12" Excl
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Label:Hart & Tief
Cat-No:h&t02
Release-Date:28.03.2024
Genre:House
Configuration:12" Excl
Barcode:4260038313244
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Cat-No:h&t02
Release-Date:28.03.2024
Genre:House
Configuration:12" Excl
Barcode:4260038313244
1
dj koze - DRIVEN
2
robag wruhme - X-mop 198
2024 Repress
Tracklist
A. DJ KOZE- DRIVEN
B. ROBAG WRUHME - X-mop 198
Info:
Hart & Tief returns. Pampa's dark bastard. The Proverbial black sheep.
For the second statement from the label, we have the twin voices of DJ Koze and Robag Wruhme. Both are masters at remaining simultaneously identifiable yet surprising, and the freedom afforded by this fledgling label sees them push their respective milieus.
Driven see's Koze return to previously mined percussive tropes and plumb a new minimalist clarity of emotion through maximal means. The track thuds, clicks and pumps in a singular trajectory that belies its complexity and compliments its title.
Not to be outdone, Robag Wruhme provides X-mop 198, a slice of linear horror-techno that deftly re-contextualises its simplistic components in to a jagged and constantly surprising listen, creating a form of body music for the mind.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. DJ KOZE- DRIVEN
B. ROBAG WRUHME - X-mop 198
Info:
Hart & Tief returns. Pampa's dark bastard. The Proverbial black sheep.
For the second statement from the label, we have the twin voices of DJ Koze and Robag Wruhme. Both are masters at remaining simultaneously identifiable yet surprising, and the freedom afforded by this fledgling label sees them push their respective milieus.
Driven see's Koze return to previously mined percussive tropes and plumb a new minimalist clarity of emotion through maximal means. The track thuds, clicks and pumps in a singular trajectory that belies its complexity and compliments its title.
Not to be outdone, Robag Wruhme provides X-mop 198, a slice of linear horror-techno that deftly re-contextualises its simplistic components in to a jagged and constantly surprising listen, creating a form of body music for the mind.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Hart & Tief
Label:Hart & Tief
Cat-No:h&t04
Release-Date:07.09.2018
Genre:House
Configuration:2x12" Excl
Barcode:4260544825460
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Last in:30.06.2021
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Last in:30.06.2021
Label:Hart & Tief
Cat-No:h&t04
Release-Date:07.09.2018
Genre:House
Configuration:2x12" Excl
Barcode:4260544825460
1
Robag Wruhme - Eingang
2
Robag Wruhme - Veddel Braav
3
Robag Wruhme - Perluv
4
Robag Wruhme - Wuzzelbud FF
5
Robag Wruhme - Tisma
6
Robag Wruhme - Provol Eto
7
Robag Wruhme - Maiowu
8
Robag Wruhme - Wabb Bodun
9
Robag Wruhme - Ausgang
Tracklist
A1 Eingang
A2 Veddel Braav
A3 Perluv
B1 Wuzzelbud FF
B2 Tisma
C1 Provol Eto
C2 Maiowu
D1 Wabb Bodun
D2 Ausgang
External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".
Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."
And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Eingang
A2 Veddel Braav
A3 Perluv
B1 Wuzzelbud FF
B2 Tisma
C1 Provol Eto
C2 Maiowu
D1 Wabb Bodun
D2 Ausgang
External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".
Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."
And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:Hart & Tief
Cat-No:h&t03
Release-Date:30.03.2018
Genre:House
Configuration:12" Excl
Barcode:4260544822445
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Last in:21.03.2018
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Label:Hart & Tief
Cat-No:h&t03
Release-Date:30.03.2018
Genre:House
Configuration:12" Excl
Barcode:4260544822445
Tracklist
A. Stimming - Frankfurt Main
B. Dave DK - Saida 222
Info:
Hart & Tief turns 3. As the most fascinating yet tremendous of creatures, H&T relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with what's next. Everlasting artists Dave DK & Stimming are the chosen ones to break through the clouds and reach the dimension beyond what's predictable.
SoulPhiction, Mike Dehnert, Robag Wruhme and Dj Koze delivered the first 2 releases, showing what not to expect from the Hart & Tief state of beat: comforting sounds for predictable minds. Let's turn it upside down: deep emotional trips for like-minded clubbers and artists. Non-conformist dancefloors and exacting passionate crowds.
Hamburg-based, Stimming and Dave DK have built their experience through uncountable tracks and performances. Turning the lights off and playing it loud is what they are best known for. On this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: Frankfurt Main and Saida222.
Stimming has built in a sneaky percussion with an enormous engaging touch. Buoyed up by a textured bass, Frankfurt Main reaches the center of what an in-depth track aims to be.
Saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by Dave DK in his previous and acclaimed works.
Both tracks are pushing a refreshing and windy vision that, far beyond from being "just obscure", gets us closer to a wise enlightening experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A. Stimming - Frankfurt Main
B. Dave DK - Saida 222
Info:
Hart & Tief turns 3. As the most fascinating yet tremendous of creatures, H&T relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with what's next. Everlasting artists Dave DK & Stimming are the chosen ones to break through the clouds and reach the dimension beyond what's predictable.
SoulPhiction, Mike Dehnert, Robag Wruhme and Dj Koze delivered the first 2 releases, showing what not to expect from the Hart & Tief state of beat: comforting sounds for predictable minds. Let's turn it upside down: deep emotional trips for like-minded clubbers and artists. Non-conformist dancefloors and exacting passionate crowds.
Hamburg-based, Stimming and Dave DK have built their experience through uncountable tracks and performances. Turning the lights off and playing it loud is what they are best known for. On this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: Frankfurt Main and Saida222.
Stimming has built in a sneaky percussion with an enormous engaging touch. Buoyed up by a textured bass, Frankfurt Main reaches the center of what an in-depth track aims to be.
Saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by Dave DK in his previous and acclaimed works.
Both tracks are pushing a refreshing and windy vision that, far beyond from being "just obscure", gets us closer to a wise enlightening experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:Hart & Tief
Cat-No:h&t01
Release-Date:16.09.2016
Genre:House
Configuration:12" Excl
Barcode:4260038313237
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Last in:26.07.2016
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Last in:26.07.2016
Label:Hart & Tief
Cat-No:h&t01
Release-Date:16.09.2016
Genre:House
Configuration:12" Excl
Barcode:4260038313237
1
soulphiction, mike dehnert - Sky So High
2
soulphiction, mike dehnert - Zumwald
Tracklist
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald
Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald
Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Robsoul
Cat-No:ROBSOUL119
Release-Date:20.09.2024
Genre:Detroit House
Configuration:12"
Barcode:
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Last in:24.06.2025
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Last in:24.06.2025
Label:Robsoul
Cat-No:ROBSOUL119
Release-Date:20.09.2024
Genre:Detroit House
Configuration:12"
Barcode:
1
Rick Wade - Players Theme
2
Rick Wade - Can't You See
3
Rick Wade - I Feel Good
Repress!
Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential....
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential....
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:les disques de la mort
Cat-No:dlm008
Release-Date:18.02.2016
Genre:Chicago House
Configuration:12"
Barcode:
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Last in:26.04.2022
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Last in:26.04.2022
Label:les disques de la mort
Cat-No:dlm008
Release-Date:18.02.2016
Genre:Chicago House
Configuration:12"
Barcode:
1
danny alias - Civil Defense (Dub)
2
danny alias - Civil Defense (Debt)
3
danny alias - Civil Defense (Danny)
4
danny alias - Civil Defense (Ivan Smagghe Re-edit)
5
danny alias - Civil Defense (Ron Hard Re-edit)
"Civil Defense" was—and still is—a tone poem. It was written in 1984 and first performed in various beatnik-esque coffee houses (with a simple beatbox) in and around Chicago. (I went to college on a full poetry scholarship-- believe it or not!)", as Danny himself says, and we think it's right. "Civil Defense" was recorded at Seagrape Studios, Chicago. Produced by the late David Bell; mixed by Brett Wilcots. It is considered to be one of the earliest vinyl releases of House Music. (Earlier House tunes were shared via mix tapes.) and was never repressed as a legitimate 12". LDdlm is honored to bring you this " long lost piece of the puzzle" in the retelling of Chicago House Music history. The LDdlm edition of the original recordings documents the enduring legacy of this iconic piece of audio history, including the long lost Ron Hardy edit and a reshape of the edit of Ivan Smagghe for the first time on vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Cat-No:BEC5543710ED109
Release-Date:16.11.2018
Genre:Soul/Funk
Configuration:12" Excl
Barcode:5060525437106
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Last in:27.10.2022
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Last in:27.10.2022
Cat-No:BEC5543710ED109
Release-Date:16.11.2018
Genre:Soul/Funk
Configuration:12" Excl
Barcode:5060525437106
1
HANDBRAEKES - Discow
2
HANDBRAEKES - Intertwo
3
HANDBRAEKES - Citroën
4
HANDBRAEKES - All Nite Long
5
HANDBRAEKES - Bangyou
6
HANDBRAEKES - Jumpma
World excl. France & UK, Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux).
Special Remarks:
Single black 12” vinyl in sleeve with 3mm spine
Tracklist:
A1. Discow / A2. Intertwo / A3. Citroën
B1. All Nite Long / B2. Bangyou / B3. Jumpma
Short info:
Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux), Handbraekes comes back with a brand EP, the third one since the mysterious episodic collaboration started in 2012. Blending Boyznoize electro maestria with Mr. Oizo’s peculiar touch, ‘#3’ will undoubtedly both startle minds and make bodies dance, creating disco riots in clubs and festivals around the world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special Remarks:
Single black 12” vinyl in sleeve with 3mm spine
Tracklist:
A1. Discow / A2. Intertwo / A3. Citroën
B1. All Nite Long / B2. Bangyou / B3. Jumpma
Short info:
Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux), Handbraekes comes back with a brand EP, the third one since the mysterious episodic collaboration started in 2012. Blending Boyznoize electro maestria with Mr. Oizo’s peculiar touch, ‘#3’ will undoubtedly both startle minds and make bodies dance, creating disco riots in clubs and festivals around the world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:18.01.2016
Label:cabaret
Cat-No:cabaret001
Release-Date:19.09.2013
Genre:techhouse
Configuration:12"
Barcode:
REPRESS!!!!!The New Label run by So Inagawa and dj masda who organize a club party called Cabaret based at Unit/Saloon Tokyo. The first release is done by So Inagawa, the label owner, who used be a part of The Suffragettes and has released groovy and modern house tracks from the labels like op.disc, Tsuba, Relaxine, Telegraph, minimood under his own name.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
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Label:phantasy sound
Cat-No:bec5161627
Release-Date:19.02.2021
Genre:Minimal
Configuration:2LP Excl
Barcode:5060281616272
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Last in:24.01.2022
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Last in:24.01.2022
Label:phantasy sound
Cat-No:bec5161627
Release-Date:19.02.2021
Genre:Minimal
Configuration:2LP Excl
Barcode:5060281616272
2021 repress
UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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Liebigstrasse 2-20
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Germany
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UPC: 5060281616272 Release: 07.10.2013
Special Remarks: 2LP Gatefold vinyl, printed inner sleeves, stickers
Tracklist LP : A 1. Waterjump / A2. Freefloating / A3. Naive Response B 1. Drone Logic / B2. These Nights Never End / B3. Platform Zero C1. Need Electric / C2. All I Need / C3. Spring 27 D1. Simulrec / D2. No Energy / D3. Knowing We'll Be There
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
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DE - 22113 Hamburg
Germany
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Last in:18.07.2018
Label:Pampa
Cat-No:pampa002
Release-Date:12.02.2010
Genre:House
Configuration:12" Excl
Barcode:827170314368
1
Jackmate, Missing Linkx, - Discodisco2
2
Jackmate, Missing Linkx, - Taterata
Following on from the irresistible debut of Die Vögel's Blaue Moschee, DJ Koze and Marcus Fink continue on in their quest to push the envelope and fill the dancefloor with Pampa Records' second release. Pampa Records looks to highly respected producer and DJ Michel Baumann for the next chapter of the story, and he doesn't disappoint! Undoubtedly one of best producers and DJs on both the German and international scenes, Baumann is well known to fans of quality deep house and techno as the owner of the Philpot and phil e imprints. Baumann has also made a name for himself with the deep, soulful house of SoulPhiction, and with tougher beats as his club-focused alter ego Jackmate; all of this when he's not devoting any spare in-between moments to his many colllaborative projects, like The Missing Linkx.For their first Pampa Records release, Jackmate & Missing Linkx's raw grooves and innate musicality achieve new heights of inventiveness with DIsicodisco2, a record that is already one of the most memorable of the year.Within the first few seconds of "Discodisco2" it's clear this isn't any ordinary club track! A favourite in Koze's recent DJ sets, the atmospheric "Discodisco2" is propelled by the urgent momentum of stomping post-punk and deep funk. A brooding retro groove is built on a three-note bass guitar loop, with the dubbed-out bass lick making for a uniquely organic dancefloor experience. Building to a crescendo with sampled soul vocals and a dueling guitar-and-synth melody, "Discodisco2" is guaranteed to momentarily transform any club into an authentic disco block party.On the flip Jackmate & The Missing Linkx again hone in on the power of instrumentation, resulting in a track that Koze himself says sounds "like Sly Stone in the bathtub"! "TäteräTä" is built on a base of honking brass, handclaps, mouth-made percussion, and tech-tinged beats, before a cello thunders to life to deliver the penultimate moment of psychedelic quirkiness. Melding, moulding and transforming the cello into unrecognisability, it takes on a life of its own at the forefront of the track, before melting into liquid keys and ghostly choruses. By refusing the empty synthesized effects and "modern" sounds found in so many tracks these days, Jackmate & The Missing Lynkx have succeeded with Discodisco2 in creating timeless classics for fans of forward-thinking music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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Last in:10.11.2025
Label:Oroom
Cat-No:OROOMVE001
Release-Date:12.09.2025
Genre:techhouse
Configuration:12"
Barcode:4250101484544
1
GusGus - New Arrivals
2
GusGus - Modern Consumer
GusGus are continuing their weird fusion of 80’s and 90’s vibes in the spirit of their last album DanceOrama. This time its nostalgic futuristic raving, delivering 2 nasty bits for those Dj’s bringing stranger journeys on floor, or some madness when the crowd is vulnerable for some alter reality experience.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544825095
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
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1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:17.03.2025
Label:Pampa
Cat-No:pampa035
Release-Date:21.03.2025
Genre:House
Configuration:12" Excl
Barcode:4251648412601
1
Robag Wruhme - Nata Alma (Club Smash Hit Version) 08:40
2
Robag Wruhme - Venq Tolep (Hit Club Version) 06:24
2025 Repress
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:Because Music
Cat-No:bec5161135
Release-Date:06.02.2012
Genre:Pop
Configuration:LP Excl
Barcode:5060281611352
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Last in:19.06.2018
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Last in:19.06.2018
Label:Because Music
Cat-No:bec5161135
Release-Date:06.02.2012
Genre:Pop
Configuration:LP Excl
Barcode:5060281611352
"When people ask me what kind of music I do," says Soko, "I usually tell them - Punk secrets". Intimate, lo-fi, crazy, sexy, funny, tear-stained, heartbreaking, often all at once, the explosive young Frenchwoman's songs have already touched people around the world, earning her a massive global following. At one mega-gig in Australia, she had 15,000 people singing along with her. Since her teens, Soko has been on a rollercoaster journey. From a stockpile of over 100 songs, she has now finally whittled down to a selection of 14, her debut album.
Aptly entitled 'I Thought I Was An Alien', it's full of love and loss and worry - the kind of fundamental, life-dictating human feelings, which are so far beyond rational explanation, they really ought to be kept under lock and key, along with that strange apparition from Roswell. Like one of her absolute heroes, Daniel Johnston, however, Soko has the rare ability to sing openly about those feelings, in a way which is utterly compelling, sometimes devastating, but also, completely uplifting. "Most of what I do is like crying on my guitar," she says.
"Why it took me so long to make my album?" she ponders. "It's because I'm a control freak. I wanted to feel totally independent in my music. I wouldn't've been able to release anything before I was sure I could produce myself, and I can play every single instrument, except strings and horns, and control every part that's on the record, and know that I've chosen everything myself, or I've played it myself, or I made the arrangement for it." Like innumerable bedsit troubadours of her generation, Soko started out with just her voice, her acoustic guitar, and GarageBand. After moving to Paris, her early demoes were picked up by radio stations in Denmark, Belgium and Australia, making her too much of a new pop thing, without her own consent. In 2007, her music was used in a Stella McCartney show in Paris. Soko played gigs with Daniel Johnston, MIA, Babyhambles, Adam Green, Jeffrey Lewis, Seasick Steve and many others.
Tracklisting Vinyl:
Side A:
1. I Just Want To Make It New With You
2. I Thought I Was An Alien
3. People Always Look Better In The Sun
4. We Might Be Dead By Tomorrow
5. No More Home, No More Love
6. For Marlon
7. First Love Never Die
8. Treat Your Woman Right
Side B:
1. How Are You
2. Don't You Touch Me
3. Destruction Of The Disgusting Ugly Hate
4. Happy Hippie Birthday
5. I've Been Alone Too Long
6. Why Don't You Eat Me Now You Can
7. You Have A Power On Me
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Aptly entitled 'I Thought I Was An Alien', it's full of love and loss and worry - the kind of fundamental, life-dictating human feelings, which are so far beyond rational explanation, they really ought to be kept under lock and key, along with that strange apparition from Roswell. Like one of her absolute heroes, Daniel Johnston, however, Soko has the rare ability to sing openly about those feelings, in a way which is utterly compelling, sometimes devastating, but also, completely uplifting. "Most of what I do is like crying on my guitar," she says.
"Why it took me so long to make my album?" she ponders. "It's because I'm a control freak. I wanted to feel totally independent in my music. I wouldn't've been able to release anything before I was sure I could produce myself, and I can play every single instrument, except strings and horns, and control every part that's on the record, and know that I've chosen everything myself, or I've played it myself, or I made the arrangement for it." Like innumerable bedsit troubadours of her generation, Soko started out with just her voice, her acoustic guitar, and GarageBand. After moving to Paris, her early demoes were picked up by radio stations in Denmark, Belgium and Australia, making her too much of a new pop thing, without her own consent. In 2007, her music was used in a Stella McCartney show in Paris. Soko played gigs with Daniel Johnston, MIA, Babyhambles, Adam Green, Jeffrey Lewis, Seasick Steve and many others.
Tracklisting Vinyl:
Side A:
1. I Just Want To Make It New With You
2. I Thought I Was An Alien
3. People Always Look Better In The Sun
4. We Might Be Dead By Tomorrow
5. No More Home, No More Love
6. For Marlon
7. First Love Never Die
8. Treat Your Woman Right
Side B:
1. How Are You
2. Don't You Touch Me
3. Destruction Of The Disgusting Ugly Hate
4. Happy Hippie Birthday
5. I've Been Alone Too Long
6. Why Don't You Eat Me Now You Can
7. You Have A Power On Me
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
in stock
Label:Running Back
Cat-No:rb015.5.
Release-Date:07.09.2015
Genre:House
Configuration:2LP Excl
Barcode:827170606562
in stock
Last in:03.09.2015
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Last in:03.09.2015
Label:Running Back
Cat-No:rb015.5.
Release-Date:07.09.2015
Genre:House
Configuration:2LP Excl
Barcode:827170606562
1
tensnake - holding back my love, tiger & woods rmx
2
tensnake - in the end, lone rmx
3
tensnake - holding back, shan rmx
4
tensnake - the then unknow, prins thomas rmx
5
tensnake - holding back, pete herbert & dicky trisco version
6
tensnake - holding back, shan warehouse rmx
7
tensnake - holding back, dj oyster rmx
Special Remarks: Stickered White Sleeve w/o hole
Tracklist:
A. Holding Back (My Love)(Tiger & Woods Remix)
B1. In The End (Lone Remix) B2. The Then Unknown (Prins Thomas Diskomiks)
C1. Holding Back (My Love) (Shan Funhouse Mix)
C2. Holding Back (My Love) (Pete Herbert & Dicky Trisco Version)
D1. Holding Back (My Love) (Shan Warehouse Mix)
D2. Holding back (My Love) (DJ Oyster Mix)
Short info:
Tensnake's standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone's happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert's & Dicky Trisco's respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A. Holding Back (My Love)(Tiger & Woods Remix)
B1. In The End (Lone Remix) B2. The Then Unknown (Prins Thomas Diskomiks)
C1. Holding Back (My Love) (Shan Funhouse Mix)
C2. Holding Back (My Love) (Pete Herbert & Dicky Trisco Version)
D1. Holding Back (My Love) (Shan Warehouse Mix)
D2. Holding back (My Love) (DJ Oyster Mix)
Short info:
Tensnake's standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone's happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert's & Dicky Trisco's respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Cocoon Recordings
Cat-No:COR12171
Release-Date:04.02.2022
Genre:Techno
Configuration:12" Excl
Barcode:4251648415183
in stock
Last in:08.02.2022
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Last in:08.02.2022
Label:Cocoon Recordings
Cat-No:COR12171
Release-Date:04.02.2022
Genre:Techno
Configuration:12" Excl
Barcode:4251648415183
1
Sven Väth - (1) Mystic Voices (DE-Q20-22-00006)
2
Sven Väth - (2) Butoh (DE-Q20-22-00008)
Tracklist:
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)
Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher
The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!
But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!
First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.
“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
(1) Sven Väth – Mystic Voices (DE-Q20-22-00006)
(2) Sven Väth – Butoh (DE-Q20-22-00008)
Release Info:
Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher
The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece!
But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set!
First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find.
“Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
