Limited Vinyl, Box Set with Twelve 10" individually coloured vinyl records

Each featuring 20 unique locked grooves by Carsten Nicolai

Sleeved in twelve custom made archive folders

Housed in a silk covered hand made box with debossed artwork

Including 16-page booklet with exclusive installation photography

Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory


- All Box sets are individual packed in a protective outer box -


NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.

This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.

The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.

Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.

The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.


Product info

Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855


210 Tracks (00:01:55 each)
Total Length: 06:42:30


Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz

B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz

C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log

D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16

E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove

F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop

G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern

H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern

I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar

J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping

K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface

L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal

M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard

N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop

O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure

P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure

Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone

R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure

S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise

T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire

U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct

V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual

W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise

X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti

Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz

Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2LP

A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II

B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit

C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada

D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope



NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.






















Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD

Tracklist:

01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope


NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.




























Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD

1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue





For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking


On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.






















Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

10", Double Sided Picture Disc, Gatefold, 8 Page Booklet

- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -

NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.

TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD:
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2LP:
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)

B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)

C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)

D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)

Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.

The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.

Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.

The documentary was the recipient of the German Documentary Film Music Award 2022.

Focus track #19

'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD:
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)

Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.

The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.

Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.

The documentary was the recipient of the German Documentary Film Music Award 2022.

Focus track #19

'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)

Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)

B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)

C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)

D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)


Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Limited CD Slipcase for 5 CD´s .
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!



NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Limited Vinyl Slipcase for 5 LP/DOLP´s .

DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!



NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

12"/EP - Limited

GENRE/S: Ambient/ Electronic

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD , Territory: WW - Japan.

A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.

about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3

Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4

Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5

Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6

Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7

Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8

Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9

Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10

Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11

Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12

Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13

Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14

Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15

Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16

Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17

Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

REPRESS

2LP - RE MASTER - Part of the V.I.R.U.S series


GENRE/S: Ambient/ Electronic

Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.

Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx

In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.

TRACKLIST:

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

REPRESS

CD - RE MASTER - Part of the V.I.R.U.S series

2. GENRE/S: Ambient/ Electronic

3. Info
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, NOTON reissues all the five albums between June and October 2022.

With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.

Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.

In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.

4. TRACKLISTS:

CD Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50
---------------------------------------------------------
Medium: 1 // Side: // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40

---------------------------------------------------------
Medium: 1 // Side: // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47
---------------------------------------------------------
Medium: 1 // Side: // Track: 4

Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12

---------------------------------------------------------
Medium: 1 // Side: // Track: 5

Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08
---------------------------------------------------------
Medium: 1 // Side: // Track: 6

Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57

---------------------------------------------------------
Medium: 1 // Side: // Track: 7

Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12
---------------------------------------------------------


Ò LP Tracklisting:
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon I
Playtime: 00:13:50

---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Uoon II
Playtime: 00:09:40
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Duoon
Playtime: 00:05:47


---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Noon
Playtime: 00:10:12
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon I
Playtime: 00:05:08

---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Trioon II
Playtime: 00:09:57

---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Landscape Skizze
Playtime: 00:08:12


Composer: Carsten Nicolai, Ryuichi Sakamoto
All tracks: Composer: Carsten Nicolai, Ryuichi Sakamoto



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Release Info:

Released for the first time in 2011, 'Summvs' is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title 'Summvs' refers to the Latin word "summa" (eng. sum) and "versus" (eng. towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano - Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977.

In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled 'Monomom' (released digitally in December 2021) and 'Kizuna.' Like 'Monomom,' 'Kizuna' is the studio version of the homonymous composition recorded during Alva Noto & Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House" (2019, NOTON). The work 'Kizuna' means 'human bond' in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx


Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon I
Playtime: 00:03:06
Explicit Lyrics: No
ISRC: UK6821719515
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon II
Playtime: 00:02:39
Explicit Lyrics: No
ISRC: UK6821719518
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Reverso
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719516
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Pionier IOO
Playtime: 00:05:47
Explicit Lyrics: No
ISRC: UK6821719519
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Halo
Playtime: 00:07:10
Explicit Lyrics: No
ISRC: UK6821719517
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Ionoscan
Playtime: 00:04:09
Explicit Lyrics: No
ISRC: UK6821719520
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 4

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River
Playtime: 00:04:03
Explicit Lyrics: No
ISRC: UK6821719521
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Naono
Playtime: 00:11:20
Explicit Lyrics: No
ISRC: UK6821719522
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Monomom
Playtime: 00:05:31
Explicit Lyrics: No
ISRC: UK6821719525
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Kizuna
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: UK6821719526
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon III
Playtime: 00:03:02
Explicit Lyrics: No
ISRC: UK6821719523
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River – Phantom
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719524
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, pantone printed labels, printed dl card

TRACKLIST
1. / A1 Multiplying My Absurdities 06:22
2. / A2 Punks In The Gym 07:12
3. / B1 Humanoid Fruit 08:41

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.
The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.
Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit. It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. Once you're halfway in, there's no turning back; all you can do is keep moving forward.
The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the “Tresor 31: Techno, Berlin und die große Freiheit” exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track. Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.


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2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


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2LP

A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II

B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit

C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada

D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope



NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.






















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AAL record on Other People.
Pressed on to wax due to popular demand.

Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)


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Territory: WORLD minus UK

FORMAT 2LP vinyl, full printed sleeve, download code

TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24

Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.

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AAL Single 12" on Other People featuring Lydia Lunch and FKA twigs.

Tracklist EP


A Illusions Of Shameless Abundance
Featuring – Lydia Lunch

B Alucinao
Feat. Estado Unido & FKA twigs


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RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.

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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)


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territories:WW-US,CA,UK, BENELUX

Black Vinyl LP, LTD 400

Tracklist

1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad

Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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GENRE/S: House, Disco, Afro

TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano

SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.




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