1
Brian Harden - Instinctive Pleasure
2
Brian Harden - Bliak
3
Brian Harden - Wet Dreams
4
Brian Harden - Suede Keys
Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted.
One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.
All four tunes have been carefully remastered from the original material for maximum club performance!
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One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.
All four tunes have been carefully remastered from the original material for maximum club performance!
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More records from Brian Harden
1
Brian Harden - Zion
2
Brian Harden - Nomadic Jazz
3
Brian Harden - Yeah
4
Brian Harden - Motionless
5
Brian Harden - GO
6
Brian Harden - Inside
7
Brian Harden - Retro State
8
Brian Harden - Schmoov
Brian Harden is one of the many talented Chicago house producers out there who sit just below the top talent in terms of global reputation. But he shouldn't - his sound is as musical and timeless as any from the Windy City. He's been grafting since the 90s and now taps into that long career with a new collection of rare cuts and unreleased gems on this Instinctive Meditation album for French label D3 Elements. There is textbook heavy drum work and spaced-out synths on 'Zion' before warmer, deeper basement cuts like 'Nomadic Jazz'. 'Yeah' is a party starter with clattering percussion softened by more jazzy chord work and 'Motionless' allows you a moment to catch your breath on some cosmic ambiance. The rest of the record takes in deeper techno, samba-tinged deep house shufflers and star-gazing beauties for 4AM. Proof if you needed it that Harden is a boss.
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1
Brian Harden - Play Time"
2
Brian Harden - come on
3
Brian Harden - animal instincts
4
Brian Harden - simon's revenge
RAWAX proudly welcomes Brian Harden to the label family! We are very happy to present you one of his most wanted releases back on vinyl early 2021! It's the re-mastered version of "Play Time", which came originally out on legendary Relief Records in 1995!
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1
brian harden - "Chicago To Detroit" (Byron The Aquarius remix)
2
brian harden - "Chicago To Detroit" (Brian Chicago Sur Seine mix)
3
brian harden - "Chicago To Detroit" (Patrice Scott remix)
On the label that got him back in the game, Brian Harden returns to D3 Elements, this time with a remix EP of Chicago To Detroit, that featured on the Black 3 EP. This EP features 3 remixes, one By Brian himself and the others by Detroit’s Patrice Scott and Atlanta’s Byron The Aquarius. First up is man of the moment, Byron The Aquarius, riding high after his releases on Sound Signature and Wild Oates, with his ethereal take on the original. With it’s cosmic sounds weaving in and out, Byron manages to infuse his soulful sound on the track to take it to a otherworldly territory. Brian is up next with his “Chicago Sur Seine Mix”, introducing a steel drum and some beautiful pads that are reminiscent of 808 State’s, Pacific 202. While still keeping with the original’s pace, this remix has more of a down tempo feel, and would fit perfectly in those late night/early morning sets. Finally Patrice Scott delivers a more beat driven Detroit take on the original, with an emphasis on the hi hats and clap that really gives the track that driven feel. While still paying respect to the original, half way through Patrice takes it to another level with his atmospheric keys that round off a great remix EP.
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Originally released back in 2001 on Chicago's finest Nite Life Collective, The World Peace is one of Brian Harden's personal favourites among his many releases. Born in Chicago's southside and back by popular demand, Harden's back catalogue is full of gems, but it was after a series of coincidences that we decided to reissue two of the tracks on the original The World Peace EP, and then add a twist in the shape of an astounding remix by SIT, the duo formed by Cristi Cons and Vlad Caia.
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Brian Harden enters the Sounds Of The City team with 3 tracks following the mood operated on his previous works last year. Brian continues to draw his path, as confortable and fresh as he was a couple of decades ago, A great welcome and a strong ep for the fresh Sounds Of The City.
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The Chicago based Perpetual Rhythms label welcomes long time Chicago artist Brian Harden for the its 5th release; "The Essence of Chicago". This EP offers 3 solid tracks, including a remix by Dj Quad; all of which represent the many facettes of Chicago House & Techno...Deep, Soulful, & Banging.
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1
brian harden - 01
2
brian harden - 02
3
brian harden - 03
Since the label’s inception, Sistrum has kept an ear to the future while always keeping its roots firmly planted in the rich musical heritage of early house and techno – raw, real & unfathomably deep. In keeping with this ethos, Sistrum proudly presents a true Chicago original, Mr. Brian Harden. Three classic, late ‘90s cuts are brought together for a new generation of music lovers to enjoy, never before available as a 12” release. Simply, timeless…
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1
brian harden - Qunu
2
brian harden - Days Of Days
3
brian harden - Chicago To Detroit
After kicking off with a delightfully classy deep house EP from Chicago's Strong Souls, D3 Elements - the label run by the same person as Vibes And Pepper Records - Presents it's second EP from Brian Harden. This long anticipated EP is reminiscent of his upbeat, melodic style that is his trademark. known Best known by his affiliations with Relief Records, Underground Therapy, NiteLife Collective, Moods And Groove and House 4 Life records. Brian was also affiliated with the well Strictly Jazz Unit as well as Wavelength and Aura 9. The Black 3 EP opens with A1. Qunu - A rhythmic homage to South Africa's Nelson Mandela. A complex piece filled with tribal percussions and vibrant melodic sounds that will keep you dancing. Qunu creates an addictive rhythm of warmth and color. Definitely a club banger! A2. - Days of Days - Is a Euphoric affair with lush chords, enticing percussions with ariose bass line. Light and airy with a compelling groove. It's a masterful example of genuine house. B1. - The Black 3 Ep brings the EP to climax with Chicago to Detroit. This one is a brilliant rendition of original Chicago House. The Chords are hypnotic, Drums are truly crafted to make you move your body. Chicago to Detroit will truly be onsidered a classic.
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Very classic sounding deep house from BRIAN HARDEN. The crown jewel of his album get gets the re-rub from label honcho MIKE GRANT. Haunting sounds from the past that feel like old Frankie Knunke sets, this is bringing back the deep sound that is re-establishing Detroit again as a major force in house music. Mike's throw down's are really smoked out, blending soulful strings and chunky beats that meet with pure emotion from the blinding rhodes solos. Very MOODYMAN/ RON TRENT.
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More records from All That Jelly
1
Marvin Dash - Introduction
2
Marvin Dash - Damn Campers
3
Marvin Dash - Delicious & Delirious
4
Marvin Dash - Beat Treats (Long LP Version)
5
Marvin Dash - Balance
6
Marvin Dash - In Between (Interlude #1)
7
Marvin Dash - Model Turned Programmer (Long LP Version)
8
Marvin Dash - Motorcycle Emptyness
9
Marvin Dash - Leading In (interlude #2)
10
Marvin Dash - Friday Nigth With Burt Reynolds
11
Marvin Dash - Chocolat Weazel (Loop Edit)
Marvin Dash – Germany's best kept House Music secret. Real House Music headz have been following his versatile productions between Detroit House and Minimal Techno since the mid 90's. Back then many didn't know Marvin is really Ronald Reuter – hailing from the middle of Germany – Thuringia.
About 30 years ago Ronald and his buddy Jens Kuhn aka Lowtec teamed up for music production on their own terms in the vibrant House & Techno scene of East Germany. This scene was pure DIY: Parties somewhere out in the country, heartfelt, down-to-earth people and raw underground tunes from analogue machines. Their productions were way ahead of their times, but found a cult following by and by...
There's many great Marvin Dash records, but his main piece of work remains „Model Turned programmer“ on C-Rock's Stir15. Deep as hell, iconic soundscapes, 100% pure!
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About 30 years ago Ronald and his buddy Jens Kuhn aka Lowtec teamed up for music production on their own terms in the vibrant House & Techno scene of East Germany. This scene was pure DIY: Parties somewhere out in the country, heartfelt, down-to-earth people and raw underground tunes from analogue machines. Their productions were way ahead of their times, but found a cult following by and by...
There's many great Marvin Dash records, but his main piece of work remains „Model Turned programmer“ on C-Rock's Stir15. Deep as hell, iconic soundscapes, 100% pure!
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1
C-Rock - Funky Dope Trakk (C-Rock Remix)
2
C-Rock - Funky Dope Trakk (Sascha Dive Remix)
3
C-Rock - Funky Dope Trakk (Boris Werner Remix)
4
C-Rock - Funky Dope Trakk (1995 Original Mix)
Christian Rinderman aka C-Rock has been a main fixture of the House Music scene in Frankfurt / Germany since the 1990s. No matter what the current trends were, he always kept it deep and funky. His first release in 1995 contained a crazy club banger that became a favourite of many local and international Djs - „Funky Dope Trakk.“ Ricardo Villalobos is just one example who couldn't stop playing it over decades.
In 2012/13 the original tune got remixed and reissued on C-Rock's own imprint, „Lo-Fi Stereo.“ Both versions of the tune are long out of print and have become very RARE. So „All That Jelly“ will now reissue those four versions, carefully remastered and re-cut from the original DATs for maximum club performance and enjoyment during the next 30 years!
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In 2012/13 the original tune got remixed and reissued on C-Rock's own imprint, „Lo-Fi Stereo.“ Both versions of the tune are long out of print and have become very RARE. So „All That Jelly“ will now reissue those four versions, carefully remastered and re-cut from the original DATs for maximum club performance and enjoyment during the next 30 years!
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1
Roy Davis Jr. - A1 – RU Ready
2
Roy Davis Jr. - A2 - Save Your Life (Long Version)
3
Roy Davis Jr. - B1 - 2B Or Not 2B (Roy's Remix)
4
Roy Davis Jr. - B2 – Heart Attack (1996 Re-Edit)
Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.
Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!
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Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!
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1
Gingerblack Feat. Robert Owens - Feeling That Way (Original Mix)
2
Gingerblack Feat. Robert Owens - Feeling That Way (Jakob Seidensticker & MELINA Remix)
Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.
The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.
Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.
Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!
Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA.
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The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.
Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.
Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!
Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA.
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1
Mr. Fonk - Karen's Piano (Johannes Alber Mix)
2
Mr. Fonk - Karen's Piano (Schmutz Mix)
3
Mr. Fonk - Karen's Piano (Oleg Poliakov Mix)
4
Mr. Fonk - Karen's Piano (Original Nentwig & Fonk Dub Version)
Mr. Fonk founded „All that jelly“ in 2016, as a sublabel of „Smile for a while.“ Mostly focussing on his DJ ventures „Karen's Piano“ is his first full EP. Produced around 2014, remixed three years later. It was signed by a big label but never saw the light of day. Now it's out in all its beauty: A timeless mashup of Disco samples, sweet strings, bouncy bass lines and classic 909 beats. On top comes a 90s House piano and diva-style vocals. Four mixes by producer friends round up a perfect oldschool House record.
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1
Alex Agore - What Did I Do (Lowtone Remix)
2
Max Chapman - Breakdown
3
Oleg Poliakov - Windy Thoughts
4
Mutenoise - Jazzve
Repress!
“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...
French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...
Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.
Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.
“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days.
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“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...
French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...
Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.
Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.
“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days.
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1
Matthieu Faubourg - Modern Music For Dreamers
2
Matthieu Faubourg - Dream Frequencies
3
Matthieu Faubourg - Poly
4
Matthieu Faubourg - Caffeine
Repress!
Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz....
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Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz....
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1
The Church Of Love - F.R.I.E.N.D.S. (Original Mix)
2
The Church Of Love - F.R.I.E.N.D.S. (Muzic Box Mix)
3
The Church Of Love - F.R.I.E.N.D.S. (Paul Johnson's Dance Floor Dub)
4
The Church Of Love - F.R.I.E.N.D.S. (Warehouse Mix)
In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House.
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House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House.
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1
DJ Duke - No Mistakes
2
DJ Duke - Keep On Samplin
3
DJ Duke - The Rain
4
DJ Duke - Dukes All Jazzed Out
Repress!
Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.
Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out
Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
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Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.
Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out
Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
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1
Orlando Detroit Connection (Aka DJ Duke) - Connecting (New York Mix)
2
Orlando Detroit Connection (Aka DJ Duke) - Detroit After Hours
3
Orlando Detroit Connection (Aka DJ Duke) - Orlando Late Dub
Repress!
DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.
Duke about this EP:
It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene
so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.
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DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.
Duke about this EP:
It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene
so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.
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1
Move D - Agaga
2
Move D - Deep
3
Move D - I Gave My Love
4
Move D - Babyphonk
Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience.
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Utroit & K.O.S - Konichiwa
2
Utroit & K.O.S - Mofo
Special remarks : stamped whitelabel, limited to 100 pc.
Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S – Konichiwa
B1 Utroit & K.O.S – Mofo
Short Info:
Third release from Mitsubasa.
Stamped whitelabel, repress with black stamp and black sticker. Limited to 100 pc. only.
A1: Solid kick and acid flavoured bassline in addition to powerful percussions and synthesizers.
B1: Dark and groovy dub techno with strong delayed chord stabs and percussions.
Pressing by MPO France
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Genre: Techno
Tracklist 12":
A1 Utroit & K.O.S – Konichiwa
B1 Utroit & K.O.S – Mofo
Short Info:
Third release from Mitsubasa.
Stamped whitelabel, repress with black stamp and black sticker. Limited to 100 pc. only.
A1: Solid kick and acid flavoured bassline in addition to powerful percussions and synthesizers.
B1: Dark and groovy dub techno with strong delayed chord stabs and percussions.
Pressing by MPO France
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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1
mood 2 swing - Do It Your Way
2
mood 2 swing - All Night Long
3
mood 2 swing - I Like It
Re issued in conjunction with George Morel / Groove On. Re mastered for 2014 from original Mood II Swing dats.
Absolutely killer Mood II Swing from 1996...
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Absolutely killer Mood II Swing from 1996...
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1
Aphrodite - Stonka
2
Aphrodite - Break Of Day
3
Aphrodite - Break Of Dawn Ft. Andrew C
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1
The Rhythm Makers - Can You Feel It (Part 1)
2
The Rhythm Makers - You Better Believe It
3
The Rhythm Makers - Soul On Your Side
4
The Rhythm Makers - Zone
5
The Rhythm Makers - Funk-N-You
6
The Rhythm Makers - Street Dreamin'
7
The Rhythm Makers - You're My Last Girl
8
The Rhythm Makers - Monterey
9
The Rhythm Makers - Can You Feel It (Part 2)
Format Notes: 2023 reissue, 140g vinyl, remastered for this edition by Simon Francis
Territories: Worldwide no restrictions
Track List:
A1 Can You Feel It (Part 1)
A2 You Better Believe It
A3 Soul On Your Side
A4 Zone
B1 Funk-N-You
B2 Street Dreamin'
B3 You're My Last Girl
B4 Monterey
B5 Can You Feel It (Part 2)
Release Notes:
The Rhythm Makers's Soul On Your Side is flawless proto-disco funk. The Bronx-based band - that later went on to form heavyweight disco outfit GQ - originally released this treasure in 1976 and it's long been a hard to find record. It's also rare to find a record this hard. Captivating funk at its rawest, no doubt.
Storming out the gate with the rollicking Loft/Garage staple "Can You Feel It (Part 1)", the listener is immediately put on notice that this LP is just a little bit special. The title track, "Soul On Your Side", is a classic dancer and the basis of GQ's future hit "Disco Nights". But it's perhaps "Zone", a huge Baldelli track, that the record is best known for. Hypnotic psyched-out cosmic-disco / cosmic funk, it's an unrelenting groove that really thrusts the party into hyperdrive. With doses of scintillating Latin and pulsating African rhythms driving the pumping tune, atop an unstoppable bassline and imaginative, soul-slathered keyboard figures, it's basically a full-on funk assault. You might need a lie-down after this.
But there's no let-up on the B-Side, immediately grooving thanks to "Funk-N-You", a laidback glider that just rolls in the sleek style. Gorgeous harmony skills are displayed on "Street Dreamin'". Beautiful and gritty funk, by turns. "You're My Last Girl" is an airy ballad with two leads before the legendary "Monterey" enters the fray. A much-sampled instrumental and heavy disco-funk nugget, it contains an amazing B-Boy drum break making the whole LP worth the price of admission. "Can You Feel It (Part 2)" closes out this spectacular set.
The Rhythm Makers had been gigging around New York City since the late ’60s, having initially come together as Sabu and the Survivors, named after bassist Keith “Sabu” Crier. They eventually - for this album at least! - settled on The Rhythm Makers and cut one record for the small De-Lite subsidiary Vigor. The core lineup featured Crier, keyboardist Herb Lane, drummer Kenny Banks and rhythm guitarist Rahiem Leblanc.
Mastered for vinyl by Simon Francis, cut by Cicely Balston for Alchemy at AIR Studios with artwork restored at Be With HQ, this new edition should hopefully bring this album into the homes and record boxes of many more people.
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Germany
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Territories: Worldwide no restrictions
Track List:
A1 Can You Feel It (Part 1)
A2 You Better Believe It
A3 Soul On Your Side
A4 Zone
B1 Funk-N-You
B2 Street Dreamin'
B3 You're My Last Girl
B4 Monterey
B5 Can You Feel It (Part 2)
Release Notes:
The Rhythm Makers's Soul On Your Side is flawless proto-disco funk. The Bronx-based band - that later went on to form heavyweight disco outfit GQ - originally released this treasure in 1976 and it's long been a hard to find record. It's also rare to find a record this hard. Captivating funk at its rawest, no doubt.
Storming out the gate with the rollicking Loft/Garage staple "Can You Feel It (Part 1)", the listener is immediately put on notice that this LP is just a little bit special. The title track, "Soul On Your Side", is a classic dancer and the basis of GQ's future hit "Disco Nights". But it's perhaps "Zone", a huge Baldelli track, that the record is best known for. Hypnotic psyched-out cosmic-disco / cosmic funk, it's an unrelenting groove that really thrusts the party into hyperdrive. With doses of scintillating Latin and pulsating African rhythms driving the pumping tune, atop an unstoppable bassline and imaginative, soul-slathered keyboard figures, it's basically a full-on funk assault. You might need a lie-down after this.
But there's no let-up on the B-Side, immediately grooving thanks to "Funk-N-You", a laidback glider that just rolls in the sleek style. Gorgeous harmony skills are displayed on "Street Dreamin'". Beautiful and gritty funk, by turns. "You're My Last Girl" is an airy ballad with two leads before the legendary "Monterey" enters the fray. A much-sampled instrumental and heavy disco-funk nugget, it contains an amazing B-Boy drum break making the whole LP worth the price of admission. "Can You Feel It (Part 2)" closes out this spectacular set.
The Rhythm Makers had been gigging around New York City since the late ’60s, having initially come together as Sabu and the Survivors, named after bassist Keith “Sabu” Crier. They eventually - for this album at least! - settled on The Rhythm Makers and cut one record for the small De-Lite subsidiary Vigor. The core lineup featured Crier, keyboardist Herb Lane, drummer Kenny Banks and rhythm guitarist Rahiem Leblanc.
Mastered for vinyl by Simon Francis, cut by Cicely Balston for Alchemy at AIR Studios with artwork restored at Be With HQ, this new edition should hopefully bring this album into the homes and record boxes of many more people.
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DE - 22113 Hamburg
Germany
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1
Mood II Swing Featuring John Ciafone - I See You Dancing
2
Mood II Swing Featuring John Ciafone - I See You Dancing (Remix)
3
Mood II Swing Featuring John Ciafone - Slippery Track
4
Mood II Swing Featuring John Ciafone - Ohh
Re issue of 1996 classic house cut from Mood II Swing featuring John Ciafone.
Containing 4 tracks including the absolutely essential B side 'Slippery Track'.
Taken from the original DATs this has been fully re mastered for 2014 and will sound better than anything on discogs. No digital release planned until summer.
Re issued in conjunction with Groove On Productions Inc / George Morel.
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Containing 4 tracks including the absolutely essential B side 'Slippery Track'.
Taken from the original DATs this has been fully re mastered for 2014 and will sound better than anything on discogs. No digital release planned until summer.
Re issued in conjunction with Groove On Productions Inc / George Morel.
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1
Fresh & Low - Wind On Water
2
Fresh & Low - Stay The Night
3
Fresh & Low - Intersect
4
Fresh & Low - My Mission
RAWAX proudly presents the 5th release by Fresh & Low on their own RAWAX TREASURES series!
This time we have the honor to re-issue one of the most wanted records from their entire catalogue.
It's "Wind On Water" which came out on legendary Guidance Recordings in 1996!!!
The new version on RAWAX is re-mastered and will be out in Jnauary.
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This time we have the honor to re-issue one of the most wanted records from their entire catalogue.
It's "Wind On Water" which came out on legendary Guidance Recordings in 1996!!!
The new version on RAWAX is re-mastered and will be out in Jnauary.
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1
Strike - U Sure Do (Guestlist Mix)
2
Strike - - U Sure Do (Flava 7 Mix)
3
Lovestation - - Teardrops (Flava 12 Mix)
4
Lovestation - - Teardrops (Joey Negro Mix)
Demon Records Single Club are delighted to present a Fresh Records double sider. On Side A we have the mega club hit U Sure Do by Strike. Featured on the groups only album I Saw The Future, U Sure Do would go on to peak at no 4 in the UK charts and number one in the UK Dance Singles Charts. Widely considered as one of the biggest dance anthems of the 90s this is an essential reissue of anyone into 90s dance music. Flip it over and we're in equally good company. Lovestation's track Teardrops on the B side reached No 14 in the UK Singles chart and was a massive garage hit regularly played by everyone from Todd Edwards to Zed Bias. To complete the set we have added quality mixes from Flava and Joey Negro (Dave Lee) and it's housed in the classic Fresh Records sleeve.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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1
Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
2
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)
Repress soon!
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
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As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
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1
Sola - A1 : Un Muñeco De Madera (03:07)
2
Sola - A2 : Oye Mamá, Oye Papá (03:04)
3
Sola - A3 : He Bajado Al Infierno (02:55)
4
Sola - A4 : En Ellos Creo (03:05)
5
Sola - A5 : Soy Rebelde (03:29)
6
Sola - B1 : Tabu, Tabu (04:27)
7
Sola - B2 : Tu Te Has Ido (03:28)
8
Sola - B3 : La Última Palabra (03:20)
9
Sola - B4 : Bada-Bada-Ba (02:49)
10
Sola - B5 : Únete A Mi (05:55)
Format Notes:
2021 re-issue, 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Un Muñeco De Madera (03:07)
A2 : Oye Mamá, Oye Papá (03:04)
A3 : He Bajado Al Infierno (02:55)
A4 : En Ellos Creo (03:05)
A5 : Soy Rebelde (03:29)
B1 : Tabu, Tabu (04:27)
B2 : Tu Te Has Ido (03:28)
B3 : La Última Palabra (03:20)
B4 : Bada-Bada-Ba (02:49)
B5 : Únete A Mi (05:55)
Release Notes:
It’s hard not to notice such an unforgettable sleeve, and if the music it protects is half as memorable as the artwork, you know you just have to hear it. We don’t think you’ll be disappointed because yes, this is the majestic 1971 album Un Muñeco De Madera, courtesy of the shadowy Sola, and it sounds exactly as you’d want it to. Originally released on RCA in Mexico, it’s kaleidoscopic Acapulcan-funk.
The album’s endless grooves are propelled by softly rocking, quasi-library funk breaks. Vocally, Sola is in step with the 60s French pop-chanteuse style, but of course her lyrics are delivered in sensuous Spanish. Her voice is beautiful. Pillowy soft and tender, it can suddenly explode in mystical anger. These are ten tracks of moody, mysterious vibes that stir the spirit and sooth the soul.
The LP was written, arranged and directed by prolific Spanish composer Manuel Alejandro, the man behind an incredible number of now classic Latin love songs from the 60s, 70s and 80s. As for Sola herself, next to nothing is known about the Mexican singer except the occasional whisper heard in only the darkest corners of the annals of music history. It’s said that upon growing disillusioned with the music industry she ended up in a convent of Carmelite Sisters. Fitting perhaps, given that Un Muñeco De Madera is a spiritual wonder of a record.
Much-loved single and title-track “Un Muñeco De Madera” opens the album. It introduces us to Sola’s sparkling Latin-funk, bursting with swaggering grooves sewn by tight drums, sweeping strings and lush keys. It’s followed by the serene but melancholic bossa groove of “Oye Mamá, Oye Papá” and the strings and guitar of “He Bajado Al Infierno” that hold up vocals reaching for an eternal truth. With full-on soundtracky feels, the rolling keys underpinning the Morricone-esque soundscape of “En Ellos Creo” will give you goosebumps. The gorgeous “Soy Rebelde” (“I’m Rebellious”), sets its gentle, piano-led delivery in delicate contrast to the lyrical sentiment.
Perhaps Sola’s most well-known track, the exotic bossa of “Tabu, Tabu”, is a formidable groove. Elegant bongos, prominent bass, delicate acoustics and a persistent flute blend with Sola’s unique voice; sinuous, sassy and forceful at the same time. The stunning “La Última Palabra”, while not literally the album’s last word, is nevertheless a stirring statement of strutting Latin soul, with more musical ideas packed into this one song than the entirety of most long-players.
If you hadn’t decided already, the final two tracks that are the funk-fuelled “Bada-Bada-Ba” and the horn-heavy percussive masterclass “Únete A Mi” will leave you in no doubt that this is one very special record.
Mastered with great respect by Simon Francis, cut by the master Pete Norman and with that sleeve lovingly restored by the Be With team, this re-issue ensures that Un Muñeco De Madera now sounds, looks and feels as beautiful as it deserves to.
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2021 re-issue, 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Un Muñeco De Madera (03:07)
A2 : Oye Mamá, Oye Papá (03:04)
A3 : He Bajado Al Infierno (02:55)
A4 : En Ellos Creo (03:05)
A5 : Soy Rebelde (03:29)
B1 : Tabu, Tabu (04:27)
B2 : Tu Te Has Ido (03:28)
B3 : La Última Palabra (03:20)
B4 : Bada-Bada-Ba (02:49)
B5 : Únete A Mi (05:55)
Release Notes:
It’s hard not to notice such an unforgettable sleeve, and if the music it protects is half as memorable as the artwork, you know you just have to hear it. We don’t think you’ll be disappointed because yes, this is the majestic 1971 album Un Muñeco De Madera, courtesy of the shadowy Sola, and it sounds exactly as you’d want it to. Originally released on RCA in Mexico, it’s kaleidoscopic Acapulcan-funk.
The album’s endless grooves are propelled by softly rocking, quasi-library funk breaks. Vocally, Sola is in step with the 60s French pop-chanteuse style, but of course her lyrics are delivered in sensuous Spanish. Her voice is beautiful. Pillowy soft and tender, it can suddenly explode in mystical anger. These are ten tracks of moody, mysterious vibes that stir the spirit and sooth the soul.
The LP was written, arranged and directed by prolific Spanish composer Manuel Alejandro, the man behind an incredible number of now classic Latin love songs from the 60s, 70s and 80s. As for Sola herself, next to nothing is known about the Mexican singer except the occasional whisper heard in only the darkest corners of the annals of music history. It’s said that upon growing disillusioned with the music industry she ended up in a convent of Carmelite Sisters. Fitting perhaps, given that Un Muñeco De Madera is a spiritual wonder of a record.
Much-loved single and title-track “Un Muñeco De Madera” opens the album. It introduces us to Sola’s sparkling Latin-funk, bursting with swaggering grooves sewn by tight drums, sweeping strings and lush keys. It’s followed by the serene but melancholic bossa groove of “Oye Mamá, Oye Papá” and the strings and guitar of “He Bajado Al Infierno” that hold up vocals reaching for an eternal truth. With full-on soundtracky feels, the rolling keys underpinning the Morricone-esque soundscape of “En Ellos Creo” will give you goosebumps. The gorgeous “Soy Rebelde” (“I’m Rebellious”), sets its gentle, piano-led delivery in delicate contrast to the lyrical sentiment.
Perhaps Sola’s most well-known track, the exotic bossa of “Tabu, Tabu”, is a formidable groove. Elegant bongos, prominent bass, delicate acoustics and a persistent flute blend with Sola’s unique voice; sinuous, sassy and forceful at the same time. The stunning “La Última Palabra”, while not literally the album’s last word, is nevertheless a stirring statement of strutting Latin soul, with more musical ideas packed into this one song than the entirety of most long-players.
If you hadn’t decided already, the final two tracks that are the funk-fuelled “Bada-Bada-Ba” and the horn-heavy percussive masterclass “Únete A Mi” will leave you in no doubt that this is one very special record.
Mastered with great respect by Simon Francis, cut by the master Pete Norman and with that sleeve lovingly restored by the Be With team, this re-issue ensures that Un Muñeco De Madera now sounds, looks and feels as beautiful as it deserves to.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Phil Dawson Quintet - Ghanaba
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Phil Dawson Quintet - Ile (Part 1) [feat. Dele Sosimi & Biola Dosunmu]
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Phil Dawson,UK guitarist and producer, learned his trade with legends like South African jazz trumpet giant Hugh Masekela, Nigerian Afrobeat co-creator Tony Allen, Ethio- jazz pioneer Mulatu Astatke, and Ghanaian afro-rock dons Osibisa as well as a large handful of Brit Jazz and cultural fusion projects 'Don't Waste Your Ancestors' Time'creates a new blend of Afro- and Afro-Brazilian grooves, high-level improv and dub, and boasts an array of collaborators that push the music in new directions - spoken word artistKhadijatou Doyneh(Heliocentrics); saxophonistTony Kofi(Abdullah Ibrahim, Jazz Jamaica, Cymande etc), top pianistSam Leak(Aquarium),Afrobeat maestroDele Sosimi,who vocalises in contexts he's not been heard in before; progressive UK tenor playerJohn Martin; Ruby Rushton'sNick Walterson trumpet; Nigerian singerBiola Dosunmu(Estuary 17); Bellowhead and Dele's horn arranger, trombonistJustin Thurgur,as well as a cameo fromTamar Collocutor.The album's title paraphrases novelistWole Soyinkain a plea to all not to throw away what their ancestors fought for - whether that's through ignoring spiritual heritages, allowing ourselves to be divided and conquered, or turning a blind eye to contemporary injustices....
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
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Originally released in June 2012 with only 100 copies, Marcello Napoletano's Private Collection 001 is now being reissued. This rare jam of raw house and analog grooves showcases his unique underground style, blending deep, gritty beats with classic analog textures. TIP!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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OFFICIAL 2024 REMASTERED REISSUE
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More