Tracklisting
A1 Unknown Artist - What Times Are Love
B1 Unknown Artist - The Chimes

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Tracklisting
A1 Unknown Artist - Closer 2
B1 Unknown Artist - Still Love U

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Tracklisting
A1 Unknown Artist - ARSHQR
A2 Unknown Artist - HLLHBB
B1 Unknown Artist - WYNWNU
B2 Unknown Artist - WHDA ALH

Sales Note
Tooflie's shadowy crate-diggers return for their sixth expedition, this time unearthingmelodic relics from the sands and stone of the SWANA region. The A-side opens with acharismatic locally-well-known Boris Timur from Azerbaijan, reshaping his half-crimechanson half folk music into a slinky, percussion-driven anthem that sways betweenmysticism and dancefloor intent. A2 dives deeper into the vaults: a cryptic cut built onearly hip-hop and electro intonations, stitched together from dusty Middle Easterngroove samples, looping like a mirage between past and future.
Turn to the B-side and the spotlight falls on a modern folk icon turned global cult heroOmar Souleyman. The first interpretation is a peak-time techno weapon, packed withfrenetic energy and built for ecstatic release. The closing track shifts gears in a slower,contemplative breakbeat journey that delves more deeply into the dabke tradition,stretching its spiraling melodies and communal pulse into a pre-dawn dreamstate.Once again, Tooflie fuses archival echoes and electronic invention into a spellbindingvinyl-only dispatch for dancers and diggers alike.

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Tracklisting
A1 Unknown Artist - Samba Samba
A2 Unknown Artist - Lo Que Esta Pasando
B1 Unknown Artist - Cafe Y Ron
B2 Unknown Artist - Get Funky

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Les Inferno Edits is the brilliantly exciting new label from Les Inferno (the same Dude behind Daje Funk). Dedicated to delivering irresistible edits and reconstructions of, more or less, rare or obscure funk, disco, soul, and Latin gems, these tracks have never before appeared as 12” mixes. Strictly vinyl pressings and optimized for the dance floor, all tracks come confoundingly titled as ‘UNKNOWN’ and identified by their LIE catalogue number. Les Inferno Edits are going to be the next frontier for exclusive edits that’ll have everyone stupefied for the classic freshness in the grooves.

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2025 repress

Tracklisting
A1 Unknown Artist - Lizard King

Sales Note
The 'Unknown Artist' has emerged from the clubs of Antwerp with 'The Lizard King'. This house banger is a must-have to start the club season in 2025. Pure dancefloor heat folks! No digitals - vinyl only

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Tracklisting
A1 Unknown Artist - Feeling You Feeling Me
A2 Unknown Artist - Is Like
B1 Unknown Artist - Mary Jane
B2 Unknown Artist - Lady

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wo massive 80’s icons get the secret edit treatment from a mysterious but familiar hand.

Tested and proven on dancefloors across the globe, these weapons have been destroying clubs in the hands of those lucky enough to have them.

Strictly vinyl only.

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Tracklisting
A1 Unknown Artist - Siren In Orbit
A2 Unknown Artist - Burnt Coral
A3 Unknown Artist - Flying Voice
B1 Unknown Artist - Dancing Star
B2 Unknown Artist - Mirror Reflection
B3 Unknown Artist - Dreaming Of Detroit

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2025 repress

Tracklisting:
A1 Unknown - Space Muffin'
A2 Unknown - This Sound
B1 Unknown - Space Agent
B2 Unknown - Whispers

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2025 Repress

Tracklisting:
A1 Unknown - Chord Tune
A2 Unknown - Remember
B1 Unknown - Underground
B2 Unknown - Lost Time

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Tracklisting
A1 Unknown Artist - Feeling You Feeling Me
A2 Unknown Artist - Is Like
B1 Unknown Artist - Mary Jane
B2 Unknown Artist - Lady

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Tracklisting
A1 Blade - Then and Now (OG Version)
A2 12bit Jungle Out There - The Future Is 12bit
A3 Mutt & Comfort Zone - Tennis Elbow (VIP)
B1 Bravil - Oceanmist
B2 Deeper Connection - Chill Tape

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2025 Repress

Tracklist:
A1 Unknown - I Need Your Lovin' (Dirty '97 Mix)
A2 Unknown - Sweet Love
B1 Unknown - 5 On It
B2 Unknown - No Diggity

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2025 Repress

Tracklisting:
A1 Unknown Artist - Sucka For Love
A2 Unknown Artist - Next Life Time
B1 Unknown Artist - Searching
B2 Unknown Artist - Call Tyrone

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Tracklisting
A1 Unknown Artist - Mas Que Nada
A2 Unknown Artist - La Vem Ela
B1 Unknown Artist - 1972
B2 Unknown Artist - Eden

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Tracklisting
A1 Unknown - 93 Till infinity
A2 Unknown - On & On
B1 Unknown - Miss Fat Booty
B2 Unknown - Big Poppa

Sales Note
- 2025 repress -

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Tracklisting
A1 Unknown Artist - M38
A2 Unknown Artist - Green Eyes
B1 Unknown Artist - Amalfi Coast Drive
B2 Unknown Artist - Tokyo & Paris

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Tracklisting
A1 Unknown Artist - Electric Relaxin
A2 Unknown Artist - Check The Rhyme
B1 Unknown Artist - Cool Like That
B2 Unknown Artist - All Night Long

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Tracklisting
A1 Unknown Artists - That Once
A2 Unknown Artists - Teardrop
B1 Unknown Artists - Honey
B2 Unknown Artists - Who Got Me

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Tracklisting
A1 Minos - Phantasm
A2 Minos - Roadblock
B1 Minos & Just Mack - Apache
B2 Minos & Just Mack - Run That Choon

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Tracklisting
A1 Unknown Artist - Dilemma
A2 Unknown Artist - Night and Day
B1 Unknown Artist - One More Chance
B2 Unknown Artist - Say Yes

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Tracklisting
A1 Unknown Artist - Love You More
A2 Unknown Artist - Unfittest
B1 Unknown Artist - Gabrielle
B2 Unknown Artist - NxWorries

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Tracklisting
A1 Unknown Artist - Brain Storm
A2 Unknown Artist - Cool Down
B1 Unknown Artist - Amigo
B2 Unknown Artist - Vulkaan

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Tracklisting
A1 Unknown Artist - Then & Now
A2 Unknown Artist - Lucky
B1 Unknown Artist - Danny's Keys
B2 Unknown Artist - Nero Noctis

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Downtown E-Style Sound Crawlers

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Another essential US 90s bit from Tom Chasteen and Michael Kandel originally on the Exist Dance portfolio. Well ahead of its time, this exposé of ceremonial grade psychedelic nuances featuring South Asian vocal samples interlaced with electronic music production methods takes the originally more fast passed trance-like direction of the label’s first 3 years and re-directs things towards a new more downtempo/trip-hop route. With the BPM counter cruising in the low 100’s steadily throughout the first 3 tracks and ending on a full on ambient beatless 8 minute meditative journey, this EP marks a new aesthetic plateau for the Exist Dance catalogue, with “Cantamilla” even crossing over to Balearic radars and being played by Ibiza legends like Jose Padilla.
“Recorded in Heaven”. Take a trip.

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Palmkids is a creative duo/studio with its own production line based in Pontevedra (Galicia). Among other projects such as PALMCO RADIO, this EP is the result of the union and friendship between Palmkids and the Galician label Must Be On Wax. On this EP, Bruss presents his vision of 90s Brazilian Baile Funk, fusing the pulsating rhythms of Baile Funk and deep grooves of Miami Bass, including remixes by Juait and Street Choice.

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Tracklisting
A1 Stones Taro - Clutch
A2 Stones Taro - Busy Lips
B1 Stones Taro - Stealthy Meow
B2 Stones Taro - Clutch (Christopher Ledger remix)

Sales Note
A Bold New Direction from Kyoto's Finest

Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.

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Born 2 Be Free continues its good early work with another dose of UKG old skool magic. It comes from the label head Azaad, whose previous drops have all sold out in quick time, and this one will likely do the same such is its magnetic appeal. The Londoner opens up with 'Caliente' and rides on bumpy drums with some turbo-charged stabs injecting the heat. 'Feel It' bobble along with cute chords brings a balmy feel next to whispered vocals and low slung bass for maximum lip curl. 'I Want You' brings another timeless vibe with its neon pads and cuddly, immersive atmosphere then the Az Gets Deep mix sets down with some extra depth and drive.

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Four tracks of esoteric and spatial electronica are served up on Quartz’s debut release for R&S Records. Via releases for Metalheadz, Rupture London and System Music, amongst others, the ascending producer from Cardiff has impressed with his unique take on drum & bass, and more recently via grime influenced dubstep. A thrilling hybrid of sounds and rhythms are pulled together on the ‘Deity Spear’ release as Quartz deploys angular breakbeats, gargantuan bass tones, convoluted rhythms, and panoramic sound design across four mesmerising tracks. The opening track ‘Lilac Cobwebs’ is a reference and homage to his deceased mother, featuring a snippet of one of her last voice notes to him, and a reference to a colour he fondly remembers of her. A spellbinding and dense release from one of the UK’s most audacious producers.

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In late 2013 I was trying to take a disconap before djing a New Years party in Glasgow. All I could think about was finally getting in touch with Ata Kak. I decided to book a oneway flight to Toronto and I was not going to leave until I found some family contacts. It turned out Yaw's son Jeffrey still lives there and we had this incredible meeting in a townhouse complex on the edge of town.

I couldn't believe it when I finally spoke with Yaw and explained to him how well-loved his music had become. ATFA the label had been operating for several years by then but the tape that really started the whole thing couldn't get reissued. Once we got in touch all the complexities of how to actually do that came into focus.?It always irked me that our reissue of Obaa Sima didn't sound excellent. Nevertheless, it has a sonic charm that endures. Obaa Sima was a kind of manifesto for the whole Awesome Tapes From Arica blog project when it started. That sound and approach embodied something I wanted to further explore.

After years of enjoying his music, it was thrilling to finally meet Yaw and hear his story. I wanted to let everyone hear the music in the highest resolution possible but we couldn't make it happen.?In early 2024, by some cosmic coincidence, I made a new friend in my Berlin neighborhood who causally introduced himself by saying, "I have a clean copy of Obaa Sima, you can have it if you want." Not just wildly kind but also serendipitous as we reach the 10th year since the cassette's reissue.?

This new remaster, lovingly rendered from an almost impeccable source, is a revelation for anyone who wished to hear more of how this music was meant to sound. Our longtime collaborator Jessica Thompson carefully restored it with updated tools in her state-of-the-art studio.?

Over the past 15 years or so, as I DJ these Ata Kak songs at almost every show, I still feel a sense of wonder upon listening. You can go deep into the crevices of the very audible audio artefacts and hear a lot. Maybe it's a little sad to part ways with the wows and flutters whose contours I'd grown to know like the back of my hand.?When I visited Yaw in Kumasi a few years ago for a documentary shoot, it was shocking to learn that his brother had actually sold quite a few copies of the tape. As we moved through Kejetia market one day we encountered a handful of folks who remembered hearing Obaa Sima back around its release in 1994. More recently, thanks to a few Ghanaian-made viral TikToks, I've learned how many people of a certain age heard these songs as staples at funerals and other local dance parties. The music reached a lot more people despite what Yaw had reported. ?

I was also surprised to learn that the album was originally recorded at a slower speed—we have included a slow version download here.?In the years since, the concerts that Ata Kak has performed have been one of the absolute joys of my life to experience. It couldn't have been achieved without the intense dedication of Ata Kak's booking agents at the time QuJunktions and his London-based bandmates, including Esa Williams, Pax Nindi, Binisa Bonner and Tim Tapsell. Hearing Obaa Sima live is astounding and thousands of people all over the world have been there too.?

—Brian Shimkovitz, Berlin 2025

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2024 Repress!

Canadian produced, highly sought after Hi NRG masterpiece, who’s legacy continues to live on in certain Mexican dancefloors. Faithfully remastered and officially re-pressed for the first time since 1988, featuring newly edited Bonus Beats version by Castro. In memory of Fred “Kinck” Petersen - R.I.P.

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Plastik People Collections dropped this one back in 2019, and it became an instant classic that soon sold out. It has since rocketed in price on the second-hand markets, so thankfully, the label is reissuing it this summer. Cultured Pearls's 'Mother Earth' is effortlessly cool garage-house with bumpy drums and expressive piano jams perfect for outdoor dancing. Night Society's 'You Turn Me On' has an authentic US edge and hot and humid groove with passionate vocal cries, then JJ Can's 'I Don't Know Why' is a dubby and low-slung deep garage sound with chopped vocals and a timeless appeal. Three vital cuts that will be huge all over again this year.

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We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.

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