REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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RAWAX proudly welcomes MOVE D to the family!
We are very honored to present you the legend from Heidelberg
on the sixt edition of our RX Series!


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mule musiq dives into the archives of humanoid ambient music history, bringing the vinyl premiere of a masterwork by german dj, producer, and musician david moufang, globally known as move d. released in 1995 on pete namlook’s fabled fax +49-69/450464 label, the album marks his only output as solitaire, featuring heroic, supple ambient music, that some folks call one of the best works by move d.

just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.

“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.

still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.

and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.

for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music!

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This is the last 12“ of the Pandemix Live Jams series. „Right About Now“ is built around a friendly Move D jingle dedication by Scott Grooves. A smooth flower with a breeze of calypso featuring live bass and guitar. After this gentle and rather uplifting opener, things get deeper with even more guitars and guitar synths. „The Bottom“ is a call for an end of the pandemic and the restrictions upon (night)life that came with it. Move D goes through some jazz inspired fusion modes on this one. Finally „The System Is…- Original First Take with E-Harp/Sitar“ offers the initial version of this song which was previously released on Smallville Records #57 featuring a second, more sparse mix. However, this original version is even more dreamy and introverted, but at the same time still a groovy little stomper with a steady techno pulse to close out this 12“ along with the whole set of 6 vinyl EPs.

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Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience.

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2nd in the lost tapes series from a true boss in German Electronics....TIP! * Written & Produced by David Moufang at KM20, Heidelberg



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Move D is a true legend in deep, house music. We own A LOT of his records. When we found the track 'Wanna Do' on the 50th Groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. The track was too good to be only available through that cd. So Move D sent a second - also really great - track along, and the result is what you're listening to at the moment. The first 300 copies are available on marbled purple vinyl. Get yours.



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David Moufang aka Move D (Kompakt/Simple) has now joined our "exquisite" artists roster & we can tell you that we are pretty proud to have him on board . Move D is no newcomer but one of the most respected producer out there , his EP , "Serge & Josephine" will fulfill all your expectations , proper deep house here ! On remix(es) duties we have TEP's finest Eddie C (Endless Flight/Composite) taking both tracks into a whole new level (if I may ) !



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Move D's The ‘Hydrophonic EP’ features musical contributions from friends Gal Aner (Juju) and Eric D. Clark, reflecting David’s long-held love of collaboration. The record opens with ‘Your Personal Healer’. Against the backdrop of a disco break, a filtered piano rises and falls mesmerically. Vocal spectres float, as further elements are artfully woven into the mix. Perhaps most notably, some smooth guitar licks are provided by Juju (of Juju & Jordash). There’s a playful feel to ‘Things Will Come... (...for Those Who Wait)’ – a perfectly compact track which is somewhat reminiscent of early Herbert material with it’s flat kick drum and sample-based composition. The reclined groove of ‘Sur un Bateau avec Eric’ occupies the whole of the second side – evoking memories of a Summer now just out of reach. Eric D Clark whispers in French and wind chimes sound delicately, over a square wave bassline that animates the track for the dancefloor. It’s as classy and sophisticated a release as you’d expect from Move D – for the more tasteful DJs!

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This record is like the lost crown jewels of House Music with a story that spans decades.

Originally programmed in 1998 on an Akai S3000XL, this was meant to be released on Bjørn Torske's Footnotes in 2001. Unfortunately the original matrix and the master DAT tapes got lost under crazy circumstances. Yet several years later the tapes were found by Sex Tags Mania in the studio of mastering engineer Helmut Erler and the record eventually got issued in 2009 when a totally different House sound was "en vogue."
Then due to some unfortunate coincidences most of the records ended up in far flung Japan, and so this record stayed totally underground. Yet it became a cult hit when House Music and later Disco got a proper revival around 2010/11. So over the years prices for this rarity were rising and rising...

Then fast forward to 2025: after a sunny day off Berlin's modular synthesizer show "Superbooth" ATJ boss Mr. Fonk and Doc L. Junior teamed up to finally reissue this gem with new masters by Andreas Kauffelt of "Schnittstelle" / Berlin. On this 12“ Norwegian Disco and Balearic sounds meet: funky but deep to the core, playful but hypnotic, stripped down but with baroque details. Truly one of House Music's greatest productions.

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Jens Brachvogel & Tilo Ciesla aka Studio 54, aka Dole & Kom is probably the most productive producer duo of German underground House Music. They did Disco House with heavy 808 & 909 beats in the mid 90s already – long before it stormed the German dance charts. They've remixed legends like Green Velvet, Black Box or Mateo & Matos or even pope heroes like Marc Almond. Their tunes came out on top tier labels like Nervous, Relief Records, Force Tracks and of course local Formaldehyd and BCC Music from Berlin.

Their Studio 54 project started in 1997 and quickly became their most popular moniker. Due to copyright restrictions they had to rename it „Studio 45“, a name they're still using today. On their „Vol. 2“ record in 1997 they were inspired by Disco and Boogie tunes of the 70s and early 80s that indeed were popular at the famous New York night club. What makes their tunes unique to this day is their hypnotizing, druggy approach to the original tunes. You never get a cheap, commercial copy, you'll get a mesmerizing mind trip back to the glory days of Disco, seasoned with the best classic drum machines got in them.

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Marvin Dash – Germany's best kept House Music secret. Real House Music headz have been following his versatile productions between Detroit House and Minimal Techno since the mid 90's. Back then many didn't know Marvin is really Ronald Reuter – hailing from the middle of Germany – Thuringia.

About 30 years ago Ronald and his buddy Jens Kuhn aka Lowtec teamed up for music production on their own terms in the vibrant House & Techno scene of East Germany. This scene was pure DIY: Parties somewhere out in the country, heartfelt, down-to-earth people and raw underground tunes from analogue machines. Their productions were way ahead of their times, but found a cult following by and by...

There's many great Marvin Dash records, but his main piece of work remains „Model Turned programmer“ on C-Rock's Stir15. Deep as hell, iconic soundscapes, 100% pure!

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Christian Rinderman aka C-Rock has been a main fixture of the House Music scene in Frankfurt / Germany since the 1990s. No matter what the current trends were, he always kept it deep and funky. His first release in 1995 contained a crazy club banger that became a favourite of many local and international Djs - „Funky Dope Trakk.“ Ricardo Villalobos is just one example who couldn't stop playing it over decades.
In 2012/13 the original tune got remixed and reissued on C-Rock's own imprint, „Lo-Fi Stereo.“ Both versions of the tune are long out of print and have become very RARE. So „All That Jelly“ will now reissue those four versions, carefully remastered and re-cut from the original DATs for maximum club performance and enjoyment during the next 30 years!

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Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted.

One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.

All four tunes have been carefully remastered from the original material for maximum club performance!

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Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.

Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.

This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.

Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!

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Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.

The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.

Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.

Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!

Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA.

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Mr. Fonk founded „All that jelly“ in 2016, as a sublabel of „Smile for a while.“ Mostly focussing on his DJ ventures „Karen's Piano“ is his first full EP. Produced around 2014, remixed three years later. It was signed by a big label but never saw the light of day. Now it's out in all its beauty: A timeless mashup of Disco samples, sweet strings, bouncy bass lines and classic 909 beats. On top comes a 90s House piano and diva-style vocals. Four mixes by producer friends round up a perfect oldschool House record.

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Repress!

“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...


French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...

Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.

Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.

“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days.

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Repress!

Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz....

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In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House.

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Repress!

Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.

Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out

Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music


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Repress!

DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.

Duke about this EP:

It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene

so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.

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Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience.

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We Are Thrilled to Present the Latest Ep by Renowned Artist Satoshi Tomiie, Released Under the Esteemed Phonogramme Label. This Captivating Vinyl Takes You on a Journey Into the Pulsating Realms of Techno and Dub Techno, Showcasing Satoshi Tomiie's Unparalleled Talent in Electronic Music production.
Three Meticulously Crafted Tracks Delivering an Immersive and Captivating Auditory Experience. Powerful Rhythms, Striking Basslines, and Mesmerizing Sonic Textures Seamlessly Blend Together, Creating a Breathtaking Sonic voyage.
Satoshi Tomiie, Has Captured the Essence of Techno and Dub Techno Through This Release. by Collaborating With Satoshi Tomiie, the French Label Phonogramme Continue to Solidify Their Reputation as a Source of Innovative and Exciting Electronic Music. This Vinyl Record Is an Essential Addition for Techno and Dub Techno Aficionados, as Well as for All Electronic Music Enthusiasts Seeking New Sonic Experiences....

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The 5 track cult classic EP from 2014 finally repressed! MERWYN SANDERS of OG house group VIRGO FOUR lends vocals to INKSWEL'S early drum machine experiments. Backed with outer worldly remix from UK enigma LINKWOOD, and STONES THROW alum GB. Xtra dope pic sleeve by DISCREET UNIT.

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We’re thrilled to announce the 10th release from our label, Atangana Records! After over eight years since we began, we’ve come a long way. We’ve had numerous music releases whilst focusing on preserving the Caribbean cultural heritage, which doesn’t get talked about enough.

With the creation of the association Sa Ka Touné, we’ve collected over 15,000 records and organized Tropical Clubbing events in Guadeloupe, where invited DJs dig through our association's collection before performing.

ATGN0010 Kadence-Kadance (with a K, not a C) is a tribute to our Creole roots, as it is written "kon sa." We wanted to emphasize this point.

This release features a killer Afro/Latin fusion by Alex Dorothée and is a must-listen!

A1. Kadence Kadence
B2. Dimba Tine Raison


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A new EP by Extrawelt is always something special, as they continually manage to reinvent themselves while remaining unmistakably true to their sound. The a-side „Moonster“ of their latest record forms a subtle and almost magical bridge to early musical influences such as Immortal Coil, Chris & Cosey, The Cure, and Throbbing Gristle. In doing so, they reclaim, or rather reintroduce, a powerful, mystical element into their music, one that is integrated so naturally it feels as if it has always been an essential part of Extrawelt’s sonic DNA. Beyond that, the track unfolds through numerous facets, constantly shifting and evolving. Just when you think it is settling into a familiar direction, small variations emerge, keeping the piece remarkably alive and unpredictable. You can clearly sense how much fun Extrawelt had working on this track. It is bursting with ideas, energy, and vitality, radiating a playful confidence that makes it endlessly engaging.

The b1 track „Bettermaker“ takes a different route, dedicating itself entirely to a single mood. Through subtle pitch bending and a carefully shaped tonal palette, the track unfolds with a slightly eerie, enchanted atmosphere. From beginning to end, „Bettermaker“ remains focused and unwavering. There are no breaks or dramatic shifts in direction, instead, the piece commits fully to its initial setting. A monolithic, almost mantra like motif forms the core, creating a distinctive ambience, mystical, shadowy and faintly oriental in character. This atmosphere is carried and reinforced by percussive, ethno inspired drums, which add an organic, ritualistic pulse. The result is a hypnotic soundscape that draws its strength from consistency and depth rather than contrast, inviting the listener into a secluded, otherworldly space.

The final piece of the EP „Popcorn Forever“ reveals another side of Extrawelt’s thinking. The track unfolds like a curious experiment in motion. Instead of building toward a predictable climax, sounds are gradually tossed into an ever running loop fragments, textures and small rhythmic ideas appearing almost casually, as if the piece were assembling itself in real time. At first the elements seem loosely connected, sometimes abstract, sometimes slightly mischievous in the way they twist and bend. It almost feels like an impossible construction task. But Extrawelt’s experience quietly guides the process. Bit by bit the scattered parts begin to communicate with each other. Repetition becomes the hidden engine. With every return of the loop new details slip into the structure, and what once appeared random slowly starts forming relationships inside the listener’s mind. The track never forces a clear explanation, yet the brain begins to tie the loose ends together almost automatically. Popcorn Forever therefore works beautifully as a kind of transit piece within the EP. It moves between ideas, linking moods rather than closing them off. In typical Extrawelt fashion, the result is playful, slightly surreal and full of subtle discoveries that reveal themselves over time.

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Phonogramme is pleased to re-issue one of the finest and most saught after material of Ukrainian genius Vakula, originally released in 2010 on Firecracker Records. All the DJs must check the cruising Detroit beatdown of 'Black & White', the properly laidback vibes and the rich atmospheres of 'You Can Do' and the smoky jazz tangibility of 'Different Tone'. Fans of Fudge Fingas, Linkwood, KDJ, Theo P ... this is for you.

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Revered selector Moodymann remixes ‘Take Me As I Am’ by Detroit artists Dames Brown, from their 2026 Defected LP of the same name. First distributed as a super-exclusive dubplate at Amsterdam Dance Event in late 2025, this avant-garde remix showcases a master at work, transforming the soulful feel. ‘Take Me As I Am’ into a provocative, groove-laden sonic experience for heads in the know. Kicking off 2026 with a bang, Dames Brown’s hotly anticipated full-length LP ‘Take Me As I Am’, presented by Amp Fiddler, paid homage to the late Detroitpioneer while re-introducing the vocal-house trio to the world. Across 14 tracks, the Dames weaved together their disco, R&B and house influences and c laborated with Eddie Fowlkes, Andrés, Waajeed and Amp Fiddler himself. The critically acclaimed LP was recognised by DJ Mag, Mixmag and Billboard, with the latter noting the project is “dripping with all the soul, style, funk and feeling that you might expect from the powerhouse Detroit trio.” Title track ‘Take Me As I Am’ represented the album’s elevated house sound in full, and now this fresh re-arrangement by fellow Detroiter Moodymann has arrived.

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2026 repress

Tracklisting
A1 Mala & Magugu - Militant Don
B1 Mala & Magugu - Militant Don [Instrumental]
B2 Mala & Magugu - Militant Don [Acapella]

Sales Note
Mala, returns on DEEP MEDi MUSIK with "the pidgin rap don" Magugu with a release that has been circulating as a mystery dub in different spaces around the world, for at least a year: whether Mala himself at Houghton, Skream in Ibiza, Sir Spyro shelling down club spaces or Four Tet laying bass weight on 80,000 ravers at HARD Fest in Hollywood.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2x12" 180g black vinyl//re-mastered by Robert Henke//original artwork by Theo Ellsworth.

For AI-41 Astral Industries presents a vinyl reissue of Robert Henke's multifaceted concept album 'Layering Buddha'. An erudite masterclass on sampling and composition, 'Layering Buddha' encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself.

Originally released in 2006, 'Layering Buddha' began with a curious encounter with the 'Buddha Machine' - a pocket-sized, battery powered playback device that, over the past two decades, has quietly achieved a cult status around the world. Conceived by the Beijing-based group FM3 (Christiaan Virant, Zhang Jian), the machine takes inspiration from Tibetan Buddhist prayer boxes and consists of nine sound loop compositions of varying length, which can be toggled with a single switch. Due to low production cost and manufacturing imperfections, each Buddha Machine is unique, giving slight variations in sound, pitch and duration.

Using a state of the art A/D converter Henke made high quality recordings from a single machine, providing the source material for the album. Through various processing and arrangement methods, new pieces emerged, most of them all deriving from a single source loop. The pieces were then set up on the computer as generative arrangements, living as continuously permutating structures that could theoretically go on forever - just as the loops do within the Buddha Machines…

The final pieces featured on the album are rendered excerpts of these infinite permutations, and therefore exist as momentary views on a perpetual machinery, as opposed to closed works. Upon initial exploration, it also became a natural development to format the work into an immersive multi-speaker performance - which premiered on January 31, 2007.?
Within the music, subtle artefacts and idiosyncrasies are transmuted into new realms of texture and timbre. Through the extractive hand of subtle augmentations, an array of ethereal dimensions emerge from the vast unseen ocean. Suspended in a sense of timelessness, their undulating rhythms point to a pool of endless mysteries.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More