This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion. More

RAWAX proudly welcomes MOVE D to the family!
We are very honored to present you the legend from Heidelberg
on the sixt edition of our RX Series!
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mule musiq dives into the archives of humanoid ambient music history, bringing the vinyl premiere of a masterwork by german dj, producer, and musician david moufang, globally known as move d. released in 1995 on pete namlook’s fabled fax +49-69/450464 label, the album marks his only output as solitaire, featuring heroic, supple ambient music, that some folks call one of the best works by move d.

just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.

“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.

still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.

and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.

for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music! More

This is the last 12“ of the Pandemix Live Jams series. „Right About Now“ is built around a friendly Move D jingle dedication by Scott Grooves. A smooth flower with a breeze of calypso featuring live bass and guitar. After this gentle and rather uplifting opener, things get deeper with even more guitars and guitar synths. „The Bottom“ is a call for an end of the pandemic and the restrictions upon (night)life that came with it. Move D goes through some jazz inspired fusion modes on this one. Finally „The System Is…- Original First Take with E-Harp/Sitar“ offers the initial version of this song which was previously released on Smallville Records #57 featuring a second, more sparse mix. However, this original version is even more dreamy and introverted, but at the same time still a groovy little stomper with a steady techno pulse to close out this 12“ along with the whole set of 6 vinyl EPs. More

LTD Edition Repress!
Superb new 4 track EP from Germany’s MOVE D aka David Moufang (Source Records, KM20, Warp, Liebe*Detail). If you remember his legendary “Kunststoff” album and all his warm analogue techno, house and deep ambient works and you may will have a deja-vu. Pure class! More

Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on TIME UNLIMITED which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David's long-term friend LOPAZZ for a full range sound experience. More

2nd in the lost tapes series from a true boss in German Electronics....TIP! * Written & Produced by David Moufang at KM20, Heidelberg

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Move D is a true legend in deep, house music. We own A LOT of his records. When we found the track 'Wanna Do' on the 50th Groove magazine cd full of exclusive tracks, we contacted him to ask if he would be interested in a vinyl release. The track was too good to be only available through that cd. So Move D sent a second - also really great - track along, and the result is what you're listening to at the moment. The first 300 copies are available on marbled purple vinyl. Get yours.

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David Moufang aka Move D (Kompakt/Simple) has now joined our "exquisite" artists roster & we can tell you that we are pretty proud to have him on board . Move D is no newcomer but one of the most respected producer out there , his EP , "Serge & Josephine" will fulfill all your expectations , proper deep house here ! On remix(es) duties we have TEP's finest Eddie C (Endless Flight/Composite) taking both tracks into a whole new level (if I may ) !

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Uzuri is proud to bring back our very own Giorgio Luceri after realising his first "Space Fire Truth" ep with us last fall.This one really pushes the envelope, and dare we say, this may well be his best work to date. More

We are very happy to have the Italian duo Ksoul & Muteoscillator back on our release roster this time with a full ep . last releasing an ep back in 2013 , an ep on Dekmantel titled 'soul Hell ' . Ksoul & Muteoscillator featured on a mini comp on Uzuri back in 2010 , titled ' From Chicago Turin Amsterdam & Dublin With Love EP' with a blistering track titled ' Take 1 More

Uzuri proudly welcomes Giorgio Luceri with the 1st of 2 eps signed on the label for 2016 . with previous releases on Jamal Moss's Mathematics imprint , On the Prowl ++ , 'Space Fire Truth' sees Giorgio charting new territory to his previous output & coming correct in the process .

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We are happy to be announcing a new series of 12”s under the – Uzuri The Wilderness Sessions banner . The wilderness sessions will represent all things leftfield , whilst regular Uzuri releases will be strictly high quality dancefloor orientated , the wilderness sessions , will meander into all different directions , whether it be ambient cuts , jazzy cuts e.t.c. music that works on the dancefloor as well as your home or car stereo . Our 1st signings under this banner are Stump Valley . Stump Valley stormed into our consciousness when they 1st connected with us on Facebook . we were immediately taken in by the skills they were displaying . we were not the only ones clearly impressed . Off Minor , Jordan Czamanski, that of Juju & Jordash and Magic Mountain High fame signed them . soon followed by Rush Hour . Needless to say the proof is in the Music . Enjoy !!
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For Uzuri 018 we return to one of our ‘home grown’ artists – Jitterbug. Time has flown since his last release for us in 2010, but we have been quite eager to get some new material out from him for a while – and, based on feedback we’ve had, plenty of other people are keen to hear more from him too. Both his Raw Winter and Beaten Trax EPs were pretty popular releases for us and his DJ appearances always create a stir, so we’re pleased to bring you this, the Arcane Theory EP. The track sequencing on this record is pretty aggressive – front-loaded with the confrontational Rise of the Machines; a track that really lives up to its title, sounding like the production line at Cyberdyne Systems… all stomp and evil synths, like a bad mood E-Dancer. Fallout couldn’t be further from that – relaxed and making no attempt at all to get in your face. It’ll win you over, though. Just a nice, deep groove and a lovely, phased beat. Could play it for hours… The whole of the flip is devoted to Nomads, a chiming, acidic wander; nearly eleven minutes in length. The kick’s never at the fore on this one – most of the action occurs at the mid and high frequencies – a resonant 303, lots of hi hats and, later, synths which expand on the Eastern-flavour of the track title.
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The Londinium EP is the latest release on Uzuri Recordings and welcomes Chicago Skyway back to the fold. Not that he’s been away too long, having produced a full 12” release and contributed to the ‘From Chicago Turin Amsterdam & Dublin With Love EP’ just last year. We also welcome Hakim Murphy to the label – with his credentials it was only a matter of time before our paths crossed!As the title suggests, this release was inspired, conceptually at least, by our nation’s capital, and it’s apparent that Sean has spent quite enough time here to get the gist of the place, with the B-side tracks entitled Traffic and Noise, respectively. I’m sure he loves it here, really.Musically, he keeps it closer to his Windy City heart – very clearly reflecting his roots, in fact. As a DJ and club promoter in mid 90s Chicago, Sean frequently shared the decks with some of the city’s biggest talents at that time – Cajmere, Gene Farris and Spencer Kinsey (Gemini) among them, and one could say that there’s an audible Relief flavour to A-side, London Streets, with it’s stripped-back, hypnotic stomp. It’s fitting that Hakim Murphy remixes the track, coming from similar roots within Chicago’s scene, and his own reworking retains the drawn-out essence of the original but brings a whole new hips-and-shoulders groove to the track. On the flip, Traffic plays out a very simple analogue groove over a clapping 808 percussive pattern. The sonic equivalent of being stuck in a stationary car with Larry Heard, perhaps? Or maybe just a really sweet track. Noise can be taken more literally, I think. A slow, static-filled monster of a track – not abrasive for the sake of it – instead switching between muffled warmth and the hiss of synths working overtime. Four for the floor

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Lerosa debut album. co written by oliverwho factory!
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Uzuri is proud to present this first release of 2011 – a sweet four tracker from a crew you may not have encountered before.Pittsburgh Track Authority is a stateside three-piece comprising Preslav Lefterov, Thomas Cox ( Who is responsible for the excellent “Infinitestatemachine” Blog ) and Adam Ratana – three longtime friends and musical compatriots who have, between them, been submerged in music and music production for many years. Collectively, this project is a rather more recent endeavour, though you wouldn’t necessarily guess that from these accomplished and self-assured tracks.First up, Duskshaped (a collaboration with fellow Pittsburgh native, Nice Rec), lays down the smooth, organic feel of the release, with some serious bass and keys pressure.Vertical Impact is a straight-up head-nodder – slow and moody; crackling drum samples and a gradually mounting set of synths that blow the track up to several times its original size. Not feeling any pressure to pick up the pace, Bloodlands pits crisp tones over shuffling drums and a thick-set bottom end, eventually giving way to an insistent, chanted call to the floor.77B concludes things for this release – once again with some incredibly infectious bass and organ work. Some classy strings complete the picture, over a restrained drum machine workout.‘The First Four’, then, but certainly not the last. You heard it here first.

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