UPC A Barcode: 678414002370 Releasedate: November 29, 2013
A1) Dive B1) Self Construction B2) Self Construction Dub
D'julz returns to Ovum with the "DIVE" EP
A longtime staple of the Ovum roster, D'Julz returns with his fifth release on the label the "Dive" EP. Our great friend has been busy of late, successfully building, A&Ring and releasing on his incredible Bass Culture imprint. He has also been prolific on the remix front with reworks on Oslo, Rekids, Dessous, Soma, and Ovum. His latest Ovum release opens with the title track, Dive. Deep, brooding and loaded with bulbous bass throbs throughout, this atmospheric techno cut with its rasping hi-hats and marching drum-line is not one for the feint of heart. Ramping things up on the flip is the glorious Self Construction, with its warm bassline, euphoric synth riff, groove-inducing stabs and bubbling melody, D'Julz delivers a perfect DIY soundtrack. Also included is an exclusive Dub mix of Self Construction which takes us deeper with its spritely key melody.



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UPC: 827170459762 Release : 11.02.13
Tracklist: A1. Special Day B1. Le Visiteur B2. Nuage
For the first Circus Company record of 2013, our dear old friend Julien Veniel returns once more to the fold to deliver an EP polished with a cosmic allure that continues our trajectory into the outer realms of house and techno possibilities. D'Julz is of course no stranger to our star-gazing bandwagon, having already delivered two previous EPs for us over the years, but even these considerable contributions represent just a drop in the ocean in the back catalogue of our fellow Parisian brother. With his widely celebrated Bass Culture label, and releases for such powerhouses as 20:20 Vision, Ovum and Dessous over a career stretching back to '92 the man knows what is needed to communicate to the dancefloor. This EP is no different, with Julien combining the psychoactive effect of his hypnotic melodic content with rigid, unflinching drums, leading the mind and body down seperate paths for that most honest of physical and mental responses. Rather than forcing such an effect on the unsuspecting listener, an inescapable seduction is at work in those shapeless pads and warming tones, which makes the submission to his message all the more unconscious. From disembodied vocal flutters to throbbing bass lines, it's impossible to refuse the invitation to close the eyes and jack the body at any point within these three tracks. Delivered with a refinement and attention to detail that can only come from a life lived in service to the music of the night, 'Special Day' contains all the mysticism and groove that we require in order to continue the tale of Circus Company into yet another year of unforgettable music.


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D’jul returns to Ovum with his 'Second Hand Feet' EP. This is the follow up to the hugely successful 'Just So Yo Know'


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Since 2000, D‘julz produced and released his tracks on labels such as Dessous, Ovum, Brique Rouge, Se rial, 20/20 Vision, Paper, Music for Freaks and End recordings, and we are happy to present his latest tracks on Poker Flat. „Runny“ is a great euphonious, techy and percussive track around an alienated violin sound. The remix has been contributed by Dan Berkson and James What, who released already their „Cantina“ EP (pfr77) on Poker Flat. Their mix comes in the typical Berkson and What sound with warmer keyboard sounds and a groovy bassline. „Sign“ on B2 is a deep, but pushing Tech-House tune with a great build-up. Super-cool EP!

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After the 01 as David Rauer's artist catalog was published by Kettler Verlag, the visual artist also continue as label manager and release Metaboman (music Krause, Circus Company) - 'The Big Zapfe', number 2 in the Blubbernugget series after.

The A side grooves as Rapturous free jazz house piece in a class of its own and extra length. Wendelin Weissbach aka. Metaboman used original sounds by David Rauer in 'Die Große Zapfe'. Garnished
With his trademark sounds and grooves he really impresses the audience
to offer special tastings. This thing eludes everyone Category attributions.

'La Wasch' stomps cheerfully dystopian in the house club - LAVA-GEH!

Nicey Forever is what it is, a consistent after-hours cocktail for connoisseurs and connoisseurs.

A1 Die Große Zapfe 19:58
B1 La Wasch 6:21
B2 Nicey Forever 6:11




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Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.

"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.


VITAL SALES POINTS:

- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader

Special remarks:

- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"


Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)

Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power


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LP

- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988

The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.

Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.

Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?

The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.

We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.

The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.

TRACKLISTS:

Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane

Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)



Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk

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The Outer Edge is proud to present the first ever vinyl release of "No Message" by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On "No Message", originally released in 1985, we hear the band's most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.

VITAL SALES POINTS:

- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985


TRACKLISTS:

Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message

Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams



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2LP

- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker


2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract

3. TRACKLIST:

Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly

Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar

Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social


Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta

4. SHORT INFO:

Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.



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