Whoever says small labels are getting damaged by Record Store Day haven't heard what the Belgian Deep & Soulful house label Melodymathics unleashes on April 18th. Some of the country's finest, from the early and present House scene, are united on this 12" release. Raoul Belmans also know as Dj Raoul (Swirl People/Food Club/Silo), Raffa formerly know from soul and future jazz band 'Sweet Coffee' and labelowner Melodymann bring three feel good house cuts based around a self explanatory vocal motif 'Keep It Coming!' by one of Melodymathics residents 'Alex Agore'. It's this sort of euphoric House Music you can drop anytime in your set and just stand back watching a sea of arms raised in response More

Following the success of the Consumer EP by fellow label owner James Johnston comes the Praise EP by Alex Agore, and it's a true return to form for him on No Matter What. The record opens with the title track "Praise" - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. Uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. "Falling" is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. A perfect track to start a night or to end one. The B-side completes the package with two undeniable house jams. You will soon realise how much you like "There's No Love" when its skippy vocal is stuck in your head, hours after hearing it for the first time. "I Can Feel You" closes out the EP on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.
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The Deep Down Slam label has Alex Agore supply some Rhodesy house for their third release. Swooning organs and various clatters of hats and percussion rattle "Show U Love" while stretched out synths lay spread over a syncopated bassline and cut vocals in "Get Dub". "No Name 3" sees more luscious Rhodes and chimey organs play out a dancey house melody, while "We Can't Talk" adds more chordal riffage to an EP which screams house music More

After a smash debut release that had house heads from around the globe taking notice, No Matter What Records is back with a vengeance for their second release. This time around label co-founder Alex Agore takes the lead with 4 tracks of raw underground house deepness that channels the energy and spirit from dance floors of long ago. Alex kicks things off on side A with the beautiful "Stay Together". A sizzling cymbal slices its way through the twisting game between the warm bassline, brooding deep chords and soulful vocals creating a perfect harmony. Alex continues this momentum right into the inside cut of the A side with "It's Not Important". A bright heart felt piece that keeps it simple and focuses on what really matters: a warm bassline, cracking kick and deep shining chords that will force you let go of all your troubles. On the flip side, the outside cut's title says it all…"Feel It;" and if you don't, you may need to seek some type of medical attention. As velvety smooth bassline bounces along, generous key splashes rain down causing your head to uncontrollably nod in agreement. As Alex rides off into the sunset he leaves us with the anthem "Do You Believe?" that will convert even the most skeptical ear. As the unflinching bassline powers on, the infectious swinging kicks, claps and high hats will transport your mind, body and soul all the way back to Zanzibar.

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Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted.

One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.

All four tunes have been carefully remastered from the original material for maximum club performance! More

Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.

Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.

This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.

Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals! More

Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.

The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.

Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.

Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!

Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA. More

Mr. Fonk founded „All that jelly“ in 2016, as a sublabel of „Smile for a while.“ Mostly focussing on his DJ ventures „Karen's Piano“ is his first full EP. Produced around 2014, remixed three years later. It was signed by a big label but never saw the light of day. Now it's out in all its beauty: A timeless mashup of Disco samples, sweet strings, bouncy bass lines and classic 909 beats. On top comes a 90s House piano and diva-style vocals. Four mixes by producer friends round up a perfect oldschool House record. More

Repress!

Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz.... More

In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House. More

Repress!

Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.

Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out

Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
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Repress!

DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.

Duke about this EP:

It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene

so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time. More

Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience. More