RAWAX proudly welcomes DJ Rush to the Family! We are thrilled to annouce 3 releases by the Chicago Legend.
Starting with the former Dance Mania from 1991 called "Childs Play".

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RAWAX proudly presents the upcoming CHIWAX CLASSIC EDITION by Steve Bug!
This beauty came out originally on STICKMAN RECORDS in 1996. We are very happy
to bring this fantastic record back to (remastered) life!

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CHIWAX CLASSIC EDITION presents Dana Kelley "Beta".
Originally released in 1999 on Sugardish Recordings.
The re-mastered version will be out early December 2023!
Highly recommended!

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CHIWAX CLASSIC EDITION presents DJ Milton "All Shit"
Re-issue from 1997, originally released on Dance Mania.
Re-mastered edition - highy recommended!

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Dana Lewis Kelley
US house music producer, from Boston, Massachusetts, USA.
Born: 15 December 1965 in Boston, Massachusetts, USA.
Died: 28 January 2013 in Fort Lauderdale, Florida, USA (aged 48).
Kelley was born to parents Ophelia Bakon and Herbert Kelley.
A lifelong resident of Boston, he was a graduate of Boston Latin High School
and the Museum of Fine Arts School.
As well as being an accomplished musician and fashion designer,
he worked as a technical support worker for a health care facility in Florida for six years until his death.

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Repress!

CGTX002 - GEMINI - SWIMMIN' WIT' SHARKS EP (12")
NEW CUT NEW MASTERING AND NEW DESIGN!

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RAWAX PROUDLY WELCOMES MR. RON TRENT TO THE FAMILY! WE'RE PROUD TO PRESENT YOU THIS MASTERPIECE OF MUSIC - ORIGINALLY RELEASED ON
CLUBHOUSE RECORDS IN 1992. SOON AVAILABLE WITH NEW CUT AND NEW MASTERING - HIGHLY RECOMMENDED!

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CHIWAX CLASSIC EDITION presents Ron Allen aka Zig Zag.
This great gem was originally released on Stickmen Records in 1994.

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RAWAX proudly welcomes Tim Harper to the family! We are very happy to present you Tim's own Series on CHIWAX,
called Tim Harper Trax Series. We will release here Tim's past and present productions. Starting with "Enter The Dragon" from 1995,
formerly released on famous Relief Records. The vinyl comes out (re-mastered) in February 2023!
Highy recommended!

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Over thirty years into his career, Ian Pooley continues to be a favourite of house & techno fans and DJs, remaining a highly respected figure within electronic music. He is enjoying one of the most fruitful periods of his career, with fresh material drawing more house and techno lovers to his fanbase, while classic older cuts are being reintroduced to new generations.
We are pleased to present you in future some of his timeless past & present releases. Starting with "Relations". This 2x12" came out originally in 1996 on iconic Definitive Records, runned by Richie Hawtin & John Acquaviva. The re-mastered version will be available on solid 180 Gramm vinyl beginning of September. Don't miss!

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CHIWAX CLASSIC EDITION PRESENTS THE CHICAGO LEGEND, DJ DEEON!
"CHOP SHOP" IS THE FORMER DANCE MANIA #183 FROM 1996
THE RE-MASTERED VERSION WAS TAKEN FROM ORIGINAL DAT AND WILL BE
AVAILABLE IN MARCH 2022. HIGHLY RECOMMENDED!

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CHIWAX CLASSIC EDITION proudly presents Ron Allen aka Wax Fruit. "Whispers" came out in 1994 on famous Definitive Records, runned by John Acquaviva and Richie Hawtin.

Ron Allen moved to Toronto in 1988 and became a pioneer of electronic music in Canada releasing his first record on Bigshot Records in 1989. Also a JUNO Nominated music producer, songwriter, and DJ. In 1991, Ron Allen and Hayden Andre formed legendary dance music label Strobe Records that was instrumental in developing the house and techno genres in the early 90’s.

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RAWAX proudly welcomes Brian Harden to the label family! We are very happy to present you one of his most wanted releases back on vinyl early 2021! It's the re-mastered version of "Play Time", which came originally out on legendary Relief Records in 1995!

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Another DJ Deeon bomb from the past in the rebound! This time it's the former Dance Mania #140 "Off Spring" from 1995.

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3rd part of Robert Armani's own series on CHIWAX is the classic from 1994 "Traxmen present Robert Armani - Collection Vol. 1" which originally came out on Dance Mania!

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CHIWAX PRESENTS THE SECOND RELEASES OF ROBERT ARMANI ON HIS OWN PLATFORM CALLED ROBERT ARMANI TRAXX SERIES.
THIS TIME IN THE REBOUND THE MASTERPIECE FROM 1990 FORMERLY OUT ON LEGENDARY DANCE MANIA: ARMANDO PRESENTS ROBERT ARMANI - ARMANI TRAX/ CIRCUS BELLS! INCLUDING BOTH ORIGINAL TRACKS AND TWO REMIXES BY ARMANDO. ESSENTIAL RE-MASTERED RELEASE!

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DJ Deeon presents his masterepiece from 1994 "Funk City" originally released on Dance Mania now on CHIWAX CLASSIC EDITION vol. 32! The re-mastered black vinyl edition will be out first week on June. A must have for all Chicago & Ghetto House - fans!

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G&D back with their 6th Volume of edit series. Limited press to 300 handwritten numbered copies. Three killer tracks are always seriously edited by the unknown Italian duo. No Repress.

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Dean Josiah Cover AKA Info's Sault collective has been one of the success stories of the last few years - a hard-to-pigeonhole outfit that manages to knock out inspired albums at a rate of knots. Their latest full-length, '11', is another brilliant and must-check excursion. Largely lo-fi, languid and laidback, it delivers a particularly loose and lo-fi take on soul - blessed with their usual nods to Afrobeat and soundsystem culture - whose instrumentation is deliberately sparse and laidback (think bass guitar, drums and guitar). The results are rarely less than impeccable, with the collective's vocals (both female and male singers feature) rising above vintage-sounding grooves and arrangements that variously doff a cap to Sly Stone, Cymande and - on the drowsy, warming and synth-sporting 'Higher' - the more tactile end of British 80s soul.

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The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.

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Very little is known about the collective of musicians behind the SAULT project, but their music in many ways speaks for itself. Earlier in the year they delivered Untitled (Black Is), a heartfelt, angry and righteous set of soul, funk, drill and spoken word tracks that provided a brilliant commentary on what it means to be black in 2020. It's a contender for album of the year, for sure, and the good news is that this speedy follow-up is every bit as essential. It's undoubtedly more celebratory than its predecessor, but every bit as musically detailed, combining cutting-edge electronics and all manner of infectious rhythms with enlightening vocals and all manner of live jazz, soul, punk-funk and jazz-funk instrumentation (as well as some seriously evocative orchestration).

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Belgrade-based Laars marks his first solo vinyl release over a sensual 4-track tale honouring the merits of faith, discipline, and the satisfaction of taking your sweet time. Drawing from the vibrant sounds of the 90s and 00s progressive trance and house scenes, he discovered a kindredship with those who have since then primed and perfected their own modern takes on the definitive genres.

The proggy trance/house opener “Breath Control” sighs into existence, emerging like the head-rush of euphoria that accompanies surfing the sadistic tease between suspense and bliss. High resonance and acid sounds punctuate the track, supplying a dominant bodily cue amidst the melodies, gated vocals and loops. “What If You Fly” observes the void below and decides to jump anyway, finding its faith rewarded in a free-fall through chords and synths that knit into a dark, groovy soundscape - soaring over an underscore of conga drums as though caught in exhilarating flight.

On the B-side, “Concur” looks up from the void back into the ether, embracing the danger of the pale blank space above. At 135BPM it glitches and dances through a cyclone of atmospheric synths, pads and cult sci-fi film samples, grinding like a serrated blade under a soft-focus lens. For the close, “Delight” flirts with the comfort of another, tantalising its approach before erupting in slow-motion from its amniotic state. It blisters, bubbles and gasps - and then takes a roll-eyed descent into breakbeats and arps that glide like menacingly slow fingertips over hot skin.

The record from Laars has a precious message: when was the last time that you really let go and listened to the steady rise and fall of your own breath, or sank into the discomfort of not knowing, but continued anyway? The outcome is still the same: jump.

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You might not have a fixed image of who or what Sault are, given their skill in maintaining a degree of anonymity, but as they notch up their sixth album it's hard to ignore the imposing presence they cut on the experimental fringe of modern UK soul. They started out in 2019 with raw funk and Afrobeat inspired excursions, reflecting on varying perspectives of the Black experience. On Air, the group shake off their previous groove orientation to offer something more orchestrally-inclined, and to their credit they pull it off in remarkable fashion. Lyrically they're focusing on self care and individuality within the Black community, injecting a sense of uplift into their message where they previously reflected on inherited pain and tribulations. Their rapid output doesn't come at the expense of the quality and depth of their expression, making this another essential step forward for one of the most intriguing crews out there right now.

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