2024 Repress

Tracklist
A. DJ KOZE- DRIVEN
B. ROBAG WRUHME - X-mop 198
Info:
Hart & Tief returns. Pampa's dark bastard. The Proverbial black sheep.
For the second statement from the label, we have the twin voices of DJ Koze and Robag Wruhme. Both are masters at remaining simultaneously identifiable yet surprising, and the freedom afforded by this fledgling label sees them push their respective milieus.
Driven see's Koze return to previously mined percussive tropes and plumb a new minimalist clarity of emotion through maximal means. The track thuds, clicks and pumps in a singular trajectory that belies its complexity and compliments its title.
Not to be outdone, Robag Wruhme provides X-mop 198, a slice of linear horror-techno that deftly re-contextualises its simplistic components in to a jagged and constantly surprising listen, creating a form of body music for the mind.


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2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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"When people ask me what kind of music I do," says Soko, "I usually tell them - Punk secrets". Intimate, lo-fi, crazy, sexy, funny, tear-stained, heartbreaking, often all at once, the explosive young Frenchwoman's songs have already touched people around the world, earning her a massive global following. At one mega-gig in Australia, she had 15,000 people singing along with her. Since her teens, Soko has been on a rollercoaster journey. From a stockpile of over 100 songs, she has now finally whittled down to a selection of 14, her debut album.
Aptly entitled 'I Thought I Was An Alien', it's full of love and loss and worry - the kind of fundamental, life-dictating human feelings, which are so far beyond rational explanation, they really ought to be kept under lock and key, along with that strange apparition from Roswell. Like one of her absolute heroes, Daniel Johnston, however, Soko has the rare ability to sing openly about those feelings, in a way which is utterly compelling, sometimes devastating, but also, completely uplifting. "Most of what I do is like crying on my guitar," she says.
"Why it took me so long to make my album?" she ponders. "It's because I'm a control freak. I wanted to feel totally independent in my music. I wouldn't've been able to release anything before I was sure I could produce myself, and I can play every single instrument, except strings and horns, and control every part that's on the record, and know that I've chosen everything myself, or I've played it myself, or I made the arrangement for it." Like innumerable bedsit troubadours of her generation, Soko started out with just her voice, her acoustic guitar, and GarageBand. After moving to Paris, her early demoes were picked up by radio stations in Denmark, Belgium and Australia, making her too much of a new pop thing, without her own consent. In 2007, her music was used in a Stella McCartney show in Paris. Soko played gigs with Daniel Johnston, MIA, Babyhambles, Adam Green, Jeffrey Lewis, Seasick Steve and many others.
Tracklisting Vinyl:
Side A:
1. I Just Want To Make It New With You
2. I Thought I Was An Alien
3. People Always Look Better In The Sun
4. We Might Be Dead By Tomorrow
5. No More Home, No More Love
6. For Marlon
7. First Love Never Die
8. Treat Your Woman Right
Side B:
1. How Are You
2. Don't You Touch Me
3. Destruction Of The Disgusting Ugly Hate
4. Happy Hippie Birthday
5. I've Been Alone Too Long
6. Why Don't You Eat Me Now You Can
7. You Have A Power On Me



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World excl. France & UK, Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux).

Special Remarks:
Single black 12” vinyl in sleeve with 3mm spine

Tracklist:

A1. Discow / A2. Intertwo / A3. Citroën
B1. All Nite Long / B2. Bangyou / B3. Jumpma

Short info:

Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux), Handbraekes comes back with a brand EP, the third one since the mysterious episodic collaboration started in 2012. Blending Boyznoize electro maestria with Mr. Oizo’s peculiar touch, ‘#3’ will undoubtedly both startle minds and make bodies dance, creating disco riots in clubs and festivals around the world.




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Upc-Barcode: 827170146020 Release date 2.2.2015
Tracklisting:
Meditations 1-6
Thomas Melchior's "Meditations" series. ...1 to 6


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2021 repress

UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.




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Special Remarks: Stickered White Sleeve w/o hole
Tracklist:
A. Holding Back (My Love)(Tiger & Woods Remix)
B1. In The End (Lone Remix) B2. The Then Unknown (Prins Thomas Diskomiks)
C1. Holding Back (My Love) (Shan Funhouse Mix)
C2. Holding Back (My Love) (Pete Herbert & Dicky Trisco Version)
D1. Holding Back (My Love) (Shan Warehouse Mix)
D2. Holding back (My Love) (DJ Oyster Mix)
Short info:
Tensnake's standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone's happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert's & Dicky Trisco's respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!


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Tracklist:
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)

Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher


The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!

But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!

First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.

“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.






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Following on from the irresistible debut of Die Vögel's Blaue Moschee, DJ Koze and Marcus Fink continue on in their quest to push the envelope and fill the dancefloor with Pampa Records' second release. Pampa Records looks to highly respected producer and DJ Michel Baumann for the next chapter of the story, and he doesn't disappoint! Undoubtedly one of best producers and DJs on both the German and international scenes, Baumann is well known to fans of quality deep house and techno as the owner of the Philpot and phil e imprints. Baumann has also made a name for himself with the deep, soulful house of SoulPhiction, and with tougher beats as his club-focused alter ego Jackmate; all of this when he's not devoting any spare in-between moments to his many colllaborative projects, like The Missing Linkx.For their first Pampa Records release, Jackmate & Missing Linkx's raw grooves and innate musicality achieve new heights of inventiveness with DIsicodisco2, a record that is already one of the most memorable of the year.Within the first few seconds of "Discodisco2" it's clear this isn't any ordinary club track! A favourite in Koze's recent DJ sets, the atmospheric "Discodisco2" is propelled by the urgent momentum of stomping post-punk and deep funk. A brooding retro groove is built on a three-note bass guitar loop, with the dubbed-out bass lick making for a uniquely organic dancefloor experience. Building to a crescendo with sampled soul vocals and a dueling guitar-and-synth melody, "Discodisco2" is guaranteed to momentarily transform any club into an authentic disco block party.On the flip Jackmate & The Missing Linkx again hone in on the power of instrumentation, resulting in a track that Koze himself says sounds "like Sly Stone in the bathtub"! "TäteräTä" is built on a base of honking brass, handclaps, mouth-made percussion, and tech-tinged beats, before a cello thunders to life to deliver the penultimate moment of psychedelic quirkiness. Melding, moulding and transforming the cello into unrecognisability, it takes on a life of its own at the forefront of the track, before melting into liquid keys and ghostly choruses. By refusing the empty synthesized effects and "modern" sounds found in so many tracks these days, Jackmate & The Missing Lynkx have succeeded with Discodisco2 in creating timeless classics for fans of forward-thinking music.


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