hotflush. Influenced by the sparse atmospherics of Wolfgang Voigt, the playful intricacy of Autechre beats and the off-kilter grooves of UK garage, the Berlin-based producer is unconstrained by genre or place, pioneering a modern, progressive sound that?s already garnered him a glowing reputation. In turns colourful, ambient, melodic and driving, his new EP feels right at home on Scuba?s label. Beginning with a deceptively clean
and minimal rhythm, ?E? slowly gives way to lush glacial drones, skittering beats and huge euphoric drops to form a bold production that sits somewhere between the early morning techno dancefloors of Berlin and the murky sweatbox raves of late-night South London. On the flip, he delivers the soulfully taut ?Find Shelter?. Warped vocals weave in and out of an insistent, jazzy house groove, backed by a tapestry of glitches, vinyl crackle and live drum flourishes. It all leads to one of the most delirious and ecstatic drops you?ll hear this year.


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hand]stamped white label 12-inches, anonymous duo Dense & Pika re]emerge for their debut on Scuba's Hotflush Recordings. 'Crispy Duck,' their 3] track take on modern underground techno, kicks off with a chugging A side, giving serious nods to Detroit and beyond with it's deadly shuffle. On the flip, Dense and Pika claim the dancefloor with 'Coil' a tripped out up]tempo techno track, abound with hihats and fist-] pumps, followed by '31', a rough and ready tune that melds 4/4 with acid and dub grooves. Doing their best to remain incognito, the duo are on course to make 2013 their year. Huge early support from Dubfire, Adam Beyer, Midland, Will Saul....

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Belgian producer, Tim Van de Meutter, aka Locked Groove, returns to Hotflush for a second EP following the success of January’s
pivotal Rooted release. Keep It Simple comprises four weighty examples of why the young producer’s unique fusion of big-room
techno and moodier, deep-house elements has been resonating so loudly of late. Central to the EP is simplicity itself; how simple
structures create something larger than the sum of their parts as “Keep Running”, with its rattling percussion, acidic bass stabs and
euphoric builds, flaunts to the full. “Aller Simple” adds swing to a similar palette that’s as stripped-back as it is heavy-duty. Force is
replaced by introspection on vinyl-closer, “Even” – an inebriated voice reverberates over whispered organs and an understated
groove – while digital buyers are offered a dubbed-out, tool version of “Keep Running”. Simple, but effective

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Following last year's triumphant debut on Untold's imprint Hemlock, Brighton based producer Guy Andrews is back with his first 12"
for Hotflush Recordings. A superb followup to his 2011 auditory missive, The Wait / Hands in Mine merges percussive elements with
heavy basslines resulting in two dark dancefloor cuts.
Shuffling and persistent, Side A is bass-driven track filled with arpeggiated goodness, while on the flip, Andrews shows off his ability
to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune.
With recent acclaim from XLR8R, Resident Advisor and Truants along with DJ and radio support from the likes of Benji B, L-Vis 1990,
Brackles, Sound Pellegrino, Shortstuff, Benjamin Damage and Throwing Snow, Guy Andrews is on the rise

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Hotflush presents the debut 12" from Belgian newcomer Locked Groove aka Tim Van de Meutter. The young producer delivers three hypnotizing and genre bending tracks that expertly weave the sounds of Berghain, soulful house and UK garage into a single crushing package. The “Rooted” EP draws you in with the title track, bouncing along to an acid baseline, then moves onto “Drowning”, a moody techno track that was included on Scuba’s DJ-Kicks mix compilation, filled with drum and ambient samples taken from field recordings. Lastly, “Change”, a production that smartly melds classic house grooves with industrial techno, demonstrates Locked Groove's rhythmic finesse and long-term promise as an artist.


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Hotflush presents the third single from George FitzGerald: “Shackled”. Having already dropped two excellent EPs for Aus and Man Make Music this year, George returns on Hotflush Two with three tracks embodying the style he has matured over the last two years. Using a sonic palette that melts the emotive flavors of UK garage & soulful house into a slower amalgam of dubstep and techno, this emerging London producer offers his own suave and enticing blend of bass music. “Shackled” has already made a distinct impression as a standout track on Scuba’s DJ Kicks mix compilation released in October.


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Hotflush presents a special collaboration between two modern-day techno innovators: Paul Woolford and Psycatron. Both maintaining an influential discography on labels such as Planet E, Intimacy, Tresor, and Bedrock, they've come together to produce "Stolen", a nine-minute techno excursion. Utilising relentless, throbbing percussion that sizzles over growling, acidic synthesis and carefully placed samples, it's presented in three distinct versions, introducing filter-swept chords in the Dub Mix, and an even deeper submersion in the second Dub Mix that perfectly eclipses the raw temperament of the original.

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Hotflush presents the debut collaborative release from Arkist and Kidkut, both based in Bristol, UK. The title track is a four to the floor deep cut, adorned with subaquatic atmospherics, warm contours of bass and subtly stirring melodies, a magnificent pairing with Scuba’s imprint. On the flip side, “Vanilla Imitate” maintains the vibe and amps the energy with a smart infusion of shuffling UK garage flavors and emotive soundscapes. Arkist’s solo productions have been recently released on Appleblim’s Apple Pips label, If Symptoms Persist, and Deca Rhythm. Kidkut is the mastermind behind the Immerse Records label, which has been releasing quality bass music since 2006. His solo productions can also be found on Apple Pips and Well Rounded Records.

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Hotflush Recordings presents the follow-up single to George FitzGerald’s summer debut “The Let Down” & “Weakness”. Due for release in mid-January 2011 on Hotflush Two, this much-touted single is seeing the light of day after its inclusion in Scuba’s groundbreaking SUB:STANCE mix compilation on Ostgut Ton earlier this year. Here we see the budding London-based producer reaching into the brighter side of dubstep and garage styles, achieving a mood that is both blissful and emotive. On the flipside, Scuba gives the original mix a churning techno re-flex under his SCB guise.


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