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Last in:11.11.2025
Label:Palmkids
Cat-No:PLMKDS001
Release-Date:17.10.2025
Genre:Electro
Configuration:12"
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1
Bruss - Essa Mina E um Perigo
2
Bruss - Wataweu
3
Bruss - Wataweu (Street Choice Remix)
4
Bruss - Cata O AK
5
Bruss - Alvorada
6
Bruss - Alvorada (Juait Remix)
Palmkids is a creative duo/studio with its own production line based in Pontevedra (Galicia). Among other projects such as PALMCO RADIO, this EP is the result of the union and friendship between Palmkids and the Galician label Must Be On Wax. On this EP, Bruss presents his vision of 90s Brazilian Baile Funk, fusing the pulsating rhythms of Baile Funk and deep grooves of Miami Bass, including remixes by Juait and Street Choice.
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Liebigstrasse 2-20
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DE - 22113 Hamburg
Germany
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12"
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Label:Strobe Records
Cat-No:ST-010R
Release-Date:06.02.2026
Genre:House
Configuration:12"
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Label:Strobe Records
Cat-No:ST-010R
Release-Date:06.02.2026
Genre:House
Configuration:12"
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1
The R.A.S.E. - Get On Up (Groove Disco Mix)
2
The R.A.S.E. - Get On Up (Boomin System Mix)
3
The R.A.S.E. - Say It Loud
4
The R.A.S.E. - The Luv Of U (Feat. Tina V)
After recent Ron Allen reissues on Emotions Electric and our own Classic Cuts imprint, it's time to revamp the mothership itself: Strobe Records. First one up in this new campaign is R.A.S.E.'s The Ron Allen Sound Experience EP -- a four-tracker, originally out in 1991, that captures what is timeless about Allen's signature sound: warm basslines, soulful vocals, and that Toronto swing. The A-side serves up two uplifting mixes of Get On Up, while the B-side goes deeper, yet keeping the soul fully intact. A perfect reintroduction to one of Canada's prime house architects.
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DE - 22113 Hamburg
Germany
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12"
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Label:Sound Metaphors Records
Cat-No:SMR034
Release-Date:27.10.2025
Genre:House / Techno
Configuration:12"
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Label:Sound Metaphors Records
Cat-No:SMR034
Release-Date:27.10.2025
Genre:House / Techno
Configuration:12"
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1
Tranquility Bass - Cantamilla
2
Tranquility Bass - Mya Yadana (Kin Kin)
3
Tranquility Bass - Cantamilla (Broadcast Standard)
4
Tranquility Bass - They Came In Peace (Sea Of Tranquility)
Another essential US 90s bit from Tom Chasteen and Michael Kandel originally on the Exist Dance portfolio. Well ahead of its time, this exposé of ceremonial grade psychedelic nuances featuring South Asian vocal samples interlaced with electronic music production methods takes the originally more fast passed trance-like direction of the label’s first 3 years and re-directs things towards a new more downtempo/trip-hop route. With the BPM counter cruising in the low 100’s steadily throughout the first 3 tracks and ending on a full on ambient beatless 8 minute meditative journey, this EP marks a new aesthetic plateau for the Exist Dance catalogue, with “Cantamilla” even crossing over to Balearic radars and being played by Ibiza legends like Jose Padilla.
“Recorded in Heaven”. Take a trip.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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“Recorded in Heaven”. Take a trip.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Tape
Cat-No:ITX041
Release-Date:05.12.2025
Genre:Breaks
Configuration:12"
Barcode:
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Last in:27.11.2025
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Label:Ilian Tape
Cat-No:ITX041
Release-Date:05.12.2025
Genre:Breaks
Configuration:12"
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1
Pessimist - E-Style
2
Pessimist - The Crawlers Type 2
3
Pessimist - DVLA
4
Pessimist - That Sound
Downtown E-Style Sound Crawlers
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:11.11.2025
Label:NC4K
Cat-No:nc4kwax003
Release-Date:13.12.2024
Genre:Breaks
Configuration:12"
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1
Stones Taro - Clutch
2
Stones Taro - Busy Lips
3
Stones Taro - Stealthy Meow
4
Stones Taro - Clutch (Christopher Ledger remix)
Tracklisting
A1 Stones Taro - Clutch
A2 Stones Taro - Busy Lips
B1 Stones Taro - Stealthy Meow
B2 Stones Taro - Clutch (Christopher Ledger remix)
Sales Note
A Bold New Direction from Kyoto's Finest
Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Stones Taro - Clutch
A2 Stones Taro - Busy Lips
B1 Stones Taro - Stealthy Meow
B2 Stones Taro - Clutch (Christopher Ledger remix)
Sales Note
A Bold New Direction from Kyoto's Finest
Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Cat-No:ATFALP54
Release-Date:07.11.2025
Genre:World Music
Configuration:LP
Barcode:0843563192979
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Last in:07.11.2025
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Last in:07.11.2025
Cat-No:ATFALP54
Release-Date:07.11.2025
Genre:World Music
Configuration:LP
Barcode:0843563192979
1
Ata Kak - Obaa Sima
2
Ata Kak - Moma Yendodo
3
Ata Kak - Adagya
4
Ata Kak - Medofo
5
Ata Kak - Daa Nyinaa
6
Ata Kak - Yemmpa Aba
7
Ata Kak - Bome Nwom
In late 2013 I was trying to take a disconap before djing a New Years party in Glasgow. All I could think about was finally getting in touch with Ata Kak. I decided to book a oneway flight to Toronto and I was not going to leave until I found some family contacts. It turned out Yaw's son Jeffrey still lives there and we had this incredible meeting in a townhouse complex on the edge of town.
I couldn't believe it when I finally spoke with Yaw and explained to him how well-loved his music had become. ATFA the label had been operating for several years by then but the tape that really started the whole thing couldn't get reissued. Once we got in touch all the complexities of how to actually do that came into focus.?It always irked me that our reissue of Obaa Sima didn't sound excellent. Nevertheless, it has a sonic charm that endures. Obaa Sima was a kind of manifesto for the whole Awesome Tapes From Arica blog project when it started. That sound and approach embodied something I wanted to further explore.
After years of enjoying his music, it was thrilling to finally meet Yaw and hear his story. I wanted to let everyone hear the music in the highest resolution possible but we couldn't make it happen.?In early 2024, by some cosmic coincidence, I made a new friend in my Berlin neighborhood who causally introduced himself by saying, "I have a clean copy of Obaa Sima, you can have it if you want." Not just wildly kind but also serendipitous as we reach the 10th year since the cassette's reissue.?
This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.?
Over the past 15 years or so, as I DJ these Ata Kak songs at almost every show, I still feel a sense of wonder upon listening. You can go deep into the crevices of the very audible audio artefacts and hear a lot. Maybe it's a little sad to part ways with the wows and flutters whose contours I'd grown to know like the back of my hand.?When I visited Yaw in Kumasi a few years ago for a documentary shoot, it was shocking to learn that his brother had actually sold quite a few copies of the tape. As we moved through Kejetia market one day we encountered a handful of folks who remembered hearing Obaa Sima back around its release in 1994. More recently, thanks to a few Ghanaian-made viral TikToks, I've learned how many people of a certain age heard these songs as staples at funerals and other local dance parties. The music reached a lot more people despite what Yaw had reported. ?
I was also surprised to learn that the album was originally recorded at a slower speed—we have included a slow version download here.?In the years since, the concerts that Ata Kak has performed have been one of the absolute joys of my life to experience. It couldn't have been achieved without the intense dedication of Ata Kak's booking agents at the time QuJunktions and his London-based bandmates, including Esa Williams, Pax Nindi, Binisa Bonner and Tim Tapsell. Hearing Obaa Sima live is astounding and thousands of people all over the world have been there too.?
—Brian Shimkovitz, Berlin 2025
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
I couldn't believe it when I finally spoke with Yaw and explained to him how well-loved his music had become. ATFA the label had been operating for several years by then but the tape that really started the whole thing couldn't get reissued. Once we got in touch all the complexities of how to actually do that came into focus.?It always irked me that our reissue of Obaa Sima didn't sound excellent. Nevertheless, it has a sonic charm that endures. Obaa Sima was a kind of manifesto for the whole Awesome Tapes From Arica blog project when it started. That sound and approach embodied something I wanted to further explore.
After years of enjoying his music, it was thrilling to finally meet Yaw and hear his story. I wanted to let everyone hear the music in the highest resolution possible but we couldn't make it happen.?In early 2024, by some cosmic coincidence, I made a new friend in my Berlin neighborhood who causally introduced himself by saying, "I have a clean copy of Obaa Sima, you can have it if you want." Not just wildly kind but also serendipitous as we reach the 10th year since the cassette's reissue.?
This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.?
Over the past 15 years or so, as I DJ these Ata Kak songs at almost every show, I still feel a sense of wonder upon listening. You can go deep into the crevices of the very audible audio artefacts and hear a lot. Maybe it's a little sad to part ways with the wows and flutters whose contours I'd grown to know like the back of my hand.?When I visited Yaw in Kumasi a few years ago for a documentary shoot, it was shocking to learn that his brother had actually sold quite a few copies of the tape. As we moved through Kejetia market one day we encountered a handful of folks who remembered hearing Obaa Sima back around its release in 1994. More recently, thanks to a few Ghanaian-made viral TikToks, I've learned how many people of a certain age heard these songs as staples at funerals and other local dance parties. The music reached a lot more people despite what Yaw had reported. ?
I was also surprised to learn that the album was originally recorded at a slower speed—we have included a slow version download here.?In the years since, the concerts that Ata Kak has performed have been one of the absolute joys of my life to experience. It couldn't have been achieved without the intense dedication of Ata Kak's booking agents at the time QuJunktions and his London-based bandmates, including Esa Williams, Pax Nindi, Binisa Bonner and Tim Tapsell. Hearing Obaa Sima live is astounding and thousands of people all over the world have been there too.?
—Brian Shimkovitz, Berlin 2025
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Born 2 Be Free
Cat-No:B2BF004
Release-Date:10.10.2025
Genre:House
Configuration:12"
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Last in:21.11.2025
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Label:Born 2 Be Free
Cat-No:B2BF004
Release-Date:10.10.2025
Genre:House
Configuration:12"
Barcode:
1
Azaad - Caliente
2
Azaad - Feel It
3
Azaad - I Want You
4
Azaad - I Want You (Az Gets Deep Mix)
Born 2 Be Free continues its good early work with another dose of UKG old skool magic. It comes from the label head Azaad, whose previous drops have all sold out in quick time, and this one will likely do the same such is its magnetic appeal. The Londoner opens up with 'Caliente' and rides on bumpy drums with some turbo-charged stabs injecting the heat. 'Feel It' bobble along with cute chords brings a balmy feel next to whispered vocals and low slung bass for maximum lip curl. 'I Want You' brings another timeless vibe with its neon pads and cuddly, immersive atmosphere then the Az Gets Deep mix sets down with some extra depth and drive.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
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Label:R&S Records
Cat-No:RS2207
Release-Date:01.09.2023
Genre:Drum + Bass
Configuration:12"
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Last in:17.11.2025
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Label:R&S Records
Cat-No:RS2207
Release-Date:01.09.2023
Genre:Drum + Bass
Configuration:12"
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1
Quartz - Lilac Cobwebs (ft. Selena Jones)
2
Quartz - Deity Spear
3
Quartz - Cosmic Horror
4
Quartz - Switchblade Groove
Four tracks of esoteric and spatial electronica are served up on Quartz’s debut release for R&S Records. Via releases for Metalheadz, Rupture London and System Music, amongst others, the ascending producer from Cardiff has impressed with his unique take on drum & bass, and more recently via grime influenced dubstep. A thrilling hybrid of sounds and rhythms are pulled together on the ‘Deity Spear’ release as Quartz deploys angular breakbeats, gargantuan bass tones, convoluted rhythms, and panoramic sound design across four mesmerising tracks. The opening track ‘Lilac Cobwebs’ is a reference and homage to his deceased mother, featuring a snippet of one of her last voice notes to him, and a reference to a colour he fondly remembers of her. A spellbinding and dense release from one of the UK’s most audacious producers.
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Germany
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Label:Thank You
Cat-No:THANKYOU011
Release-Date:15.11.2024
Configuration:12"
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Label:Thank You
Cat-No:THANKYOU011
Release-Date:15.11.2024
Configuration:12"
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1
Sylve - I’Ve Only Got You To Blame (Paris Mix)
2
Sylve - I’Ve Only Got You To Beat (Bonus Beats)
3
Sylve - I’Ve Only Got You To Blame (The Birmingham Breakdown Mix)
2024 Repress!
Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.
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Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Clone Aqualung Series
Cat-No:CAL-X
Release-Date:23.02.2026
Genre:Electro
Configuration:12"
Barcode:
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Label:Clone Aqualung Series
Cat-No:CAL-X
Release-Date:23.02.2026
Genre:Electro
Configuration:12"
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1
Der Zyklus - Truth Matrix
2
Der Zyklus - Truth Matrix (DPX Data Sanitization)
Heinrich Mueller research and experimentation as Der Zyklus. Backed with a DPX remix.
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Label:Houndstooth
Cat-No:HTH180
Release-Date:25.04.2025
Configuration:2LP
Barcode:5060845325503
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Label:Houndstooth
Cat-No:HTH180
Release-Date:25.04.2025
Configuration:2LP
Barcode:5060845325503
1
Djrum - A Tune For Us
2
Djrum - Waxcap
3
Djrum - Unweaving
4
Djrum - L'Ancienne
5
Djrum - Hold
6
Djrum - Galaxy In Silence
7
Djrum - Reprise
8
Djrum - Three Foxes Chasing Each Other
9
Djrum - Let Me
10
Djrum - Out Of Dust
11
Djrum - Sycamore
We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.
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12"
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Label:Plastik People
Cat-No:PPC11R
Release-Date:10.10.2025
Genre:House
Configuration:12"
Barcode:
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Last in:27.10.2025
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Label:Plastik People
Cat-No:PPC11R
Release-Date:10.10.2025
Genre:House
Configuration:12"
Barcode:
1
Cultured Pearls - Mother Earth (Hoff’s Optimistic House edit)
2
Night Society - You Turn Me On (Lounge mix)
3
JJ Can - I Don’t Know Why (The dub mix)
Plastik People Collections dropped this one back in 2019, and it became an instant classic that soon sold out. It has since rocketed in price on the second-hand markets, so thankfully, the label is reissuing it this summer. Cultured Pearls's 'Mother Earth' is effortlessly cool garage-house with bumpy drums and expressive piano jams perfect for outdoor dancing. Night Society's 'You Turn Me On' has an authentic US edge and hot and humid groove with passionate vocal cries, then JJ Can's 'I Don't Know Why' is a dubby and low-slung deep garage sound with chopped vocals and a timeless appeal. Three vital cuts that will be huge all over again this year.
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12"
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Label:Vibez '93
Cat-No:93TI017
Release-Date:12.09.2025
Genre:Drum + Bass
Configuration:12"
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Label:Vibez '93
Cat-No:93TI017
Release-Date:12.09.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
1
Unknown Artist - Gin & Juice
2
Unknown Artist - Wasn't Me
3
Unknown Artist - Hit 'Em Up
4
Unknown Artist - Best I Ever Had
Tracklisting
A1 Unknown Artist - Gin & Juice
A2 Unknown Artist - Wasn't Me
B1 Unknown Artist - Hit 'Em Up
B2 Unknown Artist - Best I Ever Had
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A1 Unknown Artist - Gin & Juice
A2 Unknown Artist - Wasn't Me
B1 Unknown Artist - Hit 'Em Up
B2 Unknown Artist - Best I Ever Had
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Liebigstrasse 2-20
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