180 G Blue & Black Marbled Vinyl More

-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker

Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano

Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord



Info

We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.

My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.

- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.

- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.

More

-NO SALES TO JAPAN-
CD (digipack)

Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano

Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord




Info

We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.

My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.

- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.

- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.

More

-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

-NO SALES TO JAPAN-

CD

Tracklisting CD
01. Hot House (Charlie Parker)
02. All The Things Your Are (Jerome Kern)
03. Red Carpet (Duke Ellington)
04. Bouncing With Bud (Bud Powell)
05. Embraceable You (George Gershwin)
06. Just One of Those Things (Cole Porter)
07. Mellow Dream (Ryo Fukui)

Info

We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.

Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.

Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.

This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.

- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.

- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

-NO SALES TO JAPAN-

LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)

Info

We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.

Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.

Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.

This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.

- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.

- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

-NO SALES TO JAPAN-
CD

Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More

Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY in a
Deluxe Limited Edition 2018 Reissue, 180g, Half Speed Master, Gold Sticker, Obi Tag, Stoughton Sleeve

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More

Territory - NO Sales to Japan
Ryo Fukui's 1977 highly sought-after jazz gem MELLOW DREAM in a Deluxe Limited Edition 2018 Reissue CD

We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack CD.

Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.

After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.

Tracklisting CD
01 Mellow Dream
02 My Foolish Heart
03 Baron Potato Blues
04 What's New
05 Horizon
06 My Funny Valentine
More

Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY in a Deluxe Limited Edition 2018 Reissue digipack CD

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.

Tracklisting CD
01 It Could Happen To You
02 I Want To Talk About You
03 Early Summer
04 Willow Weep For Me
05 Autumn Leaves
06 Scenery

More

Limited edition double lp of Mo Kolours’s new epic album on We Release JAZZ!

Genre: Jazz, Hip Hop, Reggae, Soul, Fusion, Broken Beat, Leftfield

DLP: Biovinyl, Heavy 350gsm Sleeve, Obi, Original Artwork by Mo Kolours

Tracklisting DLP
A1. Magic Momentum
A2. Rockets To Mars
A3. The News These Days
A4. Life (Skit)
A5. Love Vibration
B1. Original Flow
B2. Hold On
B3. Surviver (Skit)
B4. Tatamaka Pt.1
B5. Tatamaka Pt.2
C1. Time (Skit)
C2. Time
C3. Jinja (Skit)
C4. Kochirakoso
C5. Our Tactus
C6. Nah Personal
D1. No Chains
D2. Push Comes To Shove
D3. We No Let Y'All In
D4. Mexico (Skit)
D5. Future For Our Children

Info

We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Points of interests

- For fans of SOUL, music from the heart, jazz, hip hop, J Dilla, Lee Perry, pure gems that just feel right, live improvisational sessions between friends, worldwide love, reggae, pure bliss, chance meetings, groove, HUMAN MUSIC.

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Genre: Jazz, Hip Hop, Reggae, Soul, Fusion, Broken Beat, Leftfield

CD: Digipack, Cavalier, Original Artwork by Mo Kolours

Tracklisting CD
01. Magic Momentum
02. Rockets To Mars
03. The News These Days
04. Life (Skit)
05. Love Vibration
06. Original Flow
07. Hold On
08. Surviver (Skit)
09. Tatamaka Pt.1
10. Tatamaka Pt.2
11. Time (Skit)
12. Time
13. Jinja (Skit)
14. Kochirakoso
15. Our Tactus
16. Nah Personal
17. No Chains
18. Push Comes To Shove
19. We No Let Y'All In
20. Mexico (Skit)
21. Future For Our Children

Info

We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Points of interests

- For fans of SOUL, music from the heart, jazz, hip hop, J Dilla, Lee Perry, pure gems that just feel right, live improvisational sessions between friends, worldwide love, reggae, pure bliss, chance meetings, groove, HUMAN MUSIC.

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Genre: Jazz, Easy Listening, Saxophone, Funk

LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker

Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD




Info

We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.

Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.

Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.

This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Points of interests

- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.

- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!


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DLP: Limited Edition of 300, Obi

Tracklisting LP
A1. Introduction by Claude Nobs
A2. Cenovis (Live)
A3. 1224 (Live)
A4. Le Colin (Live)
B1. Rahsaan Rahsaan (Live)
B2. Straight Life (Live)
C1. Spain (Live)
C2. Backlash (Live)
D1. Dolphin Dance
D2. Adam's Apple
D3. 5th of July, Dulong Street


Info

We Release Jazz is sooooo happy to announce the release of a very limited edition double LP for Boillat Thérace Quintet’s 1974 Montreux Jazz Festival performance, with 3 bonus studio tracks! This gem from the Geneva, Switzerland band follows the acclaimed WRJ reissue of their self-titled album (1974) and My Greatest Love (1975), their full-length with Benny Bailey. The 300-copies-only white sleeved DLP comes with the classic obi and features fully remastered audiophile-ready recordings.

Captured live at Montreux Jazz Festival, July 3rd 1974, this rare audio treat features Boillat Thérace Quintet fan-favorites including their infamous homages to Swiss Marmite ("Cenovis"), and Geneva's public transport line Tram 12 ("1224"), as well as remarkable renditions of timeless jazz numbers by Freddie Hubbard ("Straight Life" and "Backlash") and Chick Corea ("Spain").

Additionally, the double LP offers 3 bonus songs taken from the ensemble’s sessions for their self-titled debut: superb takes on Herbie Hancock’s "Dolphin Dance", Wayne Shorter’s "Adam’s Apple", and Claude Engel’s "5th of July, Dulong Street".

All in all it’s a beautiful soul-jazz/modal fest full of flair and heart, one that perfectly encapsulates the vibrant and inventive Swiss jazz scene of the 1970s. A must have for fans and collectors.

This new album from We Release Jazz follows the label’s celebrated releases of the Ryo Fukui catalogue (Scenery, Mellow Dream, A Letter from Slowboat, Ryo Fukui in New York, My Favorite Tune), Hiroshi Suzuki’s seminal Cat album, and Le Cercle Rouge soundtrack by Eric Demarsan among other jazz wonders.


Points of interests

- For fans of soul jazz, modal, good jazz, good Swiss jazz, good Geneva jazz, Cenovis, taking the tram in Geneva, Montreux Jazz Festival, rare recordings, limited double LPs in white sleeves, Herbie Hancock, Freddie Hubbard, Wayne Shorter, Chick Corea, Claude Engel, Claude Nobs, and groooooove.

- First ever vinyl release of Boillat Thérace Quintet’s Montreux Jazz Festival concert in 1974 with additional studio tracks, courtesy of We Release Jazz (Ryo Fukui, Hiroshi Suzuki, Stuff Combe).






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-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker

Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano

Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord



Info

We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.

My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.

- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.

- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.

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-NO SALES TO JAPAN-
CD (digipack)

Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano

Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord




Info

We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.

My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.

- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.

- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.

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No sales to Japan!

CD
Genre: Jazz, Fusion, Funk

Tracklisting CD
01. Shrimp Dance
02. Kuro To Shiro
03. Walk Tall
04. Cat
05. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More

No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More

No Sales to Japan....

Format: Digipack CD, cavalier

- For fans of jazz-funk, soul jazz, spaced out sounds,fusion, deep solos, Belgian magic, Montreux Jazz Festival, Soft Machine, Weather Report, epic suites for the mind travelers, cognac by the fireplace.

- First ever CD release of the first ever live performance and recording by Marc Moulin's Placebo available on 180g vinyl mastered at half speed.


Tracklisting

01. Showbiz Suite 26:08


Info
We Release Jazz is ecstatic to present its fifth release (following Ryo Fukui's Scenery and Mellow Dream, Le Cercle Rouge's soundtrack by Eric Demarsan and Stuff Combe 5 + Percussion), the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. Placebo's Live 1971 is available in a limited edition 180g vinyl mastered at half speed, housed in a 350gsm sleeve with UV coating and an obi strip.

June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26 minutes+ jazz adventure - Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover on bass clarinet, Alex Scorier on soprano saxophone, and Richard Rousselet on flugelhorn. The magic of that night is dripping through Placebo's sumptuous "Showbiz Suite", a soulful piece in two parts in which every instrument gets enough room to shine, smoothly navigating between cozy cognac-by-the-fireplace funk and heartfelt grittiness, served with a pinch of Soft Machine vibes. It's the night Placebo was born, when foundations were laid for three classic albums: Ball of Eyes (on which you can hear a shorter studio version of "Showbiz Suite"), 1973, and their final self-titled album.

Born in 1942 in Ixelles, the multifaceted Marc Moulin had one of the most fascinating careers in the history of Belgian music, from his jazz roots and Placebo to founding electronic disco pop band Telex ("Moskow Diskow", "Rock Around The Clock"…), producing a vast array of French and Belgian hits (notably for Philip Catherine and Lio), pioneering downtempo and electro jazz with three albums on Blue Note, and exploring other avenues of expression such a radio hosting and comedy. He sadly left us in 2008. His incredible legacy shall live on.


Points of interests
- 5th release from We Release Jazz, following Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan and Stuff Combe 5 + Percussion. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble's KI-Motion, Jun Fukamachi's Nicole, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Piero Umiliani's Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
More

-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

-NO SALES TO JAPAN-
CD

Tracklisting CD
01. Sonora
02. Stella by Starlight
03. Speak Low
04. Nobody Knows The Trouble I’ve Seen
05. Old Country
06. Soultrane
07. Chasin’ The Bird
08. Be My Love

Info:

We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.

A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.

This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.

- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.

- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


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-NO SALES TO JAPAN-

LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)

Info

We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.

Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.

Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.

This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.

- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.

- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

-NO SALES TO JAPAN-

CD

Tracklisting CD
01. Hot House (Charlie Parker)
02. All The Things Your Are (Jerome Kern)
03. Red Carpet (Duke Ellington)
04. Bouncing With Bud (Bud Powell)
05. Embraceable You (George Gershwin)
06. Just One of Those Things (Cole Porter)
07. Mellow Dream (Ryo Fukui)

Info

We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.

Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.

Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.

This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.

- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.

- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

Vinyl LP: 350gsm sleeve, obi

Tracklisting LP
A1. 1224 05:34
A2. Sweet Fire 08:05
A3. Rahsaan Rahsaan 05:45
B1. Cenovis 06:38
B2. In Your Quiet Place 06:41
B3. Straight Life 06:31

Info

Swiss jazz bliss!

We Release Jazz is very, very, VERY happy to present its sixth release (following Ryo Fukui’s Scenery and Mellow Dream, Le Cercle Rouge’s soundtrack by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971) coming straight from its beloved hometown of Geneva. Boillat Thérace Quintet’s self-titled album is available for the first time since its original limited private pressing in 1974 and comes as a vinyl LP as well as a digipack CD* (with 3 never-heard bonus songs).

Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind instrument master Raymond Thérace formed their quintet whose dazzling debut album was recorded in 1974.

An absolute Lemanic gem of the soul-jazz/modal kind, the self-titled album includes superb covers of Freddie Hubbard’s “Straight Life”, Keith Jarrett’s “In Your Quiet Place”, and Rahsaan Roland Kirk’s “Sweet Fire”, plus groovy original compositions from the Boillat-Thérace crew. Helvetian fun facts: the velvety “1224” is dedicated to Geneva's public transport line Tram 12, and one exquisitely funky track on the album is named after the famed yet elusive (and locally legendary) Swiss Marmite: “Cenovis”!

This is reissued in conjunction with Boillat Thérace Quintet’s My Greatest Love featuring Benny Bailey (1975), also available via We Release Jazz.

*The CD version includes 3 bonus tracks (Herbie Hancock, Wayne Shorter, and Claude Engel covers), never released before.


Points of interests

- For fans of jazz, soul jazz, modal, funk, saxophones, flutes, Montreux Jazz Festival, Keith Jarrett, Freddie Hubbard, Cenovis, public transports in Geneva, and 70s flair.

- Reissue of the very rare private press debut album by Swiss jazz ensemble Boillat Thérace Quintet.

- 6th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)

More

Tracklisting CD
01. 1224 05:34
02. Sweet Fire 08:05
03. Rahsaan Rahsaan 05:45
04. Cenovis 06:38
05. In Your Quiet Place 06:41
06. Straight Life 06:31
07. Dolphin Dance 05:32
08. Adam’s Apple 06:14
09. 5th of July, Dulong Street 04:01


Info

Swiss jazz bliss!

We Release Jazz is very, very, VERY happy to present its sixth release (following Ryo Fukui’s Scenery and Mellow Dream, Le Cercle Rouge’s soundtrack by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971) coming straight from its beloved hometown of Geneva. Boillat Thérace Quintet’s self-titled album is available for the first time since its original limited private pressing in 1974 and comes as a vinyl LP as well as a digipack CD* (with 3 never-heard bonus songs).

Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind instrument master Raymond Thérace formed their quintet whose dazzling debut album was recorded in 1974.

An absolute Lemanic gem of the soul-jazz/modal kind, the self-titled album includes superb covers of Freddie Hubbard’s “Straight Life”, Keith Jarrett’s “In Your Quiet Place”, and Rahsaan Roland Kirk’s “Sweet Fire”, plus groovy original compositions from the Boillat-Thérace crew. Helvetian fun facts: the velvety “1224” is dedicated to Geneva's public transport line Tram 12, and one exquisitely funky track on the album is named after the famed yet elusive (and locally legendary) Swiss Marmite: “Cenovis”!

This is reissued in conjunction with Boillat Thérace Quintet’s My Greatest Love featuring Benny Bailey (1975), also available via We Release Jazz.

*The CD version includes 3 bonus tracks (Herbie Hancock, Wayne Shorter, and Claude Engel covers), never released before.


Points of interests

- For fans of jazz, soul jazz, modal, funk, saxophones, flutes, Montreux Jazz Festival, Keith Jarrett, Freddie Hubbard, Cenovis, public transports in Geneva, and 70s flair.

- Reissue of the very rare private press debut album by Swiss jazz ensemble Boillat Thérace Quintet.

- 6th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


More

Vinyl LP: 350gsm sleeve, obi

Tracklisting LP
A1. Prompt 05:53
A2. Gibraltar 06:17
A3. Blue Bossa 06:45
B1. Le Colin 07:02
B2. My Greatest Love 05:06
B3. Gemini 07:05

Info

More Swiss jazz bliss!

We Release Jazz (Ryo Fukui’s Scenery and Mellow Dream, Marc Moulin’s Placebo Live 1971…) is madly happy to unleash another reissue from Geneva’s very own Boillat Thérace Quintet. The My Greatest Love album features none other than bebop and hard-bop legend Benny Bailey and is available for the first time since 1975 on vinyl LP as well as digipack CD.

Galvanized by the creation of the Montreux Jazz Festival in the late 60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and Raymond Thérace’s Boillat Thérace Quintet whose self-titled debut and impressive Montreux appearance set the tone for quality Helvetic jazz in 1974.

Following this first excellent impression, the Boillat-Thérace ensemble connected with American trumpeter Benny Bailey and recorded the magnificent My Greatest Love in May and June of 1975. The modal, hard bop and soul-jazz gem includes first-class takes on Freddie Hubbard’s “Gibraltar”, Kenny Dorham’s “Blue Bossa”, and Jimmy Heath’s “Gemini”, plus deliciously funky originals from the Geneva crew, including the upbeat “Le Colin” and the swaying fan-favorite “Prompt” and its thrilling solos. Bailey is on trumpet and flugelhorn, Boillat on Fender Rhodes and piano, Thérace on saxophone and flute, Roger Vaucher on Fender bass, Eric Wespi on drums, and Rogelio Garcia on percussion and tenor saxophone…heavy sessions and deep vibes!

This is reissued in conjunction with Boillat Thérace Quintet’s self-titled debut album (1974), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, funk, saxophones, flutes, trumpets, Montreux Jazz Festival,Kenny Dorham, Freddie Hubbard, Stuff Combe, Jimmy Heath, Ryo Fukui, delicious Cenovis, Lake Geneva, and the Swiss kind of bliss.

- Reissue of the very rare album by Swiss jazz ensemble Boillat Thérace Quintet featuring the God Benny Bailey.

- 7th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
More

Tracklisting CD
01. Prompt 05:53
02. Gibraltar 06:17
03. Blue Bossa 06:45
04. Le Colin 07:02
05. My Greatest Love 05:06
06. Gemini 07:05


Info

More Swiss jazz bliss!

We Release Jazz (Ryo Fukui’s Scenery and Mellow Dream, Marc Moulin’s Placebo Live 1971…) is madly happy to unleash another reissue from Geneva’s very own Boillat Thérace Quintet. The My Greatest Love album features none other than bebop and hard-bop legend Benny Bailey and is available for the first time since 1975 on vinyl LP as well as digipack CD.

Galvanized by the creation of the Montreux Jazz Festival in the late 60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and Raymond Thérace’s Boillat Thérace Quintet whose self-titled debut and impressive Montreux appearance set the tone for quality Helvetic jazz in 1974.

Following this first excellent impression, the Boillat-Thérace ensemble connected with American trumpeter Benny Bailey and recorded the magnificent My Greatest Love in May and June of 1975. The modal, hard bop and soul-jazz gem includes first-class takes on Freddie Hubbard’s “Gibraltar”, Kenny Dorham’s “Blue Bossa”, and Jimmy Heath’s “Gemini”, plus deliciously funky originals from the Geneva crew, including the upbeat “Le Colin” and the swaying fan-favorite “Prompt” and its thrilling solos. Bailey is on trumpet and flugelhorn, Boillat on Fender Rhodes and piano, Thérace on saxophone and flute, Roger Vaucher on Fender bass, Eric Wespi on drums, and Rogelio Garcia on percussion and tenor saxophone…heavy sessions and deep vibes!

This is reissued in conjunction with Boillat Thérace Quintet’s self-titled debut album (1974), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, funk, saxophones, flutes, trumpets, Montreux Jazz Festival,Kenny Dorham, Freddie Hubbard, Stuff Combe, Jimmy Heath, Ryo Fukui, delicious Cenovis, Lake Geneva, and the Swiss kind of bliss.

- Reissue of the very rare album by Swiss jazz ensemble Boillat Thérace Quintet featuring the God Benny Bailey.

- 7th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)

More

Format: 180g vinyl, mastered at half speed, 350g heavy cardboard o sleeve w. UV Coating, obi, sticker
- For fans of jazz-funk, soul jazz, spaced out sounds,fusion, deep solos, Belgian magic, Montreux Jazz Festival, Soft Machine, Weather Report, epic suites for the mind travelers, cognac by the fireplace.

- First ever release of the first ever live performance and recording by Marc Moulin's Placebo available on 180g vinyl mastered at half speed.

Tracklisting

A1 Showbiz Suite (part 1) 14:37
B2 Showbiz Suite (part 2) 11:31

Info
We Release Jazz is ecstatic to present its fifth release (following Ryo Fukui's Scenery and Mellow Dream, Le Cercle Rouge's soundtrack by Eric Demarsan and Stuff Combe 5 + Percussion), the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. Placebo's Live 1971 is available in a limited edition 180g vinyl mastered at half speed, housed in a 350gsm sleeve with UV coating and an obi strip.

June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26 minutes+ jazz adventure - Nick Kletchkovsky on bass, Freddy Rottier on drums, Johnny Dover on bass clarinet, Alex Scorier on soprano saxophone, and Richard Rousselet on flugelhorn. The magic of that night is dripping through Placebo's sumptuous "Showbiz Suite", a soulful piece in two parts in which every instrument gets enough room to shine, smoothly navigating between cozy cognac-by-the-fireplace funk and heartfelt grittiness, served with a pinch of Soft Machine vibes. It's the night Placebo was born, when foundations were laid for three classic albums: Ball of Eyes (on which you can hear a shorter studio version of "Showbiz Suite"), 1973, and their final self-titled album.

Born in 1942 in Ixelles, the multifaceted Marc Moulin had one of the most fascinating careers in the history of Belgian music, from his jazz roots and Placebo to founding electronic disco pop band Telex ("Moskow Diskow", "Rock Around The Clock"…), producing a vast array of French and Belgian hits (notably for Philip Catherine and Lio), pioneering downtempo and electro jazz with three albums on Blue Note, and exploring other avenues of expression such a radio hosting and comedy. He sadly left us in 2008. His incredible legacy shall live on.


Points of interests
- 5th release from We Release Jazz, following Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan and Stuff Combe 5 + Percussion. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble's KI-Motion, Jun Fukamachi's Nicole, Bruno Spoerri's Voice of Taurus and The Sound of the UFOs, Piero Umiliani's Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
More

The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More

Territories: Worldwide no restrictions

Format Notes:

Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20

B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30

Release Notes:

Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More

No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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Territories: World ex Japan More

territories:WW-US,CA,UK, BENELUX

LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!


Tracklist

1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More

Territories: world (minus USA, FR, BENELUX, IT)

Format: 2LP, Marbled (white & black) vinyls + 7"
Genre: Electronic, Beats, Trip-hop

Tracklist

1. Behind the Curtain (opening) 1:08
2. Que Sera 2:44
3. Ungodly Fruit 3:00
4. Between Fellows 0:28
5. Hypnosis Theme (feat. Marina Quaisse) 4:53
6. Damn that Music Made my Day 0:51
7. Where my Heart's at (feat. The Others) 4:33
8. Birth of a Struggle 0:59
9. Am I Free 6:02
10. Ringing Score 0:17
11. I Don't Know 3:39
12. Our Dance (feat. Charlotte Savary) 4:24
13. Stay Tuned 0:35
14. Walk the Line (feat. The Others) 4:28
15. A Woman's Voice 3:23
16. Don't You Remember 4:20
17. How I Feel 4:18
18. Behind the Disguise "Closing" (feat. Marina Quaisse) 1:33

7" - Seize the Day

1. Seize the Day 2.41
2. Seize the Day (Instrumental Version) 2.42


20 years after its release, Wax Tailor's cult album, which made him a household name the world over, is back in a marbled 2LP collector's edition with the bonus single ‘Seize the Day’ (previously unreleased on vinyl). Long unavailable due to its success, this eagerly-awaited repress offers the chance to discover once again this essential work of the trip-hop scene.

This exceptional box set includes two marbled vinyl records along with an exclusive 7-inch single of Seize The Day.
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territories:WW-US,CA,UK, BENELUX

Black Vinyl LP, LTD 400

Tracklist

1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More

* 3 x LP
* Deluxe Trifold Sleeve
* Analogue Remastered

Versions: 300 x Black Vinyl Edition

Tracklist:
Side A
A1. Order Within The Universe
A2. Under The Influence (Jes Grew)
A3. If 6 Was 9
Side B
B1. Orbitron Attack
B2. Cosmic Slop
Side C
C1. Free-Bass (Godzillatron Cush)
C2. Tell The World
C3. Pray My Soul
Side D
D1. Hideous Mutant Freekz
D2. Sax Machine
Side E
E1. Animal Behavior
E2. Trumpets And Violins, Violins
E3. Telling Time
Side F
F1. Jungle Free-Bass
F2. Blackout
F3. Sacred To The Pain

Release Notes:
Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk. At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and
Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred
Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others. Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.
Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue! More

Tracklist:
A1. Per Aspera Ad Astra
A2. Paradise
A3. Mi Amor
B1. Fleeing Into You
B2. Per Aspera Ad Astra (The Club Mix For Gerd But Not By Gerd)
B3. Cocoon Cracking

If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.




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