FRL Classic Edition

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Dino Lenny’s latest two singles for Belgian titan R&S Records get coupled together for a vinyl release. ‘Lose Control’ and ‘Washington Street’ are both served up with alternate mixes. The London based Italian producer fired out another irresistible club heater on the ‘Lose Control’ single, racking up Top Ten chart positions across the dance DSPs. On the Tea With Quincy Mix, legendary American musician Jerry Hey in drafted in to add his unmistakable horn playing to this version of ‘Lose Control. Hey is a highly seasoned orchestrator and session musician, playing on hundreds of classic recordings including Michael Jackson’s ‘Thriller’, ‘Rock With You’ and ‘Don’t Stop ‘Til You Get Enough’, and also playing with Earth, Wind & Fire, Donna Summer, Chaka Khan, Aretha Franklin, George Benson and numerous others, including Quincy Jones, whom the mix title doffs its cap to. A special ‘4am Mix’ of ‘Washington Street’ from Dino Lenny himself sits on the flip side, a propelling and heavyweight dancefloor cut laced with seductive saxophone and climaxing with sparkling melodic electronics.

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Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!

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Joey Beltram mega-ultra-classic, ‘Energy Flash’ re-mastered by Matt Colton. Pressed nice and loud on a one sided 12”. E.S.S.E.N.T.I.A.L.!!! (...still after all these years...)

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Ada Kaleh, the Romanian composer and DJ, follows up on his recent releases for R&S Records and Apollo with a brand new single, ‘Unravelling’. Featuring the vocals of Fela Kuti at his most potent, ‘Unravelling’ also includes a featured performance from Eric Leeds, the American saxophone player most noted for his work with Prince, both in the studio and as part of the Purple One’s touring band. Ada Kaleh constructs a hypnotising and minimalistic rhythm, reminiscent of Tony Allen's drumming style, speckled with dubbed out complexions and kaleidoscopic sonics that provide the perfect bed for Fela Kuti’s distinguished vocal delivery and conscientious lyric. The illustrious jazz musician Eric Leeds lends his prowess to the main mix here, as his smoky saxophone tones glide across ‘Unravelling’ with pure professional class!

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Spanish sound designer and producer Architectural layers intense beat science and waves of ethereal tones across three stunning new tracks on the ‘Clothed in Light’ EP for R&S Records. Also known for his production work under the aliases Reeko, Humano and Neither (amongst others), the experimental producer has issued a slew of mind bending releases for labels like Music Man, Pole Recordings, Non Series, Ellum Audio and his own Mental Disorder imprint over the past two decades. The ‘Clothed In Light’ EP finds Architectural back on R&S Records, following his 2020 released ‘Planet Is But A Dream’ single.

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Four tracks of esoteric and spatial electronica are served up on Quartz’s debut release for R&S Records. Via releases for Metalheadz, Rupture London and System Music, amongst others, the ascending producer from Cardiff has impressed with his unique take on drum & bass, and more recently via grime influenced dubstep. A thrilling hybrid of sounds and rhythms are pulled together on the ‘Deity Spear’ release as Quartz deploys angular breakbeats, gargantuan bass tones, convoluted rhythms, and panoramic sound design across four mesmerising tracks. The opening track ‘Lilac Cobwebs’ is a reference and homage to his deceased mother, featuring a snippet of one of her last voice notes to him, and a reference to a colour he fondly remembers of her. A spellbinding and dense release from one of the UK’s most audacious producers.

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Manchester based DJ/producer Antagonist cues up a collection of dense and uncompromising electronic tracks on his R&S Records debut. The ‘Rites’ EP pulls together 5 new tracks that lean on the artist’s drum ‘n’ bass roots and influences, a sound that has informed his DJ sets and studio productions since he launched the project in 2004. Channelling his productions towards the more cinematic and darker side of drum ‘n’ bass and broken beats, Antagonist has released a strong run of EPs for labels such as Samurai Music, Ronin Ordinance, One.Seventy and his own Discipline imprint, stamping his hybrid sound across these well received releases. Layers upon layers of shadowy ambience and wistful tones are punctured by hard edged beat-science, as Antagonist goes in deep on the complex breakbeats, chopping back and forth knifelike loops and dynamic kicks. A highly accomplished debut for the R&S label from this sonically exciting young producer.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.

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WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.net

lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.

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Repress! As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."

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Joe McBride AKA Synkro has built up a hugely impressive catalogue of releases over the last few years. Via albums and singles for Apollo, Exit Records and his own Synkro Music imprint, the Manchester based producer and sound architect has amassed a dazzling archive of elaborate, emotive and intellectual soundscapes drawing in influences across a spectrum of bass culture and electronica. On the ‘Information’ EP, it’s business as usual, as Synkro deploys four fresh and forward thinking tracks that slither across the genres with ease. From the frantic percussion and dubwise tones of title track ‘Information’ to the absorbing textures and crackling ambience of the beatless opener ‘Cycles’, the attention to detail and the depth of layered sonics across all four tracks afford the listener a truly mesmerising experience. The dusty and dark skank of ‘Signal’ is a real mood piece, whilst ‘Last Breath’ closes the EP drenched in sanguine sentiments.

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Originally released on R&S Records in 2006, Chizawa Q revives his ‘Asia’ release with the surfacing of a new remix, the ‘Asia 4 (Lost Q Mix)’. The Japanese producer, who has enjoyed a modest string of releases for F-Communications and Deka Traxxx, fires out an epically irresistible remix that is sure to soundtrack the summer clubs and festivals ahead. With its roots in the Detroit school of techno, it’s easy to hear the influences of such legends as Underground Resistance and Rolando, and the melodic style of jazzy techno established by artists like R&S Records’ Dave Angel, Vince Watson and Steve Rachmand, but the ‘Lost Asia’ EP is no pastiche. Emotive and musical, delivered with the purity and spirit often lacking in modern techno, Chizawa Q’s music is a reminder that the authentic sounds always rise to the top in the end.

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Operating on the outer rim of the drum & bass scene for over a decade, Blocks & Escher have been designing intelligent and forward-thinking electronic dance across a multitude of releases for labels such as Metalheadz, Digital Soundboy and their own Narratives Music. Their first release of 2022, ‘Shot In The Dark’ EP, pulls together four outstanding cuts of shadowy breaks and abstract electronica. Otherwise known as Phillip Smith and Will Hansen, Blocks & Escher distilled their sound into the critically acclaimed 2018 album ‘Something Blue’. Released on Goldie’s Metalheadz imprint, the long player displayed a confident maturity of sound, and a more than capable accomplishment of pulling the visionary sounds of drum & bass into a new era. The industrial breaks and hoover bass of ‘Shot In The Dark’ anchor a wave of cinematic synth sweeps, fashioning an arresting opening track on this accomplished EP. The ingenious beats continue to unfurl across ‘Abyss’ and ‘This One’, as brooding atmospherics wash over in waves. The finale of ‘Dance Girl’ ramps up the BPMs and beat complexity, as a breathless assault of rhythm and sound captivates and rewards in abundance.

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1991 techno classics - repressed and reissued for 2021! Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.

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Presenting a special limited edition reissue of a stone cold classic from the R&S vaults, 1993 style, remastered and repressed on special transparent wax. Capricorn aka Dutch producer and DJ Hans Weekhout originally released the '20Hz' 3 track EP on R&S sub-label Global Cuts to much acclaim. A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.

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Master sampler Fed Conti has a way of making grooves sound as light as a feather, elevating kraut and jazz phrases to dreamy realms where the imagination is tickled. To kick off the forthcoming debut PROGedia album, revered producer and remixer Charles Webster adds his inimitable touch to the single ‘We Are The Night’, expanding on Conti’s heartfelt arrangements, playing with beats and textures, as he travels smooth melodic lines. PROGedia is the newest alias of the Italian producer Fed Conti, also known as Mahjong and Nardis. After having played his Hammond organ with several jazz deities, and produced samples for Coca Cola and Universal, he is finally unleashing his kinky musical imagination in the PROGedia album; ‘We Are The Night’ kicks off a mixture of kraut, psychedelic grooves and nu jazz, tied together through clever arrangements and a refined sampling process. ‘It’s an escape from modern decadence,’ says Fed, who adores the authentic and offbeat. It only makes sense, then, that the first track of his upcoming album is called ‘We Are The Night’; during the darkest hours PROGedia’s retro extravagance can claim a foothold, offering a warm breeding ground for quirkiness, infatuation, and musical liberation. The renowned producer Charles Webster, too, is a real music fetishist; he got his first instruments at the age of 13 and went on to collaborate with the likes of Juan Atkins, Derrick May and Kevin Saunderson, founding his own Love From San Francisco project and following with two decades of classy and sophisticated music productions. For this occasion, he has added his unmistakable touch to the ‘We Are The Night’ title track, complementing PROGedia’s infectious grooves with poignant rhythms and motley textures.

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Two titans in UK breakbeat culture, Loxy & Ink were both present at the inception of the birth of UK dance music and continue to be torchbearers. With ‘Manifested Visions’ the duo does exactly what the title suggests; transcending the boundaries of genre, roots dub meets hip hop and in-your-face drum and bass to create a five-track EP that will make you submit, revel, rave and float.

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Sam Interface (formerly known as SNØW) returns to the seminal R&S Records following the success of last year’s R&S Presents: More Time Records Vol 1, which was a 4 track compilation featuring Ahadadream, Bala Bala Boyz, Bryte & SNØW. He is the co-founder of London’s More Time Records, on which he has released much of his own music as SNØW (including collaborations with Zed Bias, Fox, Dread MC & more) and can also be found monthly on Rinse FM and Reprezent Radio playing a range of percussive genres including UK Funky, GQOM, Kuduro, Afrobeats and more. The name change takes him closer to his first alias Interface, under which he had DnB hits with the likes of DJ Die and more, he explains: “When i first released music back in my early DnB days I used the alias “Interface” and so many people still call me Sam Interface - it feels like the most natural name for me.” The lead track “Underground” (which samples an announcement from the tube) references a range of London-centric genres, combining polyrhythmic percussion with an extremely upfront bass sound which draws influence from and exxagerates recent drill productions. “Finally”, a collaboration with an old friend & prolific DnB producer Break follows, bringing frantic motion to the release. The third track “Crud” utilises Sam’s signature gully bass production, flooding the speakers with low end on the drop. The EP wraps up with “Pink Dolphins” - a euphoric dancefloor moment which channels the energy and emotion of jungle, drawing on some of Sam’s earliest rave influences. TRACK LISTING: A1. Underground, A2. Finally (ft. Break), B1. Crud, B2. Pink Dolphins

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Space Dimension Controller returns to R&S Records for the follow up album to 'Welcome To Mikrosector-50'. Stranded at the edge of space and time; Mr. 8040 has crash landed on a strange planet following a space dust and vecta grog fuelled burnout on the astro bandit colony of PVLN. With distress calls lost to the planet's surrounding empty space and his life support system damaged beyond repair; Mr. 8040 exits his ship to brave the unknown world in the hope of finding help. Weakened by the planet's heavy atmosphere; Mr. 8040 collapses. He is awoken by the calming presence of a native woman who offers to guide him to someone that may be able to repair his ship. Though frail and disorientated; Mr. 8040 moves forward, growing ever fonder of his new aquaintance. She bestows a small piece of her life-force to him, aiding him on the early stages of their journey. Days later the pair reach The Reflective Forest; A beautiful, yet dangerous region of the planet where time moves slower - the psychoactive environment can cause crippling hallucinations. Tormented by the visions of his past; Mr. 8040 breaks down. Uncertain of his ability to travel any further, he is reassured by his companion. By sundown they find themselves at the end of their journey; but not where Mr. 8040 had expected. It is the crash site of his ship and from within the flames a figure of static and noise walks towards him. Face to face with the mysterious figure, Mr. 8040 realises it is an apparition of his former self. Under the advice of the woman that saved his life, he knows that in order to continue he must let go of all that came before the crash, both good and bad. In a sudden burst of light, Mr. 8040 and the apparition become one. The light fades and his ship appears unscathed, his newfound muse waiting onboard. With his mind and ship repaired, Mr. 8040 climbs on board. The pair leave the planet behind, embarking on new adventures deep into the unknown galaxy…

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Berlin-based producer Adam Longman Parker announces "Colored", his first full-length LP as Afriqua for R&S Records. The album is a celebration of the unifying power of Black culture through the prism of electronic music.

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R&S welcomes Brock Van Wey AKA East Of Oceans (also known as ambient legend dvdub for his stunning 2018 album 'Drowning in Daylight' on Apollo) "East of Oceans is a pure tribute to my rave history that brought everything into being; pure elation, pure drive, pure escape, and frankly, just hearing shit that was the fucking jam." Van Wey debuts on R&S with his stunning new EP as East Of Oceans 'Neverlasting Love'. As always, Van Wey's music connects deeply into his past - his East of Oceans monicker draws on his time as a stalwart DJ and promoter of the halcyon 90s San Francisco rave scene, and features a much more direct aesthetic than the gauzy remembrances of his work as bvdub. "My music as bvdub is about pausing to remember what it means - East of Oceans is about moving to forget it all." Before Brock began DJing, made his first ambient mixtape, or began down the road of ambient, deep electronics, and deep house to follow; "I began my rave life, as many did, in breaks and hardcore, the faster the better. The harder the better. But always the deeper the better.” Packed with explosive breakbeats combined with haunting vocals and sepia tinged soundscapes, ‘Neverlasting Love’ is another stunning release that see Van Wey working at the peak of his powers

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R&S present the eponymous, debut, full length album transmission from Lost Souls Of Saturn. Epic in scope, time and space, this multidimensional mind trip is for fans of Mark Leckey's 'Fiorucci Made Me Hardcore', David Morales' Red Zone dubs, Don Cherry's 'Organic Music Society', The Orb's 'Ultraworld' and KLF's 'Space' and much more besides. This ambient house masterpiece combines flavours gathered from across the galaxy, stewing them up into a delicious primordial soup. Old sci-fi soundtracks, acid, free jazz, avant garde, musique concrete, world music and more all whirl around an underground-dance-music axis. Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery, and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making. Attempting something creatively that's above-and-beyond, LSOS explore new ways to open doors of perception and challenge the reality vs. simulation paradigm, whilst capturing the spirit of Alejandro Jodorowsky, Philip K. Dick and Sun Ra within their music, live experiences and films. These spiritual, psychoactive aural vibrations resonate for a long distance, all the way back to something deeper and more enchanting than the prosaicism of modern life:

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R&S welcomes Belgium’s Peter Adriaenssens AKA 6SISS, for a four track EP of dark rhythmic techno. A returning New Beat veteran who started releasing 6SISS material in 2013, Adriaenssens's music combines driving rhythms with ominous, desiccated field recordings and withered pads that call to mine the Ben Frost's militant soundscapes. The foggy atmospherics that pervade make sense when you learn that he often moonlights as a member of a post metal/drone band, creating eldritch soundscapes and drones. Adriaenssens is a self confessed 'family man' which has had a strong impact on his music: "The way I cook food is also the way I make my music - with the ingredients available in the fridge and the sounds available on my laptop." he explains. "I build layers of sounds and textures, with or without a beat. Don’t search for melodies in my tracks, see them as haunted trips. I’m always inspired by artists who do something different, or sound original like Tim Hecker, Johan Johansson, Mika Vainio. Over the four tracks of the Prisma release, Adriaenssen's bruising off kilter rhythms stagger and lurch in mesmerising ways that undercut the 4:4 hegemony and are sure to confuse and delight dancefloors in equal measure.

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Following the release of their short film 'The Awakening' and its accompanying single, Lost Souls Of Saturn share the first remix in 9 years by revered musician James Holden. Over thirteen minutes of crisp, stratospheric elegance, Holden’s rework is both slightly mad and simultaneously blissful – like a trance-state reached through frenzied, spiritual ritual. The original version of ‘The Awakening’ begins as a serene ambient spacecast, before an ancient alien rite of tribal frenzy starts to emerge through the phosphorescent stardust – sonically somewhere between Demdike Stare and classic Orb, by way of Don Cherry. Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making. Attempting something creatively that’s above-and-beyond, LSOS explore new ways to open doors of perception and challenge the reality vs. simulation paradigm, whilst capturing the spirit of Philip K. Dick, Sun Ra and the KLF within their music, live experiences and films.

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R&S welcome emerging UK bass and techno producer Yak AKA John Randall for a 5 track EP of rugged broken beat techno, following up stellar EPs for Version, Martyn's label 3024, and VA releases on Le Chatroom and Brotherhood Soundsystem. A classically trained instrumentalist primarily based in Sheffield, Randall began making his name as a resident at the cities seminal Pretty Pretty Good parties, quickly picking up the production bug and in recent years scoring a number of heaters, most notably the propulsive techno of 2017’s Mido EP on Version which reached the top of Phonica’s illustrious Singles of the Year list. Finding a kinship with the off-kilter grooves found on Swamp 81, Hessle Audio, Livity Sound and Timedance amongst others, Randall's releases have been tipped by the likes of Ben UFO, Martyn, Objekt, Call Super, Laurel Halo and Midland and marked him out as a name to watch. Restless rhythms are in full attendance in the inspired rush of the tracks 'Wide Eye' & 'Spore'; "I started them the day after going to a sick party when the energy from the previous night was still fresh in my mind". The idea for the track 'Skooma' came to Randall while at home messing with foley samples and processing random noises like scissors cutting and paper being crunched. 'Termina' was constructed after a week long binge of listening to ambient soundscapes, movie & video game soundtracks and fellow R&S allum DjRum's album on repeat. Randall's attention to detail and sonic craftsmanship alongside irresistible rhythms are a key part of what makes Yak music so alluring. “The music I make is always underlaid with a strong percussive foundation first and foremost," Randall explains "I think interesting and groovy percussion makes the difference between a track that's cool to listen to and a track that makes you move your body.”

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WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

R&S Records present the first key transmission from the Lost Souls Of Saturn’s multidisciplinary conceptual project. The title track of the LSOS debut EP is revealed immediately, with the full ‘Holes In The Holoverse’ EP to follow on the 1st March. Primarily LSOS are Seth Troxler and Phil Moffa, with opaque additional participants congregating to combine music, imagery, storytelling and communion into an inextricably linked whole, all wrapped-up in a philosophy of their own making. The EP follows their performance debut as part of the ‘GaiaMotherTree’ installation with artist Ernesto Neto at Zurich Main Train Station, and a second show at Houghton Festival. Following these site-specific ambient renditions, the full LSOS live experience will be unveiled at the Village Undergound in London on the 18th April 2019, with further live performances to follow (including Field Day) and to be announced. The classic-R&S-style groover ‘Holes In The Holoverse’ propels ever starwards, whilst the acid techno of ‘World of the Wars’ evokes a probe motoring through the cosmos. Further solar system surfing comes from world-renowned, Turner prize winning artist and photographer Wolfgang Tillmans. For his first ever remix, Tillmans tweaks the frequencies, adds extra percussion and his own “va va voom” vocals.

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Santiago Niño is an accomplished eclectic & conceptual electronic musician originally from Bogota Columbia, but based in Buenos Aires, with a deep discography of releases across a range of genres. The Techgnosis EP follows his debut Hermetics track ‘Collider’ as which impressed on it’s release on R&S founder’s RV Trax imprint in early 2018. Created in a low point following the sale of his professional studio, with the humble means of a laptop, mixer and set of basic monitors the realisation of this music reaffirmed Santiago’s self belief that his talent extended beyond his need for gear. This EP follows in the same footsteps as ‘Collider’; mesmeric, pulsing techno with a rich musicality. Equally important to Santiago is his love of the visual arts: "This project has a really important connection with the audiovisual work, which i want to keep up, because i love cinema, i love the audiovisual arts, the abstract, experimental and poetic side of it, and thats why i always want to give that cinematic feel to my music. Hand picked by Renaat Vandepapeliere to step up from the RV Trax series to a full R&S EP this is just the start for the Hermetics project.

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R&S welcome back highly-revered techno artist Benjamin Damage with his new double headed single ‘Malfunction / Binary'. ‘Montreal’ from his debut R&S EP proved to be one of the label's biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. Road tested in Benjamin’s heavy artillery live shows across the globe, Malfunction / Binary pick up where the last EP left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. Made between London and Berlin, following recent live shows at Berghain and Oval Space, Benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “Being on tour with all my gear I find it quite easy to work in new places,” he explains. “I like the energy of different cities and it's good to keep moving.” This new EP is announced ahead of a huge, all hardware live show at Sonar by Night in Barcelona. With ‘Malfunction/Binary’ sure to do the business and an album in progress for R&S scheduled for 2019 it’s going to be an exciting year ahead!

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As the title suggests, Rejuvenate marks a rebirth for South London musician Paul White. Abandoning sampling altogether, White wrote, played and produced all of Rejuvenate's music himself, and the result is an album of playful, psychedelic pop. It would have been far easier for White - previously described as a 21st century DJ Shadow, often compared to Madlib and best known as Danny Brown's go-to producer - to construct an album of loop-based, hip-hop-orientated beats. Instead, taking an ambitious left turn, he worked on honing his songwriting and instrument playing abilities and embarked on creating a totally original record worthy of sitting alongside those he'd usually sample. Rejuvenate's broad sonic palette includes cosmic rock, ambient, electronic, jazz, folk and more. Retaining a groove-heavy, psychedelic aesthetic throughout, White successfully melds these various influences in to his most cohesive, fully-realised offering yet. Paul White is joined on this sonic trip by a trio of likeminded souls; British-Jamaican singer Denai Moore adds heartwarming, crystalline vocals to the aptly named Set The Tone and See Through, Zimbabwean musician and poet Shungudzo (aka Shun) shares nuggets of wisdom on Spare Gold and dreamy, melting vocals for Ice Cream Man. White reunites with his sister, Sarah Williams White, and the pair draw on childhood memories for Laugh With Me and All Around. Paul White's previous output includes a treasure trove of mostly instrumental solo records, plus collaborations with Charli XCX, Jehst, Homeboy Sandman, Guilty Simpson, Jamie Woon, Obongjayar, Eric Biddines (as Golden Rules) and Open Mike Eagle. More recently, White reconnected with frequent collaborator Danny Brown, producing most of the Detroit rap maverick's mind-blowing Atrocity Exhibition album.

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Germany
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R&S newcomer Karim Sahraoui delivers an EP of deep, emotive techno that draws on the rich legacy of Detroit while staying relevant for the modern era. Sahraoui is a globetrotting seeker of musical truth spending time in Malaysia, Italy and Spain as well as his native France, he recorded in the early 2000s to some acclaim as Djinxx, releasing prolifically for Delsin, Cocoon, F-com Bedrock, and Ovum amongst others. In 2009 he took a couple of years out from the industry, travelling to Malaysia to find himself. In 2011 a chance meeting reconnected Sahraoui with Derrick May, who he originally met in the late 90s. May was reactivating Transmat and persuaded Karim to let him release his music, but on the condition it be under his own name. The resulting pair of ’Eternal Life’ EPs in 2014 and 2016 marked his rich return to form - glorious melodic, contemplative techno in the classic motor city mode. HIs Plenitude EP for R&S builds on similar positive themes - from the percolating arpeggios and mystic melodies of ‘Spy Of The Desert’, to the anthemic jazzy techo paen of ‘Born Again’ or the aching symphonic build of ‘Before The 2nd Coming’ its clear that after decades in the business Sahraoui’s talent is only growing rather than diminishing. "I wanted to give it more spirituality, musicality and roots with the choice of the sounds. Going back in the past and transcribe everything with visionary fusions," Sahraoui explains.

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Classic original version cut loud on each side.

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R&S welcomes Acid Mondays for a 12" of lysergic house music that reaches far into the outer cosmos. Formed "somewhere in the 5th dimension” Acid Mondays is the cosmic coalition of fellow psychonauts Negghead (Dan Ward) and Lex Wolf (Alex Wolfenden). Repeated transformative visits to Ibiza culminated in landing regular slots at Circoloco where they have been testing this tune in the dance all Summer long. ‘Universal Rhythm’, their latest interstellar dispatch and debut on R&S is their finest work to date. An anthemic paean to the cosmos that features an impassioned spoken word missive from shamanistic MC Shovell, impressively recorded in a single take, making the case for the universality of experience and oneness of all beings. Latin rhythms fuse with a driving Fender Rhodes lick (provided by JD73) and percolating cow bells to hypnotic effect. This calls to mind a combination of classic Carl Craig and Villalobos at his most playful. R&S new signing The Maghreban supplies a killer dubbed out take on the original that strips away the heavy kicks and pumps up the percussion, hurtling the synth pads to the fore that comes on like John Carpenter peaking on MDMA.

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Germany
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Clocking in at 11 minutes, this is a radical deconstruction of the track 'Bint El Khandaq’ that appears on the Mashrou’ Leila album ‘Ibn El Leil’. Lost Souls Of Saturn tease out the underlying emotion and yearning present in the original and take the listener on a beguiling, symphonic ambient journey that calls to mind Wolfgang Voigt’s much loved Gas project, or the shimmering imaginary landscapes of Brian Eno. Renowned for their rousing, sensual electro-pop Mashrou’ Leila’s songs touch on political freedom, LGBT rights, race, religion and modern Arabic identity. Lost Souls Of Saturn were approached by the band to reinterpret the original track and the stunning results fit perfectly as their debut release on R&S. This is the next step in the evolution of Seth Troxler and Phil Moffa’s Lost Souls Of Saturn project. Look out for an album on R&S in 2018.

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R&S founder Renaat Vandepapeliere launches a new series RV Trax, to reflect the sound of his DJ sets. Re-invigorated and inspired by contemporary dance floor sounds, after 30+ years as the label owner and figurehead Renaat succumbed to the temptation to finally, at the tender age of 60, try his own hand at rocking the crowd. Renaat's sets have seen him assemble a treasure trove of unreleased music that will now find a very personal home on RV Trax. Emblazoned with the Belgian national colours of black, yellow and red these tracks proudly flaunt their 'floor-filling dynamics. The first, a dance floor stormer from Steve Legget, remixing fellow North Easterners Bird Of Paradise’s original - a tight punchy workout that pairs distorted 909 kicks against a high tension string part and melancholic synth pads. G-Prod (AKA French brothers David and Nicolas Gaugain) provide a balmy, motor-city style number - shuffling drums underpin sunrise synth washes and euphoric melodies. Buenos Ayres' Hermetics provide a frostier mood with ‘Collider’ - chilly FM bells pinned against serrated percussion and swirling distortion.

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WAS - Word and Sound Medien GmbH
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Germany
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R&S welcome techno icon Benjamin Damage to the fold with his new Montreal EP. One of most acclaimed young techno artists in recent times, Benjamin Damage is a perfect addition to the R&S roster. As the first artist Modeselektor signed to their hugely influential 50 Weapons imprint, Damage deployed his trademark heavy artillery beats over bold, blistering riffs and haunting, emotive melodies to devastating effect. With the closing of 50 Weapons, R&S offers a new home. His unique ability to deliver dancefloor destroying mayhem, dark atmospheres and richly textured melodies perfectly encompasses the music that has made the label timeless. “Being part of R&S is a dream for me, I had some incredible times with 50 Weapons, some of the best of my life, and I was really sad to see it go. R&S have been so important to me artistically since a very young age. It was a very special feeling when they asked me to join up with them” Montreal, his first EP for the label, follows the crowning achievement of his stunning 2015 LP Obsidian; the last artist album to close 50 Weapons. Damage lives up to his name - three cuts of pulsating peak time mayhem, pummelling drums, shuffling iridescent synthwork and dreamy pads that manage to imbue the hedonistic spirit of the 90s while feeling fresh and vital. A key part of Benjamin’s success has come from his incendiary live shows, road tested around the globe with Modeselektor and the 50 Weapons crew. HIs fully hardware set is built around the pioneering handbuilt Cirklon sequencer. Damage is rearming to bring its full firepower to the upcoming R&S showcases.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Following Lone AKA Matt Cutler’s stunning sixth album ‘Levitate’s hallucinogenic joyride through breakbeats, he returns to R&S with ‘Ambivert Tools’ the first in a series of EPs for the floor returning to hypnotic 4/4 excursions. Inspired in no small part by the rich seam of house that he’s been excavating with his fine Magicwire imprint, a refreshed Cutler delivers an EP stacked with sure-fire bullets, crafted for his intoxicating DJ sets. First up is ‘Crush Mood’ - crunching drums, lush resampled chords and dulcet female vox combine into a heady, peak-time rush. ‘Chroma' comes off like a lost 90s anthem, with its shimmering vibes, airy chords and bumpy rhythm track. B-side closer ‘From A Past Life’ could well be the strongest track on the EP - hazy Emulator ii chords, spiral arpeggios, gooey bass and woozy african percussion that finds Lone digging deeper into some of his more esoteric House music influences. 'Ambivert Tools' finds Cutler a true master, at the top of his game - taking all he’s learned over his many years of beat exploration and condensing it down into rugged house stacked full of nagging melody / harmony that elegantly pays tribute to bygone years whilst simultaneously feeling fresh and vital to 21st century dance floors.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Slackk first came to the attention of most with an EP of roughneck UK house on Numbers, before a series of more emotive, melody-driven records on Local Action and Unknown to the Unknown saw him emerge as one of the most unique and influential artists working in the peripheries of grime - taking the genre’s hallmarks and audio tattoos but placing them in a context that owed as much to Eastern mood pieces and the complex melodies of classic jazz records, hinting at other key influences on Slackk’s music. His debut album Palm Tree Fire was a particular success: Resident Advisor calling it a “beautiful glimpse into the mind of an under-appreciated producer”. Slackk has since expanded the breath and honed the details of his music through a pair of EPs on R&S - first Backwards Light, a record that expanded on the themes of his previous releases while taking in the label’s legacy of groundbreaking acid and techno, and then on the more abrasive Aviary. A Little Light, his first album for the label, is his most idiosyncratic and personal release yet.

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Following a killer debut on Optimo Trax Michele Mininni debuts on R&S with the heavy hitting psych detonation of ‘Rave Oscillations’ Hailing from Southern Italy, Mininni's influences run to kraut, post rock, new wave and electronic amongst others, a long time DJ he manages to condense his influences into beguiling productions that come as a welcome breath of originality. Taking a heavy dose of inspiration from seminal kraut groovers Silver Apples, ‘Rave Oscillations’ builds from the hypnotic motorik groove and off kilter bass into a pulsing peak time anthem. On the flip, ‘Vortex Stasi’ takes things into a more psychedelic direction - dubbed out piano, jittery rhythms and spiralling swathes of guitar blossom into a truly tripped out, squalling, breakneck concoction. Mininni's kaleidoscopic musical vision is a truly unique proposition, a myriad of different styles and genres deformed under his oblique lens to create sun-drenched space music

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Paul White received universal acclaim for producing the majority of Danny Brown's genre-defying 'Atrocity Exhibition’ album. In 2016 he also released a collaborative record with Open Mike Eagle, and began work on a slew of solo material to be released on R&S Records. With a free beat tape ‘Everything You’ve Forgotten’ released in January he now returns with Danny Brown on two tracks that showcase a producer at the very top of his game and one of the most exciting MCs of his generation. Accelerator is a fuzzed-out psych monster that defies conventions about what rap music should sound like in 2017, while Lion's Den proves that Paul White and Danny Brown can beat the traditionalists at their own game too. Instrumentals are included for both, as well as hand-drawn artwork by Paul White himself.

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The dynamic duo of Second Storey and Appleblim return to R&S for another slice of their off kilter dance floor alchemy. Second Storey & Appleblim bring their Detroit machine rhythms and sleek electronic grooves back to R&S for the ‘Gimme 6’ EP. This new EP is the fruit of that hard work - opener, and title track ‘Gimme 6’ sees their production grandiosity hit new highs - swooping pads soon give way to slurping twisted bass and mechanistic hi hats before a collapsing breakdown freakout twists the trad techno blueprint into exciting new shapes. ‘Levying Rooks’ injects a sense of frenetic levity - serrated bass and scudding percussion, while ‘Aperture‘ is drenched in swooning pads and fizzing, flanged out hats underpinned by relentless mutant kicks. Too often modern electronic club music is all too content to sit heavily within genre boundaries, and ‘rules' - SS&A’s gleeful disregard for categorisation and innate sense of melody, harmony and rhythm make their offerings the perfect antidote to the jaded veteran techno fans as well as the gleeful new jacks.

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WAS - Word and Sound Medien GmbH
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Following a killer split 12” w/ Djrum for the Zenker Brother’s Ilian Tape label, new artist Struction debuts for R&S. Newcomer Struction joins the R&S family for a titanic EP of dystopian post-rave experimentation - the 4 track release, entitled ‘Gefüge’, effortlessly crystallises the best parts of R&S’s storied musical heritage without coming off like pastiche. From the jacked menace of opener ‘Kreen’, a dizzying percussive assault of breakbeats and 808 kicks, it’s clear that Struction means business. ‘Warrior’ follows on with deep end breakbeats cut through with melancholic synth washes. The flip side commences with ‘Ai’, all skittering percussion, swelling distorted pads and relentless kick drum thrum, while ‘Dolly’ rounds out the release in fine style, quickening the pulse with its hypnotic FM bass polyrhythms, scything cymbals and icy strings. With this release Struction marks himself as one to watch very closely for the future, as well as once again showing R&S’s commitment to nurturing new talent, as well as releasing the best cutting edge electronic music.

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WAS - Word and Sound Medien GmbH
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Germany
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Lone AKA Matt Cutler presents his 6th album 'Levitate' - which marks a point of departure from the inviting warmth of 'Reality Testing's blend of hip hop and house - the listener is taken on a rapid joy ride through breakbeats that at times will leave them gasping. Following previous album 'Reality Testing' (and it's all conquering single 'Airglow Fires'), Cutler was left at somewhat of a musical impasse - a 6 month dry period with no new inspiration that was showing no signs of abating. The 'epiphany' moment came in New York. Bed ridden and feverish for days Cutler started to hallucinate "It was prett y terrifying - I'd try to go to sleep and I'd be hearing mad rave tunes form in my head. When i recovered i was left with all these ideas for fast, feverish tunes. Following that we went to LA and hung out with friends, driving round all day in the baking sun playing jungle and hardcore edits - all the best bits from rare jungle tunes spliced together. There was something that really seemed to fit hearing these energetic tracks whilst speeding around LA under perfect blue skies, that was amazingly similar to music I'd been dreaming up whilst in New York. I couldn't wait to get home and start putting this together - I had a new theme." The result is an incredible 9 track LP, a breakneck psychedelic journey through hardcore, jungle, ambient, clocks in at a fat-free 34 minutes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Lone AKA Matt Cutler presents his 6th album 'Levitate' - which marks a point of departure from the inviting warmth of 'Reality Testing's blend of hip hop and house - the listener is taken on a rapid joy ride through breakbeats that at times will leave them gasping. Following previous album 'Reality Testing' (and it's all conquering single 'Airglow Fires'), Cutler was left at somewhat of a musical impasse - a 6 month dry period with no new inspiration that was showing no signs of abating. The 'epiphany' moment came in New York. Bed ridden and feverish for days Cutler started to hallucinate "It was prett y terrifying - I'd try to go to sleep and I'd be hearing mad rave tunes form in my head. When i recovered i was left with all these ideas for fast, feverish tunes. Following that we went to LA and hung out with friends, driving round all day in the baking sun playing jungle and hardcore edits - all the best bits from rare jungle tunes spliced together. There was something that really seemed to fit hearing these energetic tracks whilst speeding around LA under perfect blue skies, that was amazingly similar to music I'd been dreaming up whilst in New York. I couldn't wait to get home and start putting this together - I had a new theme." The result is an incredible 9 track LP, a breakneck psychedelic journey through hardcore, jungle, ambient, clocks in at a fat-free 34 minutes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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R&S is teaming up for a one off with one of the most important and influential electronic music acts in history, The Prodigy. Roadblox is one of the standout tracks from their latest opus ‘The Day Is My Enemy’. R&S’s arena filling noisenik Paula Temple was honoured to remix the track and has provided two superb remixes the first featuring the full, snarling vocal from Maxim, marauding bass, bleeping synth arpeggios, noise squalls and pistoning percussion combing to apocalyptic effect, while the second removes the vox for an even deeper trip. Liam Howlett and R&S founder Renaat Vanderpapiere's friendship goes back a long way so they are hyped about this release. As Liam says: “I’ve always had massive respect for R&S records and Renaat since the start so its fukin great to see a Prodigy tune in the shape of Paula Temples heavy Roadblox remix come out thru the label”

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ALSO - Appleblim and Second Storey return to R&S with the third installment in their EP trilogy. ‘Raves’ opens up proceedings with an irresistibly shuffling drumtrack, scything lead lines and off-kilter bass, while on the flip ‘Blyford Bass’ aiming directly at the dancefloor, turns up the wobble, dizzying perc patterns and gnarled subs to twist up speaker cones.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

ALSO - Appleblim and Second Storey return to R&S with the third installment in their EP trilogy. ‘Raves’ opens up proceedings with an irresistibly shuffling drumtrack, scything lead lines and off-kilter bass, while on the flip ‘Blyford Bass’ aiming directly at the dancefloor, turns up the wobble, dizzying perc patterns and gnarled subs to twist up speaker cones.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Paula Temple returns to R&S with her second release Deathvox EP, featuring three tracks as exciting and daring as her superb debut Colonized EP. Deathvox is a club shaking, wild, imaginative tour de force, featuring her voice transformed like nothing on earth. “I wanted to create a sonic movement completely transhuman, captivating, and capable of tingling every chakra in the body.” Monstro presents a half-speed techno industrial explosion fitting for a Nine Inch Nails mosh pit. Ful completes the epic journey with synth melodic richness you might expect from Karen Gwyer or Nathan Fake. She named the track in gratitude to the Stockholm art group FUL for challenging European border policies. Ful means ‘Ugly’ in Swedish. Deathvox EP is the work of an inspired mind, citing her recent move to Berlin and working with progressive artists on her label Noise Manifesto as major influences on the craft of this record. Bringing together her love of post-punk, industrial noise and synthesizers, Paula Temple broadens her scope of the techno spectrum and sets her own mark yet again in this uncompromising release.

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Germany
Contact: gpsr@wordandsound.net

R&S new boys ALSO - Appleblim (Laurie Osbourne ) and Second Storey (Alec Storey) continue pushing their creative boundaries to the limit with this second installment of an EP trilogy.‘Formation picks up the thread from EP01, another spaced-out jam crammed with swooning pads and pulsing subs. While on the flip ‘Rant Check Pts. 1&2’ serrated p-funk bass and stuttering percussion flash by in ever more intense waves over the course of 12 lysergic, dancefloor pinning minutes.ALSO is pan genre, pan generational, emotive electronic music at its best… truly something special and a fine addition to R&S rich heritage of forward thinking dancefloor sonic artistry.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Opener 'Mountain Divide' hits the listener with a epic blitzkrieg of bass, juddering noise, and howling, subterranean feedback, cut through with fizzing drums, to tremendous atmospheric effect: "Like screaming into the wind on the top of a mountain" in the words of the boys themselves. 'Mathfall' is a sinuous groover, built around a lolloping bass sequence, grime infused beats, sinister chords and vocal chatter. 'Mon La' rounds out the release in a more introspective mood, heartbreaking pitch bent chords wash together like Boards Of Canada heard through a broken tube-radio. Their intricate, yet muscular soundscapes and skittering percussion have an epic, alien quality that set them head and shoulders above their less ambitious peers. Having a background in punk, metal and broken beat as well as noise and techno helps give Lakker their truly unique and uncompromising sound. Currently touring their blistering live /AV set across the planet and hard at work on their debut LP for R&S you'll be hearing a lot more from Lakker very soon.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

R&S are proud to introduce hugely talented new signing Alma Construct, AKA 19 year old Josh Thompson to the world for his debut self-titled EP. From the throbbing bounce of Balearic opener 'On The Edge, Surrounded With The Shores Of Assudrey' to the menacing hum and snarl of 'Deer Drink From The River' it's clear that Alma Construct music is wildly ambitious and expressive. Taking inspiration from La Planète Sauvage a 70s stop-motion science fiction allegory by René Laloux, his music conjures up fantastical visions through caustic timbres and enigmatic melodies - on the flip 'Imagine Them's industrial beats, strobing synths and hypnotic BoC bass melody give way to Dialectic A and B - a pair of trippy, hallucinogenic audio workouts. Thompson utilises an array of beatboxes, samplers, tape machines and guitar pedals to assemble his warm, immersive sound taking as much inspiration from his fascination with film and art as his obvious love for music. There’s an array of styles on this debut EP and an obvious deft skill behind the machines that point to Alma Construct joining the ranks of some of the finest young producers in the UK.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Paul White has long established himself as an acclaimed hip-hop producer, but on his debut LP for R&S Records he expands his horizons with the most personal music of his career to date. With the sampler laid aside, the South Londoner emerges as a multi-instrumentalist, singer and producer as he charts the intoxication, heartbreak and ultimate triumph of a grand love affair. ‘Where You Gonna Go?’ already championed by the likes of Jamie xx, is a wonderfully pastoral take on house music, with Jamie Woon’s backing vocals adding emotional heft as White questions his lover’s departure. On remix duties is Andres (aka hip hop producer DJ Dez) his mix really brings out the house influences of the original and delivers a trademark deep, Detroit masterpiece in the style of KDJ’s Mahogani Music. Exclusive track ‘Peace Together’ sees Paul explore the Detroit Beatdown sound, again navigating the farthest corners of 4/4 music in his inimitable, psychedelic style. Endlessly inventive and almost impossible to pin down, Paul White is a singular British talent and his new album ‘Shaker Notes’ will only further cement his reputation as a true musical maverick

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

'Alex Smoke returns to R&S with the follow up to his transfixing debut ‘Dust’. He has delivered a full EPs worth of mesmeric music, which is quite possibly the most dancefloor material he has released in some time. ‘GreenMan’s sinusoidal funk follows on in the vein of ‘Dust’, shuffling drum programming, snaking melody lines and Alex’s hiccupping vocodered vox combine to anthemic effect. ‘LSD’ lives up to its name with a spacious, yet urgent acidic-hymnal. On the flip, ‘Oni’ reimagines a dancehall rave-up for the 31st century, all skanking digi-pecussion and trumpet like arpeggios, while ‘Tommy Knockers’’s brutal blade-runner bounce adds some muscle to proceedings, spiraling synth riffs and gurgling drones.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net