DJ Support: Jamie Jones, Marco Carola, Joseph Capriati, Enzo Siragusa, Samuel Deep, Chris Stussy

Closing another remarkable year for himself and his label Up The Stuss, Amsterdam-based tastemaker and label boss Chris Stussy returns for one final musical escapade before ushering in the new year - once again showcasing his signature touch for blending deep grooves with subtle flair and undeniable energy.

Expect a journey through rich sounds and deeper realms as Stussy strikes gold once again.

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Journeying into deeper, more electro-tinged territories than his previous material, Chris Stussy’s first solo EP on Up The Stuss ‘Mysteries Of The Universe’ showcases his evolution as an artist at the heart of modern house music.

Weaving spacey sonics, sparse textures and swirling, hypnotic melodies, the four originals across the EP deliver fresh, expansive club ammunition from the Amsterdam favourite on his return to home turf. Joining the package, partisan favourite Giammarco Orsini becomes the second remixer on the label, serving up another killer late-night voyage to shape up the package. Don’t sleep on this one.

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A1 - Central Frenzy
A2 - Riva de Biasio
B1 - Deviant Shadow
B2 - A Glimmer of Hope

Kerri Chandler’s Kaoz Theory welcomes Amsterdam’s Chris Stussy onto its roster with the ‘A Glimmer Of Hope’ EP.

Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past five years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint. Here though he delivers his new four-tracker for Kaoz Theory.

Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.

‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.


Early DJ Support:

Kerri Chandler, Chris Stussy, Archie Hamilton, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil.


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Chris Stussy broke through in double quick time with some head turning house tracks. But what is important is that he has continued to back up that early promise years later with this EP on Moscow. He is now very much a key part of the underground with a sound that is all his own and has taken him to essential labels like Djebali, Rutilance, Eastenderz, Meta and, of course, PIV. He now makes his debut on Archie Hamilton’s Moscow records, and delivers 3 of his finest tracks to date. The EP kicks things off with ‘Wake Ning’, a deep, groovy track with a timeless, summertime feel. The B side boasts another 2 high quality tracks, Nunchi with a slightly tougher and Sonaris tying off the record perfectly in a deeper style. 3 classically infectious tracks from the Dutchman.

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Chris Stussy touches down on Dj Steaw’s House Puff for the very first time to present you the ‘Positive Mind EP’. (A1) ‘Positive Mind’ kicks things off with very refreshing chord sounds, catchy b-lines and church voices that lead you dreaming in the breaks. (A2) ‘Alone In The Dark’ is a dance floor orientated track that keeps you moving all the way through. (B1) On the flip-side ‘You & Me, Together’ has that typical Stussy style with a bumpy bassline combined with deep and dreamy chords, next to some crunchy 909-drums. (B2) Cabinet Case rounds off the package with warm attitude via blissed out synth pads and a delightful MPC swing on crispy hi-hats.


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The 8th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists3 depp groovy vibes delivered by Chris Stussy ! It comes as usual with a remix of the previous artist on the label : Kokaz !



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Prepare for Some Standout Tracks ! Robsoul Recordings Proudly Presents “Kinda Cloudy Ep” by the Iconic Nail (Aka Neil Tolliday). as a Cornerstone Artist of Robsoul, Nail Has Consistently Delivered Tracks That Define the Underground House Scene. This Ep Is No Exception, Showcasing His Ability to Craft Diverse and Captivating soundscapes.
“Kinda Cloudy Ep” Features Tracks That Highlight Nail’s Versatility and Depth in House Music. Each Track Is a Journey Through Different Vibes and Rhythms, Demonstrating Why He Remains a Favorite Among House Music Aficionados. Phil Weeks Himself Has Praised This Ep, Noting Its Standout Tracks That Reflect Nail’s Innovative Approach to music
.Nail’s Legacy in the House Music World Is Profound, With a Career Spanning Decades and a Reputation for Producing Timeless Tracks. His Work Continues to Influence and Inspire, Making “Kinda Cloudy Ep” a Must-Listen for Anyone Who Appreciates Quality House Music. Dive Into the “Kinda Cloudy Ep” and Experience the Diverse Sounds of Nail.....

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2024 Repress

3 DANCEFLOOR HOUSE SECRET WEAPONS NEVER RELEASED ON VINYL. FROM PARIS TO TORONTO AND BACK ! LIMITED PRESSING NOT TO BE MISSED !

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Repress!

Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential....

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Three classic house cuts by label boss himself ! Strictly limited , not to be missed !

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New Sampler with Unreleased tracks by Mark Farina, DJ Sneak, Joss Moog & Phil Weeks



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ROFirst volume with Lorenzo - Get Deep (ROSBOULLTD07), Joss Moog - Forever Pimpin’ (ROBSOUL50) & Phil Weeks – Hypnose (ROBSOUL07) what else?



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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.



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One of Robsoul’s freshest faces returns to the label to follow up his 2015 ep, ‘Music Makes Me High’, with a brand new brace of tracks. Welcome back Reda daRE. The London based Parisian’s brand of deep, smooth, jackin’ funk made him a perfect addition to the label family, with his debut offering finding favour with many and further boosting an already growing reputation and following. ‘Camille’s Dab’ and ‘Mother Superstar’ are set to fire this further with their infectious grooves, warm production and classic flavours.



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Its been almost a year since our Robsoul brother Chris Carrier unveiled new music on the label. After recent remix and release forays on Hot Creations, Cuttin’ Headz and his own Adult Only imprint, Mr Consistent is back with a trio of hot new jams. With its familiar screams and bumping bassline, title track ‘Plastic Dance’ sets the trend as its tickled ivories and snatched snares create a dancefloor commotion. ‘Hoverbike,' with its future facing title, actually presents crisp classic sounds wrapped in a haze of floating filters. A track that will draw even the most reluctant groovers to the dancefloor. For those still holding out, Chris also drops a bass-heavy Dub version to give them an extra nudge.



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Summer's round the corner and Javi Bora & IAAM are back on Robsoul with a sizzling new soundtrack for the weeks ahead. Somewhat of a label regular, Javi makes his fourth Robsoul return, backing up EP’s in 2012, ’13 & ’14. He teams up with fellow Spaniard and regular sparring partner IAAM, as they follow up recent releases on Music For Freaks and Bauhaus with ’Tonight,' a four track party-starter of an EP. The drum-laden ‘Perklap-Style’ opens the EP and its raw energy is quickly followed by the filtered disco flavour of ’Tonight’. On the flip the funky feels continue with ‘I Just Can Feel’ as its classic sample calls for some choreographed roof raising. Finally, closing up is ‘Rolling Up,' a bass-heavy beat tool that brings a perfect end to Tonight.

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D’Julz’s ‘Ze Box’ Ep, his 2014 debut for Robsoul, remains one the labels most popular to date. Now, as the Frenchman and renowned House luminary embarks on what is already a landmark year personally; he returns to the label to follow up last years Edits outing with a sultry new selection of tracks on the ‘Foxxy’ Ep. 2017 signals the twentieth anniversary of D’Julz’s seminal Bass Culture club night at Rex Club in Paris. A celebration of a party born from frustration with his City’s scene, it went on to become one of the longest standing and most respected nights of a generation. Sharing the booth with just one invited artist each night, each playing extended sets, gave the Parisian a perfect outlet for perfecting his craft. Skills honed at those Bass Culture nights not only helped craft an enviable DJ style, but also influenced his talent in both a&r’ing for his Bass Culture record label and the production of his own music. The Foxxy Ep finds D’Julz in a playful mood. ‘Ze Fox’ opens up with its stretched filters, funky guitar lick and merry vocal. The jittery hats of ‘Big Kid’ follows with its disco loops and sunshine vibe delivering smiles for miles, making you, yeah, feel like a big kid. ’Next’ is the cute little heartbreaker that brings this Foxxy Ep to a close. Its rough, juddering and yet grooving bassline is matched with synth washes, piercing snares and bird calls to create a perfect finale to a perfect EP.
You’ll wanna take her home. Foxxy.



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