LA-based band ASHRR picked up plenty of new fans with their recent Sunshine Low album and now they're back with the sixth single from it and it comes with some seriously heavyweight names on the remix. Chicago house pioneer Ron Trent does his thing to 'Please Don't Stop The Rain' by going super deep, spine tingling and heady with some lush arps and distant guitar twangs adding a Balearic feel. Dub treatments come from the Prescription boss himself, while ASHRR's alter ego, ASHRR Soundsystem, offer up an instrumental and a remix that lay down dubby house drums and lush chord work. This one keeps the summer vibes going well into winter.

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LA-based band ASHRR picked up plenty of new fans with their recent Sunshine Low album and now they're back with the sixth single from it and it comes with some seriously heavyweight names on the remix. Chicago house pioneer Ron Trent does his thing to 'Please Don't Stop The Rain' by going super deep, spine tingling and heady with some lush arps and distant guitar twangs adding a Balearic feel. Dub treatments come from the Prescription boss himself, while ASHRR's alter ego, ASHRR Soundsystem, offer up an instrumental and a remix that lay down dubby house drums and lush chord work. This one keeps the summer vibes going well into winter.

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Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings. 'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.

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20/20 Vision and Crazy P continue their long and fruitful relationship with a fourth volume of carefully curated and super-fresh new cuts as part of this fine ongoing series. Scandi-disco don Ray Man opens up with typically lush cosmic melodies and loose-limed nu-disco beats with more than a hint of funk. Tigerbalm then heads into a tropical oasis with 'Cosmic Union' (feat Joy Tyson) which has Afro rhythms and steamy vocals bringing the heat. Ruf Dug shows his multi-genre chops again with 'Vape Quarter Rhythm' which is part proto-house cut and part dreamy Italo bliss out with rave whistles and hands-in-the-air chords. Ibiza's Tuccillo closes out with one of his signature Balearic gems in 'Siroco', which is as breezy and carefree as cocktails by the sea at sundown.

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Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.

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After the first two well-received outings of this series, Crazy P is back with another of their Curates offerings This is another limited edition selection with four cuts all carefully selected by the disco funksters and all served p with fresh art by the one and only Bristol artist Victoria Topping. Hardway Bros kick off with some nice far-sighted deep disco, Das Komplex's is a more psyched-out offering then Lea Lisa brings a lush and symphonic sound and Red Rack'em offers late-night lover's grooves to make for a very tasteful and nicely diverse selection

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Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

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Following the epic dystopian LP 'Manifold' Versalife returns with his second album on 20/20 Vision 'Chronoception'. The accomplished Dutch producer Boris Bunnik aka Conforce delves deep into the cosmic abyss with 8 auditory adventures laced with shadowy tones, deep base and robotic funk.

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Ralph Lawson's 20/20 Vision has been a reliable home for disco funksters Crazy P over the years. Even though the label has veered more into electro sounds of late, happily it still has the space for this second volume of tunes curated by the Nottingham outfit. It shows how their sound has broadened over the years and takes in the gorgeous downtempo lushness of A Certain Ratio's 'Atmosphere Sings' next to Hot Toddy's deep and thoughtful groove 'Barry & The Mouse'. On the flip is some majestic and cosmic Italo from scene-godfather Daniele Baldelli & Marco Dionigi on 'Neono' and then Sarah Bates rounds out with some rugged bass guitar riffs and late-night tropical heat on 'All About That'.

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20/20 Vision have enlisted disco overlords Crazy P to curate a brand new series of records for the label, with exclusive tracks produced by some of their favourite artists on the cards. Designed to stretch beyond the world of disco and showcase the band's wide ranging and eclectic musical tastes, there'll be Balearic moments, downtempo beats, indie dance and electronica spread over four vinyl records.
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments.

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Originally from France and now based in Berlin Isolated Material has dropped a steady run of heavy hitting releases on labels including; Brokntoys, Haws, Ukonx, 909 Connection and Mind Controlled Rectifier before joining us for his debut EP on 20/20 Vision.

'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.

On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks.

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Subb-an returns to 20/20 Vision with 'State Of Flow' featuring vocals from Oli Gosh (Crosstown Rebels). Ash Subhan has been an integral part of the deep house and techno scenes over the last decade and more with releases for One Records, Spectral and Culprit.

'State Of Flow' is a beautiful slice of deep techno that incapsulates atmospheric layers of melodies and vocals with powerful bottom heavy bass and percussive floor control. SOF is the first collaboration between Subb-an and singer songwriter Oli Gosh and has resulted in new directions and musical landscapes.ASOF comes complete with remixes from Adam Pits and Armec.
Adam Pits delivers a devious little gem aimed at dance-floor destruction that winds it's way between a heavy garage bassline and 90's four to floor house rhythms, fragmenting the vocal around an increasingly unhinged and infectious groove. It's fusion served at it's finest and a super fresh sound perfectly placed for the current club scene.

Armec accentuates and expands the immense power hidden in 'State Of Flow' by breakin' the beats up and adding heavily swung filtered loops snaking around a massive bass. The Armec remix comes complete with a twist to its tale with the additional of a magnificently wobbly arpeggiated synth twisting our melons into a right old state.

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The much loved and highly sought after Hot Toddy Remix of Never Gonna Reach Me is finally getting a long overdue vinyl repress from the original masters and artwork. It's no exaggeration to say that NGRM has become a bona fide disco classic since its first release that has stood the test of time. Crazy P band member Chris Todd took the original version from the band's Stop, Space, Return album and remixed it up for the dance floor adding disco drums, rhodes keys and arpeggiated synth sequences. On the flip side there is another sublime remix from Still Going, the New York duo best known for their output on DFA. All in all an absolutely essential addition to any record collection...

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Carl Finlow has produced an astonishing catalogue of music over a career spanning three decades, with his discography including hundreds of releases and remixes under a variety of monikers. 'Desequence' is the latest edition to Finlow's expansive productions and a masterclass in electronic music.A

'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.A

'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes.

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ATAXIA & Mister Joshooa kick off with 'Subversive' - a slick tripped-out breakbeat-driven jam from Detroit's Marble Bar and TV Lounge residents. It's a powerful and expertly programmed production with a barrage of drums and bass held down by an array of ricocheting synth and vocal FX, tried and tested on Detroit's most discerning dancefloors. Next up Harrison BDP let's loose with 'Dirty Mochyn', a 90's inspired roller from the prolific producer featuring his signature dubby sound design, synth licks and a throbbing bassline.

Strap yourselves in, as the flip side opens with a deep house composition from hotly tipped Leeds based producer Adam Pits. 'Pat On The Back' sucks you into a wormhole of bubbling music with cosmic pads swirling around the stereo field and a beautifully expressive synth line - finished to perfection with a highly swung TR909 groove. The record is then perfectly balanced by Berlin based Keisuke with 'Ok Taiko' - a deep driving house track following hot on the heels from his killer debut EP on Phonica White. 'Ok Taiko' oozes with TB303 goodness and nostalgia-evoking piano stabs, all strung together with an ever evolving house rhythm.

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The Exit Planet Earth series continues with the first ever collaboration between two undisputed electro-funk heavyweights Egyptian Lover & Soul Clap. Egypt knows how to rock the TR 808 like no other and has been a true player on the LA electro scene since 1984. While Soul Clap have forged their unique E-Funk sound coming out of New York City as part of the Crew Love collective. The resulting track 'Hai Karate' is a slice of superbly produced classic electro designed to rattle bass bins from Miami to Mars.
Following form in classic electro directions, Futurenauts present their debut track 'We are the Futurenauts' that brings a slower based groove reminiscent of 'A Love from Outer Space' into the cosmos and delivers a powerful message to humanity. The flip sees a welcome return to 20/20 Vision from the Maltese magician Sound Synthesis who continues the vocoded vocals but adds a state-of-the-art assault on the senses with a slamming track aimed firmly at the discerning dancefloor. EPE 08 is finished off in fine style by Mick Wilson & August Artier with 'Akira's Cry', which fuses a deep house bassline and chords with tight break beat programming and powerful lead strings.

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Fragments of Reality continues to suck you through wormholes into the multiverse with the second selection of exclusive V/A tracks produced for the fledgling imprint.

FOR 02 opens with a brand new collaboration between Subb-an (ONE records) and Luther Vine (Phonica) with a track called 'Expression' - an ominous, swirling, floor-filling monster that combines relentless rhythms, otherworldly vocals and futuristic synths into a high-quality production. It's closely followed by 'Animal Anthem' from acid breaks maestro Rudolf C, that features his trademark multi-dimensional layers of sound wrapped up in a contemplative mood and finished with intense production skills.

The flip side opens with 'Pyramid' a fresh new sound from a mysterious duo, Voodoos and Taboos. Following a string of high calibre releases on Phonica AM and their own label the duo continue to make their mark as masters of cinematic sound design with this tripped out mind melter! FOR 02 is beautifully balanced with 'Enchanted' from Berlin based duo ERIS, known amongst other things for their releases on Tokyo based label, Cabaret. Once again Fragments of Reality delivers four unique excursions into different dimensions and soundscapes.

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Barcelona based Annie Hall drops her debut EP on 20/20 Vision 'Maruxaina', following releases on D1, Detroit Underground, Semantica, CPU and most recently our Exit Planet Earth vinyl series. Annie's eclectic and uniquely expressive output has seen her serve up tracks that take you straight to the dance floor, alongside complex and inventive musical soundscapes.

Kicking things off on the A side the title track 'Maruxaina' draws you in with nostalgic breaks and bass trudges, complimented by warm echoed chords and hypnotic tones. Next up on the A side 'Meiga' serves up a driving groove with deep rolling drums and patterned glitches, intertwining uplifting chord progressions and a soothing vocal, forming a uniquely mesmerising electronic soundscape.A

'Bretema' opens up the B side with a space bound atmospheric gem, grounded by a solid break groove yet elevated with cinematographic synths and harmonic melodies. Wrapping up the EP 'Sarabia' provides an unapologetic experimental expression that blurs the boundaries of genre, with off kilter pads, deep kicks and edgy glass synths creating a beautifully obscure serenity.

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There seems to be something in the water down in Hastings as a veritable hive of electronic music artists have been busy making beats in ever growing numbers down there - including Kim Cosmik.

Kim's debut on 20/20 Vision is an impressive and highly original mix of techno, electro, broken beats and industrial sounds, destined to destroy the long-anticipated dance floor revival. Although overall the record is abrasive, hard-hitting and takes no prisoners - beneath the surface, in tracks like 'Drifting' we also find nuances of emotional musicality that shed vast streams of light on the proceedings. The record does indeed kick off with intent though with 'Night Flight' - a blistering techno workout that would resonate magnificently in the mighty Berghain hall. There's no holding back the menacing bass line, fortified tough jacking groove on this one as strong synth lines and strings embellish and complete the soundscape.Over to 'Ore' which cranks up the gears into an industrial techno slammer packed with abstract outer-planet sound design finished off with pounding overdriven drums programmed with military precision.

On the flip side is a gem called 'Nocturnal'- this is the cut that first really caught our attention at 20/20 Vision, with it's merciless industrial dubstep kick drums and brutal precision. It's a simple, stripped back workout held in place beautifully by a discordant string - there's just no escaping this fierce ruling diva. Not for the faint-hearted but those who dare will be rewarded.

Kim's final track 'Drifting' is the jewel in the crown that provides the light after the storm. It's a blissful, cosmic, jazz fused musical tapestry driven by break beats, while compassionate strings infused with Kim's own vocal harmonies and subtle piano motifs glisten and glide over the track adding soothing layers of harmonious quality. Drifting is the perfect close to a truly stunning debut EP.

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Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that AIDS inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.

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Essential Item Limited Edition No Re-Press...



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Repress!

The Space Grapes are back, this time presenting a 12" EP coming from Italian trio Collettivo Immaginario. Formed by LA-based drummer Tommaso Cappellato in conjunction with pianist Alberto Lincetto and bassist Nicolò Masetto, the group is known for their experimental blend of eclectic jazz, funk, downtempo beats, and vintage Italian library music. On this release, they are showcasing their foray into Italian vocals. The A-side "Luce" is a vibrant track that combines 80s jazz funk elements with a touch of boogie in an extended multi-rhythmic version that keeps the energy grooving. Flipping to the B-side, "Luna Gioia" offers a modern interpretation of downtempo Brazilian-funk and slow disco, accompanied by an instrumental version that allows the music to shine on its own.

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After a short hiatus LNTG is back with Vol 4 of his Soul Cut series, adding his magic touch to 3 classic cuts. A must have!

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G&D back with their 7th release of edit series. Limited press to 300 handwritten numbered copies. No Repress. Various Artists for fantastic edit label, here a GUEST SPECIAL EDITION for fired dancefloor as usual. Essential !! Supported around the world by the best Disco Djs.


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Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.

Keni Burke - Risin' to the Top (A Mike Maurro Mix)

'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.

Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'

Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)

'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.

Both tracks serve as trump cards to whip up any dancefloor at the right time'

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G&D back with their 6th Volume of edit series. Limited press to 300 handwritten numbered copies. Three killer tracks are always seriously edited by the unknown Italian duo. No Repress.

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The Voice of Love is a collection of British sophisti-pop and jazz-funk from the 1980s - ten songs ranging from unreleased demos to scarcely pressed 12”s attempt to define the scope of the British underground scene during that era.

The music presented on this release juxtaposes polished aesthetics with a punk ethos; while some bands sported sophisticated looks reminiscent of travel destinations and designer fashion, they also embraced gritty influences from iconic British acts like The Clash, Sex Pistols, and early Factory Records acts. This dynamic interplay between refinement and rebellion lies at the heart of the compilation. Artists like Jakatti, Berlin-Randazzo Band, and Xpertz offer a raw energy akin to Colourbox, Maximum Joy, and A Certain Ratio. Meanwhile, Inheritance, World Series, and Ocean evoke the sound of 52nd Street (Inheritance members went on to form that group) and Freeez (including After Eight’s notable "Southern Freeez" cover). The Goodbye Look and Sonjah & Ian introduce a smoother jazz-pop vibe, drawing inspiration from Sade and the sun-kissed allure of Ibiza.

Curated in collaboration with Michael Patricola, a pioneer in uncovering rare private pressings and obscure recordings, this project is a labor of love. This selection of long-elusive discoveries is a tender ode to the rainy melancholy of English adolescence.

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One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.

Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

Housed in a die-cut sleeve.

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