2025 Repress

FORMAT 2LP black vinyl, full printed sleeve, download code

TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05

Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood

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2023 Repress

FORMAT 12" 180g vinyl, generic sleeve, dl card

TRACKLIST

A1. Master Builder (Original Mix) 03:37
A2. Master Builder (Sandman Option) 04:03
B. Quartz 06:35

RELEASE INFO:
Almost 30 years after its initial release, and accompanying the re-release of ’Internal Empire’
Tresor Records is proud to present a new pressing of Robert Hood’s essential “Master Builder” EP.
This work elevates its maker as master, and remains a cherished moment in the Tresor story, sharing an
irrefutable singular magic, sounding as present and indispensable as when first created. Originally
released in 1994 and 1995, ‘Internal Empire’ and "Master Builder" mark a point of transition for Robert
Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced
uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be
done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound,
influencing generations to come.
"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour
dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My
intention was to create something distinctively dierent. Looking out my living room window in Detroit
watching people go by gave me a new perspective. It made me look at the world within myself. 25 years
later I am still discovering.” - Robert Hood, 2019

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Territories: World excl. UK

2025 Repress

FORMAT: 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45


Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.

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2025 Repress

Territories: World excl. UK

FORMAT 2x12" 180g vinyl, silver pantone, UV spot varnish

Tracklist 2LP
A1 Digital Tsunami 06:20
A2 Soul Of The Sea 04:30
B1 Dr. Blowfins’ Black Storm Stabilizing Spheres 06:11
B2 Song Of The Green Whale 04:56
C1 Lake Haze 05:16
C2 Mission To Ociya Syndor And Back 05:12
D Under Sea Disturbances 08:06

Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the
long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

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2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49

RELEASE INFO:

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Digital Tsunami 06:19
A2. Aquatic Cataclysm 05:17
B1. The Plankton Organization 06:06
B2. Birth Of New Life 06:17

RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

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Germany
Contact: [email protected]More

2025 Repress

Territories: World excl. UK

FORMAT FORMAT 2LP, 180g vinyl, silverpantone printed sleeve w/ UV spot varnish, incl. download code with digital bonus tracks

Tracklist 2LP:
A1 Intro: Temple Of Dos De Agua 01:00
A2 Andreaen Sand Dunes 06:15
A3 Running Out Of Space 01:54
A4 Universal Element 01:55
B1 Habitat 'O' Negative 05:16
B2 Funk Release Valve 03:06
B3 Organic Hydropoly Spores 02:07
B4 Draining Of The Tanks 02:43
C1 Surface Terrestrial Colonization 06:56
C2 Oxyplasmic Gyration Beam 04:17
D1 Triangular Hydrogen Strain 03:55
D2 Bottom Feeders 03:25
D3 C To The Power Of X + C To The Power Of X=MM=Unknown 02:35

Release Info:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.

The series starts with Neptune's Lair, first released in 1999, with the Hydro Doorways single arriving shortly after. In November, Harnessed The Storm and Digital Tsunami are coming. In 2023 comes the release of Transllusion in February. The series is completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope - at the end of March.

These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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Germany
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Territories: WORLD EXCLUDING UK

TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09

Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.


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FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 System Awakens 04:43
2. / A2 Live Wire (Zirp Zirp) 05:38
3. / B1 Echoes Of 04:48
4. / B2 Together In A Rural Place 04:49
5. / B3 Moment To Memory 04:44

6. / DX1 Recircuit (Digital Bonus) 04:43
7. / DX2 Reclaim (Digital Bonus) 05:10

Irish techno producer, Kerrie, returns to Tresor Records on the 24th of October 2025 with her second EP for the label. Entitled Echoes Of The Live Wire, this collection captures the beauty and essence of live performance; a moment in time never to be repeated.
This fixing of time is also given a different meaning as the EP explores the ways in which intense moments in our lives, both joyful and painful, are crystallised into memory, both beautiful and haunting, lingering long after they've passed.
Layered meanings are employed throughout as Kerrie explores this idea: Live Wire draws connections between circuit boards and the human nervous system, whilst also toying with multiple meanings of the word “live”.
Echoes Of channels classic Detroit techno influences, resonating with the distant hum of memories that refuse to fade, while Moment To Memory is a beatless, floating piece which slowly builds to an ecstatic crescendo.
Digital bonus tracks Recircuit and Reclaim add further depth to the core metaphor: the former a driving, minimal yet building techno work-out, and the latter a cathartic and emotionally open track that delivers intensity with vulnerability.
Echoes Of The Live Wire reflects on memory as a complex, dual-sided force where joy and pain coexist with equal weight. Her creative process becomes a form of meditation and emotional processing, using machines to process, reflect, and let go. The result is a body of work that loops back on itself, telling a story of fleeting moments and their lasting emotional imprints.




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Germany
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Territories: World excl. UK

FORMAT 2025 repress, 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.


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2025 repress

2LP, 140g vinyl, full printed sleeve, dl card

TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35

Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon; “Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided that its high time to give these seminal albums another airing.

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FORMAT 2 x 140g black vinyl, full printed pantone color sleeve, dl card

TRACKLIST:

01. / A1 C4 04:48
02. / A2 BOXX 04:33
03. / A3 BLOKK 06:05
04. / B1 FLIKK 06:47
05. / B2 3D 06:16
06. / C1 707 07:07
07. / C2 II 05:28
08. / C3 SKKETCH 01:55
09. / D1 UURWERK 04:08
10. / D2 MOTHERJAM 08:55

On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.


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TRACKLIST
1. / A1 ClickClickClick 05:34
2. / A2 Gearbox 05:45
3. / B1 Destination 909 05:59
4. / B2 Reach Out 06:03

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.




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TERRITORIES: WORLD minus UK

FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included

TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57

RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

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FORMAT 12" vinyl, generic sleeve, postcard download card 10x15cm

TRACKLIST
1. / A1 pow 05:16
2. / A2 diff, block mix 03:51
3. / A3 zipp prompt 04:27
4. / B1 stadion progg 06:12
5. / B2 stadion progg, jean redondo remix 04:12
6. / B3 pow2, epilog 01:47
7. / DX mud zu (digital bonus) 06:03

To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences
that have fills and accents that would make anyone who’s picked up a set of drumsticks envious. Yet this ecosystem of noise is deceptive; Schwarz’s process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability-based music tools for manoeuvring sounds and sequencing.
Manipulating those probabilities takes a skilful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the
moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows,
following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine. And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in ‘zipp
prompt’; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of ‘diff, blockmix’ and ‘pow’ adding texture that brings vitality all-too-easily missed out when complex mathematical
processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023’s ‘yet’
compilation on Tresor.
The balance between technology and a sense of fun might also come from the maker; it’s not easy to overstate Schwarz’s passion for what is now his favourite way to make music, “it never gets boring. There’s always a moment
of anticipation to see what actually emerges.” And the true “power of 2” comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.

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2025 Repress

FORMAT 2LP black vinyl, full printed sleeve, download code

TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05

Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood

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FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Ripetitivo (Stretch Mix) 05:38
2. / A2 Seq21 05:00
3. / A3 Cycles 03:47
4. / B1 WTT (Dub Mix) 03:28
5. / B2 Life 07:30
6. / DX1 Sogno (Digital Bonus) 04:48
7. / DX2 Miramare (Digital Bonus) 06:27
8. / DX3 The EXP Days (Digital Bonus) 05:30

Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.

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2025 REPRESS….

Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.

TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53

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12" Vinyl

Track List:

A 1 One For Archie 04:07
Nicole Mitchell: Flute
Nduduzo Makhathini: Piano
Moor Mother: Voice

Written by Moor Mother, Nicole Mitchell & Nduduzo Makhathini
Produced by Nicole Mitchell & Nduduzo Makhathini
Recorded at Enjoy Jazz Festival Germany by Patrick Destandeau

B 1 They’ve Got A Plan 04:55
Moor Mother

Written, composed and produced by Moor Mother


Mastered by Lopazz at Mixmastering
Cover Artwork: Nonot Studio


A duo concert featuring universal artist and activist Moor Mother and Archie Shepp was planned for October 19, 2023, at the Enjoy Jazz Festival. However, a spinal disc operation on the then 86-year-old saxophone legend led to the cancellation of this eagerly awaited world premiere – and to a spontaneous demonstration of respect.
To honor the great Archie Shepp, one of the most influential intellectuals in jazz, an Enjoy Jazz all-star cast spontaneously recorded a tribute song during the festival – organized by festival director Rainer Kern. The line-up consisted of Nicole Mitchell, the most important flutist in the history of jazz, as well as the Enjoy Jazz “Artists in Residence” for 2023 and 2024, Moor Mother (spoken word) and Nduduzo Makhathini (piano).
In her lyrics, the poetess creates a powerful linguistic monument to Archie Shepp, whom she greatly admires, by playing with the titles of the saxophonist's legendary recordings (instead of with him himself). The title “One For Archie” is an allusion to Shepp's 1964 Impulse debut, “Four For Trane,” which, according to “Jazzwise”, is one of the “100 Jazz Albums That Shook The World.” In her moving text, Moor Mother also celebrates Shepp's political and social commitment.
The way Moor Mother rhythmically and aesthetically picks up on Shepp's unique playing style, which oscillates between rugged clarity and deep humanity, begins to improvise on it, and thereby creates new connections, is impressive proof of her masterful artistry. Her recitation is peppered with haunting dramatic climaxes that give listeners goosebumps due to their authenticity.
The B-side features “They've Got A Plan,” a song that is like a beacon. An intense and powerful invocation of “Agenda 2063,” a master plan of the African Union to transform the continent socially, economically, and politically.
Both tracks are available on vinyl for the first time.

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Rights: World excluding FR & UK

Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.

COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice

VINYL EDITION

Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct

Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine


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Territories: Worldwide no restrictions

Format Notes: Hyper-limited (300 only!) ethereal ambient-guitar-soul, originally released on cassette only. 2025 first time ever vinyl release, 140g vinyl.


Track List:

A1 XI
A2 XII
A3 XIII
A4 XIV
A5 XV
A6 XVI
A7 XVII

B1 XVIII
B2 XIX
B3 XX

Release Notes:

On a "Balearic-Jazz trip", the phenomenally hyped Thought Leadership returns with another X ideas: the deck this time chooses the Ace of Swords. In the acclaim garnered by III of Pentacles, there were many whispers of “Balearic” from those in the know. As soon as you drop the needle on XI you will be basking in turbo Balearica.

Originally out on cassette only, we present the first ever vinyl issue. It's a hideously limited pressing of 300 for the world, so don't sleep on this.

The sonic palate has been augmented by the addition of synth and bass; there are more guitar layers, more pedals and more organic drums this time – a much fuller production. Still DIY, and still recorded straight to multitrack, just ever so slightly grander in scale; think a rough-hewn, long-lost Claremont 56 cut and you’ll have some idea of how XI opens this future classic LP.

The touchstones so key to the vision of Pentacles (Cocteau Twins, Dif Juz, Durutti Column) are all still present and correct; XII could be a piece from Extractions, XIII is pure Garlands-era Guthrie and, now with the shuffling jazz drums, XV makes TL even more LC – but more disparate influences are found this time out too. ECM guitar legends John Abercrombie and Pat Metheny in the more considered melodic phrasing and harmonic structure of the ideas and a nod to the cosmic Balearic spirit in the overall vibe, means more is offered to the listener across Swords.

XVI and XVII are the biggest indicators to Thought Leaderships’ new found love of The Real Book and their grasp of jazz chords. The former sounds like if Mike Hedges had produced on a heavily sedated ECM date in the early 80s, whilst the latter is Bright Size Life condensed into a most post-punk shard of Strat conversation. The syrupy Phase 90 on the lead parts lends much weight to the guitar melodies, a beautiful tonal counterpoint to the Vox-ish chimes of the plangent chords we’ve all come to love.

The flip again treats us to three extended, improvised jams. XVIII owes as much to Canterbury as it does to Krautrock, another modal voyage through the stars. Light the incense and drift away, guided by delayed cymbals and weaving ribbons of guitar. XIX has almost a New-Wave/Sophisti-Pop energy to it in tone, if not in structure and execution. Something almost Tears for Fears-esque in the chiming chorus guitars. An interesting outlier that has already received a lot of love from those that have heard it. XX is the starkest idea, and the only piece this time with no drums. What we do get, however, is a free exploration over a two chord-vamp. It’s Harvest Time meets Planet Caravan and a fitting end to this Balearic jazz trip.

Be With is honoured to present the first ever vinyl release of Ace Of Swords, carefully remastered by Be With's engineer Simon Francis to ensure it sounds better than ever after its initial tape release. Cicely Balston's expert skills have made sure nothing is lost in the cut at Abbey Road Studios whilst the records have been pressed to the highest possible standard at Record Industry, in Holland. The original tape cover artwork, so crucial to Thought Leadership's striking visual aesthetic, has been rejigged for vinyl issue here at Be With.

The last one flew. You have been warned.

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Tracklist
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock

Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.



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GENRE/S: House, Chill House

TRACKLIST:
[Vinyl]
A 33 RPM 1. You took me in / 2. Blur
B 45 RPM 1. Somewhere
C 33 RPM 1. Between here and home / 2. Light (from within)
D 45 RPM 1. This is not the End

SHORT INFO:
Swedish artist Martinou crafts deeply immersive electronic music, seamlessly balancing weight and delicacy. His productions oscillate between hypnotic intensity and introspective warmth, always evoking a visceral response on the dancefloor.
After releasing on acclaimed labels like Nous’klaer, Turbo Recordings, and Mule Musiq, the Malmö-based producer now makes his long-awaited debut on Stockholm’s Studio Barnhus. His Linked EP showcases six meticulously layered compositions, where intricate rhythms intertwine with luminous melodies – ethereal synths drifting in and out of the grooves, shaping an atmosphere that’s both expansive and deeply personal.
With Linked, Martinou further refines his signature approach, crafting music that feels at once free-flowing and deliberate. It’s a record that invites deep listening yet remains primed for the floor – a testament to the Malmö maestro's knack for blurring the lines between club functionality and sonic storytelling.

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20TH ANNIVERSARY ALBUM RE-ISSUE ON DOUBLE BLACK VINYL AND DOUBLE CD - REMASTERED FOR 2025. (GATEFOLD VINYL/ DIGIPAK CD).

Originally released on Mon 22 August 2005, the Furries' third and final album to be recorded by Epic Records, Love Kraft is to be reissued on double vinyl, 2CDs, including the 22-track bonus CD, Kiss Me With Apocalypse and digital formats on Fri 24 October 2025 via the Cardiff-based independent label, Strangetown Records. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led Rock 'N' Roll Flu, plus the distorted space-jam of Cae Marw, the band's deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian.

The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other 90's guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, The International Language of Screaming. The next decade saw the release of the first Top 20-charting, Welsh language album, Mwng (2000), followed by further experimentation and commercial success with Rings Around The World (2001) and Phantom Power (2003).

Love Kraft's sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band's stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies.
While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft's story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album's songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first 'best of…' package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce).

Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. Zoom's opening splash into the recording studio's swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album.

Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve's depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft's woozy songs. The final sleeve design again comes courtesy of Mark James.

Double vinyl splits:
A1) Zoom! A2) Atomik Lust A3) The Horn A4) Ohio Heat
B1) Walk You Home B2) Lazer Beam B3) Frequency B4) Oi Frango
C1) Psyclone! C2) Back On A Roll C3) Cloudberries C4) Cabin Fever
D1) *surprise*


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Tracklist:

1. Cherry
2. Blush
3. Grasshopper
4. Brown
5. Bubbles
6. Old Vine
7. Jaune
8. Summer Rot
9. Hogshead
10. Legends
11. Botrytis
12. Daddles


Short info:

Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.

Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.

A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.




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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!


"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats

"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)


GENRE/S: Techno, Acid, Ambient

New liner notes by Alex From Tokyo


On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.

'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.

Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.

The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.

Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.

'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.

He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.

Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.

-

This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.

There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.

The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.

3LP Vinyl
Catalogue no: MMDS24004LP

Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)

Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)

Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)

Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)

Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**

Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**

**= 5 unreleased tracks released for the 1st time on vinyl.

New liner notes by Martyn Pepperell



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LP

Tracklist:

1. Frame
2. Unseen
3. Liquid Sky
4. Blue Air
5. Iglu
6. Flickering Wall
7. Die Lustigen Sedruner
8. Unveil
9. All Of A Sudden
10. To Jane Borki
11. Titnuts
12. Moonchild



Short info:

Reintroducing Soar - the alias of Christian Aebi, serial DIY taper and one-man orchestra from Langenthal, a fog-shrouded town in the Swiss provinces. Krautophobia, ambient lo-fi agriculture, analogue soul balm and slowspeed psych gelati-blitz cardboard pop only gesture towards the sound world he coaxed from his broken Tascam four-track recorder, in attics, churches, junkyards and at the kitchen table.

The spark for Soar was likely time and space, somewhere in the autumn of 1994. Armed with a cable salad of Sixties guitar/bass, fairground drums, mould-speckled organs and toy instruments, Aebi coaxed five albums, an unverified run of 25 cassettes, and a handful of gigs. Mostly issued through Zurich label Corazoo, the records arrived in hand-pasted sleeves, rough-cut reproductions of his teddy bear-fixated artwork that carried the same imperfect immediacy as the music. With Rudi Steiner, performances in galleries, clubs and halls bent into live sound-image happenings - part installation, part film, part flea-market-instrument theatre - invariably leaving the house engineers bewildered.

At the time of his untimely death in 2021, Aebi remained a village secret, his music passed quietly between friends and local ears. Now, Swiss graphic designer and Ghost Riders compiler Ivan Liechti has pieced together a portrait from the afterglow, gathering tangled audio formats, paintings, illustrations, photographs and notebooks with his family, former label and peers. What emerges is a first glimpse of Soar's intimate cosmos - brushing against Füxa, Spectrum, Dump, Stereolab and King Crimson, but orbiting a dimension entirely his own.





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