The Outer Edge is proud to present the first ever vinyl release of "No Message" by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On "No Message", originally released in 1985, we hear the band's most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
More
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
More
More records from The Outer Edge
1
J. D. (Puma) Lewis - The Cat (Puma)
2
J. D. (Puma) Lewis - Dancing Shoes
3
J. D. (Puma) Lewis - Tears
4
J. D. (Puma) Lewis - Life's A Party (Bonus Track)
5
J. D. (Puma) Lewis - Shake It - Make It Loose
6
J. D. (Puma) Lewis - Hearts Of Gold
7
J. D. (Puma) Lewis - Automatic Woman
8
J. D. (Puma) Lewis - Walk Out On Me (Bonus Track)
First ever reissue of highly collectible Funk / Boogie album from 1984!
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More
1
Grand Slam - Goin’ Out
2
Grand Slam - Don't Let You Down (Single Edit)
- Limited Edition of 350 copies
- Thick high quality picture sleeve with hype sticker
- Previously unissued on vinyl, recorded in 1986
The Outer Edge is excited to announce the release of an intense and previously undiscovered funk rap / boogie single, featuring two tracks recorded in 1986.
While researching for his book on 80s funk music in Germany, DJ Scientist explored bands from Bavaria that collaborated with GIs. One of these bands is Grand Slam, a group that remains active to this day. The band’s leader, Toby Mayerl, lived near a US Army base in Amberg, where he fell in love with funk after hearing Roger Troutman and Zapp. He soon became part of two groups: Total Control and Grand Slam.
Originally led by guitarist Harry Zawrel, Grand Slam had a “European” funk sound similar to Talking Heads or Level 42. However, in 1985, Mayerl took over the band and merged it with Total Control, a mixed group that included African-American soldiers. From that point on, they shifted towards a heavier funk and soul sound, continuing to work with musicians from the GI community. By late 1986, they had enough material to record their debut album, Make My Day. Although published by the independent label Kerston, the album was only available on cassette, primarily sold at their concerts in early 1987.
DJ Scientist managed to track down an original copy of this ultra-rare tape in the MUZ archive in Nuremberg. "What I heard blew my mind," he said. "The cassette featured seven raw, well-produced funk and soul jams with fantastic arrangements and vocals." As an old-school funk and disco rap collector, he was immediately captivated by the track "Goin' Out," which features GI rapper Calvin E. Flagg. This song evokes the energy of early recorded rap singles from labels like Enjoy or Sugar Hill Records.
On Side B, the second track from the unheard debut album, ‘Don’t Let You Down,’ offers another glimpse of what we've been missing. This uptempo boogie-funk track features lead vocals by Aletha Mcbryde, Calvin E. Flagg, and Oliver Allwardt, along with thrilling synths and a lively brass section - perfect for turning up the volume.
Both tracks have been remastered from the original master tapes, which Toby Mayerl fortunately still had in his archive. The artwork for the release is inspired by original band posters, with the Grand Slam logo taking cues from Bootsy's Rubber Band’s Body Slam! cover from 1982. This limited vinyl pressing is capped at just 350 copies.
- Intense Funk Rap / Boogie single
- Fully Licenced, recorded in 1986
- Transferred from original master tape
- Mastered by Frederic Stader
TRACKLISTS:
A
Goin’ Out
B
Don't Let You Down (Single Edit) More
- Thick high quality picture sleeve with hype sticker
- Previously unissued on vinyl, recorded in 1986
The Outer Edge is excited to announce the release of an intense and previously undiscovered funk rap / boogie single, featuring two tracks recorded in 1986.
While researching for his book on 80s funk music in Germany, DJ Scientist explored bands from Bavaria that collaborated with GIs. One of these bands is Grand Slam, a group that remains active to this day. The band’s leader, Toby Mayerl, lived near a US Army base in Amberg, where he fell in love with funk after hearing Roger Troutman and Zapp. He soon became part of two groups: Total Control and Grand Slam.
Originally led by guitarist Harry Zawrel, Grand Slam had a “European” funk sound similar to Talking Heads or Level 42. However, in 1985, Mayerl took over the band and merged it with Total Control, a mixed group that included African-American soldiers. From that point on, they shifted towards a heavier funk and soul sound, continuing to work with musicians from the GI community. By late 1986, they had enough material to record their debut album, Make My Day. Although published by the independent label Kerston, the album was only available on cassette, primarily sold at their concerts in early 1987.
DJ Scientist managed to track down an original copy of this ultra-rare tape in the MUZ archive in Nuremberg. "What I heard blew my mind," he said. "The cassette featured seven raw, well-produced funk and soul jams with fantastic arrangements and vocals." As an old-school funk and disco rap collector, he was immediately captivated by the track "Goin' Out," which features GI rapper Calvin E. Flagg. This song evokes the energy of early recorded rap singles from labels like Enjoy or Sugar Hill Records.
On Side B, the second track from the unheard debut album, ‘Don’t Let You Down,’ offers another glimpse of what we've been missing. This uptempo boogie-funk track features lead vocals by Aletha Mcbryde, Calvin E. Flagg, and Oliver Allwardt, along with thrilling synths and a lively brass section - perfect for turning up the volume.
Both tracks have been remastered from the original master tapes, which Toby Mayerl fortunately still had in his archive. The artwork for the release is inspired by original band posters, with the Grand Slam logo taking cues from Bootsy's Rubber Band’s Body Slam! cover from 1982. This limited vinyl pressing is capped at just 350 copies.
- Intense Funk Rap / Boogie single
- Fully Licenced, recorded in 1986
- Transferred from original master tape
- Mastered by Frederic Stader
TRACKLISTS:
A
Goin’ Out
B
Don't Let You Down (Single Edit) More
1
Ghia - The Other Side feat. Adriano Prestel
2
Ghia - Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
3
Ghia - The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
4
Ghia - The Other Side (Instrumental)
5
Ghia - Out Of Luck (DJ Friction Remix) (Instrumental)
6
Ghia - Out Of Luck (Instrumental) (Soundrays Mix)
Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.
The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.
Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.
The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.
Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
More
The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.
Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.
The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.
Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
More
1
Peter Patzer - You Are Not The One For Me
2
Ströer - Don't Stay For Breakfast
3
Upstairs - You're Just Yourself
4
J. D. (Puma) Lewis - Dancing Shoes
5
Trust - It's Not Over
6
Imagination - Strawberry Wine
7
Squish - Get Up
8
Publicity - Funky Feeling
9
Bernie L. - Backstreetboy
10
Ca$h - Raff dich auf
11
The Poptown Syndicate - Keep On Lovin' (Single Version)
12
Ca$h - Raff dich auf (Edit) (Bonus Track)
Limited and definite repress of this classic German Boogie compilation from 2018 with a selection of 11 rare Disco tracks from Germany & Austria, all originally released between 1980 and 1987. Deluxe pressing on coloured vinyl, re-transferred and remastered by Frederic Stader. Includes additional bonus track.
Part of the 2018 release notes:
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.
Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist.
Side A
Peter Patzer: You Are Not The One For Me
Ströer: Don't Stay For Breakfast
Upstairs: You're Just Yourself
Side B
J. D. (Puma) Lewis: Dancing Shoes
Trust: It's Not Over
Imagination: Strawberry Wine
Side C
Squish: Get Up
Publicity: Funky Feeling
Bernie L.: Backstreetboy
Side D
Ca$h: Raff dich auf
The Poptown Syndicate: Keep On Lovin' (Single Version)
Ca$h: Raff dich auf (Edit) (Bonus Track)
More
Part of the 2018 release notes:
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.
Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist.
Side A
Peter Patzer: You Are Not The One For Me
Ströer: Don't Stay For Breakfast
Upstairs: You're Just Yourself
Side B
J. D. (Puma) Lewis: Dancing Shoes
Trust: It's Not Over
Imagination: Strawberry Wine
Side C
Squish: Get Up
Publicity: Funky Feeling
Bernie L.: Backstreetboy
Side D
Ca$h: Raff dich auf
The Poptown Syndicate: Keep On Lovin' (Single Version)
Ca$h: Raff dich auf (Edit) (Bonus Track)
More
1
Ghia - Out Of Luck feat. Adriano Prestel
2
Ghia - Out Of Luck (Instrumental)
The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
More
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
More
1
Total - Jede Nacht derselbe Traum (Single Version)
2
Total - Jede Nacht derselbe Traum (Extended Re-Mix)
3
Total - Jede Nacht derselbe Traum (DJ Friction Edit)
4
Total - Jede Nacht derselbe Traum (Dub Mix)
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
More
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
More
1
Total - Jede Nacht derselbe Traum (Single Version)
2
Total - Jede Nacht derselbe Traum (Extended Re-Mix)
3
Total - Jede Nacht derselbe Traum (DJ Friction Edit)
4
Total - Jede Nacht derselbe Traum (Dub Mix)
Limited Green Transparent !
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 200 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
More
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 200 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
More
1
Ghia - Don't Stop
2
Ghia - Message From The Other Side
3
Ghia - 3 A.M. At Moëf Gaga
4
Ghia - When The Rain Is Falling ('85 Interlude)
5
Ghia - Talk Too Much (Instrumental)
6
Ghia - Jump In The Water (24-Track Mix)
7
Ghia - Armer Teufel am Morgen nach dem Maskenball
8
Ghia - Close To You ('86 Interlude)
9
Ghia - September Garden (Instrumental)
10
Ghia - Message From The Other Side (Alternative Instrumental Mix)
"Don't Stop" is the third album retrospectively released by Ghia. As the subtitle "Early Works & Artefacts 1984-1987" implies, it features some of their earliest compositions as well as tracks that were recorded during the same period as their "Curaçao Blue" LP.
The album is a fusion of diverse music styles. Listeners will delight in a range of genres, including electro, funk, soul, jazz-funk, synth pop, and even rap/hip-hop, all woven together as a cohesive work that remains mostly instrumental. As a whole, "Don't Stop" represents Ghia's funkiest and most experimental release to date. Notably, the LP features a rap version of Hermann Hesse's controversial German poem "Armer Teufel am Morgen nach dem Maskenball" ("Poor Devil the Morning After the Costume Ball") from 1926, accompanied by a drum machine rhythm and funky guitar. This poem depicts a person who drank too much the night before, telling the story and describing his hangover. The title track "Don't Stop" and the thrilling minimal electro-funk tune "3 A.M. at Moëf Gaga" both evoke old-school electro influences. The latter references the Spanish discotheque Moëf Gaga, located on the Balearic coast, which the dynamic duo of Lutz Boberg and Frank Simon frequented during their 1980s holidays. While the exact music played at 3 A.M. is unknown, listening to Ghia's track will undoubtedly capture the mood of the place.
One of the key tracks of the album is "Message From The Other Side", which could easily be noted as one of the nicest European synth-funk instrumental pieces ever. The track is based on a sick synth bass line, sparkled with DX7 chord hits, funky guitar, and a delightful "marimba" solo in the last third. The solo was actually played on Boberg's keyboard, using a special sound cartridge. This particular track had to be edited and technically revised by Marian Tone and DJ Scientist as the existing demo version of the song could not be used as is. With its stunning groove, this track will surely be a DJ's favorite.
Listening to the complete album, there is more of Boberg's keyboard wizardry: could you believe that the trumpet solo on "Jump In The Water" as well as the short but stunning slap bass solo on "Talk Too Much" were both played by on the DX7? However, this new release, unlike the jazzy "Curaçao Blue", is not about solos or virtuous playing - it clearly shows the duo's direction towards more electronic composition and clear song structures. The versions of "September Garden", "When The Rain is Falling" as well as "Talk Too Much" are actually instrumental mixdowns of vocal songs. And again, we get a blissful take of "Close To You", here a version from 1986. This soulful jazz-funk ballad could already be heard on "Curaçao Blue" while the final vocal version with singer Lisa Ohm can be found on the recently released "This Is" LP. This shows that the Ghia composers, Boberg and Simon, were perfectionists - tracks were reworked again and again, making them better and better.
The album was mastered and restored with great care, and we are pleased to provide you with a perfect example of mid 1980s home-recording pleasures, tinged with a youthful spirit and providing a sound that cannot be recaptured anymore nowadays. Alongside "This Is" and "Curacao Blue" it should be another perfect addition to any 80s groove collection as well as a great pick for DJs that love and play disco, leftfield electro and funk. The LP is limited to 500 copies.
- Previously unissued on any format!
- Fully licenced, recorded 1984-1987
- Includes 4 vinyl only tracks
- Follow up release to the successful albums "This Is" and "Curacao Blue"
- 350g picture sleeve
- Includes 30x30 cm insert
- Mastered by Robert Wenzel
- Vinyl cut by SST
Side A
Don't Stop
Message From The Other Side
3 A.M. At Moëf Gaga
When The Rain Is Falling ('85 Interlude)
Talk Too Much (Instrumental)
Side B
Jump In The Water (24-Track Mix)
Armer Teufel am Morgen nach dem Maskenball
Close To You ('86 Interlude)
September Garden (Instrumental)
Message From The Other Side (Alternative Instrumental Mix)
More
The album is a fusion of diverse music styles. Listeners will delight in a range of genres, including electro, funk, soul, jazz-funk, synth pop, and even rap/hip-hop, all woven together as a cohesive work that remains mostly instrumental. As a whole, "Don't Stop" represents Ghia's funkiest and most experimental release to date. Notably, the LP features a rap version of Hermann Hesse's controversial German poem "Armer Teufel am Morgen nach dem Maskenball" ("Poor Devil the Morning After the Costume Ball") from 1926, accompanied by a drum machine rhythm and funky guitar. This poem depicts a person who drank too much the night before, telling the story and describing his hangover. The title track "Don't Stop" and the thrilling minimal electro-funk tune "3 A.M. at Moëf Gaga" both evoke old-school electro influences. The latter references the Spanish discotheque Moëf Gaga, located on the Balearic coast, which the dynamic duo of Lutz Boberg and Frank Simon frequented during their 1980s holidays. While the exact music played at 3 A.M. is unknown, listening to Ghia's track will undoubtedly capture the mood of the place.
One of the key tracks of the album is "Message From The Other Side", which could easily be noted as one of the nicest European synth-funk instrumental pieces ever. The track is based on a sick synth bass line, sparkled with DX7 chord hits, funky guitar, and a delightful "marimba" solo in the last third. The solo was actually played on Boberg's keyboard, using a special sound cartridge. This particular track had to be edited and technically revised by Marian Tone and DJ Scientist as the existing demo version of the song could not be used as is. With its stunning groove, this track will surely be a DJ's favorite.
Listening to the complete album, there is more of Boberg's keyboard wizardry: could you believe that the trumpet solo on "Jump In The Water" as well as the short but stunning slap bass solo on "Talk Too Much" were both played by on the DX7? However, this new release, unlike the jazzy "Curaçao Blue", is not about solos or virtuous playing - it clearly shows the duo's direction towards more electronic composition and clear song structures. The versions of "September Garden", "When The Rain is Falling" as well as "Talk Too Much" are actually instrumental mixdowns of vocal songs. And again, we get a blissful take of "Close To You", here a version from 1986. This soulful jazz-funk ballad could already be heard on "Curaçao Blue" while the final vocal version with singer Lisa Ohm can be found on the recently released "This Is" LP. This shows that the Ghia composers, Boberg and Simon, were perfectionists - tracks were reworked again and again, making them better and better.
The album was mastered and restored with great care, and we are pleased to provide you with a perfect example of mid 1980s home-recording pleasures, tinged with a youthful spirit and providing a sound that cannot be recaptured anymore nowadays. Alongside "This Is" and "Curacao Blue" it should be another perfect addition to any 80s groove collection as well as a great pick for DJs that love and play disco, leftfield electro and funk. The LP is limited to 500 copies.
- Previously unissued on any format!
- Fully licenced, recorded 1984-1987
- Includes 4 vinyl only tracks
- Follow up release to the successful albums "This Is" and "Curacao Blue"
- 350g picture sleeve
- Includes 30x30 cm insert
- Mastered by Robert Wenzel
- Vinyl cut by SST
Side A
Don't Stop
Message From The Other Side
3 A.M. At Moëf Gaga
When The Rain Is Falling ('85 Interlude)
Talk Too Much (Instrumental)
Side B
Jump In The Water (24-Track Mix)
Armer Teufel am Morgen nach dem Maskenball
Close To You ('86 Interlude)
September Garden (Instrumental)
Message From The Other Side (Alternative Instrumental Mix)
More
1
Art Programming - Art Programming (Original Mix)
2
Art Programming - Art Programming (Alexander Arpeggio Edit)
Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P), following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album, released on cassette in 1983 under the P.A.P. label from Bremen.
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
More
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
More
1
Art P - Genscher Pull 'N' Push
2
Art P / Die Synthetische Republik - Polaroid (808 Re-Mix)
3
Die Synthetische Republik - Die Synthetische Republik - Der böse Osten (Extended Mix)
We're thrilled to release two exciting electro tracks by Art P, as well as the classic minimal synthwave tune 'Der böse Osten' by related band project Die Synthetische Republik on this limited split 12".
The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.
Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.
Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!
Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.
The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.
Tracklist:
A
Art P - Genscher Pull 'N' Push
Art P - Polaroid (808 Re-Mix)
B
Die Synthetische Republik - Der böse Osten (Extended Mix)
VITAL SALES POINTS:
- Features 3 previously unissued tracks:
-- Genscher Pull 'N' Push is a massive and completely unissued proto-techno / electro wave tune from 1982
-- Polaroid (808 Re-Mix) is a new remix in the classic vocoder electro funk soundof the mid 80s
-- Der böse Osten, an extremely sought after synth wave tune from 1984, is released as an unissued extended version, available on 12" for the first time
More
The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.
Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.
Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!
Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.
The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.
Tracklist:
A
Art P - Genscher Pull 'N' Push
Art P - Polaroid (808 Re-Mix)
B
Die Synthetische Republik - Der böse Osten (Extended Mix)
VITAL SALES POINTS:
- Features 3 previously unissued tracks:
-- Genscher Pull 'N' Push is a massive and completely unissued proto-techno / electro wave tune from 1982
-- Polaroid (808 Re-Mix) is a new remix in the classic vocoder electro funk soundof the mid 80s
-- Der böse Osten, an extremely sought after synth wave tune from 1984, is released as an unissued extended version, available on 12" for the first time
More
1
Ghia - Keep Your House In Disorder
2
Ghia - Crystal Silence
3
Ghia - Close To You
4
Ghia - Eskimo
5
Ghia - Sometimes (Vinyl Only)
6
Ghia - What's Your Voodoo?
7
Ghia - Angel On Your Shoulder
8
Ghia - You Won't Sleep On My Pillow
9
Ghia - L O M E (List Of Missing Elements)
10
Ghia - I Haven't Got The Power
Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.
"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.
Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."
Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.
"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.
The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.
Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.
VITAL SALES POINTS:
- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader
Special remarks:
- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"
Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)
Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
More
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.
"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.
Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."
Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.
"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.
The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.
Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.
VITAL SALES POINTS:
- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader
Special remarks:
- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"
Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)
Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
More
1
Wolffen - Der Tanz ihrer Backen (Extended 12" Version)
2
Wolffen - Der Tanz ihrer Backen (Cid Hohner Edit)
Ultra Limited Edition of 200 copies
Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!
Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.
"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.
Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!
Tracklist:
A Der Tanz ihrer Backen (Extended 12" Version) 6:39
B Der Tanz ihrer Backen (Cid Hohner Edit) 6:10
Special remarks:
- Ultra Limited Edition of 200 copies
- Hand numbered
- Loud 45 cut
- Features Extended Version plus Edit by Cid Hohner (of OTTO) on side B
- Fully Licenced, recorded in 1988
- Special picture sleeve edition with 30x30 cm poster glued on front of generic black sleeve, plus credit info on back. Additionally packed in clear Japanese Katta sleeve with hype sticker
- Mastered by Frederic Stader
More
Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!
Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.
"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.
Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!
Tracklist:
A Der Tanz ihrer Backen (Extended 12" Version) 6:39
B Der Tanz ihrer Backen (Cid Hohner Edit) 6:10
Special remarks:
- Ultra Limited Edition of 200 copies
- Hand numbered
- Loud 45 cut
- Features Extended Version plus Edit by Cid Hohner (of OTTO) on side B
- Fully Licenced, recorded in 1988
- Special picture sleeve edition with 30x30 cm poster glued on front of generic black sleeve, plus credit info on back. Additionally packed in clear Japanese Katta sleeve with hype sticker
- Mastered by Frederic Stader
More
1
Hans Hass - Welche Farbe hat der Wind (Marian Tone Rework)
2
Hans Hass - Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental)
- Limited edition of 400 copies
- Thick high quality picture sleeve
- Hype sticker
- First dj-friendly version of classic rare groove track
The Outer Edge is very proud to release another quite sensational release. Here are the official reworks of Hans Hass' proto-AOR / cloud rock hymn "Welche Farbe hat der Wind" (which translates to "What color is the wind").
The main producer for this release was Marian Tone (of Key Elements), who reworked the track almost from scratch. He re-recorded the drums, the bassline, and some chords while keeping Hass's original vocal layer. The distinctive guitar playing by co-composer Gabor Kristof sparkles throughout. The result is exactly what we had hoped and asked for: a DJ-friendly version of this überclassic track.
The idea for this rework project came to mind when label owner DJ Scientist got word from Tobias Kirmayer of Tramp Records that "Welche Farbe hat der Wind" would be officially re-released for the first time on his compilation series "Praise Poems" as well as on a single reissue. Scientist immediately asked if he could make an edit with louder drums to make the track more playable in a DJ set. However, as the masters of the Tramp reissues had already been submitted to the pressing plant, he was granted permission to re-license the track and rework it for his own label instead.
Hence, the reworks feature Scientist's "vintage drums" mix, which has the drums mixed louder, plus drums added at the quite psychedelic and experimental last third, with a few other sound adjustments made.
But it was up to Berlin-based DJ and music producer Marian Tone to put the icing on the cake and rework and enhance the song further with his own version. With fellow Key Elements bandmember Steffen Kieslich, he completely re-recorded the drums. Then it was up to Doron Segal to replay the bass and the keys. What we get is the classic sound of "Welche Farbe hat der Wind" - just updated and fresher.
For the first time ever, the track is also available as an instrumental version. Here, the great original guitar playing keeps the song going and going, and makes it perfectly clear that this tune, which originally came out on the schlager album "Reise in eine glückliche Zukunft" in 1974, is pretty damn funky!
It has been difficult to put "Welche Farbe hat der Wind" into a genre box, But it has been described as "rare groove","psychedelic schlager", and even "proto-AOR". For facility, Scientist has coined the new term "cloud rock" to describe this particular style of soft but groovy music. The name cloud rock bears a conspicuous reference to the krautrock genre as well. More tracks in a similar vein will be heard soon in a DJ mix under the same name.
Marian Tone's rework, as well as the corresponding instrumental version, will be released on a limited 7" single with a full-color picture sleeve. The digital release will feature the DJ Scientist re-mix plus an alternative version that puts more focus on the re-recorded bassline. In any case, this is an essential item for any music lover as well as the ideal contribution to your ultimate "cloud rock" DJ set!
GENRE/S: Rare Groove / AOR / Soul / Cloud Rock
TRACKLISTS:
A Welche Farbe hat der Wind (Marian Tone Rework)
B Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental) More
- Thick high quality picture sleeve
- Hype sticker
- First dj-friendly version of classic rare groove track
The Outer Edge is very proud to release another quite sensational release. Here are the official reworks of Hans Hass' proto-AOR / cloud rock hymn "Welche Farbe hat der Wind" (which translates to "What color is the wind").
The main producer for this release was Marian Tone (of Key Elements), who reworked the track almost from scratch. He re-recorded the drums, the bassline, and some chords while keeping Hass's original vocal layer. The distinctive guitar playing by co-composer Gabor Kristof sparkles throughout. The result is exactly what we had hoped and asked for: a DJ-friendly version of this überclassic track.
The idea for this rework project came to mind when label owner DJ Scientist got word from Tobias Kirmayer of Tramp Records that "Welche Farbe hat der Wind" would be officially re-released for the first time on his compilation series "Praise Poems" as well as on a single reissue. Scientist immediately asked if he could make an edit with louder drums to make the track more playable in a DJ set. However, as the masters of the Tramp reissues had already been submitted to the pressing plant, he was granted permission to re-license the track and rework it for his own label instead.
Hence, the reworks feature Scientist's "vintage drums" mix, which has the drums mixed louder, plus drums added at the quite psychedelic and experimental last third, with a few other sound adjustments made.
But it was up to Berlin-based DJ and music producer Marian Tone to put the icing on the cake and rework and enhance the song further with his own version. With fellow Key Elements bandmember Steffen Kieslich, he completely re-recorded the drums. Then it was up to Doron Segal to replay the bass and the keys. What we get is the classic sound of "Welche Farbe hat der Wind" - just updated and fresher.
For the first time ever, the track is also available as an instrumental version. Here, the great original guitar playing keeps the song going and going, and makes it perfectly clear that this tune, which originally came out on the schlager album "Reise in eine glückliche Zukunft" in 1974, is pretty damn funky!
It has been difficult to put "Welche Farbe hat der Wind" into a genre box, But it has been described as "rare groove","psychedelic schlager", and even "proto-AOR". For facility, Scientist has coined the new term "cloud rock" to describe this particular style of soft but groovy music. The name cloud rock bears a conspicuous reference to the krautrock genre as well. More tracks in a similar vein will be heard soon in a DJ mix under the same name.
Marian Tone's rework, as well as the corresponding instrumental version, will be released on a limited 7" single with a full-color picture sleeve. The digital release will feature the DJ Scientist re-mix plus an alternative version that puts more focus on the re-recorded bassline. In any case, this is an essential item for any music lover as well as the ideal contribution to your ultimate "cloud rock" DJ set!
GENRE/S: Rare Groove / AOR / Soul / Cloud Rock
TRACKLISTS:
A Welche Farbe hat der Wind (Marian Tone Rework)
B Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental) More
1
Ghia - Curaçao Blue (Introlution)
2
Ghia - Down At The Hilton
3
Ghia - Jump In The Water
4
Ghia - Close To You ('85 Interlude)
5
Ghia - In The Fast Lane
6
Ghia - Flowerplay
7
Ghia - Curaçao Blue
8
Ghia - Through The Window
9
Ghia - Crystal Silence In Dub
10
Ghia - Keep Your House In Disorder (Instrumental)
LP
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More
1
Herbert Bodzin - Against the Wall
2
Herbert Bodzin - Lifting Blue
3
Herbert Bodzin - Voices of the Mind
4
Herbert Bodzin - Orbital
5
Herbert Bodzin - Lookin' Forward (Part 1)
6
Herbert Bodzin - Red Ocean
7
Herbert Bodzin - Flow Up
8
Herbert Bodzin - Go Ahead
9
Herbert Bodzin - Tender Words
Warehouse Find!
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
More
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
More
1
Ara Pacis - To The Westcoast
2
Ara Pacis - My Fate
With "To the Westcoast / My Fate (Revisited)" by Ara Pacis we are proud to officially release two of the most exciting AOR tracks hailing from Germany.
Ara Pacis, a group from the island Föhr in the North Sea, was originally founded in 1971. Initially influenced by blues and classic rock by The Rolling Stones, The Who, and the like, they were also inspired by bands such as Steely Dan as well as the German/British group Lake. However, Ara Pacis created a style of their own when their privately pressed and self-distributed "To the Westcoast" LP was released in 1979. The songs were mainly characterized by two-part guitar riffs by Töns Brautlecht-Deppe and Wolfgang Schiffner, who also were the core songwriters of the band.
The freshly remastered single starts with the title track "To the Westcoast". Due to its sunny and yacht-y vibe it is easily amongst the best and most authentic tunes out of the "Westcoast rock" genre recorded in Germany. With family connections in California, lead singer Töns Brautlecht-Deppe was able to create and capture the feeling of the Pacific sea shore just perfectly.
The single is backed with a revised studio version of "My Fate". Here, lead singer Töns Brautlecht tells his story about getting into playing guitar as a young boy. The track is also featured on the album but the version we present on the 7" vinyl is an unreleased, even quite funky and more powerful take. It was recorded in 1981 at the Rüssl studio in Hamburg where Brautlecht had just started to work as an engineer.
As the "To the Westcoast" LP was released during a time when styles like New Wave, Synth Pop and Punk became popular in Germany and the interest in organic and soulful rock declined, Ara Pacis' debut remained relatively unnoticed until today and even the Krautrock collector's scene does not seem to be fully aware of this hard to find gem yet of which only 1000 copies were originally pressed. The band is still kept in good memory by their fans as a quite legendary live act and although they officially split in 1982, the group still served their fan base with revival concerts in 1990 and 2002 plus a website with full band story and lots of images from the early days.
We hope this single sheds new light on this great band. It is limited to 350 copies and released in a beautiful picture sleeve which shows the original LP artwork.
Tracklist:
A: To The Westcoast
B: My Fate
More
Ara Pacis, a group from the island Föhr in the North Sea, was originally founded in 1971. Initially influenced by blues and classic rock by The Rolling Stones, The Who, and the like, they were also inspired by bands such as Steely Dan as well as the German/British group Lake. However, Ara Pacis created a style of their own when their privately pressed and self-distributed "To the Westcoast" LP was released in 1979. The songs were mainly characterized by two-part guitar riffs by Töns Brautlecht-Deppe and Wolfgang Schiffner, who also were the core songwriters of the band.
The freshly remastered single starts with the title track "To the Westcoast". Due to its sunny and yacht-y vibe it is easily amongst the best and most authentic tunes out of the "Westcoast rock" genre recorded in Germany. With family connections in California, lead singer Töns Brautlecht-Deppe was able to create and capture the feeling of the Pacific sea shore just perfectly.
The single is backed with a revised studio version of "My Fate". Here, lead singer Töns Brautlecht tells his story about getting into playing guitar as a young boy. The track is also featured on the album but the version we present on the 7" vinyl is an unreleased, even quite funky and more powerful take. It was recorded in 1981 at the Rüssl studio in Hamburg where Brautlecht had just started to work as an engineer.
As the "To the Westcoast" LP was released during a time when styles like New Wave, Synth Pop and Punk became popular in Germany and the interest in organic and soulful rock declined, Ara Pacis' debut remained relatively unnoticed until today and even the Krautrock collector's scene does not seem to be fully aware of this hard to find gem yet of which only 1000 copies were originally pressed. The band is still kept in good memory by their fans as a quite legendary live act and although they officially split in 1982, the group still served their fan base with revival concerts in 1990 and 2002 plus a website with full band story and lots of images from the early days.
We hope this single sheds new light on this great band. It is limited to 350 copies and released in a beautiful picture sleeve which shows the original LP artwork.
Tracklist:
A: To The Westcoast
B: My Fate
More
1
Imagination - Jazzgang
2
Imagination - I'm Always Right
3
Imagination - Biting My Time
4
Imagination - Himalaya
5
Imagination - Love Is Genesis
We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe what I heard - not only that the songs were totally different from what I expected, but that they were also very very good! The music wasn't comparable to any other kind of fusion release that I knew of. These five songs were straight forward, tight and soulful electric jazz rock, a combination rarely heard from Germany from that time period."
How come Imagination - at that time a young newcomer band consisting of musicians between 19 and 22 years of age - was able to record at the well-equipped Funkhaus studio of German radio and television? Hövelmann explains: "The WDR got to know us from a newcomer band competition called "Pop am Rhein" (Pop at the Rhine) which was set up to support local bands and was promoted by several bigger newspapers. Imagination was one of the 5 contestants which were picked from 59 bands by a jury of music journalists and our band was invited to play a concert at the Philipshalle in front of about 3500 guests. Although a band called "Accept" won the contest (yes, the heavy metal band that gained international success in the following years!) and Imagination only made 3rd place, we were invited by music host and journalist Wolfgang Neumann to record in a professional studio."
Neumann's broadcasting show at the WDR was called "Rock Studio", and one of his special goals was to help push newcomer bands by giving them airplay. As a side note, Neumann actually compiled a series of three LPs on the Harvest label from 1979-1982, each of them featuring four bands. However, the earlier recordings of Imagination had only been used for broadcasting reasons, they were aired a couple of times but never made it to a vinyl or CD release.
So, on October 10th, 1977, it was time for the band to show up and prove themselves in the studio. The tracks were all recorded in one afternoon, mainly as one takes. In some cases flute, saxophone were overdubbed, as well as the vocals on "Love is Genesis", as Hövelmann remembers.
The first song, "Jazzgang" can probably be seen as Imagination's most characteristic composition out of their early period: heavy bass, saxophone leads and speedy solos by the band members. A genuine, rough, yet funky uptempo jazz rock tune. But it's "I'm Always Right", the second track on the album, that raises the bar as the key track of the release with its 10-minute length. The song starts with a great piano solo by Mario F. Demonte. In fact, "Demonte" was a pseudonym of Ratko Delorko, a classically trained piano virtuoso who is still active today as conductor, composer and performer. At that time, it was simply impossible for him to officially be part in a band like Imagination and hence the alias was invented. Anyway, the speedy intro leads to a very soulful mid-tempo jazz funk groove that offers space and time for the band members to perform a solo. First off is Uwe Ziss with sax and flute combined. The second solo belongs to Willi "Sultan" Hövelmann on electric guitar. For the furious ending the pace is set back to high speed. Delorko serves us with one of the most brilliant uptempo piano solos you may have heard in a while on a jazz record.
The next song stylistically stands out from the rest. "Biting My Time" incorporates a rhythm and blues feel with a 60s soul jazz attitude. The track was composed by Uwe Ziss who leads through the track with aspiring flute solos which feel like an easy summer breeze after the first two rock tinged tunes.
"Himalaya" sees Imagination move away from jazz quite a bit, rather approaching the psychedelic rock genre with a vibe reminiscent of the sound of the early 70s. Again starting with a piano solo by Ratko Delorko the pace is quickly at 150 bpm with the full band laying down an energetic jazz rock sound. Just after a little over one-and-a-half minutes there is a breakdown to a slower tempo with overdubbed mysterious vocals and psyche-y screams which may remind more of the legendary krautrock band Can than what is typically known as "jazz". The mood continues with tense saxophone and guitar solos, just to speed up again towards the end with furious drumming by Andreas Oelschläger.
"Love Is Genesis" concludes the release. It was composed and sung by former bassist Robert Schlickmann. Though most of the band members didn't really like the song at that time it still is a one-of-a-kind soft rock pop ballad which partly reminds of some of the vocal song tracks later to be found on the "Shake It" LP from 1980. The track manifested that Imagination were never really supposed to be solely an instrumental band.
We are now happy to have cleared the exclusive rights for this recording from the WDR and are proud to re-present this amazing collection of songs. It should appeal to fusion, jazz rock and jazz funk aficionados but also to late krautrock collectors. We are also certain that it will also please fans of the "Shake It" album, simply in terms of being such a bright and soulful debut with great music overall.
" VITAL SALES POINTS:
Soulful Jazz Rock album from the WDR Archives. Previously unreleased studios recordings from 1977.
" TRACKLISTS:
Side A
1. Jazzgang
2. I'm Always Right
Side B
1. Biting My Time
2. Himalaya
3. Love Is Genesis
More
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe what I heard - not only that the songs were totally different from what I expected, but that they were also very very good! The music wasn't comparable to any other kind of fusion release that I knew of. These five songs were straight forward, tight and soulful electric jazz rock, a combination rarely heard from Germany from that time period."
How come Imagination - at that time a young newcomer band consisting of musicians between 19 and 22 years of age - was able to record at the well-equipped Funkhaus studio of German radio and television? Hövelmann explains: "The WDR got to know us from a newcomer band competition called "Pop am Rhein" (Pop at the Rhine) which was set up to support local bands and was promoted by several bigger newspapers. Imagination was one of the 5 contestants which were picked from 59 bands by a jury of music journalists and our band was invited to play a concert at the Philipshalle in front of about 3500 guests. Although a band called "Accept" won the contest (yes, the heavy metal band that gained international success in the following years!) and Imagination only made 3rd place, we were invited by music host and journalist Wolfgang Neumann to record in a professional studio."
Neumann's broadcasting show at the WDR was called "Rock Studio", and one of his special goals was to help push newcomer bands by giving them airplay. As a side note, Neumann actually compiled a series of three LPs on the Harvest label from 1979-1982, each of them featuring four bands. However, the earlier recordings of Imagination had only been used for broadcasting reasons, they were aired a couple of times but never made it to a vinyl or CD release.
So, on October 10th, 1977, it was time for the band to show up and prove themselves in the studio. The tracks were all recorded in one afternoon, mainly as one takes. In some cases flute, saxophone were overdubbed, as well as the vocals on "Love is Genesis", as Hövelmann remembers.
The first song, "Jazzgang" can probably be seen as Imagination's most characteristic composition out of their early period: heavy bass, saxophone leads and speedy solos by the band members. A genuine, rough, yet funky uptempo jazz rock tune. But it's "I'm Always Right", the second track on the album, that raises the bar as the key track of the release with its 10-minute length. The song starts with a great piano solo by Mario F. Demonte. In fact, "Demonte" was a pseudonym of Ratko Delorko, a classically trained piano virtuoso who is still active today as conductor, composer and performer. At that time, it was simply impossible for him to officially be part in a band like Imagination and hence the alias was invented. Anyway, the speedy intro leads to a very soulful mid-tempo jazz funk groove that offers space and time for the band members to perform a solo. First off is Uwe Ziss with sax and flute combined. The second solo belongs to Willi "Sultan" Hövelmann on electric guitar. For the furious ending the pace is set back to high speed. Delorko serves us with one of the most brilliant uptempo piano solos you may have heard in a while on a jazz record.
The next song stylistically stands out from the rest. "Biting My Time" incorporates a rhythm and blues feel with a 60s soul jazz attitude. The track was composed by Uwe Ziss who leads through the track with aspiring flute solos which feel like an easy summer breeze after the first two rock tinged tunes.
"Himalaya" sees Imagination move away from jazz quite a bit, rather approaching the psychedelic rock genre with a vibe reminiscent of the sound of the early 70s. Again starting with a piano solo by Ratko Delorko the pace is quickly at 150 bpm with the full band laying down an energetic jazz rock sound. Just after a little over one-and-a-half minutes there is a breakdown to a slower tempo with overdubbed mysterious vocals and psyche-y screams which may remind more of the legendary krautrock band Can than what is typically known as "jazz". The mood continues with tense saxophone and guitar solos, just to speed up again towards the end with furious drumming by Andreas Oelschläger.
"Love Is Genesis" concludes the release. It was composed and sung by former bassist Robert Schlickmann. Though most of the band members didn't really like the song at that time it still is a one-of-a-kind soft rock pop ballad which partly reminds of some of the vocal song tracks later to be found on the "Shake It" LP from 1980. The track manifested that Imagination were never really supposed to be solely an instrumental band.
We are now happy to have cleared the exclusive rights for this recording from the WDR and are proud to re-present this amazing collection of songs. It should appeal to fusion, jazz rock and jazz funk aficionados but also to late krautrock collectors. We are also certain that it will also please fans of the "Shake It" album, simply in terms of being such a bright and soulful debut with great music overall.
" VITAL SALES POINTS:
Soulful Jazz Rock album from the WDR Archives. Previously unreleased studios recordings from 1977.
" TRACKLISTS:
Side A
1. Jazzgang
2. I'm Always Right
Side B
1. Biting My Time
2. Himalaya
3. Love Is Genesis
More
1
Imagination - Strawberry Wine
2
Imagination - Good Advice
3
Imagination - California
4
Imagination - Mornin' Lights
5
Imagination - Can't Stand Without You
6
Imagination - Waitin' For Your Call
7
Imagination - Clouds Flee Before The Wind
8
Imagination - On The Way Out
9
Imagination - Can't Stand Without You (Demo Version)
10
Imagination - Clouds Flee Before The Wind (Demo Version)
11
Imagination - I Want You To Stay (Demo Version)
We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert. Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs. This double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.
" VITAL SALES POINTS:
Remastered 40-Year Anniversary Issue.
Double Vinyl including 3 Bonus Tracks and lyric insert.
" EXTENDED INFO:
We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert.
Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs.
Shake It was the creation of young thoroughbreds working hard on becoming professional musicians, trying to take their next big step in the music business. Starting out as a pure jazz-rock combo in the mid '70s (as we hear on the recently released lost studio tapes, I'm Always Right (The WDR Tapes 1977)) Imagination left behind their instrumental roots, incorporating new musical trends and styles.
Uwe Ziss, their saxophonist and flutist, became one of two lead singers in Imagination. He would be joined by the younger Roger Mork, a student of original guitarist Willi Hövelmann, around 1979. Roger's voice would best be heard on the aforementioned "Mornin' Lights", one of the various standout tracks on Shake It. However, there is much more that this album offers.
There are brilliant soulful soft rock ballads like "Clouds Flee Before The Wind" and "Waitin for your Call" or the catchy "California" song that switches from a dreamy Westcoast sound (as the title implies) to danceable rhythm & blues with equal ease. Last but not least, we have unearthed three unissued bonus cuts. On one, the demo take of "Clouds Flee Before The Wind", we hear, for the first time ever, the original refrain of this song, which, for some strange reason, was taken out from the final mix on Shake It.
When all eight original songs were recorded and mastered in June, at the well-equipped West Aix-La-Chapelle studio, the stage was set for Imagination's long-desired career push. They'd initially press about 2500 copies of Shake It selling it mainly, locally, directly to their hometown fanbase in Düsseldorf. Meanwhile, their manager would attempt to arrange a record deal with a music label. Unfortunately, this became more difficult than expected. Negotiations with a smaller publishing company were made by Imagination, and Shake It was repressed on Nash Records in 1981 without their consent, under the false promises of a nationwide promotional tour which would never come to fruition. At the same time, the group would face a UK band under the same name achieving mainstream success, making it difficult (not to say entirely impossible) to perform as "Imagination". Though the band would remain active after Shake It, they'd split shortly after Nash's duplicitous reissue hit store shelves.
Luckily, through time, Shake It itself has remained worthwhile, creatively, for those who stumbled upon it and financially, too, becoming quite the sought after gem in record collecting circles. This deluxe anniversary double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.
" TRACKLISTS:
Side A
A1 Strawberry Wine 6:25
A2 Good Advice 3:09
A3 California 5:48
Side B
B1 Mornin' Lights 5:10
B2 Can't Stand Without You 9:59
Side C
C1 Waitin' For Your Call 2:19
C2 Clouds Flee Before The Wind 4:12
C3 On The Way Out 4:46
Side D (Vinyl Only Bonus Tracks)
D1 Can't Stand Without You (Demo Version) 6:33
D2 Clouds Flee Before The Wind (Demo Version) 4:53
D3 I Want You To Stay (Demo Version) 7:12
More
" VITAL SALES POINTS:
Remastered 40-Year Anniversary Issue.
Double Vinyl including 3 Bonus Tracks and lyric insert.
" EXTENDED INFO:
We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert.
Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs.
Shake It was the creation of young thoroughbreds working hard on becoming professional musicians, trying to take their next big step in the music business. Starting out as a pure jazz-rock combo in the mid '70s (as we hear on the recently released lost studio tapes, I'm Always Right (The WDR Tapes 1977)) Imagination left behind their instrumental roots, incorporating new musical trends and styles.
Uwe Ziss, their saxophonist and flutist, became one of two lead singers in Imagination. He would be joined by the younger Roger Mork, a student of original guitarist Willi Hövelmann, around 1979. Roger's voice would best be heard on the aforementioned "Mornin' Lights", one of the various standout tracks on Shake It. However, there is much more that this album offers.
There are brilliant soulful soft rock ballads like "Clouds Flee Before The Wind" and "Waitin for your Call" or the catchy "California" song that switches from a dreamy Westcoast sound (as the title implies) to danceable rhythm & blues with equal ease. Last but not least, we have unearthed three unissued bonus cuts. On one, the demo take of "Clouds Flee Before The Wind", we hear, for the first time ever, the original refrain of this song, which, for some strange reason, was taken out from the final mix on Shake It.
When all eight original songs were recorded and mastered in June, at the well-equipped West Aix-La-Chapelle studio, the stage was set for Imagination's long-desired career push. They'd initially press about 2500 copies of Shake It selling it mainly, locally, directly to their hometown fanbase in Düsseldorf. Meanwhile, their manager would attempt to arrange a record deal with a music label. Unfortunately, this became more difficult than expected. Negotiations with a smaller publishing company were made by Imagination, and Shake It was repressed on Nash Records in 1981 without their consent, under the false promises of a nationwide promotional tour which would never come to fruition. At the same time, the group would face a UK band under the same name achieving mainstream success, making it difficult (not to say entirely impossible) to perform as "Imagination". Though the band would remain active after Shake It, they'd split shortly after Nash's duplicitous reissue hit store shelves.
Luckily, through time, Shake It itself has remained worthwhile, creatively, for those who stumbled upon it and financially, too, becoming quite the sought after gem in record collecting circles. This deluxe anniversary double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.
" TRACKLISTS:
Side A
A1 Strawberry Wine 6:25
A2 Good Advice 3:09
A3 California 5:48
Side B
B1 Mornin' Lights 5:10
B2 Can't Stand Without You 9:59
Side C
C1 Waitin' For Your Call 2:19
C2 Clouds Flee Before The Wind 4:12
C3 On The Way Out 4:46
Side D (Vinyl Only Bonus Tracks)
D1 Can't Stand Without You (Demo Version) 6:33
D2 Clouds Flee Before The Wind (Demo Version) 4:53
D3 I Want You To Stay (Demo Version) 7:12
More
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Rights : World excluding France, UK & US
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
1
Leo Basel - Quelle Drôle De Vie (Nick the Record & Dan Tyler Re-Edit)
2
Love Isaacs - Surprise Surprise (João Gomes & Dan Tyler Are Predictably Delayed Rework)
3
Rick Asikpo and Afro Fusion - Let’s Get High (Nick the Record Re-Edit) [12 Minute Version]
One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
1
Maximum Joy - White & Green Place (extra-terrestrial mix)
2
Maximum Joy - Stretch (7” version)
3
Maximum Joy - Do It Today (Touchdown version)
4
Maximum Joy - Building Bridges/Building Dub (12” version)
5
Maximum Joy - Searching For A Feeling
Fully licensed and ltd to 1000 copies ! Reissued on vinyl for the first time the Maximum Joy's "White & Green Place extra-terrestrial mix" 12” single - with 3 bonus tracks – originally released in 1982 on Y Records. " We’re excited for this new vinyl reissue of White & Green Place extra-terrestrial 12” single with additional tracks specially compiled for your dancing feet! Maximum Joy tunes to make you move! With new artwork and previously unpublished pictures of the band by David Corio
Tracklist:
Side A
White & Green Place (extra-terrestrial mix) 5:33
Stretch (7” version) 3:54
Do It Today (Touchdown version) 4:43
Side B
Building Bridges/Building Dub (12” version) 6:15
Searching For A Feeling 4:28 More
Tracklist:
Side A
White & Green Place (extra-terrestrial mix) 5:33
Stretch (7” version) 3:54
Do It Today (Touchdown version) 4:43
Side B
Building Bridges/Building Dub (12” version) 6:15
Searching For A Feeling 4:28 More
After the big success of our first EDIT SERIES with German chief DELFONIC, Nómada Records feels like doing a new edit series in order to keep paying a homage to the roots of HOUSE MUSIC. Nómada Records joins forces again with Marcus Lindner a.k.a DELFONIC to present DELFONIC EDITS Pt. II where genres such as Disco, Afro, Funk, and Boogie are the strong dish. As we know DELFONIC has created and managed plenty of labels and released music on well known labels such as Money $ex Records, Razor`N Tape, Illegal Jazz and Toy Tonics.
DELFONIC EDITS is a four track EP which opens with “Don’t Stop Dancing” a 70’s fresh dance track with a infectious pecussion, strong strings, warm synths and powerful vocals followed by “Into The Stars” a brazilian bombshell where boogie and funk match perfectly. Perfect track for chilin and start the night. The B-Side is a homage to afro funk and dance scene “Let The Music Take Control” a 70’s eclectic dance turned into an infectious deep mood dj that will make you dance all night long. and last but no least the release close with “Into The Galaxy” it’s an edit of one of the funkiest track ever made by rare disco rock band “WAR”. More
DELFONIC EDITS is a four track EP which opens with “Don’t Stop Dancing” a 70’s fresh dance track with a infectious pecussion, strong strings, warm synths and powerful vocals followed by “Into The Stars” a brazilian bombshell where boogie and funk match perfectly. Perfect track for chilin and start the night. The B-Side is a homage to afro funk and dance scene “Let The Music Take Control” a 70’s eclectic dance turned into an infectious deep mood dj that will make you dance all night long. and last but no least the release close with “Into The Galaxy” it’s an edit of one of the funkiest track ever made by rare disco rock band “WAR”. More
1
Mr. Fingers - Outer Acid
2
Mr. Fingers - Qwazars
3
Mr. Fingers - Nodyahead
4
Mr. Fingers - Aether
Repress!
Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bouce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours... More
Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bouce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours... More
1
Hermon Mehari / Cheick Tidiane Seck - Hermon Mehari - Tenafaqit (Danilo Plessow remix) (7:32)
2
Hermon Mehari / Cheick Tidiane Seck - Cheick Tidiane Seck - Motherless Child (Angel Bat Dawid Mothersip Child Sankof
We're happy to share with you our first ever remixes on the Komos label.
ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
More
ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
More
1
The Boogie Man / Sipho Gumede - Jika Jika
2
The Boogie Man / Sipho Gumede - Jika Jika (The Odd Bits)
NON EXCLUSIVE - Territory : World Excluding UK
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits) More
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits) More
1
Donato Dozzy - messy kafka world 05:21
2
Donato Dozzy - synthi chase 05:15
3
Donato Dozzy - wooden dolls don’t cry 06:13
4
Donato Dozzy - cassiopea 36 06:30
2024 Repress
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
1
M.A.N.D.Y. vs Booka Shade feat. Laurie A - A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
2
M.A.N.D.Y. vs Booka Shade feat. Laurie A - A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix
3
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
4
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-
12" - 2024 Limited Re Editiion in "Superman" Red Vinyl and Yellow Label
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn. More
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn. More
1
Another Channel - Run Dub
2
Another Channel - Amir Dub
3
Another Channel - (Yes!) Badness
4
Another Channel - Ael Na Dub
5
Another Channel - Solid
6
Another Channel - Ethiopian Dub
7
Another Channel - Uranus
8
Another Channel - Run (Babe Roots remix)
Tracklisting
A1 Another Channel - Run Dub
A2 Another Channel - Amir Dub
A3 Another Channel - (Yes!) Badness
A4 Another Channel - Ael Na Dub
B1 Another Channel - Solid
B2 Another Channel - Ethiopian Dub
B3 Another Channel - Uranus
B4 Another Channel - Run (Babe Roots remix)
Sales Note
- 2024 orange vinyl repress -
Pure, distilled Dub. Upholding Jamaica's legacy as well as Germany's unequivocally influential Dub Techno spirit, Moonshine Recordings proudly welcomes their next addition to the roster. On the controls for the 9th full-length album release, a true-to-the-roots, all-analogue musician: Another Channel. Having put himself on the map with releases on Soukah's Blacksoil Records, Bristol's Transient Audio as well as on Australian imprint Modern Hypnosis, it's now time for the album release, we've all been waiting for. No computer involved as impeccable arrangements and analogue reverberations unfold. Live and direct in the original Dub mixing fashion, the Augsburg-based artist uniquely transports the sonic characteristics of Rhythm & Sound into the
present time.
Subtle vinyl crackles gently introducing meditative beats, 'Run Dub' sets the pace. Keen listeners find themselves embedded in lively echoes and reverbs, left to bask in smooth, sonic contemplation. Engineered to soothe the soul, timeless foundation sound. Intensified groove meets low-frequency pressure in 'Amir Dub' among haunting melodica fragments. '(Yes!) Badness' unsheathes its off-kilter swing, vocal and foley samples musing in the distance - further showcasing Another Channel's technical prowess. Heavy chord stabs and delicate overdrive counterpoint the immense scope of conjured space in 'Ael Na Dub', concluding a beautiful A-Side.
Lush chords lure us to the flip-side - 'Solid' kicks off with a staccato bass-line in the midst of lavish white noise surges and minimal drums. Rooted in endless feedback trails, steadily kept in check. Previously teased, the mighty 'Ethiopian Dub' steps through in full glory, carried by militant drum motion and forceful low-end. On a more spacious excursion, 'Uranus' takes a brightly lit stroll through the analogue Dub universe, led on by Another Channel's signature groove propulsion. Pointing back towards A-Side, prolific Dub proponent Babe Roots presents his musical qualities in a monumental remix of 'Run'. More
A1 Another Channel - Run Dub
A2 Another Channel - Amir Dub
A3 Another Channel - (Yes!) Badness
A4 Another Channel - Ael Na Dub
B1 Another Channel - Solid
B2 Another Channel - Ethiopian Dub
B3 Another Channel - Uranus
B4 Another Channel - Run (Babe Roots remix)
Sales Note
- 2024 orange vinyl repress -
Pure, distilled Dub. Upholding Jamaica's legacy as well as Germany's unequivocally influential Dub Techno spirit, Moonshine Recordings proudly welcomes their next addition to the roster. On the controls for the 9th full-length album release, a true-to-the-roots, all-analogue musician: Another Channel. Having put himself on the map with releases on Soukah's Blacksoil Records, Bristol's Transient Audio as well as on Australian imprint Modern Hypnosis, it's now time for the album release, we've all been waiting for. No computer involved as impeccable arrangements and analogue reverberations unfold. Live and direct in the original Dub mixing fashion, the Augsburg-based artist uniquely transports the sonic characteristics of Rhythm & Sound into the
present time.
Subtle vinyl crackles gently introducing meditative beats, 'Run Dub' sets the pace. Keen listeners find themselves embedded in lively echoes and reverbs, left to bask in smooth, sonic contemplation. Engineered to soothe the soul, timeless foundation sound. Intensified groove meets low-frequency pressure in 'Amir Dub' among haunting melodica fragments. '(Yes!) Badness' unsheathes its off-kilter swing, vocal and foley samples musing in the distance - further showcasing Another Channel's technical prowess. Heavy chord stabs and delicate overdrive counterpoint the immense scope of conjured space in 'Ael Na Dub', concluding a beautiful A-Side.
Lush chords lure us to the flip-side - 'Solid' kicks off with a staccato bass-line in the midst of lavish white noise surges and minimal drums. Rooted in endless feedback trails, steadily kept in check. Previously teased, the mighty 'Ethiopian Dub' steps through in full glory, carried by militant drum motion and forceful low-end. On a more spacious excursion, 'Uranus' takes a brightly lit stroll through the analogue Dub universe, led on by Another Channel's signature groove propulsion. Pointing back towards A-Side, prolific Dub proponent Babe Roots presents his musical qualities in a monumental remix of 'Run'. More
1
System Olympia - Lamb
2
System Olympia - Close To My Nebula
3
System Olympia - Call Girl
4
System Olympia - Mystified
5
System Olympia - Falling In Love
6
System Olympia - My Lincoln
7
System Olympia - Jade Stones
8
System Olympia - Night Rise
9
System Olympia - Scandalous
All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
More
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
More
1
ENERGY 52 - Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
2
ENERGY 52 - Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
3
ENERGY 52 - Café Del Mar (Nalin & Kane Remix)
4
ENERGY 52 - Café Del Mar (Deadmau5 Remix)
5
ENERGY 52 - Café Del Mar (Tale Of Us Renaissance Remix)
6
ENERGY 52 - Café Del Mar (Paul van Dyk’s XOXO Remix)
7
ENERGY 52 - Café Del Mar (Orbital Remix)
8
ENERGY 52 - Café Del Mar (Michael Mayer Remix)
9
ENERGY 52 - Cafe Del Mar (Amirali Extended Remix)
10
ENERGY 52 - Cafe Del Mar (REZarin Extended Remix)
Limited Edition, includes
- 4 x 12” with full cover artwork
- exclusive Bonus-10” with new remixes from Amirali and REZarin
- printed Energy 52 biography leaflet
- handnumbered
GENRE/S:
Progressive House, Techno, Trance, Breaks
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
C. Café Del Mar (Nalin & Kane Remix)
D. Café Del Mar (Deadmau5 Remix)
E. Café Del Mar (Tale Of Us Renaissance Remix)
F. Café Del Mar (Paul van Dyk’s XOXO Remix)
G. Café Del Mar (Orbital Remix)
H. Café Del Mar (Michael Mayer Remix)
I. Cafe Del Mar (Amirali Extended Remix)
J. Cafe Del Mar (REZarin Extended Remix)
SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Superstition Records appreciates the 30th anniversary of the legendary track with a limited box set release consisting of four 12”es and an exclusive Bonus-10”.
The original version (DJ Kid Paul Mix) and the Three ‘N One remix appear in remastered, vinyl only versions alongside new classic remixes from Nalin & Kane, deadmau5 and Tale Of Us. The newer remixes include Paul Van Dyk’s XOXO remix as well as reworks from Orbital and Michael Mayer. The package also includes a Bonus-10” featuring new, exclusive remixes from UK producer Amirali and Latvian DJ REZarin.
More
- 4 x 12” with full cover artwork
- exclusive Bonus-10” with new remixes from Amirali and REZarin
- printed Energy 52 biography leaflet
- handnumbered
GENRE/S:
Progressive House, Techno, Trance, Breaks
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
C. Café Del Mar (Nalin & Kane Remix)
D. Café Del Mar (Deadmau5 Remix)
E. Café Del Mar (Tale Of Us Renaissance Remix)
F. Café Del Mar (Paul van Dyk’s XOXO Remix)
G. Café Del Mar (Orbital Remix)
H. Café Del Mar (Michael Mayer Remix)
I. Cafe Del Mar (Amirali Extended Remix)
J. Cafe Del Mar (REZarin Extended Remix)
SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Superstition Records appreciates the 30th anniversary of the legendary track with a limited box set release consisting of four 12”es and an exclusive Bonus-10”.
The original version (DJ Kid Paul Mix) and the Three ‘N One remix appear in remastered, vinyl only versions alongside new classic remixes from Nalin & Kane, deadmau5 and Tale Of Us. The newer remixes include Paul Van Dyk’s XOXO remix as well as reworks from Orbital and Michael Mayer. The package also includes a Bonus-10” featuring new, exclusive remixes from UK producer Amirali and Latvian DJ REZarin.
More