Strut continue their essential work with the "Godfather Of Ethio Jazz", Mulatu Astatke, with the first official reissues of his early classics 'Afro Latin Soul' Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke's life-changing years studying at Berklee College in Boston, the albums were the first experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. "I have always felt a deep connection between Latin and African music," he explains. "I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-'60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena." Supported by Worthy Records' Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: "We created a different feel and different arrangements. On the first recording, I played an adaptation of an ancient Ethiopian warrior song, 'I Faram Gami I Faram' - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: 'Mascaram Setaba' ('Summer Is Coming') 'Shagu' and 'Almaz'. With the second album, a personal favourite is 'Girl From Addis Ababa' which worked very nicely as a fusion of Ethiopian modes and R&B rhythms." Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, 'Mulatu Of Ethiopia' (STRUT129) but the two volumes of 'Afro Latin Soul' stand as important recordings documenting his early career. "It was a very interesting time to be in New York during the mid-'60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz." 'Afro Latin Soul' Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Strut continue their essential work with the "Godfather Of Ethio Jazz", Mulatu Astatke, with the first official reissues of his early classics 'Afro Latin Soul' Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke's life-changing years studying at Berklee College in Boston, the albums were the first experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. "I have always felt a deep connection between Latin and African music," he explains. "I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-'60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena." Supported by Worthy Records' Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: "We created a different feel and different arrangements. On the first recording, I played an adaptation of an ancient Ethiopian warrior song, 'I Faram Gami I Faram' - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: 'Mascaram Setaba' ('Summer Is Coming') 'Shagu' and 'Almaz'. With the second album, a personal favourite is 'Girl From Addis Ababa' which worked very nicely as a fusion of Ethiopian modes and R&B rhythms." Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, 'Mulatu Of Ethiopia' (STRUT129) but the two volumes of 'Afro Latin Soul' stand as important recordings documenting his early career. "It was a very interesting time to be in New York during the mid-'60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz." 'Afro Latin Soul' Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territories: DE,AT,CH only

Tracklist
A1. Pedagogic
A2. Team Vulcan
A3. Honeymoon
A4. Love Humans
A5. Zaire 73
A6. Acid Lake
A7. Krakatau
A8. Volcano March

B1. Destroy and Create
B2. Vulcain
B3. Childhood Dream
B4. Approaching the Beast
B5. Jingle News Report
B6. Katia and Maurice
B7. Orcamore




This 15-track album features the original score composed by Nicolas Godin (of AIR) for Fire of Love, the Oscar-nominated documentary directed by Sara Dosa in 2022 (available for streaming on Disney+), as well as original music inspired by the film.

Fire of Love tells the extraordinary love story of fearless French volcanologists Katia and Maurice Krafft, who died as spectacularly as they lived, capturing some of the most breathtaking footage ever recorded of their greatest passion: volcanoes.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

LP

Special remarks:
180g

Tracklist:

A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min

Info:

Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner

*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***

Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E

Info


WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.

Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.

Bio

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More