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Last in:08.10.2019
Label:cocoon
Cat-No:cormix060
Release-Date:11.10.2019
Genre:Techno
Configuration:CD Excl
Barcode:4251648413172
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Planetary Assault Systems - Planetary Assault Systems - Angel of the east
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Planetary Assault Systems - Planetary Assault Systems - Peru Drift
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Planetary Assault Systems - Planetary Assault Systems - Engage now
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Planetary Assault Systems - Planetary Assault Systems - Whistle Viper
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Planetary Assault Systems - Planetary Assault Systems - Message from the drone sector
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Planetary Assault Systems - Planetary Assault Systems - Unreleased
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Planetary Assault Systems - Planetary Assault Systems - Desert Races
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Planetary Assault Systems - Planetary Assault Systems - Arc
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Planetary Assault Systems - Planetary Assault Systems - Eyes Themselves
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Planetary Assault Systems - Planetary Assault Systems - Rip the cut
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Planetary Assault Systems - Planetary Assault Systems - Raww
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Planetary Assault Systems - Planetary Assault Systems - Give it up
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Planetary Assault Systems - Planetary Assault Systems - Voodoo
CD
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.
Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo
This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.
Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo
This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Planetary Assault Systems
Label:Mote Evolver
Cat-No:REAS01
Release-Date:28.03.2025
Genre:Techno
Configuration:3LP
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Last in:09.05.2025
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Last in:09.05.2025
Label:Mote Evolver
Cat-No:REAS01
Release-Date:28.03.2025
Genre:Techno
Configuration:3LP
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1
Planetary Assault Systems - Give It Up (Len Faki Reassembly 1)
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2
Planetary Assault Systems - Strange Attractor (Chlar Reassembly)
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3
Planetary Assault Systems - Give It Up (Len Faki Reassembly 2)
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4
Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 1)
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5
Planetary Assault Systems - Raid (Rene Wise Reassembly)
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6
Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 2)
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7
Planetary Assault Systems - Engage Now To Surface (Luke Slater Reassembly)
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8
Planetary Assault Systems - Desert Races (Luke Slater Reassembly 2025)
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9
Planetary Assault Systems - Rip The Keys (Luke Slater Reassembly)
Tracklist
A. Planetary Assault Systems - Give It Up (Len Faki Reassembly 1)
B1. Planetary Assault Systems - Strange Attractor (Chla?r Reassembly)
B2. Planetary Assault Systems - Give It Up (Len Faki Reassembly 2)
C. Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 1)
D1. Planetary Assault Systems - Raid (Rene Wise Reassembly)
D2. Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 2)
E. Planetary Assault Systems - Engage Now To Surface (Luke Slater Reassembly)
F1. Planetary Assault Systems - Desert Races (Luke Slater Reassembly 2025)
F2. Planetary Assault Systems - Rip The Keys (Luke Slater Reassembly)
(Clear vinyl, including Len Faki, Chlär, Rene Wise, Oscar Mulero & Luke Slater Remixes) Following on last year's 5th volume of 'Deep Heet' series, UK techno's front runnerLuke Slater committed to cutting-edge, thought-provoking sounds teamed up with renowned names to reassemble tracks from PAS' long standing opus and recent releases.
Reassembled features standout contributions from former Ostgut Ton label-mate Len Faki, techno master Chlär, DJs favourite producer Rene Wise, Spanish techno figurehead Oscar Mulero, and Slater himself.
Driving drums, hypnotic vocals, and a subtle acid flair, Berlin-based techno powerhouse Len Faki delivers his reassembled take on 'Give It Up'. Chlär reimagines 'Strange Attractor' embodying slick weaving eerie sonic elements and hypnotic vocals. On the second reiteration of 'Give It Up', Len Faki delivers escalated urgency resounding through the track. Following with the prolific Oscar Mulero tweaking timeless sounds of 'Surface Noise'. Rene Wise ventures into deeper, darker, less straight-forward territories with Luke Slater's 2017 'Raid' track. Oscar Mulero double downs on 'Surface Noise' with a more raw, more chaotic and experimental version. Focused almost solely on percussive elements of the original track, it's an elegance reimagined.
Slater contributes three closing tracks, including Rip The Keys, a housier, glossy techno rendition; Desert Races, transformed into a fast-paced dancefloor cut; and Engage Now To Surface, which plunges into distorted depths to round off the release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A. Planetary Assault Systems - Give It Up (Len Faki Reassembly 1)
B1. Planetary Assault Systems - Strange Attractor (Chla?r Reassembly)
B2. Planetary Assault Systems - Give It Up (Len Faki Reassembly 2)
C. Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 1)
D1. Planetary Assault Systems - Raid (Rene Wise Reassembly)
D2. Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 2)
E. Planetary Assault Systems - Engage Now To Surface (Luke Slater Reassembly)
F1. Planetary Assault Systems - Desert Races (Luke Slater Reassembly 2025)
F2. Planetary Assault Systems - Rip The Keys (Luke Slater Reassembly)
(Clear vinyl, including Len Faki, Chlär, Rene Wise, Oscar Mulero & Luke Slater Remixes) Following on last year's 5th volume of 'Deep Heet' series, UK techno's front runnerLuke Slater committed to cutting-edge, thought-provoking sounds teamed up with renowned names to reassemble tracks from PAS' long standing opus and recent releases.
Reassembled features standout contributions from former Ostgut Ton label-mate Len Faki, techno master Chlär, DJs favourite producer Rene Wise, Spanish techno figurehead Oscar Mulero, and Slater himself.
Driving drums, hypnotic vocals, and a subtle acid flair, Berlin-based techno powerhouse Len Faki delivers his reassembled take on 'Give It Up'. Chlär reimagines 'Strange Attractor' embodying slick weaving eerie sonic elements and hypnotic vocals. On the second reiteration of 'Give It Up', Len Faki delivers escalated urgency resounding through the track. Following with the prolific Oscar Mulero tweaking timeless sounds of 'Surface Noise'. Rene Wise ventures into deeper, darker, less straight-forward territories with Luke Slater's 2017 'Raid' track. Oscar Mulero double downs on 'Surface Noise' with a more raw, more chaotic and experimental version. Focused almost solely on percussive elements of the original track, it's an elegance reimagined.
Slater contributes three closing tracks, including Rip The Keys, a housier, glossy techno rendition; Desert Races, transformed into a fast-paced dancefloor cut; and Engage Now To Surface, which plunges into distorted depths to round off the release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Mote Evolver
Cat-No:mote070
Release-Date:14.06.2024
Genre:Techno
Configuration:12"
Barcode:
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Last in:21.06.2024
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Last in:21.06.2024
Label:Mote Evolver
Cat-No:mote070
Release-Date:14.06.2024
Genre:Techno
Configuration:12"
Barcode:
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1
Planetary Assault Systems - Clap Trap
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2
Planetary Assault Systems - Sidewinder
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3
Planetary Assault Systems - Electric Culp
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4
Planetary Assault Systems - Grid Livers
Tracklist
A1. Planetary Assault Systems - Clap Trap
A2. Planetary Assault Systems - Sidewinder
B1. Planetary Assault Systems - Electric Culp
B2. Planetary Assault Systems - Grid Livers
Planetary Assault Systems is one of UK techno innovator Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. Each Planetary Assault System release is closely related to the live shows, joining the dots between studio and stage.
For his first new music as Planetary Assault Systems in several years, and the 70th release on his own Mote-Evolver label, he heads full throttle into the deep dark recesses of the club. 'Deep Heet Vol 5' EP follows 2017's 4th volume which included the ever popular 'Desert Races'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Planetary Assault Systems - Clap Trap
A2. Planetary Assault Systems - Sidewinder
B1. Planetary Assault Systems - Electric Culp
B2. Planetary Assault Systems - Grid Livers
Planetary Assault Systems is one of UK techno innovator Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. Each Planetary Assault System release is closely related to the live shows, joining the dots between studio and stage.
For his first new music as Planetary Assault Systems in several years, and the 70th release on his own Mote-Evolver label, he heads full throttle into the deep dark recesses of the club. 'Deep Heet Vol 5' EP follows 2017's 4th volume which included the ever popular 'Desert Races'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Mote Evolver
Cat-No:MOTE064
Release-Date:25.11.2022
Genre:Techno
Configuration:12"
Barcode:
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Last in:27.07.2023
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Last in:27.07.2023
Label:Mote Evolver
Cat-No:MOTE064
Release-Date:25.11.2022
Genre:Techno
Configuration:12"
Barcode:
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1
Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
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2
Planetary Assault Systems - In From The Night (PAS Edit)
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Planetary Assault Systems - In From The Night (PAS Live Edit)
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A. Planetary Assault Systems - In From The Night (Adam Beyer & Wehbba Remix)
B1. Planetary Assault Systems - In From The Night (PAS Edit)
B2. Planetary Assault Systems - In From The Night (PAS Live Edit)
INFO
Planetary Assault Systems revisits 'In From The Night' with edits and a remix from Adam Beyer and Wehbba
Planetary Assault Systems is one of UK techno veteran Luke Slater's most enduring aliases, a project focused on forward-thinking techno with maximum cerebral impact. 'In From The Night' came out in 1993 as part of the 'Planetary Funk Vol 1 EP' on Peacefrog and has remained an underground favourite since.
Here on his own Mote-Evolver label, Slater revisits the track with a fresh perspective across two edits and an interpretation from Drumcode's Adam Beyer and celebrated Brazilian DJ/producer Webbha. The techno titans team up to deliver a remix with thunderous energy as tense synths patterns loop, evolve, and grow ever more edgy as the track unfolds throughout.
On the flip, the first 'P.A.S. Edit' is a potent touch-up that finds pounding drums overlaid with raw and textural synth patterns alongside occasional crashing claps and a rising sense of dark cosmic energy. The 'P.A.S. Live Edit' unfolds in broken patterns and reverberates with menace as more searing synth lines fire across the dance floor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:14.03.2024
Label:Token
Cat-No:token103lp
Release-Date:15.10.2021
Genre:Techno
Configuration:2LP
Barcode:
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1
Planetary Assault Systems - A1. Labstract
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2
Planetary Assault Systems - A2. One For The Groove
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3
Planetary Assault Systems - B1. Give In
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4
Planetary Assault Systems - B2. If I Die
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5
Planetary Assault Systems - C1. Coal
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Planetary Assault Systems - C2. Run
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Planetary Assault Systems - D1. The Drag Train
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Planetary Assault Systems - D2. Nano Chameleon
Luke Slater presents "Sky Scraping", a new Planetary Assault Systems album. P.A.S. has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A1. Planetary Assault Systems - Labstract
A2. Planetary Assault Systems - One For The Groove
B1. Planetary Assault Systems - Give In
B2. Planetary Assault Systems - If I Die
C1. Planetary Assault Systems - Coal
C2. Planetary Assault Systems - Run
D1. Planetary Assault Systems - The Drag Train
D2. Planetary Assault Systems - Nano Chameleon
INFO
Luke Slater presents new Planetary Assault Systems album, Sky Scraping.
The iconic British producer, whose last LP arrived via Ostgut Ton in 2016, follows up this year's Say It Loud on Token with a full length featuring a wealth of brand new material.
A figure who needs little introduction to fans of the genre, but whose consistency in the studio and on the road has repeatedly marked him out as true pioneer of sound design and performance with a singular vision, Slater first minted the PAS alias in '93. Since then, a slew of singles and LP's from the industrious artist have made sure Planetary Assault Systems has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.
On the new LP, Slater draws on studio material but also components recorded during the PAS live show - and he's keen to let fans know the focus is well and truly on the dance floor with this one: Sky Scraping is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, the dark clubs and festivals made special by their unique ability to bring like minded people together.
Sky Scraping kicks off in characteristically dense, psychedelic fashion with Labstract - a slice of classic PAS with cavernous low end and a tight, looping sequence doing the driving work while frenetic drum machine cuts and wide angle synth sirens shift the track onwards from one phase to the next. Follow up One For The Groove showcases the chunkier side of Slater's production as PAS with an infectious 909 pattern propelled on in the high mids by a squelching synth patch. Bang Wap revisits the artist's last outing on Token - a monstrous, unforgiving roller designed with peak time in mind. Say It Loud - the idiosyncratic proto-anthem that accompanied Bang Wap earlier in the year leads the LP onwards, before sequing into new recording Give In - a masterclass in dense, funky, face-melting Techno. Drums take centre stage on If I Die, as the artist returns to the 909 for a marginally slowed down cut that really highlights the artist's connection to and natural affinity with groove and drum machine cuts. Coal thrusts the listener straight back down the wormhole - an extraordinary, driving piece propelled by a guttural lead synth sequence and ghostly drums, before giving way to Run - a dry, pared back recording with plucked, staccato synths that makes for a good contrast to its fathoms deep predecessor. Though not without moments of hysteria in its closing quarter, The Drag Train, featuring a classic, more mono finish begins the wind down towards the LP's close. Nano Chameleon ties up Sky Scraping, a track as forceful as anything that has come earlier on the record - as it approaches its close, a warping lead powers the recording home with shuffling white noise percussion dipping in and out of the sonic main stage before giving way to a delicate, controlled chaos.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:ostgut ton
Cat-No:ostgutlp23
Release-Date:27.09.2016
Genre:Techno
Configuration:3LP
Barcode:
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Last in:14.03.2019
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Last in:14.03.2019
Label:ostgut ton
Cat-No:ostgutlp23
Release-Date:27.09.2016
Genre:Techno
Configuration:3LP
Barcode:
1
planetary assault systems - Angel Of The East
2
planetary assault systems - Tri Fn Trp
3
planetary assault systems - Sonar Falls
4
planetary assault systems - Interlude 1
5
planetary assault systems - Message From The Drone Sector
6
planetary assault systems - Merry Go Round
7
planetary assault systems - Interlude 2
8
planetary assault systems - Behind The Eyes
9
planetary assault systems - Bawoo Bawoo
10
planetary assault systems - Interlude 3
11
planetary assault systems - Revolution One
12
planetary assault systems - Interlude 4
13
planetary assault systems - Blue Monk
14
planetary assault systems - Groucho
15
planetary assault systems - Interlude 5
16
planetary assault systems - The Rider
17
planetary assault systems - Max
18
planetary assault systems - Interlude 6
19
planetary assault systems - The Last Scene
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Label:ostgut ton
Cat-No:ostgutcd23
Release-Date:27.09.2016
Genre:Techno
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12"
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Cat-No:mote047
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planetary assault systems - A Planetary Assault Systems - Kat (Josh Wink Remix)
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planetary assault systems - B Planetary Assault Systems - Kat (Original Mix)
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1
planetary assault systems - "Dungeon" (O Phase remix
2
planetary assault systems - "The Gated" (Ben Sims edit)
3
planetary assault systems - "Dungeon" (PAS 1997 original)
The originals"Planetary Funk" 12"s by P.A.S. dates back to the early 1990s. The 21st century re-activation of the Planetary Funk moniker isn't a nostalgic look backwards so much as an expansion of its original mission
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Label:mote evolver
Cat-No:mote030
Release-Date:28.06.2012
Genre:Techno
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(shifted, lucy, dettmann rmxs) the second remix package to reinterpret Planetary Assault Systems' seminal record 'Function 4', originally released on the influential Peacefrog label in 2000.
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12"
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Label:mote evolver
Cat-No:mote027
Release-Date:11.11.2011
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(chris liebing / marcel dettman rmxs). Originally released through Peacefrog in 2000, the tracky, tripping metallic thump of 'Function 4' is a great early example of Slater's pioneering droning, mesmerising musings as P.A.S. this is the 1st episode
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Label:mote evolver
Cat-No:mote022
Release-Date:04.03.2011
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Comprising three state-of-the-art expeditions into deep space techno, Deep Heet Vol. 2 takes techno back to its primitive roots, adding details inspired by yet-tobe-explored points in the galaxy; only visible from Slater’s Spacestation Ø UK studio
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Label:cocoon
Cat-No:CORLP057
Release-Date:27.06.2025
Genre:Techno
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Barcode:4251804181013
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1
Delenz & Zeitstill - Place To Be
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2
Superpitcher - Dream B
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3
Patrice Bäumel - Nat
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Sawlin - Der Jasager
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DC Salas - Escapism
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Tal Fussman - Eyes
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Ken Ishii & Yuada - Split Second
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Marcel Fengler - Aura
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Impérieux - Kala
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Joe Metzenmacher - Da Freak
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Joseph Capriati - Cosmopop
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Matthias Schildger - Distorter
Limited Vinyl Box Set including 6x olive 12” vinyl & download code
Tracklisting:
Digital / LP
1. (A1) Delenz & Zeitstill – Place To Be (DE-Q20-25-00007)
2. (B1) Superpitcher – Dream B (DE-Q20-25-00008)
3. (C1) Patrice Bäumel – Nat (DE-Q20-25-00009)
4. (D1) Sawlin – Der Jasager (DE-Q20-25-00010)
5. (E1) DC Salas – Escapism (DE-Q20-25-00011)
6. (F1) Tal Fussman – Eyes (DE-Q20-25-00012)
7. (G1) Ken Ishii & Yuada – Split Second (DE-Q20-25-00013)
8. (H1) Marcel Fengler – Aura (DE-Q20-25-00014)
9. (I1) Impérieux – Kala (DE-Q20-25-00015)
10. (J1) Joe Metzenmacher – Da Freak (DE-Q20-25-00016)
11. (K1) Joseph Capriati – Cosmopop (DE-Q20-25-00017)
12. (L1) Matthias Schildger – Distorter (DE-Q20-25-00018)
Cocoon Recordings presents: Cocoon Compilation V
Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.
Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.
The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.
A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.
On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.
Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.
Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.
From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
Digital / LP
1. (A1) Delenz & Zeitstill – Place To Be (DE-Q20-25-00007)
2. (B1) Superpitcher – Dream B (DE-Q20-25-00008)
3. (C1) Patrice Bäumel – Nat (DE-Q20-25-00009)
4. (D1) Sawlin – Der Jasager (DE-Q20-25-00010)
5. (E1) DC Salas – Escapism (DE-Q20-25-00011)
6. (F1) Tal Fussman – Eyes (DE-Q20-25-00012)
7. (G1) Ken Ishii & Yuada – Split Second (DE-Q20-25-00013)
8. (H1) Marcel Fengler – Aura (DE-Q20-25-00014)
9. (I1) Impérieux – Kala (DE-Q20-25-00015)
10. (J1) Joe Metzenmacher – Da Freak (DE-Q20-25-00016)
11. (K1) Joseph Capriati – Cosmopop (DE-Q20-25-00017)
12. (L1) Matthias Schildger – Distorter (DE-Q20-25-00018)
Cocoon Recordings presents: Cocoon Compilation V
Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.
Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.
The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.
A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.
On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.
Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.
Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.
From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:24.04.2025
Label:cocoon
Cat-No:CORLP058
Release-Date:04.04.2025
Genre:Techno
Configuration:4LP Excl
Barcode:4251804181020
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1
Sven Väth - Ritual Of Life (Adam Port 108 Mix)
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2
Sven Väth - Ballet-Fusion (Speedy J Remix)
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Metal Master - Spectrum (Bart Skills & Weska Reinterpretation)
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Sven Väth - The Beauty And The Beast (Eric Prydz Re-edit)
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5
OFF Feat. Sven Väth - Electrica Salsa (Roman Flügel Remix)
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Sven Väth - Cala Llonga
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Sven Väth - Sounds Control Your Mind
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8
Sven Väth - Dein Schweiss
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Sven Väth - Robot (Kölsch Remix)
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Sven Väth - L’Esperanza (Hardspace Mix)
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11
Sven Väth - Privado
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12
Sven Väth - Mind Games (Roman Flügel Remix)
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13
Sven Väth - Face It
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14
Sven Väth - The Day After
Exclusive 4x12” vinyl box set with glossy Spot UV finish
Tracklisting:
CORLP058 Vinyl 1
1. (A1) Sven Väth – Ritual Of Life (Adam Port 108 Mix) (DE-Q20-15-01361)
2. (B1) Sven Väth – Ballet-Fusion (Speedy J Remix) (DE-Q20-95-01244)
3. (B2) Metal Master – Spectrum (Bart Skills & Weska Reinterpretation) (DE-Q20-22-00022)
CORLP058 Vinyl 2
4. (A1) Sven Väth – The Beauty And The Beast (Eric Prydz Re-edit) (DE-Q20-08-00033)
5. (A2) OFF Feat. Sven Väth – Electrica Salsa (Roman Flügel Remix) (DE-Q20-16-01485)
6. (B1) Sven Väth – Cala Llonga (DE-Q20-02-01236)
7. (B2) Sven Väth – Sounds Control Your Mind (DE-Q20-98-01216)
CORLP058 Vinyl 3
8. (A1) Sven Väth – Dein Schweiss (DE-Q20-00-01221)
9. (A2) Sven Väth – Robot (Kölsch Remix) (DE-Q20-16-01471)
10. (B1) Sven Väth – L’Esperanza (Hardspace Mix) (DE-Q20-24-00010)
11. (B2) Sven Väth – Privado (DE-Q20-00-01227)
CORLP058 Vinyl 4
12. (A1) Sven Väth – Mind Games (Roman Flügel Remix) (DE-Q20-25-00001)
13. (A2) Sven Väth – Face It (DE-Q20-98-01214)
14. (B1) Astral Pilot – The Day After (DE-Q20-08-00068)
Cocoon Recordings presents: Sven Väth - Retrospective
This retrospective is not merely a celebration—it’s a legacy. Sven Väth’s unparalleled life and pioneering spirit, as well as the defining moments that inspired an entire generation, are distilled into a profound tribute. A musical retrospective that captures the evolution of a visionary whose art has defined, inspired, and reimagined electronic music culture and retells it with zeitgeist.
Sven Väth is more than a DJ, he is a force of nature. A trailblazer whose work is not just music, it’s a philosophy of life: ecstasy, freedom, and a fearless pursuit of creativity, all wrapped in a knowing wink of craziness and rebellion.
Spanning over three decades, this carefully curated collection invites listeners to trace special moments of Sven’s musical work. From his electrifying beginnings to modern interpretations that pulse, This collection is a tribute to a life dedicated to music, every beat a moment frozen in time. Beyond the timeless anthems lies an unreleased treasure—a hidden gem by Roman Flügel that promises to surprise even the most ardent followers.
Alongside Sven’s timeless originals, this release showcases visionary remixes by some of the most revered names in electronic music. Beginning with Adam Port’s hypnotic reimagining of Ritual Of Life to Eric Prydz’s cinematic take on The Beauty and the Beast and Roman Flügel’s unique interpretations, each remix pays homage to Sven’s legacy while channeling a bold, contemporary edge. Speedy J, Bart Skils & Weska, and Kölsch further elevate the collection, showcasing the influence of Sven’s work across generations and styles.
More than a retrospective, this is a living contemporary document that makes techno and club culture tangible. It’s a sonic time capsule for those who lived through the golden nights when Sven set dancefloors ablaze - a musical legacy that connects past, present, and future in a shared pulse that transcends boundaries.
For those who want to experience Sven Väth's incomparable energy and passion over and over again. The perfect opportunity to rediscover Sven Väth's legacy in music history or perhaps even experience it for the first time.
It's more than just a look back - it's an experience. A celebration of nights without end, of passion without limits, and Sven himself, of course.
Coming on February 20th, 2025 —a monument of sound, a story etched in rhythm, and an invitation to lose yourself once more in the magic of Sven Väth. Don’t just listen. Live it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
CORLP058 Vinyl 1
1. (A1) Sven Väth – Ritual Of Life (Adam Port 108 Mix) (DE-Q20-15-01361)
2. (B1) Sven Väth – Ballet-Fusion (Speedy J Remix) (DE-Q20-95-01244)
3. (B2) Metal Master – Spectrum (Bart Skills & Weska Reinterpretation) (DE-Q20-22-00022)
CORLP058 Vinyl 2
4. (A1) Sven Väth – The Beauty And The Beast (Eric Prydz Re-edit) (DE-Q20-08-00033)
5. (A2) OFF Feat. Sven Väth – Electrica Salsa (Roman Flügel Remix) (DE-Q20-16-01485)
6. (B1) Sven Väth – Cala Llonga (DE-Q20-02-01236)
7. (B2) Sven Väth – Sounds Control Your Mind (DE-Q20-98-01216)
CORLP058 Vinyl 3
8. (A1) Sven Väth – Dein Schweiss (DE-Q20-00-01221)
9. (A2) Sven Väth – Robot (Kölsch Remix) (DE-Q20-16-01471)
10. (B1) Sven Väth – L’Esperanza (Hardspace Mix) (DE-Q20-24-00010)
11. (B2) Sven Väth – Privado (DE-Q20-00-01227)
CORLP058 Vinyl 4
12. (A1) Sven Väth – Mind Games (Roman Flügel Remix) (DE-Q20-25-00001)
13. (A2) Sven Väth – Face It (DE-Q20-98-01214)
14. (B1) Astral Pilot – The Day After (DE-Q20-08-00068)
Cocoon Recordings presents: Sven Väth - Retrospective
This retrospective is not merely a celebration—it’s a legacy. Sven Väth’s unparalleled life and pioneering spirit, as well as the defining moments that inspired an entire generation, are distilled into a profound tribute. A musical retrospective that captures the evolution of a visionary whose art has defined, inspired, and reimagined electronic music culture and retells it with zeitgeist.
Sven Väth is more than a DJ, he is a force of nature. A trailblazer whose work is not just music, it’s a philosophy of life: ecstasy, freedom, and a fearless pursuit of creativity, all wrapped in a knowing wink of craziness and rebellion.
Spanning over three decades, this carefully curated collection invites listeners to trace special moments of Sven’s musical work. From his electrifying beginnings to modern interpretations that pulse, This collection is a tribute to a life dedicated to music, every beat a moment frozen in time. Beyond the timeless anthems lies an unreleased treasure—a hidden gem by Roman Flügel that promises to surprise even the most ardent followers.
Alongside Sven’s timeless originals, this release showcases visionary remixes by some of the most revered names in electronic music. Beginning with Adam Port’s hypnotic reimagining of Ritual Of Life to Eric Prydz’s cinematic take on The Beauty and the Beast and Roman Flügel’s unique interpretations, each remix pays homage to Sven’s legacy while channeling a bold, contemporary edge. Speedy J, Bart Skils & Weska, and Kölsch further elevate the collection, showcasing the influence of Sven’s work across generations and styles.
More than a retrospective, this is a living contemporary document that makes techno and club culture tangible. It’s a sonic time capsule for those who lived through the golden nights when Sven set dancefloors ablaze - a musical legacy that connects past, present, and future in a shared pulse that transcends boundaries.
For those who want to experience Sven Väth's incomparable energy and passion over and over again. The perfect opportunity to rediscover Sven Väth's legacy in music history or perhaps even experience it for the first time.
It's more than just a look back - it's an experience. A celebration of nights without end, of passion without limits, and Sven himself, of course.
Coming on February 20th, 2025 —a monument of sound, a story etched in rhythm, and an invitation to lose yourself once more in the magic of Sven Väth. Don’t just listen. Live it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:13.02.2024
Label:cocoon
Cat-No:CORLP056
Release-Date:08.03.2024
Genre:Techno
Configuration:2LP Excl
Barcode:4251804140638
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1
JOSS - Assessing
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2
Emanuel Satie - When I First Met You (I Knew You Were The One)
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Denis Horvat & Skarn - Triii
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4
Aöcram x Ramsey Neville - Brooklyn Structure
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5
Alex Bau - Antidot
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6
Redshape - Ghost Story
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7
Raxon - Year Zero
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8
Harald Björk - Aluco
Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
6LP Excl
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Last in:25.10.2023
Label:cocoon
Cat-No:CORLP055
Release-Date:17.11.2023
Genre:Techno
Configuration:6LP Excl
Barcode:4251804140614
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1
New Jackson - Acid Jackson
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2
Ian Pooley - DDG Talk
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3
Jakob Reiter - Il Rotori
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4
DJ Tennis - Take It, Take It
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5
Drumcomplex & Frank Sonic - Lacalute
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6
Michael Klein - Time Warp
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7
Benjamin Damage - Light
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8
Levon Vincent - Waiting
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9
Space Dimension Controller - Cold Tunings
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10
Orlando Voorn - Samurai
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11
Marco Faraone & The Florentian Cabaret - Uni-Verse
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12
Fango - Betta
- Limited Vinyl Box Set including 6x purple 12” vinyl & download code
Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)
Cocoon Recordings presents: Cocoon Compilation U
Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.
New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.
DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.
Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!
Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.
Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)
Cocoon Recordings presents: Cocoon Compilation U
Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.
New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.
DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.
Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!
Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.
Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:cocoon
Cat-No:CORSLPMT2023
Release-Date:13.10.2023
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a pair of 2 cocoon slipmats black with neon orange print print (pair!)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:06.12.2022
Label:cocoon
Cat-No:CORLP053
Release-Date:16.12.2022
Genre:Techno
Configuration:2x12" Excl
Barcode:4251804127332
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1
V/A - A1.DeFeKT x Extrawelt – Halluzinelle
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2
V/A - A2.SUDO – Dayton
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3
V/A - B1.JA:CK – Solaris
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4
V/A - B2.Avision – Groove Theory
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5
V/A - C1.Zzino & Insider – Mindcrush
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6
V/A - C2.Monaco, Povoa – Makeup Artist
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7
V/A - D1.Defex, Tsodor – Sieg Der Liebe
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8
V/A - D2.Christopher Ledger – X24
2x12"
Tracklist:
(A1) DeFeKT x Extrawelt – Halluzinelle (DE-Q20-22-00039)
(A2) SUDO – Daytona (DE-Q20-22-00040)
(B1) JA:CK – Solaris (DE-Q20-22-00041)
(B2) Avision – Groove Theory (DE-Q20-22-00042)
(C1) Zzino & Insider – Mindcrush (DE-Q20-22-00043)
(C2) Monaco, Povoa – Makeup Artist (DE-Q20-22-00044)
(D1) Defex, Tsodor – Sieg Der Liebe (DE-Q20-22-00045)
(D2) Christopher Ledger – X24 (DE-Q20-22-00046)
As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of
electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and
sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the
‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s
not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches
skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK
utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes
as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining
the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for
company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re
certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog
washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright
dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of
disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of
melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate
sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this
dynamic compilation series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
(A1) DeFeKT x Extrawelt – Halluzinelle (DE-Q20-22-00039)
(A2) SUDO – Daytona (DE-Q20-22-00040)
(B1) JA:CK – Solaris (DE-Q20-22-00041)
(B2) Avision – Groove Theory (DE-Q20-22-00042)
(C1) Zzino & Insider – Mindcrush (DE-Q20-22-00043)
(C2) Monaco, Povoa – Makeup Artist (DE-Q20-22-00044)
(D1) Defex, Tsodor – Sieg Der Liebe (DE-Q20-22-00045)
(D2) Christopher Ledger – X24 (DE-Q20-22-00046)
As ever, Cocoon Recordings celebrate the turn of the year with another mouth-watering collection of
electronic music. Dots And Pearls Volume 7 includes eight choice techno cuts of varying shapes and
sizes, that somehow manage to acknowledge both past and future, while staying forever rooted in the
‘here and now’.
The lush, beach bar vibes of ‘Halluzinelle’ get things rolling courtesy of DeFeKT x Extrawelt, and it’s
not long before we’re lost in the subsonic undertow as the warm acidic vibes ebb and flow. Sudo’s
‘Daytona’ then compliments a dark, low-slung groove with a soaring, nostalgic melody that reaches
skywards, melting hearts and minds in the process. ‘Solaris’ takes a more urgent turn as JA:CK
utilizes growling synths, stuttering arpeggios and an elongated breakdown, slowly raising the stakes
as the dance floor starts folding in on itself. Avision offers no respite on ‘Groove Theory’, maintaining
the intensity while surfing the frequencies through a dense forest of loops with a pounding 909 for
company. Zzino & Insider continue the 90s leaning retrospective with ‘Mind Crush’ and they’re
certainly true to their word, juxtaposing razor-sharp acid arpeggios with seductive chords and analog
washes in a cavernous, serotonin-soaked epiphany of sound. Monaco, Povoa then gets downright
dirty on ‘Makeup Artist’, raising the tempo with freaking metallic riffs, twisted vocals and a plethora of
disorientating filter action that’ll push even the most headstrong dancefloor to the brink of implosion.
Defex, Tsodor reels it in just in time on the epic ‘Sieg der Liebe’, unleashing thick swathes of
melancholy chords over a fat, rolling groove and the beats remain broken to the end, as Christopher
Ledger closes things out with a classic slice of sci-fi electro. ‘X24’ is all stuttering edits, intricate
sequences, squelching fx and metallic bleeps, adding yet another unexpected dimension to this
dynamic compilation series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
+ Show full info- Close
in stock
Last in:18.07.2022
Label:cocoon
Cat-No:CORLP051
Release-Date:05.08.2022
Genre:Techno
Configuration:6LP Excl
Barcode:4251804127318
- Limited Vinyl Box Set including 6x blue vinyl & download code
Tracklisting:
1. (A1) Stephen Brown – Level Steps (DE-Q20-22-00026)
2. (B1) Claude VonStroke – Moody Fuse (DE-Q20-22-00027)
3. (C1) Denis Horvat – Monomono (DE-Q20-22-00028)
4. (D1) Daniel Avery – Your Future Looks Different In The Light (DE-Q20-22-00029)
5. (E1) Jeroen Search – Subversive Elements (DE-Q20-22-00030)
6. (F1) Marco Bailey – Kanai (DE-Q20-22-00031)
7. (G1) Damiano Von Erckert – 500 People, 500 Hearts, 1 Love (DE-Q20-22-00032)
8. (H1) YOKTO – Vision99 (DE-Q20-22-00033)
9. (I1) Jonathan Kaspar – CCC (DE-Q20-22-00034)
10. (J1) The Emperor Machine – The Art Of Electronics (DE-Q20-22-00035)
11. (K1) Carl Finlow – Surface Control (DE-Q20-22-00036)
12. (L1) DeFeKT – Terraform (DE-Q20-22-00037)
Release Info:
Cocoon Recordings presents: Cocoon Compilation T
Another year, another expertly curated compilation touches down courtesy of Cocoon
Recordings. Somehow, the world keeps turning and with it the Cocoon universe keeps
expanding, causing subtle yet persuasive shifts in the sonic soundscape that continue to
capture and captivate the imagination. In time-honored tradition the old guard and the new
combine with devastating effect, to define the current state of play…
Veteran Techno producer Stephen Brown makes it clear the compilation series is back with a bang,
opening things up in epic fashion with the lucid dreamscape ‘Level Steps’ - a true work of art. Another
heavy-weight hitter steps straight up in the form of Claude von Stroke, who adds his own unique
swagger to proceedings with those trademark shuffling beats and freaky, hypnotic bleeps scuffling for
dominance on ‘Moody Fuse’. Denis Horvat then slows things down on ‘Monomono’, with post-raveNew Release Information
abstractions and disobedient synth-patches causing mayhem before the track finally unfolds in all its
terrifying beauty.
Motoring on, the collection wastes no time reaching that familiar tipping point as we enter the techno
phase of the journey. A very special appearance from Daniel Avery makes it all the more worthwhile
amid a dense forest of chiming melodies and blistering electrical surges on ‘Your Future Looks
Different In The Light’, before Jeroen Search’s aptly titled ‘Subversive Elements’ lead us deeper and
deeper, into the matrix.
Marco Bailey then kicks off a triptych of trance with some massive filtered piano action
on ‘Kanai’ that’s destined to trigger a serotonin smile with everyone it touches. Revisiting the huge,
ever-growing pulsating brain of planet Orb, Damiano van Erckert continues the loved-up vibe on the
gorgeously titled ‘500 People 500 Hearts 1 Love’, expertly complimenting the classic ambience with
some slick 909 snare and cymbal interplay. The melodic pull of ‘Vision99’ then signifies that the party
is peaking at just the right moment as YOKTO concocts a glistening, psychedelic groove. The
emotional resonance climbs ever higher with brittle melodies endlessly circling a lush, throbbing bass
drone to create the sense of something stirring out of reach.
Just when you think the acid sound is done and dusted, up pops a track like Jonathan Kaspar’s ‘CCC’
that somehow manages to offer an entirely new perspective. Riding in on a wave of expectant
arpeggios, the squelching bass and noise filter go toe to toe before Kaspar gets busy with a freaky
tempo excursion that’ll be destroying dance floors all year long. ‘The Art of Electronics’ is, as the title
suggests, another superlative example of pure analogue fire, served up by UK legend, Andrew
Meecham aka The Emperor Machine. The funk starts to flow as the bass drops, the machines cut
loose and a swarm of cascading bleeps ride the trans-europa express to oblivion.
Electro overlord Carl Finlow, has come to define the UK take on the genre over the last couple of
decades. Here, he makes his long overdue label debut, taking us into the closing straight with a
nervous sliver of dystopian futurism, complete with molten basslines and a fuzzy logic that underpins
the tight, laser-guided groove on ‘Surface Control’. DeFeKT then draws this great adventure to a close
with the deliciously dark robo-disco overtones of ‘Terraform’ creating a dusky landscape that skillfully
seduces the listener before the tension finally breaks in a wash of ecstatic chords.
All in all, it’s a supremely ambitious collection of tracks, generously featuring some of the most
inspirational and durable artists of their respective generations. In fact, is this perhaps the best Cocoon
Compilation to date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
1. (A1) Stephen Brown – Level Steps (DE-Q20-22-00026)
2. (B1) Claude VonStroke – Moody Fuse (DE-Q20-22-00027)
3. (C1) Denis Horvat – Monomono (DE-Q20-22-00028)
4. (D1) Daniel Avery – Your Future Looks Different In The Light (DE-Q20-22-00029)
5. (E1) Jeroen Search – Subversive Elements (DE-Q20-22-00030)
6. (F1) Marco Bailey – Kanai (DE-Q20-22-00031)
7. (G1) Damiano Von Erckert – 500 People, 500 Hearts, 1 Love (DE-Q20-22-00032)
8. (H1) YOKTO – Vision99 (DE-Q20-22-00033)
9. (I1) Jonathan Kaspar – CCC (DE-Q20-22-00034)
10. (J1) The Emperor Machine – The Art Of Electronics (DE-Q20-22-00035)
11. (K1) Carl Finlow – Surface Control (DE-Q20-22-00036)
12. (L1) DeFeKT – Terraform (DE-Q20-22-00037)
Release Info:
Cocoon Recordings presents: Cocoon Compilation T
Another year, another expertly curated compilation touches down courtesy of Cocoon
Recordings. Somehow, the world keeps turning and with it the Cocoon universe keeps
expanding, causing subtle yet persuasive shifts in the sonic soundscape that continue to
capture and captivate the imagination. In time-honored tradition the old guard and the new
combine with devastating effect, to define the current state of play…
Veteran Techno producer Stephen Brown makes it clear the compilation series is back with a bang,
opening things up in epic fashion with the lucid dreamscape ‘Level Steps’ - a true work of art. Another
heavy-weight hitter steps straight up in the form of Claude von Stroke, who adds his own unique
swagger to proceedings with those trademark shuffling beats and freaky, hypnotic bleeps scuffling for
dominance on ‘Moody Fuse’. Denis Horvat then slows things down on ‘Monomono’, with post-raveNew Release Information
abstractions and disobedient synth-patches causing mayhem before the track finally unfolds in all its
terrifying beauty.
Motoring on, the collection wastes no time reaching that familiar tipping point as we enter the techno
phase of the journey. A very special appearance from Daniel Avery makes it all the more worthwhile
amid a dense forest of chiming melodies and blistering electrical surges on ‘Your Future Looks
Different In The Light’, before Jeroen Search’s aptly titled ‘Subversive Elements’ lead us deeper and
deeper, into the matrix.
Marco Bailey then kicks off a triptych of trance with some massive filtered piano action
on ‘Kanai’ that’s destined to trigger a serotonin smile with everyone it touches. Revisiting the huge,
ever-growing pulsating brain of planet Orb, Damiano van Erckert continues the loved-up vibe on the
gorgeously titled ‘500 People 500 Hearts 1 Love’, expertly complimenting the classic ambience with
some slick 909 snare and cymbal interplay. The melodic pull of ‘Vision99’ then signifies that the party
is peaking at just the right moment as YOKTO concocts a glistening, psychedelic groove. The
emotional resonance climbs ever higher with brittle melodies endlessly circling a lush, throbbing bass
drone to create the sense of something stirring out of reach.
Just when you think the acid sound is done and dusted, up pops a track like Jonathan Kaspar’s ‘CCC’
that somehow manages to offer an entirely new perspective. Riding in on a wave of expectant
arpeggios, the squelching bass and noise filter go toe to toe before Kaspar gets busy with a freaky
tempo excursion that’ll be destroying dance floors all year long. ‘The Art of Electronics’ is, as the title
suggests, another superlative example of pure analogue fire, served up by UK legend, Andrew
Meecham aka The Emperor Machine. The funk starts to flow as the bass drops, the machines cut
loose and a swarm of cascading bleeps ride the trans-europa express to oblivion.
Electro overlord Carl Finlow, has come to define the UK take on the genre over the last couple of
decades. Here, he makes his long overdue label debut, taking us into the closing straight with a
nervous sliver of dystopian futurism, complete with molten basslines and a fuzzy logic that underpins
the tight, laser-guided groove on ‘Surface Control’. DeFeKT then draws this great adventure to a close
with the deliciously dark robo-disco overtones of ‘Terraform’ creating a dusky landscape that skillfully
seduces the listener before the tension finally breaks in a wash of ecstatic chords.
All in all, it’s a supremely ambitious collection of tracks, generously featuring some of the most
inspirational and durable artists of their respective generations. In fact, is this perhaps the best Cocoon
Compilation to date
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
3LP Excl
in stock
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Last in:24.02.2022
Label:cocoon
Cat-No:CORLP019X
Release-Date:08.04.2022
Genre:Techno
Configuration:3LP Excl
Barcode:4251804128728
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1
Extrawelt - Dark Side Of My Room
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2
Extrawelt - Wippsteert
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3
Extrawelt - Trümmerfeld
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4
Extrawelt - Must Attack
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5
Extrawelt - Wolkenbruch
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6
Extrawelt - Added Planet
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7
Extrawelt - Daten Raten
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8
Extrawelt - Lost In Willaura
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9
Extrawelt - Kurt Curtain (Skit)
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10
Extrawelt - One Tree Hill
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11
Extrawelt - Messy Machinery (Rough Mix)
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12
Extrawelt - Homing
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13
Extrawelt - Bright Side Of My Room
3x12" Gatefold White Vinyl (Download Code Inside)
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Last in:16.02.2022
Label:cocoon
Cat-No:cor12024
Release-Date:15.10.2021
Genre:Techno
Configuration:12" Excl
Barcode:807297265811
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1
extrawelt - A. Titelheld 8:09
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2
extrawelt - B1. Titelheld (FSK 18) 5:26
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extrawelt - B2. Stammgast 5:48
2021 Repress, Black Doublehole Sleeve
Tracklisting:
A. Titelheld 8:09
B1. Titelheld (FSK 18) 5:26
B2. Stammgast 5:48
English:
With respect, my name is Minimal Rock! Extrawelt give us a good going over and bravely break new grounds with their "Titelheld" EP. Here, insane minimal sounds merge with Rock flair, Electro and Trance harmonies. The title track with the telling name "Titelheld" brings us an electro hymnus with hints to Anthony Rother or Codec&Flexor, paired with a juicy deal of pain in the heart. A guaranteed hit for next summer!
"Stammgast" is a perfect DJ tool, which has a strong recognition effect, still, and makes the crowd go wild in seconds. Minimal rock par excellence!
For all of you who don't know much about Extrawelt (yet): the human beings behind this project name are Arne Schaffhausen and Wayan Raabe, who have worked primarily under the akas Midimiliz and Spiralallianz. Until now, they have released more than thirty maxi singles and several albums (on Border Community among others!), and will record a new 12" for Traum Schallplatten this summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A. Titelheld 8:09
B1. Titelheld (FSK 18) 5:26
B2. Stammgast 5:48
English:
With respect, my name is Minimal Rock! Extrawelt give us a good going over and bravely break new grounds with their "Titelheld" EP. Here, insane minimal sounds merge with Rock flair, Electro and Trance harmonies. The title track with the telling name "Titelheld" brings us an electro hymnus with hints to Anthony Rother or Codec&Flexor, paired with a juicy deal of pain in the heart. A guaranteed hit for next summer!
"Stammgast" is a perfect DJ tool, which has a strong recognition effect, still, and makes the crowd go wild in seconds. Minimal rock par excellence!
For all of you who don't know much about Extrawelt (yet): the human beings behind this project name are Arne Schaffhausen and Wayan Raabe, who have worked primarily under the akas Midimiliz and Spiralallianz. Until now, they have released more than thirty maxi singles and several albums (on Border Community among others!), and will record a new 12" for Traum Schallplatten this summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
6LP Excl
backorder
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Last in:17.02.2021
Label:cocoon
Cat-No:corlp049
Release-Date:19.02.2021
Genre:Techno
Configuration:6LP Excl
Barcode:4251804122566
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1
V/A - 1. (A1) Rampa – 2000 (DE-Q20-20-00042)
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2
V/A - 2. (A2) Emanuel Satie – Departure (DE-Q20-20-00043)
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3
V/A - 3. (B1) Solomun – We’ll Never Have Today Again (DE-Q20-20-00044)
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4
V/A - 4. (C1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
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5
V/A - 5. (D1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
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6
V/A - 6. (D2) Pig & Dan – Trauma (DE-Q20-20-00047)
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7
V/A - 7. (E1) Josh Wink – Nuclei (DE-Q20-20-00048)
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8
V/A - 8. (F1) Ricardo Tobar – El Eterna (DE-Q20-20-00049)
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9
V/A - 9. (G1) Tiga & Roman Flügel – Look To The Sky (DE-Q20-20-00050)
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10
V/A - 10. (G2) Planetary Assault Systems – Raww (DE-Q20-20-00051)
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11
V/A - 11. (H1) Jacek Sienkiewicz – Digitavi (DE-Q20-20-00052)
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12
V/A - 12. (I1) André Galluzzi & Daniel Stefanik – The Regulator (DE-Q20-20-00053)
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13
V/A - 13. (J1) Extrawelt – Murder Ballet (DE-Q20-20-00054)
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14
V/A - 14. (K1) Petar Dundov – Overtone (DE-Q20-20-00055)
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15
V/A - 15. (L1) Sebastian Mullaert – Kikaqu (DE-Q20-20-00056)
- Limited edition 6x12“ vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert
(700 copies only)
Tracklisting:
1. (A1) Rampa – 2000 (DE-Q20-20-00042)
2. (A2) Emanuel Satie – Departure (DE-Q20-20-00043)
3. (B1) Solomun – We’ll Never Have Today Again (DE-Q20-20-00044)
4. (C1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
5. (D1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
6. (D2) Pig & Dan – Trauma (DE-Q20-20-00047)
7. (E1) Josh Wink – Nuclei (DE-Q20-20-00048)
8. (F1) Ricardo Tobar – El Eterna (DE-Q20-20-00049)
9. (G1) Tiga & Roman Flügel – Look To The Sky (DE-Q20-20-00050)
10. (G2) Planetary Assault Systems – Raww (DE-Q20-20-00051)
11. (H1) Jacek Sienkiewicz – Digitavi (DE-Q20-20-00052)
12. (I1) André Galluzzi & Daniel Stefanik – The Regulator (DE-Q20-20-00053)
13. (J1) Extrawelt – Murder Ballet (DE-Q20-20-00054)
14. (K1) Petar Dundov – Overtone (DE-Q20-20-00055)
15. (L1) Sebastian Mullaert – Kikaqu (DE-Q20-20-00056)
Release Info:
To celebrate 20 since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. Presented as a deluxe 6 x 12" box set with a silver foil cover and paper insert with individual sleeves and luminescent paint, this is a suitably spectacular collection that pays homage to one of techno's finest operations.
20 years is a long time in any facet of life, but in techno it is eons. The genre evolves so quickly that staying relevant for even half that time is some achievement, so to still be recognised as one of the genre's most iconic and influential labels after such an extended period is testament to the vision of its founder Sven Väth. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late eighties that he has steered into much broader realms ever since. Thanks to carefully A&Ring a mix of red hot new talents and plenty of his
original pioneering peers, Väth has ensured Cocoon has always covered all points of the spectrum:
there have been hundreds of thrilling dance floor 12"s, a treasure trove of full length albums that have brought plenty of detail and depth to techno and multiple mix series including the annual Sound of the Season which distills Ibiza's latest trends into two vital CDs, and the annual alphabet compilations
which showcase the label's finest moments.
Then, of course, there have been the parties, which have taken many forms over the years, from selfrun festivals like Green and Blue & Cocoon in the Park to carefully curated label nights at the world's foremost clubs via, most famously, their flagship and globally recognised Monday night parties in Ibiza at super clubs such as Amnesia. These very much introduced the White Isle to techno and in the 20 years since the first party have become family gatherings that have solidified the sound's presence on the island for ever more, thanks to the world class line ups, out of this world production, colourful characters and fantastical themes that have made each session so legendary.
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of '2000' and Emanuel Satie keeps the melodic vibes alive with his wistful 'Departure' and then
Diynamic label boss Solomun serves up a rare new production 'We Will Never Have Today Again' which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph
Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma', while US legend Josh Wink keeps it deep and heads down with his gritty roller
'Nuclei.' After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga & Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his Mind melting cosmic melodies and pounding
drum rhythms.
There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi & Daniel Stefanik link on 'The Regulator' and high grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to 'Overtone' and things come to
a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's ‘Kikaqu'.
Despite its rich history, this fantastic collection of new and exclusive music continues to look to the future and take techno in bold new directions, just as Cocoon always has.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
(700 copies only)
Tracklisting:
1. (A1) Rampa – 2000 (DE-Q20-20-00042)
2. (A2) Emanuel Satie – Departure (DE-Q20-20-00043)
3. (B1) Solomun – We’ll Never Have Today Again (DE-Q20-20-00044)
4. (C1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
5. (D1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
6. (D2) Pig & Dan – Trauma (DE-Q20-20-00047)
7. (E1) Josh Wink – Nuclei (DE-Q20-20-00048)
8. (F1) Ricardo Tobar – El Eterna (DE-Q20-20-00049)
9. (G1) Tiga & Roman Flügel – Look To The Sky (DE-Q20-20-00050)
10. (G2) Planetary Assault Systems – Raww (DE-Q20-20-00051)
11. (H1) Jacek Sienkiewicz – Digitavi (DE-Q20-20-00052)
12. (I1) André Galluzzi & Daniel Stefanik – The Regulator (DE-Q20-20-00053)
13. (J1) Extrawelt – Murder Ballet (DE-Q20-20-00054)
14. (K1) Petar Dundov – Overtone (DE-Q20-20-00055)
15. (L1) Sebastian Mullaert – Kikaqu (DE-Q20-20-00056)
Release Info:
To celebrate 20 since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. Presented as a deluxe 6 x 12" box set with a silver foil cover and paper insert with individual sleeves and luminescent paint, this is a suitably spectacular collection that pays homage to one of techno's finest operations.
20 years is a long time in any facet of life, but in techno it is eons. The genre evolves so quickly that staying relevant for even half that time is some achievement, so to still be recognised as one of the genre's most iconic and influential labels after such an extended period is testament to the vision of its founder Sven Väth. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late eighties that he has steered into much broader realms ever since. Thanks to carefully A&Ring a mix of red hot new talents and plenty of his
original pioneering peers, Väth has ensured Cocoon has always covered all points of the spectrum:
there have been hundreds of thrilling dance floor 12"s, a treasure trove of full length albums that have brought plenty of detail and depth to techno and multiple mix series including the annual Sound of the Season which distills Ibiza's latest trends into two vital CDs, and the annual alphabet compilations
which showcase the label's finest moments.
Then, of course, there have been the parties, which have taken many forms over the years, from selfrun festivals like Green and Blue & Cocoon in the Park to carefully curated label nights at the world's foremost clubs via, most famously, their flagship and globally recognised Monday night parties in Ibiza at super clubs such as Amnesia. These very much introduced the White Isle to techno and in the 20 years since the first party have become family gatherings that have solidified the sound's presence on the island for ever more, thanks to the world class line ups, out of this world production, colourful characters and fantastical themes that have made each session so legendary.
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of '2000' and Emanuel Satie keeps the melodic vibes alive with his wistful 'Departure' and then
Diynamic label boss Solomun serves up a rare new production 'We Will Never Have Today Again' which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph
Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma', while US legend Josh Wink keeps it deep and heads down with his gritty roller
'Nuclei.' After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga & Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his Mind melting cosmic melodies and pounding
drum rhythms.
There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi & Daniel Stefanik link on 'The Regulator' and high grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to 'Overtone' and things come to
a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's ‘Kikaqu'.
Despite its rich history, this fantastic collection of new and exclusive music continues to look to the future and take techno in bold new directions, just as Cocoon always has.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
4LP Excl
backorder
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Last in:23.09.2020
Label:cocoon
Cat-No:corlp048
Release-Date:30.10.2020
Genre:Techno
Configuration:4LP Excl
Barcode:4251804120005
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1
Extrawelt - A1. Extrawelt - Fernweh
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2
Extrawelt - A2. Extrawelt - Die Zitrone Der Schöpfung
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3
Extrawelt - B1. Extrawelt - Titelheld
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4
Extrawelt - B2. Extrawelt - Die Welt Ist Nicht Genug
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5
Extrawelt - C1. Minilogue - The Leopard (Extrawelt Remix)
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6
Extrawelt - C2. Extrawelt - Pink Panzer
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7
Extrawelt - D1. Extrawelt - Soopertrack
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8
Extrawelt - D2. Extrawelt - Herzstück (Live Version)
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9
Extrawelt - E1. Extrawelt - Dark Side Of My Room (Live Version)
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10
Extrawelt - E2. Extrawelt - 8000
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11
Extrawelt - F1. Extrawelt - Doch Doch
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12
Extrawelt - F2. Extrawelt - Gott Ist Schrott
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13
Extrawelt - G1. Extrawelt - Drehfehler
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14
Extrawelt - G2. Extrawelt - Neuland
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15
Extrawelt - H1. Extrawelt - Zu Fuss (Live Version)
Includes: 4x12" LP + Download Code in Collectors Cardboard Box , Print with Hotfoiled Typo on Rough Carton.
To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt
Hits. A collectors box, which covers every album and period from their dominant yet enigmatic
history as one of Germany’s most highly regarded electronic acts. Etched into the 4-piece
vinyl box-set is a 15-track playlist which takes us back to the dawn of their beautiful “Extra
World”.
Tracklist:
1. (A1) Extrawelt – Fernweh
2. (A2) Extrawelt – Die Zitrone Der Schöpfung
3. (B1) Extrawelt – Titelheld
4. (B2) Extrawelt – Die Welt Ist Nicht Genug
5. (C1) Minilogue – The Leopard (Extrawelt Remix)
6. (C2) Extrawelt – Pink Panzer
7. (D1) Extrawelt – Soopertrack
8. (D2) Extrawelt – Herzstück (Live Version)
9. (E1) Extrawelt – Dark Side Of My Room (Live Version)
10. (E2) Extrawelt – 8000
11. (F1) Extrawelt – Doch Doch
12. (F2) Extrawelt – Gott Ist Schrott
13. (G1) Extrawelt – Drehfehler
14. (G2) Extrawelt – Neuland
15. (H1) Extrawelt – Zu Fuss (Live Version)
Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording
spills into the next with sonic precision. From the monumental masterpiece of the album’s opening
track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’,
the listener is left captivated. And, because it’s what they do best, the destruction and artful
reconstruction echoed through their shows are also present. These are beamed out in the exclusive
live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at
the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the
most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance
music—is both undefinable and strays well past the norm. Their chance to manipulate their creations
in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information
everywhere. The result is an experience focussed on purism with great care in presenting the deepest
core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it
rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene
where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is
something of a triumph). With that, Extrawelt invite those that were there from the start to join them in
getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear
their story up until now, like it’s never been told before. And yes, while the listener may have outlived
many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as
relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the new
ones to go totally nuts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt
Hits. A collectors box, which covers every album and period from their dominant yet enigmatic
history as one of Germany’s most highly regarded electronic acts. Etched into the 4-piece
vinyl box-set is a 15-track playlist which takes us back to the dawn of their beautiful “Extra
World”.
Tracklist:
1. (A1) Extrawelt – Fernweh
2. (A2) Extrawelt – Die Zitrone Der Schöpfung
3. (B1) Extrawelt – Titelheld
4. (B2) Extrawelt – Die Welt Ist Nicht Genug
5. (C1) Minilogue – The Leopard (Extrawelt Remix)
6. (C2) Extrawelt – Pink Panzer
7. (D1) Extrawelt – Soopertrack
8. (D2) Extrawelt – Herzstück (Live Version)
9. (E1) Extrawelt – Dark Side Of My Room (Live Version)
10. (E2) Extrawelt – 8000
11. (F1) Extrawelt – Doch Doch
12. (F2) Extrawelt – Gott Ist Schrott
13. (G1) Extrawelt – Drehfehler
14. (G2) Extrawelt – Neuland
15. (H1) Extrawelt – Zu Fuss (Live Version)
Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording
spills into the next with sonic precision. From the monumental masterpiece of the album’s opening
track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’,
the listener is left captivated. And, because it’s what they do best, the destruction and artful
reconstruction echoed through their shows are also present. These are beamed out in the exclusive
live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at
the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the
most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance
music—is both undefinable and strays well past the norm. Their chance to manipulate their creations
in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information
everywhere. The result is an experience focussed on purism with great care in presenting the deepest
core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it
rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene
where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is
something of a triumph). With that, Extrawelt invite those that were there from the start to join them in
getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear
their story up until now, like it’s never been told before. And yes, while the listener may have outlived
many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as
relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the new
ones to go totally nuts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:16.01.2020
Label:cocoon
Cat-No:corlp047
Release-Date:24.01.2020
Genre:Techno
Configuration:2LP Excl
Barcode:4251648416388
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1
Eduardo de la Calle feat. Romina Cohn - I’m Losing My Mind (DE-Q20-20-00001)
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2
Fabe - Call Of Origin (DE-Q20-20-00002)
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3
Adana Twins - Origo (DE-Q20-20-00003)
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4
Juan Sanchez - Narcissus (DE-Q20-20-00004)
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5
Michael Klein - Continuation (DE-Q20-20-00005)
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6
Rico Puestel - Perpetua mobilia (DE-Q20-20-00006)
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7
Radu Dracul - Spectrae (DE-Q20-20-00007)
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8
Joe Metzenmacher, Borka & The Gang - Magic Talk (DE-Q20-20-00008)
Tracklist: (A1) Eduardo de la Calle feat. Romina Cohn – I’m Losing My Mind (DE-Q20-20-00001)
(A2) Fabe – Call Of Origin (DE-Q20-20-00002)
(B1) Adana Twins – Origo (DE-Q20-20-00003)
(B2) Juan Sanchez – Narcissus (DE-Q20-20-00004)
(C1) Michael Klein – Continuation (DE-Q20-20-00005)
(C2) Rico Puestel – Perpetua mobilia (DE-Q20-20-00006)
(D1) Radu Dracul – Spectrae (DE-Q20-20-00007)
(D2) Joe Metzenmacher, Borka & The Gang – Magic Talk (DE-Q20-20-00008)
Release Info:
January is the month for dreaming, or so the saying goes and there’s more than enough on 2020’s Dots and Pearls 6 to satisfy the wildest flights of fantasy, as Cocoon Recordings invites well known international artists to once again rub shoulders with some of the freshest new talents around.
First up, Eduardo de la Calle & Romina Cohn’s “I’m Losing My Mind“ does a decent job helping us lose ours. Taking the classic DBX template as a start point, Cohn‘s random, spaced out musings elevate things to another level as they filter through all manner of machinery, bathing the hypnotic percussion in a lysergic glow. Fabe’s “Call of Origin“ pulls no punches either, the energetic, bass driven intro bouncing its way centre stage before expanding into lush open spaces with occasional melodic scatters and washes of warm pads that radiate good vibes.
Over the last couple of years, Adana Twins have rightly consolidated there position at the top table, so it’s a pleasure to have them on board with “Origo“. Like snake charmers relentlessly teasing and twisting the infectious hook line in all manner of directions, they demonstrate complete control of their art, pushing all the right buttons to bring things nicely to the boil. As with all Cocoon compilations the deeper you dive, the stranger the vibe and Juan Sanchez delivers a dose of trance-inducing, minimal techno. Abiding by the same dogma as the track before, “Narcissus“ offsets a constantly morphing hypnotic hook line with raw, stripped 909 beats in a classic mid 90‘s style.
Michael Klein’s “Continuation“ maintains the intensity as Cocoon’s Techno Tardis transports the listener even further back to a sweaty early nineties warehouse. It could be London, it could be Berlin... wherever it is, it sure sounds like home. Rico Puestel then snuffs out the candle, plunging us back into darkness. With “Perpetua Mobilia“ he unleashes a deep, prowling beast of a track that reminds us that just when you think you‘ve got a handle on Cocoon, it sheds its skin again, revealing yet another mask behind the mask.
As we motor on towards morning, Radu Dracul adds some bite to proceedings with “Spectrae“, a slow burning psychedelic trip with gently percolating acid lines that smooth out the rough textures of the preceding tracks before giving way to a cavernous breakbeat inflected breakdown. And then finally, Joe Metzenmacher and Borka & The Gang close out the collection, paying homage to the melodic side of Detroit with the quirky, idiosyncratic yet ultimately beautiful “Magic Talk“. It surrounds the dance floor in a warm embrace as keys, strings and bass combine effortlessly to produce a priceless moment of collective euphoria that sees us safely home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
(A2) Fabe – Call Of Origin (DE-Q20-20-00002)
(B1) Adana Twins – Origo (DE-Q20-20-00003)
(B2) Juan Sanchez – Narcissus (DE-Q20-20-00004)
(C1) Michael Klein – Continuation (DE-Q20-20-00005)
(C2) Rico Puestel – Perpetua mobilia (DE-Q20-20-00006)
(D1) Radu Dracul – Spectrae (DE-Q20-20-00007)
(D2) Joe Metzenmacher, Borka & The Gang – Magic Talk (DE-Q20-20-00008)
Release Info:
January is the month for dreaming, or so the saying goes and there’s more than enough on 2020’s Dots and Pearls 6 to satisfy the wildest flights of fantasy, as Cocoon Recordings invites well known international artists to once again rub shoulders with some of the freshest new talents around.
First up, Eduardo de la Calle & Romina Cohn’s “I’m Losing My Mind“ does a decent job helping us lose ours. Taking the classic DBX template as a start point, Cohn‘s random, spaced out musings elevate things to another level as they filter through all manner of machinery, bathing the hypnotic percussion in a lysergic glow. Fabe’s “Call of Origin“ pulls no punches either, the energetic, bass driven intro bouncing its way centre stage before expanding into lush open spaces with occasional melodic scatters and washes of warm pads that radiate good vibes.
Over the last couple of years, Adana Twins have rightly consolidated there position at the top table, so it’s a pleasure to have them on board with “Origo“. Like snake charmers relentlessly teasing and twisting the infectious hook line in all manner of directions, they demonstrate complete control of their art, pushing all the right buttons to bring things nicely to the boil. As with all Cocoon compilations the deeper you dive, the stranger the vibe and Juan Sanchez delivers a dose of trance-inducing, minimal techno. Abiding by the same dogma as the track before, “Narcissus“ offsets a constantly morphing hypnotic hook line with raw, stripped 909 beats in a classic mid 90‘s style.
Michael Klein’s “Continuation“ maintains the intensity as Cocoon’s Techno Tardis transports the listener even further back to a sweaty early nineties warehouse. It could be London, it could be Berlin... wherever it is, it sure sounds like home. Rico Puestel then snuffs out the candle, plunging us back into darkness. With “Perpetua Mobilia“ he unleashes a deep, prowling beast of a track that reminds us that just when you think you‘ve got a handle on Cocoon, it sheds its skin again, revealing yet another mask behind the mask.
As we motor on towards morning, Radu Dracul adds some bite to proceedings with “Spectrae“, a slow burning psychedelic trip with gently percolating acid lines that smooth out the rough textures of the preceding tracks before giving way to a cavernous breakbeat inflected breakdown. And then finally, Joe Metzenmacher and Borka & The Gang close out the collection, paying homage to the melodic side of Detroit with the quirky, idiosyncratic yet ultimately beautiful “Magic Talk“. It surrounds the dance floor in a warm embrace as keys, strings and bass combine effortlessly to produce a priceless moment of collective euphoria that sees us safely home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2CD Excl
in stock
+ Show full info- Close
in stock
Last in:23.01.2020
Label:cocoon
Cat-No:cormix061
Release-Date:22.11.2019
Genre:Techno
Configuration:2CD Excl
Barcode:4251648413189
1
New Jackson - The night mail
2
Joseph Ashworth - Trooper
3
Joe Metzenmacher - Whats the secret word for tonight (Arian 911 Remix)
4
Dorisburg - Internet tension
5
Amberoom - Jazire (Isolée Remix)
6
Charlotte Bendiks - Pasco
7
Stimming - The gift that never stops to give
8
Ricardo Tobar - Nadivi
9
Herzel - Glowworms
10
Erol Alkan - Spectrum (Mano Le Tough Remix)
11
Rüfüs du So - Underwater (Adam Port Remix)
12
Zoo Brazil - Maxwell
13
Innellea - Anailuj
14
Rebuke - Jump Ship
15
Patrice Bäumel - Roar (Adana Twins Remix)
16
Joshua James - Coarse (Justin Cudmore Remix)
17
Josh Wink - Aries in Mars
18
Robert Hood - Reflector
19
Pig & Dan - Reset your Bassline (Dub)
20
Florian Hollerith - KURZVOR12
21
ROD - Cambodia
22
PSYK - A Moment before
23
Daniel Avery - Diminuendo (Luke Slater Remix)
24
Inigo Kennedy - 2C3D2
25
Legowelt - Disco Rout (Younger Rebinds Remix 2)
DELUXE 2CD with HQ Lenticular Print Digpack
of the 20 th Anniversary Cocoon Ibiza Season!
By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd.
Tracklist CD1:
(01) New Jackson - The night mail
(02) Joseph Ashworth - Trooper
(03) Joe Metzenmacher - Whats the secret word for tonight (Arian 911 Remix)
(04) Dorisburg - Internet tension
(05) Amberoom - Jazire (Isolée Remix)
(06) Charlotte Bendiks - Pasco
(07) Stimming - The gift that never stops to give
(08) Ricardo Tobar - Nadivi
(09) Herzel - Glowworms
(10) Erol Alkan - Spectrum (Mano Le Tough Remix)
(11) Rüfüs du Sol - Underwater (Adam Port Remix)
(12) Zoo Brazil - Maxwell
Tracklist CD2:
(01) Innellea - Anailuj
(02) Rebuke - Jump Ship
(03) Patrice Bäumel - Roar (Adana Twins Remix)
(04) Joshua James - Coarse (Justin Cudmore Remix)
(05) Josh Wink - Aries in Mars
(06) Robert Hood - Reflector
(07) Pig & Dan - Reset your Bassline (Dub)
(08) Florian Hollerith - KURZVOR12
(09) ROD - Cambodia
(10) PSYK - A Moment before
(11) Daniel Avery - Diminuendo (Luke Slater Remix)
(12) Inigo Kennedy - 2C3D2
(13) Legowelt - Disco Rout (Younger Rebinds Remix 2)
By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd. As a resident of 'Dorian Gray' - the legendary club at Frankfurt Airport that was modelled on New York's 'Studio 54 - he shaped the image of the DJ like no one else in Germany at the time. Even more influential were his broadcasts on hr3 Clubnight. Without the radio shows that Väth produced there between 1990 and 2004, the seed of techno in Germany would never have been sown to such an extent. With his first club "Omen", Sven wrote techno history over 10 years. Soon after, the "Babba", as Väth has been lovingly and respectfully called in the scene for a long time, set new standards in international club culture with Frankfurt's 'CocoonClub', inspired by his 'Cocoon Ibiza' events. Pioneer, visionary, ambassador, identification figure, DJ, label operator, club owner, impresario... over a career spanning four decades, Väth has developed many facets and yet has always remained true to himself. The fact that all over the world Berlin music temples of this kind, from 'Tresor' to 'Watergate', are celebrated as the epitome of party culture, is in no small part due to Väth's influence. Like no other, Väth has given the landscape of electronic music a face - always evolving, yet unmistakable.
With "Sound of the 20th Season" he presents the culmination of his second decade on the "White Island". New Jackson's "Night Mail" immediately sucks you into the action - resistance is useless, precisely because you can hardly understand what the distorted voice is singing about, making the title song of David Kit's debut EP the perfect opener. Although there are eight years in between, Joseph Ashworth's "Trooper", released in spring 2019, fits seamlessly into the mix as an instrumental continuation of the tense, opening atmosphere. With the grandiose Arian 911 remix of Joe Metzenmacher's "What's the secret word for tonight", Väth picks up the vocal thread again, only to dive into more minimal realms via Dorisburg's "Internet Tension". It's impressive, how he manages to tick all the boxes - should there be a hit now? Do I still have to feature this or that? - effortlessly incorporating what's needed into the vibe. This time round, he drives the sinister mood deeper into the night with Isolée's remix of Amberoom's "Jazire". Then, like the gears of a mechanical clock, the percussive elements of Charlotte Bendik's "Pasco" exemplify the tremendously coherent arrangement. With Stimming's "The gift that never stops giving" Väth reverts to a production released by Cocoon for the first time - the airy sounding, short string snippets, paired with the delicate acoustic sounds, have just appeared on the "Cocoon S" compilation and allow for a moment's breath. Ricardo Tobar's "Nadivi" then brings back the looming tension with echoes of the Throbbing Gristle classic "Hot On The Heels Of Love". In "Glowworms" by Aleksandar Grozdanovski alias Herzel, Väth picks up on the sound aesthetics, which are marked by distorted effects and characterize the beginning of the mix. At the same time, the groove takes on an increasingly insistent attitude. With Mano Le Tough's remix of Erol Alkan's "Spectrum", a Moroder bass sequence and metallic bell tones come into play - a disco theme that Adam Port expands on in his adaptation of "Underwater" by Australian dancefloor band Rüfüs du Sol, with Port adding an electro twist to Tyrone Lindqvist's Sting-like voice. As a finale Väth drops Zoo Brazils "Maxwell", whose vocal loop he used to provide one of the lasting moments of the season in the garden of 'DC 10'.
With the oriental flair of Innellea's "Anailuj", Väth starts the second mix before the tribal drumming in Rebuke's "Jump Ship" signals cast off! The disco bassline from the Adana Twins remix of Patrice Bäumel's "Roar" provides the necessary momentum as the set continues to pick up speed. With Justin Cudmore's adaptation of Joshua James "Coarse" Väth then adds a deep, trippy twist, before he finally sets course for acid in the form of Josh Wink's "Aries in Mars". Another old hero then comes on board as Väth revives the best days of minimal techno with Robert Hood's "Reflector". Whiplashing metallic beats propel the speedy voyage onwards and the dub version of Pig & Dan's "Reset your Bassline" fills the sails. With Florian Hollerith's "KURZVOR12" the current "Cocoon S" compilation comes into its own again, while the nervous staccato sounds of ROD's "Cambodia" are very suggestive. With Psyk's "A Moment Before", Väth throws classic Tresor material into the mix and lets Luke Slater's remix of David Avery's "Diminuendo" reinforce the industrial techno atmosphere even further. With Inigo Kennedy's more restrained Detroit track "2C3D2", Väth initially lowers the core temperature a bit, but only to prepare the ground for Legowelt's "Disco Rout" - the timeless electro anthem of 2002 - in the amazing "Younger Rebinds 2" remix released on Cocoon back in spring, and another alias of Benny Rodrigues aka ROD.
Even at the beginning of the millennium it was Väth who championed this timeless tune, which not only marked the breakthrough for Danny Wolfers but was also voted track of the year 2002 by the readers of GROOVE making it a fully deserved high point and end point, to this outstanding mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
of the 20 th Anniversary Cocoon Ibiza Season!
By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd.
Tracklist CD1:
(01) New Jackson - The night mail
(02) Joseph Ashworth - Trooper
(03) Joe Metzenmacher - Whats the secret word for tonight (Arian 911 Remix)
(04) Dorisburg - Internet tension
(05) Amberoom - Jazire (Isolée Remix)
(06) Charlotte Bendiks - Pasco
(07) Stimming - The gift that never stops to give
(08) Ricardo Tobar - Nadivi
(09) Herzel - Glowworms
(10) Erol Alkan - Spectrum (Mano Le Tough Remix)
(11) Rüfüs du Sol - Underwater (Adam Port Remix)
(12) Zoo Brazil - Maxwell
Tracklist CD2:
(01) Innellea - Anailuj
(02) Rebuke - Jump Ship
(03) Patrice Bäumel - Roar (Adana Twins Remix)
(04) Joshua James - Coarse (Justin Cudmore Remix)
(05) Josh Wink - Aries in Mars
(06) Robert Hood - Reflector
(07) Pig & Dan - Reset your Bassline (Dub)
(08) Florian Hollerith - KURZVOR12
(09) ROD - Cambodia
(10) PSYK - A Moment before
(11) Daniel Avery - Diminuendo (Luke Slater Remix)
(12) Inigo Kennedy - 2C3D2
(13) Legowelt - Disco Rout (Younger Rebinds Remix 2)
By the 70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today - namely, the absolute benchmark for star DJs par excellence - cannot be discussed without mention of Sven Väth. Even in the early 80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd. As a resident of 'Dorian Gray' - the legendary club at Frankfurt Airport that was modelled on New York's 'Studio 54 - he shaped the image of the DJ like no one else in Germany at the time. Even more influential were his broadcasts on hr3 Clubnight. Without the radio shows that Väth produced there between 1990 and 2004, the seed of techno in Germany would never have been sown to such an extent. With his first club "Omen", Sven wrote techno history over 10 years. Soon after, the "Babba", as Väth has been lovingly and respectfully called in the scene for a long time, set new standards in international club culture with Frankfurt's 'CocoonClub', inspired by his 'Cocoon Ibiza' events. Pioneer, visionary, ambassador, identification figure, DJ, label operator, club owner, impresario... over a career spanning four decades, Väth has developed many facets and yet has always remained true to himself. The fact that all over the world Berlin music temples of this kind, from 'Tresor' to 'Watergate', are celebrated as the epitome of party culture, is in no small part due to Väth's influence. Like no other, Väth has given the landscape of electronic music a face - always evolving, yet unmistakable.
With "Sound of the 20th Season" he presents the culmination of his second decade on the "White Island". New Jackson's "Night Mail" immediately sucks you into the action - resistance is useless, precisely because you can hardly understand what the distorted voice is singing about, making the title song of David Kit's debut EP the perfect opener. Although there are eight years in between, Joseph Ashworth's "Trooper", released in spring 2019, fits seamlessly into the mix as an instrumental continuation of the tense, opening atmosphere. With the grandiose Arian 911 remix of Joe Metzenmacher's "What's the secret word for tonight", Väth picks up the vocal thread again, only to dive into more minimal realms via Dorisburg's "Internet Tension". It's impressive, how he manages to tick all the boxes - should there be a hit now? Do I still have to feature this or that? - effortlessly incorporating what's needed into the vibe. This time round, he drives the sinister mood deeper into the night with Isolée's remix of Amberoom's "Jazire". Then, like the gears of a mechanical clock, the percussive elements of Charlotte Bendik's "Pasco" exemplify the tremendously coherent arrangement. With Stimming's "The gift that never stops giving" Väth reverts to a production released by Cocoon for the first time - the airy sounding, short string snippets, paired with the delicate acoustic sounds, have just appeared on the "Cocoon S" compilation and allow for a moment's breath. Ricardo Tobar's "Nadivi" then brings back the looming tension with echoes of the Throbbing Gristle classic "Hot On The Heels Of Love". In "Glowworms" by Aleksandar Grozdanovski alias Herzel, Väth picks up on the sound aesthetics, which are marked by distorted effects and characterize the beginning of the mix. At the same time, the groove takes on an increasingly insistent attitude. With Mano Le Tough's remix of Erol Alkan's "Spectrum", a Moroder bass sequence and metallic bell tones come into play - a disco theme that Adam Port expands on in his adaptation of "Underwater" by Australian dancefloor band Rüfüs du Sol, with Port adding an electro twist to Tyrone Lindqvist's Sting-like voice. As a finale Väth drops Zoo Brazils "Maxwell", whose vocal loop he used to provide one of the lasting moments of the season in the garden of 'DC 10'.
With the oriental flair of Innellea's "Anailuj", Väth starts the second mix before the tribal drumming in Rebuke's "Jump Ship" signals cast off! The disco bassline from the Adana Twins remix of Patrice Bäumel's "Roar" provides the necessary momentum as the set continues to pick up speed. With Justin Cudmore's adaptation of Joshua James "Coarse" Väth then adds a deep, trippy twist, before he finally sets course for acid in the form of Josh Wink's "Aries in Mars". Another old hero then comes on board as Väth revives the best days of minimal techno with Robert Hood's "Reflector". Whiplashing metallic beats propel the speedy voyage onwards and the dub version of Pig & Dan's "Reset your Bassline" fills the sails. With Florian Hollerith's "KURZVOR12" the current "Cocoon S" compilation comes into its own again, while the nervous staccato sounds of ROD's "Cambodia" are very suggestive. With Psyk's "A Moment Before", Väth throws classic Tresor material into the mix and lets Luke Slater's remix of David Avery's "Diminuendo" reinforce the industrial techno atmosphere even further. With Inigo Kennedy's more restrained Detroit track "2C3D2", Väth initially lowers the core temperature a bit, but only to prepare the ground for Legowelt's "Disco Rout" - the timeless electro anthem of 2002 - in the amazing "Younger Rebinds 2" remix released on Cocoon back in spring, and another alias of Benny Rodrigues aka ROD.
Even at the beginning of the millennium it was Väth who championed this timeless tune, which not only marked the breakthrough for Danny Wolfers but was also voted track of the year 2002 by the readers of GROOVE making it a fully deserved high point and end point, to this outstanding mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
6x12" Excl
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Last in:12.08.2019
Label:cocoon
Cat-No:corlp046
Release-Date:23.08.2019
Genre:Techno
Configuration:6x12" Excl
Barcode:4251648410324
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1
V/A - Love over Entropy - As If
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2
V/A - Stimming - The Gift That Never Stops To Give
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3
V/A - Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
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4
V/A - Emanuel Satie - Planet XXX
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5
V/A - Edward - End Days
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6
V/A - Florian Hollerith - KURZVOR12
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7
V/A - Raxon - The Turbulent
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8
V/A - Mark Broom - Jaded
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9
V/A - Egbert - Tering
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10
V/A - Dino Lenny - Keep Changing Basslines
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11
V/A - Neil Landstrumm - Flesh Is A Prison
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12
V/A - Red Axes - Hevk
Includes a set of 6x12" - Yellow Vinyl - CD - LTD to 500 (450 sales + artist)
- 6 Vinyl Box-Set limited to 500 copies (450 for sales) + includes the Compilation on CD -
Tracklisting:
CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk
- Limited Vinyl Box-Set including the "Compilation S" CD (500 copies only)
Cocoon Recordings presents: Cocoon Compilation S
It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.
Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.
Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.
Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.
As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- 6 Vinyl Box-Set limited to 500 copies (450 for sales) + includes the Compilation on CD -
Tracklisting:
CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk
- Limited Vinyl Box-Set including the "Compilation S" CD (500 copies only)
Cocoon Recordings presents: Cocoon Compilation S
It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.
Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.
Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.
Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.
As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Add all to playlist
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+ Show full info- Close
in stock
Last in:10.06.2020
Label:cocoon
Cat-No:corcd046
Release-Date:23.08.2019
Genre:Techno
Configuration:CD Excl
Barcode:4251648410331
Add all to playlist
Play all
Add all to playlist
Play all
1
V/A - Love over Entropy - As If
Add all to playlist
Play all
2
V/A - Stimming - The Gift That Never Stops To Give
Add all to playlist
Play all
3
V/A - Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
Add all to playlist
Play all
4
V/A - Emanuel Satie - Planet XXX
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Play all
5
V/A - Edward - End Days
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6
V/A - Florian Hollerith - KURZVOR12
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7
V/A - Raxon - The Turbulent
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8
V/A - Mark Broom - Jaded
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Play all
9
V/A - Egbert - Tering
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Play all
10
V/A - Dino Lenny - Keep Changing Basslines
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Play all
11
V/A - Neil Landstrumm - Flesh Is A Prison
Add all to playlist
Play all
12
V/A - Red Axes - Hevk
CD - Cocoon Recordings presents: Cocoon Compilation S
Tracklisting:
CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk
Cocoon Recordings presents: Cocoon Compilation S
It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.
Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.
Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.
Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.
As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
CD / LP
1. (A) Love over Entropy - As If
2. (B) Stimming - The Gift That Never Stops To Give
3. (C) Talaboman - Big room anthemic groovy pounding trance dub bomb. Superb!
4. (D) Emanuel Satie - Planet XXX
5. (E) Edward - End Days
6. (F) Florian Hollerith - KURZVOR12
7. (G) Raxon - The Turbulent
8. (H) Mark Broom - Jaded
9. (I) Egbert - Tering
10. (J) Dino Lenny - Keep Changing Basslines
11. (K) Neil Landstrumm - Flesh Is A Prison
12. (L) Red Axes - Hevk
Cocoon Recordings presents: Cocoon Compilation S
It's that time of year again when Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Incredibly, it's already reached the letter 'S' and just like anything of vintage, the passing of time steadily enhances both the depth and the quality. As always the album brings together some of the most relevant artists of the moment, while the vibe is driven by Cocoon's trusted formula of organic electronics.
Love Over Entropy gets the ball rolling with "As If", offering up smooth, mediterranean vibes designed to stimulate heart-felt communication. It's an open invitation to leave your troubles at the door, exorcise the ghosts of everyday life and return to the source. Stimming's "The Gift That Never Stops To Give" continues in a low slung, tribal vein peppered with jazzed out, tubular percussion as the psychedelics gently take hold. Abstract echoes abound and peripheral effects disorientate around an exquisite hook line found gliding over sun drenched shores. John Talabot and Axel Boman aka Talaboman not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb! " The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency occilations toast the synapses.
Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown primed to generate an explosion on the dancefloor. "End Days" from Edward then ups the ante with a metallic, New Beat vibe that swamps us in wild analogue noise before the deep brooding pads take over. The abstract, discordant central theme also confirms that we are leaving the warmth and security of the compilation's opening section for darker territories. Analogue squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines.
Raxon gets things rolling on "The Turbulent" with electric hihats snaking through a dense mesh of banging snares that accompany a morphing acid line that seems to ricochet off the walls of some cavernous pressure chamber. "Jaded" then takes us into the realms of full-on industrial techno as Mark Broom transports us back to the genre's mid 90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. The dream like, retro sci-fi motif makes it one of the stand out tracks due to the fusion of a relentless battery of drums with a crystalline beauty.
As we enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper still, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
Brimming with timeless melodies, rampaging beats and pressed on eye-catching yellow vinyl, Cocoon's Compilation 'S' effortlessly spans a broad spectrum of contemporary dance music from both veterans and relative fresh talents to the scene. Like a snake constantly shedding its skin, it's reassuring that in 2019 the genre is still mutating and reinventing itself and above all, has so much more to offer. One of the best Cocoon Compilations without a doubt.
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To celebrate the turn of the year, Cocoon Recordings presents us with the fifth edition of the Dots And Pearls anthology, which has been offering us an exclusive glimpse into Cocoon's treasure trove of demos at irregular i
ntervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye catching newcomers to create a harmonious overall package.
Tracklist: (A1) youANDme - Claret Loss
(A2) Florian Hollerith - Ohrenzirkus
(B1) Quenum - Blue Mountain
(B2) Petar Dundov - Pyroelectric
(C1) Marc Romboy - Sequential Error
(C2) Blackrachas - Paracasta
(D1) Emanuele Inglese - Rain
(D2) Bastian Bux -Inner You
First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the "Rotary Cocktail" label. Their epic floor filler "Claret Loss" kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the "ear circus" begins. In fact that's the name of the next track by promising debutant Florian Hollerith. "Ohrenzirkus" amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's "Sound of the 19th Season".
Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of "Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic "Pyroelectric". Next, Systematic label boss Marc Romboy scores with "Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor. In the midst of the mayhem, Italian newcomer Blackrachas offers up a slice of Mediterranean serenity with his snare opus "Paracasta", while veteran DJ and producer Emanuele Inglese from Rome demonstrates his special expertise for dancefloor hedonism with a flurry of modulated sequential breaks on the track "Rain". Finally, Bastian Bux of Barcelona-based label Suara, who recently also featured on John Digweed's Bedrock imprint, offers a fitting finale to the compilation with the melodic techno hymn "Inner You".
Dots And Pearls V is set to be an indispensable part of this winter's clubland wonderland, which track you choose to dance in the new year is, of course, up to you!
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WAS - Word and Sound Medien GmbH
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ntervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye catching newcomers to create a harmonious overall package.
Tracklist: (A1) youANDme - Claret Loss
(A2) Florian Hollerith - Ohrenzirkus
(B1) Quenum - Blue Mountain
(B2) Petar Dundov - Pyroelectric
(C1) Marc Romboy - Sequential Error
(C2) Blackrachas - Paracasta
(D1) Emanuele Inglese - Rain
(D2) Bastian Bux -Inner You
First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the "Rotary Cocktail" label. Their epic floor filler "Claret Loss" kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the "ear circus" begins. In fact that's the name of the next track by promising debutant Florian Hollerith. "Ohrenzirkus" amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's "Sound of the 19th Season".
Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of "Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic "Pyroelectric". Next, Systematic label boss Marc Romboy scores with "Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor. In the midst of the mayhem, Italian newcomer Blackrachas offers up a slice of Mediterranean serenity with his snare opus "Paracasta", while veteran DJ and producer Emanuele Inglese from Rome demonstrates his special expertise for dancefloor hedonism with a flurry of modulated sequential breaks on the track "Rain". Finally, Bastian Bux of Barcelona-based label Suara, who recently also featured on John Digweed's Bedrock imprint, offers a fitting finale to the compilation with the melodic techno hymn "Inner You".
Dots And Pearls V is set to be an indispensable part of this winter's clubland wonderland, which track you choose to dance in the new year is, of course, up to you!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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SHORT PRODUCT INFORMATIONS
- LTD DOUBLE GOLD & KHAKI LP: Limited edition, Double Gold & Khaki Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
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Packaging: 1x Gold Vinyl & 1 x Khaki Vinyl Gatefold sleeve, 2x printed inner sleeve, marketing sticker
GENRE : Electronics
TRACKLIST
DOUBLE VINYLS
Side One
1. Time Becomes
2. Planet of the Shapes
Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)
Side Three
1. Remind
2. Walk Now…
Side Four
1. Monday
2. Halcyon + On + On
3. Input Out
SHORT PRODUCT INFORMATIONS
- LTD DOUBLE GOLD & KHAKI LP: Limited edition, Double Gold & Khaki Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
SHORT INFOS / KEY POINTS
- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.
- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.
- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.
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Label:London Records
Cat-No:lms1725202
Release-Date:18.10.2024
Genre:Pop
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Rights: World excluding France & UK
Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm with mat UV & spot Gloss , 24 page booklet (like a book) + special printed panels for CDs/DVD, front sticker
PRODUCT INFOS:
LIMITED 4CD+1DVD BOXSET
" The definitive version of Bronski Beat's The Age of Consent
" Meticulously researched by project consultant Barnaby Ashton-Bullock
" 67 tracks, including 22 previously unreleased tracks uncovered and restored from the London Records archive
" 5 Discs in wallets (4 audio CDs and 1 DVD)
o The Age of Consent [16 Tracks]
" The original album, plus 6 bonus tracks [7" versions and radio edits]
o Hundreds & Thousands [11 Tracks]
" The original remix album, plus 5 bonus tracks
o Consent Extended - The 12 Inches Plus [11 Tracks]
" Rare 12" versions, US Club Mixes, B-sides
o Ignore at Your Peril - The Rarities Plus [19 Tracks]
" Radio sessions, previously unreleased early versions, and studio sessions
o DVD - The First Chapter - The Videos Plus [10 Tracks]
" Restored music videos
" Top of The Pops performances
" Original TV adverts
" 24-page booklet featuring rare and unseen photos, and essays by:
o Tom Rasmussen
o Lesley Chow
o Lucy Robinson
o Barnaby Ashton-Bullock
SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.
Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'
40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.
TRACKLISTING:
LIMITED 4CD+1DVD BOXSET
DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track
DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track
DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)
DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *
DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm with mat UV & spot Gloss , 24 page booklet (like a book) + special printed panels for CDs/DVD, front sticker
PRODUCT INFOS:
LIMITED 4CD+1DVD BOXSET
" The definitive version of Bronski Beat's The Age of Consent
" Meticulously researched by project consultant Barnaby Ashton-Bullock
" 67 tracks, including 22 previously unreleased tracks uncovered and restored from the London Records archive
" 5 Discs in wallets (4 audio CDs and 1 DVD)
o The Age of Consent [16 Tracks]
" The original album, plus 6 bonus tracks [7" versions and radio edits]
o Hundreds & Thousands [11 Tracks]
" The original remix album, plus 5 bonus tracks
o Consent Extended - The 12 Inches Plus [11 Tracks]
" Rare 12" versions, US Club Mixes, B-sides
o Ignore at Your Peril - The Rarities Plus [19 Tracks]
" Radio sessions, previously unreleased early versions, and studio sessions
o DVD - The First Chapter - The Videos Plus [10 Tracks]
" Restored music videos
" Top of The Pops performances
" Original TV adverts
" 24-page booklet featuring rare and unseen photos, and essays by:
o Tom Rasmussen
o Lesley Chow
o Lucy Robinson
o Barnaby Ashton-Bullock
SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.
Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'
40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.
TRACKLISTING:
LIMITED 4CD+1DVD BOXSET
DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track
DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track
DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)
DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *
DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED
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DE - 22113 Hamburg
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1
Kenji Kawai - 01 - Making of Cyborg
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Kenji Kawai - 02 - Ghost Hacker
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Kenji Kawai - 03 - Puppet Master
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Kenji Kawai - 04 - Virtual Crime
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5
Kenji Kawai - 05 - Ghost City
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6
Kenji Kawai - 06 - Access
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7
Kenji Kawai - 07 - Night Stalker
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8
Kenji Kawai - 08 - Floating Museum
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9
Kenji Kawai - 09 - Ghost Dive
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Kenji Kawai - 10 - Reincarnation
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Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:NOTON
Cat-No:N-062-1
Release-Date:29.11.2024
Configuration:CD Excl
Barcode:4251804155120
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1
Alva Noto - Xerrox Topia
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2
Alva Noto - Xerrox Sans Nom I
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3
Alva Noto - Xerrox Sans Nom II
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4
Alva Noto - Xerrox Ascent I
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5
Alva Noto - Xerrox Ascent II
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Alva Noto - Xerrox Sans Repit
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7
Alva Noto - Xerrox Nausicaa
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8
Alva Noto - Xerrox Xenonym
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9
Alva Noto - Xerrox Ada
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Alva Noto - Xerrox Arc
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11
Alva Noto - Xerrox Kryogen
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Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:NOTON
Cat-No:N-049-1
Release-Date:19.06.2020
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1
Alva Noto - 1. Xerrox Kirlian (00:06:12)
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2
Alva Noto - 2. Xerrox Neige (00:04:55)
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3
Alva Noto - 3. Xerrox Voyage (00:03:50)
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4
Alva Noto - 4. Xerrox Plongée (00:05:36)
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5
Alva Noto - 5. Xerrox Cosmos (00:03:52)
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6
Alva Noto - 6. Xerrox Île (00:06:24)
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7
Alva Noto - 7. Alva Noto - Xerrox Argo (00:05:32)
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8
Alva Noto - 8. Alva Noto - Xerrox Calypsoid 1 (00:04:32)
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9
Alva Noto - 9. Alva Noto - Xerrox Canaux (00:04:13)
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10
Alva Noto - 10. Alva Noto - Xerrox Utopia (00:03:06)
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11
Alva Noto - 11. Alva Noto - Xerrox Sans Retour (00:04:23)
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12
Alva Noto - 12. Alva Noto - Xerrox Calypsoid 2 (00:11:06)
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13
Alva Noto - 13. Alva Noto - Xerrox Apesanteur (00:04:32)
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14
Alva Noto - 14. Alva Noto - Xerrox Néant (00:02:54)
Track list CD:
1. Alva Noto - Xerrox Kirlian (00:06:12)
2. Alva Noto - Xerrox Neige (00:04:55)
3. Alva Noto - Xerrox Voyage (00:03:50)
4. Alva Noto - Xerrox Plongée (00:05:36)
5. Alva Noto - Xerrox Cosmos (00:03:52)
6. Alva Noto - Xerrox Île (00:06:24)
7. Alva Noto - Xerrox Argo (00:05:32)
8. Alva Noto - Xerrox Calypsoid 1 (00:04:32)
9. Alva Noto - Xerrox Canaux (00:04:13)
10. Alva Noto - Xerrox Utopia (00:03:06)
11. Alva Noto - Xerrox Sans Retour (00:04:23)
12. Alva Noto - Xerrox Calypsoid 2 (00:11:06)
13. Alva Noto - Xerrox Apesanteur (00:04:32)
14. Alva Noto - Xerrox Néant (00:02:54)
Release Info:
Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.
Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Alva Noto - Xerrox Kirlian (00:06:12)
2. Alva Noto - Xerrox Neige (00:04:55)
3. Alva Noto - Xerrox Voyage (00:03:50)
4. Alva Noto - Xerrox Plongée (00:05:36)
5. Alva Noto - Xerrox Cosmos (00:03:52)
6. Alva Noto - Xerrox Île (00:06:24)
7. Alva Noto - Xerrox Argo (00:05:32)
8. Alva Noto - Xerrox Calypsoid 1 (00:04:32)
9. Alva Noto - Xerrox Canaux (00:04:13)
10. Alva Noto - Xerrox Utopia (00:03:06)
11. Alva Noto - Xerrox Sans Retour (00:04:23)
12. Alva Noto - Xerrox Calypsoid 2 (00:11:06)
13. Alva Noto - Xerrox Apesanteur (00:04:32)
14. Alva Noto - Xerrox Néant (00:02:54)
Release Info:
Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.
Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:GET PHYSICAL MUSIC
Cat-No:GPMCD108
Release-Date:01.05.2015
Genre:House / Techno
Configuration:CD Excl
Barcode:4260129253299
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Last in:20.09.2024
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Last in:20.09.2024
Label:GET PHYSICAL MUSIC
Cat-No:GPMCD108
Release-Date:01.05.2015
Genre:House / Techno
Configuration:CD Excl
Barcode:4260129253299
Niemand anderer als Franceso Tristano hat die Kuratierung der 16. Ausgabe von Get Physicals "Body Language"-Reihe übernommen. Künstler wie M.A.N.D.Y., Dixon, Catz 'N Dogz , Andhim oder DJ T. haben die Compilation-Reihe zu dem gemacht, was sie heute ist.
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:KNTXT
Cat-No:KNTXT027
Release-Date:25.10.2024
Genre:Techno
Configuration:12"
Barcode:198588206249
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1
Charlotte de Witte ft. Marion Di Napoli - Sanctum
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2
Charlotte de Witte ft. Marion Di Napoli - Fourth Dimension
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3
Charlotte de Witte ft. Marion Di Napoli - Fugato
Belgian techno tastemaker Charlotte de Witte is back with the brand new Sanctum EP containing vocals of Marion Di NapoThanks to her truly distinct sound, de Witte sits at the frontline of the global electronic music scene. She is a DJ, producer and label head who has reshaped the underground with her blend of hard, dark and driving beats and trance tinged synths.Her own productions continue to stand out with fresh ideas and spectacular sun designs defining each one. She proves that once more with this new EP which features the alluring vocals of French singer, DJ and producer Marion Di Napoli. "I fell in love with Marion's voice years ago”, Charlotte explains. “She adds a very mystical touch to all her productions that have the power to bring you in a certain trance on the dance floor. I'm beyond excited about this release, on which every track her angelic voice is present.” Sanctum kicks off with hard and heavy drums that will rattle warehouse walls as the searching synths add a futuristic feel next to twisted acid lines and the spell bound vocals of the angelic Marion. Fourth Dimension is a moody and driving techno roller with the vocals worked into hypnotic, soulful loops that add human warmth to the hypnotic drums and icy hi-hats. It's a warm and mystical world of sound then Fugato is an evocative ambient piece with soothing and exotic vocal coos and great cinematic tension. This is another innovative EP from the one and only Charlotte de Witte.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Vinyl Album Excl
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Label:Transmat Records
Cat-No:ms92lp
Release-Date:25.11.2016
Configuration:Vinyl Album Excl
Barcode:844216040906
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Label:Transmat Records
Cat-No:ms92lp
Release-Date:25.11.2016
Configuration:Vinyl Album Excl
Barcode:844216040906
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1
Franceso Tristano - Francesco Tristano - Sakamoto: Merry Christmas Mr. Lawrence (Francesco Tristano
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2
Franceso Tristano - Francesco Tristano feat. Derrick May - The Mentor
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3
Franceso Tristano - Francesco Tristano - Pacific FM
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Franceso Tristano - Francesco Tristano feat. Derrick May - Infinite Rise
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5
Franceso Tristano - Francesco Tristano feat. Derrick May - In Da Minor
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6
Franceso Tristano - Francesco Tristano - Rocco's Bounce
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Franceso Tristano - Francesco Tristano - Xokolad
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Franceso Tristano - Francesco Tristano feat. Derrick May - Esoteric Thing
180g 2LP in very High Quality Packaging. LP Gatefold Reverse Board - lasercut stencilled "braille typo" , printed innersleeves with lasered artist name title (a/b) and transmat logo (b/c) , sticker
Tracklist 2LP:
A1 Francesco Tristano - Sakamoto: Merry Christmas Mr. Lawrence (Francesco Tristano Rework)
A2 Francesco Tristano feat. Derrick May - The Mentor
B1 Francesco Tristano - Pacific FM
B2 Francesco Tristano feat. Derrick May - Infinite Rise
C1 Francesco Tristano feat. Derrick May - In Da Minor
C2 Francesco Tristano - Rocco's Bounce
D1 Francesco Tristano - Xokolad
D2 Francesco Tristano feat. Derrick May - Esoteric Thing
Short info:
It's not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three - the godfathers of Detroit techno - and yet, anyone who's followed the Luxembourg artist will know that expectation is not a currency he deals in.
Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his "most techno and synth-based project yet," the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. "I had to lure him into my studio," Tristano says of May with a smile, "he was like Alice in Wonderland when he saw the synthesizers."
Originally developed as a way create new material for Tristano's p:anorig project - a unique live set-up debuted at Barcelona's Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience - Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. "I can hook up all these synthesizers that I've picked up over the years," he continues, "it's the fulfillment of that." With an instrumentarium of analogue, digital, classic and modern gear - ranging from Prophets to Moogs, to Rolands and Yamahas - at his and May's disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren't just using these synths, they're paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.
The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of 'Esoteric Thing', drifting along to the sound of birdsong, to more beat-centric pieces such as 'The Mentor' and the quirky 'Xokolade' , the equipment, and the love it's been treated with, shines through. Both Tristano and May's individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. 'Pacific FM' is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of 'In Da Minor' is undercut by eerie, unpredictable glass synth-work; 'Rocco's Bounce' is free-form jazz tugged into line by structured four-to-the-floor; there's even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto's classic 'Merry Christmas, Mr. Lawrence'.
Those hoping for a Francesco Tristano piano album: be duly warned. "The piano is there, but it's more like the shadow of the piano. We don't have the mass of that sound, it's more like the reminiscence of that sound," says Tristano. But it's this which gives Surface Tension the aforementioned significance. Tristano hasn't abandoned his roots - they're deep, but there, for those who wish to find them - yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 2LP:
A1 Francesco Tristano - Sakamoto: Merry Christmas Mr. Lawrence (Francesco Tristano Rework)
A2 Francesco Tristano feat. Derrick May - The Mentor
B1 Francesco Tristano - Pacific FM
B2 Francesco Tristano feat. Derrick May - Infinite Rise
C1 Francesco Tristano feat. Derrick May - In Da Minor
C2 Francesco Tristano - Rocco's Bounce
D1 Francesco Tristano - Xokolad
D2 Francesco Tristano feat. Derrick May - Esoteric Thing
Short info:
It's not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three - the godfathers of Detroit techno - and yet, anyone who's followed the Luxembourg artist will know that expectation is not a currency he deals in.
Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his "most techno and synth-based project yet," the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. "I had to lure him into my studio," Tristano says of May with a smile, "he was like Alice in Wonderland when he saw the synthesizers."
Originally developed as a way create new material for Tristano's p:anorig project - a unique live set-up debuted at Barcelona's Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience - Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. "I can hook up all these synthesizers that I've picked up over the years," he continues, "it's the fulfillment of that." With an instrumentarium of analogue, digital, classic and modern gear - ranging from Prophets to Moogs, to Rolands and Yamahas - at his and May's disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren't just using these synths, they're paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.
The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of 'Esoteric Thing', drifting along to the sound of birdsong, to more beat-centric pieces such as 'The Mentor' and the quirky 'Xokolade' , the equipment, and the love it's been treated with, shines through. Both Tristano and May's individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. 'Pacific FM' is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of 'In Da Minor' is undercut by eerie, unpredictable glass synth-work; 'Rocco's Bounce' is free-form jazz tugged into line by structured four-to-the-floor; there's even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto's classic 'Merry Christmas, Mr. Lawrence'.
Those hoping for a Francesco Tristano piano album: be duly warned. "The piano is there, but it's more like the shadow of the piano. We don't have the mass of that sound, it's more like the reminiscence of that sound," says Tristano. But it's this which gives Surface Tension the aforementioned significance. Tristano hasn't abandoned his roots - they're deep, but there, for those who wish to find them - yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
pre-sale
Label:Embassy One
Cat-No:771515
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251777715154
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Label:Embassy One
Cat-No:771515
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251777715154
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)
- Splattered Vinyl Deluxe Edition, Indie Shops only
Special remarks : Gatefold 2LP ( 2x splattered vinyl) + Slipmat + Download code
GENRE/S: Electronica/Indie Dance
TRACKLIST: to follow
SHORT INFO:
The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- Splattered Vinyl Deluxe Edition, Indie Shops only
Special remarks : Gatefold 2LP ( 2x splattered vinyl) + Slipmat + Download code
GENRE/S: Electronica/Indie Dance
TRACKLIST: to follow
SHORT INFO:
The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop / Beats
Configuration:2LP Excl
Barcode:4251804144131
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Last in:19.03.2025
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Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop / Beats
Configuration:2LP Excl
Barcode:4251804144131
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1
Bahamadia - Intro (0:50)
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2
Bahamadia - WordPlay (3:17)
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3
Bahamadia - Spontaneity (4:08)
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4
Bahamadia - Rugged Ruff (3:08)
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5
Bahamadia - Interlude (0:29)
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6
Bahamadia - I Confess (4:06)
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7
Bahamadia - UKNOWHOWWEDU (3:35)
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8
Bahamadia - Interlude (1:09)
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9
Bahamadia - Total Wreck (3:26)
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10
Bahamadia - Innovation (3:23)
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11
Bahamadia - Da Jawn (5:19)
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12
Bahamadia - Interlude (1:05)
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13
Bahamadia - True Honey Buns (Dat Freak Sh t) (3:41)
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14
Bahamadia - 3 Tha Hard Way (4:12)
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15
Bahamadia - Biggest Part Of Me (4:51)
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16
Bahamadia - Path To Rhythm (3:24)
Territories: Worldwide no restrictions
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Circus Company
Cat-No:cccd009-2
Release-Date:14.11.2011
Genre:House
Configuration:CD Excl
Barcode:827170120822
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Label:Circus Company
Cat-No:cccd009-2
Release-Date:14.11.2011
Genre:House
Configuration:CD Excl
Barcode:827170120822
Nicolas Jaar has graduated-- Space is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music's most exciting producers.
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith131lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804140140
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Last in:02.08.2023
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Label:Be With Records
Cat-No:bewith131lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804140140
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1
The Tony Williams Lifetime
- Emergency (9:35)
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2
The Tony Williams Lifetime
- Beyond Games (8:20)
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3
The Tony Williams Lifetime
- Where (12:09)
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4
The Tony Williams Lifetime
- Vashkar (4:58)
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5
The Tony Williams Lifetime
- Via The Spectrum Road (7:50)
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6
The Tony Williams Lifetime
- Spectrum (9:52)
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7
The Tony Williams Lifetime
- Sangria For Three (13:08)
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8
The Tony Williams Lifetime
- Something Spiritual (5:38)
Territories: Worldwide no restrictions
Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38
Release Notes:
Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”
The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.
The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.
The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."
Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.
The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.
With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!
The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.
Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38
Release Notes:
Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”
The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.
The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.
The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."
Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.
The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.
With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!
The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.
Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore