First up in D’Julz’s ‘The School of Night’ EP on his Bass Culture label is ‘Nu Bass’, a fresh and upbeat house sound with kinetic percussion and well-swung drums. Steamy vocal coos and deft synth stabs build a compelling future vibe before ‘Spooky Electrik’ comes in with more punchy but deep house sound. Dancing hi-hats pepper the groove along with curious little synth motifs, bringing a cosmic feel while the all-important bassline powers things forward. D’Julz’s knack for cooking up killer grooves is evident again on ‘Money, Honey, Monday?’ which is jacked up and percussive but also hugely seductive, with the smeared vocals and warming pads keeping things classy and soulful. Last of all, ‘Triperie’ is more menacing and stripped back – a paranoid lead synth roams about the mix as the crisp drums rise and fall in a fashion that will get floors marching late into the night.

Happy to welcome a new D’Julz release from Bass Culture family ! More

In the beginning of last year D’Julz relaunched his Bass Culture label with EST 1992 E.P.

Due to its success and to celebrate the start of this new year we thought it would be a great idea to ask some of D’Julz ’s favorite artists to remix a track of this EP.

Janeret, Huerta, Jorge Savoretti and the legendary Francesco Farfa all brought their A game doing so and we couldn’t be happier with the quality and diversity of the result! More

Boss himself on Bass Culture remixed by Point G., Carl Finlow & Mifnight special ! Huge ! More

As we move into 2019, the captain of the good ship Bass Culture steers the label to its latest release with D’Julz delivering a hot new three­track EP. The seasoned Parisian maestro channels his years of experience into this new release, with a polished collection of tracks, all centred on the dance floor with subtle, yet persuasive production across all three cuts. As you may expect from D’Julz and Bass Culture, there is plenty of depth, energy and low end to keep those hips swinging and heads nodding… On side A things get off to a bouncy start with ‘Lemon Juice’, a funky little number with lively drum programming and a very spirited bassline. Quite minimal in its production, this cut uses its relative simplicity to grab you and keep you hypnotised until the very end. Flip the record over and side B starts with ‘Wrecka Stow’ taking us on a dark side ride. D’Julz kicks off side B in style with this driving techy cut. A simmering energy pervades throughout as he gently builds the tension, working from a spellbinding riff that repeats over and over. Occasional dips and rises in the energy create electrifying moments, as this rolls out with a deadly rhythm. Lastly, there’s ‘Singularity’, a sombre dance into the wilderness. This dreamy, mellow cut is pushed along by softened breaks and a subdued bassline. D’Julz tantalises our emotions with wistful atmospherics that send chills down your spine as you venture ever deeper into he misty realms of the eerie world he has created. A fitting end to the EP.... There we have it, D’Julz returns to his beloved label with a formidable new collection of tracks. Genial! More

It’s time for the next release on long-running Paris label Bass Culture and owner D’Julz has invited a crack team of talented individuals to deliver the magic to this latest instalment in the label’s release schedule. This extra special remix package features contributions from the legendary DJ Skull, along with Sebo K, Henrik Bergqvist and Romanian MP. The bossman’s own 2015 EP ‘Houdini’ is the subject of this exquisite bunch of reworks, giving the whole release a fresh lick of paint from a group of artists handpicked by D’Julz to get to work on his productions. The title track ‘Houdini’ is first in line, with the mighty DJ Skull on remix duty. The Chi-town legend has been a favourite of D’Julz since the early nineties when he was releasing on labels such as Djax-Up-Beats. The funk-imbued workout he creates from the original production is superb and a testament to someone who has been involved in music for three decades and still going strong. Keeping DJ Skull’s remix company on the A-side is Sebo K with his take on ‘Serendipity’. Following on from his outstanding EP ‘Brock Wild’, Sebo returns to Bass Culture with another taught dance floor cut, full of swing and groove, pushed along with a strong, insistent energy. On the flipside the deep sultry flavours continue to bubble up. Two more dynamic artists bring their unique touch to Bass Culture and the first is the Romanian wonderkid MP (Mihai Popescu), who has previously released on the sub-label Bass Culture Limited. His reinterpretation of ‘Serendipity’ is deep, nuanced and quirky with a simmering atmosphere throughout.Last but certainly not least is the Swedish maestro Henrik Bergqvist. ‘Waiting 4 Visa’ gets a kick in its step, with mysterious cosmic FX layered over a mesmerising bassline and a collection of bleeps and chirps that really bring the remix to life. And there it is, four superb new mixes of three great tracks… enjoy!

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D’Julz’s ‘Ze Box’ Ep, his 2014 debut for Robsoul, remains one the labels most popular to date. Now, as the Frenchman and renowned House luminary embarks on what is already a landmark year personally; he returns to the label to follow up last years Edits outing with a sultry new selection of tracks on the ‘Foxxy’ Ep. 2017 signals the twentieth anniversary of D’Julz’s seminal Bass Culture club night at Rex Club in Paris. A celebration of a party born from frustration with his City’s scene, it went on to become one of the longest standing and most respected nights of a generation. Sharing the booth with just one invited artist each night, each playing extended sets, gave the Parisian a perfect outlet for perfecting his craft. Skills honed at those Bass Culture nights not only helped craft an enviable DJ style, but also influenced his talent in both a&r’ing for his Bass Culture record label and the production of his own music. The Foxxy Ep finds D’Julz in a playful mood. ‘Ze Fox’ opens up with its stretched filters, funky guitar lick and merry vocal. The jittery hats of ‘Big Kid’ follows with its disco loops and sunshine vibe delivering smiles for miles, making you, yeah, feel like a big kid. ’Next’ is the cute little heartbreaker that brings this Foxxy Ep to a close. Its rough, juddering and yet grooving bassline is matched with synth washes, piercing snares and bird calls to create a perfect finale to a perfect EP.
You’ll wanna take her home. Foxxy.

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New EP By D’julz on Phonogramme. More info soon. Mastering by DJ Steaw / Promotion by UK Exclusive
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Bass Culture’s latest release comes straight from the studio of the label head, D’Julz. A man who draws on dub influences, groove and deep soul-enriching rhythms, D’Julz is a member of the Paris old school fraternity and brings that classic sound right into the 21st Century with his Houdini EP.Across three tracks we have a selection of music that epitomises what he’s all about. The title track gets things rolling with a sultry groove pervading throughout, crunchy claps add depth while fizzing synth lines and throwback yelps give it plenty of character. Second track ‘Waiting 4 Visa’ is a classy breakbeat-led outing, delicate effects loom in the background entrancing the listener while the minimal composition keeps things simple and hypnotic. Lastly ‘Serendipity’ takes us a few layers deeper, with a laid-back bounce and chirpy bleeps really bringing it to life. D’Julz shows us once again why he’s one of the mainstays of the Paris, a godfather who does everything with a touch of class.

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Three classic house cuts by label boss himself ! Strictly limited , not to be missed ! More

New Sampler with Unreleased tracks by Mark Farina, DJ Sneak, Joss Moog & Phil Weeks

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ROFirst volume with Lorenzo - Get Deep (ROSBOULLTD07), Joss Moog - Forever Pimpin’ (ROBSOUL50) & Phil Weeks – Hypnose (ROBSOUL07) what else?

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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.

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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.

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Having brought us his Ladies Night EP back in March alongside partner in crime Bas Roos; Dutchman Chris Stussy returns to the fold. This time flying solo on his Nightdriver EP. Steering away from the sample-stacked party peakers of his previous outing, Stussy delivers a more subtle and refined four track selection that opens with the shuffle and smooth chords of 'Nightdriver'. The warm bass and glistening keys of 'Crate Diggin'' takes up the beat baton, before 'One Way' ups the ante with its insistent and irresistible groove. Finally Chris caps this impressive outing with the disco infused, smooth flow of 'Lonely'.

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Its been almost a year since our Robsoul brother Chris Carrier unveiled new music on the label. After recent remix and release forays on Hot Creations, Cuttin’ Headz and his own Adult Only imprint, Mr Consistent is back with a trio of hot new jams. With its familiar screams and bumping bassline, title track ‘Plastic Dance’ sets the trend as its tickled ivories and snatched snares create a dancefloor commotion. ‘Hoverbike,' with its future facing title, actually presents crisp classic sounds wrapped in a haze of floating filters. A track that will draw even the most reluctant groovers to the dancefloor. For those still holding out, Chris also drops a bass-heavy Dub version to give them an extra nudge.

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Summer's round the corner and Javi Bora & IAAM are back on Robsoul with a sizzling new soundtrack for the weeks ahead. Somewhat of a label regular, Javi makes his fourth Robsoul return, backing up EP’s in 2012, ’13 & ’14. He teams up with fellow Spaniard and regular sparring partner IAAM, as they follow up recent releases on Music For Freaks and Bauhaus with ’Tonight,' a four track party-starter of an EP. The drum-laden ‘Perklap-Style’ opens the EP and its raw energy is quickly followed by the filtered disco flavour of ’Tonight’. On the flip the funky feels continue with ‘I Just Can Feel’ as its classic sample calls for some choreographed roof raising. Finally, closing up is ‘Rolling Up,' a bass-heavy beat tool that brings a perfect end to Tonight. More

D’Julz’s ‘Ze Box’ Ep, his 2014 debut for Robsoul, remains one the labels most popular to date. Now, as the Frenchman and renowned House luminary embarks on what is already a landmark year personally; he returns to the label to follow up last years Edits outing with a sultry new selection of tracks on the ‘Foxxy’ Ep. 2017 signals the twentieth anniversary of D’Julz’s seminal Bass Culture club night at Rex Club in Paris. A celebration of a party born from frustration with his City’s scene, it went on to become one of the longest standing and most respected nights of a generation. Sharing the booth with just one invited artist each night, each playing extended sets, gave the Parisian a perfect outlet for perfecting his craft. Skills honed at those Bass Culture nights not only helped craft an enviable DJ style, but also influenced his talent in both a&r’ing for his Bass Culture record label and the production of his own music. The Foxxy Ep finds D’Julz in a playful mood. ‘Ze Fox’ opens up with its stretched filters, funky guitar lick and merry vocal. The jittery hats of ‘Big Kid’ follows with its disco loops and sunshine vibe delivering smiles for miles, making you, yeah, feel like a big kid. ’Next’ is the cute little heartbreaker that brings this Foxxy Ep to a close. Its rough, juddering and yet grooving bassline is matched with synth washes, piercing snares and bird calls to create a perfect finale to a perfect EP.
You’ll wanna take her home. Foxxy.

More