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Quartz - Lilac Cobwebs (ft. Selena Jones)
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Quartz - Deity Spear
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Quartz - Cosmic Horror
4
Quartz - Switchblade Groove
Four tracks of esoteric and spatial electronica are served up on Quartz’s debut release for R&S Records. Via releases for Metalheadz, Rupture London and System Music, amongst others, the ascending producer from Cardiff has impressed with his unique take on drum & bass, and more recently via grime influenced dubstep. A thrilling hybrid of sounds and rhythms are pulled together on the ‘Deity Spear’ release as Quartz deploys angular breakbeats, gargantuan bass tones, convoluted rhythms, and panoramic sound design across four mesmerising tracks. The opening track ‘Lilac Cobwebs’ is a reference and homage to his deceased mother, featuring a snippet of one of her last voice notes to him, and a reference to a colour he fondly remembers of her. A spellbinding and dense release from one of the UK’s most audacious producers.
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More records from Quartz
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Quartz - "Krokodil"
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Quartz - "Gateway"
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Quartz - "Rituals"
4
Quartz - "Thorns"
Red Vinyl pressing
Goldie - "These guys are at the top of their game"
Break - "One of the best labels in dnb, very happy to be involved"
Our next venture into the world of Utopia comes with new momentum gained from Elliot Garvey aka Quartz, who has delivered the incredible "Thorns" EP.
Rolling with the punches from his immense Resident Advisor podcast and the successful releases on Metalheadz, Samurai and Rupture, we're proud to put his next body of work out into the world. This brilliant four-tracker has it all: deep soundscapes, crunchy breakbeats, hypnotic grooves, haunting samples and an intense dose of powerful sub bass weight. Support from: Break, DLR, Djinn, Doc Scott, Double O, Flight, Goldie, Hydro, Loxy, Mantra, Noisia and many more.
Mako: "Quartz is one of those rare producers who can make any genre of music incredibly well. He chose drum and bass and I am thankful he did. I don't hear much I like these days but every tune he sends me I rate in one way or another. These 4 tunes are special though and I'm very lucky to call him a peer, a brother and a Utopia artist."
More
Goldie - "These guys are at the top of their game"
Break - "One of the best labels in dnb, very happy to be involved"
Our next venture into the world of Utopia comes with new momentum gained from Elliot Garvey aka Quartz, who has delivered the incredible "Thorns" EP.
Rolling with the punches from his immense Resident Advisor podcast and the successful releases on Metalheadz, Samurai and Rupture, we're proud to put his next body of work out into the world. This brilliant four-tracker has it all: deep soundscapes, crunchy breakbeats, hypnotic grooves, haunting samples and an intense dose of powerful sub bass weight. Support from: Break, DLR, Djinn, Doc Scott, Double O, Flight, Goldie, Hydro, Loxy, Mantra, Noisia and many more.
Mako: "Quartz is one of those rare producers who can make any genre of music incredibly well. He chose drum and bass and I am thankful he did. I don't hear much I like these days but every tune he sends me I rate in one way or another. These 4 tunes are special though and I'm very lucky to call him a peer, a brother and a Utopia artist."
More
More records from R&S
1
Dino Lenny - Washington Street (4am Mix)
2
Dino Lenny - Lose Control (Tea With Quincy Mix)
Dino Lenny’s latest two singles for Belgian titan R&S Records get coupled together for a vinyl release. ‘Lose Control’ and ‘Washington Street’ are both served up with alternate mixes. The London based Italian producer fired out another irresistible club heater on the ‘Lose Control’ single, racking up Top Ten chart positions across the dance DSPs. On the Tea With Quincy Mix, legendary American musician Jerry Hey in drafted in to add his unmistakable horn playing to this version of ‘Lose Control. Hey is a highly seasoned orchestrator and session musician, playing on hundreds of classic recordings including Michael Jackson’s ‘Thriller’, ‘Rock With You’ and ‘Don’t Stop ‘Til You Get Enough’, and also playing with Earth, Wind & Fire, Donna Summer, Chaka Khan, Aretha Franklin, George Benson and numerous others, including Quincy Jones, whom the mix title doffs its cap to. A special ‘4am Mix’ of ‘Washington Street’ from Dino Lenny himself sits on the flip side, a propelling and heavyweight dancefloor cut laced with seductive saxophone and climaxing with sparkling melodic electronics.
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JAYDEE - Plastic Dreams
Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!
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1
Ada Kaleh - Unravelling ft. Eric Leeds
2
Ada Kaleh - Unravelling
Ada Kaleh, the Romanian composer and DJ, follows up on his recent releases for R&S Records and Apollo with a brand new single, ‘Unravelling’. Featuring the vocals of Fela Kuti at his most potent, ‘Unravelling’ also includes a featured performance from Eric Leeds, the American saxophone player most noted for his work with Prince, both in the studio and as part of the Purple One’s touring band. Ada Kaleh constructs a hypnotising and minimalistic rhythm, reminiscent of Tony Allen's drumming style, speckled with dubbed out complexions and kaleidoscopic sonics that provide the perfect bed for Fela Kuti’s distinguished vocal delivery and conscientious lyric. The illustrious jazz musician Eric Leeds lends his prowess to the main mix here, as his smoky saxophone tones glide across ‘Unravelling’ with pure professional class!
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Architectural - Clothed In Light
2
Architectural - Genuine Request
3
Architectural - Ocean Of Cosmic Awareness
Spanish sound designer and producer Architectural layers intense beat science and waves of ethereal tones across three stunning new tracks on the ‘Clothed in Light’ EP for R&S Records. Also known for his production work under the aliases Reeko, Humano and Neither (amongst others), the experimental producer has issued a slew of mind bending releases for labels like Music Man, Pole Recordings, Non Series, Ellum Audio and his own Mental Disorder imprint over the past two decades. The ‘Clothed In Light’ EP finds Architectural back on R&S Records, following his 2020 released ‘Planet Is But A Dream’ single.
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Antagonist - Rites
2
Antagonist - Observe
3
Antagonist - Within
4
Antagonist - Woodland Noir
Manchester based DJ/producer Antagonist cues up a collection of dense and uncompromising electronic tracks on his R&S Records debut. The ‘Rites’ EP pulls together 5 new tracks that lean on the artist’s drum ‘n’ bass roots and influences, a sound that has informed his DJ sets and studio productions since he launched the project in 2004. Channelling his productions towards the more cinematic and darker side of drum ‘n’ bass and broken beats, Antagonist has released a strong run of EPs for labels such as Samurai Music, Ronin Ordinance, One.Seventy and his own Discipline imprint, stamping his hybrid sound across these well received releases. Layers upon layers of shadowy ambience and wistful tones are punctured by hard edged beat-science, as Antagonist goes in deep on the complex breakbeats, chopping back and forth knifelike loops and dynamic kicks. A highly accomplished debut for the R&S label from this sonically exciting young producer.
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Joey Beltram - Energy Flash
2
Joey Beltram - Jazz 3033
3
Joey Beltram - Subsonic Trance
4
Joey Beltram - Psycho Bass
What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before." More
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before." More
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Synkro - Cycles
2
Synkro - Information
3
Synkro - Signal
4
Synkro - Last Breath
Joe McBride AKA Synkro has built up a hugely impressive catalogue of releases over the last few years. Via albums and singles for Apollo, Exit Records and his own Synkro Music imprint, the Manchester based producer and sound architect has amassed a dazzling archive of elaborate, emotive and intellectual soundscapes drawing in influences across a spectrum of bass culture and electronica. On the ‘Information’ EP, it’s business as usual, as Synkro deploys four fresh and forward thinking tracks that slither across the genres with ease. From the frantic percussion and dubwise tones of title track ‘Information’ to the absorbing textures and crackling ambience of the beatless opener ‘Cycles’, the attention to detail and the depth of layered sonics across all four tracks afford the listener a truly mesmerising experience. The dusty and dark skank of ‘Signal’ is a real mood piece, whilst ‘Last Breath’ closes the EP drenched in sanguine sentiments.
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1
Chizawa Q - Asia 2 (Lost Q Remix)
2
Chizawa Q - Asia 4
3
Chizawa Q - Panther
Originally released on R&S Records in 2006, Chizawa Q revives his ‘Asia’ release with the surfacing of a new remix, the ‘Asia 4 (Lost Q Mix)’. The Japanese producer, who has enjoyed a modest string of releases for F-Communications and Deka Traxxx, fires out an epically irresistible remix that is sure to soundtrack the summer clubs and festivals ahead. With its roots in the Detroit school of techno, it’s easy to hear the influences of such legends as Underground Resistance and Rolando, and the melodic style of jazzy techno established by artists like R&S Records’ Dave Angel, Vince Watson and Steve Rachmand, but the ‘Lost Asia’ EP is no pastiche. Emotive and musical, delivered with the purity and spirit often lacking in modern techno, Chizawa Q’s music is a reminder that the authentic sounds always rise to the top in the end.
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1
Blocks & Escher - Shot in the Dark
2
Blocks & Escher - Abyss
3
Blocks & Escher - This One
4
Blocks & Escher - Dance Girl
Operating on the outer rim of the drum & bass scene for over a decade, Blocks & Escher have been designing intelligent and forward-thinking electronic dance across a multitude of releases for labels such as Metalheadz, Digital Soundboy and their own Narratives Music. Their first release of 2022, ‘Shot In The Dark’ EP, pulls together four outstanding cuts of shadowy breaks and abstract electronica. Otherwise known as Phillip Smith and Will Hansen, Blocks & Escher distilled their sound into the critically acclaimed 2018 album ‘Something Blue’. Released on Goldie’s Metalheadz imprint, the long player displayed a confident maturity of sound, and a more than capable accomplishment of pulling the visionary sounds of drum & bass into a new era. The industrial breaks and hoover bass of ‘Shot In The Dark’ anchor a wave of cinematic synth sweeps, fashioning an arresting opening track on this accomplished EP. The ingenious beats continue to unfurl across ‘Abyss’ and ‘This One’, as brooding atmospherics wash over in waves. The finale of ‘Dance Girl’ ramps up the BPMs and beat complexity, as a breathless assault of rhythm and sound captivates and rewards in abundance.
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Second Phase - Mentasm
2
Second Phase - Mentasm (Beltram & Mundo Remix)
3
Second Phase - Mind To Mind
1991 techno classics - repressed and reissued for 2021!
Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher. More
Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher. More
1
Capricorn - 20 Hz (Extended)
2
Capricorn - Didn't I
3
Capricorn - For The Soul, Body & Mind
Presenting a special limited edition reissue of a stone cold classic from the R&S vaults, 1993 style, remastered and repressed on special transparent wax. Capricorn aka Dutch producer and DJ Hans Weekhout originally released the '20Hz' 3 track EP on R&S sub-label Global Cuts to much acclaim.
A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher. More
A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher. More
1
PROGedia - We Are The Night (Original Mix)
2
PROGedia - We Are The Night (Charles Webster Mix)
3
PROGedia - We Are The Night (Charles Webster Ambient Mix)
Master sampler Fed Conti has a way of making grooves sound as light as a feather, elevating kraut and jazz phrases to dreamy realms where the imagination is tickled. To kick off the forthcoming debut PROGedia album, revered producer and remixer Charles Webster adds his inimitable touch to the single ‘We Are The Night’, expanding on Conti’s heartfelt arrangements, playing with beats and textures, as he travels smooth melodic lines. PROGedia is the newest alias of the Italian producer Fed Conti, also known as Mahjong and Nardis. After having played his Hammond organ with several jazz deities, and produced samples for Coca Cola and Universal, he is finally unleashing his kinky musical imagination in the PROGedia album; ‘We Are The Night’ kicks off a mixture of kraut, psychedelic grooves and nu jazz, tied together through clever arrangements and a refined sampling process. ‘It’s an escape from modern decadence,’ says Fed, who adores the authentic and offbeat. It only makes sense, then, that the first track of his upcoming album is called ‘We Are The Night’; during the darkest hours PROGedia’s retro extravagance can claim a foothold, offering a warm breeding ground for quirkiness, infatuation, and musical liberation. The renowned producer Charles Webster, too, is a real music fetishist; he got his first instruments at the age of 13 and went on to collaborate with the likes of Juan Atkins, Derrick May and Kevin Saunderson, founding his own Love From San Francisco project and following with two decades of classy and sophisticated music productions. For this occasion, he has added his unmistakable touch to the ‘We Are The Night’ title track, complementing PROGedia’s infectious grooves with poignant rhythms and motley textures.
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Loxy & Ink - Manifested Visions
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Loxy & Ink - Phoenix Rising (ft. Resound, Jody Lulati & Miriam Safo)
3
Loxy & Ink - Give Me a Dubplate (ft. Resound)
4
Loxy & Ink - Embrace The Meaning
5
Loxy & Ink - Get Back Up (ft. Tha Lion)
Two titans in UK breakbeat culture, Loxy & Ink were both present at the inception of the birth of UK dance music and continue to be torchbearers. With ‘Manifested Visions’ the duo does exactly what the title suggests; transcending the boundaries of genre, roots dub meets hip hop and in-your-face drum and bass to create a five-track EP that will make you submit, revel, rave and float.
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Written and produced by Kieran Hebden.
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16
More
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16
More
- Bruno Spoerri's masterpiece VOICE OF TAURUS LP available for the first time on vinyl since 1978 -- Beautiful 1 LP - housed in 350g sleeve and contains all new liner notes by Bruno Spoerri himself, printed oin double side poster inlay
- Bruno Spoerri who came to recent attention over his sampling dispute with Lay Z and Timbaland (that he won) plays the 1978 cult classic The Sounds Of The UFOs live at the bluedot Festival (in conjuction with Finders Keepers) wich together with our equally cult classic companion Voice Of Taurus are to be reissued here now!
- For fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, Pierre Schaeffer, Pierre Henry, Wendy Carlos, Nino Nardini, Yello, Encounter of the Third Kind, UFOs, meditation, and unknown galaxies.
Tracklisting:
A1 Hymn Of Taurus (Taurus Is Calling You!)
A2 Galactic Acid
A3 Saucers Over Montreux
A4 Hallo World
A5 Méditation
B1 Space Cantata
B2 Cosmotoxology
B3 Saxellite
B4 Quiet High
We Release Whatever The Fuck We Want Records is overjoyed to announce the reissue of highly sought-after electronic/sci-fi disco/proto-techno/ambient masterpiece VOICE OF TAURUS by Swiss music pioneer and synth super wizard Bruno Spoerri, available on vinyl for the first time since 1978, housed in a 350g jacket and packed with all new liner notes.
Surrounded with a formidable family of legendary synthesizers, primitive modulators, and audio gear transformed and customized à la Spoerri, armed with an extraordinary talent for improvisation, and deeply inspired by the likes of Wendy Carlos, Pierre Schaeffer, and the then freshly released Close Encounter of the Third Kind, Bruno Spoerri envisioned VOICE OF TAURUS as "electronic pop conceived using an experimental and jazz approach". The result is an out-of-this-world sonic adventure where early techno sounds blend with synth-based sci-fi soundtrack vibes, krautrock explorations, and retro-futuristic disco madness - it's unique, it's catchy, it's cosmic, it's meditative - it's a must have for all record collectors of the galaxy…welcome to Planet Spoerri!
Still very active recording, touring and collaborating (Julian Sartorius, Franz Treichler of Young Gods, Marco Repetto of Grauzone, Roger Girod…), Bruno Spoerri is a multiple award-winning Swiss music icon, whose career started in the 1950s and covers jazz, electronic music, film and tv work, and everything in between. Improvisational maestro and synthesizer mega-connoisseur, Mr. Spoerri has influenced an entire generation of producers and musicians - hell, even Jay-Z sampled him!
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- Bruno Spoerri who came to recent attention over his sampling dispute with Lay Z and Timbaland (that he won) plays the 1978 cult classic The Sounds Of The UFOs live at the bluedot Festival (in conjuction with Finders Keepers) wich together with our equally cult classic companion Voice Of Taurus are to be reissued here now!
- For fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, Pierre Schaeffer, Pierre Henry, Wendy Carlos, Nino Nardini, Yello, Encounter of the Third Kind, UFOs, meditation, and unknown galaxies.
Tracklisting:
A1 Hymn Of Taurus (Taurus Is Calling You!)
A2 Galactic Acid
A3 Saucers Over Montreux
A4 Hallo World
A5 Méditation
B1 Space Cantata
B2 Cosmotoxology
B3 Saxellite
B4 Quiet High
We Release Whatever The Fuck We Want Records is overjoyed to announce the reissue of highly sought-after electronic/sci-fi disco/proto-techno/ambient masterpiece VOICE OF TAURUS by Swiss music pioneer and synth super wizard Bruno Spoerri, available on vinyl for the first time since 1978, housed in a 350g jacket and packed with all new liner notes.
Surrounded with a formidable family of legendary synthesizers, primitive modulators, and audio gear transformed and customized à la Spoerri, armed with an extraordinary talent for improvisation, and deeply inspired by the likes of Wendy Carlos, Pierre Schaeffer, and the then freshly released Close Encounter of the Third Kind, Bruno Spoerri envisioned VOICE OF TAURUS as "electronic pop conceived using an experimental and jazz approach". The result is an out-of-this-world sonic adventure where early techno sounds blend with synth-based sci-fi soundtrack vibes, krautrock explorations, and retro-futuristic disco madness - it's unique, it's catchy, it's cosmic, it's meditative - it's a must have for all record collectors of the galaxy…welcome to Planet Spoerri!
Still very active recording, touring and collaborating (Julian Sartorius, Franz Treichler of Young Gods, Marco Repetto of Grauzone, Roger Girod…), Bruno Spoerri is a multiple award-winning Swiss music icon, whose career started in the 1950s and covers jazz, electronic music, film and tv work, and everything in between. Improvisational maestro and synthesizer mega-connoisseur, Mr. Spoerri has influenced an entire generation of producers and musicians - hell, even Jay-Z sampled him!
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1
Bruno Spoerri - Konzert für SIG-Pressluftwerkzeuge (1971, Mix February 2018) 3:36
2
Bruno Spoerri - Rollin' (1973, Master February 2018) 2:42
3
Bruno Spoerri - Waves of Montreux (1977, Master February 2018) (PM Music) 9:17
4
Bruno Spoerri - Baustellenmusik (1979) 10:29
5
Bruno Spoerri - Swisspack (1979) (PM Music) 2:28
6
Bruno Spoerri - Rhythm'n bees (1980) 3:02
7
Bruno Spoerri - Birds of Cochin (1998) 4:00
8
Bruno Spoerri - Coalburner's delight (1998) 4:32
9
Bruno Spoerri - Printit (1998) 5:04
10
Bruno Spoerri - Paradise garden (1998) 4:35
11
Bruno Spoerri - Stony broke night (1998) 5:52
Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Liner Notes, Sticker
- 11 never-heard tracks from Synthzerland pioneer Bruno Spoerri, released for the first time on vinyl, with liner notes by the artist.
WRWTFWW Records is very delighted to announce the release of Rare & Unreleased 1971-1998, a collection of never-heard and hard-to-find works by Swiss music pioneer and synth super wizard Bruno Spoerri. The album is sourced from original masters and available on a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon), housed in a 350g sleeve with a superb artwork by Nicolas Eigenheer, and packed with track-by-track liner notes by Mr. Spoerri.
Rare & Unreleased 1971-1998 gives a fascinating glimpse into Bruno Spoerri's incredibly inventive repertoire, collecting tracks from projects as diverse as commissioned music for trade fairs, the Swiss railroads, or the union of Swiss cheese makers(!), soundtracks for TV shows about ecology, live synth improvisations at Montreux Jazz Festival, and sound installations for art exhibitions. Always the adventurer, Spoerri records a pneumatic drill for the irresistible electronic bossa of "Konzert für SIG-Pressluftwerkzeuge", mixes train sounds and the EMS Synthi-100 for the joyful lo-fi funk of "Rollin'", lets overheating synthesizers take a life of their own to create the sci-fi ambient of "Waves of Montreux", and works with bees, pigs and various birds for the environmental music bliss of "Rhythm'n bees" and "Birds of Cochin". Synthzerland rejoice, it's time for another captivating journey of sound exploration on Planet Spoerri!
Bruno Spoerri celebrated his 83th birthday in August this year. He is still experimenting, recording, customizing audio gear, improvising on stage and in the studio, collaborating (Julian Sartorius, Franz Treichler of Young Gods, Marco Repetto of Grauzone, Roger Girod…), inventing new sounds and finding new creative outlets. His immense, innovative, and award-filled career started in the 1950s and covers jazz, electronic music, film and tv work, early techno, ambient, and everything in between. Mr. Spoerri has influenced an entire generation of producers and musicians, including Jay-Z who sampled his song "On My Way" (without permission) for "Versus" on Magna Carta…Holy Grail (an agreement was later arranged).
This is WRWTFWW's third collaboration with Bruno Spoerri, after the reissue of seminal albums Voice of Taurus (1978) and The Sound of the UFOs (1978).
Tracklisting Vinyl LP
A1. Konzert für SIG-Pressluftwerkzeuge (1971, Mix February 2018) 3:36
A2. Rollin' (1973, Master February 2018) 2:42
A3. Waves of Montreux (1977, Master February 2018) (PM Music) 9:17
A4. Baustellenmusik (1979) 10:29
A5. Swisspack (1979) (PM Music) 2:28
B1. Rhythm'n bees (1980) 3:02
B2. Birds of Cochin (1998) 4:00
B3. Coalburner's delight (1998) 4:32
B4. Printit (1998) 5:04
B5. Paradise garden (1998) 4:35
B6. Stony broke night (1998) 5:52
- For fans of synthesizers, library music, experimental, early electronics, ambient, jazz, funk, proto-techno, movie soundtracks, sci-fi, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Wendy Carlos, Pierre Schaeffer, Bernard Parmegiani, Piero Umiliani, Robert Cohen-Solal, Nino Nardini, GRM, BBC Radiophonic Workshop, beautiful weird things and customized audio gear.
More
- 11 never-heard tracks from Synthzerland pioneer Bruno Spoerri, released for the first time on vinyl, with liner notes by the artist.
WRWTFWW Records is very delighted to announce the release of Rare & Unreleased 1971-1998, a collection of never-heard and hard-to-find works by Swiss music pioneer and synth super wizard Bruno Spoerri. The album is sourced from original masters and available on a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon), housed in a 350g sleeve with a superb artwork by Nicolas Eigenheer, and packed with track-by-track liner notes by Mr. Spoerri.
Rare & Unreleased 1971-1998 gives a fascinating glimpse into Bruno Spoerri's incredibly inventive repertoire, collecting tracks from projects as diverse as commissioned music for trade fairs, the Swiss railroads, or the union of Swiss cheese makers(!), soundtracks for TV shows about ecology, live synth improvisations at Montreux Jazz Festival, and sound installations for art exhibitions. Always the adventurer, Spoerri records a pneumatic drill for the irresistible electronic bossa of "Konzert für SIG-Pressluftwerkzeuge", mixes train sounds and the EMS Synthi-100 for the joyful lo-fi funk of "Rollin'", lets overheating synthesizers take a life of their own to create the sci-fi ambient of "Waves of Montreux", and works with bees, pigs and various birds for the environmental music bliss of "Rhythm'n bees" and "Birds of Cochin". Synthzerland rejoice, it's time for another captivating journey of sound exploration on Planet Spoerri!
Bruno Spoerri celebrated his 83th birthday in August this year. He is still experimenting, recording, customizing audio gear, improvising on stage and in the studio, collaborating (Julian Sartorius, Franz Treichler of Young Gods, Marco Repetto of Grauzone, Roger Girod…), inventing new sounds and finding new creative outlets. His immense, innovative, and award-filled career started in the 1950s and covers jazz, electronic music, film and tv work, early techno, ambient, and everything in between. Mr. Spoerri has influenced an entire generation of producers and musicians, including Jay-Z who sampled his song "On My Way" (without permission) for "Versus" on Magna Carta…Holy Grail (an agreement was later arranged).
This is WRWTFWW's third collaboration with Bruno Spoerri, after the reissue of seminal albums Voice of Taurus (1978) and The Sound of the UFOs (1978).
Tracklisting Vinyl LP
A1. Konzert für SIG-Pressluftwerkzeuge (1971, Mix February 2018) 3:36
A2. Rollin' (1973, Master February 2018) 2:42
A3. Waves of Montreux (1977, Master February 2018) (PM Music) 9:17
A4. Baustellenmusik (1979) 10:29
A5. Swisspack (1979) (PM Music) 2:28
B1. Rhythm'n bees (1980) 3:02
B2. Birds of Cochin (1998) 4:00
B3. Coalburner's delight (1998) 4:32
B4. Printit (1998) 5:04
B5. Paradise garden (1998) 4:35
B6. Stony broke night (1998) 5:52
- For fans of synthesizers, library music, experimental, early electronics, ambient, jazz, funk, proto-techno, movie soundtracks, sci-fi, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Wendy Carlos, Pierre Schaeffer, Bernard Parmegiani, Piero Umiliani, Robert Cohen-Solal, Nino Nardini, GRM, BBC Radiophonic Workshop, beautiful weird things and customized audio gear.
More
Repress!
Soundcloudlink: https://soundcloud.com/dkr-nyc/sets/dkr-276-va-jah-children-invasion-vol-6-digital-dawn-lp-wackies
Tracklist:
A1. HORACE ANDY - DROP OFF
A2. WAYNE CHIN - WON'T DO FOR LOVE
A3. MILTON HENRY - MAKE IT RIGHT
A4. JERRY HARRIS - A LITTLE LOVE WE NEED
A5 . CHRIS WAYNE - STREETS OF AFRICA
B1. HORACE ANDY - DUB OUT A SOUND
B2 . JACKIE MITTOO - SORROWFUL
B3 . CHRIS WAYNE - WILD GOOSE RACE
B4 . CHOSEN BROTHERS - MAJORITY RULE
B5. MILTON HENRY - NOW YOU SEE THE SCENE
10 song LP in 2-sided hand silkscreened jacket; blue or green print.
Three tracks previously unreleased.
New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket. More
Soundcloudlink: https://soundcloud.com/dkr-nyc/sets/dkr-276-va-jah-children-invasion-vol-6-digital-dawn-lp-wackies
Tracklist:
A1. HORACE ANDY - DROP OFF
A2. WAYNE CHIN - WON'T DO FOR LOVE
A3. MILTON HENRY - MAKE IT RIGHT
A4. JERRY HARRIS - A LITTLE LOVE WE NEED
A5 . CHRIS WAYNE - STREETS OF AFRICA
B1. HORACE ANDY - DUB OUT A SOUND
B2 . JACKIE MITTOO - SORROWFUL
B3 . CHRIS WAYNE - WILD GOOSE RACE
B4 . CHOSEN BROTHERS - MAJORITY RULE
B5. MILTON HENRY - NOW YOU SEE THE SCENE
10 song LP in 2-sided hand silkscreened jacket; blue or green print.
Three tracks previously unreleased.
New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket. More
Label:We Release Jazz
Cat-No:WRJ012LTD
Release-Date:09.02.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ012LTD
Release-Date:09.02.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Bruno Spoerri - Prince Karl
2
Bruno Spoerri - Improvisation electronique 1
3
Bruno Spoerri - Summerau Dance
4
Bruno Spoerri - Hot Roots
5
Bruno Spoerri - Improvisation electronique 2
6
Bruno Spoerri - For FD
Genre: Jazz, Easy Listening, Saxophone, Funk
LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD
Info
We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.
Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.
Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.
This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.
- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!
More
LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD
Info
We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.
Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.
Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.
This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.
- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!
More
Label:Other People
Cat-No:OP075
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:Other People
Cat-No:OP075
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
Ale Hop - Head Transplant
2
Daniela Huerta - Tza Tun Tzat
3
Debashis Sinha - For the waters ever taste the heavens up parts I-V
4
Hexorcismos - Acaso de veras se vive con raíz en la Tierra
5
Hexorcismos & El Irreal Veintiuno - Interferencias
6
Jessika Khazrik - Gebera
7
Khyam Allami - Mix v6
8
Kloxii Li - Anhaga
9
KMRU - hidden options
10
MAF - What's heard once entered (Nommo)
11
Portrait XO - MUTUALISM_151122
12
Simina Oprescu - Granularities
13
Visions of Lizard - Barranca del muerto
2LP with Printed PVC Sleeve
GENRE/S: Alternative / Electronic
TRACKLISTS:
LP1:
A1 / 1. Ale Hop - Head Transplant
A2 / 2. Daniela Huerta - Tza Tun Tzat
A3 / 3. Debashis Sinha - For the waters ever taste the heavens up parts I-V
B1 / 4. Hexorcismos - ¿Acaso de veras se vive con raíz en la Tierra?
B2 / 5. Hexorcismos & El Irreal Veintiuno - Interferencias
B3 / 6. Jessika Khazrik - Gebera
LP2:
C1/ 7. Khyam Allami - Mix v6
C2 / 8. Kloxii Li - Anhaga
C3 / 9. KMRU - hidden options
C4 / 10. MAF - What's heard once entered (Nommo)
D1 / 11. Portrait XO - MUTUALISM_151122
D2 / 12. Simina Oprescu - Granularities
D3 / 13. Visions of Lizard - Barranca del muerto
SHORT INFO:
For the last seven years, sound artist, technologist, and electronic musician Moisés Horta Valenzuela (aka Hexorcismos) has been studying artificial intelligence and generative art, wondering how these new technologies might be augmented into his musical process. Born in Tijuana and currently based in Berlin, Hexorcismos has long attempted to break down the permeable borders between musical styles and expressions, using the spaces in between to reinforce his politics and worldview. And on 'MUTALISMX - becoming sonic network', he expands his vision, inviting artists from across the globe to collaborate on work that questions the biases inherent in AI models, offering a collective alternative that could serve as a blueprint for further research.
The majority of AI art at this stage works with "big data", taking ideas from the cultural canon and muddying them with our contemporary reality. But if we accept that mass culture is always politically biased, always swaying towards historical prejudices, then there must be a counter-narrative. Hexorcismos began to develop a bottom-up approach, using "small data" to interrogate his idiosyncratic approach to art; he built a tool called SEMILLA.AI based on neural audio synthesis that could not only mimic his sonic fingerprint but transform it into another. So when he offered the synth to his network of collaborators, he gave them the option of either using only their data or sharing the signatures of each other artist involved in the project, blurring their identities into a mutual voice.
The result is a compilation that unspools with the coherence and fluidity of a single-artist album or adventurous DJ mix, genreless and boundless but unified by a singular message. Hunanese-American artist Kloxii Li for example takes rugged percussion and tense, industrial ambience, smudging her soundscape into a swirling gust of ghostly dissonance. Hexorcismos himself contributes two compositions: the lengthy, hypnotic 'Acaso de veras se vive con raíz en la Tierra', an AI-powered scramble of his pointed tribal guarachero experiments; and 'Interferencias', a collaboration with Mexican club veteran Bryan Dálvez, aka El Irreal Veintiuno that drives intense dancefloor rhythms into a dense haze of frozen drones and radio static. Elsewhere, Berlin-based Lebanese artist and writer Jessika Khazrik dissolves her voice into a mesh of obscured rhythms and dissociated whirrs, blending the organic with the artificial but retaining an overpowering sense of humanity.
Some artists were drawn to the nebulous aspects of the technology, searching for truth in a soup of different sounds, while others, such as KMRU, used Hexorcismos's synthesizer the examine their output. On 'hidden options', the Kenyan sound artist fed his immense catalog into the neural net, bringing out his mannerisms and tendencies in the process. Each track is singular but myriad, prompting both mutual respect and a sonic becoming, a feedback process between the artist and the tool, the individual and the collective. Data sets are made by people, and by engaging directly with musicians, Hexorcismos suggests a new way of utilizing a technology demonized and glorified without careful examination. Each artist owns their AI model, and alongside the album Hexorcismos will release SEMILLA.AI to the public (with custom-made models to start the process), allowing anyone to access this revolutionary technology.
Even the album's artwork reflects the political message, conceptualized by Chilean duo hypereikon, who used AI processes to develop a visual reflection of the technology and its possibilities. Operating outside of academia and capitalist enterprises, MUTUALISMX proposes an alternative future - one without borders that's not beholden to the Western canon, where independent labor can be prioritized and celebrated, and where creativity can truly flourish.
More
GENRE/S: Alternative / Electronic
TRACKLISTS:
LP1:
A1 / 1. Ale Hop - Head Transplant
A2 / 2. Daniela Huerta - Tza Tun Tzat
A3 / 3. Debashis Sinha - For the waters ever taste the heavens up parts I-V
B1 / 4. Hexorcismos - ¿Acaso de veras se vive con raíz en la Tierra?
B2 / 5. Hexorcismos & El Irreal Veintiuno - Interferencias
B3 / 6. Jessika Khazrik - Gebera
LP2:
C1/ 7. Khyam Allami - Mix v6
C2 / 8. Kloxii Li - Anhaga
C3 / 9. KMRU - hidden options
C4 / 10. MAF - What's heard once entered (Nommo)
D1 / 11. Portrait XO - MUTUALISM_151122
D2 / 12. Simina Oprescu - Granularities
D3 / 13. Visions of Lizard - Barranca del muerto
SHORT INFO:
For the last seven years, sound artist, technologist, and electronic musician Moisés Horta Valenzuela (aka Hexorcismos) has been studying artificial intelligence and generative art, wondering how these new technologies might be augmented into his musical process. Born in Tijuana and currently based in Berlin, Hexorcismos has long attempted to break down the permeable borders between musical styles and expressions, using the spaces in between to reinforce his politics and worldview. And on 'MUTALISMX - becoming sonic network', he expands his vision, inviting artists from across the globe to collaborate on work that questions the biases inherent in AI models, offering a collective alternative that could serve as a blueprint for further research.
The majority of AI art at this stage works with "big data", taking ideas from the cultural canon and muddying them with our contemporary reality. But if we accept that mass culture is always politically biased, always swaying towards historical prejudices, then there must be a counter-narrative. Hexorcismos began to develop a bottom-up approach, using "small data" to interrogate his idiosyncratic approach to art; he built a tool called SEMILLA.AI based on neural audio synthesis that could not only mimic his sonic fingerprint but transform it into another. So when he offered the synth to his network of collaborators, he gave them the option of either using only their data or sharing the signatures of each other artist involved in the project, blurring their identities into a mutual voice.
The result is a compilation that unspools with the coherence and fluidity of a single-artist album or adventurous DJ mix, genreless and boundless but unified by a singular message. Hunanese-American artist Kloxii Li for example takes rugged percussion and tense, industrial ambience, smudging her soundscape into a swirling gust of ghostly dissonance. Hexorcismos himself contributes two compositions: the lengthy, hypnotic 'Acaso de veras se vive con raíz en la Tierra', an AI-powered scramble of his pointed tribal guarachero experiments; and 'Interferencias', a collaboration with Mexican club veteran Bryan Dálvez, aka El Irreal Veintiuno that drives intense dancefloor rhythms into a dense haze of frozen drones and radio static. Elsewhere, Berlin-based Lebanese artist and writer Jessika Khazrik dissolves her voice into a mesh of obscured rhythms and dissociated whirrs, blending the organic with the artificial but retaining an overpowering sense of humanity.
Some artists were drawn to the nebulous aspects of the technology, searching for truth in a soup of different sounds, while others, such as KMRU, used Hexorcismos's synthesizer the examine their output. On 'hidden options', the Kenyan sound artist fed his immense catalog into the neural net, bringing out his mannerisms and tendencies in the process. Each track is singular but myriad, prompting both mutual respect and a sonic becoming, a feedback process between the artist and the tool, the individual and the collective. Data sets are made by people, and by engaging directly with musicians, Hexorcismos suggests a new way of utilizing a technology demonized and glorified without careful examination. Each artist owns their AI model, and alongside the album Hexorcismos will release SEMILLA.AI to the public (with custom-made models to start the process), allowing anyone to access this revolutionary technology.
Even the album's artwork reflects the political message, conceptualized by Chilean duo hypereikon, who used AI processes to develop a visual reflection of the technology and its possibilities. Operating outside of academia and capitalist enterprises, MUTUALISMX proposes an alternative future - one without borders that's not beholden to the Western canon, where independent labor can be prioritized and celebrated, and where creativity can truly flourish.
More
EUROPE ONLY. EX UK, USA. FREE THE UNIVERSE IS THE SECOND FULL LENGTH ALBUM FROM MAJOR LAZER - THE COLLECTIVE HEADED BY REKNOWNED PRODUCER AND DJ DIPLO
Featuring: Santigold, Ezra Koenig de Vampire Weekend, Elephant Man, Amber de Dirty Projectors, Laidback Luke & Miss Dynamite, Peaches, Wyclef Jean, Tyga...
Trackllisting:
1. YOU'RE NO GOOD ( feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin)
2. JET BLUE JET ( feat. Leftside, GTA, Razz & Biggy)
3. GET FREE (feat. Amber of Dirty Projectors)
4. JAH NO PARTIAL (feat. Flux Pavilion)
5. WIND UP (feat. Elephant Man & Opal)
6. SCARE ME (feat. Peaches & Timberlee)
7. JESSICA (feat. Ezra Koenig of Vampire Weekend)
8. WHATCH OUT FOR THIS (BUMAYE) (feat. Busy Signal, The Flexicans & FS Green)
9. KEEP COOL (feat. Shaggy & Winter Gordon)
10. SWEAT (feat. Laidback Luke & Ms. Dynamite)
11. REACH FOR THE STARS (feat. Wyclef Jean)
12. BUBBLE BUT (feat. Bruno Mars, Tyga & Mystic)
13. MASHUP THE DANCE (feat. The Partysquad & Ward 21)
14. PLAYGROUND (feat. Bugle & Arama)
More
Featuring: Santigold, Ezra Koenig de Vampire Weekend, Elephant Man, Amber de Dirty Projectors, Laidback Luke & Miss Dynamite, Peaches, Wyclef Jean, Tyga...
Trackllisting:
1. YOU'RE NO GOOD ( feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin)
2. JET BLUE JET ( feat. Leftside, GTA, Razz & Biggy)
3. GET FREE (feat. Amber of Dirty Projectors)
4. JAH NO PARTIAL (feat. Flux Pavilion)
5. WIND UP (feat. Elephant Man & Opal)
6. SCARE ME (feat. Peaches & Timberlee)
7. JESSICA (feat. Ezra Koenig of Vampire Weekend)
8. WHATCH OUT FOR THIS (BUMAYE) (feat. Busy Signal, The Flexicans & FS Green)
9. KEEP COOL (feat. Shaggy & Winter Gordon)
10. SWEAT (feat. Laidback Luke & Ms. Dynamite)
11. REACH FOR THE STARS (feat. Wyclef Jean)
12. BUBBLE BUT (feat. Bruno Mars, Tyga & Mystic)
13. MASHUP THE DANCE (feat. The Partysquad & Ward 21)
14. PLAYGROUND (feat. Bugle & Arama)
More
1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before." More
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before." More
1
Howling - Stole the Night (Oliver Koletzki Remix)
2
Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
3
Sam Shure - Nandoo (Oliver Koletzki Remix)
4
Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
2024 repress
4 Track Vinyl EP with 27 Track Download
Tracklist Vinyl:
A1 - Howling - Stole the Night (Oliver Koletzki Remix)
A2 - Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
B1 - Sam Shure - Nandoo (Oliver Koletzki Remix)
B2 - Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
While working on his next full-length album, the Berlin-based artist, DJ and label-owner Oliver Koletzki looks back onto an impressive career and a plethora of styles and moods, best exemplified by the diverse set of remixes he's been crafting for prolific friends and outstanding musicians for close to a decade. For 'Remix Tales', Oliver has now complied his personal favorites, with some previously unreleased, high-impact material forming the icing on the cake.
Stylistically, 'Remix Tales' exemplifies Oliver's chameleon-like approach in the studio, as dynamics shift from organic dreaminess to high-octane club-fare, all held together by the trademark musicality that shines through every single Koletzki production. While recent remix highlights such as Monolink's 'Swallow' or Giorgia Angiuli's 'Nothing to Lose' rub shoulders with classics like HVOB's 'Dogs' and Cassius' 'Toop Toop', it's the inclusion of Oliver's previously unreleased 2017 rework of Howling's 'We Stole The Night', as well as the freshly remixed Koletzki & Schwind track 'Camps Bay', that add unexpected and particularly precious twists and turns to this rollercoaster of an anthology. Enjoy the ride!
Tracklist Download:
1. Oliver Koletzki - A Tribe called Kotori (Oliver Koletzki's Woodfloor Remix)
2. HVOB - Dogs (Oliver Koletzki Remix)
3. Monolink - Swallow (Oliver Koletzki Remix)
4. Sam Shure - Nandoo (Oliver Koletzki Remix)
5. Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
6. Chopstick & Johnjon - Pining Moon (Oliver Koletzki Remix)
7. Howling - Stole the Night (Oliver Koletzki Remix)
8. Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
9. Fünf Sterne Deluxe - Mein Herz schlägt schneller (Oliver Koletzki Remix)
10. Channel X feat. Jake the Rapper - Snug Descent (Oliver Koletzki Remix)
11. Cassius - Toop Toop (Oliver Koletzki Remix)
12. Fran - We Are Planets (Oliver Koletzki Remix)
13. Boy Next Door - Living a Lie (Oliver Koletzki Remix)
14. Niko Schwind feat Lil Magdalene - Over the Trees (Oliver Koletzki Remix)
15. Fischerspooner - The Best Revenge (Oliver Koletzki Remix)
16. Karri O. - The Hits (Oliver Koletzki Remix)
17. Illesnoise - Nova (Oliver Koletzki Remix)
18. Mason - The Ridge (Oliver Koletzki Remix)
19. Super Flu - K5000 (Oliver Koletzki Remix)
20. Nörd - Keine Sterne (Oliver Koletzki Remix)
21. Edu Imbernon - Mystery Inside (Oliver Koletzki Remix)
22. Niko Schwind - Perfect Fit (Oliver Koletzki Remix)
23. Benotmane - Sunqueen (Oliver Koletzki Remix)
24. Marlon Hoffstadt & HRRSN - Once Again (Oliver Koletzki Remix)
25. Chopstick & Johnjon feat. Fritz Kalkbrenner - New Day (Oliver Koletzki Remix)
26. Lexy & K. Paul - Killing Me (Oliver Koletzki Remix)
27. The Egg - Wall (Oliver Koletzki Remix)
28. HVOB - Always Like This (Oliver Koletzki Remix)
More
4 Track Vinyl EP with 27 Track Download
Tracklist Vinyl:
A1 - Howling - Stole the Night (Oliver Koletzki Remix)
A2 - Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
B1 - Sam Shure - Nandoo (Oliver Koletzki Remix)
B2 - Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
While working on his next full-length album, the Berlin-based artist, DJ and label-owner Oliver Koletzki looks back onto an impressive career and a plethora of styles and moods, best exemplified by the diverse set of remixes he's been crafting for prolific friends and outstanding musicians for close to a decade. For 'Remix Tales', Oliver has now complied his personal favorites, with some previously unreleased, high-impact material forming the icing on the cake.
Stylistically, 'Remix Tales' exemplifies Oliver's chameleon-like approach in the studio, as dynamics shift from organic dreaminess to high-octane club-fare, all held together by the trademark musicality that shines through every single Koletzki production. While recent remix highlights such as Monolink's 'Swallow' or Giorgia Angiuli's 'Nothing to Lose' rub shoulders with classics like HVOB's 'Dogs' and Cassius' 'Toop Toop', it's the inclusion of Oliver's previously unreleased 2017 rework of Howling's 'We Stole The Night', as well as the freshly remixed Koletzki & Schwind track 'Camps Bay', that add unexpected and particularly precious twists and turns to this rollercoaster of an anthology. Enjoy the ride!
Tracklist Download:
1. Oliver Koletzki - A Tribe called Kotori (Oliver Koletzki's Woodfloor Remix)
2. HVOB - Dogs (Oliver Koletzki Remix)
3. Monolink - Swallow (Oliver Koletzki Remix)
4. Sam Shure - Nandoo (Oliver Koletzki Remix)
5. Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
6. Chopstick & Johnjon - Pining Moon (Oliver Koletzki Remix)
7. Howling - Stole the Night (Oliver Koletzki Remix)
8. Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
9. Fünf Sterne Deluxe - Mein Herz schlägt schneller (Oliver Koletzki Remix)
10. Channel X feat. Jake the Rapper - Snug Descent (Oliver Koletzki Remix)
11. Cassius - Toop Toop (Oliver Koletzki Remix)
12. Fran - We Are Planets (Oliver Koletzki Remix)
13. Boy Next Door - Living a Lie (Oliver Koletzki Remix)
14. Niko Schwind feat Lil Magdalene - Over the Trees (Oliver Koletzki Remix)
15. Fischerspooner - The Best Revenge (Oliver Koletzki Remix)
16. Karri O. - The Hits (Oliver Koletzki Remix)
17. Illesnoise - Nova (Oliver Koletzki Remix)
18. Mason - The Ridge (Oliver Koletzki Remix)
19. Super Flu - K5000 (Oliver Koletzki Remix)
20. Nörd - Keine Sterne (Oliver Koletzki Remix)
21. Edu Imbernon - Mystery Inside (Oliver Koletzki Remix)
22. Niko Schwind - Perfect Fit (Oliver Koletzki Remix)
23. Benotmane - Sunqueen (Oliver Koletzki Remix)
24. Marlon Hoffstadt & HRRSN - Once Again (Oliver Koletzki Remix)
25. Chopstick & Johnjon feat. Fritz Kalkbrenner - New Day (Oliver Koletzki Remix)
26. Lexy & K. Paul - Killing Me (Oliver Koletzki Remix)
27. The Egg - Wall (Oliver Koletzki Remix)
28. HVOB - Always Like This (Oliver Koletzki Remix)
More
1
Seekersinternational & Juwanstockton - AKAI Telecom
2
Seekersinternational & Juwanstockton - Bruk Encounter
3
Seekersinternational & Juwanstockton - Shinjuku Skanking
4
Seekersinternational & Juwanstockton - Never 4get Edit
5
Seekersinternational & Juwanstockton - Wind Rider
6
Seekersinternational & Juwanstockton - Mercury Rising
7
Seekersinternational & Juwanstockton - Riddim Changes Part 12
Tracks 2 & 5 featuring Manila Dread Horns, recorded at The Penthouse, Quezon City, Metro Manila Riddim Chango Records is proud to present the first LP release, "KINTSUGI SOUL STEPPERS", a unique sonic patchwork from the Filipino Canadian collective seekersinternational and their fellow beat-maker juwanstockton. This album heralds a cultural fusion, connecting the heritage sounds of Jamaican dub and the essence of American soul with the nostalgic ambience of 1980s Japan. "KINTSUGI SOUL STEPPERS” embodies the spirit and art of Kintsugi — celebrating the beauty of piecing diverse fragments together and transforming them into a harmonious new whole. With seekersinternational and juwanstockton at the helm, the LP celebrates the fusion of different sounds, cultures and identities to create new forms within contemporary music. Mastered and cut at Wolfpack studio in Tokyo.
Recorded at Aquaboogie Studios, East Richmond, BC and Aki’s Kitchen
Side A:
1. AKAI Telecom
2. Bruk Encounter
3. Shinjuku Skanking
4. Never 4get EDIT
Side B:
5. Wind Rider
6. Mercury Rising
7. Riddim Changes pt.1 & 2
Recorded at Aquaboogie Studios, East Richmond, BC and Aki’s Kitchen
Tracks 2 & 5 featuring Manila Dread Horns, recorded at The Penthouse, Quezon City, Metro Manila More
Recorded at Aquaboogie Studios, East Richmond, BC and Aki’s Kitchen
Side A:
1. AKAI Telecom
2. Bruk Encounter
3. Shinjuku Skanking
4. Never 4get EDIT
Side B:
5. Wind Rider
6. Mercury Rising
7. Riddim Changes pt.1 & 2
Recorded at Aquaboogie Studios, East Richmond, BC and Aki’s Kitchen
Tracks 2 & 5 featuring Manila Dread Horns, recorded at The Penthouse, Quezon City, Metro Manila More
Export rights only . EXCLUDING FR, UK, USA.
Tracklist:
A1 - Be Together , A2 - Too Original , A3 - Blaze Up The Fire
B1 - Lean On , B2 - Powerful , B3 - Roll The Bass , B3 - Night Riders
More
Tracklist:
A1 - Be Together , A2 - Too Original , A3 - Blaze Up The Fire
B1 - Lean On , B2 - Powerful , B3 - Roll The Bass , B3 - Night Riders
More
1
Paranoid London - People (Ah Yeah) (with Bobby Gillespie)
2
Paranoid London - Love One Self (with Joe Love)
3
Paranoid London - Up Is Down (with DJ Genesis)
4
Paranoid London - Steal & Adapt (OR)
5
Paranoid London - Start To Fade (with Josh Caffe)
6
Paranoid London - Help
7
Paranoid London - Fields of Fire
8
Paranoid London - GRNDR
9
Paranoid London - Touch The State of That (with Jennifer Touch)
10
Paranoid London - The Motion (with Mutado Pintado)
Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously. Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE. Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others. As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.
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