Label:Robsoul
Cat-No:ROBSOUL119
Release-Date:20.09.2024
Genre:Detroit House
Configuration:12"
Barcode:
pre-sale
Last in:24.04.2023
+ Show full info- Close
pre-sale
Last in:24.04.2023
Label:Robsoul
Cat-No:ROBSOUL119
Release-Date:20.09.2024
Genre:Detroit House
Configuration:12"
Barcode:
1
Rick Wade - Players Theme
2
Rick Wade - Can't You See
3
Rick Wade - I Feel Good
Repress!
Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.... More
Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.... More
More records from Rick Wade
12"
backorder
Label:Shall Not Fade
Cat-No:SNF090
Release-Date:14.07.2023
Genre:House
Configuration:12"
Barcode:
backorder
Last in:12.10.2023
+ Show full info- Close
backorder
Last in:12.10.2023
Label:Shall Not Fade
Cat-No:SNF090
Release-Date:14.07.2023
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Vibe Like
2
Rick Wade - Groove Head
3
Rick Wade - No BS
Tracklisting:
A1 Rick Wade - Vibe Like
B1 Rick Wade - Groove Head
B2 Rick Wade - No BS
Sales Note
House music royalty Rick Wade returns with 3 stunning deep house cuts for Bristol label Shall Not Fade. More
A1 Rick Wade - Vibe Like
B1 Rick Wade - Groove Head
B2 Rick Wade - No BS
Sales Note
House music royalty Rick Wade returns with 3 stunning deep house cuts for Bristol label Shall Not Fade. More
12"
backorder
Label:Shall Not Fade
Cat-No:SNF094
Release-Date:16.06.2023
Genre:House
Configuration:12"
Barcode:
backorder
Last in:01.09.2023
+ Show full info- Close
backorder
Last in:01.09.2023
Label:Shall Not Fade
Cat-No:SNF094
Release-Date:16.06.2023
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Golden Era
2
Rick Wade - Tropical Twilight
3
Rick Wade - That Time
Tracklisting:
A1 Rick Wade - Golden Era
B1 Rick Wade - Tropical Twilight
B2 Rick Wade - That Time
Sales Note
House music royalty Rick Wade returns to Shall Not Fade with another feel good cut of Deep House goodness! More
A1 Rick Wade - Golden Era
B1 Rick Wade - Tropical Twilight
B2 Rick Wade - That Time
Sales Note
House music royalty Rick Wade returns to Shall Not Fade with another feel good cut of Deep House goodness! More
Label:Low Recordings
Cat-No:LOWRE01
Release-Date:12.05.2023
Genre:House
Configuration:12"
Barcode:
backorder
Last in:23.05.2023
+ Show full info- Close
backorder
Last in:23.05.2023
Label:Low Recordings
Cat-No:LOWRE01
Release-Date:12.05.2023
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Lonely Expedition
2
Rick Wade - My Soul
3
Rick Wade - The Emperor
Label:Rawax Motor City Edition
Cat-No:RMCE020
Release-Date:28.11.2022
Genre:House
Configuration:12"
Barcode:
backorder
Last in:16.01.2023
+ Show full info- Close
backorder
Last in:16.01.2023
Label:Rawax Motor City Edition
Cat-No:RMCE020
Release-Date:28.11.2022
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Delicious
2
Rick Wade - Mystic Tech
3
Rick Wade - Nasty Night
RAWAX proudly welcomes back Mr. Rick Wade from Detroit on the Motor City Edition Vol. 20! Rick delivers with "Mystic Tech Ep" another deep house beauty with his remarkeble and unique sound.
Highly recommended! More
Highly recommended! More
Label:Thirty Year Records
Cat-No:TYR011
Release-Date:25.11.2022
Genre:House
Configuration:12"
Barcode:
backorder
Last in:13.02.2023
+ Show full info- Close
backorder
Last in:13.02.2023
Label:Thirty Year Records
Cat-No:TYR011
Release-Date:25.11.2022
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Angry Flow
2
Rick Wade - Houston
3
Rick Wade - Scary Deep
4
Rick Wade - Goodbye
Rick Wade needs no introduction. The motor city’s own deep house legend has been releasing the best of deep since the mid-nineties on nearly every record label of note. TYR is proud to be one of those and bring you 4 tracks of this legendary output.
More
Label:Shall Not Fade
Cat-No:SNF072
Release-Date:26.08.2022
Genre:House
Configuration:12"
Barcode:
backorder
Last in:17.10.2022
+ Show full info- Close
backorder
Last in:17.10.2022
Label:Shall Not Fade
Cat-No:SNF072
Release-Date:26.08.2022
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - Late Right
2
Rick Wade - Kabukicho
3
Rick Wade - Acid Creep
4
Rick Wade - Quantum Jit
Tracklisting:
A1 Rick Wade - Late Right
A2 Rick Wade - Kabukicho
B1 Rick Wade - Acid Creep
B2 Rick Wade - Quantum Jit
Release Note:
Detroit legend Rick Wade returns with his fourth Shall Not Fade release: a four track EP packed with different flavours from timeless deep house to drum 'n bass.
On Late Right EP, Wade delivers the classic Detroit-sounding deep house with which his name is synonymous, at times experimenting with stylistic elements borrowed from tribal house, acid and ghettotech. The title track is a punchy deep house track with a funk-infused bassline and jazzy ambience which carries through to the next two tracks where it's accompanied by the rattle of conga drums ("Kabukicho") and a gentle acid melody ("Acid Creep"). Finally, "Quantum Jit" brings things to a giddy close: a stripped-back club tune with skitterish claps and the syncopated breakbeat of drum and bass.
Late Right EP drops 26th August via Shall Not Fade. More
A1 Rick Wade - Late Right
A2 Rick Wade - Kabukicho
B1 Rick Wade - Acid Creep
B2 Rick Wade - Quantum Jit
Release Note:
Detroit legend Rick Wade returns with his fourth Shall Not Fade release: a four track EP packed with different flavours from timeless deep house to drum 'n bass.
On Late Right EP, Wade delivers the classic Detroit-sounding deep house with which his name is synonymous, at times experimenting with stylistic elements borrowed from tribal house, acid and ghettotech. The title track is a punchy deep house track with a funk-infused bassline and jazzy ambience which carries through to the next two tracks where it's accompanied by the rattle of conga drums ("Kabukicho") and a gentle acid melody ("Acid Creep"). Finally, "Quantum Jit" brings things to a giddy close: a stripped-back club tune with skitterish claps and the syncopated breakbeat of drum and bass.
Late Right EP drops 26th August via Shall Not Fade. More
+ Show full info- Close
![](/covers/135998_40D114A5.jpg?p=cover_thumbnail_width_only_nocrop)
1
Rick Wade - Can't Be Beat
2
Rick Wade - Soliders Story
For our third release we are thrilled to welcome Detroit legend Rick Wade to Purveyor Underground Limited! Rick has delivered 2 stunning tracks for the "Can't Be Beat EP" We hope you enjoy!!!
More
12" Excl
backorder
Cat-No:ely06112
Release-Date:13.11.2020
Genre:House
Configuration:12" Excl
Barcode:5400595000679
backorder
Last in:06.11.2020
+ Show full info- Close
backorder
Last in:06.11.2020
Cat-No:ely06112
Release-Date:13.11.2020
Genre:House
Configuration:12" Excl
Barcode:5400595000679
1
Rick Wade - A1.The Way I Am (Tresilo Remix)
2
Rick Wade - A2. Academy (Pezzner´s CR02 Remix)
3
Rick Wade - B1.Planet D (Vintage Future Planet D Mix)
4
Rick Wade - B2.Academy (Pezzner Remix)
a1.The Way I Am (Tresilo Remix)
a2. Academy (Pezzner´s CR02 Remix)
b1.Planet D (Vintage Future Planet D Mix)
b2.Academy (Pezzner Remix)
Short Info:
Regarded as one of the greats from Detroit, Rick Wade has crafted an incredible discography of tracks blurring the lines somewhere between deep house and techno with a sound and style brilliantly his own. His outstanding 'Timeless EP' from 2017 returns to Elypsia Recordings with an onslaught of remixes delivered by a diverse and unstoppable roster of modern musical mavericks - each respectfully twisting the original magic of Rick's original productions and creating a fresh take in their own style.
The Way I Am' comes in the shape of Tresilo aka Oliver Way (of Detroit Grand Pubahs), Esteban Adame and Ben Long (of Space DJz) and is an absolute belter of a prime-time stormer. Dominated by gigantic synth melodies, the track weaves around percussive alterations with hi-hats, sharp claps and energetic rides paired perfectly with the catchy musical wiggles and kicks. The familiar vocal sample from the original sneaks into play with perfect placement - offering a reminder of Rick Wade's awesome original.
Rick's previously unreleased track, 'Academy' receives the first of two remixes from Seattle house hero Pezzner. The 'CR2' Remix takes the groove into subterranean territories with a heads down bouncer of a track, fully embracing Pezzner's more house-focused approach. A percolating bassline keeps the cut moving ahead while soft, divine pads offer a classy sonic texture suitable for wide-eyed ravers and urban headphone listeners alike.
Detroit's Vintage Future joins the remix roster with his take on 'Planet Deep,' one of the standout cuts from the original EP. The track is absolutely saturated with Detroit soul. Deep, machine driven textures and gorgeous otherworldly melodies rest alongside a truly infectious groove. The famed keyboardist for Model 500's live gig, Vintage Future knows clearly how to craft an incredible groove with his keys, and the sounds from this impeccable remix are tip top.
The second remix of 'Academy' from Pezzner continues his remix focus in a deeper house mindset, with Pezzner delivering even softer sounds, and more intense pad dynamics. This retouch includes the addition of some gorgeous orchestral stabs and organ textures which gives the remix a soulful touch - made to focus on a slightly more melodic approach than the previous Pezzner rework.
More
a2. Academy (Pezzner´s CR02 Remix)
b1.Planet D (Vintage Future Planet D Mix)
b2.Academy (Pezzner Remix)
Short Info:
Regarded as one of the greats from Detroit, Rick Wade has crafted an incredible discography of tracks blurring the lines somewhere between deep house and techno with a sound and style brilliantly his own. His outstanding 'Timeless EP' from 2017 returns to Elypsia Recordings with an onslaught of remixes delivered by a diverse and unstoppable roster of modern musical mavericks - each respectfully twisting the original magic of Rick's original productions and creating a fresh take in their own style.
The Way I Am' comes in the shape of Tresilo aka Oliver Way (of Detroit Grand Pubahs), Esteban Adame and Ben Long (of Space DJz) and is an absolute belter of a prime-time stormer. Dominated by gigantic synth melodies, the track weaves around percussive alterations with hi-hats, sharp claps and energetic rides paired perfectly with the catchy musical wiggles and kicks. The familiar vocal sample from the original sneaks into play with perfect placement - offering a reminder of Rick Wade's awesome original.
Rick's previously unreleased track, 'Academy' receives the first of two remixes from Seattle house hero Pezzner. The 'CR2' Remix takes the groove into subterranean territories with a heads down bouncer of a track, fully embracing Pezzner's more house-focused approach. A percolating bassline keeps the cut moving ahead while soft, divine pads offer a classy sonic texture suitable for wide-eyed ravers and urban headphone listeners alike.
Detroit's Vintage Future joins the remix roster with his take on 'Planet Deep,' one of the standout cuts from the original EP. The track is absolutely saturated with Detroit soul. Deep, machine driven textures and gorgeous otherworldly melodies rest alongside a truly infectious groove. The famed keyboardist for Model 500's live gig, Vintage Future knows clearly how to craft an incredible groove with his keys, and the sounds from this impeccable remix are tip top.
The second remix of 'Academy' from Pezzner continues his remix focus in a deeper house mindset, with Pezzner delivering even softer sounds, and more intense pad dynamics. This retouch includes the addition of some gorgeous orchestral stabs and organ textures which gives the remix a soulful touch - made to focus on a slightly more melodic approach than the previous Pezzner rework.
More
Cat-No:POEM011
Release-Date:23.08.2019
Genre:House
Configuration:12"
Barcode:
backorder
Last in:12.07.2023
+ Show full info- Close
backorder
Last in:12.07.2023
Cat-No:POEM011
Release-Date:23.08.2019
Genre:House
Configuration:12"
Barcode:
1
Rick Wade - "Never Give Up"
2
Rick Wade - "Seen At Night"
3
Rick Wade - "Forever Alone"
4
Rick Wade - "Rooftop"
Repress!
Rick Wade makes his return to PoE with a brilliant 4-tracker entitled "To the People Pt.2". More
Rick Wade makes his return to PoE with a brilliant 4-tracker entitled "To the People Pt.2". More
+ Show full info- Close
+ Show full info- Close
backorder
Last in:24.04.2018
Label:Another
Cat-No:atr002
Release-Date:27.04.2018
Genre:Deephouse
Configuration:12" Excl
Barcode:4260544822124
Vinyl Only !
Tracklist:
A1 Rick Wade - Chopper
B1 Rick Wade - Rowdy
B2 Rick Wade - Be The One
Short info:
Here is Another's second release, a 3 tracks EP from Detroit's iconic house producer Rick Wade, who has reinvented himself in the recent years. This is quite obvious on this record which oscillates between old school and modernity, especially with the track Be The One on B2, a futuristic deep house anthem. Rick fan's won't be disappointed !
Don't sleep on this one. Vinyl Only !
More
Tracklist:
A1 Rick Wade - Chopper
B1 Rick Wade - Rowdy
B2 Rick Wade - Be The One
Short info:
Here is Another's second release, a 3 tracks EP from Detroit's iconic house producer Rick Wade, who has reinvented himself in the recent years. This is quite obvious on this record which oscillates between old school and modernity, especially with the track Be The One on B2, a futuristic deep house anthem. Rick fan's won't be disappointed !
Don't sleep on this one. Vinyl Only !
More
12" Excl
backorder
Cat-No:moody003
Release-Date:27.10.2017
Genre:House
Configuration:12" Excl
Barcode:
backorder
Last in:13.11.2017
+ Show full info- Close
backorder
Last in:13.11.2017
Cat-No:moody003
Release-Date:27.10.2017
Genre:House
Configuration:12" Excl
Barcode:
Special remarks : 12", 180g Vinyl , Link to San Proper Remix etched on the record
Tracklist
A1. Insensitive A2. Insensitive (Liem & Eddie Ness Remix) B1. Holdin On B2. All I'm After
Shortinfo:
A long-term legend of the Detroit scene, Rick Wade is presenting three deep and organic house cuts on Moody Records, written with the soul and finesse that has gained him the reputation as one of the most influential deep house producers. Liem & Eddie Ness infuse their Hamburg-House sound with the remix to Insensitive, while San Proper treats us with a suprise remix which is digitally available through the link etched to the record.
Vital Sales Points:
- Limited to 300, heavy vinyl
- Remixes by Liem/Eddie Ness and San Proper
More
Tracklist
A1. Insensitive A2. Insensitive (Liem & Eddie Ness Remix) B1. Holdin On B2. All I'm After
Shortinfo:
A long-term legend of the Detroit scene, Rick Wade is presenting three deep and organic house cuts on Moody Records, written with the soul and finesse that has gained him the reputation as one of the most influential deep house producers. Liem & Eddie Ness infuse their Hamburg-House sound with the remix to Insensitive, while San Proper treats us with a suprise remix which is digitally available through the link etched to the record.
Vital Sales Points:
- Limited to 300, heavy vinyl
- Remixes by Liem/Eddie Ness and San Proper
More
More records from Robsoul
+ Show full info- Close
pre-sale
Last in:-
Label:Robsoul
Cat-No:ROBSOULCLASSIC3
Release-Date:20.09.2024
Genre:House
Configuration:12"
Barcode:
1
Demuir - From Paris To Strasbourg
2
Vincent Caira - Back Again
3
Mo'Funk & Roland Clark - Bring Together
2024 Repress
3 DANCEFLOOR HOUSE SECRET WEAPONS NEVER RELEASED ON VINYL. FROM PARIS TO TORONTO AND BACK ! LIMITED PRESSING NOT TO BE MISSED ! More
3 DANCEFLOOR HOUSE SECRET WEAPONS NEVER RELEASED ON VINYL. FROM PARIS TO TORONTO AND BACK ! LIMITED PRESSING NOT TO BE MISSED ! More
+ Show full info- Close
+ Show full info- Close
+ Show full info- Close
backorder
Last in:10.12.2019
Label:robsoul
Cat-No:rbclassics01
Release-Date:04.05.2018
Genre:House
Configuration:12"
Barcode:
1
v.a. - No Title
2
v.a. - No Title
3
v.a. - No Title
ROFirst volume with Lorenzo - Get Deep (ROSBOULLTD07), Joss Moog - Forever Pimpin’ (ROBSOUL50) & Phil Weeks – Hypnose (ROBSOUL07) what else?
More
More
+ Show full info- Close
backorder
Last in:05.02.2019
Label:robsoul
Cat-No:rbsampler01
Release-Date:16.03.2018
Genre:House
Configuration:12"
Barcode:
1
v.a. ( phil weeks, joss moog...) - Phil Weeks - The Ghetto Code
2
v.a. ( phil weeks, joss moog...) - Iban Montoro & Jazzman Wax - Juernes Day
3
v.a. ( phil weeks, joss moog...) - Joss Moog - Room 28
4
v.a. ( phil weeks, joss moog...) - Arturo Garces - Catch Me
+ Show full info- Close
backorder
Last in:-
Label:robsoul
Cat-No:rb186
Release-Date:26.01.2018
Genre:House
Configuration:12"
Barcode:
1
around 7 - No Title
2
around 7 - No Title
3
around 7 - No Title
One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.
More
More
+ Show full info- Close
backorder
Last in:19.12.2017
Label:robsoul
Cat-No:rb183
Release-Date:01.12.2017
Genre:House
Configuration:12"
Barcode:
1
reda dare - No Title
2
reda dare - No Title
One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.
More
More
+ Show full info- Close
backorder
Last in:06.02.2023
Label:robsoul
Cat-No:rb182
Release-Date:03.11.2017
Genre:House
Configuration:12"
Barcode:
1
chris stussy - No Title
2
chris stussy - No Title
3
chris stussy - No Title
4
chris stussy - No Title
Having brought us his Ladies Night EP back in March alongside partner in crime Bas Roos; Dutchman Chris Stussy returns to the fold. This time flying solo on his Nightdriver EP. Steering away from the sample-stacked party peakers of his previous outing, Stussy delivers a more subtle and refined four track selection that opens with the shuffle and smooth chords of 'Nightdriver'. The warm bass and glistening keys of 'Crate Diggin'' takes up the beat baton, before 'One Way' ups the ante with its insistent and irresistible groove. Finally Chris caps this impressive outing with the disco infused, smooth flow of 'Lonely'.
More
More
+ Show full info- Close
backorder
Last in:05.02.2019
Label:robsoul
Cat-No:rb181
Release-Date:08.09.2017
Genre:House
Configuration:12"
Barcode:
1
chris carrier - No Title
2
chris carrier - No Title
3
chris carrier - No Title
Its been almost a year since our Robsoul brother Chris Carrier unveiled new music on the label. After recent remix and release forays on Hot Creations, Cuttin’ Headz and his own Adult Only imprint, Mr Consistent is back with a trio of hot new jams. With its familiar screams and bumping bassline, title track ‘Plastic Dance’ sets the trend as its tickled ivories and snatched snares create a dancefloor commotion. ‘Hoverbike,' with its future facing title, actually presents crisp classic sounds wrapped in a haze of floating filters. A track that will draw even the most reluctant groovers to the dancefloor. For those still holding out, Chris also drops a bass-heavy Dub version to give them an extra nudge.
More
More
+ Show full info- Close
+ Show full info- Close
+ Show full info- Close
![](/covers/105311_C8F514C7.jpg?p=cover_thumbnail_width_only_nocrop)
backorder
Last in:01.07.2019
Label:robsoul
Cat-No:rbsp02
Release-Date:20.06.2017
Genre:House
Configuration:12"
Barcode:
1
phil weeks ft. ladybird - Love Come Down" (main mix)
2
phil weeks ft. ladybird - "Love Come Down" (Ghetto mix)
3
phil weeks ft. ladybird - Love Come Down" (dub)
4
phil weeks ft. ladybird - Love Come Down" (instrumental)
+ Show full info- Close
backorder
Last in:11.07.2017
Label:robsoul
Cat-No:rb178
Release-Date:08.06.2017
Genre:House
Configuration:12"
Barcode:
1
javi bora & iaam - Perklap Style
2
javi bora & iaam - Tonight
3
javi bora & iaam - I Just Can Feel
4
javi bora & iaam - Rolling Up
Summer's round the corner and Javi Bora & IAAM are back on Robsoul with a sizzling new soundtrack for the weeks ahead. Somewhat of a label regular, Javi makes his fourth Robsoul return, backing up EP’s in 2012, ’13 & ’14. He teams up with fellow Spaniard and regular sparring partner IAAM, as they follow up recent releases on Music For Freaks and Bauhaus with ’Tonight,' a four track party-starter of an EP. The drum-laden ‘Perklap-Style’ opens the EP and its raw energy is quickly followed by the filtered disco flavour of ’Tonight’. On the flip the funky feels continue with ‘I Just Can Feel’ as its classic sample calls for some choreographed roof raising. Finally, closing up is ‘Rolling Up,' a bass-heavy beat tool that brings a perfect end to Tonight.
More
+ Show full info- Close
+ Show full info- Close
+ Show full info- Close
backorder
Last in:18.04.2017
Label:robsoul
Cat-No:rb175
Release-Date:24.03.2017
Genre:techhouse
Configuration:12"
Barcode:
1
d'julz - Ze Fox
2
d'julz - Big Kid
3
d'julz - Next
D’Julz’s ‘Ze Box’ Ep, his 2014 debut for Robsoul, remains one the labels most popular to date. Now, as the Frenchman and renowned House luminary embarks on what is already a landmark year personally; he returns to the label to follow up last years Edits outing with a sultry new selection of tracks on the ‘Foxxy’ Ep. 2017 signals the twentieth anniversary of D’Julz’s seminal Bass Culture club night at Rex Club in Paris. A celebration of a party born from frustration with his City’s scene, it went on to become one of the longest standing and most respected nights of a generation. Sharing the booth with just one invited artist each night, each playing extended sets, gave the Parisian a perfect outlet for perfecting his craft. Skills honed at those Bass Culture nights not only helped craft an enviable DJ style, but also influenced his talent in both a&r’ing for his Bass Culture record label and the production of his own music. The Foxxy Ep finds D’Julz in a playful mood. ‘Ze Fox’ opens up with its stretched filters, funky guitar lick and merry vocal. The jittery hats of ‘Big Kid’ follows with its disco loops and sunshine vibe delivering smiles for miles, making you, yeah, feel like a big kid. ’Next’ is the cute little heartbreaker that brings this Foxxy Ep to a close. Its rough, juddering and yet grooving bassline is matched with synth washes, piercing snares and bird calls to create a perfect finale to a perfect EP.
You’ll wanna take her home. Foxxy.
More
You’ll wanna take her home. Foxxy.
More
+ Show full info- Close
backorder
Last in:11.07.2017
Label:robsoul
Cat-No:rb173
Release-Date:02.02.2017
Genre:House
Configuration:12"
Barcode:
1
minimono - Let'em Come
2
minimono - Know Is Fonk
3
minimono - Estroverso
4
minimono - Junior
Having kicked of 2016 with their firey and funky ‘Buddy My Buddy’ ep, Minimono return to Robsoul with their first for ’17.
Bosconi boys, Fabio and Ennio, never fail to impress with their tight, tidy tools and floor burning house gems. Tracks that are loved for their no nonsense ‘party’ perspective, making them essential to all.
The laidback smoove groove and cut up vocals of ‘Let’em Come’ opens us up, before we’re whisked away by the jitterbug vibe of ‘Know Is Fonk’. The chopped and dropped sample-heavy kicks of ‘Estroverso’ leads the flip before Minimono sign off with the shimmering guitar licks and hungry horns of ‘Junior’.
More
Bosconi boys, Fabio and Ennio, never fail to impress with their tight, tidy tools and floor burning house gems. Tracks that are loved for their no nonsense ‘party’ perspective, making them essential to all.
The laidback smoove groove and cut up vocals of ‘Let’em Come’ opens us up, before we’re whisked away by the jitterbug vibe of ‘Know Is Fonk’. The chopped and dropped sample-heavy kicks of ‘Estroverso’ leads the flip before Minimono sign off with the shimmering guitar licks and hungry horns of ‘Junior’.
More
Customers who bought this also bought this
Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:28.06.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
backorder
Last in:25.06.2024
+ Show full info- Close
backorder
Last in:25.06.2024
Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:28.06.2024
Genre:Detroit Techno
Configuration:12"
Barcode:
1
Scan 7 - Black Moon Rising
2
Scan 7 - Pathway Through Time
3
Scan 7 - Introducing Scan 7
4
Scan 7 - System Work
AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
Label:Jump Source
Cat-No:JS05
Release-Date:29.07.2024
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152687_0501CC8C.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Label:Jump Source
Cat-No:JS05
Release-Date:29.07.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Jump Source - Balance
2
Jump Source - Tonearm Extender Ft. Sabola
3
Jump Source - Sad Salad
Balance is restored – melody intact – with three tracks of stark machine work from Jump Source. Robust stabs, polyrhythmic confusion, tearjerking pads; the two laid it all down, with some aid from their confidant Sabola on “Tonearm Extender”.
More
12"
backorder
Label:Shall Not Fade
Cat-No:SNF103
Release-Date:22.09.2023
Genre:House
Configuration:12"
Barcode:
backorder
Last in:22.09.2023
+ Show full info- Close
backorder
Last in:22.09.2023
Label:Shall Not Fade
Cat-No:SNF103
Release-Date:22.09.2023
Genre:House
Configuration:12"
Barcode:
1
Janeret - D. Tool
2
Janeret - Passion
3
Janeret - Lush
4
Janeret - Mind
Tracklisting:
A1 Janeret - D. Tool
A2 Janeret - Passion
B1 Janeret - Lush
B2 Janeret - Mind
Sales Note
Janeret returns for his second EP on Bristol label Shall Not Fade, serving up 5 killer dancefloor ready cuts! More
A1 Janeret - D. Tool
A2 Janeret - Passion
B1 Janeret - Lush
B2 Janeret - Mind
Sales Note
Janeret returns for his second EP on Bristol label Shall Not Fade, serving up 5 killer dancefloor ready cuts! More
Label:Morton Records / EMPIRE
Cat-No:ERE1032
Release-Date:06.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:697560816471
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Morton Records / EMPIRE
Cat-No:ERE1032
Release-Date:06.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:697560816471
LP: Black vinyl, Gatefold Sleeve
From Cape Town to Cairo, and now to fans, stages and screens around the world, PJ Morton shares his newest album, fully made in the motherland. Cape Town to Cairo is a collection of songs that he created in 30 days throughout 4 countries in Africa — South Africa, Nigeria, Ghana and Egypt. Described as the best trip of his life, this transformative journey began as just the seed of an idea last fall, but instantly grew into his most sonically-sprawling and immediately-inspired record to date. With no music, lyrics or preconceptions, he stepped foot onto the continent with two thoughts: a wild dream to write and record his next LP in less than a month, and a mission to immerse himself in as many different cultures, stories and communities as he could.
Surrounded by featured collaborators like Fireboy DML, Mádé Kuti, Asa, Ndabo Zulu, and Soweto Spiritual Singers, as well as additional producers including P.Priime and The Cavemen., his own live band and local musicians, PJ Morton used music as his common language. Always his greatest way of communicating, he expressed his feelings and experiences of Africa through songs he and others were forming together on the spot, side-by-side in different studios, cities and towns for the very first time. None of the tracks were written before he arrived or after he left, and the arrangements showcase both the countries’ native genres as well as the innate, stylistic instincts that have made Morton a 5x GRAMMY-winner and 20x GRAMMY-nominee, whether it be his soul, R&B and gospel roots, or the pop prowess he has further honed as a member of Maroon 5.
“When you’ve been in music as long as I have, you’re constantly looking for inspiration,” says PJ Morton. “And you’re looking for the things that made you want to do it in the first place. I’ve made albums every type of way you can think, so I wanted to try something I hadn’t done before. As a Black American who had never been to South or West Africa, I knew there was something there waiting for me. So I put a little pressure on myself to make a full record in a month, but I also said, ‘If I’m gonna go to Africa, I want to see Africa.’ We made music, but we also formed connections. We made new friends, and this is just the start.”
ESSENCE adds, "This trip is not just a physical move, it's a spiritual return…The soul of Africa pulses through every note he plays and every word he sings,” and VIBE adds that “the multi-faceted artist is fully embracing a new phase in his life.” Cape Town to Cairo marks PJ Morton’s first album since 2022’s Watch The Sun, which featured collaborations with Stevie Wonder, Nas, JoJo, Wale, Jill Scott, Alex Isley and more. Since then, Morton has become the first Black composer to write an original song for a Disney attraction, having just finished making the music for Tiana's Bayou Adventure, opening on June 28th, 2024 at Disney World and Fall 2024 at Disneyland. He also won his latest GRAMMY earlier this year, worked with Samara Joy on “Why I’m Here” for Regina King’s Netflix film Shirley, and landed a cover of his song “Don’t Let Go” as the soundtrack to Apple’s iPhone 15 commercial.
PJ Morton recently returned from headlining his debut shows in Asia, New Zealand and Australia, and announced an extensive Cape Town to Cairo Tour for North America summer and fall 2024. Following iconic performances at New Orleans Jazz Fest, The Kennedy Center, Roots Picnic and Newport Jazz Fest, Morton will embark on a run of more than 25 dates across the country, including New York City’s Beacon Theatre, Chicago’s Chicago Theatre, Nashville’s Ryman Auditorium, Los Angeles’ The Wiltern, and dozens of others.
On the heels of his headline tour and Maroon 5’s Las Vegas residency, PJ Morton will publish a life-spanning new book titled Saturday Night, Sunday Morning. The memoir sees him recounting and reflecting upon a trailblazing path that continues to defy expectations and straddle the tensions of music and faith, race and culture, expression and identity. As the son of two pastors and gospel artists, Morton grew up grounded by the sound of the Church, but soon found himself drawn to R&B, pop and soul, writing songs that the industry, his family and community struggled to understand. In the face of mounting pressure, rejection and constant miscategorization, he committed himself to a steadfast path of independence: making music on his own terms, launching his own record label, joining one of the biggest bands in the world while staying true to his New Orleans roots. The risks he took paid off, and through his transformation from preacher's kid to the busiest man in showbiz – performing everywhere from his local congregation to the Super Bowl, collaborating with everyone from his father to Stevie Wonder, Erykah Badu, Jon Batiste and Lil Wayne – he hopes to encourage readers and listeners to overcome obstacles as they seek their dreams.
Key Marketing/Selling:
• Album written & recorded during a month long transformational trip throughout Africa
• PJ Morton is an acclaimed soul singer and the full-time Keyboardist for Maroon 5
• He has collaborated with esteemed artists such as Solange, Stevie Wonder, Erykah Badu, Lil Wayne, Tyler Perry. Rapsody, Jazmine Sullivan, India.Arie, JoJo, Jon Batiste, & Robert Glasper
• PJ Morton has 5 Career GRAMMY Wins and 20 total nominations, and has received additional honors such as multiple BET, Dove NAACP Image & Soul Train Nominations
• PJ Morton won the 2019 GRAMMY for Best Traditional R&B Performance, 2020 GRAMMY for Best R&B Song, 2021 GRAMMY for Best Gospel Album, 2022 GRAMMY for Album of the Year & 2024 GRAMMY for Best Traditional R&B Performance
• He has received acclaim from major publications such as The New York Times, New Yorker, NPR Music & The FADER, and has performed on major platforms such as NPR’s Tiny Desk, The Late Show with Stephen Colbert, The Tonight Show with Jimmy Fallon, Jimmy Kimmel Live! & The Kelly Clarkson Show, among others
• Wrote the music for the upcoming Tiana’s Bayou attraction at Disneyland and Disneyworld, set to open in 2024
• Embarking on nationwide Cape Town To Cairo tour Fall 2024
• Singles released include “Please Be Good,” “Smoke and Mirrors,” & “Simunye (We Are One) (feat. Soweto Spiritual Singers)”
Tracklist:
A1/1. Smoke and Mirrors
A2/2. Count On Me (feat. Fireboy DML)
A3/3. Please Be Good
A4/4. Who You Are (feat. Mádé Kuti)
A5/5. Thank You
B1/6. I Found You
B2/7. All The Dreamers (feat. A?a & Ndabo Zulu)
B3/8. Home Again
B4/9. Simunye (We Are One) (feat. Soweto Spiritual Singers)
Socials:
Twitter: 141k followers
IG: 591k followers
FB: 488k followers
YT: 280k subs / 108M+ views More
From Cape Town to Cairo, and now to fans, stages and screens around the world, PJ Morton shares his newest album, fully made in the motherland. Cape Town to Cairo is a collection of songs that he created in 30 days throughout 4 countries in Africa — South Africa, Nigeria, Ghana and Egypt. Described as the best trip of his life, this transformative journey began as just the seed of an idea last fall, but instantly grew into his most sonically-sprawling and immediately-inspired record to date. With no music, lyrics or preconceptions, he stepped foot onto the continent with two thoughts: a wild dream to write and record his next LP in less than a month, and a mission to immerse himself in as many different cultures, stories and communities as he could.
Surrounded by featured collaborators like Fireboy DML, Mádé Kuti, Asa, Ndabo Zulu, and Soweto Spiritual Singers, as well as additional producers including P.Priime and The Cavemen., his own live band and local musicians, PJ Morton used music as his common language. Always his greatest way of communicating, he expressed his feelings and experiences of Africa through songs he and others were forming together on the spot, side-by-side in different studios, cities and towns for the very first time. None of the tracks were written before he arrived or after he left, and the arrangements showcase both the countries’ native genres as well as the innate, stylistic instincts that have made Morton a 5x GRAMMY-winner and 20x GRAMMY-nominee, whether it be his soul, R&B and gospel roots, or the pop prowess he has further honed as a member of Maroon 5.
“When you’ve been in music as long as I have, you’re constantly looking for inspiration,” says PJ Morton. “And you’re looking for the things that made you want to do it in the first place. I’ve made albums every type of way you can think, so I wanted to try something I hadn’t done before. As a Black American who had never been to South or West Africa, I knew there was something there waiting for me. So I put a little pressure on myself to make a full record in a month, but I also said, ‘If I’m gonna go to Africa, I want to see Africa.’ We made music, but we also formed connections. We made new friends, and this is just the start.”
ESSENCE adds, "This trip is not just a physical move, it's a spiritual return…The soul of Africa pulses through every note he plays and every word he sings,” and VIBE adds that “the multi-faceted artist is fully embracing a new phase in his life.” Cape Town to Cairo marks PJ Morton’s first album since 2022’s Watch The Sun, which featured collaborations with Stevie Wonder, Nas, JoJo, Wale, Jill Scott, Alex Isley and more. Since then, Morton has become the first Black composer to write an original song for a Disney attraction, having just finished making the music for Tiana's Bayou Adventure, opening on June 28th, 2024 at Disney World and Fall 2024 at Disneyland. He also won his latest GRAMMY earlier this year, worked with Samara Joy on “Why I’m Here” for Regina King’s Netflix film Shirley, and landed a cover of his song “Don’t Let Go” as the soundtrack to Apple’s iPhone 15 commercial.
PJ Morton recently returned from headlining his debut shows in Asia, New Zealand and Australia, and announced an extensive Cape Town to Cairo Tour for North America summer and fall 2024. Following iconic performances at New Orleans Jazz Fest, The Kennedy Center, Roots Picnic and Newport Jazz Fest, Morton will embark on a run of more than 25 dates across the country, including New York City’s Beacon Theatre, Chicago’s Chicago Theatre, Nashville’s Ryman Auditorium, Los Angeles’ The Wiltern, and dozens of others.
On the heels of his headline tour and Maroon 5’s Las Vegas residency, PJ Morton will publish a life-spanning new book titled Saturday Night, Sunday Morning. The memoir sees him recounting and reflecting upon a trailblazing path that continues to defy expectations and straddle the tensions of music and faith, race and culture, expression and identity. As the son of two pastors and gospel artists, Morton grew up grounded by the sound of the Church, but soon found himself drawn to R&B, pop and soul, writing songs that the industry, his family and community struggled to understand. In the face of mounting pressure, rejection and constant miscategorization, he committed himself to a steadfast path of independence: making music on his own terms, launching his own record label, joining one of the biggest bands in the world while staying true to his New Orleans roots. The risks he took paid off, and through his transformation from preacher's kid to the busiest man in showbiz – performing everywhere from his local congregation to the Super Bowl, collaborating with everyone from his father to Stevie Wonder, Erykah Badu, Jon Batiste and Lil Wayne – he hopes to encourage readers and listeners to overcome obstacles as they seek their dreams.
Key Marketing/Selling:
• Album written & recorded during a month long transformational trip throughout Africa
• PJ Morton is an acclaimed soul singer and the full-time Keyboardist for Maroon 5
• He has collaborated with esteemed artists such as Solange, Stevie Wonder, Erykah Badu, Lil Wayne, Tyler Perry. Rapsody, Jazmine Sullivan, India.Arie, JoJo, Jon Batiste, & Robert Glasper
• PJ Morton has 5 Career GRAMMY Wins and 20 total nominations, and has received additional honors such as multiple BET, Dove NAACP Image & Soul Train Nominations
• PJ Morton won the 2019 GRAMMY for Best Traditional R&B Performance, 2020 GRAMMY for Best R&B Song, 2021 GRAMMY for Best Gospel Album, 2022 GRAMMY for Album of the Year & 2024 GRAMMY for Best Traditional R&B Performance
• He has received acclaim from major publications such as The New York Times, New Yorker, NPR Music & The FADER, and has performed on major platforms such as NPR’s Tiny Desk, The Late Show with Stephen Colbert, The Tonight Show with Jimmy Fallon, Jimmy Kimmel Live! & The Kelly Clarkson Show, among others
• Wrote the music for the upcoming Tiana’s Bayou attraction at Disneyland and Disneyworld, set to open in 2024
• Embarking on nationwide Cape Town To Cairo tour Fall 2024
• Singles released include “Please Be Good,” “Smoke and Mirrors,” & “Simunye (We Are One) (feat. Soweto Spiritual Singers)”
Tracklist:
A1/1. Smoke and Mirrors
A2/2. Count On Me (feat. Fireboy DML)
A3/3. Please Be Good
A4/4. Who You Are (feat. Mádé Kuti)
A5/5. Thank You
B1/6. I Found You
B2/7. All The Dreamers (feat. A?a & Ndabo Zulu)
B3/8. Home Again
B4/9. Simunye (We Are One) (feat. Soweto Spiritual Singers)
Socials:
Twitter: 141k followers
IG: 591k followers
FB: 488k followers
YT: 280k subs / 108M+ views More
3LP Excl
pre-sale
Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152485_396E1828.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
LP Excl
pre-sale
Cat-No:MMDS24003LP
Release-Date:06.09.2024
Genre:Techno
Configuration:LP Excl
Barcode:4582116562895
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152484_C78CAE59.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Cat-No:MMDS24003LP
Release-Date:06.09.2024
Genre:Techno
Configuration:LP Excl
Barcode:4582116562895
1
Ken Ishii - A1. Into The Inside (2024 Remaster)
2
Ken Ishii - A2. Fading Sky (2024 Remaster)
3
Ken Ishii - A3. Non Essential (2024 Remaster)
4
Ken Ishii - B1. Finite Time (2024 Remaster)
5
Ken Ishii - B2. Interjection (2024 Remaster)
6
Ken Ishii - B3. Scene One (2024 Remaster)
LP 180g Heavyweight vinyl, Remastered, with original track-list available on vinyl for the first time
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
Label:Celestial Echo
Cat-No:CER003
Release-Date:26.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202598229
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Celestial Echo
Cat-No:CER003
Release-Date:26.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202598229
1
Glenda McLeod - Vocal
2
Glenda McLeod - Instrumental
More Modern Soul madness from the team at Celestial Echo. No Stranger To Love is one of those rare tracks that crosses over both Modern and Northern scenes & has long been a favourite of collectors and selectors with original copies regularly changing hands for £100 + on the second hand market.
This lead to the synth laden funk track being picked up by Dam Funk & the Stones Throw crew, who shone a new light on the track via online mixes which has only increased the demand.
Officially reissued for the first time in 40 years and as always, officially licenced and remastered by Celestial Echo Records. Needless to say, buy or cry. More
This lead to the synth laden funk track being picked up by Dam Funk & the Stones Throw crew, who shone a new light on the track via online mixes which has only increased the demand.
Officially reissued for the first time in 40 years and as always, officially licenced and remastered by Celestial Echo Records. Needless to say, buy or cry. More
LP Excl
pre-sale
Cat-No:es021-fh001
Release-Date:19.07.2024
Configuration:LP Excl
Barcode:4251804125482
pre-sale
Last in:05.08.2021
+ Show full info- Close
pre-sale
Last in:05.08.2021
Cat-No:es021-fh001
Release-Date:19.07.2024
Configuration:LP Excl
Barcode:4251804125482
1
Singing Dust - 1. Involution
2
Singing Dust - 2. Let Me Take Your Name
3
Singing Dust - 3. Song Of The Reed
4
Singing Dust - 4. Sweet Agony
5
Singing Dust - 5. Love Flower
6
Singing Dust - 6. Love Is Lovely And Lowly
7
Singing Dust - 7. Desert Chant
2024 Re release edition
LP with download code
Tracklist
1. Involution
2. Let Me Take Your Name
3. Song Of The Reed
4. Sweet Agony
5. Love Flower
6. Love Is Lovely And Lowly
7. Desert Chant
Short info:
Newly formed archival label Fresh Hold presents one of Australia’s most mysterious jazz long players - Singing Dust, in collaboration with Efficient Space. Almost bound for obscurity from its inception, the eponymous creation of Queensland-based jazz pianist Robert Welsh was originally issued in 1986 on Melbourne independent label Cleopatra Records. Rich in compositional sophistication and expressive performance, Singing Dust resembles a unique fusion of Indian devotional song, the jazz piano styles of Bill Evans and Keith Jarrett, English folk and Debussey’s tonal impressions, bearing little similarity to the dominant commercial and subcultural music of its time.
Representing a culmination of Welsh’s influences in and outside of music, the dynamic collection of seven compositions accompany the Ghazal devotional poems translated by Australian poet Francis Brabazon. While Singing Dust sits loosely within the spheres of exploration that many jazz players took into world fusion in the '80s, it stands alone in its bright searing light of truth, love and austerity.
A true work of dedication and posterity that will appeal to many serious music lovers, the album has finally been transferred and remastered from original tapes by Dan Elleson, superseding the imperfect 1986 pressing and fully realising Welsh’s expansive vision.
More
LP with download code
Tracklist
1. Involution
2. Let Me Take Your Name
3. Song Of The Reed
4. Sweet Agony
5. Love Flower
6. Love Is Lovely And Lowly
7. Desert Chant
Short info:
Newly formed archival label Fresh Hold presents one of Australia’s most mysterious jazz long players - Singing Dust, in collaboration with Efficient Space. Almost bound for obscurity from its inception, the eponymous creation of Queensland-based jazz pianist Robert Welsh was originally issued in 1986 on Melbourne independent label Cleopatra Records. Rich in compositional sophistication and expressive performance, Singing Dust resembles a unique fusion of Indian devotional song, the jazz piano styles of Bill Evans and Keith Jarrett, English folk and Debussey’s tonal impressions, bearing little similarity to the dominant commercial and subcultural music of its time.
Representing a culmination of Welsh’s influences in and outside of music, the dynamic collection of seven compositions accompany the Ghazal devotional poems translated by Australian poet Francis Brabazon. While Singing Dust sits loosely within the spheres of exploration that many jazz players took into world fusion in the '80s, it stands alone in its bright searing light of truth, love and austerity.
A true work of dedication and posterity that will appeal to many serious music lovers, the album has finally been transferred and remastered from original tapes by Dan Elleson, superseding the imperfect 1986 pressing and fully realising Welsh’s expansive vision.
More
2LP
pre-sale
Label:Fox & His Friends
Cat-No:FOX003LP
Release-Date:13.09.2024
Configuration:2LP
Barcode:0793597119766
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152577_2323F26E.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Label:Fox & His Friends
Cat-No:FOX003LP
Release-Date:13.09.2024
Configuration:2LP
Barcode:0793597119766
1
Zdenka Vuckovic - Ja Cu Prezivjeti (I Will Survive)
2
Gabi Novak - Pjesma Je Bila Zivot Moj
3
Krunoslav Slabinac - Juzni Vjetar
4
Arian - Do Posljednjeg Daha
5
Moni Kovacic - Be My Bear
6
KIM - Naivke
7
Rok Hotel - Disko
8
Grupa ST - Superkazanova
9
Ivica Surjak - Julija
10
Vera Kapetanovic - Ne Gubi Vreme Sa mnom
11
Milka Lenac - Zeljo Luda
12
Nano Prsa - Dzingis Kan
13
Dubravka Jusic - Stani Stani
14
Ljupka Dimitrovska - Robot (Version 1983)
15
Ana Sasso - Krenimo Niki
16
Elvira Voca - Drugo Vrijeme (The Second Time)
17
Opatijski Suveniri - Vamos A La Playa
18
Roman Butina - I'm Gonna Get Your Love
A collection of 18 rare disco tracks from Yugoslavia. Compiled by Leri Ahel & Zeljko Luketic from original master tapes. Fox & His Friends label owners Ahel & Luketic selected obscure 7'' singles, b-sides, out-of-print releases and digged deep into the vaults of Jugoton to tell the story of how disco infiltrated clubs and pop music. This compilation is vinyl counterpart to their pioneering research and work in two major exhibitions tracing roots, influences and social significance of disco in music, fashion and design held in 2015 in Klovicevi Dvori Museum and HDD Gallery in Zagreb. "Socialist Disco - Dancing Behind Yugoslavia's Velvet Curtain 1977-1987" double gatefold LP with extensive liner notes contains tunes from KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, Ana Sasso, Moni Kovacic, Milka Lenac, Rok Hotel, Ivica Surjak, Grupa ST, Nano Prsa and many more in various sub-genres including classical orchestrated disco, dance reworkings of international chart hits and synth-filled italo-disco stompers performed by Yugoslavian music stars, fashion models and even sports and football heroes. Disco, a vital Trojan horse (in local notion: a pop music you can dance to), stayed quite a long time In Yugoslavia, refusing to be silenced and refusing to jump into the bandwagon of expected. It was influenced by American and European disco sound, for example, by the Boney M, Amanda Lear or Love Machine, who all visited Yugoslavia and had live concerts. The producers and the big record companies like Jugoton, PGP RTB, Diskoton or ZKP RTVL, noted the hype in music and they constantly probed the market with limited run of seven inchers or special performances. Some artists were quite successful, but the rest were in the 7'' single empire which was free enough to experiment with all things disco had to offer - genre hybrids, use of electronics, sexual innuendo, bizarre lyrics and most importantly, great musicians and major composers having fun. The no-restrictions policy of disco was there to evade the rules and surely it did.
More
Label:Not On Label
Cat-No:PSR1011204
Release-Date:28.06.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Not On Label
Cat-No:PSR1011204
Release-Date:28.06.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
1
Gray - Sweetness Of The New
2
Gray - Willie Mays
3
Gray - New York City Have Some Pity
4
Gray - Rene
5
Gray - Monochromatic Breakdown
6
Gray - Galvestown
7
Gray - Brooklyn Sky
8
Gray - Dan Asher Remix
9
Gray - Battle Gray
10
Gray - 300 Americans
Noise, art, experimental music band Gray, founded by Jean-Michel Basquiat in 1979, has released their 2nd album titled, “Last of the Beats,” a reference to the lyrical poetry featured on the album, inspired by the likes of Allen Ginsburg and William S. Burroughs (Gray's first album was “Shades Of…,” released in 2010, a true collector's item today). Original Gray members Nick Taylor and Michael Holman conceived of this sonic and verbal work of conceptual and intellectual beauty, knowing they would be collaborating with a variety of celebrated musicians and lyricists, including: James Lavelle of U.N.K.L.E. (and Mo'Wax Records); writer and Downtown New York editor Glenn O’Brien of GQ and Interview magazines; Spike Lee actor and spoken word artist Roger Guenveur Smith; music producer and Digable Planets' DJ King Britt; John Cale Band and Andre 3000 drummer Deantoni Parks; legendary Hip Hop music producer Arthur Baker; “The Widow Basquiat” Suzanne Mallouk; 1970s New York scenester and poet Victoria Galves; with liner notes written by famed American art critic Carlo McCormick
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
LP Excl
pre-sale
Label:Internasjonal
Cat-No:INTLP009
Release-Date:06.09.2024
Configuration:LP Excl
Barcode:4251804182102
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152634_8B1BD78D.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Label:Internasjonal
Cat-No:INTLP009
Release-Date:06.09.2024
Configuration:LP Excl
Barcode:4251804182102
1
Kabinett - A1 The Very Far From You 03:52
2
Kabinett - A2 Volatile Love 03:42
3
Kabinett - A3 Owl Disco 04:21
4
Kabinett - A4 The World That I Created Now Is Mine 04:50
5
Kabinett - B1 Monsoon 00:24
6
Kabinett - B2 Don't Rush 04:17
7
Kabinett - B3 More Fantasy 01:44
8
Kabinett - B4 Morning Release 04:52
9
Kabinett - B5 Space 03:47
10
Kabinett - B6 Icarus 04:55
Genre: House
Genre: Disco
Tracklist 12":
A1 The Very Far From You 03:52
A2 Volatile Love 03:42
A3 Owl Disco 04:21
A4 The World That I Created Now Is Mine 04:50
B1 Monsoon 00:24
B2 Don't Rush 04:17
B3 More Fantasy 01:44
B4 Morning Release 04:52
B5 Space 03:47
B6 Icarus 04:55
Short Info:
Colombian artist Kabinett brings a soul and harmonic proposal in the many forms of alternative disco and house through embellished productions and DJ sets finding himself every time as medium for all possibilities.
Involved in music from an early age through classical music, while being exposed and inspired by his older brothers in the many forms of what electronic music was developing, Nicolás, his given name, knew that his future and purpose was only going to be around what matters him the most, music. After learning different instruments in the early years and through a mix of self-education and formal education in contemporary music and music production, as well his first steps as a DJ, at age 20 he was ready to get involved in Colombia's capital electronic music scene as curator, DJ, label owner and music producer.
Founder of vinyl house label Nómada Records next to established artist such as Felipe Gordon & Joint4nine, his mentors, Kabinett have been fed enough to developed a full curation career working for Kaputt Club, El Coq & W Hotels, and more recently Casa Cruxada where he has helped to develop an identity for each which as of today has only enriched the local scene.
More recently as head of Kaputt.wav, his new label, which is now house of artist such as Curses, Iñigo Vontier, Theus Mago, Dombrance, Damon Jee, among many more, promises to keep growing and develope music overseas.
As of his personal artist career, have count on releases in labels such as Glitterbox, Midnight Riot Records, Partyfine, Platino Records, Duro, Playground, Sonido Moderna and more recently in Prins Thomas own label, Intersnajonal which will release his third solo EP in summer 2024.
With a deep understanding and experience on the music scene and a strong influence on dance genres, Kabinett and his music transcends the listeners souls and dive deep into a conscious dance.
More
Genre: Disco
Tracklist 12":
A1 The Very Far From You 03:52
A2 Volatile Love 03:42
A3 Owl Disco 04:21
A4 The World That I Created Now Is Mine 04:50
B1 Monsoon 00:24
B2 Don't Rush 04:17
B3 More Fantasy 01:44
B4 Morning Release 04:52
B5 Space 03:47
B6 Icarus 04:55
Short Info:
Colombian artist Kabinett brings a soul and harmonic proposal in the many forms of alternative disco and house through embellished productions and DJ sets finding himself every time as medium for all possibilities.
Involved in music from an early age through classical music, while being exposed and inspired by his older brothers in the many forms of what electronic music was developing, Nicolás, his given name, knew that his future and purpose was only going to be around what matters him the most, music. After learning different instruments in the early years and through a mix of self-education and formal education in contemporary music and music production, as well his first steps as a DJ, at age 20 he was ready to get involved in Colombia's capital electronic music scene as curator, DJ, label owner and music producer.
Founder of vinyl house label Nómada Records next to established artist such as Felipe Gordon & Joint4nine, his mentors, Kabinett have been fed enough to developed a full curation career working for Kaputt Club, El Coq & W Hotels, and more recently Casa Cruxada where he has helped to develop an identity for each which as of today has only enriched the local scene.
More recently as head of Kaputt.wav, his new label, which is now house of artist such as Curses, Iñigo Vontier, Theus Mago, Dombrance, Damon Jee, among many more, promises to keep growing and develope music overseas.
As of his personal artist career, have count on releases in labels such as Glitterbox, Midnight Riot Records, Partyfine, Platino Records, Duro, Playground, Sonido Moderna and more recently in Prins Thomas own label, Intersnajonal which will release his third solo EP in summer 2024.
With a deep understanding and experience on the music scene and a strong influence on dance genres, Kabinett and his music transcends the listeners souls and dive deep into a conscious dance.
More
4LP
pre-sale
Label:Warp
Cat-No:WARPLP21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:4LP
Barcode:5056614797794
pre-sale
Last in:-
+ Show full info- Close
![](/covers/152583_6E99F401.jpg?p=cover_thumbnail_width_only_nocrop)
![](/covers/152583_361B51CC.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Label:Warp
Cat-No:WARPLP21R
Release-Date:04.10.2024
Genre:Electronic
Configuration:4LP
Barcode:5056614797794
1
Aphex Twin - #1
2
Aphex Twin - #2
3
Aphex Twin - #3
4
Aphex Twin - #4
5
Aphex Twin - #5
6
Aphex Twin - #6
7
Aphex Twin - #7
8
Aphex Twin - #8
9
Aphex Twin - #9
10
Aphex Twin - #10
11
Aphex Twin - #11
12
Aphex Twin - #12
13
Aphex Twin - Blue Calx
14
Aphex Twin - #14
15
Aphex Twin - #15
16
Aphex Twin - #16
17
Aphex Twin - #17
18
Aphex Twin - #18
19
Aphex Twin - #19
20
Aphex Twin - #20
21
Aphex Twin - #21
22
Aphex Twin - #22
23
Aphex Twin - #23
24
Aphex Twin - #24
25
Aphex Twin - #25
26
Aphex Twin - th1 [evnslower]
27
Aphex Twin - Rhubarb Orc. 19.53 Rev
An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More