1
Planetary Assault Systems - Clap Trap
2
Planetary Assault Systems - Sidewinder
3
Planetary Assault Systems - Electric Culp
4
Planetary Assault Systems - Grid Livers
Tracklist
A1. Planetary Assault Systems - Clap Trap
A2. Planetary Assault Systems - Sidewinder
B1. Planetary Assault Systems - Electric Culp
B2. Planetary Assault Systems - Grid Livers
Planetary Assault Systems is one of UK techno innovator Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. Each Planetary Assault System release is closely related to the live shows, joining the dots between studio and stage.
For his first new music as Planetary Assault Systems in several years, and the 70th release on his own Mote-Evolver label, he heads full throttle into the deep dark recesses of the club. 'Deep Heet Vol 5' EP follows 2017's 4th volume which included the ever popular 'Desert Races'.
More
A1. Planetary Assault Systems - Clap Trap
A2. Planetary Assault Systems - Sidewinder
B1. Planetary Assault Systems - Electric Culp
B2. Planetary Assault Systems - Grid Livers
Planetary Assault Systems is one of UK techno innovator Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. Each Planetary Assault System release is closely related to the live shows, joining the dots between studio and stage.
For his first new music as Planetary Assault Systems in several years, and the 70th release on his own Mote-Evolver label, he heads full throttle into the deep dark recesses of the club. 'Deep Heet Vol 5' EP follows 2017's 4th volume which included the ever popular 'Desert Races'.
More
More records from Planetary Assault Systems
1
Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
2
Planetary Assault Systems - In From The Night (PAS Edit)
3
Planetary Assault Systems - In From The Night (PAS Live Edit)
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
More
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
More
1
Planetary Assault Systems - A1. Labstract
2
Planetary Assault Systems - A2. One For The Groove
3
Planetary Assault Systems - B1. Give In
4
Planetary Assault Systems - B2. If I Die
5
Planetary Assault Systems - C1. Coal
6
Planetary Assault Systems - C2. Run
7
Planetary Assault Systems - D1. The Drag Train
8
Planetary Assault Systems - D2. Nano Chameleon
Luke Slater presents "Sky Scraping", a new Planetary Assault Systems album. P.A.S. has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos. More
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos. More
1
Planetary Assault Systems - Planetary Assault Systems - Angel of the east
2
Planetary Assault Systems - Planetary Assault Systems - Peru Drift
3
Planetary Assault Systems - Planetary Assault Systems - Engage now
4
Planetary Assault Systems - Planetary Assault Systems - Whistle Viper
5
Planetary Assault Systems - Planetary Assault Systems - Message from the drone sector
6
Planetary Assault Systems - Planetary Assault Systems - Unreleased
7
Planetary Assault Systems - Planetary Assault Systems - Desert Races
8
Planetary Assault Systems - Planetary Assault Systems - Arc
9
Planetary Assault Systems - Planetary Assault Systems - Eyes Themselves
10
Planetary Assault Systems - Planetary Assault Systems - Rip the cut
11
Planetary Assault Systems - Planetary Assault Systems - Raww
12
Planetary Assault Systems - Planetary Assault Systems - Give it up
13
Planetary Assault Systems - Planetary Assault Systems - Voodoo
CD
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.
Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo
This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.
More
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.
Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo
This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.
More
1
planetary assault systems - Angel Of The East
2
planetary assault systems - Tri Fn Trp
3
planetary assault systems - Sonar Falls
4
planetary assault systems - Interlude 1
5
planetary assault systems - Message From The Drone Sector
6
planetary assault systems - Merry Go Round
7
planetary assault systems - Interlude 2
8
planetary assault systems - Behind The Eyes
9
planetary assault systems - Bawoo Bawoo
10
planetary assault systems - Interlude 3
11
planetary assault systems - Revolution One
12
planetary assault systems - Interlude 4
13
planetary assault systems - Blue Monk
14
planetary assault systems - Groucho
15
planetary assault systems - Interlude 5
16
planetary assault systems - The Rider
17
planetary assault systems - Max
18
planetary assault systems - Interlude 6
19
planetary assault systems - The Last Scene
1
planetary assault systems - A Planetary Assault Systems - Kat (Josh Wink Remix)
2
planetary assault systems - B Planetary Assault Systems - Kat (Original Mix)
1
planetary assault systems - "Dungeon" (O Phase remix
2
planetary assault systems - "The Gated" (Ben Sims edit)
3
planetary assault systems - "Dungeon" (PAS 1997 original)
The originals"Planetary Funk" 12"s by P.A.S. dates back to the early 1990s. The 21st century re-activation of the Planetary Funk moniker isn't a nostalgic look backwards so much as an expansion of its original mission
More
(shifted, lucy, dettmann rmxs) the second remix package to reinterpret Planetary Assault Systems' seminal record 'Function 4', originally released on the influential Peacefrog label in 2000.
More
More
(chris liebing / marcel dettman rmxs). Originally released through Peacefrog in 2000, the tracky, tripping metallic thump of 'Function 4' is a great early example of Slater's pioneering droning, mesmerising musings as P.A.S. this is the 1st episode
More
Comprising three state-of-the-art expeditions into deep space techno, Deep Heet Vol. 2 takes techno back to its primitive roots, adding details inspired by yet-tobe-explored points in the galaxy; only visible from Slater’s Spacestation Ø UK studio
More
More records from Mote Evolver
1
Insolate - Outer Bass
2
Insolate - Push
3
Insolate - Blow
4
Insolate - Desire
TRACKLISTING
A1. Insolate - Outer Bass
A2. Insolate - Push
B1. Insolate - Blow
B2. Insolate - Desire
INFO
Croatian DJ & producer heavyweight Insolate debuts on Luke Slater's legendary Mote-Evolver imprint with a massive four-tracker of pure bred techno ready for the dance floor. After leaving her signature on highly respected labels such as DJ Deep's Deeply Rooted, Developer's Modularz, Ben Sim's Symbolism as well as her Out Of Place imprint which she operates along with Volster, she now delivers 'Push' a finely crafted EP of peak time material. Opening the A side, fierce workout 'Outer Bass' is showcasing a sinister driving energy that is followed by the raw frenetic groover title track 'Push'. On the flip side 'Blow' is a trippy, no-compromise cut, while closing, classy atmospheric track 'Desire' finishes off the EP with its effortless soulful touch and elegant, melodic synth pads flying by.
More
A1. Insolate - Outer Bass
A2. Insolate - Push
B1. Insolate - Blow
B2. Insolate - Desire
INFO
Croatian DJ & producer heavyweight Insolate debuts on Luke Slater's legendary Mote-Evolver imprint with a massive four-tracker of pure bred techno ready for the dance floor. After leaving her signature on highly respected labels such as DJ Deep's Deeply Rooted, Developer's Modularz, Ben Sim's Symbolism as well as her Out Of Place imprint which she operates along with Volster, she now delivers 'Push' a finely crafted EP of peak time material. Opening the A side, fierce workout 'Outer Bass' is showcasing a sinister driving energy that is followed by the raw frenetic groover title track 'Push'. On the flip side 'Blow' is a trippy, no-compromise cut, while closing, classy atmospheric track 'Desire' finishes off the EP with its effortless soulful touch and elegant, melodic synth pads flying by.
More
1
Roogunit - Bash Box
2
Roogunit - Don't Let Go
3
Roogunit - Koox
4
Roogunit - Sanity Regard
Following a string of collaborative EPs throughout the years, Mote-Evolver boss Luke Slater and Ashley Burchett (Ø [Phase]) return under Roog Unit to Slater's imprint, delivering another set of mind-bending, boundary-pushing techno tracks tried and tested in their back to back sets under the alias.
TRACKLISTING
A1. Roogunit - Bash Box
A2. Roogunit - Don't Let Go
B1. Roogunit - Koox
B2. Roogunit - Sanity Regard
INFO
Luke Slater and Ashley Burchett return as Roog Unit for new EP on Mote-Evolver.
Following a string of collaborative EPs throughout the years, Mote-Evolver boss Luke Slater and Ashley Burchett (Ø [Phase]) return under Roog Unit to Slater's imprint, delivering another set of mind-bending, boundary-pushing techno tracks tried and tested in their back to back sets under the alias.
Leading the release, 'Bash Box' brings a high-energy stomper peppered with menacing kicks and siren-esque leads, coming in at a blistering 156bpm. 'Don't Let Go' follows with tripped-out vocals and tweaked basslines making for a heads-down cut. On the flip, 'Koox' sees the duo reach for wonky, twinkling synths atop a fierce sizzling drum hook. 'Sanity Regard' takes the B2 spot, rounding out another stellar EP from two of techno's most revered talents.
The releases arrives as part of Mote-Evolver's new series of in-person artist collaborations, with each EP capturing the creative moment as it happens, with results aimed squarely at the dance floor. Each release has artwork combining one item from each artist, which means something to them, into one new image.
More
TRACKLISTING
A1. Roogunit - Bash Box
A2. Roogunit - Don't Let Go
B1. Roogunit - Koox
B2. Roogunit - Sanity Regard
INFO
Luke Slater and Ashley Burchett return as Roog Unit for new EP on Mote-Evolver.
Following a string of collaborative EPs throughout the years, Mote-Evolver boss Luke Slater and Ashley Burchett (Ø [Phase]) return under Roog Unit to Slater's imprint, delivering another set of mind-bending, boundary-pushing techno tracks tried and tested in their back to back sets under the alias.
Leading the release, 'Bash Box' brings a high-energy stomper peppered with menacing kicks and siren-esque leads, coming in at a blistering 156bpm. 'Don't Let Go' follows with tripped-out vocals and tweaked basslines making for a heads-down cut. On the flip, 'Koox' sees the duo reach for wonky, twinkling synths atop a fierce sizzling drum hook. 'Sanity Regard' takes the B2 spot, rounding out another stellar EP from two of techno's most revered talents.
The releases arrives as part of Mote-Evolver's new series of in-person artist collaborations, with each EP capturing the creative moment as it happens, with results aimed squarely at the dance floor. Each release has artwork combining one item from each artist, which means something to them, into one new image.
More
1
Speedy & Steve - Reddo
2
Speedy & Steve - Dabler Nine
3
Speedy & Steve - Right Well And Clean
4
Speedy & Steve - Rotor
Speedy J and Steve Rachmad have long been defining the techno underground with seminal tunes on a range of influential labels. For their new release, the duo jammed in Speedy's studio for their new release, working the live results into four fresh and powerful new tracks, kicking off a new series of live collaborations on Luke Slater's Mote-Evolver.
TRACKLISTING
A1. Speedy & Steve - Reddo
A2. Speedy & Steve - Dabler Nine
B1. Speedy & Steve - Right Well And Clean
B2. Speedy & Steve - Rotor
INFO
Speedy J and Steve Rachmad join forces as Speedy & Steve for a four-track techno EP on Luke Slater's Mote-Evolver this February.
Dutch artists Speedy J and Steve Rachmad have long been defining the techno underground with seminal tunes on a range of influential labels. For their new release, the duo jammed in Speedy's studio for their new release, working the live results into four fresh and powerful new tracks, kicking off a new series of live collaborations on Luke Slater's Mote-Evolver.
The intense and textural 'Reddo' kicks off with industrial synth lines designed for maximum warehouse impact before 'Dabler Nine' brings its deep rolling drums and mind-melting synth lines late into the night. 'Right Well and Clean' has fresh, airy kick drums rolling beneath harsh and icy hi-hats before 'Rotor' closes the release in cosmic fashion with spiralling pads and intensely layered synths and drums.
This new series will see artists collaborating in person, with each EP capturing the creative moment as it happens, with results aimed squarely at the dance floor. Each release in the series has artwork in a specific style that combines one item from each artist, which means something to them, into one new image.
More
TRACKLISTING
A1. Speedy & Steve - Reddo
A2. Speedy & Steve - Dabler Nine
B1. Speedy & Steve - Right Well And Clean
B2. Speedy & Steve - Rotor
INFO
Speedy J and Steve Rachmad join forces as Speedy & Steve for a four-track techno EP on Luke Slater's Mote-Evolver this February.
Dutch artists Speedy J and Steve Rachmad have long been defining the techno underground with seminal tunes on a range of influential labels. For their new release, the duo jammed in Speedy's studio for their new release, working the live results into four fresh and powerful new tracks, kicking off a new series of live collaborations on Luke Slater's Mote-Evolver.
The intense and textural 'Reddo' kicks off with industrial synth lines designed for maximum warehouse impact before 'Dabler Nine' brings its deep rolling drums and mind-melting synth lines late into the night. 'Right Well and Clean' has fresh, airy kick drums rolling beneath harsh and icy hi-hats before 'Rotor' closes the release in cosmic fashion with spiralling pads and intensely layered synths and drums.
This new series will see artists collaborating in person, with each EP capturing the creative moment as it happens, with results aimed squarely at the dance floor. Each release in the series has artwork in a specific style that combines one item from each artist, which means something to them, into one new image.
More
1
Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
2
Planetary Assault Systems - In From The Night (PAS Edit)
3
Planetary Assault Systems - In From The Night (PAS Live Edit)
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
More
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
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1
The Lady Machine - A1. Magnify
2
The Lady Machine - A2. Concentrate
3
The Lady Machine - B1. Amplify
4
The Lady Machine - B2. Collide
Pornceptual resident The Lady Machine has recently appeared on her Unterwegs Records label, on compilations via Ben Sims' Symbolism and Token, as well as on incendiary mixes for FJAAK's Spandau20 and Bassiani. Active as a vinyl DJ for over 20 years, the Brazilian-born, Berlin-based DJ/producer prepares her first release for Luke Slater's Mote Evolver with 'Magnify EP' this December.
TRACKLISTING
A1. The Lady Machine - Magnify
A2. The Lady Machine - Concentrate
B1. The Lady Machine - Amplify
B2. The Lady Machine - Collide
INFO
The Lady Machine readies her debut 'Magnify EP' for Luke Slater's Mote-Evolver this December.
Pornceptual resident The Lady Machine has recently appeared on her Unterwegs Records label, on compilations via Ben Sims' Symbolism and Token, as well as on incendiary mixes for FJAAK's Spandau20 and Bassiani. Active as a vinyl DJ for over 20 years, the Brazilian-born, Berlin-based DJ/producer prepares her first release for Luke Slater's Mote Evolver with 'Magnify EP' this December.
Leading the release is the titular 'Magnify', combining dense arpeggios with heaving kicks and sizzling percussion, the track looks straight to the dancefloor with a no-nonsense, club-focused arrangement. 'Concentrate' follows suit, with The Lady Machine drawing for crunching drum rhythms as unruly mechanic samples run wild throughout.
On the flip, 'Amplify' brings together hypnotic synths over a rumbling 4/4 for a trippy affair before 'Collide' closes out the release with a heavy and rolling cut destined for dark rooms and late nights. Cementing her status as one of the most exciting acts in techno in recent years, her 'Magnify EP' for Mote-Evolver is a triumphant display of The Lady Machine's production talents.
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TRACKLISTING
A1. The Lady Machine - Magnify
A2. The Lady Machine - Concentrate
B1. The Lady Machine - Amplify
B2. The Lady Machine - Collide
INFO
The Lady Machine readies her debut 'Magnify EP' for Luke Slater's Mote-Evolver this December.
Pornceptual resident The Lady Machine has recently appeared on her Unterwegs Records label, on compilations via Ben Sims' Symbolism and Token, as well as on incendiary mixes for FJAAK's Spandau20 and Bassiani. Active as a vinyl DJ for over 20 years, the Brazilian-born, Berlin-based DJ/producer prepares her first release for Luke Slater's Mote Evolver with 'Magnify EP' this December.
Leading the release is the titular 'Magnify', combining dense arpeggios with heaving kicks and sizzling percussion, the track looks straight to the dancefloor with a no-nonsense, club-focused arrangement. 'Concentrate' follows suit, with The Lady Machine drawing for crunching drum rhythms as unruly mechanic samples run wild throughout.
On the flip, 'Amplify' brings together hypnotic synths over a rumbling 4/4 for a trippy affair before 'Collide' closes out the release with a heavy and rolling cut destined for dark rooms and late nights. Cementing her status as one of the most exciting acts in techno in recent years, her 'Magnify EP' for Mote-Evolver is a triumphant display of The Lady Machine's production talents.
More
1
Lafontaine & Orbe - A1. LaFontaine - 3015
2
Lafontaine & Orbe - A2. LaFontaine - Kokkur
3
Lafontaine & Orbe - B1. ORBE - 9DVR
4
Lafontaine & Orbe - B2. ORBE - Trimax
TRACKLISTING
A1. LaFontaine - 3015
A2. LaFontaine - Kokkur
B1. ORBE - 9DVR
B2. ORBE - Trimax
INFO
This October, LaFontaine and Orbe drop the seventh chapter of Mote-Evolver's 'Parallel Series', curated by label founder Luke Slater.
After the first release by Luke Slater (as L.B.Dub Corp) and ASC in 2011, the 'Parallel Series' has continued to host split releases from the likes of Shifted, Rene Wise, Billy Turner, Bas Mooy, Developer, Truncate, Sev Dah, Jeff Rushin, and more.
The seventh instalment on Mote-Evolver sees 199X Recordings founder LaFontaine debut on the label following releases on Planet X and Negativ Notion. Kicking off the release is '3015', a track that immediately captured the ears of Slater after Ø [Phase] played it during b2b live stream in his studio. The resonating kicks, detuned synths and off-kilter sonics pulsate strikingly throughout before 'Kokkur' keeps the hypnotic energy flowing with aquatic fx, deep space pads and oscillating grooves.
Fernando Sanz and his Orbe Records imprint has been lashing the block-rocking techno of Sanz's comrades Eduardo De La Calle and Steve Stoll, but mainly of Sanz's prolific moniker, Orbe. He provides murky soundscapes, smoky chords and orbiting drums in his '9DVR' cut until 'Trimax' rounds off the release with kinetic synth flutters and glistening bleeps that ebb and flow with the ghostly atmospheres.
More
A1. LaFontaine - 3015
A2. LaFontaine - Kokkur
B1. ORBE - 9DVR
B2. ORBE - Trimax
INFO
This October, LaFontaine and Orbe drop the seventh chapter of Mote-Evolver's 'Parallel Series', curated by label founder Luke Slater.
After the first release by Luke Slater (as L.B.Dub Corp) and ASC in 2011, the 'Parallel Series' has continued to host split releases from the likes of Shifted, Rene Wise, Billy Turner, Bas Mooy, Developer, Truncate, Sev Dah, Jeff Rushin, and more.
The seventh instalment on Mote-Evolver sees 199X Recordings founder LaFontaine debut on the label following releases on Planet X and Negativ Notion. Kicking off the release is '3015', a track that immediately captured the ears of Slater after Ø [Phase] played it during b2b live stream in his studio. The resonating kicks, detuned synths and off-kilter sonics pulsate strikingly throughout before 'Kokkur' keeps the hypnotic energy flowing with aquatic fx, deep space pads and oscillating grooves.
Fernando Sanz and his Orbe Records imprint has been lashing the block-rocking techno of Sanz's comrades Eduardo De La Calle and Steve Stoll, but mainly of Sanz's prolific moniker, Orbe. He provides murky soundscapes, smoky chords and orbiting drums in his '9DVR' cut until 'Trimax' rounds off the release with kinetic synth flutters and glistening bleeps that ebb and flow with the ghostly atmospheres.
More
1
Sterac - ghost 37
2
Sterac - lost track 22
3
Sterac - system 2.1
4
Sterac - tr-15
TRACKLISTING
A1. Sterac - Ghost 37
A2. Sterac - Lost Track 22
B1. Sterac - System 2.1
B2. Sterac - TR-15
Steve Rachmad, aka Sterac returns to Luke Slater's Mote-Evolver imprint this May to release the 'Numbers' EP.
Since his earliest days in the scene, Amsterdam's Steve Rachmad has created a legion of monikers to cover his compositions' variety and broadness. One of them being Sterac which focuses on the deeper and more obscure end of the techno genre. The Sterac discography consists of signature cuts, spread out over genre-defining labels such as M-Plant, Tresor, Klockworks, Afterlife, Mote-Evolver, Indigo Aera, and Delsin.
His 'Numbers' EP sees Steve drop the first release of 2021 under his Sterac alias as he makes a return to Luke Slater's Mote-Evolver label with four tunnelling techno tracks.
Kicking off the release is 'Ghost 37', which employs vacillating grooves, ominous synths and intricate mechanics before 'Lost Track 22' fuses sizzling 303s, dynamic drums and mammoth, alien-sounding modulations.
On the flip, 'Rey Fur 2.1' keeps the energy flowing with a high-impact clapper featuring bustling fx and expansive tones until 'Tr-15' masterfully rounds off the EP with twisting synth flutters, rattling highs and hypnotic bass grooves intricately unfolding underneath.
More
A1. Sterac - Ghost 37
A2. Sterac - Lost Track 22
B1. Sterac - System 2.1
B2. Sterac - TR-15
Steve Rachmad, aka Sterac returns to Luke Slater's Mote-Evolver imprint this May to release the 'Numbers' EP.
Since his earliest days in the scene, Amsterdam's Steve Rachmad has created a legion of monikers to cover his compositions' variety and broadness. One of them being Sterac which focuses on the deeper and more obscure end of the techno genre. The Sterac discography consists of signature cuts, spread out over genre-defining labels such as M-Plant, Tresor, Klockworks, Afterlife, Mote-Evolver, Indigo Aera, and Delsin.
His 'Numbers' EP sees Steve drop the first release of 2021 under his Sterac alias as he makes a return to Luke Slater's Mote-Evolver label with four tunnelling techno tracks.
Kicking off the release is 'Ghost 37', which employs vacillating grooves, ominous synths and intricate mechanics before 'Lost Track 22' fuses sizzling 303s, dynamic drums and mammoth, alien-sounding modulations.
On the flip, 'Rey Fur 2.1' keeps the energy flowing with a high-impact clapper featuring bustling fx and expansive tones until 'Tr-15' masterfully rounds off the EP with twisting synth flutters, rattling highs and hypnotic bass grooves intricately unfolding underneath.
More
1
Roogunit - Edge 1
2
Roogunit - Edge 2
3
Roogunit - Edge 3
TRACKLISTING
A1. Roogunit - Edge 1
A2. Roogunit - Edge 2
B. Roogunit - Edge 3
Luke Slater and O [Phase] combine for the second release under their RoogUnit guise on Mote-Evolver this April with the 'Nu Rebels Club' EP.
Following 2017s 'Mesh' EP release, the second outing from two of techno's most revered talents in Mote-Evolver boss Slater and Ashley Burchett (O [Phase]), sees the duo indulge in a vast sonic exploration into the world of hypnotic techno shot through with intricately interwoven soundscapes and glacial atmospheres.
The release follows a live streamed set via Mote-Evolver's Bandcamp page on March 5th featuring a 4.5hr live B2B DJ set from RoogUnit.
More
A1. Roogunit - Edge 1
A2. Roogunit - Edge 2
B. Roogunit - Edge 3
Luke Slater and O [Phase] combine for the second release under their RoogUnit guise on Mote-Evolver this April with the 'Nu Rebels Club' EP.
Following 2017s 'Mesh' EP release, the second outing from two of techno's most revered talents in Mote-Evolver boss Slater and Ashley Burchett (O [Phase]), sees the duo indulge in a vast sonic exploration into the world of hypnotic techno shot through with intricately interwoven soundscapes and glacial atmospheres.
The release follows a live streamed set via Mote-Evolver's Bandcamp page on March 5th featuring a 4.5hr live B2B DJ set from RoogUnit.
More
1
Rene Wise & Billy Turner - No Title
2
Rene Wise & Billy Turner - No Title
3
Rene Wise & Billy Turner - No Title
4
Rene Wise & Billy Turner - No Title
Rising UK artists Rene Wise and Billy Turner each deliver two deep techno cuts for the sixth chapter of Mote-Evolver's 'Parallel Series', curated by label founder Luke Slater.
More
More
1
rene wise - Wolf
2
rene wise - Broken Motor
3
rene wise - Loud Colours
4
rene wise - Spirit Molecule
True to the DNA of Luke Slater's imprint, Rene Wise fires off a throbbing combination of big room-ready 4/4 mechanics, high-velocity bass and hypnotic acideries on a dopey, dubby flex - engineering the tools of chaos for a highly immersivedive into the basement's teeming underworld and its nocturnal fauna.
More
More
Fresh off the new album we welcome the arrival of a limited L.B Dub Corp single. Opening proceedings, 'See The Light' unveils a soulful and vocal driven side to the L.B.Dub Corp sound, whilst 'We Are going Home' switches up the aesthetic and movesinto duskier, percussion driven territories. Last up, Slater punctuates the EP with the intricate, snaking sonics of 'Calling The Spirit', harnessing slick, skipping hats and a hypnotic, ever-evolving lead line.
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(180 gr vinyl incl. DL card) Following its launch in 2006, Slater's L.B. Dub Corp moniker has been responsible for refreshing house music on labels like Mote-Evolver and Ostgut Ton, with the latter hosting the pseudonym's debut album in 2013. 'Side Effects’ is the project’s first body of work since then. “I wrote the tracks over the last year between being on the road as P.A.S. and playing a few L.B. Dub Corp house sets, which naturally evolved into ‘Side Effects’ almost accidentally” – Luke Slater
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More
1
oliver deutschmann - No Title
2
oliver deutschmann - No Title
3
oliver deutschmann - No Title
4
oliver deutschmann - No Title
His hard-edged beats, insistent tones, and occasional flash of devious humor make Deutschmann a natural addition to the Mote-Evolver roster: his natural versatility and clear-minded futurism result in compelling club tracks and DJ nights, and his Mote Evolver debut EP Lost In A Loop is no exception to this rule. With just a simple schematic to work with, Deutschmann does what the best producers do and enlivens those simple instructions until they give an illusion of greater complexity.
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More
1
psyk - No Title
2
psyk - No Title
3
psyk - No Title
4
psyk - No Title
The working relationship between producer Psyk (a.k.a. Manuel Anós) and Mote-Evolver continues with the new Silent Witness EP, another episode showcasing Psyk's expert balance of technical variance and affective consistency.Longtime fans of Psyk will find Silent Witness to be a very worthy addition to his catalogue, and also a worhty addition to any DJ sets that desire to mix raw energy with a carefully tailored sense of sophistication
More
1
roogunit - Roogunit - Mesh
2
roogunit - Roogunit - Bugeye
3
roogunit - Roogunit - The Chains
(Roog Unit = Luke Slater + Ø [Phase]. The full dose of "Mesh" shows two producers clearly at their most focused and precise. Like their best work to date, it will get fans' active imaginations churning - and leave them wondering what thiscollaboration has in store for the near future.
More
More
1
planetary assault systems - A Planetary Assault Systems - Kat (Josh Wink Remix)
2
planetary assault systems - B Planetary Assault Systems - Kat (Original Mix)
1
planetary assault systems - "Dungeon" (O Phase remix
2
planetary assault systems - "The Gated" (Ben Sims edit)
3
planetary assault systems - "Dungeon" (PAS 1997 original)
The originals"Planetary Funk" 12"s by P.A.S. dates back to the early 1990s. The 21st century re-activation of the Planetary Funk moniker isn't a nostalgic look backwards so much as an expansion of its original mission
More
1
psyk - Human
2
psyk - powder
3
psyk - aumento
Psyk's newest release for the Mote-Evolver label (following last year's Time Foundation album and the EPs Aracade and Distane) is solid and elemental techno as ever: it fits neatly into the label's stylistic template of mesmerizing precision.
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1
Overmono & The Streets - Turn The Page
one sided etched vinyl.
More
1
Alarico - The Hive
2
Alarico - Carnal Fever
3
Alarico - Sweating Souls
4
Alarico - Toilet Rush
5
Alarico - Aftermath
Tracklisting
A1 Alarico - The Hive
A2 Alarico - Carnal Fever
B1 Alarico - Sweating Souls
B2 Alarico - Toilet Rush
B3 Alarico - Aftermath
Sales Note
As one of the most Sought after artists of the recent years, there is no doubt that "Alarico" is on the front line of the new generational techno movement.
After recent releases in labels such as Klockworks, Token and Mutual Rytm, The Milan Based producer taking the gloves off and Debuting his first solo EP on his Co owned label "Primal instinct" alongside Chlar.
The anticipated 5 tracker release "Carnal Fever", is an impeccable showcase of Alarico's ability to push his musical aesthetics even further and keep developing his signatured modern minimalistic textures into new levels. More
A1 Alarico - The Hive
A2 Alarico - Carnal Fever
B1 Alarico - Sweating Souls
B2 Alarico - Toilet Rush
B3 Alarico - Aftermath
Sales Note
As one of the most Sought after artists of the recent years, there is no doubt that "Alarico" is on the front line of the new generational techno movement.
After recent releases in labels such as Klockworks, Token and Mutual Rytm, The Milan Based producer taking the gloves off and Debuting his first solo EP on his Co owned label "Primal instinct" alongside Chlar.
The anticipated 5 tracker release "Carnal Fever", is an impeccable showcase of Alarico's ability to push his musical aesthetics even further and keep developing his signatured modern minimalistic textures into new levels. More
1
Chez Damier & Stacey Pullen - "Forever Monna"
2
Chez Damier & Stacey Pullen - "Forever Monna" (Deep mix)
3
Chez Damier & Stacey Pullen - "Forever Monna" (Ron & Chez remastered mix)
4
Chez Damier & Stacey Pullen - "Forever Monna" (Rex club mix)
Finally, after a long time, a new edition of this timeless classic of deep house music.
Back to Life together with Chez Damier has done a long research work: for the first time all versions of the original EP are repressed on the same vinyl with accurate version names and some hidden gems.
Don't miss it! For true collectors! More
Back to Life together with Chez Damier has done a long research work: for the first time all versions of the original EP are repressed on the same vinyl with accurate version names and some hidden gems.
Don't miss it! For true collectors! More
1
Abstract Thought - Abstract Thought 01
2
Abstract Thought - Abstract Thought 02
3
Abstract Thought - Abstract Thought 03
Repress!
Music beamed through Dimensional Waves by Abstract Thought. 3 unnamed Abstract Thoughts taken from the original project tapes from 2003, recorded around the same time as the well known full length album release. Sonic expressions that will need your own interpretation to lead to a reality-oriented conclusion. More
Music beamed through Dimensional Waves by Abstract Thought. 3 unnamed Abstract Thoughts taken from the original project tapes from 2003, recorded around the same time as the well known full length album release. Sonic expressions that will need your own interpretation to lead to a reality-oriented conclusion. More
1
Zsa Zsa "La Boum" - Something Scary
2
Zsa Zsa "La Boum" - Something Scary (Instrumental)
3
Zsa Zsa "La Boum" - Something Scary (Anatolian
4
Zsa Zsa "La Boum" - Something Scary (Anatolian
"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.
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Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
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1
The Awakening - Slinky
2
The Awakening - Mode For D.D.
3
The Awakening - Glory To The Sun
4
The Awakening - Convulsions
5
The Awakening - Brand New Feeling
6
The Awakening - When Will It Ever End
7
The Awakening - Just A Little Peace
8
The Awakening - Mirage
The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
Tracklist:
Side A
1 Slinky 6:10
2 Mode For D. D. 5:37
3 Glory To The Sun 6:12
4 Convulsions 6:37
Side B
1 Brand New Feeling 5:50
2 When Will It Ever End 7:16
3 Just A Little Peace 5:08
4 Mirage 8:31 More
Tracklist:
Side A
1 Slinky 6:10
2 Mode For D. D. 5:37
3 Glory To The Sun 6:12
4 Convulsions 6:37
Side B
1 Brand New Feeling 5:50
2 When Will It Ever End 7:16
3 Just A Little Peace 5:08
4 Mirage 8:31 More
When the house music phenomenon was beginning, Chicago DJs like Ron Hardy and New Yorkers such as Frankie Knuckles and Larry Levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. Warehouse Classics Vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the Music Box and rarely heard anywhere else.
Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape before moving on to the next set of sounds.
Musically, it's as delightfully funky and uncomplicated as you'd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. Essential Item !
More
Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape before moving on to the next set of sounds.
Musically, it's as delightfully funky and uncomplicated as you'd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. Essential Item !
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1
Chlär - Early Morning Acceleration
2
Chlär - Maximum Performance
3
Chlär - Love Blaster
4
Chlär - Night Genesis
5
Chlär - Spirit Enhancer
cut-out label sleeve / printed inner sleeve / 180 grams
Tracklisting:
A1 Chlär - Early Morning Acceleration
A2 Chlär - Maximum Performance
A3 Chlär - Love Blaster
B1 Chlär - Night Genesis
B2 Chlär - Spirit Enhancer
Release Note:
Chlar delivers his debut record for SHDW & Obscure Shapes' Mutual Rytm imprint.
Emerging as artist of note for both now and the future, Chlar continues to craft and shape his sound as he curates his own high-octane approach to techno. Combining dynamic performances taking in three and four deck mixes with his own up front productions and his talents as a former mastering engineer, the Swiss talent has become a respected name amongst his peers. After releases on Lobster Theremin and his own Bipolar Disorder imprint, the Berlin-based DJ, producer and label boss heads to SHDW & Obscure Shape's blooming label Mutual Rytm to deliver six precise and powerful cuts across his 'Optimized Groove' EP.
"As the names states, 'Optimized grooves' is a collection of tracks designed to match specific parts of the event/night. From 'Night Genesis' at the origin of the night through to tracks like 'Maximum Performance', a peak time bomb, and 'Spirit Enhancer' - an uplifting and warm production elevating individuals to higher labels after hours of spiritual connection'" - Chlar
Opener 'Early Morning Acceleration' sets the tone early and dives into a looping ride through slinking hats and bustling arrangements - combining classic influences with forward thinking touches to reveal a dynamic slice of techno. Next, 'Maximum Performance' fuses swelling low-ends, sharp percussion and vibrant leads, while 'Love Blaster' delivers an all out fiesta armed with rolling drums, sharp whistles and rich chords. On the flip, B1 'Night Genesis' sees hypnotic loopy vocals balanced by tough kicks and luminous synths, before 'Spirit Enhancer' showcases a soulful trip as resonant electronics work around the track's tunnelling groove. The digital EP comes with a bonus exclusive production in 'Synaptic Discussion', a euphoric and impactful closer which brings things to a close firmly in the peak time hours.
Chlar 'Optimized Grooves' drops via Mutual Rytm on 9th September 2022.
More
Tracklisting:
A1 Chlär - Early Morning Acceleration
A2 Chlär - Maximum Performance
A3 Chlär - Love Blaster
B1 Chlär - Night Genesis
B2 Chlär - Spirit Enhancer
Release Note:
Chlar delivers his debut record for SHDW & Obscure Shapes' Mutual Rytm imprint.
Emerging as artist of note for both now and the future, Chlar continues to craft and shape his sound as he curates his own high-octane approach to techno. Combining dynamic performances taking in three and four deck mixes with his own up front productions and his talents as a former mastering engineer, the Swiss talent has become a respected name amongst his peers. After releases on Lobster Theremin and his own Bipolar Disorder imprint, the Berlin-based DJ, producer and label boss heads to SHDW & Obscure Shape's blooming label Mutual Rytm to deliver six precise and powerful cuts across his 'Optimized Groove' EP.
"As the names states, 'Optimized grooves' is a collection of tracks designed to match specific parts of the event/night. From 'Night Genesis' at the origin of the night through to tracks like 'Maximum Performance', a peak time bomb, and 'Spirit Enhancer' - an uplifting and warm production elevating individuals to higher labels after hours of spiritual connection'" - Chlar
Opener 'Early Morning Acceleration' sets the tone early and dives into a looping ride through slinking hats and bustling arrangements - combining classic influences with forward thinking touches to reveal a dynamic slice of techno. Next, 'Maximum Performance' fuses swelling low-ends, sharp percussion and vibrant leads, while 'Love Blaster' delivers an all out fiesta armed with rolling drums, sharp whistles and rich chords. On the flip, B1 'Night Genesis' sees hypnotic loopy vocals balanced by tough kicks and luminous synths, before 'Spirit Enhancer' showcases a soulful trip as resonant electronics work around the track's tunnelling groove. The digital EP comes with a bonus exclusive production in 'Synaptic Discussion', a euphoric and impactful closer which brings things to a close firmly in the peak time hours.
Chlar 'Optimized Grooves' drops via Mutual Rytm on 9th September 2022.
More
1
Black Devil - "H" Friend
2
Black Devil - Timing, Forget The Timing
3
Black Devil - One To Choose
4
Black Devil - We Never Fly Away Again
5
Black Devil - Follow Me (Instrumental)
6
Black Devil - No Regrets
Territories: WW minus FR
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
1
Jimi Tenor - Theme Sax
2
Jimi Tenor - Crazy Hammond
3
Jimi Tenor - Union Ave
4
Jimi Tenor - Take Me Baby
5
Jimi Tenor - Matti B
6
Jimi Tenor - Teräsmies
7
Jimi Tenor - Voimamies
8
Jimi Tenor - Travelin Dem Spaceways
Sähkömies is Jimi Tenor's solo debut from his NYC period in early 90's. Sähkömies (Electrician) is a mixture of great melodies embedded to Tenor's first ideas of his SunRa-flavoured jazz tableau. The album is combining Tenor's smokey sax with lo-fi electronics and experimentations with techno synths like Roland 303&606.
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1
Chrystabell & David Lnych - She Knew
2
Chrystabell & David Lnych - The Sky Falls
3
Chrystabell & David Lnych - You Know The Rest
4
Chrystabell & David Lnych - So Much Love
5
Chrystabell & David Lnych - Two Lovers Kiss
6
Chrystabell & David Lnych - The Answers To The Questions
7
Chrystabell & David Lnych - With Small Animals
8
Chrystabell & David Lnych - Reflections In A Blade
9
Chrystabell & David Lnych - Dance Of Light
10
Chrystabell & David Lnych - Sublime Eternal Love
Tip!
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More