RAWAX proudly presents Ron Allen and Hayden Andrew Brown aka VOICES!
This dynamic duo released a monster ep back in the days on Blast records in 1990 called "Give Me Your Body".
We have honor to re--release this beauty 34 years later on CHIWAX CLASSIC EDITION!

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RAWAX proudly welcomes DJ Rush to the Family! We are thrilled to annouce 3 releases by the Chicago Legend.
Starting with the former Dance Mania from 1991 called "Childs Play".

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RAWAX proudly presents the upcoming CHIWAX CLASSIC EDITION by Steve Bug!
This beauty came out originally on STICKMAN RECORDS in 1996. We are very happy
to bring this fantastic record back to (remastered) life!

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CHIWAX CLASSIC EDITION presents DJ Milton "All Shit"
Re-issue from 1997, originally released on Dance Mania.
Re-mastered edition - highy recommended!

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Dana Lewis Kelley
US house music producer, from Boston, Massachusetts, USA.
Born: 15 December 1965 in Boston, Massachusetts, USA.
Died: 28 January 2013 in Fort Lauderdale, Florida, USA (aged 48).
Kelley was born to parents Ophelia Bakon and Herbert Kelley.
A lifelong resident of Boston, he was a graduate of Boston Latin High School
and the Museum of Fine Arts School.
As well as being an accomplished musician and fashion designer,
he worked as a technical support worker for a health care facility in Florida for six years until his death.

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Repress!

CGTX002 - GEMINI - SWIMMIN' WIT' SHARKS EP (12")
NEW CUT NEW MASTERING AND NEW DESIGN!

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RAWAX PROUDLY WELCOMES MR. RON TRENT TO THE FAMILY! WE'RE PROUD TO PRESENT YOU THIS MASTERPIECE OF MUSIC - ORIGINALLY RELEASED ON
CLUBHOUSE RECORDS IN 1992. SOON AVAILABLE WITH NEW CUT AND NEW MASTERING - HIGHLY RECOMMENDED!

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CHIWAX CLASSIC EDITION presents Ron Allen aka Zig Zag.
This great gem was originally released on Stickmen Records in 1994.

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RAWAX proudly welcomes Tim Harper to the family! We are very happy to present you Tim's own Series on CHIWAX,
called Tim Harper Trax Series. We will release here Tim's past and present productions. Starting with "Enter The Dragon" from 1995,
formerly released on famous Relief Records. The vinyl comes out (re-mastered) in February 2023!
Highy recommended!

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Over thirty years into his career, Ian Pooley continues to be a favourite of house & techno fans and DJs, remaining a highly respected figure within electronic music. He is enjoying one of the most fruitful periods of his career, with fresh material drawing more house and techno lovers to his fanbase, while classic older cuts are being reintroduced to new generations.
We are pleased to present you in future some of his timeless past & present releases. Starting with "Relations". This 2x12" came out originally in 1996 on iconic Definitive Records, runned by Richie Hawtin & John Acquaviva. The re-mastered version will be available on solid 180 Gramm vinyl beginning of September. Don't miss!

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CHIWAX CLASSIC EDITION PRESENTS THE CHICAGO LEGEND, DJ DEEON!
"CHOP SHOP" IS THE FORMER DANCE MANIA #183 FROM 1996
THE RE-MASTERED VERSION WAS TAKEN FROM ORIGINAL DAT AND WILL BE
AVAILABLE IN MARCH 2022. HIGHLY RECOMMENDED!

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CHIWAX CLASSIC EDITION proudly presents Ron Allen aka Wax Fruit. "Whispers" came out in 1994 on famous Definitive Records, runned by John Acquaviva and Richie Hawtin.

Ron Allen moved to Toronto in 1988 and became a pioneer of electronic music in Canada releasing his first record on Bigshot Records in 1989. Also a JUNO Nominated music producer, songwriter, and DJ. In 1991, Ron Allen and Hayden Andre formed legendary dance music label Strobe Records that was instrumental in developing the house and techno genres in the early 90’s.

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RAWAX proudly welcomes Brian Harden to the label family! We are very happy to present you one of his most wanted releases back on vinyl early 2021! It's the re-mastered version of "Play Time", which came originally out on legendary Relief Records in 1995!

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Another DJ Deeon bomb from the past in the rebound! This time it's the former Dance Mania #140 "Off Spring" from 1995.

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3rd part of Robert Armani's own series on CHIWAX is the classic from 1994 "Traxmen present Robert Armani - Collection Vol. 1" which originally came out on Dance Mania!

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CHIWAX PRESENTS THE SECOND RELEASES OF ROBERT ARMANI ON HIS OWN PLATFORM CALLED ROBERT ARMANI TRAXX SERIES.
THIS TIME IN THE REBOUND THE MASTERPIECE FROM 1990 FORMERLY OUT ON LEGENDARY DANCE MANIA: ARMANDO PRESENTS ROBERT ARMANI - ARMANI TRAX/ CIRCUS BELLS! INCLUDING BOTH ORIGINAL TRACKS AND TWO REMIXES BY ARMANDO. ESSENTIAL RE-MASTERED RELEASE!

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DJ Deeon presents his masterepiece from 1994 "Funk City" originally released on Dance Mania now on CHIWAX CLASSIC EDITION vol. 32! The re-mastered black vinyl edition will be out first week on June. A must have for all Chicago & Ghetto House - fans!

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The 1st Single....
Analogue Stories Vol 1 kicks off with“That Real Live” a spoken word riff from a classic New York film, depicting a tale of the Warriors street gang traversing the five boroughs in an effort to get home, sets the tone for this analogue excursion. Wrapped in “Abacus” synthetics and dub echo guitars. Warm, rich deepness for your solar plexus! “Ignition sequence starts…” Channeling “Sun Ra” Austin cooks up a hypnotic lo-end wiggler filled with arpeggios and synths, topped off with haunting melodies and rhythmic nuances. To quote “Sun Ra” ….Space is the place “ On the B Side “Blacktronica”… a homage to the Belleville 3, The Detroit second wave, Wally Badarou, Herbie Hancock, George Clinton and all the melanated electronic experimenters past and present. Abacus concocts some machine funk for your soul. Rounding out the Analogue Stories is “In4mation”, a play on word structure begging the question “Do we all get the same information?” With subtle grooves ,warm stabbing synths and a fluted rushes of melody , this one will make you say ummm....

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Balance is restored – melody intact – with three tracks of stark machine work from Jump Source. Robust stabs, polyrhythmic confusion, tearjerking pads; the two laid it all down, with some aid from their confidant Sabola on “Tonearm Extender”.

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Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

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Repress!

Self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschayer.

The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maríž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.

Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.

Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual.

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As deep as it comes, two unwinding cuts of beautiful deep house..

Hand scrubbed textured record sleeve, with custom stamp by Ciaran Birch.

“Escape” from abusive family ties is almost a cliche in modern media. In practice, the threshold for self-informed decoupling from said abuse is often socially out of reach for those that have in fact been abused, both physically and/or psychologically.

We feel shame for even entertaining the idea of getting rid of people in our lives that are joined to us by blood. Instead of genuine mutually-assured connection, we feel duty-bound to them - no better than a minimum wage retail job without which we would become homeless. Had these people been anything other than family, we would have ditched them long ago. I encourage a decoupling from the family unit and giving up on any hope you had for improved relations.

This record has been mastered without compression in an attempt to counter the over saturation of three minute, brick-walled, max-energy production trends in contemporary dance music.

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Moods & Grooves welcomes another talented deep house producer to the stable. BitterSuite's Jon Gray channels his influences into Compulsive Response, an EP of hypnotic synths and mesmeric atmospheres, floating on pulsing drum machines and deeply rooted basslines.

Following BitterSuite's releases on UK labels Situationism and Deep Systems, Compulsive Response creates moods of different shades to vitalize the mind, body and soul. Each of the four tracks sets its unique vibe, driven by a machine groove and steered with the colors of the imagination.

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LP

Electronic

Tracklist:

SIDE A
1. Fallen Angel - DJ Python
2. Sword - Ana Roxanne
3. III - Ana Roxanne
4. The Veil I - Natural Wonder Beauty Concept
5. Natural Wonder Beauty Concept - Natural Wonder Beauty Concept
SIDE B
1. The Veil II - DJ Python
2. Young Adult Fiction - Ana Roxanne
3. Driving - Natural Wonder Beauty Concept
4. Clear - Natural Wonder Beauty Concept
5. World Freehand Circle Drawing - DJ Python


The life of the solo electronic artist is equal parts privilege and loneliness. You hurtle across
the sky to spend a few hours in a dark club, behind the decks or on stage at the microphone.
A brief grasp at transcendence, then the lights are on. Afterwards, you chat with friends you
made last month, last year, or an hour ago. Back on the train, the plane. A couple weeks of
this, then home. Repeat. It was against this backdrop that Ana Roxanne and DJ Python (Brian
Piñeyro) struck up a singular friendship and collaboration, culminating in the shared musical
language of their new project, Natural Wonder Beauty Concept.
Brian and Ana met in New York City in the winter of 2020. They’d respectively put out
critically acclaimed albums but due to extenuating global circumstances, the real-world
implications of those records were yet to be seen. Ana’s debut LP, Because of a Flower,
released in fall 2020, trades in both ethereality and directness, stretching timeless pop and
R&B forms into shimmering ambient magic. When the Bay Area-born, Mills-trained artist
sings, on record or live, time slows down and we enter a languorous yet ecstatic present.
The second album from Queens-based deep reggaeton innovator DJ Python, Mas Amable,
also subverts easy temporality. Released in spring 2020, Mas Amable floats in liminal space
—not quite a dance record, a downtempo record, nor an ambient record—unfurling at a
wistful pace, naturally suited for a strange period when each day felt the same yet wildly
different.

Well-loved albums aside, no one was playing shows, and a general listlessness and
disconnection prevailed. Roxanne had recently moved to New York, and while the pair had
previously interacted online and expressed admiration with each others’ work, they were
now able to meet in person for the first time. A quiet understanding developed between the
two artists on their initial hangs – they drove around the outskirts of NYC, listening to
Telegram by Björk, HTRK, Portishead, all manner of melancholy acoustic indie songs. They
pulled over in Filipino neighborhoods to eat. Periods of volubility were punctuated by
silence, laughter interspersed with wide-eyed pondering. For Brian and Ana, studio
experimentation was the instinctive extension of a friendship finding its feet.
The duo’s preternatural communication was present from the start. In early, open-ended
sessions at Gary’s Electric Studio in Greenpoint, they arrived on a moody, novel sound
encompassing trip-hop, synth-pop, brittle IDM drums, and samples of classical music.
Piñeyro threw out ideas at a breakneck pace. Ana impacted the sound with subtle,
monumental chord shapes and textures, eventually singing over strange and beautiful beats.
“There was lots of time to make music during the first year we worked on the project,” they
remember. “The winter in New York felt quite vacuous, so we spent a lot of time reflecting
on feeling too much and feeling nothing at all.”

Then, after a heady start on a prospective album, the world reopened. Roxanne and Piñeyro
parted ways for most of 2021. Ana embarked upon her first headlining tours across Europe,
North America, and Australia, quietly commanding large rooms. Python was a fixture in the
sleepless European electronic club circuit. Ana moved away from NYC and back to the Bay
Area. Alone again, they experienced the exhilaration and fatigue of the road. Their lives, and
the project, were in flux.

After a smattering of sessions on the rare occasions they found themselves in the same city,
Brian and Ana converged on Kranky label manager Brian Foote’s home studio in Los
Angeles in the summer of 2022. The songs were taking shape. Dreamy, densely layered
drum programming and atmosphere, redolent of Seefeel and Boards Of Canada, washed against jungle and oddball ambient landscapes. They listened to tracks-in-progress while
driving through the hills at night, lights flickering out in the expanse. The writing process was
entirely collaborative. Ana sang, Brian sang. They dashed off lyrics together, reflecting an
increasingly shared mental state. “You me you / falling in deeper blue / running through a
circle that surrounds you / mango jelly flowers all around you.”

Later that fall, the duo traveled back to Brooklyn for a last round of sessions with engineer
and producer Al Carlson (Oneohtrix Point Never, Jessica Pratt). Their longtime friend CZ
Wang (Parquet Courts, Huerco S.) mixed and finalized the songs in early 2023, and then a
name for the project materialized. Natural Wonder Beauty Concept was “something Ana saw
in the universe.” The self-titled album does not resemble the previous work of either artist –
Ana’s celebrated ~~~ EP and album; Piñeyro’s various releases as DJ Python and DJ Wey or
his recent EP with Ela Minus. Instead, it’s a sui generis work built block by block over two
years. It’s the longest DJ Python has ever worked on a record, and the shortest period of
time Ana has ever dedicated to a project.

Early on in Natural Wonder Beauty Concept, we hear Python singing for the first time, over a
woozy, Actress-influenced beat. He’s a portrait of alienation. “Isn’t it strange that I kind of feel
nothing at all,” he muses. Ana responds to Python’s call: “Wouldn’t you say that I’m a person…
giving you the time…” By the song’s conclusion, Roxanne’s vocals are an enveloping force
over a lilting street bass. “The project gave us a creative license of freedom,” the pair say. “It
was an opportunity to try anything out, whatever we happened to be feeling or influenced
by.” Python and Ana are both known for bittersweet, contemplative electronic music that
feels like a companion in quiet times. With their new project, the two artists have found their
natural, if unexpected, counterparts. Natural Wonder Beauty Concept is the sound of two
brilliant artists learning to be alone, together

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Perfect uplifting Techno / House Shedism

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