Tracklist:
A1 Cold Wait (Bicep dub)
A2 Hit N' Run (Oskar Offermann remix)
B1 What's Your Number (Mathias 'SHOW-B' Schober remix)
B2 What's Your Number (Mathias Schober's Beats N' FX mix)

Shortinfo:
Ian Pooley revisits his beloved 1998 LP Meridian with 4 brand new remixes accompanying the much-demanded arrival of the original LP in digital formats for the first time. Belfast house stars Bicep apply their remix magic for the A1 cut, streamlining the Pooley classic Cold Wait into a chunky UK house thumper which has already proven a winner in their sets, while WHITE label boss Oskar Offermann delivers a subtle, grooving UK Garage-inspired take on Hit N' Run. The B side finds two alternate takes on What's Your Number by Pooledmusic family member Mathias 'SHOW-B' Schober, whose remixes manifest themselves in a starry-eyed version that elevates the original's melancholic side, plus a stripped back Beats N' FX tool.


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Tracklist:
A1 Turkina B1 Mudou B2 Mudou (Dub)
Info:
Ian Pooley returns to Pooledmusic with his first solo EP of original material on the label since his 2013 album
‘What I Do’. The intervening period has seen Pooley release another hugely popular EP for Innervisions and launch
Pooledmusic’s techno-focused sister label Montage with a pair of new releases under his tougher Silvershower alias,
while labels including Figure, Rejected and Scenario have been mining his rich back catalogue to re-release some of
his best loved classic productions.
The Turakina EP follows Pooledmusic’s previous two EPs from the label’s extended family, SHOW-B and
Indira Paganotto, in 2014. Whereas 2015’s focus was on the launch of Montage, 2016 welcomes Pooley back to his
main imprint with another three-track 12” that mines the expressive, textured house music that won Pooley a new
generation of fans on his Innervisions releases.

The A-side, Turakina, is a classic Pooley groove, stripped down
to its elements then layered with melodic detail that builds over the course of the track, subtly bringing a sense
of compelling urgency. The B-side finds two versions of the deeper, more emotional Mudou.
The original version is in the same ‘miniature epic’ mold of 2012 hit Compurhythm, conveying the same sense of
dancefloor drama, while the Dub take a lighter touch to tease out even more of its melancholic nature.
The Turakina EP is dedicated to the loving memory of Pooley’s beloved dog Basil, who recently passed away
at 12 years of age.



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Special remarks 12" hybrid disk (one sided picture disk), limited edition
Tracklist
A1. Ian Pooley - Celtic Cross (Len Faki Remix)
Shortinfo:
The third edition of Figure's recently launched run of limited edition hybrid discs sees the label head helping a 90'ies classic to new glory. When originally released in 1995, Ian Pooley's Celtic Cross destroyed clubs everywhere with its iconic vocal sample and hypnotic bass bleeps.
Len Faki's remix treatment is a sublte one, which manages to leave most of the original's Elements in tact while still expanding upon its fiercely banging character. The now sub-laden kicks stomp even heavier, the old-school drums rattle even crunchier and lashes of Faki's unrivaled hats whip the frenzied track through its now much slicker progression.
Bringing the unashamed rave vibes from two decades ago up to modern production standards, this remix will have both the new generation of techno lovers as well as the veteran heads unite in joy on the dancefloor.


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Ian Pooley makes his debut appearance on Simple to kick start what is shaping up to be a bumper year for the label. German Ian Pooley hails from Mainz but recently found a new home in Berlin. Ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive 'Celtic Cross' and 'Chord Memory' on the Force Inc. Music Works, as well as recording more housier and disco orientated workouts for labels such as John Acquaviva's Definitive Recordings, Effective Records and NRK Sound Division. Ian has also remixed for
Daft Punk, The Cardigans, The Beloved, Green Velvet, Modjo, Nick Holder and many more. Ian has recorded two albums for V2 Records, his debut "Meridian" was a classic late 90s Pooley album, full of tech-house delights and including the massive "What's Your Number" as remixed by Jazzanova and Bob Sinclair. Followed by huge albums .Souveniers' and .Since Then', and most recently .In Other Words' featuring Robert Owens, Tim Fuller and Perry Colo. Most recently he's been busy DJing across the globe, producing new music for the likes of us and producing for artists such as Get Physical's DJ T.Nightscape - A deep, heads down house groove that locks you in with it's lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. Ian's experience in production shines throughout the EP, making the tracks as much of a delight on the head phones as they are on a Function One soundsystem. Difference (Jupiter/Eight Mixes) - Intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. Strings build and release the tension and a delicate piano riff brings the soul. The evolution of the patterns sees a heady crescendo for the floor. For the .Eight Mix' Ian reworks the stabs and bass-line and pushes out a more straight ahead groove.

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Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst







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2xLP, Widespine Jacket, 12x12 Insert, Coke Bottle Green & Bone Galaxy Vinyl
One In A Million is the second studio album by Aaliyah. First released in 1996 by Blackground Records, the album features production from a variety of producers including Timbaland, Missy Elliot, Carl-So-Lowe, J. Dibbs, Jermaine Dupri, Kay Gee, Vincent Herbert, Rodney Jenkins, Craig King, Darren Lighty and Darryl Simmons. With countless accolades, One In A Million remains as one of the most influential albums in Hip-Hop & R&B and proved to be a major breakthrough in Aaliyah's career. Welcome to the new world of funk.

Key Selling:
First time pressed on Vinyl since 1996
First time pressed on CD since 2008
The album debuted at number 20 and peaked at number 18 on the Billboard 200
One In A Million was certified 2x Platinum in the US, and certified Gold in the UK, Japan and Canada.
The album has sold 3 million copies in the US and 8 million copies worldwide
Named by Rolling Stone as the 90th best album of the decade and one of the "Essential Recordings of the '90s"

Key Marketing:
Single/Video rereleases for "If Your Girl Only Knew," "One In A Million," "Hot Like Fire," & "4 Page Letter"
OOH campaigns in Detroit, LA & NY
One In A Million stenciling planned for SF/Oak, LA, NY, ATL, MIA, CHI, Houston
Digital ads planned
Digital marketing on TikTok + Triller
Fully produced visualizers for each song using album packaging planned
Digital content pieces planned

Tracklist:
A1. Beats 4 Da Streets (Intro)
A2. Hot Like Fire
A3. One In A Million
A4. A Girl Like You
B1. If Your Girl Only Knew
B2. Choosey Lover (Old School / New School)
B3. Got To Give It Up
B4. 4 Page Letter
C1. Everything's Gonna Be Alright
C2. Giving You More


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We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.


- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!

Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36

Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01



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Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop." Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat."

Key Selling:
First time pressed on Vinyl since 2001
First time pressed on CD in the US since 2001
Aaliyah debuted at number two and peaked at number one on the Billboard 200
Cited by critics as one of the best and influential R&B records from this era
The album was certified 2x Platinum in the US, certified Platinum in the UK and Canada, & certified Gold in France, Australia, Germany & Japan
The album has sold 13 million copies worldwide
Aaliyah was nominated for Best R&B Album and the single, Rock The Boat, was nominated for Best Female R&B Vocal Performance at the 2001 GRAMMY Awards

Key Marketing:
Single/Video rereleases for "We Need A Resolution," "Rock The Boat," "More Than A Woman," & "I Care 4 U"
Fully produced visualizers for each song using album packaging planned
OOH activations planned worldwide - digital billboards, stenciling, wheatpasting, murals, etc
Fan activation: Aaliyah Immersive Experience
Virtual events on Clubhouse, Verzuz x Triller
Virtual Official Dance Party planned with D-Nice
Content planned with Genius
Artist testimonials planned
Radio: Mixshow/DJ Club Takeovers


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Territories: World excl. UK + North America

FORMAT 2x12" 180g vinyl, full printed sleeve, dl card

TRACKLIST
1 / A1. Oak Bank 06:37
2 / A2. Second Magnitude Stars 06:41
3 / B1. Metal Pig 06:55
4 / B2. We laugh and clap at the circus 05:41
5 / C1. Leadership Contest 06:34
6 / C2. Masks & Archetypes 06:17
7 / D1. Subcultures 05:59
8 / D2. Hope Not Hate 05:57

Release Info:
In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in
five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate
inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.
"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and
embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and
hardware reconfigured tracks into dierent constellations, creating an inspiring vortex of unpredicted events where ideas
could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done
before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that
bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their
eectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical
spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the
album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating
arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing
with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the
album, like a textural motif, carving new variants and creating a cohesive work full of recollection.


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