Brian Harden is one of the many talented Chicago house producers out there who sit just below the top talent in terms of global reputation. But he shouldn't - his sound is as musical and timeless as any from the Windy City. He's been grafting since the 90s and now taps into that long career with a new collection of rare cuts and unreleased gems on this Instinctive Meditation album for French label D3 Elements. There is textbook heavy drum work and spaced-out synths on 'Zion' before warmer, deeper basement cuts like 'Nomadic Jazz'. 'Yeah' is a party starter with clattering percussion softened by more jazzy chord work and 'Motionless' allows you a moment to catch your breath on some cosmic ambiance. The rest of the record takes in deeper techno, samba-tinged deep house shufflers and star-gazing beauties for 4AM. Proof if you needed it that Harden is a boss. More

RAWAX proudly welcomes Brian Harden to the label family! We are very happy to present you one of his most wanted releases back on vinyl early 2021! It's the re-mastered version of "Play Time", which came originally out on legendary Relief Records in 1995! More

On the label that got him back in the game, Brian Harden returns to D3 Elements, this time with a remix EP of Chicago To Detroit, that featured on the Black 3 EP. This EP features 3 remixes, one By Brian himself and the others by Detroit’s Patrice Scott and Atlanta’s Byron The Aquarius. First up is man of the moment, Byron The Aquarius, riding high after his releases on Sound Signature and Wild Oates, with his ethereal take on the original. With it’s cosmic sounds weaving in and out, Byron manages to infuse his soulful sound on the track to take it to a otherworldly territory. Brian is up next with his “Chicago Sur Seine Mix”, introducing a steel drum and some beautiful pads that are reminiscent of 808 State’s, Pacific 202. While still keeping with the original’s pace, this remix has more of a down tempo feel, and would fit perfectly in those late night/early morning sets. Finally Patrice Scott delivers a more beat driven Detroit take on the original, with an emphasis on the hi hats and clap that really gives the track that driven feel. While still paying respect to the original, half way through Patrice takes it to another level with his atmospheric keys that round off a great remix EP. More

Originally released back in 2001 on Chicago's finest Nite Life Collective, The World Peace is one of Brian Harden's personal favourites among his many releases. Born in Chicago's southside and back by popular demand, Harden's back catalogue is full of gems, but it was after a series of coincidences that we decided to reissue two of the tracks on the original The World Peace EP, and then add a twist in the shape of an astounding remix by SIT, the duo formed by Cristi Cons and Vlad Caia.
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Brian Harden enters the Sounds Of The City team with 3 tracks following the mood operated on his previous works last year. Brian continues to draw his path, as confortable and fresh as he was a couple of decades ago, A great welcome and a strong ep for the fresh Sounds Of The City. More

The Chicago based Perpetual Rhythms label welcomes long time Chicago artist Brian Harden for the its 5th release; "The Essence of Chicago". This EP offers 3 solid tracks, including a remix by Dj Quad; all of which represent the many facettes of Chicago House & Techno...Deep, Soulful, & Banging.
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Since the label’s inception, Sistrum has kept an ear to the future while always keeping its roots firmly planted in the rich musical heritage of early house and techno – raw, real & unfathomably deep. In keeping with this ethos, Sistrum proudly presents a true Chicago original, Mr. Brian Harden. Three classic, late ‘90s cuts are brought together for a new generation of music lovers to enjoy, never before available as a 12” release. Simply, timeless… More

After kicking off with a delightfully classy deep house EP from Chicago's Strong Souls, D3 Elements - the label run by the same person as Vibes And Pepper Records - Presents it's second EP from Brian Harden. This long anticipated EP is reminiscent of his upbeat, melodic style that is his trademark. known Best known by his affiliations with Relief Records, Underground Therapy, NiteLife Collective, Moods And Groove and House 4 Life records. Brian was also affiliated with the well Strictly Jazz Unit as well as Wavelength and Aura 9. The Black 3 EP opens with A1. Qunu - A rhythmic homage to South Africa's Nelson Mandela. A complex piece filled with tribal percussions and vibrant melodic sounds that will keep you dancing. Qunu creates an addictive rhythm of warmth and color. Definitely a club banger! A2. - Days of Days - Is a Euphoric affair with lush chords, enticing percussions with ariose bass line. Light and airy with a compelling groove. It's a masterful example of genuine house. B1. - The Black 3 Ep brings the EP to climax with Chicago to Detroit. This one is a brilliant rendition of original Chicago House. The Chords are hypnotic, Drums are truly crafted to make you move your body. Chicago to Detroit will truly be onsidered a classic. More

Very classic sounding deep house from BRIAN HARDEN. The crown jewel of his album get gets the re-rub from label honcho MIKE GRANT. Haunting sounds from the past that feel like old Frankie Knunke sets, this is bringing back the deep sound that is re-establishing Detroit again as a major force in house music. Mike's throw down's are really smoked out, blending soulful strings and chunky beats that meet with pure emotion from the blinding rhodes solos. Very MOODYMAN/ RON TRENT. More

Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.

Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.

This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.

Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals! More

Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.

The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.

Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.

Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!

Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA. More

Mr. Fonk founded „All that jelly“ in 2016, as a sublabel of „Smile for a while.“ Mostly focussing on his DJ ventures „Karen's Piano“ is his first full EP. Produced around 2014, remixed three years later. It was signed by a big label but never saw the light of day. Now it's out in all its beauty: A timeless mashup of Disco samples, sweet strings, bouncy bass lines and classic 909 beats. On top comes a 90s House piano and diva-style vocals. Four mixes by producer friends round up a perfect oldschool House record. More

Repress!

“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...


French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...

Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.

Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.

“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days. More

Repress!

Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz.... More

In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House. More

Repress!

Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.

Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out

Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
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Repress!

DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.

Duke about this EP:

It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene

so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time. More

Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience. More

OFFICIAL 2024 REMASTERED REISSUE More

The first full-length studio album by Richie Hawtin, who was 22 years old at the time and living in Windsor, Canada. It was first released in June 1993 under the F.U.S.E. name on Hawtin’s own Plus 8 Records imprint and again on Warp Records as part of the ‘Artificial Intelligence’ series.
Remastered back in 2019, the reissue features original artwork from Richie’s brother, Matthew Hawtin.

Growing up in Windsor, Ontario, Richie Hawtin aka F.U.S.E. would make frequent excursions across the border to Detroit in search of record shops and new clubbing experiences. Soon he would take up a residency at the small subversive club The Shelter and develop his skills as a DJ. Together with his close friend John Acquaviva they launched Plus 8 Records in 1990 to release their own creations and to support other up-and-coming, like-minded techno producers who were in search of a musical home. Richie started recording under the cryptic alias F.U.S.E.- abbreviation for ‘Futuristic Underground Subsonic Experiments’ - and released seminal tracks like ‘F.U.’ and ‘Substance Abuse’ (1991). The From Our Minds To Yours compilations released on Plus 8 would make a mark on the developing techno scene in Detroit and beyond. At age 22 Hawtin released his first full-length studio album under his F.U.S.E. pseudonym. Dimension Intrusion was largely inspired by science fiction films and a collection of available vintage synthesizers and drum machines. Playing with their electronic yet warm sound effects, the young producer in turn discovered some of his favourite instruments. His heady manipulations of the Roland TB-303 acid sound helped develop an influential style that would have a lasting impact on electronic music. The tracks on Dimension Intrusion range from club focused techno to soundtrack ambience and can be seen retrospectively as experiments leading to what would soon become Hawtin’s trademark acid-laced Plastikman sound.

- Spec Black 2LP Vinyl in polylined inner sleeves in wide spine outer sleeve with 12” poster insert

[4th October 2023] Today, Warp announces reissues of two more albums from their Artificial Intelligence series: Dimension Intrusion by F.U.S.E. (aka Richie Hawtin) and Ginger by Speedy J. Both records were originally released in 1993, and these new vinyl editions mark their 30th anniversary.

Although unique records by distinctive artists, there are some strands that tie the two albums together. Dimension Intrusion was the fifth album in the Artificial Intelligence series, originally released on 7 June 1993, whilst Ginger was the sixth album in the series, coming out two weeks later on 21 June. Whereas the rest of the series focused on elevating underground electronic producers from the UK such as Autechre, B12, Black Dog Productions and Polygon Window, these two entries in the series added an international dimension, representing North American and Northern European takes respectively on the techno genre. Both albums were also released in Canada on Richie Hawtin’s own fabled Plus 8 label, with Paap putting out a domestic edition of Ginger in the Netherlands on his Beam Me Up! imprint, echoing the accidental Star Trek reference in Warp’s own name (actually a shortening of original name Warped). Both artists would go on to record for NovaMute, a dance music subsidiary of Mute Records.

The concept that unites this music above all however is the idea of crafting electronic music for home listening, charting the evolution of a musical form that had started out purely dancefloor-focused. Both Paap and Hawtin had started to make tracks with this idea in mind independently, and it chimed perfectly with the series that Warp founders Rob Mitchell and Steve Beckett were putting together concurrently to showcase exactly this development. The compilation that gave the series its title and kicked things off, housed in a striking sleeve featuring a robot reclining in an armchair, surrounded by album sleeves, succinctly communicated the central idea with a certain amount of tongue-in-cheek humour. It was after Paap had contributed to Artificial Intelligence with Speedy J’s “De-Orbit”, alongside Richie Hawtin making an appearance using his UP! pseudonym, that Mitchell and Beckett invited them to come on board to the series with full artist albums for release on Warp.
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Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank, Linda Imperial, and Peggy Gibbons joined Cowley in the studio. The resulting songs included “Kickin’ In,” a 9-minute cybernetic disco stormer that taps into the essence of Cowley’s hi-NRG sound: equal parts spaced out and zoned in on the dancefloor. In May 1978 Cowley joined Loverde on stage at The City to perform “Kickin’ In” as they opened for disco diva Sylvester.

“Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of "Kickin’ In," allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features frequent Cowley collaborator Paul Parker on background vocals. This reissue of Kickin’ In includes features an illustration by Gwenaël Rattke that originally appeared Cowley’s erotic journal, Mechanical Fantasy Box, as well as a postcard with lyrics. “Patrick parted the veil and entered a dark world of forbidden vices, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.” – David Diebold, Tribal Rites More

Tracklisting
A1 Louis The 4th - Rootedness
A2 Louis The 4th - Conception
B1 Louis The 4th - Two Days Before Leaving
B2 Louis The 4th - Tumultuous Groove
B3 Louis The 4th - Frequencies

Sales Note
Groovy, percussive and hypnotic tracks by Louis the 4th. More

Tracklisting
A1 Taken - Hybrid
A2 Taken - Drumcode
B1 Taken - Ice Truck
B2 Taken - Standard Truck

Sales Note
TAKEN [2024] MADE IN STOCKHOLM FOR [TH TAR HALLOW]

TAKEN = Elias Landberg & Nihad Tule More

Jungle don Sky Joose brings 3 unmitigated Jungle smashers on this N4 Vinyl release. Fire Burning a classic from the 90s backed with 2 more smashers from back in the day. The original press going for over 100 on discogs. Shouts to Sky for coming to the label... More

4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilises energetic drums and techy synths to up the ante. More

John Beltran in proper downtown Detroit mood! Including a remix from the Knight Of The Jaguar man himself Rolando! BIG! More

West London’s Slip ‘N Slide presents a special four-track package on wax for the first time, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite ‘Lovelee Dae’. An iconic artist who needs little introduction, Seth Troxler’s name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and with Night Tales, further cemented the talent as an underground hero - he now joins the likes of Carl Craig, Roman Flügel, and Isolée in giving ‘Lovelee Dae’ an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties is Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, who adds his signature beat focussed approach to the iconic track. This vinyl package also includes Blaze’s striking original, as well as one of the very first remixes from the late 90s, the 20:20 Vision remix of which used copies go for big money. This is an essential 12 inch EP for any true house fan. More

Power Music Records presents Mood ll Swing! This release was originally only available as limited red vinyl edition. On A side ther are the glorious originals from Mood II Swing "Move Me" and "Move Me - Alternative Mix". On The B side we have 2 great remixes of Mood II Swing's "Call Me" by DJ Duke.
The 2018 remastered version will be available on red and black vinyl

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