1
Roy Davis Jr. - A1 – RU Ready
2
Roy Davis Jr. - A2 - Save Your Life (Long Version)
3
Roy Davis Jr. - B1 - 2B Or Not 2B (Roy's Remix)
4
Roy Davis Jr. - B2 – Heart Attack (1996 Re-Edit)
Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.
Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals! More
Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.
This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.
Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals! More
More records from Roy Davis Jr.
1
Roy Davis Jr. - Hidden Hebrew (Original Mix)
2
Roy Davis Jr. - Hidden Hebrew (Tolga Fidan Remix)
3
Roy Davis Jr. - Hidden Hebrew (Housework Remix)
4
Roy Davis Jr. - Summer La Costa (RDJ Mix)
5
Roy Davis Jr. - Summer La Costa (Mourad Remix)
The first release on P'OE RECORDS from the house legend. This must have record features soulful originals by ROY alongside remixes by TOLGA FIDAN, HOUSEWORK and MOURAD. Dive into a blend of deep rhythms, vibrant beats and innovative sounds. 5 tracks. Pic sleeve.
cover will follow soon. More
cover will follow soon. More
1
roy davis jr - Acid Rage
2
roy davis jr - Electrical Problems
3
roy davis jr - Heart Attack
4
roy davis jr - Lost Voyage
RAWAX is very honoured to welcome a true House legend to the family. Mr. Roy Davis Jr joined forces with us to present some of his greatest releases re-mastered & back on vinyl! We're starting with "The Wild Life E.P." from 1994. Added on board the Chicago house production team Phuture, as a replacement for DJ Pierre, Roy Davis Jr. later followed his mentor to New York and worked at Strictly Rhythm, recording his own singles for Force Inc., Big Big Trax and Power Music. Originally born in California, Davis moved to Chicago's south side early in his childhood. After being turned on by legendary acid-house pioneers like Phuture and Lil' Louis, he became a DJ and began producing as well, with his first single, "20 Below," recorded for the Jack Trax label.
Roy describes the music that he makes as "soul electrica"; soul music mixed with electronics. His style has changed and grown up through the years as he has been going back to his spiritual roots in house music, away from the sound that he once was associated with - Phuture's "acid" and "wild pitch." The sound he is working on is expanding more on the soulful side combining an unmistakable deep funk sound of Chicago. More
Roy describes the music that he makes as "soul electrica"; soul music mixed with electronics. His style has changed and grown up through the years as he has been going back to his spiritual roots in house music, away from the sound that he once was associated with - Phuture's "acid" and "wild pitch." The sound he is working on is expanding more on the soulful side combining an unmistakable deep funk sound of Chicago. More
More records from All That Jelly
1
Brian Harden - Instinctive Pleasure
2
Brian Harden - Bliak
3
Brian Harden - Wet Dreams
4
Brian Harden - Suede Keys
Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted.
One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.
All four tunes have been carefully remastered from the original material for maximum club performance! More
One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.
All four tunes have been carefully remastered from the original material for maximum club performance! More
1
Gingerblack Feat. Robert Owens - Feeling That Way (Original Mix)
2
Gingerblack Feat. Robert Owens - Feeling That Way (Jakob Seidensticker & MELINA Remix)
Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.
The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.
Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.
Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!
Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA. More
The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.
Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.
Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!
Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA. More
1
Mr. Fonk - Karen's Piano (Johannes Alber Mix)
2
Mr. Fonk - Karen's Piano (Schmutz Mix)
3
Mr. Fonk - Karen's Piano (Oleg Poliakov Mix)
4
Mr. Fonk - Karen's Piano (Original Nentwig & Fonk Dub Version)
Mr. Fonk founded „All that jelly“ in 2016, as a sublabel of „Smile for a while.“ Mostly focussing on his DJ ventures „Karen's Piano“ is his first full EP. Produced around 2014, remixed three years later. It was signed by a big label but never saw the light of day. Now it's out in all its beauty: A timeless mashup of Disco samples, sweet strings, bouncy bass lines and classic 909 beats. On top comes a 90s House piano and diva-style vocals. Four mixes by producer friends round up a perfect oldschool House record.
More
1
Alex Agore - What Did I Do (Lowtone Remix)
2
Max Chapman - Breakdown
3
Oleg Poliakov - Windy Thoughts
4
Mutenoise - Jazzve
Repress!
“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...
French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...
Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.
Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.
“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days. More
“All that jelly and no toast” - that's what comes to mind when you find a bomb tune that's unreleased or not available on 12”. The “Smile for a while” label is now starting a sublabel containing exactly songs and tracks like this. Clubby House Music, partially by well-established producers but also stuff from lesser-known guys. Every one has its own story and is more than worth the black gold treatment...
French guy Alex Agore is clearly one of the figureheads of the oldschool House revival of the last 6 years. On English digital imprint “Snazzy Traxx“ he had released a serious banger called “What did I do” - very vintage and yet very modern, too. Cut-up Garage House to the maxx. The Lowtone remix caught the ear of S4AW label head Mr.Fonk and there we go...
Max Chapman from London / UK delivers another belter. A bassline-driven organ House tune with a minimalistic but very effective set-up. This one had been published earlier on Electronique, a digital label from the UK.
Oleg Poliakov aka SKAT is one of the guys behind world-famous French label “Circus Company.” He used to be one of the favourite producers and DJs of the S4AW crew and played quite a few times for them back in Frankfurt. Now he came up with a sublime but powerful Tech House tune, in the original sense of the genre name.
“Jazzve” is a tune by Russian producer Mutenoise. This tune came to attention of the S4AW guys because Organ Grinder kept hammering it for some time in many mixes. It's maybe the most original, innovative tune on this EP. Full of surprises and cutting-edge elements that make it hard to compare to anything else around these days. More
1
Matthieu Faubourg - Modern Music For Dreamers
2
Matthieu Faubourg - Dream Frequencies
3
Matthieu Faubourg - Poly
4
Matthieu Faubourg - Caffeine
Repress!
Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz.... More
Matthieu Faubourg is a kid from the 90s. That's also where most of his musical influences
come from: New Jersey House, 90s Vocal House, Analogue Synths, Basement style
productions.
After his first EP on „smile for a while“ he returns on clubby sublabel „All that jelly“, mixing
up the best three decades of House Music have to offer. Bouncing basslines, jazzy impros,
dreamy synth stabs and bouncing beatzzzz.... More
1
The Church Of Love - F.R.I.E.N.D.S. (Original Mix)
2
The Church Of Love - F.R.I.E.N.D.S. (Muzic Box Mix)
3
The Church Of Love - F.R.I.E.N.D.S. (Paul Johnson's Dance Floor Dub)
4
The Church Of Love - F.R.I.E.N.D.S. (Warehouse Mix)
In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House. More
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House. More
1
DJ Duke - No Mistakes
2
DJ Duke - Keep On Samplin
3
DJ Duke - The Rain
4
DJ Duke - Dukes All Jazzed Out
Repress!
Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.
Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out
Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
More
Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.
Tracklisting (in order): A1 No Mistakes A2 Keep On Sampling B1 The Rain B2 Duke's All Jazzed Out
Artwork by Lecsicu Remastered by Herb LF, cut by Andreas Kauffelt originally released on DJ Exclusive, 1996. Copyright: Smile for a while, licensed from Power Music
More
1
Orlando Detroit Connection (Aka DJ Duke) - Connecting (New York Mix)
2
Orlando Detroit Connection (Aka DJ Duke) - Detroit After Hours
3
Orlando Detroit Connection (Aka DJ Duke) - Orlando Late Dub
Repress!
DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.
Duke about this EP:
It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene
so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time. More
DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.
Duke about this EP:
It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene
so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time. More
1
Move D - Agaga
2
Move D - Deep
3
Move D - I Gave My Love
4
Move D - Babyphonk
Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience.
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Customers who bought this also bought this
1
melchior prod./ barac/ vincent lemieux - Hillbilly High
2
melchior prod./ barac/ vincent lemieux - In Momo’s Jeep
3
melchior prod./ barac/ vincent lemieux - Ordinary Conversations
For their sophomore DisDat release, the ReSolute crew showcase three power-house artist who are no strangers to the warehouse dancefloors in Brooklyn, each using the DisDat platform to explore the fringes of forward-thinking house. Thomas Melchior masterfully opens the EP with ""Hillbilly High", a mind-bending and intricate work that reminds us of his earlier days. Vincent Lemieux follows with ""In Momo's Jeep"", a deep, percussive mood-setter that marks Lemieux's return to solo production after an extensive hiatus. Barac crafts "Ordinary Conversations", which is unquestionably no ordinary work, rather a sophisticated track with bright, bristling percussion and a bubbling bassline.
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1
Bawrut - Freedom
2
Lele Sacchi - Flim Flam
GENRE/S: Indie Dance
TRACKLISTS:
A-SIDE
A1_Bawrut “Freedom”
B-SIDE
B1_Lele Sacchi “Flim Flam”
Short Info:
For the second release of the Back to Back series of Stolen Goods goes for two stables of the scene: label manager and old school pillar of the Italian scene Lele Sacchi and Italo Spanish beat master Bawrut.
After B2B1 saw the funky deep sound of Rogue D feat Joe Le Groove and the raw house grooves of Ruff Stuff got played by Laurent Garnier on his show and by peeps like Jamie Jones and Oliver Dollar in their sets and chosen by Beatport in most of their weekend picks here we are ready for two bangers for clubbing prime time! Bawrut's fame goes a long way back to in the best of Europe's crossover of electronic dancefloor music and indie and urban flavours. An album on Ransome Note, hits for Life & Death, Correspondant and tracks supported by Dixon, Jennifer Cardini, Ricardo Villalobos Sven Bath and playing B2B with Kink and Skream in festival and clubs like Sonar, Nuits Sonores, Fabric, Sub Club, Nitsa, etc. and now this massive hands in the hair, goosebumps in the back monster of retro future rave piece of music!
Lele Sacchi is known to have an ear for bangers having been behind the decks all over the world for nearly 30 years, so whenever and with various aliases he turns into producer is quite normal to find his music out on labels like Snatch, Soul Clap, Nervous, Internasjonal, Crosstown Rebels, Pokerflat, Rebirth and more and more classic underground dance stables. This time he keeps his know funkier deep groove but adds a kille stab in the breakdown to represent a vein of peaktime monster attitude.
Again a message 'From Clubbers to Clubbers' as we love to say here at Stolen Goods records.
More
TRACKLISTS:
A-SIDE
A1_Bawrut “Freedom”
B-SIDE
B1_Lele Sacchi “Flim Flam”
Short Info:
For the second release of the Back to Back series of Stolen Goods goes for two stables of the scene: label manager and old school pillar of the Italian scene Lele Sacchi and Italo Spanish beat master Bawrut.
After B2B1 saw the funky deep sound of Rogue D feat Joe Le Groove and the raw house grooves of Ruff Stuff got played by Laurent Garnier on his show and by peeps like Jamie Jones and Oliver Dollar in their sets and chosen by Beatport in most of their weekend picks here we are ready for two bangers for clubbing prime time! Bawrut's fame goes a long way back to in the best of Europe's crossover of electronic dancefloor music and indie and urban flavours. An album on Ransome Note, hits for Life & Death, Correspondant and tracks supported by Dixon, Jennifer Cardini, Ricardo Villalobos Sven Bath and playing B2B with Kink and Skream in festival and clubs like Sonar, Nuits Sonores, Fabric, Sub Club, Nitsa, etc. and now this massive hands in the hair, goosebumps in the back monster of retro future rave piece of music!
Lele Sacchi is known to have an ear for bangers having been behind the decks all over the world for nearly 30 years, so whenever and with various aliases he turns into producer is quite normal to find his music out on labels like Snatch, Soul Clap, Nervous, Internasjonal, Crosstown Rebels, Pokerflat, Rebirth and more and more classic underground dance stables. This time he keeps his know funkier deep groove but adds a kille stab in the breakdown to represent a vein of peaktime monster attitude.
Again a message 'From Clubbers to Clubbers' as we love to say here at Stolen Goods records.
More
1
Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
1
C3D-E & Hashman - Understood
2
C3D-E & Hashman - Denoise
Neither "self-actional" nor “inter-actional”.
More
1
Sentena And DJ Spence - A1
2
Sentena And DJ Spence - A2
3
Sentena And DJ Spence - A3
4
Sentena And DJ Spence - B1
5
Sentena And DJ Spence - B2
6
Sentena And DJ Spence - B3
Bent downtempo and no tempo half and whole things from a wide time span with noise in between.
Collaborations with Montrealers Kozz (aka Drainolith) and Sweets of the Night on the A side + ancient Doo on the B. More
Collaborations with Montrealers Kozz (aka Drainolith) and Sweets of the Night on the A side + ancient Doo on the B. More
1
Ettika - A. Ettika
2
Ettika - B. Ettika (Version Arabe)
A holy grail for fans of French boogie, early hip hop, Arabic funk and Balearic bops,"Ettika" has been seriously sought after since Vidal Benjamin found it in the 1€ bin back in 2006. Teasing the ears of the underground via Vidal's 'Balearic Nightmare' mix for Noncollective, copies of the original were soon snapped up completely, and the later adopters were sated by a Blackdisco edit from Alexis Le-Tan (himself gifted Vidal's second copy), which is now also rare as hen's teeth. The fervour for the track is easy to understand. Underpinned by an endlessly buoyant bass groove, chanted female vocals dart out the speakers like a post- modern mantra while synth vamps flare in stuttering stereo. Middle-Eastern motifs add an air of mystery, but this truly belongs in a dance floor utopia. That the track was the product of a 'back-to-work' scheme aimed at unemployed immigrant youth in Rouen only adds to the appeal. Led by teacher Bernard Guégan, a quartet of students delivered lyrics in French and Arabic inspired by their rejection letters, serving a little social commentary and a lot of funk. If you're mad on Ahmed Fakroun and Shams Dinn, or even those folks in the Bush of Ghosts, then this is a must have for you.
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1
Tropical Pop - Lilt
2
Tropical Pop - Rubicon
NEW LABEL ALERT!!!
Tropical Pop arrive on the scene to serve peak-time refreshment to the stale dancefloors of the world.
Bursting with flavour, artificial sweeteners and a whole load of E numbers, these cuts deliver totally tropical disco pump and tangy technoid madness - teased, tweaked and transformed for maximum sugar rush.
LIMITED EDITION - ILLICIT INGREDIENTS
Feel the fizz, folks. More
Tropical Pop arrive on the scene to serve peak-time refreshment to the stale dancefloors of the world.
Bursting with flavour, artificial sweeteners and a whole load of E numbers, these cuts deliver totally tropical disco pump and tangy technoid madness - teased, tweaked and transformed for maximum sugar rush.
LIMITED EDITION - ILLICIT INGREDIENTS
Feel the fizz, folks. More
1
dBridge Vs Forest Drive West - Death Race 3000
2
dBridge Vs Forest Drive West - Vignette
3
dBridge Vs Forest Drive West - Van Mij
4
dBridge Vs Forest Drive West - Spitefull Lips
dBridge & Forest Drive West, doing what they do, together
More
1
100th Monkey - Raindance
2
100th Monkey - Nyika Nyika
3
100th Monkey - Raindance (Manuel Darquart Remix)
4
100th Monkey - River Ride
Heels & Souls Recordings hit release number nine, looking across the pond to Toronto in the mid-'90s to reissue two blissfully Balearic house gems from 100th Monkey. Alongside remastered versions of ‘Raindance’ and ‘Nyika Nyika’, the flip features a pumping remix of ‘Raindance’ courtesy of dream house hero Manuel Darquart and a previously unreleased ‘90s stunner, ‘River Ride’.
100th Monkey were most known under their Boomtang Boys moniker, a killer Canadian production trio and record label. In the early ‘90s, with a release already out as Fun Wow, brothers Tony and Paul Grace were introduced to Rob DeBoer. With respective backgrounds as a drummer, DJ and keys player and inspired by the sounds coming across from the UK, they began producing releases for the label under a variety of different monikers. From the street soul grooves of ‘Love Trip’ as Boomtang Boys, to the hip house flavours of D.S.B. and the progressive rhythms of The Riders of the Soundguard.
Their only release as 100th Monkey though is a jewel in this Canadian crown. Cooked up in their home studio, packed with synths, samplers and drum machines, ‘Raindance’ is a hit of summertime heat that instantly transports you to sandy shores. A slice of mid-tempo, Balearic deep house anchored by shuffling hats and a spine-tingling bassline, the African vocal samples, dreamy strings and goose-bumping chords merge to send you floating out across the horizon.
Picking up the pace, ‘Nyika Nyika’ is another dream-inducing house cut, equally adept at soundtracking a sunset, as it is at powering a dancefloor. Shimmering arps and looped African vocal samples glisten through the haze, with a punchy bass and enveloping strings reeling you in.
On the B side, Manuel Darquart puts his trademark spin on ‘Raindance’, looping up elements from the OG with a dash of that Darquart hot sauce. The kick gets an injection, steamy synthlines are laid down and a salacious sax is slipped in the mix.
Finally, plucked from the 100th Monkey vaults, ‘River Ride’ is an unreleased cut from 1996. Washing over you with a wave of floating pads, trickling arps, a laidback breakbeat and grooving bassline, it’s the perfect warm-down or warmup material, that rightly sees the light of day for the very first time.
Licensed from The Boomtang Boys and remastered from the original DATs by Justin Drake. More
100th Monkey were most known under their Boomtang Boys moniker, a killer Canadian production trio and record label. In the early ‘90s, with a release already out as Fun Wow, brothers Tony and Paul Grace were introduced to Rob DeBoer. With respective backgrounds as a drummer, DJ and keys player and inspired by the sounds coming across from the UK, they began producing releases for the label under a variety of different monikers. From the street soul grooves of ‘Love Trip’ as Boomtang Boys, to the hip house flavours of D.S.B. and the progressive rhythms of The Riders of the Soundguard.
Their only release as 100th Monkey though is a jewel in this Canadian crown. Cooked up in their home studio, packed with synths, samplers and drum machines, ‘Raindance’ is a hit of summertime heat that instantly transports you to sandy shores. A slice of mid-tempo, Balearic deep house anchored by shuffling hats and a spine-tingling bassline, the African vocal samples, dreamy strings and goose-bumping chords merge to send you floating out across the horizon.
Picking up the pace, ‘Nyika Nyika’ is another dream-inducing house cut, equally adept at soundtracking a sunset, as it is at powering a dancefloor. Shimmering arps and looped African vocal samples glisten through the haze, with a punchy bass and enveloping strings reeling you in.
On the B side, Manuel Darquart puts his trademark spin on ‘Raindance’, looping up elements from the OG with a dash of that Darquart hot sauce. The kick gets an injection, steamy synthlines are laid down and a salacious sax is slipped in the mix.
Finally, plucked from the 100th Monkey vaults, ‘River Ride’ is an unreleased cut from 1996. Washing over you with a wave of floating pads, trickling arps, a laidback breakbeat and grooving bassline, it’s the perfect warm-down or warmup material, that rightly sees the light of day for the very first time.
Licensed from The Boomtang Boys and remastered from the original DATs by Justin Drake. More
1
Rahaan - 11 Minutes Of Cold Bloodedness
2
Rahaan - Africano
3
Rahaan - Disco Walkin
4
Rahaan - I.T.T.
DISCO REMIXES
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1
System Of Survival - Blueglass (Original Mix)
2
Wallflower - Say You Won't Ever (Larry Heard Underground Mix)
3
Nufrequency feat Ben Onono - Fallen Hero (Motor City Drum Ensemble Mix)
4
Chromatic Filters - Horizon Stripes (Jamie 3:26 Re-Whump)
5
Yotam Avni - Pentimento (Joaquin Joe Claussell's Divergent Mix)
6
Butch and C.Vogt - The Infamous (Robytek Vs Shield Re-Edit)
7
Villanova - On The Loose (Larry Heard Trybalambient Beats)
8
Corrado Bucci - Open Your Eyes (Andres Remix)
9
A:Xus - Suite Disappointment (Motorcitysoul Remix)
10
Bocca Grande - Even If (Mr. Fingers Remix)
11
James Teej - Spending Life (Ripperton's Hyperlove Dub)
12
Akra - Pure (Lake People Remix)
13
Tevo Howard feat Tracey Thorn - Without Me (Marcus Worgull Dub / Dixon Edit)
14
Larry Heard - Winterflower
15
Robytek - Luna Africana (Roland Appel Remix)
16
Squaremode - The Wheel (Original Piano Reprise)
Rebirth 10, a limited double CD released in 2016, celebrated the 10th anniversary of Rebirth Records. Curated by one of the greatest names in House Music, Larry Heard, aka Mr. Fingers, it featured key releases from the label's first decade. Now exclusively for Record Store Day 2024, it will be reissued for the first time on limited edition numbered double vinyl, showcasing sought-after tracks from the catalogue. Featuring original music and remixes from Larry Heard himself alongside further legends of the scene such as Motor City Drum Ensemble, Joe Clausell, Andrés, Jamie 3:26, Ripperton, and Mr Fingers himself. This compilation shines a light on forgotten classics from one of House Music’s most influential labels of the past 20 years. True house from THE house producer of the scene.
Radio Support:
Graeme Park - Long Live House Radio
Macca - NTS
Kid Fonque - Rinse FM
Ross Allen - NTS
Felix Joy - Rinse FM More
Radio Support:
Graeme Park - Long Live House Radio
Macca - NTS
Kid Fonque - Rinse FM
Ross Allen - NTS
Felix Joy - Rinse FM More