1
Djrum - A Tune For Us
2
Djrum - Waxcap
3
Djrum - Unweaving
4
Djrum - L'Ancienne
5
Djrum - Hold
6
Djrum - Galaxy In Silence
7
Djrum - Reprise
8
Djrum - Three Foxes Chasing Each Other
9
Djrum - Let Me
10
Djrum - Out Of Dust
11
Djrum - Sycamore
We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Germany
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More records from Djrum
1
Djrum - Codex
2
Djrum - Codex pt. 2
3
Djrum - Crawl
4
Djrum - Frekm pt.1
5
Djrum - Frekm pt.2
Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity. It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving. Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties. The tone set, the EP moves through ultra-rarefied glass-like p
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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DE - 22113 Hamburg
Germany
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1
Djrum - Plantain
2
Djrum - What I Was Doing When I Was Doing What I Was Doing
2023 Repress
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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DE - 22113 Hamburg
Germany
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Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2nd Drop Records release 'Seven Lies', the debut album by Felix Manuel aka Djrum (pronounced "Drum"). Its sounds are inspired by the rawness of urban London, influences of Portishead, DJ Shadow and The Cinematic Orchestra, jungle, minimal techno, classic house, broken beat - all seamlessly segued with a nod to jazz vinyl and film music.
Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Houndstooth
1
Djrum - Codex
2
Djrum - Codex pt. 2
3
Djrum - Crawl
4
Djrum - Frekm pt.1
5
Djrum - Frekm pt.2
Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity. It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving. Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties. The tone set, the EP moves through ultra-rarefied glass-like p
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Throwing Snow - Ribboning
2
Throwing Snow - Apricity
3
Throwing Snow - The Madness of The Bull
4
Throwing Snow - Rasp
5
Throwing Snow - Whispers
6
Throwing Snow - Ephemeral
7
Throwing Snow - Asunder
8
Throwing Snow - Chimera
9
Throwing Snow - Hear The Tongue Fork
10
Throwing Snow - An Arrow to Follow
11
Throwing Snow - Riven
12
Throwing Snow - Mourn
13
Throwing Snow - Tides
‘Isthmus’ is Ross Tones’s 5th album for Houndstooth in 10 years. It only seems fitting for it to return to the eclecticism of 2014’s ‘Mosaic’. An isthmus is a narrow strip of land that connects two larger bodies. The two islands contrast in time, topography, chaos and character. One sears. The other, buried by blizzards. A land bridge fights the tide; offering harbour. Connecting the estranged. Giving battle to the noise. It is uncertain who won.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Anastasia Kristensen - AK OK
2
Anastasia Kristensen - The Flight
3
Anastasia Kristensen - Maxima
4
Anastasia Kristensen - Submerge Station
Following her strong debut EP on Warp Records sister imprint Arcola, Copenhagen’s Anastasia Kristensen, renowned for her energetic sets, presents M A X I M A, a four-track EP of animated techno and elaborate sonic geometries. Kaleidoscopic patterns and angular drums launch straight through the spacetime continuum. Fusing elements both hyper
modern and old school, Anastasia crafts an expansive package for the most discerning psychonauts. Released on Magenta colour vinyl
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modern and old school, Anastasia crafts an expansive package for the most discerning psychonauts. Released on Magenta colour vinyl
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Germany
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1
Throwing Snow - Nought To Gain
2
Throwing Snow - The Righteous Mind
3
Throwing Snow - Idealog
4
Throwing Snow - The Death Of Pragmatism
Off the back of his killer album release, LOMA, Throwing Snow returns to Houndstooth for a fiery, politically charged EP; The Death of Pragmatism. As tension continues to rise in the UK around the Brexit debate, Throwing Snow channels the aggression into a 4-track release - showcasing some of his most intense work to date. To be released on the 1st November, the day after Brexit is executed, the EP opens with a percussive-driven record ‘Nought To Gain’. The idea is built around Ross Tones (AKA Throwing Snow) looking into the dramatic system modifications at play that change landscapes as a whole and when ’the supposed benefits of that modification no longer apply as there is now a different structure in place - there is nought to gain and all to lose’. The second track, ‘The Righteous Mind’, is named after Jonathan Haidt’s book subtitled ‘Why Good People are separated by Politics and Religion’. ‘His approach explains the current schisms and could act as a mediator for angry voices’, Ross says, giving a better understanding of the single as it allows for a moment of reflection before leading into ‘Ideolog’ - an ominous soundscape circling back to Throwing Snow’s half time DnB influences. ‘When staring into the abyss, a great orator speaks of utopias and rose-tinted cocoons. Ideologues are intrinsically reductionist, degrading the complexity of every single issue. Meshed interrelations are ignored, in favour of quasi-religious furore. Basically, it’s a shit idea to follow them’. Rounding off with ‘The Death of Pragmatism’, a climatic syncopated record focused on glass-shattering beats and piercing synths, Ross cites the world of Gödel and unyielding ideologies which suffer from their complex consequences. ‘Assessing the foreseeable aftermath within a broader context is a map through the madness. Otherwise it’s the death of Pragmatism’.
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Germany
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1
pariah - Log Jam
2
pariah - Pith
3
pariah - Seed Bank
4
pariah - Linnaea
5
pariah - At The Edge
6
pariah - Conifer
7
pariah - Rain Soup
8
pariah - Drug The Lake
9
pariah - Here From Where We Are
ere From Where We Are’, Pariah’s first release in six years, marks a natural progression in his sound across nine interconnected pieces.
After just six months messing around making his own stuff on Logic, Pitchfork coverage piqued the interest of the legendary R&S, and over the next two years he released three EPs with the Belgian label. Since then, Arthur Pariah has continued to DJ around the world and play live with Blawan as Karenn.
‘Here From Where We Are’ is inspired by a series of very personal reflections, responses and reactions. Pariah is keen for people to process it in their own way, free from interference.
Opening with the transcendental ‘Log Jam’ which spills into the huge, empty and plaintive ‘Pith’, the artist distils his experiences into an album of nine moving, multi-layered tracks, where peculiar textures combine with rich harmonies and absorbing melodies into a heady mix of abstracted environments, formally structured songs and sound collages.
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After just six months messing around making his own stuff on Logic, Pitchfork coverage piqued the interest of the legendary R&S, and over the next two years he released three EPs with the Belgian label. Since then, Arthur Pariah has continued to DJ around the world and play live with Blawan as Karenn.
‘Here From Where We Are’ is inspired by a series of very personal reflections, responses and reactions. Pariah is keen for people to process it in their own way, free from interference.
Opening with the transcendental ‘Log Jam’ which spills into the huge, empty and plaintive ‘Pith’, the artist distils his experiences into an album of nine moving, multi-layered tracks, where peculiar textures combine with rich harmonies and absorbing melodies into a heady mix of abstracted environments, formally structured songs and sound collages.
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Germany
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1
marquis hawkes - Beton Theme
2
marquis hawkes - Don't U feat Ursula Rucker
3
marquis hawkes - Instrument Of Thought
4
marquis hawkes - Tough Love
5
marquis hawkes - The Matrix
6
marquis hawkes - Sunset
7
marquis hawkes - Hope In Your Hearts
8
marquis hawkes - We Should Be Free feat Jamie Lidell
Berlin based electronic mainstay Marquis Hawkes has announced details of his second LP ‘The Marquis of Hawkes’, due out 24th August 2018. Ahead of this, Hawkes will release a new single featuring acclaimed UK soul singer Jamie Lidell on the 20th July. The single, entitled ‘We Should Be Free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by Hawkes himself. Both this, and the essential previous single from June, “Don’t U”, which featured the vocal talents of Ursula Rucker, will appear on the forthcoming album in an extended version. The album will be the producer’s second LP for us, following his critically acclaimed debut ‘Social Housing’ for the label, which was released in 2016. Entitled ‘The Marquis of Hawkes’, the new album adheres to a specific sound palette whilst still displaying eclecticism across its eight tracks. Opening with the beat-less droning ambience of ‘Beton Theme’, the album takes in a variety of themes from across the house music spectrum, from the deep and dubby meditation of ‘Instrument Of Thought’ to the body jerking rhythms and retro bass stabs of ‘Tough Love’, the introspective mood of ‘The Matrix’, to the soulful New Jersey styled House grooves with a contemporary twist of ‘Sunset’, building through the optimistic joyousness of ‘Hope In Our Hearts’ before closing with Lidell’s heartfelt and passionate emotional overload on ‘We Should Be Free’.
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1
special request - Curtain Twitcher (Nina Kraviz Alice Was Here Remix)
2
special request - Curtain Twitcher (Nina Kraviz Samba Version)
3
special request - Looking Glass
4
special request - Tiresias (Anastasia Kristensen Rework)
Special Request joins forces with Nina Kraviz and Anastasia Kristensen, shattering the doors of perception over a four-track EP. ‘Through The Looking Glass’ drops July 20th on Houndstooth. On the A side, Nina Kraviz provides two interpretations of ‘Curtain Twitcher’. ‘Alice Was Here Remix’ takes the intensity of the original and boils it into a 4/4 spin of frenzied basslines and distorted acoustics, punctuated by her languid reading of the Mad Hatter. For the ‘Samba Version’, syncopated polyrhythms take charge of a fragmented melody. Opening the AA side, ‘Looking Glass’ lures you down the rabbit hole with mysterious bleeps, only to reveal a whirlwind of stormy breaks and junglist percussion. Closing off the trip, Anastasia Kristensen’s remix of ‘Tiresias’ marches its way through a field of swollen bass and glitchy percussion.
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Germany
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1
marquis hawkes - We Should Be Free
2
marquis hawkes - We Should Be Free (Hawkes Dub)
3
marquis hawkes - We Should Be Free (Hawkes Club Vocal)
4
marquis hawkes - We Should Be Free (Bonus Beats)
Berlin based electronic mainstay Marquis Hawkes has announced details of his second LP ‘The Marquis of Hawkes’, due out 24th August 2018 on fabric’s in-house label Houndstooth (home to Call Super, Aïsha Devi, Special Request and more). Ahead of this, Hawkes will also release a new single featuring acclaimed UK soul singer Jamie Lidell. The single, entitled ‘We Should Be Free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by Hawkes himself. Both this, and the essential previous single, “Don’t U”, which featured the vocal talents of Ursula Rucker, will appear on the forthcoming album.
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1
marquis hawkes ft. ursula rucker - Don't U
2
marquis hawkes ft. ursula rucker - Don't U (Hawkes Club Vocal)
3
marquis hawkes ft. ursula rucker - Don't U (Dubbed Out Vocal)
4
marquis hawkes ft. ursula rucker - Don't Do Acid
Marquis Hawkes is an alter ego adopted by long time electronic music producer Mark Hawkins, founded for his house music focussed activities. Hawkins decided it was time for a reboot after being head-hunted by old friends Dan Monox and Kenny Wasp, who had just founded Dixon Avenue Basement Jams in 2012, particularly as the material differed from what he’d previously released. Hawkins solidified his sound during this period, taking influence from house music’s Chicago, Detroit and New York home bases alongside the UK’s deep house sound. Fusing these styles with contemporary production values, he developed a style synonymous with his Marquis Hawkes alias.
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1
special request x gerd janson & shan - Make It Real (Gerd Janson & Shan Mars Mix)
2
special request x gerd janson & shan - Make It Real (Gerd Janson & Shan Prance Mania Mix)
3
special request x gerd janson & shan - Brainstorm (Gerd Janson & Shan House Mix)
4
special request x gerd janson & shan - Brainstorm (Gerd Janson & Shan Electrophunk Mix)
Special Request returns via Gerd Janson & Shan's studio, as they completely re-build both Brainstorm and Make It Real across four frenzy-inducing incendiary versions custom made for sending the rave over the edge...
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1
second story - No Such Location (Marcel Dettmann Positive Remix)
2
second story - No Such Location (Marcel Dettmann Negative Remix)
3
second story - Moesha Moved To Margate (Radioactive Man Remix) [Houndstooth]
4
second story - Ajunlei 8 (The Exaltics Remix)
No Such Location (Marcel Dettmann Positive Remix)
No Such Location (Marcel Dettmann Negative Remix)
Moesha Moved To Margate (Radioactive Man Remix)
Ajunlei 8 (The Exaltics Remix)
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1
special request - No Title
2
special request - No Title
3
special request - No Title
4
special request - No Title
5
special request - No Title
6
special request - No Title
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1
18+ - Drama (Babyfather Meditation Mix VIP)
2
18+ - Glow (GAIKA Zicatea Dub)
Hyperdub + Warp Records artists Babyfather and GAIKA rework two 18+ tracks from their second album ‘Collect’. Hyperdub’s Dean Blunt, a category-rejecting artist and an art-pop provocateur tackles ‘Drama’ under his Babyfather guise, looping a low slung swagger beat under the vocals of DJ Escrow and Samia Mirza. Warp Records multi-disciplined South London artist GAIKA rips apart Glow into a discordant sub-low bassline drone, pitching Samia’s vocal as slow as can go, harsh high pitch tones and field recordings. “One of the strongest things we’ve heard from the divisive producer.” - boomkat. Strictly limited to just 200 dinked white labels - One for the collectors.
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1
akkord - RCVR
2
akkord - XMTR
Akkord return with their first original music since October 2015’s ‘Obelisk.’ Over the years Akkord have become known for their bloodied and brutalist, steely precision, focussing on sculpted, visceral sound design. Presented on 140gm vinyl. Cut & mastered by Matt Colton at Alchemy. Artwork by plusyes.com
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1
marquis hawkes ft. jocelyn brown - I’m So Glad
2
marquis hawkes ft. jocelyn brown - I'm So Glad (12” Satisfied Mix)
3
marquis hawkes ft. jocelyn brown - I’m So Glad (Paul Woolford Remix)
4
marquis hawkes ft. jocelyn brown - I’m So Glad (Catz 'N Dogz Remix)
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1
call super - Puppet Scene
2
call super - New Life Repercussions
New Life Tones is the second 12” of 2016 for Call Super and heralds another subtle shift in his work. Puppet Scenes chisels a twitchy, snake-like path between dub and house whilst rejecting the standard templates for the usual melding of those two forms. New Life Repercussions is a transmission from the undergrowth. A sleek roller that surrenders to something broken and melancholic it represents another achievement in Call Super's increasingly idiosyncratic melodic portfolio.
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1
second storey - Bismuth
2
second storey - Vapor Valve
3
second storey - Grand Rapid
4
second storey - Helicat
Returning to Houndstooth a year since the release of his One Sound / Layer Lock EP is Second Storey. After spending most of 2015 focussing on his collaboration with Laurence Osbourne - Second Storey & Appleblim present ALSO - over at R&S Records, Alec Storey came back into the fold as part of the Houndstooth 3rd anniversary compilation earlier this year. Now he returns to the label in full with a gleaming new EP, Bismuth. Initialising the release, title track Bismuth takes inspiration from a documentary on the visually impressive metal. Affected by its angular, complex 3D elements and fluid like structures the music itself mirrors the element’s appearance deploying the intricate precision of IDM creating its own multiplex of textures.Melodic poly rhythms and chord structures define the track from the outset which work neatly with Storey’s trademark tight percussion, which sits in that golden spot between bass and electro. Bringing the tempo up a couple of notches, Grand Rapid lives up to its title. Urgent in nature, it reflects the environment it was created in - crafted on a laptop while speeding through the countryside on a train. Propelled by its ever-present bassline groove, percussive elements speed and whir by in this pacey venture.
Finally, Helicat completes the EP, built around the interplay between the main riff and synth percussion elements; from the outset bit-crushed bass drops and pommels out an electro-esque off beat rhythm while the synth line gives its circling answer.
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Finally, Helicat completes the EP, built around the interplay between the main riff and synth percussion elements; from the outset bit-crushed bass drops and pommels out an electro-esque off beat rhythm while the synth line gives its circling answer.
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1
guy andrews - Higher Waters VIP
2
guy andrews - In Autumn Arms (Max Cooper Remix)
3
guy andrews - Without Names VIP
4
guy andrews - In Autumn Arms (Ben Pearce Remix)
Fresh from live performances at Bonobo’s Outlier festival, The Quietus stage at The Great Escape, and supporting Max Cooper, London-based production virtuoso Guy Andrews revisits his acclaimed debut album ‘Our Spaces’. Informed by audience reactions at these shows, he takes two of the LP’s standout tracks and reconfigures them for the dancefloor, with devastating results. Meanwhile two like-minded artists tackle the album’s lead single ‘In Autumn Arms’. Max Cooper crafts a formidable collage of IDM textures, with staccato beats punctuating the lilting guitar riff, whilst DJ Mag’s former ‘Best Breakthrough Producer’ Ben Pearce takes the track into the main room, turning in an elemental 4/4 floor-burner.
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Featuring 170 Locked Grooves of Royalty Free Infinite Loops!
Precision-cut loops and quality sounds are integral to electronic music production and performance, even in the analog domain. DJs will be able to sample IRRUPT sounds in the form of the first open-source, copyright-free, physical vinyl release. This tactile vinyl release will showcase IRRUPT’s rock-solid, no-restriction, future-proof licensing structure with an invitation to DJs to freely use the royalty-free loops, without fear of copyright constraints. This double vinyl 12-inch, mastered by engineer Mike Grinser (Aphex Twin, Richie Hawtin) at ManMade Mastering in Berlin, will offer vinyl DJ’s ‘open source tools’ for use in live performance or advanced studio trickery.
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Precision-cut loops and quality sounds are integral to electronic music production and performance, even in the analog domain. DJs will be able to sample IRRUPT sounds in the form of the first open-source, copyright-free, physical vinyl release. This tactile vinyl release will showcase IRRUPT’s rock-solid, no-restriction, future-proof licensing structure with an invitation to DJs to freely use the royalty-free loops, without fear of copyright constraints. This double vinyl 12-inch, mastered by engineer Mike Grinser (Aphex Twin, Richie Hawtin) at ManMade Mastering in Berlin, will offer vinyl DJ’s ‘open source tools’ for use in live performance or advanced studio trickery.
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1
SASCHA DIVE - I WAS DEEP IN MY LAST LIFE
2
SASCHA DIVE - DUB CHRONICLES #7
3
SASCHA DIVE - THE RUSH (FEAT. ROBERT OWENS)
4
SASCHA DIVE - DIABLA
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 I WAS DEEP IN MY LAST LIFE
A2 DUB CHRONICLES #7
B1 THE RUSH (FEAT. ROBERT OWENS)
B2 DIABLA
NEXT UP IS “I WAS DEEP IN MY LAST LIFE”, SASCHA DIVE RETURNS TO BONDAGE MUSIC ONCE AGAIN FOR ANOTHER DEEP FREQUENCY ENCOUNTER, AS USUAL AS VINYL ONLY RELEASE
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Tracklist 12":
A1 I WAS DEEP IN MY LAST LIFE
A2 DUB CHRONICLES #7
B1 THE RUSH (FEAT. ROBERT OWENS)
B2 DIABLA
NEXT UP IS “I WAS DEEP IN MY LAST LIFE”, SASCHA DIVE RETURNS TO BONDAGE MUSIC ONCE AGAIN FOR ANOTHER DEEP FREQUENCY ENCOUNTER, AS USUAL AS VINYL ONLY RELEASE
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1
Ø & Mika Vainio - Sisn
2
Ø & Mika Vainio - Hornitus
3
Ø & Mika Vainio - Kuvio
4
Ø & Mika Vainio - JL-CSG-1
5
Ø & Mika Vainio - Muuntaja
6
Ø & Mika Vainio - Hion
7
Ø & Mika Vainio - Twin Bleebs
8
Ø & Mika Vainio - Erit-samat
9
Ø & Mika Vainio - Lasi
10
Ø & Mika Vainio - JL-CSG-2
11
Ø & Mika Vainio - Radio
12
Ø & Mika Vainio - Asuntola
13
Ø & Mika Vainio - Kentt
14
Ø & Mika Vainio - Halli
15
Ø & Mika Vainio - Dayak
1st time ever on vinyl, this minimal masterpiece from finlands masterminds
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1
Felipe Gordon - Wait On Me (5:44)
2
Felipe Gordon - El Meloncito (4:38)
3
Felipe Gordon - The Semimodular Bird Of Jazz (4:48)
4
Felipe Gordon - Definitely and Completely Mayor (6:33)
2025 Repress
Tracklist 12":
A1) Felipe Gordon – Wait On Me (5:44)
A2) Felipe Gordon – El Meloncito (4:38)
B1) Felipe Gordon – The Semimodular Bird Of Jazz (4:48)
B2) Felipe Gordon – Definitely and Completely Mayor (6:33)
Release date:
Felipe Gordon from Bogota is one of THE names right now in the jazz infected house & broken beat scene that is growing so much these days. This is his 2nd EP on Toy Tonics and its a step forward for him musically: he started to include more vocals and worked with colombian vocalist Paula Pedraza. Gordon’s music is special: with his background as a colombian (with that great heritage of musicianship that the country has) and as a indie rock musician (he used to play in bands for years) - he has a very own vibe. His tracks have much more groove than lot of the sample based stuff you get to hear currently.. and his production style is more variable and musically interesting than lots of other stuff outside. Check these 4 new tracks. Especially the 2nd tool, wich adds some freshness to the current disco vibe: Binging in a punkfunk bassline that could have been made in 2005 from Disco-Not-Disco artists like Chicken Lips, Headman or Playgroup. This is Post - 90ies - Revival music :)
Be ready for Felipe Gordons hottest year in 2020. With releases on Heist and Local Talk also to come after Toy Tonics.
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Tracklist 12":
A1) Felipe Gordon – Wait On Me (5:44)
A2) Felipe Gordon – El Meloncito (4:38)
B1) Felipe Gordon – The Semimodular Bird Of Jazz (4:48)
B2) Felipe Gordon – Definitely and Completely Mayor (6:33)
Release date:
Felipe Gordon from Bogota is one of THE names right now in the jazz infected house & broken beat scene that is growing so much these days. This is his 2nd EP on Toy Tonics and its a step forward for him musically: he started to include more vocals and worked with colombian vocalist Paula Pedraza. Gordon’s music is special: with his background as a colombian (with that great heritage of musicianship that the country has) and as a indie rock musician (he used to play in bands for years) - he has a very own vibe. His tracks have much more groove than lot of the sample based stuff you get to hear currently.. and his production style is more variable and musically interesting than lots of other stuff outside. Check these 4 new tracks. Especially the 2nd tool, wich adds some freshness to the current disco vibe: Binging in a punkfunk bassline that could have been made in 2005 from Disco-Not-Disco artists like Chicken Lips, Headman or Playgroup. This is Post - 90ies - Revival music :)
Be ready for Felipe Gordons hottest year in 2020. With releases on Heist and Local Talk also to come after Toy Tonics.
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1
Narciss & Gerd Janson - Chicco’s Chips 05:56
2
Narciss & Gerd Janson - Elka 06:42
3
Narciss & Gerd Janson - Look For You feat. Coloray (Club Mix) 05:09
4
Narciss & Gerd Janson - No Maze Like Heaven 06:29
Tracklist:
A1. Chicco’s Chips 05:56
A2. Elka 06:42
AA1. Look For You feat. Coloray (Club Mix) 05:09
AA2. No Maze Like Heaven 06:29
Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.
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A1. Chicco’s Chips 05:56
A2. Elka 06:42
AA1. Look For You feat. Coloray (Club Mix) 05:09
AA2. No Maze Like Heaven 06:29
Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.
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1
NTFO - Drivenman
2
NTFO - SMRK
3
NTFO - Tsipla
4
NTFO - Soulistics
2025 Repress
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics
Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.
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Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics
Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.
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Label:Cocoon Recordings
Cat-No:COR12179_A_BLK
Release-Date:11.07.2025
Genre:House
Configuration:12" Excl
Label:Cocoon Recordings
Cat-No:COR12179_A_BLK
Release-Date:11.07.2025
Genre:House
Configuration:12" Excl
1
Jonathan Kaspar - Yah
2
Jonathan Kaspar - Silver Lines
Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.
Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)
COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
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Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)
COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.
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1
DJ Plant Texture - Ripetitivo (Stretch Mix) 05:38
2
DJ Plant Texture - Seq21 05:00
3
DJ Plant Texture - Cycles 03:47
4
DJ Plant Texture - WTT (Dub Mix) 03:28
5
DJ Plant Texture - Life 07:30
6
DJ Plant Texture - Sogno (Digital Bonus) 04:48
7
DJ Plant Texture - Miramare (Digital Bonus) 06:27
8
DJ Plant Texture - The EXP Days (Digital Bonus) 05:30
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Ripetitivo (Stretch Mix) 05:38
2. / A2 Seq21 05:00
3. / A3 Cycles 03:47
4. / B1 WTT (Dub Mix) 03:28
5. / B2 Life 07:30
6. / DX1 Sogno (Digital Bonus) 04:48
7. / DX2 Miramare (Digital Bonus) 06:27
8. / DX3 The EXP Days (Digital Bonus) 05:30
Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST
1. / A1 Ripetitivo (Stretch Mix) 05:38
2. / A2 Seq21 05:00
3. / A3 Cycles 03:47
4. / B1 WTT (Dub Mix) 03:28
5. / B2 Life 07:30
6. / DX1 Sogno (Digital Bonus) 04:48
7. / DX2 Miramare (Digital Bonus) 06:27
8. / DX3 The EXP Days (Digital Bonus) 05:30
Donato Basile AKA DJ Plant Texture always wants his music to tell a story, and with his debut EP on Tresor Records, entitled Life, he’s now trying to tell the biggest story there is. According to the artist, “Life is about the fear of growing up”; both the anxiety itself and acknowledging and moving past it.
This narrative seems to have struck a chord with those who have heard the track, “People want to reflect themselves in the music; something personal. Lots of people have been in touch after hearing it; I guess they feel something melancholic in it. Personally, I imagine the track is like the life of a person; going from being born through childhood and youth and onwards, so perhaps they hear this?”
Having used an MPC since the early 2000s, Basile feels an intuitive connection to the hardware he uses, and so the creative process is very spontaneous: “I know where everything is so the music is made immediately. I make everything in the first ten minutes; after that if it’s not right then I just abandon it and start something else.” This immediacy, and familiarity with his equipment is apparent on the A-side, where Basile’s previous life as a drummer comes to the fore and tracks like Cycles and Ripetivo display his native understanding of groove but also how to stir things up - the three A-side tracks find classic techno rhythms seemingly falling apart only to snap back into place even stronger. The B-side finds Donato exploring more of his melodic side with WTT and the aforementioned title track showing Plant Texture’s love of breakbeat and classic techno.
The three digital bonus tracks continue this exploration of melody and syncopated beats - The EXP Days echos the wistful feeling of Life, as Basile meditates on the times spent at EXP, his record shop in Bari, which functioned as a meeting place for electronic producers in the area.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Monolink - A. Return to Oz - Artbat Remix – 8:00
2
Monolink - B1. Father Ocean - Ben Böhmer Remix – 7:56
3
Monolink - B2. Sirens - Patrice Bäumel Remix – 7:25
2024 repress
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
DJ Koze - Buschtaxi (Extended Version) (08:37 )
2
DJ Koze feat. Marley Waters - Brushcutter (05:19)
TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Pallas - Ulysses Horizons (2025 Adios Adonis Version)
2
Pallas - Ulysses Horizons (Gerd Janson Extended DJ Version)
3
Pallas - Flowerdale Beach
4
Pallas - Are You In Heaven?
Tracklist:
A1. Ulysses Horizons (2025 Adios Adonis Version)
A2. Ulysses Horizons (Gerd Janson Extended DJ Version)
A2. Flowerdale Beach
B1. Are You In Heaven?
"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.
In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Ulysses Horizons (2025 Adios Adonis Version)
A2. Ulysses Horizons (Gerd Janson Extended DJ Version)
A2. Flowerdale Beach
B1. Are You In Heaven?
"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.
In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Ghettoblaster & Bad Boy Bill - Fine Day (Original Mix)
2
Ghettoblaster & Bad Boy Bill - Fine Day (Nathan Barato Remix)
3
Ghettoblaster & Bad Boy Bill - Hustling For Horns (Original Mix)
4
Ghettoblaster & Bad Boy Bill - Dirty Deeds (Original Mix)
GETTOBLASTER and MOODY RECORDS boss BAD BOY BILL pull some familiar hooks from the 90s vault, including LIL LOUIS' infamous "I CALLED YOU" sax and a cover of JANE's "IT'S A FINE DAY" (made famous by OPUS III) on this pounding tech house 4 tracker.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore