Special remarks : Dlx 3LP Gatefold + 8 pages booklet + printed inner sleeves (all original single artworks) + download code
Genre: Synth Pop
Tracklist :
COMATEENS PICTURES ON A STRING DEAL WITH IT
Tracklist :
1 / COMATEENS
A1 - Ghosts
A2 - Late Night City
A3 - One By One
A4 - TVC 15
A5 - All Ways
A6 - Summer in the City
B1 - Nightmare
B2 - Strangler
B3 - Overseas
B4 - The Munsters Theme
B5 - Raceway
B6 - Keep The Pace
2 / PICTURES ON A STRING
C1 - Get Off my Case
C2 - The Late Mistake
C3 - Ice Machine
C4 - Comateens
C5 - Pictures on a String
C6 - Garbanzo
D1 - Uptown
D2 - Cinnamon
D3 - Cold Eyes
D4 - Desert Song
D5 - Donna
D6 - Crime Time
3 / DEAL WITH IT
E1 - Resist Her
E2 - Confessions
E3 - Love Will Follow You
E4 - Satin Hop
E5 - Deal With It
F1 - Nightmare
F2 - Walking Watching
F3 - Don't Come Back
F4 - Jo-Ni
F5 - Ask Yourself
Short Info :
In the fall of 1978, after working with a series of bands, New York-based musician and composer Nick
West became interested in experimenting with minimalism, collaborating with guitarist and songwriter
Ramona Jan and Lyn Byrd. They decided to play pure pop but to substitute a primitive electronic beatbox for a human drummer. The result was Comateens, becoming one of the first groups to discard the
traditional sounds and line-ups used by everyone else in New York City’s downtown music scene of
the late 1970s. In 1980 Nick’s brother Oliver joined them as guitarist, and after going on to release
three major label albums (Comateens, Pictures On A String, and Deal With It), and with some
successful tours and dance-club hits behind them, the band split up following the terribly untimely
death of Oliver in June 1987.
However in 1988 Virgin Records issued another LP entitled West & Byrd, recorded by Nick and Lyn as
a duo, and in 1991 released a retrospective compilation called ‘One By One: Best Of Comateens’, now
a rare and much sought-after record among collectors of new wave music. Acclaimed by Etienne
Daho, the band has made a name for itself with the singles “Late Night City“, “Get Off My Case“ and
“Don't Come Back“ More
Genre: Synth Pop
Tracklist :
COMATEENS PICTURES ON A STRING DEAL WITH IT
Tracklist :
1 / COMATEENS
A1 - Ghosts
A2 - Late Night City
A3 - One By One
A4 - TVC 15
A5 - All Ways
A6 - Summer in the City
B1 - Nightmare
B2 - Strangler
B3 - Overseas
B4 - The Munsters Theme
B5 - Raceway
B6 - Keep The Pace
2 / PICTURES ON A STRING
C1 - Get Off my Case
C2 - The Late Mistake
C3 - Ice Machine
C4 - Comateens
C5 - Pictures on a String
C6 - Garbanzo
D1 - Uptown
D2 - Cinnamon
D3 - Cold Eyes
D4 - Desert Song
D5 - Donna
D6 - Crime Time
3 / DEAL WITH IT
E1 - Resist Her
E2 - Confessions
E3 - Love Will Follow You
E4 - Satin Hop
E5 - Deal With It
F1 - Nightmare
F2 - Walking Watching
F3 - Don't Come Back
F4 - Jo-Ni
F5 - Ask Yourself
Short Info :
In the fall of 1978, after working with a series of bands, New York-based musician and composer Nick
West became interested in experimenting with minimalism, collaborating with guitarist and songwriter
Ramona Jan and Lyn Byrd. They decided to play pure pop but to substitute a primitive electronic beatbox for a human drummer. The result was Comateens, becoming one of the first groups to discard the
traditional sounds and line-ups used by everyone else in New York City’s downtown music scene of
the late 1970s. In 1980 Nick’s brother Oliver joined them as guitarist, and after going on to release
three major label albums (Comateens, Pictures On A String, and Deal With It), and with some
successful tours and dance-club hits behind them, the band split up following the terribly untimely
death of Oliver in June 1987.
However in 1988 Virgin Records issued another LP entitled West & Byrd, recorded by Nick and Lyn as
a duo, and in 1991 released a retrospective compilation called ‘One By One: Best Of Comateens’, now
a rare and much sought-after record among collectors of new wave music. Acclaimed by Etienne
Daho, the band has made a name for itself with the singles “Late Night City“, “Get Off My Case“ and
“Don't Come Back“ More
More records from Tricatel
Label:Tricatel
Cat-No:TRILPFR064
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Tricatel
Cat-No:TRILPFR064
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
LORD$ - Speed It Up
2
LORD$ - Anyway
3
LORD$ - Billy Joel
4
LORD$ - Dick Pic
5
LORD$ - Zablonlove
6
LORD$ - Everybody Knows
7
LORD$ - Here We Go
8
LORD$ - Josie
9
LORD$ - Dark Interlude
10
LORD$ - I'd Really Like
11
LORD$ - Make It Alright
12
LORD$ - Try Again
13
LORD$ - Fantasy
LP
Special remarks : LP
Genre: Alternative Pop / Indie
Tracklist LP :
A Side
1. Speed It Up
2. Anyway
3. Billy Joel
4. Dick Pic
5. Zablonlove
6. Everybody Knows
B Side
1. Here We Go
2. Josie
3. Dark Interlude
4. I'd Really Like
5. Make It Alright
6. Try Again
7. Fantasy
Short Info :
LORD$'s debut album 'Speed It Up' is out on April 26 via Tricatel. LORD$ is a 5-piece band steeped in references ranging from US rap to 70s soft rock, skateboarding to video games, with Rémi Klein on keyboards and vocals, Jay Adams on bass, Zablon on guitar and vocals, Bastien Bonnefont on drums and Gary Haguenauer on guitar.
These formidable instrumentalists have given a handful of concerts, notably at the Petite Halle de la Villette in Paris, one of the hotbeds of the French jazz revival. The group also competed in the prestigious Tiny Desk series of intimate concerts, delivering a performance that impressed American public radio station NPR.
_Pascal Bertin
More
Special remarks : LP
Genre: Alternative Pop / Indie
Tracklist LP :
A Side
1. Speed It Up
2. Anyway
3. Billy Joel
4. Dick Pic
5. Zablonlove
6. Everybody Knows
B Side
1. Here We Go
2. Josie
3. Dark Interlude
4. I'd Really Like
5. Make It Alright
6. Try Again
7. Fantasy
Short Info :
LORD$'s debut album 'Speed It Up' is out on April 26 via Tricatel. LORD$ is a 5-piece band steeped in references ranging from US rap to 70s soft rock, skateboarding to video games, with Rémi Klein on keyboards and vocals, Jay Adams on bass, Zablon on guitar and vocals, Bastien Bonnefont on drums and Gary Haguenauer on guitar.
These formidable instrumentalists have given a handful of concerts, notably at the Petite Halle de la Villette in Paris, one of the hotbeds of the French jazz revival. The group also competed in the prestigious Tiny Desk series of intimate concerts, delivering a performance that impressed American public radio station NPR.
_Pascal Bertin
More
1
TRICATEL - A1) Madrigal - Leo Blomov
2
TRICATEL - A2) Billy Joel - Lord
3
TRICATEL - A3) Plus vite - Charles Dollé
4
TRICATEL - A4) Dream - Comateens
5
TRICATEL - A5) Pôve tièsse - Guy Cabay
6
TRICATEL - A6) Fallen Snow - Louis Philppe
7
TRICATEL - A7) La mémoire des pierres - Catastrophe
8
TRICATEL - B1) Das Macht Dich Heiss - Ingrid Caven
9
TRICATEL - B2) Sweet Jesus !!! - Chassol
10
TRICATEL - B3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
11
TRICATEL - B4) Tee Shirt Finisher - A.S Dragon
12
TRICATEL - B5) The Girl of September - Bertrand Burgalat
13
TRICATEL - B6) Montées infinies - Karol Beffa
LP
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
1
HELENA NOGUERRA - A1) Morrer nos seus braços
2
HELENA NOGUERRA - A2) Île amoureuse
3
HELENA NOGUERRA - A3) Vida nunca terà fim
4
HELENA NOGUERRA - A4) Baby butterfly
5
HELENA NOGUERRA - A5) Esse lugar
6
HELENA NOGUERRA - A6) Mon bel andalou
7
HELENA NOGUERRA - B1) Ceù azulou
8
HELENA NOGUERRA - B2) Vai meu amor
9
HELENA NOGUERRA - B3) M'en Aller
10
HELENA NOGUERRA - B4) Vem aqui
11
HELENA NOGUERRA - B5) Tout commence
Special remarks : 1 LP + PRINTED INNERSLEEVE
Genre: Bossa/Chanson
Tracklist :
Face A
1) Morrer nos seus braços
2) Île amoureuse
3) Vida nunca terà fim
4) Baby butterfly
5) Esse lugar
6) Mon bel andalou
Face B
1) Ceù azulou
2) Vai meu amor
3) M'en Aller
4) Vem aqui
5) Tout commence
Short Info :
Tricatel is proud to release for the first time on vinyl the reissue of this album released in 2001. It is a single vinyl with a printed sub-sleeve containing vintage studio photos.
Inspired by Barthes, who wrote that the resistance would probably be one day in the affirmation of happiness, I wanted to write a happy record, so happy that it would be a provocation. So I wanted to sing about love in the naive and poetic language that Portuguese is for me. It is the language of secrecy and modesty, of sensuality and eroticism.
So we recorded Azul in the offices/studios of Tricatel in four days. With the Recyclers (Steve Arguëlles, Benoit Delbecq, Christophe Minck), we created these versions on the spot and on ADAT tape for a budget of thirty thousand francs. It is, until now, my album which travelled the most, and which found the most aficionados.
This reissue for the first time on vinyl, almost 23 years later, fills me with joy. Thanks Boss!
More
Genre: Bossa/Chanson
Tracklist :
Face A
1) Morrer nos seus braços
2) Île amoureuse
3) Vida nunca terà fim
4) Baby butterfly
5) Esse lugar
6) Mon bel andalou
Face B
1) Ceù azulou
2) Vai meu amor
3) M'en Aller
4) Vem aqui
5) Tout commence
Short Info :
Tricatel is proud to release for the first time on vinyl the reissue of this album released in 2001. It is a single vinyl with a printed sub-sleeve containing vintage studio photos.
Inspired by Barthes, who wrote that the resistance would probably be one day in the affirmation of happiness, I wanted to write a happy record, so happy that it would be a provocation. So I wanted to sing about love in the naive and poetic language that Portuguese is for me. It is the language of secrecy and modesty, of sensuality and eroticism.
So we recorded Azul in the offices/studios of Tricatel in four days. With the Recyclers (Steve Arguëlles, Benoit Delbecq, Christophe Minck), we created these versions on the spot and on ADAT tape for a budget of thirty thousand francs. It is, until now, my album which travelled the most, and which found the most aficionados.
This reissue for the first time on vinyl, almost 23 years later, fills me with joy. Thanks Boss!
More
1
Guy Cabay - Li Robaleû
2
Guy Cabay - A m’vwézène
3
Guy Cabay - Dji m’distoûrne di m’vôye
4
Guy Cabay - Li sabat d’sinte mére l’oto
5
Guy Cabay - Pax pollinibus bonae voluntatis
6
Guy Cabay - Tot.a-fêt rote cou.d’zeur cou.d’zos
7
Guy Cabay - Pôve Tièsse
8
Guy Cabay - Les d’mey dous de coste del mouse
9
Guy Cabay - Julia deûs
10
Guy Cabay - Tot Règuèdé
11
Guy Cabay - Tchanson d’noyé
12
Guy Cabay - Camamèle èt cataplame
The Belgian vibraphonist Guy Cabay has played with Toots Thielemans, Philip Caherine or Raoul Faisant. Composer, arranger, musicologist and singer, he also wrote and recorded two extraordinary albums in Liege Walloon. Tricatel is happy to make them available at last, 46 years after their publication.
"Gravity kills us. Perhaps that is the meaning of Adam's Fall. We are condemned to be Newton's apple, not the balloon carried away by the wind. But it happens nevertheless that, by the grace of music in particular, we escape gravity, that time escapes time, that another breath inflates our lungs, so much lighter than the one that usually suffocates us.
We don't take light music seriously, and that's good. Only serious music deserves to be treated so badly. Guy Cabay's music flows from a purer source and speaks to us in a more tender voice. One can obviously describe it as one labels export product. Origin: Belgium. Ingredients: jazz, bossa nova, tropicalism, song - proportions may vary. Calorific value: none.
Non-perishable product. But this would say as much about what this music really is as if, in. order to evoke what the foggy blue of a Norman sky inspires, one were to take note of the variations in the percentage of humidity in the atmosphere at Etretat and make a learned presentation on the laws of refraction.
Guy Cabay did pass through Brazil and still lives there a little, a Brazil that is not the one ofcartographers or travel agencies, a Brazil that is as real as the Far West in which Fenimore Cooper's child readers lived, as blurred and limpid as a dream. It is not the Amazon thatflows through this Brazil, but the Ourthe, a tributary of the Meuse, which makes it morefamiliar, stranger and even more poetic. To let oneself be bathed in this melancholichappiness, to let oneself be carried by this river is sweet, as sweet as the fluid consonants of the Walloon language, this 'd' which becomes 'dj' in his mouth, as in Portuguese, by the way. To know how to create melodies that hold on a note like Jobim's samba, like a fildeferist above a waterfall of chords, is not given to everyone. It is a gift. Knowing how to lace others on dozens of points, as on Tot a-fet rote cou d'zeur cou d'zos, a poignant encounter between Randy Newman and Robert Wyatt, is another. These are not the only ones that the fairies offered to Guy Cabay and that, by an almost miracle, he offers us again today. Hearts up."
Bertrand Burgalat
A1 - Li Robaleû
A2 - A m’vwézène
A3 - Dji m’distoûrne di m’vôye
A4 - Li sabat d’sinte mére l’oto
A5 - Pax pollinibus bonae voluntatis
A6 - Tot.a-fêt rote cou.d’zeur cou.d’zos
B1 - Pôve Tièsse
B2 - Les d’mey dous de coste del mouse
B3 - Julia deûs
B4 - Tot Règuèdé
B5 - Tchanson d’noyé
B6 - Camamèle èt cataplame More
"Gravity kills us. Perhaps that is the meaning of Adam's Fall. We are condemned to be Newton's apple, not the balloon carried away by the wind. But it happens nevertheless that, by the grace of music in particular, we escape gravity, that time escapes time, that another breath inflates our lungs, so much lighter than the one that usually suffocates us.
We don't take light music seriously, and that's good. Only serious music deserves to be treated so badly. Guy Cabay's music flows from a purer source and speaks to us in a more tender voice. One can obviously describe it as one labels export product. Origin: Belgium. Ingredients: jazz, bossa nova, tropicalism, song - proportions may vary. Calorific value: none.
Non-perishable product. But this would say as much about what this music really is as if, in. order to evoke what the foggy blue of a Norman sky inspires, one were to take note of the variations in the percentage of humidity in the atmosphere at Etretat and make a learned presentation on the laws of refraction.
Guy Cabay did pass through Brazil and still lives there a little, a Brazil that is not the one ofcartographers or travel agencies, a Brazil that is as real as the Far West in which Fenimore Cooper's child readers lived, as blurred and limpid as a dream. It is not the Amazon thatflows through this Brazil, but the Ourthe, a tributary of the Meuse, which makes it morefamiliar, stranger and even more poetic. To let oneself be bathed in this melancholichappiness, to let oneself be carried by this river is sweet, as sweet as the fluid consonants of the Walloon language, this 'd' which becomes 'dj' in his mouth, as in Portuguese, by the way. To know how to create melodies that hold on a note like Jobim's samba, like a fildeferist above a waterfall of chords, is not given to everyone. It is a gift. Knowing how to lace others on dozens of points, as on Tot a-fet rote cou d'zeur cou d'zos, a poignant encounter between Randy Newman and Robert Wyatt, is another. These are not the only ones that the fairies offered to Guy Cabay and that, by an almost miracle, he offers us again today. Hearts up."
Bertrand Burgalat
A1 - Li Robaleû
A2 - A m’vwézène
A3 - Dji m’distoûrne di m’vôye
A4 - Li sabat d’sinte mére l’oto
A5 - Pax pollinibus bonae voluntatis
A6 - Tot.a-fêt rote cou.d’zeur cou.d’zos
B1 - Pôve Tièsse
B2 - Les d’mey dous de coste del mouse
B3 - Julia deûs
B4 - Tot Règuèdé
B5 - Tchanson d’noyé
B6 - Camamèle èt cataplame More
1
BERTRAND BURGALAT MEETS A.S DRAGON - Follow me
2
BERTRAND BURGALAT MEETS A.S DRAGON - Alsthom
3
BERTRAND BURGALAT MEETS A.S DRAGON - Ma rencontre
4
BERTRAND BURGALAT MEETS A.S DRAGON - Kim
5
BERTRAND BURGALAT MEETS A.S DRAGON - Gris métal
6
BERTRAND BURGALAT MEETS A.S DRAGON - O.K Skorpios
7
BERTRAND BURGALAT MEETS A.S DRAGON - Aux Cyclades Électroniques
8
BERTRAND BURGALAT MEETS A.S DRAGON - Sugar
9
BERTRAND BURGALAT MEETS A.S DRAGON - Jalousies et tomettes
10
BERTRAND BURGALAT MEETS A.S DRAGON - A.S Dragon
11
BERTRAND BURGALAT MEETS A.S DRAGON - The Tears of a Clown
12
BERTRAND BURGALAT MEETS A.S DRAGON - Easy Tiger
Special remarks: REISSUE 2LP + gatefold + digital
Genre: Psychedelic rock
Tracklist:
A1 - Follow me C1 - Aux Cyclades Électroniques
A2 - Alsthom C2 - Sugar
A3 - Ma rencontre C3 - Jalousies et tomettes
B1 - Kim D1 - A.S Dragon
B2 - Gris métal D2 - The Tears of a Clown
B3 - O.K Skorpios D3 - Easy Tiger
Short info:
This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.
Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.
"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind."
Philippe Manoeuvre, excerpt from the innersleeve note, April 2022
"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits."
Philippe Manoeuvre, Rock & Folk, October 2001
"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity."
Philippe Barbot, Télérama, November 2001
"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. "
Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001
"I wish this song could last my whole life..."
Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex
More
Genre: Psychedelic rock
Tracklist:
A1 - Follow me C1 - Aux Cyclades Électroniques
A2 - Alsthom C2 - Sugar
A3 - Ma rencontre C3 - Jalousies et tomettes
B1 - Kim D1 - A.S Dragon
B2 - Gris métal D2 - The Tears of a Clown
B3 - O.K Skorpios D3 - Easy Tiger
Short info:
This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.
Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.
"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind."
Philippe Manoeuvre, excerpt from the innersleeve note, April 2022
"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits."
Philippe Manoeuvre, Rock & Folk, October 2001
"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity."
Philippe Barbot, Télérama, November 2001
"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. "
Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001
"I wish this song could last my whole life..."
Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex
More
1
MICHEL HOUELLEBECQ - A1. Présence humaine
2
MICHEL HOUELLEBECQ - A2. Séjour-club
3
MICHEL HOUELLEBECQ - A3. Paris-Dourdan
4
MICHEL HOUELLEBECQ - A4. Célibataires
5
MICHEL HOUELLEBECQ - A5. Les pics de pollution
6
MICHEL HOUELLEBECQ - B1. Plein été
7
MICHEL HOUELLEBECQ - B2. Playa blanca
8
MICHEL HOUELLEBECQ - B3. On se réveillait tôt
9
MICHEL HOUELLEBECQ - B4. Crépuscule
10
MICHEL HOUELLEBECQ - B5. Derniers temps
Special remarks : 20th Anniversary - 1LP LIMITED EDITION - WHITE TRANSPARENT LP + BLACK SLEEVE
Genre: Rock
Tracklist :
A1 - Présence humaine
A2 - Séjour-club
A3 - Paris-Dourdan
A4 - Célibataires
A5 - Les pics de pollution
B1 - On se réveillait tôt
B2 - Plein été
B3 - Playa blanca
B4 - Crépuscule
B5 - Derniers temps
Short Info :
On the occasion of the twentieth anniversary of its release, the album "Présence humaine" of Michel Houellebecq, famous French writer, is edited for the first time in a white transparent vinyl - limited edition. The album has been arranged and produced by Bertrand Burgalat. He is also the music composer of the album.
More
Genre: Rock
Tracklist :
A1 - Présence humaine
A2 - Séjour-club
A3 - Paris-Dourdan
A4 - Célibataires
A5 - Les pics de pollution
B1 - On se réveillait tôt
B2 - Plein été
B3 - Playa blanca
B4 - Crépuscule
B5 - Derniers temps
Short Info :
On the occasion of the twentieth anniversary of its release, the album "Présence humaine" of Michel Houellebecq, famous French writer, is edited for the first time in a white transparent vinyl - limited edition. The album has been arranged and produced by Bertrand Burgalat. He is also the music composer of the album.
More
Special remarks : 2CD REISSUE COLLECTOR - TRIPLE GATEFOLD - BOOKLET
Genre: Jazz
Tracklist :
CD1
1. Wersailles (Planeur)
2. La Négacra
3. Les Oursses
4. Les Fleurs
5. RussianKidz (La Ré Fa La)
6. Prologue
7. I lôôôve u sometimes
8. Black Pierrot from Mars
9. U were in love
10. Wersailles (Martial)
11. Wisperfallow
12. Mauriiiice
13. I lôôôôve u sometimes
14. Noise Hanoï
15. Computer Control
16. IndianKidz
17. Time
18. String Fellow Hawke
19. Wersailles (Ending)
CD2
1. Ouverture
2. Les ménagères
3. Mind Food Variation
4. Waltz of the Scary Woman
5. We're leaving
6. Re-Tour du Monde
7. Bons baisers de Neptune
8. Shostakhendrix
9. Touché par la Grace
10. Kraft
11. Scènes d'Humiliation Collective
12. Sunlover
13. Powerplay
14. 12 secondes
Short Info :
Collector reissue of a double CD, X-Pianos is a great way to discover Chassol's work : ultrascore. He harmonizes the reel, meaning that he reveals the musicality of spoken words and random sounds, such as Leonard Bernstein's work, Indian and Russian pupils, or a neighbourg playing the violin.
More
Genre: Jazz
Tracklist :
CD1
1. Wersailles (Planeur)
2. La Négacra
3. Les Oursses
4. Les Fleurs
5. RussianKidz (La Ré Fa La)
6. Prologue
7. I lôôôve u sometimes
8. Black Pierrot from Mars
9. U were in love
10. Wersailles (Martial)
11. Wisperfallow
12. Mauriiiice
13. I lôôôôve u sometimes
14. Noise Hanoï
15. Computer Control
16. IndianKidz
17. Time
18. String Fellow Hawke
19. Wersailles (Ending)
CD2
1. Ouverture
2. Les ménagères
3. Mind Food Variation
4. Waltz of the Scary Woman
5. We're leaving
6. Re-Tour du Monde
7. Bons baisers de Neptune
8. Shostakhendrix
9. Touché par la Grace
10. Kraft
11. Scènes d'Humiliation Collective
12. Sunlover
13. Powerplay
14. 12 secondes
Short Info :
Collector reissue of a double CD, X-Pianos is a great way to discover Chassol's work : ultrascore. He harmonizes the reel, meaning that he reveals the musicality of spoken words and random sounds, such as Leonard Bernstein's work, Indian and Russian pupils, or a neighbourg playing the violin.
More
RSD 2021 , don´t sell before 17th of July 2021
Special remarks : REISSUE DELUXE EDITION 2LP + Gatefold - RSD 2021
Genre: Pop
Tracklist :
A1 - Pas perdus
A2 - TSOM
A3 - Aux Cyclades Électroniques
A4 - Ma rencontre
A5 - Île de béton
B1 - Attention amiante
B2 - Chaque jour
B3 - 14H
B4 - Nonza
B5 - Ok Skorpios
B6 - Gris metal
C1 - Des yeux roses
C2 - L'observatoire
C3 - Le pays imaginaire
C4 - Cœur inapaisé
C5 - Serpentine
C6 - Les amplis de Mayence
D1 - (Come Potrei) Scordare
D2 - Vision of Love
D3 - Biscarosse
D4 - Kim
D5 - Haute volupté
Short Info :
Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.
In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.
Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.
More
Special remarks : REISSUE DELUXE EDITION 2LP + Gatefold - RSD 2021
Genre: Pop
Tracklist :
A1 - Pas perdus
A2 - TSOM
A3 - Aux Cyclades Électroniques
A4 - Ma rencontre
A5 - Île de béton
B1 - Attention amiante
B2 - Chaque jour
B3 - 14H
B4 - Nonza
B5 - Ok Skorpios
B6 - Gris metal
C1 - Des yeux roses
C2 - L'observatoire
C3 - Le pays imaginaire
C4 - Cœur inapaisé
C5 - Serpentine
C6 - Les amplis de Mayence
D1 - (Come Potrei) Scordare
D2 - Vision of Love
D3 - Biscarosse
D4 - Kim
D5 - Haute volupté
Short Info :
Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.
In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.
Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.
More
Special remarks : 2LP + Gatefold + download link
Genre: Pop
Tracklist :
A1 - Flash
A2 - Retrouvailles
A3 - Parallèles
A4 - Du haut du 33e étage
A5 - Spectacle du monde
B1 - L'attente
B2 - Sans accolades
B3 - L'homme idéal
B4 - La chanson européenne
C1 - E Pericoloso Sporgersi
C2 - Vous êtes ici
C3 - Correspondance
C4 - J'ai adoré cette journée
C5 - Rêve capital
D1 - L'homme idéal (Yuksek Radio Edit)
D2 - L'attente (Version instrumentale)
D3 - Du haut du 33e étage (Charles Dollé Cover)
D4 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Genre: Pop
Tracklist :
A1 - Flash
A2 - Retrouvailles
A3 - Parallèles
A4 - Du haut du 33e étage
A5 - Spectacle du monde
B1 - L'attente
B2 - Sans accolades
B3 - L'homme idéal
B4 - La chanson européenne
C1 - E Pericoloso Sporgersi
C2 - Vous êtes ici
C3 - Correspondance
C4 - J'ai adoré cette journée
C5 - Rêve capital
D1 - L'homme idéal (Yuksek Radio Edit)
D2 - L'attente (Version instrumentale)
D3 - Du haut du 33e étage (Charles Dollé Cover)
D4 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Special remarks : CD
Genre: Pop
Tracklist :
1 - Flash
2 - Retrouvailles
3 - Parallèles
4 - Du haut du 33e étage
5 - Spectacle du monde
6 - L'attente
7 - Sans accolades
8 - L'homme idéal
9 - La chanson européenne
10 - E Pericoloso Sporgersi
11 - Vous êtes ici
12 - Correspondance
13 - J'ai adoré cette journée
14 - Rêve capital
15 - L'homme idéal (Yuksek Radio Edit)
16 - L'attente (Version instrumentale)
17 - Du haut du 33e étage (Charles Dollé Cover)
18 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Genre: Pop
Tracklist :
1 - Flash
2 - Retrouvailles
3 - Parallèles
4 - Du haut du 33e étage
5 - Spectacle du monde
6 - L'attente
7 - Sans accolades
8 - L'homme idéal
9 - La chanson européenne
10 - E Pericoloso Sporgersi
11 - Vous êtes ici
12 - Correspondance
13 - J'ai adoré cette journée
14 - Rêve capital
15 - L'homme idéal (Yuksek Radio Edit)
16 - L'attente (Version instrumentale)
17 - Du haut du 33e étage (Charles Dollé Cover)
18 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
1
CATASTROPHE - A1 - Encore
2
CATASTROPHE - A2 - Gromit
3
CATASTROPHE - A3 - Louise (interlude)
4
CATASTROPHE - A4 - Social Network
5
CATASTROPHE - A5 - Les méridiens
6
CATASTROPHE - A6 - Visages
7
CATASTROPHE - B1 - Les grand vide
8
CATASTROPHE - B2 - Les vivants
9
CATASTROPHE - B3 - Gisela (interlude)
10
CATASTROPHE - B4 - Danse tes morts, Pt. 1
11
CATASTROPHE - B5 - Danse tes morts, Pt.2
12
CATASTROPHE - B6 - Solastalgie
Special remarks : 1LP + Gatefold + DL
Genre: Pop
Tracklist :
A1 - Encore
A2 - Gromit
A3 - Louise (interlude)
A4 - Social Network
A5 - Les méridiens
A6 - Visages
B1 - Les grand vide
B2 - Les vivants
B3 - Gisela (interlude)
B4 - Danse tes morts, Pt. 1
B5 - Danse tes morts, Pt.2
B6 - Solastalgie
Short Info :
Catastrophe's second studio album, GONG! will be released on September 11, 2020 by Tricatel.
After Dernier Soleil (EP 2016), La nuit est encore jeune (Album 2018) and Fizzy (vinyl compilation 2020), Catastrophe returns with an album / musical comedy about forests, smartphones and the passing of time. Directed by David Sztanke (aka Tahiti Boy), this ambitious and teeming album propels us into a forty-minute marriage between Kendrick Lamar and Jacques Demy. Catastrophe locked the six of them in the same room, and made music inspired by everything they love: from Orelsan to Gilberto Gil via Brigitte Fontaine or Arcade Fire.
More
Genre: Pop
Tracklist :
A1 - Encore
A2 - Gromit
A3 - Louise (interlude)
A4 - Social Network
A5 - Les méridiens
A6 - Visages
B1 - Les grand vide
B2 - Les vivants
B3 - Gisela (interlude)
B4 - Danse tes morts, Pt. 1
B5 - Danse tes morts, Pt.2
B6 - Solastalgie
Short Info :
Catastrophe's second studio album, GONG! will be released on September 11, 2020 by Tricatel.
After Dernier Soleil (EP 2016), La nuit est encore jeune (Album 2018) and Fizzy (vinyl compilation 2020), Catastrophe returns with an album / musical comedy about forests, smartphones and the passing of time. Directed by David Sztanke (aka Tahiti Boy), this ambitious and teeming album propels us into a forty-minute marriage between Kendrick Lamar and Jacques Demy. Catastrophe locked the six of them in the same room, and made music inspired by everything they love: from Orelsan to Gilberto Gil via Brigitte Fontaine or Arcade Fire.
More
1
CATASTROPHE - Party in my Pussy
2
CATASTROPHE - Bruce Lee
3
CATASTROPHE - Aria 140.66
4
CATASTROPHE - L'enfant sur la banquette arrière (Vision de Catastrophe)
5
CATASTROPHE - Maintenant ou jamais
6
CATASTROPHE - Nuggets
7
CATASTROPHE - Smalltown Boy (Nova Version)
8
CATASTROPHE - L'Amour tout nu
Special remarks : 1LP + printed inner sleeve
DO NOT RELEASE BEFORE 29.08.2020
Genre: Bew Wave / Pop
Tracklist :
A1 - Party in my Pussy
A2 - Bruce Lee
A3 -Aria 140.66
A4 - L'enfant sur la banquette arrière (Vision de Catastrophe)
B1 - Maintenant ou jamais
B2 - Nuggets
B3 - Smalltown Boy (Nova Version)
B4 - L'Amour tout nu
Short Info :
FIZZY is a selection of eight tracks by Catastrophe, for the first time gathered on vinyl. Born in 2016, Catastrophe would like not to forbid anything, even if it means the risk of ridicule. Whether in forests, on rooftops, crossing France and summer festivals (Rock en Seine, We Love Green, Francofolies), Catastrophe imagines. On stage, surprise reigns supreme and explodes into a musical kaleidoscope.
In 33T and with printed innersleeves, this vinyl is a beautiful introduction to the world of Catastrophe. Their recent performances on major French and international stages (Eurosonic, Reeperbahn, Munich, Tokyo, Warsaw) show the growing interest for their music and energy. This selection is an ideal gateway to discover them.
More
DO NOT RELEASE BEFORE 29.08.2020
Genre: Bew Wave / Pop
Tracklist :
A1 - Party in my Pussy
A2 - Bruce Lee
A3 -Aria 140.66
A4 - L'enfant sur la banquette arrière (Vision de Catastrophe)
B1 - Maintenant ou jamais
B2 - Nuggets
B3 - Smalltown Boy (Nova Version)
B4 - L'Amour tout nu
Short Info :
FIZZY is a selection of eight tracks by Catastrophe, for the first time gathered on vinyl. Born in 2016, Catastrophe would like not to forbid anything, even if it means the risk of ridicule. Whether in forests, on rooftops, crossing France and summer festivals (Rock en Seine, We Love Green, Francofolies), Catastrophe imagines. On stage, surprise reigns supreme and explodes into a musical kaleidoscope.
In 33T and with printed innersleeves, this vinyl is a beautiful introduction to the world of Catastrophe. Their recent performances on major French and international stages (Eurosonic, Reeperbahn, Munich, Tokyo, Warsaw) show the growing interest for their music and energy. This selection is an ideal gateway to discover them.
More
1
CHASSOL - A1 - Ouverture
2
CHASSOL - A2 - Les règles
3
CHASSOL - A3 - Sirine
4
CHASSOL - A4 - Concerto pour batterie et cour de récréation
5
CHASSOL - B1 - Savana, Céline, Aya (Pt 1)
6
CHASSOL - B2- Savana, Céline, Aya (Pt 2)
7
CHASSOL - B3 - Your Hands
8
CHASSOL - B4 - Koh & Sam
9
CHASSOL - B5- Mikado Walking
10
CHASSOL - B6 - Poltergeist
11
CHASSOL - B7 - Esatabemakuru
12
CHASSOL - B8 - Tetris Synths
13
CHASSOL - B9 - Tetris Crystal
14
CHASSOL - C1 - I Think the Game (Pt 1)
15
CHASSOL - C2 - I Think the Game (Pt 2)
16
CHASSOL - C3 - I Think the Game (Pt 3)
17
CHASSOL - C4 - I Think the Game (Pt 4)
18
CHASSOL - C5 - Dribbles & Beats
19
CHASSOL - C6 - Camarades
20
CHASSOL - C7 - Rollercoaster (Pt 1)
21
CHASSOL - C8 - Rollercoaster (Pt 2)
22
CHASSOL - D1 - On Top
23
CHASSOL - D2 - I Love Vertigo
24
CHASSOL - D3 - Game Rule
25
CHASSOL - D4 - Le jeu de la phrase
26
CHASSOL - D5 - Wolf Music
27
CHASSOL - D6 - Les Anneaux de Saturne
28
CHASSOL - D7 - Wolf Music (Finale)
29
CHASSOL - D8 - Générique (Benjamin)
Special remarks : 2LP + gatefold + movie and music download code
Genre: Jazz / Pop
Tracklist :
A1 - Ouverture
A2 - Les règles
A3 - Sirine
A4 - Concerto pour batterie et cour de récréation
B1 - Savana, Céline, Aya (Pt 1)
B2- Savana, Céline, Aya (Pt 2)
B3 - Your Hands
B4 - Koh & Sam
B5- Mikado Walking
B6 - Poltergeist
B7 - Esatabemakuru
B8 - Tetris Synths
B9 - Tetris Crystal
C1 - I Think the Game (Pt 1)
C2 - I Think the Game (Pt 2)
C3 - I Think the Game (Pt 3)
C4 - I Think the Game (Pt 4)
C5 - Dribbles & Beats
C6 - Camarades
C7 - Rollercoaster (Pt 1)
C8 - Rollercoaster (Pt 2)
D1 - On Top
D2 - I Love Vertigo
D3 - Game Rule
D4 - Le jeu de la phrase
D5 - Wolf Music
D6 - Les Anneaux de Saturne
D7 - Wolf Music (Finale)
D8 - Générique (Benjamin)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Genre: Jazz / Pop
Tracklist :
A1 - Ouverture
A2 - Les règles
A3 - Sirine
A4 - Concerto pour batterie et cour de récréation
B1 - Savana, Céline, Aya (Pt 1)
B2- Savana, Céline, Aya (Pt 2)
B3 - Your Hands
B4 - Koh & Sam
B5- Mikado Walking
B6 - Poltergeist
B7 - Esatabemakuru
B8 - Tetris Synths
B9 - Tetris Crystal
C1 - I Think the Game (Pt 1)
C2 - I Think the Game (Pt 2)
C3 - I Think the Game (Pt 3)
C4 - I Think the Game (Pt 4)
C5 - Dribbles & Beats
C6 - Camarades
C7 - Rollercoaster (Pt 1)
C8 - Rollercoaster (Pt 2)
D1 - On Top
D2 - I Love Vertigo
D3 - Game Rule
D4 - Le jeu de la phrase
D5 - Wolf Music
D6 - Les Anneaux de Saturne
D7 - Wolf Music (Finale)
D8 - Générique (Benjamin)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Special remarks : CD, 24p booklet + movie download code
Genre: Jazz / Pop
Tracklist :
1 - Ouverture
2 - Les règles
3 - Sirine
4 - Concerto pour batterie et cour de récréation
5 - Savana, Céline, Aya (Pt 1)
6- Savana, Céline, Aya (Pt 2)
7 - Your Hands
8 - Koh & Sam
9 - Mikado Walking
10 - Poltergeist
11 - Esatabemakuru
12 - Tetris Synths
13 - Tetris Crystal
14 - I Think the Game (Pt 1)
15 - I Think the Game (Pt 2)
16 - I Think the Game (Pt 3)
17 - I Think the Game (Pt 4)
18 - Dribbles & Beats
19 - Camarades
20 - Rollercoaster (Pt 1)
21 - Rollercoaster (Pt 2)
22 - On Top
23 - I Love Vertigo
24 - Game Rule
25 - Le jeu de la phrase
26 - Wolf Music
27 - Les Anneaux de Saturne
28 - Wolf Music (Finale)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Genre: Jazz / Pop
Tracklist :
1 - Ouverture
2 - Les règles
3 - Sirine
4 - Concerto pour batterie et cour de récréation
5 - Savana, Céline, Aya (Pt 1)
6- Savana, Céline, Aya (Pt 2)
7 - Your Hands
8 - Koh & Sam
9 - Mikado Walking
10 - Poltergeist
11 - Esatabemakuru
12 - Tetris Synths
13 - Tetris Crystal
14 - I Think the Game (Pt 1)
15 - I Think the Game (Pt 2)
16 - I Think the Game (Pt 3)
17 - I Think the Game (Pt 4)
18 - Dribbles & Beats
19 - Camarades
20 - Rollercoaster (Pt 1)
21 - Rollercoaster (Pt 2)
22 - On Top
23 - I Love Vertigo
24 - Game Rule
25 - Le jeu de la phrase
26 - Wolf Music
27 - Les Anneaux de Saturne
28 - Wolf Music (Finale)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Special remarks : 2LP + printed inner sleeves + download code
Genre: French Pop
Tracklist :
A1 - La nuit incompréhensible
A2 - Perspectives
A3 - Occhiolism
A4 - L'innocence
A5 - L'amour tout nu
B1 - Be bop record
B2 - M.M.W.E
B3 - Infiniment
B4 - Virtual Experience
B5 - Station-Service
C1 - A cet instant
C2 - Vertigo
C3 - Phoenix (il y aura un matin)
C4 - N'éteignez pas la lumière
D1 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Genre: French Pop
Tracklist :
A1 - La nuit incompréhensible
A2 - Perspectives
A3 - Occhiolism
A4 - L'innocence
A5 - L'amour tout nu
B1 - Be bop record
B2 - M.M.W.E
B3 - Infiniment
B4 - Virtual Experience
B5 - Station-Service
C1 - A cet instant
C2 - Vertigo
C3 - Phoenix (il y aura un matin)
C4 - N'éteignez pas la lumière
D1 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Special remarks :CD + printed inner sleeves + download code
Genre: French Pop
Tracklist :
1 - La nuit incompréhensible
2 - Perspectives
3 - Occhiolism
4 - L'innocence
5 - L'amour tout nu
6 - Be bop record
7 - M.M.W.E
8 - Infiniment
9 - Virtual Experience
10 - Station-Service
11 - A cet instant
12 - Vertigo
13 - Phoenix (il y aura un matin)
14 - N'éteignez pas la lumière
15 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Genre: French Pop
Tracklist :
1 - La nuit incompréhensible
2 - Perspectives
3 - Occhiolism
4 - L'innocence
5 - L'amour tout nu
6 - Be bop record
7 - M.M.W.E
8 - Infiniment
9 - Virtual Experience
10 - Station-Service
11 - A cet instant
12 - Vertigo
13 - Phoenix (il y aura un matin)
14 - N'éteignez pas la lumière
15 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Special remarks : 2LP + gatefold + printed inner sleeve + download code
Genre: French Pop
Tracklist :
A1 - Crescendo
A2 - È l'Ora Dell'Azione
A3 - Le Zéphyr
A4 - Diagonale du vide
A5 - Sur les plages de la vie
B1 - Les choses qu'on ne peut dire à personne
B2 - Étranges nuages
B3 - Tombeau pour David Bowie
B4 - L'enfant sur la banquette arrière
B5 - Tribunes au couchant
C1 - 36 minutes
C2 - Tour des Lilas
C3 - Ultradevotion
C4 - Son et lumière
D1 - Musées et cimetières
D2 - Hologramme
D3 - Coeur défense
D4 - Un ami viendra ce soir
D5 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Genre: French Pop
Tracklist :
A1 - Crescendo
A2 - È l'Ora Dell'Azione
A3 - Le Zéphyr
A4 - Diagonale du vide
A5 - Sur les plages de la vie
B1 - Les choses qu'on ne peut dire à personne
B2 - Étranges nuages
B3 - Tombeau pour David Bowie
B4 - L'enfant sur la banquette arrière
B5 - Tribunes au couchant
C1 - 36 minutes
C2 - Tour des Lilas
C3 - Ultradevotion
C4 - Son et lumière
D1 - Musées et cimetières
D2 - Hologramme
D3 - Coeur défense
D4 - Un ami viendra ce soir
D5 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Special remarks : CD
Genre: French Pop
Tracklist :
1 - Crescendo
2 - È l'Ora Dell'Azione
3 - Le Zéphyr
4 - Diagonale du vide
5 - Sur les plages de la vie
6 - Les choses qu'on ne peut dire à personne
7 - Étranges nuages
8 - Tombeau pour David Bowie
9 - L'enfant sur la banquette arrière
10 - Tribunes au couchant
11 - 36 minutes
12 - Tour des Lilas
13 - Ultradevotion
14 - Son et lumière
15 - Musées et cimetières
16 - Hologramme
17 - Coeur défense
18 - Un ami viendra ce soir
19 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Genre: French Pop
Tracklist :
1 - Crescendo
2 - È l'Ora Dell'Azione
3 - Le Zéphyr
4 - Diagonale du vide
5 - Sur les plages de la vie
6 - Les choses qu'on ne peut dire à personne
7 - Étranges nuages
8 - Tombeau pour David Bowie
9 - L'enfant sur la banquette arrière
10 - Tribunes au couchant
11 - 36 minutes
12 - Tour des Lilas
13 - Ultradevotion
14 - Son et lumière
15 - Musées et cimetières
16 - Hologramme
17 - Coeur défense
18 - Un ami viendra ce soir
19 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
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Digipak, 4C print
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
Strut are proud to present a new repress 0f the definitive Mulatu Astatke career retrospective covering his landmark ‘60s and ‘70s´recordings.
2LP TRACKLISTING
A1 Yèkèrmo Sèw
A2 I Faram Gami I Faram
A3 Shagu
A4 Emnete
A5 Mulatu
B1 Yègelé Tezeta
B2 Asiyo Bellema
B3 Ebo Lala
B4 Fikratchin
B5 Yefikir Tizita
More
2LP TRACKLISTING
A1 Yèkèrmo Sèw
A2 I Faram Gami I Faram
A3 Shagu
A4 Emnete
A5 Mulatu
B1 Yègelé Tezeta
B2 Asiyo Bellema
B3 Ebo Lala
B4 Fikratchin
B5 Yefikir Tizita
More
Label:Other People
Cat-No:OP073
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Other People
Cat-No:OP073
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP Excl
1
Ali Sethi & Nicolas Jaar - A1. Intiha - 3:50
2
Ali Sethi & Nicolas Jaar - A2. Nazar Se - 4:14
3
Ali Sethi & Nicolas Jaar - A3. Muddat - 6:30
4
Ali Sethi & Nicolas Jaar - A4. Raat Bhar - 2:58
5
Ali Sethi & Nicolas Jaar - B5. Dard - 7:30
6
Ali Sethi & Nicolas Jaar - B6. Chiragh - 5:46
7
Ali Sethi & Nicolas Jaar - B7. Lagta Nahi - 2:10
8
Ali Sethi & Nicolas Jaar - B8. Dono Jahan - 3:32
LP, Artwork with Obi Tag, Vinyl made of BioVinyl
2. GENRE/S: Alternative / Electronic
3. TRACKLISTS:
A
1. Intiha - 3:50
2. Nazar Se - 4:14
3. Muddat - 6:30
4. Raat Bhar - 2:58
B
5. Dard - 7:30
6. Chiragh - 5:46
7. Lagta Nahi - 2:10
8. Dono Jahan - 3:32
4. SHORT INFO:
Singer, songwriter and author Ali Sethi had been entranced by Jaar's music long before they began collaborating. He'd absorbed the sounds over a number of years, listening casually and taking in their subtleties in bars and rooftop parties across Lahore and London. "It felt familiar to me, that sense of adventure you have when you hear his music, like a tale that teases you and plays with your expectations as it unfolds," says Sethi. "In that sense it resembled the leisurely improvised ghazals and qawwalis I grew up hearing in Pakistan." So when the two were finally introduced by Indian visual artist Somnath Bhatt, a regular Jaar collaborator who also handled the album's artwork, Sethi was well prepared. He began to sketch out voice notes using loops snipped from Jaar's acclaimed 2020 album 'Telas', improvising vocalizations and seductive Urdu poems over Jaar's weightless, time-bending productions. Jaar was astonished by the result; "It was what 'Telas' had been missing," he explains.
Improvisation has been important to the Chilean artist for many years. Before he had even started making electronic music, Jaar jammed on accordion with friends on the street in New York City. It's at the core of his practice, "a moment in time," in his own words. 'Intiha', the opening track on the album, is the first they finished together, and positions Sethi's evocative phrases over Jaar's faded, metallic percussion. It's a perfect proof of concept, re- imagining the world of 'Telas' and augmenting it with a sense of ancestral melancholy and giddy euphoria that's truly transformational.
Sethi is best known globally for his attempts to revive the ghazal, an ancient poetic form that was taken by Sufi mystics from the Arab world to Persia and throughout the Indian subcontinent, where it captivated the royal court. It's been unfashionable in the last few decades, a mannered style associated with decadence, and Sethi offers it a new lease of life through his playfully revisionist covers and renditions. (His most popular single 'Pasoori' is a global phenomenon, one of the most Googled songs of 2022, with hundreds of millions of listeners tuning into its timeless message of forbidden love.) Sethi updates the ghazal form by using his years of training in raga music, lifting metaphors that reflect his journey as an out-of- place queer kid in Pakistan who became a US citizen and now lives in New York City.
5. VITAL SALES POINTS:
Critically acclaimed musician Nicolas Jaar collaborates with Pakistani artist Ali Sethi for a reworking of his original album Telas
Ali Sethi song "Pasoori" was the most googled song in 2022. It has over a billion streams across his profiles
More
2. GENRE/S: Alternative / Electronic
3. TRACKLISTS:
A
1. Intiha - 3:50
2. Nazar Se - 4:14
3. Muddat - 6:30
4. Raat Bhar - 2:58
B
5. Dard - 7:30
6. Chiragh - 5:46
7. Lagta Nahi - 2:10
8. Dono Jahan - 3:32
4. SHORT INFO:
Singer, songwriter and author Ali Sethi had been entranced by Jaar's music long before they began collaborating. He'd absorbed the sounds over a number of years, listening casually and taking in their subtleties in bars and rooftop parties across Lahore and London. "It felt familiar to me, that sense of adventure you have when you hear his music, like a tale that teases you and plays with your expectations as it unfolds," says Sethi. "In that sense it resembled the leisurely improvised ghazals and qawwalis I grew up hearing in Pakistan." So when the two were finally introduced by Indian visual artist Somnath Bhatt, a regular Jaar collaborator who also handled the album's artwork, Sethi was well prepared. He began to sketch out voice notes using loops snipped from Jaar's acclaimed 2020 album 'Telas', improvising vocalizations and seductive Urdu poems over Jaar's weightless, time-bending productions. Jaar was astonished by the result; "It was what 'Telas' had been missing," he explains.
Improvisation has been important to the Chilean artist for many years. Before he had even started making electronic music, Jaar jammed on accordion with friends on the street in New York City. It's at the core of his practice, "a moment in time," in his own words. 'Intiha', the opening track on the album, is the first they finished together, and positions Sethi's evocative phrases over Jaar's faded, metallic percussion. It's a perfect proof of concept, re- imagining the world of 'Telas' and augmenting it with a sense of ancestral melancholy and giddy euphoria that's truly transformational.
Sethi is best known globally for his attempts to revive the ghazal, an ancient poetic form that was taken by Sufi mystics from the Arab world to Persia and throughout the Indian subcontinent, where it captivated the royal court. It's been unfashionable in the last few decades, a mannered style associated with decadence, and Sethi offers it a new lease of life through his playfully revisionist covers and renditions. (His most popular single 'Pasoori' is a global phenomenon, one of the most Googled songs of 2022, with hundreds of millions of listeners tuning into its timeless message of forbidden love.) Sethi updates the ghazal form by using his years of training in raga music, lifting metaphors that reflect his journey as an out-of- place queer kid in Pakistan who became a US citizen and now lives in New York City.
5. VITAL SALES POINTS:
Critically acclaimed musician Nicolas Jaar collaborates with Pakistani artist Ali Sethi for a reworking of his original album Telas
Ali Sethi song "Pasoori" was the most googled song in 2022. It has over a billion streams across his profiles
More
1
Skeet - Alone Tonight
2
Skeet - Brief Call
3
Skeet - Young Girls
4
Skeet - Avril In The Alps
5
Skeet - Conscious Effort
6
Skeet - I Was Never Told
7
Skeet - Left on the Shelf
8
Skeet - Song of Love
Tracklist:
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
More
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love
Short info:
Simple Reality cements the short lived legacy of Coventry DIY group Skeet.
Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.
Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.
Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.
RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel
More
1
Ebi - Sou
2
Ebi - San
3
Ebi - Tsuru
4
Ebi - Hi
5
Ebi - Zen
6
Ebi - Chuu
7
Ebi - Sei
8
Ebi - Kaze
9
Ebi - Tsuki
2024 Repress!
No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities! More
No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities! More
One-Sided 12" with the hit from "Berlin Calling" Soundtrack!
More
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
More
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
More
1
Lolina / Dr. Pit - Music Is The Drug (Vista Mare Version)
2
Dr. Pit - Vista Mare
Ltd Edition 12" press of this other-wordly remix, complete with 'version'. TIP!
A first Relaxin Records release by Dr. Pit, one half of the band Primitive Art. For Vista Mare version, Dr. Pit operates on Lolina's "Music Is The Drug”, taking it to a sinister cocktail bar terrace with an unexpected view. More
A first Relaxin Records release by Dr. Pit, one half of the band Primitive Art. For Vista Mare version, Dr. Pit operates on Lolina's "Music Is The Drug”, taking it to a sinister cocktail bar terrace with an unexpected view. More
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
1
Charlotte de Witte - Asura
2
Charlotte de Witte - Soma
3
Charlotte de Witte - Stigma
Charlotte de Witte continues her fantastic year with brand new EP, Asura, on her KNTXT label. All three of the tracks on this release will be exclusively included in her BBC Radio 1 Essential Mix, which is scheduled to be broadcasted on 18th of September. As well as being back on the road and serving up her high-intensity DJ sets at the world's best clubs and festivals, Charlotte has also been busy in other areas. She has forged a new alliance with Apple Music and is now curating multiple exclusive mix series including a monthly KNTXT Residency Mix and KNTXT Active, which sees the Belgian artist and her label further investigate the connections between high-performance music, sports and BPMs. She has recently remixed the hugely influential trance classic 'The Age Of Love' by Age Of Love' alongside Enrico Sangiuliano and continues to A&R essential new tunes for the label. Says Charlotte of this EP, "with Asura EP I’m trying to give you a little insight into my musical influences by going back to my roots. We’re speaking about a young Charlotte who, about 12 / 13 years ago, got indulged in the world of electronic music by going to her first underground clubs and raves. From electro and techno to acid core and hardcore to psytrance. This EP flirts with the soundscapes of the latter." This EP finds Charlotte delve deep into her own past in electronic music with plenty of psychedelic influences. Opener Asura is a brightly lit techno track with big chords that bring the colour. They are sleek and metallic and sure to get hands in the air, with acid sounds and rumbling bass all adding extra weight and depth to this fantastic opener. 'Soma' is another dramatic and psychedelic track with hard-edged drums pounding away beneath celestial chords. They are mysterious and emotive and bring colour to the darkness. Last of all comes another big, psytrance-tinged and emotional roller coaster in 'Stigma' with its all-consuming techno groove and bass that sounds like it's fired from a machine gun. After an acidic breakdown, the drums roll again and even the biggest festival crowd is sure to be swept away. Charlotte de Witte leads from the front once more with her standout new Asura EP.
More