Plastik People keep it deep once more with a new outing of their ongoing Collections series. There is plenty of ol' school nostalgia in the opening cut, Ricky Montanari's 'Back To Love', with its US garage snares and dusty piano stabs making for a great mix of drive and soul. There's a pared-back dub version too plus an amped up and sweaty Dave Charlesworth dub of Aurora B's 'Good Love.' Last of all is the hurried and soulful house whomp of 'Hard Times' (original 96 mix). Four very useful jams.

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REPRESS ALERT: Underground house from Olivier Portal (Playin' 4 The City). Track A2 & B1 were originally released on the Backshop EP on Tropism Records 2002, an EP thats very hard to find around on vinyl and the EP comes with a fresh new cut called, Minor Track which incorporates those classic P4TC vibes & deep rhythms.

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Fans of traditional US house - and why wouldn't you be - will salivate over this new EP from the Plastik People label. It's a pure and feel-good four tracker steeped in New York style that brings those magic 90s vibes to the dance floor. First up is the warm and bouncy '4 Real' (937 main mix) with its dumpy kicks and humid organic chords, then 'Psycho Times' ups the pace with a nice grinding bassline and heavy US garage vibes in the chuffing kicks while 'Dusty Sound' owes a debt to the one and only Kerri Chandler for its lush and jazzy musicality. Timeless stuff.

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Two slammin’ cuts of garage house from label boss Marc Cotterell & Danny J Lewis.

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Split EP of US & UK Garage Sounds with a nod to the R.I.P crew and the U.K garage legend Todd Edwards.

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Back to some of the original roots of the Plastik People label with a new single from Alfredo Norese ft. Aquilla Fearon & Matteo Esposito with remixes from label boss Marc Cotterell, Shaka & Groove Boys Project. Deep Soulful house & Garage on this fantastic release.

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Dave Deller & Clayton Mitchel make up Industry Standard and after 20 years they are back with a killer EP including Justify, Shine Bright In The Night & a remix by Tuff Vibes (Marc Cotterell & Dominic Balchin. U.S & U.K house and garage flavors that you wont want to miss.


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Were proud to bring you remixes of the 1996 classic track Keith Sibley - Stand By me, Originally produced by Ron Van Zeist who's worked along side some of the garage greats like, Masters of work & Eddie Perez, in this EP, we bring you all new remixes, which include Crackazat, who kicks off with amazing deep trenched, rolling house track. up next is label boss Marc Cotterell with his classic cut along with some killer live organ by Slikk Tim, on the flip is awesome 90’s vibe from Johan S and lastly we finish the EP with the original club mix that came out on the 1996 release.


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Rare and expensive, hard to find 90's UKG tracks brought to you by Plastik People, its a must have for any vinyl collector

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Plastik People has hit 10 releases & were super excited about that! to celebrate this fantastic achievement we bring you 3 cuts of pure underground quality from some legends of house music, A side is amazing deep soulful track by Mike Perras who's been in this game for over 25+ years, he brings us 'Dream4You' smooth keys, raw baseline and a hook that will suck you in and spit you out. B side we bring back the a man who's gained huge recognition back in the 90s after releases on F-comminucation, Aquabassino is back, and this time he's working along side jazz musician Neil Warden to bring Plastik People a slice of pure house jazz grooves, finally to round up the EP comes label regular Playin' 4 the city & his amazing late night deep house track 'Orbit', must have for your vinyl collection.


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We welcome our 2nd part of the 90's House Collection series, on this amazing EP we find 3 rare and hard to find tracks, on the A side we have unreleased track by "Sanjay" which is Kings of Tomorrow from the early days, this is a pure floor killer, on to A2 , we have one of the most respected garage artists from the 90's Eddie Perez, with his Mentalinstrum dub of Keith Sibley's track, Stand By Me & finally the EP is rounded of with the legend that is Donnell Rush, the Redawg's Outhere Alternate Mix is a classic i its own and right and very hard to find.



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Plastik People is proud to bring you a new collection of vinyl classics that takes us back to those House & Garage vibes from our most loved era, the 90's. all are rare & hard to find track compiled with love by label owner Marc Cotterell.


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Kiko Navarro has released on some pretty impressive labels - Nite Grooves, Third Ear and even King Street Sounds to name a few! which makes us very excited to have him as part of Plastik People. Kiko delivers us some straight up dance floor house killers, first track, Bates Dance has infectious strings combined with moody drums & rhythms that are reminiscence of early Point G sounds that came out on Basic Recordings back in the day, Kiko then follows up with a groovy hip shaking track called Camon Yo! which will certainly move any floor. Remixes come from Cotterell who's previously released under this moniker on Various People Vol.2, the remix keeps that old school garage vibe with deep shuffling drums and moody chords. The EP is rounded of from man of the hour and part of Rhythm Plate - Matt Rivem, he keeps lots of the original feel from Camon Yo! while given it a late night 5am Goshawk regurgitation. Music For Your Soul - Plastik People Recordings


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Back in the day, there was one artist that stood out in the underground, this person was admired and respected worldwide, his cuts we're played from Paris, London, NYC to Chicago & back again, he was - Olivier Portal AKA Playin'4 The City. This year, 2014 - Playin 4 The City is back, 3 brand new tracks released on the deeply respected US label - Plastik People. Side A delivers two soulful edged tracks with a reprise at the start of A1 which keeps the roots of P4TC from back in the day - both tracks include live bass by Slikk Tim. Side B "Good Groove" is a black & white track, It has the feel of the early Bouge & Shuffle track that came out on Olivier's Straight Up label, deep & groovy elements, 16 bit samples & keeping it four to the floor. Good Groove is sure to be a classic, one for the true heads & the P4TC collective.


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A spectrum of sounds from US House & Garage to Soulful Grooves Side One Track One: Louie Balo - Dont shut me out This track original came out in 1994 & to this date is super rare & hard to find, Louie did us a special cut just for the plastik vinyl release. keeps the original groove but adds drums, FX & of course that classic horn. Track Two: Mikki Funk - Lose my mind . Mikki tight production shines through with a classic garage sound combined with soulful elements, tight chords and beautiful use of the vocal - one for the heads for years to come. Side Two
Track one: Tuff Jam & Mike Sharon - Thank you house music. Masterpiece of US House & UK Garage Sound. Im sure everyone is already familiar with Tuff Jams work from the 90's & his work with Matt Lamont, this time he teams up with Mike Sharon who adds his usual touch of quality with his production & deep shuffling drums & driving bassline.. This is a must have Track Two: Marc Cotterell - Jus Dance Featuring Karl the voice. Soulful tip on this one from the label owner. Tough US drums with soulful grooves and classic chords. matched by the amazing vocals of Karl The Voice who has worked with Derrek Carter & Playin 4 the city. Beautiful production and sound to round of the EP



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We are very honored & super excited to have one of the most respected artists in the deep underground house scene ,Trinidadian Deep. He delivers us two tracks from which one is already a timeless classic and very hard to find Tree Of Life which originally came out on Ron trent's Future Visions Records & a new and raw late night track called Deep Thoughts. Two remixes come in the form of French Life Recorder & Seed Records man Bradford James. Life Recorders version is deep yet heady & continues from the original tree of life with the vocals and deep synced chords. Bradford James remix turns it on its head with deep congo groves and club drums. Perfect package all round. This release is a must have for all vinyl heads and deep house junkies - Music For Your Soul


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Another essential US 90s bit from Tom Chasteen and Michael Kandel originally on the Exist Dance portfolio. Well ahead of its time, this exposé of ceremonial grade psychedelic nuances featuring South Asian vocal samples interlaced with electronic music production methods takes the originally more fast passed trance-like direction of the label’s first 3 years and re-directs things towards a new more downtempo/trip-hop route. With the BPM counter cruising in the low 100’s steadily throughout the first 3 tracks and ending on a full on ambient beatless 8 minute meditative journey, this EP marks a new aesthetic plateau for the Exist Dance catalogue, with “Cantamilla” even crossing over to Balearic radars and being played by Ibiza legends like Jose Padilla.
“Recorded in Heaven”. Take a trip.

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Downtown E-Style Sound Crawlers

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Palmkids is a creative duo/studio with its own production line based in Pontevedra (Galicia). Among other projects such as PALMCO RADIO, this EP is the result of the union and friendship between Palmkids and the Galician label Must Be On Wax. On this EP, Bruss presents his vision of 90s Brazilian Baile Funk, fusing the pulsating rhythms of Baile Funk and deep grooves of Miami Bass, including remixes by Juait and Street Choice.

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Tracklisting
A1 Stones Taro - Clutch
A2 Stones Taro - Busy Lips
B1 Stones Taro - Stealthy Meow
B2 Stones Taro - Clutch (Christopher Ledger remix)

Sales Note
A Bold New Direction from Kyoto's Finest

Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.

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In late 2013 I was trying to take a disconap before djing a New Years party in Glasgow. All I could think about was finally getting in touch with Ata Kak. I decided to book a oneway flight to Toronto and I was not going to leave until I found some family contacts. It turned out Yaw's son Jeffrey still lives there and we had this incredible meeting in a townhouse complex on the edge of town.

I couldn't believe it when I finally spoke with Yaw and explained to him how well-loved his music had become. ATFA the label had been operating for several years by then but the tape that really started the whole thing couldn't get reissued. Once we got in touch all the complexities of how to actually do that came into focus.?It always irked me that our reissue of Obaa Sima didn't sound excellent. Nevertheless, it has a sonic charm that endures. Obaa Sima was a kind of manifesto for the whole Awesome Tapes From Arica blog project when it started. That sound and approach embodied something I wanted to further explore.

After years of enjoying his music, it was thrilling to finally meet Yaw and hear his story. I wanted to let everyone hear the music in the highest resolution possible but we couldn't make it happen.?In early 2024, by some cosmic coincidence, I made a new friend in my Berlin neighborhood who causally introduced himself by saying, "I have a clean copy of Obaa Sima, you can have it if you want." Not just wildly kind but also serendipitous as we reach the 10th year since the cassette's reissue.?

This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.?

Over the past 15 years or so, as I DJ these Ata Kak songs at almost every show, I still feel a sense of wonder upon listening. You can go deep into the crevices of the very audible audio artefacts and hear a lot. Maybe it's a little sad to part ways with the wows and flutters whose contours I'd grown to know like the back of my hand.?When I visited Yaw in Kumasi a few years ago for a documentary shoot, it was shocking to learn that his brother had actually sold quite a few copies of the tape. As we moved through Kejetia market one day we encountered a handful of folks who remembered hearing Obaa Sima back around its release in 1994. More recently, thanks to a few Ghanaian-made viral TikToks, I've learned how many people of a certain age heard these songs as staples at funerals and other local dance parties. The music reached a lot more people despite what Yaw had reported. ?

I was also surprised to learn that the album was originally recorded at a slower speed—we have included a slow version download here.?In the years since, the concerts that Ata Kak has performed have been one of the absolute joys of my life to experience. It couldn't have been achieved without the intense dedication of Ata Kak's booking agents at the time QuJunktions and his London-based bandmates, including Esa Williams, Pax Nindi, Binisa Bonner and Tim Tapsell. Hearing Obaa Sima live is astounding and thousands of people all over the world have been there too.?

—Brian Shimkovitz, Berlin 2025

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Four tracks of esoteric and spatial electronica are served up on Quartz’s debut release for R&S Records. Via releases for Metalheadz, Rupture London and System Music, amongst others, the ascending producer from Cardiff has impressed with his unique take on drum & bass, and more recently via grime influenced dubstep. A thrilling hybrid of sounds and rhythms are pulled together on the ‘Deity Spear’ release as Quartz deploys angular breakbeats, gargantuan bass tones, convoluted rhythms, and panoramic sound design across four mesmerising tracks. The opening track ‘Lilac Cobwebs’ is a reference and homage to his deceased mother, featuring a snippet of one of her last voice notes to him, and a reference to a colour he fondly remembers of her. A spellbinding and dense release from one of the UK’s most audacious producers.

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Born 2 Be Free continues its good early work with another dose of UKG old skool magic. It comes from the label head Azaad, whose previous drops have all sold out in quick time, and this one will likely do the same such is its magnetic appeal. The Londoner opens up with 'Caliente' and rides on bumpy drums with some turbo-charged stabs injecting the heat. 'Feel It' bobble along with cute chords brings a balmy feel next to whispered vocals and low slung bass for maximum lip curl. 'I Want You' brings another timeless vibe with its neon pads and cuddly, immersive atmosphere then the Az Gets Deep mix sets down with some extra depth and drive.

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Tracklisting
A1 Unknown Artist - Gin & Juice
A2 Unknown Artist - Wasn't Me
B1 Unknown Artist - Hit 'Em Up
B2 Unknown Artist - Best I Ever Had

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We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.

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2024 Repress!

Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.

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