Tracklist
A1. Planetary Assault Systems - Clap Trap
A2. Planetary Assault Systems - Sidewinder

B1. Planetary Assault Systems - Electric Culp
B2. Planetary Assault Systems - Grid Livers

Planetary Assault Systems is one of UK techno innovator Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. Each Planetary Assault System release is closely related to the live shows, joining the dots between studio and stage.

For his first new music as Planetary Assault Systems in several years, and the 70th release on his own Mote-Evolver label, he heads full throttle into the deep dark recesses of the club. 'Deep Heet Vol 5' EP follows 2017's 4th volume which included the ever popular 'Desert Races'.


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Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.

TRACKLISTING

A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)

INFO

Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba

Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.

Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.

On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.


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Luke Slater presents "Sky Scraping", a new Planetary Assault Systems album. P.A.S. has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.

TRACKLISTING

A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die

C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon

INFO

Luke Slater presents new Planetary Assault Systems album, Sky Scraping.

The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.

A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.

On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.

Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos.

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The originals"Planetary Funk" 12"s by P.A.S. dates back to the early 1990s. The 21st century re-activation of the Planetary Funk moniker isn't a nostalgic look backwards so much as an expansion of its original mission

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(shifted, lucy, dettmann rmxs) the second remix package to reinterpret Planetary Assault Systems' seminal record 'Function 4', originally released on the influential Peacefrog label in 2000.


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(chris liebing / marcel dettman rmxs). Originally released through Peacefrog in 2000, the tracky, tripping metallic thump of 'Function 4' is a great early example of Slater's pioneering droning, mesmerising musings as P.A.S. this is the 1st episode

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Comprising three state-of-the-art expeditions into deep space techno, Deep Heet Vol. 2 takes techno back to its primitive roots, adding details inspired by yet-tobe-explored points in the galaxy; only visible from Slater’s Spacestation Ø UK studio

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Former Ostgut Ton label manager, DJ and producer Nick Höppner releases his solo debut album Folk on Ostgut Ton. Nick Höppner's Folk feels like one of those rare albums that will be put on in ten years and it will sound as relevant as it is today. There is music to be heard in Folk — idiosyncratic tracks that cross the vast continent of Techno and House music. Each track is adorned with many different musical styles brought together by the unifying power of the 4/4 kick.

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On her 2nd album Steffi recalls classic, landmark Detroit Electro, while creating modern, retro-futuristic sound

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On her 2nd album Steffi recalls classic, landmark Detroit Electro, while creating modern, retro-futuristic sound

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"Code" is the debut LP from Berlin producer Answer Code Request on Ostgut Ton. Whether his DJ sets, the increasing appearances as a live act or with impressive releases on Marcel Dettmann Records and his own label ACR – as an emergent Berghain resident, Patrick Gräser is also one of the new exciting faces on the label. After the "Breathe EP", his debut release on Ostgut Ton, his first long-player was not only a matter of time, but the next logical step. "Code" is a statement that coquettishly plays with the crucial question of electronic music – which tasks and perspectives a techno album should demonstrate – it also challenges current listening expectations. Even though the primacy of functionality seems to be engraved in stone as a paradigm, ACR turns his back on just a mere collection of dancefloor tracks.


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