As the title suggests, Rejuvenate marks a rebirth for South London musician Paul White. Abandoning sampling altogether, White wrote, played and produced all of Rejuvenate's music himself, and the result is an album of playful, psychedelic pop. It would have been far easier for White - previously described as a 21st century DJ Shadow, often compared to Madlib and best known as Danny Brown's go-to producer - to construct an album of loop-based, hip-hop-orientated beats. Instead, taking an ambitious left turn, he worked on honing his songwriting and instrument playing abilities and embarked on creating a totally original record worthy of sitting alongside those he'd usually sample. Rejuvenate's broad sonic palette includes cosmic rock, ambient, electronic, jazz, folk and more. Retaining a groove-heavy, psychedelic aesthetic throughout, White successfully melds these various influences in to his most cohesive, fully-realised offering yet. Paul White is joined on this sonic trip by a trio of likeminded souls; British-Jamaican singer Denai Moore adds heartwarming, crystalline vocals to the aptly named Set The Tone and See Through, Zimbabwean musician and poet Shungudzo (aka Shun) shares nuggets of wisdom on Spare Gold and dreamy, melting vocals for Ice Cream Man. White reunites with his sister, Sarah Williams White, and the pair draw on childhood memories for Laugh With Me and All Around. Paul White's previous output includes a treasure trove of mostly instrumental solo records, plus collaborations with Charli XCX, Jehst, Homeboy Sandman, Guilty Simpson, Jamie Woon, Obongjayar, Eric Biddines (as Golden Rules) and Open Mike Eagle. More recently, White reconnected with frequent collaborator Danny Brown, producing most of the Detroit rap maverick's mind-blowing Atrocity Exhibition album.
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Paul White has long established himself as an acclaimed hip-hop producer, but on his debut LP for R&S Records he expands his horizons with the most personal music of his career to date. With the sampler laid aside, the South Londoner emerges as a multi-instrumentalist, singer and producer as he charts the intoxication, heartbreak and ultimate triumph of a grand love affair. ‘Where You Gonna Go?’ already championed by the likes of Jamie xx, is a wonderfully pastoral take on house music, with Jamie Woon’s backing vocals adding emotional heft as White questions his lover’s departure. On remix duties is Andres (aka hip hop producer DJ Dez) his mix really brings out the house influences of the original and delivers a trademark deep, Detroit masterpiece in the style of KDJ’s Mahogani Music. Exclusive track ‘Peace Together’ sees Paul explore the Detroit Beatdown sound, again navigating the farthest corners of 4/4 music in his inimitable, psychedelic style. Endlessly inventive and almost impossible to pin down, Paul White is a singular British talent and his new album ‘Shaker Notes’ will only further cement his reputation as a true musical maverick
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The UK producer is joined by some famous friends on a surprising journey. TIP! Watch The Ants, Paul White’s forthcoming EP, is sure to further solidify his reputation as one of the most innovative producers in hip-hop and beyond. The South Londoner is joined by the motley crew of Trim, Sean Price, Homeboy Sandman and rap superstar-in-waiting Danny Brown, who recruited Paul to produce nearly half his forthcoming album Old and cited him as “my fav producer to work with”. First single Street Lights features Danny Brown, whose vivid portrait of a Detroit blighted by poverty and neglect is a perfect foil to White’s pounding war drums, strings and spectral choir. Trim, the ex-Roll Deep member and James Blake collaborator, invites you to Get Your Head Round This. He weds his unique delivery and caustic punchlines to a beat which shows that while other producers flock to the trap, Paul White heads to the toy shop. New York heavyweight Sean Price offers grim threats over the exotic instrumentation of Slugs Don’t Hug before rap’s most likeable lyricist, Homeboy Sandman – who featured on Paul’s last full-length, Rapping With Paul White - lets in a little light on Find A Way. His melodic, contemplative wordplay over a bassline groove and psyched-out washes of reverb should allay any doubts that hip-hop ain’t what it used to be, while serving as a teaser for his Paul White-produced EP due on Stones Throw this year. Though it boasts an enviable roster of MCs, Watch The Ants also contains plenty for fans of White’s instrumental work. Alongside the rappers, familiar names like Roland, Moog and Korg crop up throughout. They’re joined by an array of more surprising instruments such as finger cymbals, conga, and kzink kzink, all of which White plays himself – and see if you can spot his vocals. He can still make a killer beat, but on Watch The Ants Paul White hints at forthcoming explorations of krautrock, new-wave and psych. Minus, Divining Rod and Seagull Conscience are hard to categorise, existing in intriguing sound worlds of their own. They demonstrate perfectly why his talents are in demand from musicians beyond hip-hop circles – as illustrated by So Far Away, his track with Charli XCX, which Pitchfork called “a clear highlight” of her Best New Music-earning album True Romance. Paul White followed his cult-classic debut, The Strange Dreams Of Paul White, with Paul White And The Purple Brain in 2010, unleashing his idiosyncratic blend of prog and psych with a beats sensibility into the world, and 2011’s Rapping With Paul White showed off his music’s easy affinity with rap. Watch The Ants unites all of those strands with a more expansive and ambitious approach. Brimming with new ideas, Watch The Ants may showcase Paul White’s well-documented hip-hop chops to perfection, but it also positions him on the cusp of an exciting new musical phase. More

One of Poland’s most innovative and singular electronic producers, Hatti Vatti, lands on Belgian giant R&S Records with a new instrumental album filled with unparalleled and experimental jazz electronica.


Tracklisting:

1. FROGS
2. ZWIERCIADLO
3. UENO
4. ZEIT
5. BRIDGE
6. MAKE SENSE
7. LICHT
8. FLAGI
9. KYO

Listen: listen.k7.com/30f96ab0-e6fa-4c7e-b155-8ee685053081
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Hailing from the West side of St. Louis, Missouri, Mikahl Anthony’s sonic roots spread far across the global Alt-Soul / Hip-Hop scene. A highly sought- after multidisciplinary artist (who has collaborated with the likes of Mick Jenkins, Chance The Rapper, Joey Purp, Smino & more), as well as being a founding member of Chicago’s THEMpeople collective, he now prepares to unveil his masterful full-length debut ‘MUSE’ via R&S Records.

Listen: https://listen.k7.com/3b4be142-df9a-4c7f-8800-9dff08eb70a8 More

“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases. More

First released back in the fall of 1989, the In Order To Dance album was a compilation LP that pulled together tracks from a select band of electronic producers, pushing the boundaries of the house and electronic music that was in its infancy stage.

3LP black vinyl with printed inners

A1. Vromm - Red Tuna
A2. Hyphen - Winter Sky
B1. Saytek - IYNDUB01 (Live)
B2. Pascal Nuzzo – Hold On
B3. Nphonix & Matrika - Rumble Around
C1. Acidulant - Make Love To A Machine
C2. Insider - Something Flash
D1. Dharma - Structured Chaos
D2. Som.1 – Ultimatum
E1. Dino Lenny – Did This
E2. Adam Antine - Sortavala
E3. Paul Roux – Bapteme
F1. Underworld – Appleshine (Film Edit)
F2. Subject 13, Conscious Route – Dripping Sauce More

Brand new 4 track compilation on Detroit's Teknotika imprint

1 Gary Martin, Detroit’s most unpredictable producer.
2 Human Robot, (Jefferson Ciarvi) Detroit’s most hard working DJ.
3 George ACTV, the Stylish Brazilian living in Switzerland.
4 DJ Mau Mau, Sao Paulo’s number one DJ. More

Tracklisting
A1 Interstellar Beats - Phase Shift
A2 Interstellar Beats - Niimbus 2K
B1 Interstellar Beats - Dance people
B2 Interstellar Beats - Reflections

Sales Note
Next up on OGE's mother label, we have one of the UK's finest upcoming talent Interstellar Beats, 4 Tracks that pay homage to OGE's Signature sound, 12" Vinyl More

‘Vulnerable’: a champion of Broken Beat and Garage, offering a distinct and uplifting arp that sits on the warmest of bass lines and the coolest of beats. One for the radio, dancefloor, car or just about anywhere else.

‘Tuesday’: Hammered keys, rusty nails, 808 beats and crafted tech noise help hold together this strange piece of clunk funk which knocks and thuds its way through the unsettling but subtle groove all the way to the end. More

REPRESS!! More

ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS MF Part 1/2

MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.

"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024 More

Duncan Forbes returns to 49North with a super fresh sounding 4 track EP, all killer no filler !

First up is ‘Moods Shift And Flicker’ which eUortlessly fuses Duncan’s love of Detroit and dub techno with his love of Chicago house music and spoken word all underpinned by an infectious disco bass line. Following on and taking things up a level or two we are treated to the uplifting peak time monster that is ‘Time Is Now !’. Peak time melodic techno that will be just as at home in any large open-air space as it will in a dark basement. Third on the menu is Spectra, a no holes barred sonic battle weapon that will take you to the stars and back as it builds and builds. Desert is served up in the form of ‘I Wanna Know’ a solid 808 electro workout with one foot in the 80’s and the other somewhere in the future which asks the questions ....How Come The Quantum ? How Come The Universe ? ....... I Wanna Know ! More