Label:Tricatel
Cat-No:TRILPFR064
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Tricatel
Cat-No:TRILPFR064
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
LORD$ - Speed It Up
2
LORD$ - Anyway
3
LORD$ - Billy Joel
4
LORD$ - Dick Pic
5
LORD$ - Zablonlove
6
LORD$ - Everybody Knows
7
LORD$ - Here We Go
8
LORD$ - Josie
9
LORD$ - Dark Interlude
10
LORD$ - I'd Really Like
11
LORD$ - Make It Alright
12
LORD$ - Try Again
13
LORD$ - Fantasy
LP
Special remarks : LP
Genre: Alternative Pop / Indie
Tracklist LP :
A Side
1. Speed It Up
2. Anyway
3. Billy Joel
4. Dick Pic
5. Zablonlove
6. Everybody Knows
B Side
1. Here We Go
2. Josie
3. Dark Interlude
4. I'd Really Like
5. Make It Alright
6. Try Again
7. Fantasy
Short Info :
LORD$'s debut album 'Speed It Up' is out on April 26 via Tricatel. LORD$ is a 5-piece band steeped in references ranging from US rap to 70s soft rock, skateboarding to video games, with Rémi Klein on keyboards and vocals, Jay Adams on bass, Zablon on guitar and vocals, Bastien Bonnefont on drums and Gary Haguenauer on guitar.
These formidable instrumentalists have given a handful of concerts, notably at the Petite Halle de la Villette in Paris, one of the hotbeds of the French jazz revival. The group also competed in the prestigious Tiny Desk series of intimate concerts, delivering a performance that impressed American public radio station NPR.
_Pascal Bertin
More
Special remarks : LP
Genre: Alternative Pop / Indie
Tracklist LP :
A Side
1. Speed It Up
2. Anyway
3. Billy Joel
4. Dick Pic
5. Zablonlove
6. Everybody Knows
B Side
1. Here We Go
2. Josie
3. Dark Interlude
4. I'd Really Like
5. Make It Alright
6. Try Again
7. Fantasy
Short Info :
LORD$'s debut album 'Speed It Up' is out on April 26 via Tricatel. LORD$ is a 5-piece band steeped in references ranging from US rap to 70s soft rock, skateboarding to video games, with Rémi Klein on keyboards and vocals, Jay Adams on bass, Zablon on guitar and vocals, Bastien Bonnefont on drums and Gary Haguenauer on guitar.
These formidable instrumentalists have given a handful of concerts, notably at the Petite Halle de la Villette in Paris, one of the hotbeds of the French jazz revival. The group also competed in the prestigious Tiny Desk series of intimate concerts, delivering a performance that impressed American public radio station NPR.
_Pascal Bertin
More
More records from Tricatel
1
TRICATEL - A1) Madrigal - Leo Blomov
2
TRICATEL - A2) Billy Joel - Lord
3
TRICATEL - A3) Plus vite - Charles Dollé
4
TRICATEL - A4) Dream - Comateens
5
TRICATEL - A5) Pôve tièsse - Guy Cabay
6
TRICATEL - A6) Fallen Snow - Louis Philppe
7
TRICATEL - A7) La mémoire des pierres - Catastrophe
8
TRICATEL - B1) Das Macht Dich Heiss - Ingrid Caven
9
TRICATEL - B2) Sweet Jesus !!! - Chassol
10
TRICATEL - B3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
11
TRICATEL - B4) Tee Shirt Finisher - A.S Dragon
12
TRICATEL - B5) The Girl of September - Bertrand Burgalat
13
TRICATEL - B6) Montées infinies - Karol Beffa
LP
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
1
HELENA NOGUERRA - A1) Morrer nos seus braços
2
HELENA NOGUERRA - A2) Île amoureuse
3
HELENA NOGUERRA - A3) Vida nunca terà fim
4
HELENA NOGUERRA - A4) Baby butterfly
5
HELENA NOGUERRA - A5) Esse lugar
6
HELENA NOGUERRA - A6) Mon bel andalou
7
HELENA NOGUERRA - B1) Ceù azulou
8
HELENA NOGUERRA - B2) Vai meu amor
9
HELENA NOGUERRA - B3) M'en Aller
10
HELENA NOGUERRA - B4) Vem aqui
11
HELENA NOGUERRA - B5) Tout commence
Special remarks : 1 LP + PRINTED INNERSLEEVE
Genre: Bossa/Chanson
Tracklist :
Face A
1) Morrer nos seus braços
2) Île amoureuse
3) Vida nunca terà fim
4) Baby butterfly
5) Esse lugar
6) Mon bel andalou
Face B
1) Ceù azulou
2) Vai meu amor
3) M'en Aller
4) Vem aqui
5) Tout commence
Short Info :
Tricatel is proud to release for the first time on vinyl the reissue of this album released in 2001. It is a single vinyl with a printed sub-sleeve containing vintage studio photos.
Inspired by Barthes, who wrote that the resistance would probably be one day in the affirmation of happiness, I wanted to write a happy record, so happy that it would be a provocation. So I wanted to sing about love in the naive and poetic language that Portuguese is for me. It is the language of secrecy and modesty, of sensuality and eroticism.
So we recorded Azul in the offices/studios of Tricatel in four days. With the Recyclers (Steve Arguëlles, Benoit Delbecq, Christophe Minck), we created these versions on the spot and on ADAT tape for a budget of thirty thousand francs. It is, until now, my album which travelled the most, and which found the most aficionados.
This reissue for the first time on vinyl, almost 23 years later, fills me with joy. Thanks Boss!
More
Genre: Bossa/Chanson
Tracklist :
Face A
1) Morrer nos seus braços
2) Île amoureuse
3) Vida nunca terà fim
4) Baby butterfly
5) Esse lugar
6) Mon bel andalou
Face B
1) Ceù azulou
2) Vai meu amor
3) M'en Aller
4) Vem aqui
5) Tout commence
Short Info :
Tricatel is proud to release for the first time on vinyl the reissue of this album released in 2001. It is a single vinyl with a printed sub-sleeve containing vintage studio photos.
Inspired by Barthes, who wrote that the resistance would probably be one day in the affirmation of happiness, I wanted to write a happy record, so happy that it would be a provocation. So I wanted to sing about love in the naive and poetic language that Portuguese is for me. It is the language of secrecy and modesty, of sensuality and eroticism.
So we recorded Azul in the offices/studios of Tricatel in four days. With the Recyclers (Steve Arguëlles, Benoit Delbecq, Christophe Minck), we created these versions on the spot and on ADAT tape for a budget of thirty thousand francs. It is, until now, my album which travelled the most, and which found the most aficionados.
This reissue for the first time on vinyl, almost 23 years later, fills me with joy. Thanks Boss!
More
1
Guy Cabay - Li Robaleû
2
Guy Cabay - A m’vwézène
3
Guy Cabay - Dji m’distoûrne di m’vôye
4
Guy Cabay - Li sabat d’sinte mére l’oto
5
Guy Cabay - Pax pollinibus bonae voluntatis
6
Guy Cabay - Tot.a-fêt rote cou.d’zeur cou.d’zos
7
Guy Cabay - Pôve Tièsse
8
Guy Cabay - Les d’mey dous de coste del mouse
9
Guy Cabay - Julia deûs
10
Guy Cabay - Tot Règuèdé
11
Guy Cabay - Tchanson d’noyé
12
Guy Cabay - Camamèle èt cataplame
The Belgian vibraphonist Guy Cabay has played with Toots Thielemans, Philip Caherine or Raoul Faisant. Composer, arranger, musicologist and singer, he also wrote and recorded two extraordinary albums in Liege Walloon. Tricatel is happy to make them available at last, 46 years after their publication.
"Gravity kills us. Perhaps that is the meaning of Adam's Fall. We are condemned to be Newton's apple, not the balloon carried away by the wind. But it happens nevertheless that, by the grace of music in particular, we escape gravity, that time escapes time, that another breath inflates our lungs, so much lighter than the one that usually suffocates us.
We don't take light music seriously, and that's good. Only serious music deserves to be treated so badly. Guy Cabay's music flows from a purer source and speaks to us in a more tender voice. One can obviously describe it as one labels export product. Origin: Belgium. Ingredients: jazz, bossa nova, tropicalism, song - proportions may vary. Calorific value: none.
Non-perishable product. But this would say as much about what this music really is as if, in. order to evoke what the foggy blue of a Norman sky inspires, one were to take note of the variations in the percentage of humidity in the atmosphere at Etretat and make a learned presentation on the laws of refraction.
Guy Cabay did pass through Brazil and still lives there a little, a Brazil that is not the one ofcartographers or travel agencies, a Brazil that is as real as the Far West in which Fenimore Cooper's child readers lived, as blurred and limpid as a dream. It is not the Amazon thatflows through this Brazil, but the Ourthe, a tributary of the Meuse, which makes it morefamiliar, stranger and even more poetic. To let oneself be bathed in this melancholichappiness, to let oneself be carried by this river is sweet, as sweet as the fluid consonants of the Walloon language, this 'd' which becomes 'dj' in his mouth, as in Portuguese, by the way. To know how to create melodies that hold on a note like Jobim's samba, like a fildeferist above a waterfall of chords, is not given to everyone. It is a gift. Knowing how to lace others on dozens of points, as on Tot a-fet rote cou d'zeur cou d'zos, a poignant encounter between Randy Newman and Robert Wyatt, is another. These are not the only ones that the fairies offered to Guy Cabay and that, by an almost miracle, he offers us again today. Hearts up."
Bertrand Burgalat
A1 - Li Robaleû
A2 - A m’vwézène
A3 - Dji m’distoûrne di m’vôye
A4 - Li sabat d’sinte mére l’oto
A5 - Pax pollinibus bonae voluntatis
A6 - Tot.a-fêt rote cou.d’zeur cou.d’zos
B1 - Pôve Tièsse
B2 - Les d’mey dous de coste del mouse
B3 - Julia deûs
B4 - Tot Règuèdé
B5 - Tchanson d’noyé
B6 - Camamèle èt cataplame More
"Gravity kills us. Perhaps that is the meaning of Adam's Fall. We are condemned to be Newton's apple, not the balloon carried away by the wind. But it happens nevertheless that, by the grace of music in particular, we escape gravity, that time escapes time, that another breath inflates our lungs, so much lighter than the one that usually suffocates us.
We don't take light music seriously, and that's good. Only serious music deserves to be treated so badly. Guy Cabay's music flows from a purer source and speaks to us in a more tender voice. One can obviously describe it as one labels export product. Origin: Belgium. Ingredients: jazz, bossa nova, tropicalism, song - proportions may vary. Calorific value: none.
Non-perishable product. But this would say as much about what this music really is as if, in. order to evoke what the foggy blue of a Norman sky inspires, one were to take note of the variations in the percentage of humidity in the atmosphere at Etretat and make a learned presentation on the laws of refraction.
Guy Cabay did pass through Brazil and still lives there a little, a Brazil that is not the one ofcartographers or travel agencies, a Brazil that is as real as the Far West in which Fenimore Cooper's child readers lived, as blurred and limpid as a dream. It is not the Amazon thatflows through this Brazil, but the Ourthe, a tributary of the Meuse, which makes it morefamiliar, stranger and even more poetic. To let oneself be bathed in this melancholichappiness, to let oneself be carried by this river is sweet, as sweet as the fluid consonants of the Walloon language, this 'd' which becomes 'dj' in his mouth, as in Portuguese, by the way. To know how to create melodies that hold on a note like Jobim's samba, like a fildeferist above a waterfall of chords, is not given to everyone. It is a gift. Knowing how to lace others on dozens of points, as on Tot a-fet rote cou d'zeur cou d'zos, a poignant encounter between Randy Newman and Robert Wyatt, is another. These are not the only ones that the fairies offered to Guy Cabay and that, by an almost miracle, he offers us again today. Hearts up."
Bertrand Burgalat
A1 - Li Robaleû
A2 - A m’vwézène
A3 - Dji m’distoûrne di m’vôye
A4 - Li sabat d’sinte mére l’oto
A5 - Pax pollinibus bonae voluntatis
A6 - Tot.a-fêt rote cou.d’zeur cou.d’zos
B1 - Pôve Tièsse
B2 - Les d’mey dous de coste del mouse
B3 - Julia deûs
B4 - Tot Règuèdé
B5 - Tchanson d’noyé
B6 - Camamèle èt cataplame More
1
BERTRAND BURGALAT MEETS A.S DRAGON - Follow me
2
BERTRAND BURGALAT MEETS A.S DRAGON - Alsthom
3
BERTRAND BURGALAT MEETS A.S DRAGON - Ma rencontre
4
BERTRAND BURGALAT MEETS A.S DRAGON - Kim
5
BERTRAND BURGALAT MEETS A.S DRAGON - Gris métal
6
BERTRAND BURGALAT MEETS A.S DRAGON - O.K Skorpios
7
BERTRAND BURGALAT MEETS A.S DRAGON - Aux Cyclades Électroniques
8
BERTRAND BURGALAT MEETS A.S DRAGON - Sugar
9
BERTRAND BURGALAT MEETS A.S DRAGON - Jalousies et tomettes
10
BERTRAND BURGALAT MEETS A.S DRAGON - A.S Dragon
11
BERTRAND BURGALAT MEETS A.S DRAGON - The Tears of a Clown
12
BERTRAND BURGALAT MEETS A.S DRAGON - Easy Tiger
Special remarks: REISSUE 2LP + gatefold + digital
Genre: Psychedelic rock
Tracklist:
A1 - Follow me C1 - Aux Cyclades Électroniques
A2 - Alsthom C2 - Sugar
A3 - Ma rencontre C3 - Jalousies et tomettes
B1 - Kim D1 - A.S Dragon
B2 - Gris métal D2 - The Tears of a Clown
B3 - O.K Skorpios D3 - Easy Tiger
Short info:
This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.
Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.
"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind."
Philippe Manoeuvre, excerpt from the innersleeve note, April 2022
"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits."
Philippe Manoeuvre, Rock & Folk, October 2001
"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity."
Philippe Barbot, Télérama, November 2001
"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. "
Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001
"I wish this song could last my whole life..."
Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex
More
Genre: Psychedelic rock
Tracklist:
A1 - Follow me C1 - Aux Cyclades Électroniques
A2 - Alsthom C2 - Sugar
A3 - Ma rencontre C3 - Jalousies et tomettes
B1 - Kim D1 - A.S Dragon
B2 - Gris métal D2 - The Tears of a Clown
B3 - O.K Skorpios D3 - Easy Tiger
Short info:
This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.
Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.
"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind."
Philippe Manoeuvre, excerpt from the innersleeve note, April 2022
"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits."
Philippe Manoeuvre, Rock & Folk, October 2001
"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity."
Philippe Barbot, Télérama, November 2001
"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. "
Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001
"I wish this song could last my whole life..."
Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex
More
1
MICHEL HOUELLEBECQ - A1. Présence humaine
2
MICHEL HOUELLEBECQ - A2. Séjour-club
3
MICHEL HOUELLEBECQ - A3. Paris-Dourdan
4
MICHEL HOUELLEBECQ - A4. Célibataires
5
MICHEL HOUELLEBECQ - A5. Les pics de pollution
6
MICHEL HOUELLEBECQ - B1. Plein été
7
MICHEL HOUELLEBECQ - B2. Playa blanca
8
MICHEL HOUELLEBECQ - B3. On se réveillait tôt
9
MICHEL HOUELLEBECQ - B4. Crépuscule
10
MICHEL HOUELLEBECQ - B5. Derniers temps
Special remarks : 20th Anniversary - 1LP LIMITED EDITION - WHITE TRANSPARENT LP + BLACK SLEEVE
Genre: Rock
Tracklist :
A1 - Présence humaine
A2 - Séjour-club
A3 - Paris-Dourdan
A4 - Célibataires
A5 - Les pics de pollution
B1 - On se réveillait tôt
B2 - Plein été
B3 - Playa blanca
B4 - Crépuscule
B5 - Derniers temps
Short Info :
On the occasion of the twentieth anniversary of its release, the album "Présence humaine" of Michel Houellebecq, famous French writer, is edited for the first time in a white transparent vinyl - limited edition. The album has been arranged and produced by Bertrand Burgalat. He is also the music composer of the album.
More
Genre: Rock
Tracklist :
A1 - Présence humaine
A2 - Séjour-club
A3 - Paris-Dourdan
A4 - Célibataires
A5 - Les pics de pollution
B1 - On se réveillait tôt
B2 - Plein été
B3 - Playa blanca
B4 - Crépuscule
B5 - Derniers temps
Short Info :
On the occasion of the twentieth anniversary of its release, the album "Présence humaine" of Michel Houellebecq, famous French writer, is edited for the first time in a white transparent vinyl - limited edition. The album has been arranged and produced by Bertrand Burgalat. He is also the music composer of the album.
More
Special remarks : 2CD REISSUE COLLECTOR - TRIPLE GATEFOLD - BOOKLET
Genre: Jazz
Tracklist :
CD1
1. Wersailles (Planeur)
2. La Négacra
3. Les Oursses
4. Les Fleurs
5. RussianKidz (La Ré Fa La)
6. Prologue
7. I lôôôve u sometimes
8. Black Pierrot from Mars
9. U were in love
10. Wersailles (Martial)
11. Wisperfallow
12. Mauriiiice
13. I lôôôôve u sometimes
14. Noise Hanoï
15. Computer Control
16. IndianKidz
17. Time
18. String Fellow Hawke
19. Wersailles (Ending)
CD2
1. Ouverture
2. Les ménagères
3. Mind Food Variation
4. Waltz of the Scary Woman
5. We're leaving
6. Re-Tour du Monde
7. Bons baisers de Neptune
8. Shostakhendrix
9. Touché par la Grace
10. Kraft
11. Scènes d'Humiliation Collective
12. Sunlover
13. Powerplay
14. 12 secondes
Short Info :
Collector reissue of a double CD, X-Pianos is a great way to discover Chassol's work : ultrascore. He harmonizes the reel, meaning that he reveals the musicality of spoken words and random sounds, such as Leonard Bernstein's work, Indian and Russian pupils, or a neighbourg playing the violin.
More
Genre: Jazz
Tracklist :
CD1
1. Wersailles (Planeur)
2. La Négacra
3. Les Oursses
4. Les Fleurs
5. RussianKidz (La Ré Fa La)
6. Prologue
7. I lôôôve u sometimes
8. Black Pierrot from Mars
9. U were in love
10. Wersailles (Martial)
11. Wisperfallow
12. Mauriiiice
13. I lôôôôve u sometimes
14. Noise Hanoï
15. Computer Control
16. IndianKidz
17. Time
18. String Fellow Hawke
19. Wersailles (Ending)
CD2
1. Ouverture
2. Les ménagères
3. Mind Food Variation
4. Waltz of the Scary Woman
5. We're leaving
6. Re-Tour du Monde
7. Bons baisers de Neptune
8. Shostakhendrix
9. Touché par la Grace
10. Kraft
11. Scènes d'Humiliation Collective
12. Sunlover
13. Powerplay
14. 12 secondes
Short Info :
Collector reissue of a double CD, X-Pianos is a great way to discover Chassol's work : ultrascore. He harmonizes the reel, meaning that he reveals the musicality of spoken words and random sounds, such as Leonard Bernstein's work, Indian and Russian pupils, or a neighbourg playing the violin.
More
RSD 2021 , don´t sell before 17th of July 2021
Special remarks : REISSUE DELUXE EDITION 2LP + Gatefold - RSD 2021
Genre: Pop
Tracklist :
A1 - Pas perdus
A2 - TSOM
A3 - Aux Cyclades Électroniques
A4 - Ma rencontre
A5 - Île de béton
B1 - Attention amiante
B2 - Chaque jour
B3 - 14H
B4 - Nonza
B5 - Ok Skorpios
B6 - Gris metal
C1 - Des yeux roses
C2 - L'observatoire
C3 - Le pays imaginaire
C4 - Cœur inapaisé
C5 - Serpentine
C6 - Les amplis de Mayence
D1 - (Come Potrei) Scordare
D2 - Vision of Love
D3 - Biscarosse
D4 - Kim
D5 - Haute volupté
Short Info :
Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.
In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.
Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.
More
Special remarks : REISSUE DELUXE EDITION 2LP + Gatefold - RSD 2021
Genre: Pop
Tracklist :
A1 - Pas perdus
A2 - TSOM
A3 - Aux Cyclades Électroniques
A4 - Ma rencontre
A5 - Île de béton
B1 - Attention amiante
B2 - Chaque jour
B3 - 14H
B4 - Nonza
B5 - Ok Skorpios
B6 - Gris metal
C1 - Des yeux roses
C2 - L'observatoire
C3 - Le pays imaginaire
C4 - Cœur inapaisé
C5 - Serpentine
C6 - Les amplis de Mayence
D1 - (Come Potrei) Scordare
D2 - Vision of Love
D3 - Biscarosse
D4 - Kim
D5 - Haute volupté
Short Info :
Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.
In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.
Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.
More
Special remarks : 2LP + Gatefold + download link
Genre: Pop
Tracklist :
A1 - Flash
A2 - Retrouvailles
A3 - Parallèles
A4 - Du haut du 33e étage
A5 - Spectacle du monde
B1 - L'attente
B2 - Sans accolades
B3 - L'homme idéal
B4 - La chanson européenne
C1 - E Pericoloso Sporgersi
C2 - Vous êtes ici
C3 - Correspondance
C4 - J'ai adoré cette journée
C5 - Rêve capital
D1 - L'homme idéal (Yuksek Radio Edit)
D2 - L'attente (Version instrumentale)
D3 - Du haut du 33e étage (Charles Dollé Cover)
D4 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Genre: Pop
Tracklist :
A1 - Flash
A2 - Retrouvailles
A3 - Parallèles
A4 - Du haut du 33e étage
A5 - Spectacle du monde
B1 - L'attente
B2 - Sans accolades
B3 - L'homme idéal
B4 - La chanson européenne
C1 - E Pericoloso Sporgersi
C2 - Vous êtes ici
C3 - Correspondance
C4 - J'ai adoré cette journée
C5 - Rêve capital
D1 - L'homme idéal (Yuksek Radio Edit)
D2 - L'attente (Version instrumentale)
D3 - Du haut du 33e étage (Charles Dollé Cover)
D4 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Special remarks : CD
Genre: Pop
Tracklist :
1 - Flash
2 - Retrouvailles
3 - Parallèles
4 - Du haut du 33e étage
5 - Spectacle du monde
6 - L'attente
7 - Sans accolades
8 - L'homme idéal
9 - La chanson européenne
10 - E Pericoloso Sporgersi
11 - Vous êtes ici
12 - Correspondance
13 - J'ai adoré cette journée
14 - Rêve capital
15 - L'homme idéal (Yuksek Radio Edit)
16 - L'attente (Version instrumentale)
17 - Du haut du 33e étage (Charles Dollé Cover)
18 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
Genre: Pop
Tracklist :
1 - Flash
2 - Retrouvailles
3 - Parallèles
4 - Du haut du 33e étage
5 - Spectacle du monde
6 - L'attente
7 - Sans accolades
8 - L'homme idéal
9 - La chanson européenne
10 - E Pericoloso Sporgersi
11 - Vous êtes ici
12 - Correspondance
13 - J'ai adoré cette journée
14 - Rêve capital
15 - L'homme idéal (Yuksek Radio Edit)
16 - L'attente (Version instrumentale)
17 - Du haut du 33e étage (Charles Dollé Cover)
18 - L'homme idéal (Yuksek Extended)
Short Info :
Bertrand Burgalat's new album, RÊVE CAPITAL, will be released on Friday June 11, 2021 by Tricatel.
How many of Burgalat's songs have accompanied difficult afternoons, happy evenings and lonely mornings? The list is long. And it gets longer with this album, each track of which widens the rift between the plates of space and time.
Jean-Pierre Montal
Burgalat makes crackle what we like most in his universe: the reality of things and their discrepancy, the intimate and the universal.
Stéphane Lerouge
His first record, THE SSSOUND OF MMMUSIC, will be released in a deluxe gatefold double vinyl reissue, for the Record Store Day, on June 12, 2021.
More
1
CATASTROPHE - A1 - Encore
2
CATASTROPHE - A2 - Gromit
3
CATASTROPHE - A3 - Louise (interlude)
4
CATASTROPHE - A4 - Social Network
5
CATASTROPHE - A5 - Les méridiens
6
CATASTROPHE - A6 - Visages
7
CATASTROPHE - B1 - Les grand vide
8
CATASTROPHE - B2 - Les vivants
9
CATASTROPHE - B3 - Gisela (interlude)
10
CATASTROPHE - B4 - Danse tes morts, Pt. 1
11
CATASTROPHE - B5 - Danse tes morts, Pt.2
12
CATASTROPHE - B6 - Solastalgie
Special remarks : 1LP + Gatefold + DL
Genre: Pop
Tracklist :
A1 - Encore
A2 - Gromit
A3 - Louise (interlude)
A4 - Social Network
A5 - Les méridiens
A6 - Visages
B1 - Les grand vide
B2 - Les vivants
B3 - Gisela (interlude)
B4 - Danse tes morts, Pt. 1
B5 - Danse tes morts, Pt.2
B6 - Solastalgie
Short Info :
Catastrophe's second studio album, GONG! will be released on September 11, 2020 by Tricatel.
After Dernier Soleil (EP 2016), La nuit est encore jeune (Album 2018) and Fizzy (vinyl compilation 2020), Catastrophe returns with an album / musical comedy about forests, smartphones and the passing of time. Directed by David Sztanke (aka Tahiti Boy), this ambitious and teeming album propels us into a forty-minute marriage between Kendrick Lamar and Jacques Demy. Catastrophe locked the six of them in the same room, and made music inspired by everything they love: from Orelsan to Gilberto Gil via Brigitte Fontaine or Arcade Fire.
More
Genre: Pop
Tracklist :
A1 - Encore
A2 - Gromit
A3 - Louise (interlude)
A4 - Social Network
A5 - Les méridiens
A6 - Visages
B1 - Les grand vide
B2 - Les vivants
B3 - Gisela (interlude)
B4 - Danse tes morts, Pt. 1
B5 - Danse tes morts, Pt.2
B6 - Solastalgie
Short Info :
Catastrophe's second studio album, GONG! will be released on September 11, 2020 by Tricatel.
After Dernier Soleil (EP 2016), La nuit est encore jeune (Album 2018) and Fizzy (vinyl compilation 2020), Catastrophe returns with an album / musical comedy about forests, smartphones and the passing of time. Directed by David Sztanke (aka Tahiti Boy), this ambitious and teeming album propels us into a forty-minute marriage between Kendrick Lamar and Jacques Demy. Catastrophe locked the six of them in the same room, and made music inspired by everything they love: from Orelsan to Gilberto Gil via Brigitte Fontaine or Arcade Fire.
More
1
CATASTROPHE - Party in my Pussy
2
CATASTROPHE - Bruce Lee
3
CATASTROPHE - Aria 140.66
4
CATASTROPHE - L'enfant sur la banquette arrière (Vision de Catastrophe)
5
CATASTROPHE - Maintenant ou jamais
6
CATASTROPHE - Nuggets
7
CATASTROPHE - Smalltown Boy (Nova Version)
8
CATASTROPHE - L'Amour tout nu
Special remarks : 1LP + printed inner sleeve
DO NOT RELEASE BEFORE 29.08.2020
Genre: Bew Wave / Pop
Tracklist :
A1 - Party in my Pussy
A2 - Bruce Lee
A3 -Aria 140.66
A4 - L'enfant sur la banquette arrière (Vision de Catastrophe)
B1 - Maintenant ou jamais
B2 - Nuggets
B3 - Smalltown Boy (Nova Version)
B4 - L'Amour tout nu
Short Info :
FIZZY is a selection of eight tracks by Catastrophe, for the first time gathered on vinyl. Born in 2016, Catastrophe would like not to forbid anything, even if it means the risk of ridicule. Whether in forests, on rooftops, crossing France and summer festivals (Rock en Seine, We Love Green, Francofolies), Catastrophe imagines. On stage, surprise reigns supreme and explodes into a musical kaleidoscope.
In 33T and with printed innersleeves, this vinyl is a beautiful introduction to the world of Catastrophe. Their recent performances on major French and international stages (Eurosonic, Reeperbahn, Munich, Tokyo, Warsaw) show the growing interest for their music and energy. This selection is an ideal gateway to discover them.
More
DO NOT RELEASE BEFORE 29.08.2020
Genre: Bew Wave / Pop
Tracklist :
A1 - Party in my Pussy
A2 - Bruce Lee
A3 -Aria 140.66
A4 - L'enfant sur la banquette arrière (Vision de Catastrophe)
B1 - Maintenant ou jamais
B2 - Nuggets
B3 - Smalltown Boy (Nova Version)
B4 - L'Amour tout nu
Short Info :
FIZZY is a selection of eight tracks by Catastrophe, for the first time gathered on vinyl. Born in 2016, Catastrophe would like not to forbid anything, even if it means the risk of ridicule. Whether in forests, on rooftops, crossing France and summer festivals (Rock en Seine, We Love Green, Francofolies), Catastrophe imagines. On stage, surprise reigns supreme and explodes into a musical kaleidoscope.
In 33T and with printed innersleeves, this vinyl is a beautiful introduction to the world of Catastrophe. Their recent performances on major French and international stages (Eurosonic, Reeperbahn, Munich, Tokyo, Warsaw) show the growing interest for their music and energy. This selection is an ideal gateway to discover them.
More
1
CHASSOL - A1 - Ouverture
2
CHASSOL - A2 - Les règles
3
CHASSOL - A3 - Sirine
4
CHASSOL - A4 - Concerto pour batterie et cour de récréation
5
CHASSOL - B1 - Savana, Céline, Aya (Pt 1)
6
CHASSOL - B2- Savana, Céline, Aya (Pt 2)
7
CHASSOL - B3 - Your Hands
8
CHASSOL - B4 - Koh & Sam
9
CHASSOL - B5- Mikado Walking
10
CHASSOL - B6 - Poltergeist
11
CHASSOL - B7 - Esatabemakuru
12
CHASSOL - B8 - Tetris Synths
13
CHASSOL - B9 - Tetris Crystal
14
CHASSOL - C1 - I Think the Game (Pt 1)
15
CHASSOL - C2 - I Think the Game (Pt 2)
16
CHASSOL - C3 - I Think the Game (Pt 3)
17
CHASSOL - C4 - I Think the Game (Pt 4)
18
CHASSOL - C5 - Dribbles & Beats
19
CHASSOL - C6 - Camarades
20
CHASSOL - C7 - Rollercoaster (Pt 1)
21
CHASSOL - C8 - Rollercoaster (Pt 2)
22
CHASSOL - D1 - On Top
23
CHASSOL - D2 - I Love Vertigo
24
CHASSOL - D3 - Game Rule
25
CHASSOL - D4 - Le jeu de la phrase
26
CHASSOL - D5 - Wolf Music
27
CHASSOL - D6 - Les Anneaux de Saturne
28
CHASSOL - D7 - Wolf Music (Finale)
29
CHASSOL - D8 - Générique (Benjamin)
Special remarks : 2LP + gatefold + movie and music download code
Genre: Jazz / Pop
Tracklist :
A1 - Ouverture
A2 - Les règles
A3 - Sirine
A4 - Concerto pour batterie et cour de récréation
B1 - Savana, Céline, Aya (Pt 1)
B2- Savana, Céline, Aya (Pt 2)
B3 - Your Hands
B4 - Koh & Sam
B5- Mikado Walking
B6 - Poltergeist
B7 - Esatabemakuru
B8 - Tetris Synths
B9 - Tetris Crystal
C1 - I Think the Game (Pt 1)
C2 - I Think the Game (Pt 2)
C3 - I Think the Game (Pt 3)
C4 - I Think the Game (Pt 4)
C5 - Dribbles & Beats
C6 - Camarades
C7 - Rollercoaster (Pt 1)
C8 - Rollercoaster (Pt 2)
D1 - On Top
D2 - I Love Vertigo
D3 - Game Rule
D4 - Le jeu de la phrase
D5 - Wolf Music
D6 - Les Anneaux de Saturne
D7 - Wolf Music (Finale)
D8 - Générique (Benjamin)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Genre: Jazz / Pop
Tracklist :
A1 - Ouverture
A2 - Les règles
A3 - Sirine
A4 - Concerto pour batterie et cour de récréation
B1 - Savana, Céline, Aya (Pt 1)
B2- Savana, Céline, Aya (Pt 2)
B3 - Your Hands
B4 - Koh & Sam
B5- Mikado Walking
B6 - Poltergeist
B7 - Esatabemakuru
B8 - Tetris Synths
B9 - Tetris Crystal
C1 - I Think the Game (Pt 1)
C2 - I Think the Game (Pt 2)
C3 - I Think the Game (Pt 3)
C4 - I Think the Game (Pt 4)
C5 - Dribbles & Beats
C6 - Camarades
C7 - Rollercoaster (Pt 1)
C8 - Rollercoaster (Pt 2)
D1 - On Top
D2 - I Love Vertigo
D3 - Game Rule
D4 - Le jeu de la phrase
D5 - Wolf Music
D6 - Les Anneaux de Saturne
D7 - Wolf Music (Finale)
D8 - Générique (Benjamin)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Special remarks : CD, 24p booklet + movie download code
Genre: Jazz / Pop
Tracklist :
1 - Ouverture
2 - Les règles
3 - Sirine
4 - Concerto pour batterie et cour de récréation
5 - Savana, Céline, Aya (Pt 1)
6- Savana, Céline, Aya (Pt 2)
7 - Your Hands
8 - Koh & Sam
9 - Mikado Walking
10 - Poltergeist
11 - Esatabemakuru
12 - Tetris Synths
13 - Tetris Crystal
14 - I Think the Game (Pt 1)
15 - I Think the Game (Pt 2)
16 - I Think the Game (Pt 3)
17 - I Think the Game (Pt 4)
18 - Dribbles & Beats
19 - Camarades
20 - Rollercoaster (Pt 1)
21 - Rollercoaster (Pt 2)
22 - On Top
23 - I Love Vertigo
24 - Game Rule
25 - Le jeu de la phrase
26 - Wolf Music
27 - Les Anneaux de Saturne
28 - Wolf Music (Finale)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Genre: Jazz / Pop
Tracklist :
1 - Ouverture
2 - Les règles
3 - Sirine
4 - Concerto pour batterie et cour de récréation
5 - Savana, Céline, Aya (Pt 1)
6- Savana, Céline, Aya (Pt 2)
7 - Your Hands
8 - Koh & Sam
9 - Mikado Walking
10 - Poltergeist
11 - Esatabemakuru
12 - Tetris Synths
13 - Tetris Crystal
14 - I Think the Game (Pt 1)
15 - I Think the Game (Pt 2)
16 - I Think the Game (Pt 3)
17 - I Think the Game (Pt 4)
18 - Dribbles & Beats
19 - Camarades
20 - Rollercoaster (Pt 1)
21 - Rollercoaster (Pt 2)
22 - On Top
23 - I Love Vertigo
24 - Game Rule
25 - Le jeu de la phrase
26 - Wolf Music
27 - Les Anneaux de Saturne
28 - Wolf Music (Finale)
Short Info :
Christophe Chassol is reshuffling the deck. After making his name worldwide with three magnificent ultrascore compositions (Nola Che?rie in 2011, Indiamore in 2013 and Big Sun in 2015), working with Solange and Frank Ocean, and playing the most prestigious halls, he's taking his quest to arrange reality even further with Ludi, his new project that includes an album, film and show. It's play - an all-important word in music - that underscores this impressive, masterful construction freely inspired by Hermann Hesse's The Glass Bead Game. Everything is part of the melody: a playground or basketball players in the suburbs, an arcade in Tokyo, a roller coaster, singer Crystal Kay and rapper Kohh. Solo musicians were filmed in rehearsal, like flautist Jocelyn Mienniel and the composer's partner, drummer Mathieu Edward, who managed to reprise on stage
Chassol drew from the great German author's utopic book, where music, mathematics, aesthetics and spirituality intermingle, to create a passionate work produced by Bertrand Burgalat's label Tricatel that once again justifies his special place in the musical landscape.
With Ludi, Chassol directs his own round of Hermann Hesse's game, taking on the title of Magister Ludi, master of The Glass Bead Game. With this double album, Chassol realises his ambition: to compose unprecedented music that fills us with joy and prompts reflection.
More
Special remarks : Dlx 3LP Gatefold + 8 pages booklet + printed inner sleeves (all original single artworks) + download code
Genre: Synth Pop
Tracklist :
COMATEENS PICTURES ON A STRING DEAL WITH IT
Tracklist :
1 / COMATEENS
A1 - Ghosts
A2 - Late Night City
A3 - One By One
A4 - TVC 15
A5 - All Ways
A6 - Summer in the City
B1 - Nightmare
B2 - Strangler
B3 - Overseas
B4 - The Munsters Theme
B5 - Raceway
B6 - Keep The Pace
2 / PICTURES ON A STRING
C1 - Get Off my Case
C2 - The Late Mistake
C3 - Ice Machine
C4 - Comateens
C5 - Pictures on a String
C6 - Garbanzo
D1 - Uptown
D2 - Cinnamon
D3 - Cold Eyes
D4 - Desert Song
D5 - Donna
D6 - Crime Time
3 / DEAL WITH IT
E1 - Resist Her
E2 - Confessions
E3 - Love Will Follow You
E4 - Satin Hop
E5 - Deal With It
F1 - Nightmare
F2 - Walking Watching
F3 - Don't Come Back
F4 - Jo-Ni
F5 - Ask Yourself
Short Info :
In the fall of 1978, after working with a series of bands, New York-based musician and composer Nick
West became interested in experimenting with minimalism, collaborating with guitarist and songwriter
Ramona Jan and Lyn Byrd. They decided to play pure pop but to substitute a primitive electronic beatbox for a human drummer. The result was Comateens, becoming one of the first groups to discard the
traditional sounds and line-ups used by everyone else in New York City’s downtown music scene of
the late 1970s. In 1980 Nick’s brother Oliver joined them as guitarist, and after going on to release
three major label albums (Comateens, Pictures On A String, and Deal With It), and with some
successful tours and dance-club hits behind them, the band split up following the terribly untimely
death of Oliver in June 1987.
However in 1988 Virgin Records issued another LP entitled West & Byrd, recorded by Nick and Lyn as
a duo, and in 1991 released a retrospective compilation called ‘One By One: Best Of Comateens’, now
a rare and much sought-after record among collectors of new wave music. Acclaimed by Etienne
Daho, the band has made a name for itself with the singles “Late Night City“, “Get Off My Case“ and
“Don't Come Back“ More
Genre: Synth Pop
Tracklist :
COMATEENS PICTURES ON A STRING DEAL WITH IT
Tracklist :
1 / COMATEENS
A1 - Ghosts
A2 - Late Night City
A3 - One By One
A4 - TVC 15
A5 - All Ways
A6 - Summer in the City
B1 - Nightmare
B2 - Strangler
B3 - Overseas
B4 - The Munsters Theme
B5 - Raceway
B6 - Keep The Pace
2 / PICTURES ON A STRING
C1 - Get Off my Case
C2 - The Late Mistake
C3 - Ice Machine
C4 - Comateens
C5 - Pictures on a String
C6 - Garbanzo
D1 - Uptown
D2 - Cinnamon
D3 - Cold Eyes
D4 - Desert Song
D5 - Donna
D6 - Crime Time
3 / DEAL WITH IT
E1 - Resist Her
E2 - Confessions
E3 - Love Will Follow You
E4 - Satin Hop
E5 - Deal With It
F1 - Nightmare
F2 - Walking Watching
F3 - Don't Come Back
F4 - Jo-Ni
F5 - Ask Yourself
Short Info :
In the fall of 1978, after working with a series of bands, New York-based musician and composer Nick
West became interested in experimenting with minimalism, collaborating with guitarist and songwriter
Ramona Jan and Lyn Byrd. They decided to play pure pop but to substitute a primitive electronic beatbox for a human drummer. The result was Comateens, becoming one of the first groups to discard the
traditional sounds and line-ups used by everyone else in New York City’s downtown music scene of
the late 1970s. In 1980 Nick’s brother Oliver joined them as guitarist, and after going on to release
three major label albums (Comateens, Pictures On A String, and Deal With It), and with some
successful tours and dance-club hits behind them, the band split up following the terribly untimely
death of Oliver in June 1987.
However in 1988 Virgin Records issued another LP entitled West & Byrd, recorded by Nick and Lyn as
a duo, and in 1991 released a retrospective compilation called ‘One By One: Best Of Comateens’, now
a rare and much sought-after record among collectors of new wave music. Acclaimed by Etienne
Daho, the band has made a name for itself with the singles “Late Night City“, “Get Off My Case“ and
“Don't Come Back“ More
Special remarks : 2LP + printed inner sleeves + download code
Genre: French Pop
Tracklist :
A1 - La nuit incompréhensible
A2 - Perspectives
A3 - Occhiolism
A4 - L'innocence
A5 - L'amour tout nu
B1 - Be bop record
B2 - M.M.W.E
B3 - Infiniment
B4 - Virtual Experience
B5 - Station-Service
C1 - A cet instant
C2 - Vertigo
C3 - Phoenix (il y aura un matin)
C4 - N'éteignez pas la lumière
D1 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Genre: French Pop
Tracklist :
A1 - La nuit incompréhensible
A2 - Perspectives
A3 - Occhiolism
A4 - L'innocence
A5 - L'amour tout nu
B1 - Be bop record
B2 - M.M.W.E
B3 - Infiniment
B4 - Virtual Experience
B5 - Station-Service
C1 - A cet instant
C2 - Vertigo
C3 - Phoenix (il y aura un matin)
C4 - N'éteignez pas la lumière
D1 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Special remarks :CD + printed inner sleeves + download code
Genre: French Pop
Tracklist :
1 - La nuit incompréhensible
2 - Perspectives
3 - Occhiolism
4 - L'innocence
5 - L'amour tout nu
6 - Be bop record
7 - M.M.W.E
8 - Infiniment
9 - Virtual Experience
10 - Station-Service
11 - A cet instant
12 - Vertigo
13 - Phoenix (il y aura un matin)
14 - N'éteignez pas la lumière
15 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Genre: French Pop
Tracklist :
1 - La nuit incompréhensible
2 - Perspectives
3 - Occhiolism
4 - L'innocence
5 - L'amour tout nu
6 - Be bop record
7 - M.M.W.E
8 - Infiniment
9 - Virtual Experience
10 - Station-Service
11 - A cet instant
12 - Vertigo
13 - Phoenix (il y aura un matin)
14 - N'éteignez pas la lumière
15 - Dernier Soleil (Vision d'Aloïs)
Short Info :
Produced under Bertrand Burgalat's label Tricatel and acclaimed by Etienne Daho, the band is in the tradition of French avant-garde. Catastrophe defines its music as a kaleidoscope of musical genres. On stage, every performance is an original sensorial experience.
Founded in 2015, Catastrophe wobbled between three and twenty members. Today the band has found its balance with six people who incarnate it best: Pierre, Blandine, Arthur, Bastien, Pablo, and Carol. From intimate shows in small venues and cabarets to performing in some of France's biggest festivals, Catastrophe has gone a long way.
In 2016, the publication of their manifesto in the French newspaper "Libération" gave rise to many reactions and debate. The lively discussions that followed - sometimes stirring, sometimes stinging - gave Catastrophe the urge to pursue their project and create more and better.
In 2018, their first album "La nuit est encore jeune" was released under Bertrand Burgalat's label Tricatel. A few months prior an eponym essay was published in collaboration with Fayard/Pauvert edition.
Catastrophe has spent the last year on tour, skimming prestigious scenes (Les Francofolies, We Love Green, Pete the Monkey, La Gaité Lyrique…) all the while performing in places they cherish - museums, abandoned forests, churches, secluded beaches - with the sole purpose of creating out of this world moments and experiences. Whatever the time, whenever the place, Catastrophe wishes to offer a momentum of total freedom, risk-taking and alternative possibilities to try and create what has
More
Special remarks : 2LP + gatefold + printed inner sleeve + download code
Genre: French Pop
Tracklist :
A1 - Crescendo
A2 - È l'Ora Dell'Azione
A3 - Le Zéphyr
A4 - Diagonale du vide
A5 - Sur les plages de la vie
B1 - Les choses qu'on ne peut dire à personne
B2 - Étranges nuages
B3 - Tombeau pour David Bowie
B4 - L'enfant sur la banquette arrière
B5 - Tribunes au couchant
C1 - 36 minutes
C2 - Tour des Lilas
C3 - Ultradevotion
C4 - Son et lumière
D1 - Musées et cimetières
D2 - Hologramme
D3 - Coeur défense
D4 - Un ami viendra ce soir
D5 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Genre: French Pop
Tracklist :
A1 - Crescendo
A2 - È l'Ora Dell'Azione
A3 - Le Zéphyr
A4 - Diagonale du vide
A5 - Sur les plages de la vie
B1 - Les choses qu'on ne peut dire à personne
B2 - Étranges nuages
B3 - Tombeau pour David Bowie
B4 - L'enfant sur la banquette arrière
B5 - Tribunes au couchant
C1 - 36 minutes
C2 - Tour des Lilas
C3 - Ultradevotion
C4 - Son et lumière
D1 - Musées et cimetières
D2 - Hologramme
D3 - Coeur défense
D4 - Un ami viendra ce soir
D5 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Special remarks : CD
Genre: French Pop
Tracklist :
1 - Crescendo
2 - È l'Ora Dell'Azione
3 - Le Zéphyr
4 - Diagonale du vide
5 - Sur les plages de la vie
6 - Les choses qu'on ne peut dire à personne
7 - Étranges nuages
8 - Tombeau pour David Bowie
9 - L'enfant sur la banquette arrière
10 - Tribunes au couchant
11 - 36 minutes
12 - Tour des Lilas
13 - Ultradevotion
14 - Son et lumière
15 - Musées et cimetières
16 - Hologramme
17 - Coeur défense
18 - Un ami viendra ce soir
19 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
Genre: French Pop
Tracklist :
1 - Crescendo
2 - È l'Ora Dell'Azione
3 - Le Zéphyr
4 - Diagonale du vide
5 - Sur les plages de la vie
6 - Les choses qu'on ne peut dire à personne
7 - Étranges nuages
8 - Tombeau pour David Bowie
9 - L'enfant sur la banquette arrière
10 - Tribunes au couchant
11 - 36 minutes
12 - Tour des Lilas
13 - Ultradevotion
14 - Son et lumière
15 - Musées et cimetières
16 - Hologramme
17 - Coeur défense
18 - Un ami viendra ce soir
19 - Etude in Black
Short Info :
"Les choses qu'on ne peut dire à personne" is Bertrand Burgalat's fifth studio album. The record features 19 titles that set the bar very high, speak about the world as it is, with strength and subtlety. Racy songwriting, supple rhythms, sumptuous harmonies, corrupting voices: the testimony of a goldsmith at the height of his art.
A masterful record that looks like no one else.
More
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Oxia's classic 'Domino' gets reworked for it's ten year anniversary - in 2 vinyl parts.
A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
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Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
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A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA
Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
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Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
1
Extrawelt - Riverrun
2
Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
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GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
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1
Len Faki - A1. Don't Be Stupid Day (Herbert's Brain Dub)
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12" vinyl with full cover print
TRACKLIST:
A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)
B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)
INFO:
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TRACKLIST:
A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)
B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)
INFO:
This third and final installment of the Fusion remix series sees Len Faki personally select from his most beloved producers to expand on his ambitious album project Fusion that was released as a double LP in 2023.
First up is Herbert's trippy rework of Don't Be Stupid Day, one of the album's most memorable vocal cuts. Herbert's Brain Dub transforms the track slowly and playfully, using the witty lyrics for crafting catchy hooks.
Irish powerhouse Cromby has two appearances on this EP, getting to revamp the more house-leaning productions from Fusion. His take on It's Time (to Move Your Body) is grooving grand, its bubbling acid riff and dancing hi hats teeming with life. Meanwhile, the Blackjack remix further energizes the original's shiny centerstage synths, crazily riding the pitch up and down for an all-out party.
Finally, the brotherly duo Glaskin are reshaping the ambient album highlight Gamma into a highly effective, reduced but propulsive, tunneling techno affair.
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1
JOSS - Assessing
2
Emanuel Satie - When I First Met You (I Knew You Were The One)
3
Denis Horvat & Skarn - Triii
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Aöcram x Ramsey Neville - Brooklyn Structure
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Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
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1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
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1
Radio Slave Vs Audion - Mouth to Mouth
2
Radio Slave Vs Audion - Mouth to Mouth (Mouth Beats)
3
Radio Slave Vs Audion - Mouth to Mouth (Acappella)
4
Radio Slave Vs Audion - Mouth to Mouth (Synth Riser)
5
Radio Slave Vs Audion - Mouth to Mouth (Synth Solo)
Radio Slave covers and rewires Audion’s modern classic, ‘Mouth to Mouth’. A painstaking, disco-inspired replay rather than a traditional remix, the Radio Slave version of Matthew Dear’s Audion project’s mid-noughties defining track lands on the former’s Rekids imprint late-October.This all-new Radio Slave vs Audion version keeps the original's iconic pulsating energy but brings fresh synth loops and a buzzing lead that tread a new path for an anthem that unified house, techno minimal and more scenes upon its original release in 2006. An ever-evolving refresh with dark and freaky spoken word fragments that will have the dance floor in raptures all over again, Radio Slave vs Audion’s ‘Mouth to Mouth’ has been seeing dancefloor action from the great and good for a few months now. Radio Slave, aka Matt Edwards, has been synonymous with cutting-edge electronic music for decades. He has done it all, from underground techno anthems to rolling house tracks and plenty in between. Audion, aka Matthew Dear, is much the same - an artist with several different aliases and the ability to explore fresh musical territory each time he steps out. 2006's 'Mouth to Mouth' on Spectral Sound is one of his biggest hits - a truly unique track that united dance floors all over the world.
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1
Nucleus - 1916 (1:11)
2
Nucleus - Elastic Rock (4:05)
3
Nucleus - Striation (2:14)
4
Nucleus - Taranaki (1:38)
5
Nucleus - Twisted Track (5:19)
6
Nucleus - Crude Blues (Part 1) (0:54)
7
Nucleus - Crude Blues (Part 2) (2:38)
8
Nucleus - 1916 (The Battle Of Boogaloo) (2:58)
9
Nucleus - Torrid Zone (8:41)
10
Nucleus - Stonescape (2:39)
11
Nucleus - Earth Mother (5:15)
12
Nucleus - Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
13
Nucleus - Persephone’s Jive (2:14)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
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Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
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Pete Blaker (NL) has teamed up with Belgium's Rheinzand to re-work tracks from their last Album 'Atlantis Atlantis'. This is by no means your standard 'remix' album!
Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.
Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.
TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo
2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)
PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx More
Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.
Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.
TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo
2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)
PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx More
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2023 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
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Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
More
Teritory: Avaible for the World Minus UK/EIRE
Tracklisting:
1.Dance Of The Comets, 2.Orion, 3.The Silence
In a career that spans two decades, Terence Fixmer reached worldwide recognition with the release of his debut album Muscle Machine on DJ Hell’s seminal International Deejay Gigolos imprint in 1999. The album opened a whole new genre by combining Electro, Industrial, EBM and Techno into a more dance floor-focused EBM style, simply called ‘Techno Body Music’. The French producer and live act has consistently explored and redefined the boundaries of modern Techno –and he is not slowing down.
Dance Of The Comets is the second release on the newly relaunched NovaMutelabel. NovaMuteis the seminal techno label that has been home to Plastikman, Speedy J, Juan Atkins, Luke Slater, Joey Beltramand more. NovaMute, born again, recently released Cognitive Resonance by Nicolas Bougaïeffand will release the forthcoming EP by Charlotte De Witte.
Terence Fixmer'ssound deftly avoids repetition by developing soundscapes which maintain musical depth and integrity. He above all preserves an original style, an increasingly experimental, simultaneously ruthless and instantly recognizable aesthetic. More
Tracklisting:
1.Dance Of The Comets, 2.Orion, 3.The Silence
In a career that spans two decades, Terence Fixmer reached worldwide recognition with the release of his debut album Muscle Machine on DJ Hell’s seminal International Deejay Gigolos imprint in 1999. The album opened a whole new genre by combining Electro, Industrial, EBM and Techno into a more dance floor-focused EBM style, simply called ‘Techno Body Music’. The French producer and live act has consistently explored and redefined the boundaries of modern Techno –and he is not slowing down.
Dance Of The Comets is the second release on the newly relaunched NovaMutelabel. NovaMuteis the seminal techno label that has been home to Plastikman, Speedy J, Juan Atkins, Luke Slater, Joey Beltramand more. NovaMute, born again, recently released Cognitive Resonance by Nicolas Bougaïeffand will release the forthcoming EP by Charlotte De Witte.
Terence Fixmer'ssound deftly avoids repetition by developing soundscapes which maintain musical depth and integrity. He above all preserves an original style, an increasingly experimental, simultaneously ruthless and instantly recognizable aesthetic. More
1
Charlotte de Witte - Selected
2
Charlotte de Witte - Form
3
Charlotte de Witte - Time
4
Charlotte de Witte - Amar
For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”?“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency. A more ambient approach, that’s rougher around the edges.” “Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”
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