The next EP on Raum Musik is coming from our dear friend Jorge Savoretti. Jorge is hailing from Argentina and is one of the main artists in his country besides Franco Cinelli. We have been following Jorge’s work for quite a while and now it was the right match as for our label. We are very happy about this release and we hope that you enjoy the tracks as much as we do. More

The second release on Hibit Records is from accomplished argentinian artist Jorge Savoretti. He comes with 4 original tracks reminding of his quality and diversity. More

Flanging hats and delicate 808 rim shots lead the way in opening tack ‘Hypsi’, whilst a tight sub line, dubbed out atmospherics and hypnotic female vocals further intensify the composition. A visceral bass then meanders through ‘Meoui’, intertwined with spectral chords and infectious synth lines, all formed within a crisp drum workout. Next up, glistening percussive hits and spiralling synths join forces with mesmeric effects and a subtle organic groove in the minimally inclined ‘Miamaia’ before Jorge then joins forces with fellow Argentinian Cape in the stripped back ‘Soulvor’. Utilising pulsating subs and shuffling rhythms to create a framework for dissipating samples, subdued harmonies and earworm sonics to roam within. More

Early September will see Jorge Savoretti release his ‘River Plate’ EP via Visionquest’s Special Edition imprint, comprising three original compositions from the Argentinian artist.
Having been involved in electronic music as a DJ for over two decades now Jorge Savoretti is firmly cemented as one of the Argentina’s finest electronic music exports, starting from his humble beginnings in Rosario he has gone on to release material with Esperanza, Claque Musique and igloo-rec as well as touring the globe throughout.
Here we see Jorge mark his debut for the Visionquest Special Edition imprint with a new three- tracker and taking the lead is title track ‘River Plate’, radiantly showcasing Savoretti’s dub-infused percussive led style with choppy swinging drums, ethereal pad swells a snaking sub groove and dub chords which ebb and flow throughout.
Following is ‘Parana High’ which takes a more refined, low-slung approach via soft chord flutters, bright stab sequences and bumpy sub hits while a shuffled percussive drive further fuels the groove. Last up to complete the package is ‘U-Fonk’ which delves into darker territories with mind- bending glitch synths, robust rhythms and a vacillating bass lead running throughout its six minute duration. Jorge Savoretti’s ‘River Plate’ EP is out on Visionquest Special Edition 2nd September 2016. More

Limited Copies - Supported by: Mr. G, D'julz, Norm Talley, Eddie Richards and many more! Jorge Savoretti delivers an array of intuitive cuts in his debut album ‘Triskelion’ this summer, the first album to land on his vinyl label Savor Music. Born and raised in Argentina, Savoretti began DJing at a young age and quickly picked up an accomplished residency at El So´tano as a teenager. Before long Savoretti got involved in the studio, dropping his debut release ‘Frozen’ on Argentine label Igloo to inaugurate a discography now boasting Oslo, Drumma, Esperanza, Lawler’s VIVa Music and Hawtin’s M- nus. 2011 saw him launch Savor Music, a vinyl imprint that has so far hosted the likes of Felipe Valenzuela, Martinez, Franco Cinelli as well as fellow founder Cape. “Triskelion is an album composed of different musical landscapes based on diverse influences that I have had since first listening to underground house/techno in Argentina in the 90s” says Savoretti on the album. “It's what I've experienced throughout my 'techno' history reflected in the present and also a new starting point of what's coming up in the future - European/American influences touched by Latin feelings.” These eclectic landscapes are vivid from the off as Savoretti instigates his album with a downtempo cut named ‘Minigang Love’ before following a dubby direction in ‘Chrystalis’. He then injects purring basslines and a dose of rhythm in the likes of ‘Jardin Av’ and ‘Lovejack’ until spectral synths and heady grooves appear in ‘Souljack’ and ‘Silb Ando’. ‘Cuban Dreams’ focuses on a stripped back approach with its subtle rimshot and tantalising hook, before ethereal house appears in the form of ‘Revolution’ to later be joined by an innovative display of synths in ‘Simple Acid’. Atmospherics and otherworldly pads are the focal point in ‘Song For Konamita’, whilst title track ‘Triskelion’ saunters along gently, until ‘Aurora Borealis’ concludes the album with a cinematic crescendo.
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ordan Peak's fledgling Rogue Society imprint hits it's second release in February with 'Super Flavor'/'Bassuka' from Jorge Savoretti featuring remixes from John Daly and Dan Curtin. Rogue Society kicked off late 2013 with a release from Peak which garnered support from Ryan Elliott, Kirk Degiorgio, Norm Talley, Radio Slave and Neville Watson and the London-based artist has recently continued his run of form with an outstanding release for D'Julz's Bass Culture imprint. For RS002 Peak hands the reins to Argentinian producer Jorge Savoretti, a producer adept at turning in infectious house for the likes of Esperanza and Hometown, who delivers two original cuts. ‘Super Flavor' is vintage Savoretti - employing a simple tight groove and filtered vocal to significant rolling effect while 'Bassuka' is a more manic, technoid cut which rolls atop a rich Juno bassline.
Ireland's John Daly, no stranger to quality imprints himself, drops a rousing stab driven version of 'Super Flavor' which is unadulterated throw down, floor shaking deep house in the true meaning of the word. Dan Curtin, a label-mate of Peak on Bass Culture, delivers the remix of 'Bassuka' and takes it down a stringladen, classic house path like only he can. Showing off his experience and innate understanding of balance in production, Curtin's version is a master class in emotive restraint. Curtin returns for the digital exclusive 'Chord Ambush' remix of 'Bassuka' which revels in loose, tribal rhythms and an acid bassline.
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Following dancefloor burners from Esperanza's Papol and Lucas Mari, respectively served with remixes by Ekkohaus and G-Man, Savor finally turns to label numero-uno Jorge Savoretti for an unabridged EP. Today's 5-course menu doesn't hold any flavors back and digs right into the action with "Chicagotriptool". Those following Jorge Savoretti and his fellow DJs have probably heard this dropped many times over the last few years. Finally pressed on wax, its bassline is a serious lethal weapon. "That Ride" is offered in two variants: the DJ-friendly Dub Mix, cut on the A2, and the Vocal Mix - featuring Sophie Taylor's diva timbre, included on the record's digital sib. Those who have followed our releases so far were able to identify a constant acid tang developed throughout - "Back To Basics" passes this on, with its feverish synth-lines. Crowning these lavish festivities, Argentine techno veteran and original Urban Groove member, Sr. Replicante applies his reduced signature sound for a distinguished and sublte finish on the B2
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First up in D’Julz’s ‘The School of Night’ EP on his Bass Culture label is ‘Nu Bass’, a fresh and upbeat house sound with kinetic percussion and well-swung drums. Steamy vocal coos and deft synth stabs build a compelling future vibe before ‘Spooky Electrik’ comes in with more punchy but deep house sound. Dancing hi-hats pepper the groove along with curious little synth motifs, bringing a cosmic feel while the all-important bassline powers things forward. D’Julz’s knack for cooking up killer grooves is evident again on ‘Money, Honey, Monday?’ which is jacked up and percussive but also hugely seductive, with the smeared vocals and warming pads keeping things classy and soulful. Last of all, ‘Triperie’ is more menacing and stripped back – a paranoid lead synth roams about the mix as the crisp drums rise and fall in a fashion that will get floors marching late into the night.

Happy to welcome a new D’Julz release from Bass Culture family ! More

D’Julz’s Bass Culture Records signs up ZKY for four exceptional deep house cuts.

ZKY’s ‘New Standards’ EP on Bass Culture opens up with ‘Zycho’, a lithe house sound with wispy pads that bring cosmic colour to its dynamic groove. It’s endlessly on the move and ramps up the tension with tripped-out chord movements. The fantastic ‘Floating Phonk’ then slows things down via funky loops and sprinkles of organic percussion. Filtered, cut-up vocal samples enter the mix next to smudged pads, adding warmth to ice-cold beats and otherworldly vocal murmurs.

‘Sonar Train’ showcases ZKY’s machine mastery, continuing his ‘New Standards’ EP on Bass Culture with grounded drum sounds accompanied by infectious synth work, making for a track set to light up any dance floor. ‘Feeling’ rounds out the release with muted chords and crawling, soft acid bass, swinging drum grooves getting things moving in this timeless new outing on D’Julz’s Bass Culture.

Co-founder of Cabinet Records and running his own Ground Service Records, ZKY has been in the thick of the scene since the 90s, putting out an array of sounds across the house, minimal and tech spectrum as one half of Cab Drivers, and under aliases including Horseshoe, Warten Borgmann, Compass and more. More

Bass Culture Records is excited to welcome a new family member, Velvet Velour.

The Bristol producer is already known for the brilliant music he has released in the past on some key labels and collectives in the underground scene like Butter Side Up, MINDHELMET, Small Hours and Lisbon based Welt Discos.

This debut EP on BC is packed with energy and uplifting feels that will keep you on the dancefloor with a smile on your face. More

In the beginning of last year D’Julz relaunched his Bass Culture label with EST 1992 E.P.

Due to its success and to celebrate the start of this new year we thought it would be a great idea to ask some of D’Julz ’s favorite artists to remix a track of this EP.

Janeret, Huerta, Jorge Savoretti and the legendary Francesco Farfa all brought their A game doing so and we couldn’t be happier with the quality and diversity of the result! More

After his very successfull Moment E.P released on Bass Culture Limited , we are extremely happy to welcome back DJ Honesty on the label with a new release full of funkyness ,breakbeats and classy deepness. More over our friend Brawther graced us with one of his rare remix to complete a very strong package More

After deilvering a huge bomb for the 10 years anniversary of Bass Culture Records , Franco Cinelli finaly retuns back on the label with a long awaited E.P.The Argentinian maestro has been releasing music on Bass culture since almost a decade so it’s great pleasure to weclome him back home with this righly titled Get Bac E.P More

Boss himself on Bass Culture remixed by Point G., Carl Finlow & Mifnight special ! Huge ! More

10 Years Of Bass Culture: Part 3
The third and final part of Bass Culture’s 10th anniversary package is here and we end on a high with two of the label’s brothers alongside the bossman himself, D’Julz. Also contributing to this milestone celebration are Leo Pol and Mr. G. For 10 years Bass Culture has maintained the highest standards when it comes to house and techno, releasing some seminal productions and becoming a go-to label for many of the scene’s true connoisseurs. This final installment of the 10 Years Of Bass Culture series keeps the quality as high as ever...
D’Julz leads the way with ‘Synchronicity’ a smooth groove that wraps you up in its smoky atmosphere. Once it gets rolling a mystical, flute-driven riff drifts in, evoking Middle Eastern rhythms as it dances above the seductive bassline. Subtle percussive elements shimmy and slide around the main break loop, keeping the energy levels on point. Magnifique!
Leo Pol steps up next with ‘Established 1991’. As the title suggests this cut has a retro-leaning outlook, conjuring up images of a warehouse rave on the outskirts of Paris in the early nineties. A deep bassline works alongside soft pads and strings with a stripped back drum arrangement. The beats really kick in just after the two minute mark, with the kicks and claps adding a dynamic layer to this simmering cut.
Last, but certainly not least, the right honourable Mr. G steps up with ‘Now Is The Time!’. As you might expect, the production and energy on this cut are utterly compelling. A moody start is peppered with a classic reggae sample as the tension slowly builds. Mr. G takes a considered approach, keep it dark and deadly without overcooking any of the elements, the brooding vibe simmering away from start to end. A masterclass and a perfect way to close the EP...


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Unveiling the second installment from Bass Culture’s 10th anniversary package. Over the past decade D’Julz has established Bass Culture as one of the most respected outlets for authentic house and techno, focused squarely on the underground, designed to work the floor and give your body, mind and soul a large dose of bass-driven groove. Across three EPs, the label is unleashing fresh new music from an all-star cast of core family members - artists who have been part of the label’s success from the very early days, up until now. On Part Two we kick off with ‘Haze 1997’ by Mark Ambrose. With rugged, tribal-esque beats at its foundation this cut is taking no prisoners. Soon, a heinous bassline rolls in giving this one its fierce character. Cosmic pads drift in, with chirps and chimes that balance out the thick low end frequencies. Next up is Lady Blacktronika with ‘Congrats Bitch’, a typically bouncy production with skippy percussion and a seriously gnarly bassline. This one will send tremors through the dance floor. Add in the wistful analogue stabs that punctuate the top end and you’ve got a potent weapon to work the clubs with…On the flip side Alex Picone steps up with a contemplative yet punchy cut entitled ‘Melting Moon’. This is a soulful, groovy little number that will have your hips slinking from side to side, as it captivates your mind with its glistening effects and smooth b-line. Alex gives this one a touch of class, as only he can. Lastly, Chicago bossman DJ Skull delivers a funky cut to close the EP. ‘Mood’ blends jazz, funk and soul with the core foundations of real house music to create a wonderfully energetic track full of sexy, sassy vibes. The soundtrack to hot late night loving.... Stay tuned for Part Three... More

It’s a big one for Bass Culture this year as the label celebrates its 10th anniversary. Over the last decade D’Julz has established his label as one of the most respected undergroundhouse and techno platforms around. A go-to label for connoisseurs and a home for some of the scene’s most renowned artists Bass Culture has never wavered from its high standards.To celebrate the 10th anniversary D’Julz has curated a three-part compilation, gathering fresh cuts from core members of the Bass Culture family for the special edition series. Franco Cinelli gets things started with a cosmic bass odyssey aptly-titled ‘BC’. He combines a punchy beats with a heavy, groovy low end to create a propulsive energy. It has a retroaesthetic with the main riff transporting you back to the early nineties. A breakdown close to the end allows for a slight breather before the track closes in a similar vein. Next up John Jastszebski brings us ‘Wonder’, a smooth deep house cut with mesmerising pads and crisp percussion. The vibe slowly grows and evolves until we enter the main bodyof the track, which has a potency that juxtaposes the soft pads perfectly. A lush, potent cut to send floating into infinity…Finally Sebo K steps up with ‘The Scene’ a crisp, techy track with a heady atmosphere andhypnotic b-line. This one will wrap you up in its mystical vibe, keeping your body moving and your mind elevated to a higher plane.It begins, 10 Years of Bass Culture… Look out for the next installments. More

If anyone epitomises the Bass Culture ethos it’score family member Mr. G. An artistwho’s been representing with his undisputed championship styles fromday one, Mr. G is widely acknowledged across the world as a fearsomeproducer and an outstanding performer. More

As we move into 2019, the captain of the good ship Bass Culture steers the label to its latest release with D’Julz delivering a hot new three­track EP. The seasoned Parisian maestro channels his years of experience into this new release, with a polished collection of tracks, all centred on the dance floor with subtle, yet persuasive production across all three cuts. As you may expect from D’Julz and Bass Culture, there is plenty of depth, energy and low end to keep those hips swinging and heads nodding… On side A things get off to a bouncy start with ‘Lemon Juice’, a funky little number with lively drum programming and a very spirited bassline. Quite minimal in its production, this cut uses its relative simplicity to grab you and keep you hypnotised until the very end. Flip the record over and side B starts with ‘Wrecka Stow’ taking us on a dark side ride. D’Julz kicks off side B in style with this driving techy cut. A simmering energy pervades throughout as he gently builds the tension, working from a spellbinding riff that repeats over and over. Occasional dips and rises in the energy create electrifying moments, as this rolls out with a deadly rhythm. Lastly, there’s ‘Singularity’, a sombre dance into the wilderness. This dreamy, mellow cut is pushed along by softened breaks and a subdued bassline. D’Julz tantalises our emotions with wistful atmospherics that send chills down your spine as you venture ever deeper into he misty realms of the eerie world he has created. A fitting end to the EP.... There we have it, D’Julz returns to his beloved label with a formidable new collection of tracks. Genial! More

Chicago pioneer DJ Skull steps up for the latest Bass Culture release bringing that original energy as only a native of the Windy City can do. After remixing ‘Houdini’ by D’Julz earlier this year it’s an honour to welcome DJ Skull back to the label for his debut EP. Skull’s depth of experience dates back the mideighties when he began to play house music when he was just 10 years old. Fast forward to 2018 and he’s still deeply involved with the music, keeping the passion alive and traveling across the world to spread the house music gospel. On this threetrack EP he brings the funk, undiluted and fresh with chunky bass, crisp beats and hints of acid coming through.On the Aside we have ‘Powered Funk’, a delightful cut with a laid back groove and a contagious rhythm that gets under your skin immediately. The beats skip along with precision, keeping the energy levels high while the low end keeps your hips swinging and head nodding. The main melody is uplifting and evolves into a symphony of positive vibrations. Flip the record over and side B kicks off with ‘Bopping’, a pianoled jam with the keys working in tandem with the gentle flutter of a flute and a jazzy double bass providing the heart and soul of the cut. Skull rolls this one out masterfully, with gentle progression and non stop energy throughout. Finally, we have the aptlynamed ‘Aseed’, a 303inspired track which uses that infamous acidsound to great effect. The low end rumbles along purposefully, with crisp 4x4 beats pushing things forward and that irresistable acid riff inducing the listener into a state of hypnosis. A great all round EP from a man whose years in the game make him a force to be reckoned
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Bass Culture welcomes Frenchman Leo Pol to the fold for this fresh new four-tracker full of analogue vibes. Leo’s penchant for synthesisers and the warmth of his beloved machines is evident throughout this new release, with a retro soul spliced with modern sensibilities and, of course, visions of the future. Things get off to an energetic start with ‘Caliente’, a track that combines a killer main riff, scintillating pads and steam-powered percussion to really get those feet moving. This is followed by ‘Fnc Burning’, which totally slips the script with its off-kilter rhythm and UK-influenced breakbeat-esque sound. Get ready for a sublime breakdown, with more UK rave stylings in the second half… fresh!On the flip side we get ‘Dark Outside, which harks back to the early days of post-electro Detroit. Those formative years when masters like Juan Atkins were the soundtrack of Motor City… from the hushed, silky vocal to the cosmic bleeps, this is a homage to the ghosts of techno’s past, with a contemporary sheen.Finally, we finish up with ‘Techyes No!’, a dark, marauding stomper with a menacing atmosphere and spinetingling strings to really amplify the eerie feeling that pervades throughout. A diverse, yet cohesive collection of killer cuts from the young master Leo Pol and another superb Bass Culture release. Only the finest from D’Julz’s excellent label…

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A UK techno powerhouse returns to Bass Culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from D’Julz’s respected label. Ben Sims appears under his Ron Bacardi alias with a follow up to 2015’s debut release, ‘Rock Your Body/First Effort’. Much like the first EP, Sims’ new release is fired up and ready to deliver its potent energy to the dance floors of the world.On the A side we’re met with ‘Windy City’, which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. This is followed by ‘Ready For Action’ a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.

The flipside continues in a similar vein as ‘One Left In The Chamber’ brings a smooth vibe, though with the emphasis still on the percussive side of things. Sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. The last track is a ‘Beats Mix’ of ‘Ready For Action’, highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. This is music par excellence from an artist who is a consummate professional, enjoy!

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It’s time for the next release on long-running Paris label Bass Culture and owner D’Julz has invited a crack team of talented individuals to deliver the magic to this latest instalment in the label’s release schedule. This extra special remix package features contributions from the legendary DJ Skull, along with Sebo K, Henrik Bergqvist and Romanian MP. The bossman’s own 2015 EP ‘Houdini’ is the subject of this exquisite bunch of reworks, giving the whole release a fresh lick of paint from a group of artists handpicked by D’Julz to get to work on his productions. The title track ‘Houdini’ is first in line, with the mighty DJ Skull on remix duty. The Chi-town legend has been a favourite of D’Julz since the early nineties when he was releasing on labels such as Djax-Up-Beats. The funk-imbued workout he creates from the original production is superb and a testament to someone who has been involved in music for three decades and still going strong. Keeping DJ Skull’s remix company on the A-side is Sebo K with his take on ‘Serendipity’. Following on from his outstanding EP ‘Brock Wild’, Sebo returns to Bass Culture with another taught dance floor cut, full of swing and groove, pushed along with a strong, insistent energy. On the flipside the deep sultry flavours continue to bubble up. Two more dynamic artists bring their unique touch to Bass Culture and the first is the Romanian wonderkid MP (Mihai Popescu), who has previously released on the sub-label Bass Culture Limited. His reinterpretation of ‘Serendipity’ is deep, nuanced and quirky with a simmering atmosphere throughout.Last but certainly not least is the Swedish maestro Henrik Bergqvist. ‘Waiting 4 Visa’ gets a kick in its step, with mysterious cosmic FX layered over a mesmerising bassline and a collection of bleeps and chirps that really bring the remix to life. And there it is, four superb new mixes of three great tracks… enjoy!

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nights get ever colder. The label owned by Paris stalwart D’Julz welcomes back an old friend in Anonym, the man responsible for BCR006 and BCR021 returns for a four-track outing which includes a remix from Orlando Voorn. Sultry atmospherics and masterful production are evident throughout this crisp new addition to the Bass Culture catalogue, another instant classic from the Detroit badboy Anonym.The first of the four tracks on this EP goes by the name of ‘Castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. As a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. Simple and highly effective, its progression is subtle and invigorating. Right after that we have Dutch supremo Orlando Voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. The atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. Flip the record over and there are two more killer cuts. First we have ‘Doin It To Ya Body’, which keeps things minimal and straight to the point. Bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. Lastly, ‘Wara Coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. It’s an strong combination and finishes off the EP in style.

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Bass Culture welcomes another industry heavyweight to its roster of talent with this new release, which follows hot on the heels of the killer 50th release by Mr. G. This latest release comes from long time friend of Bass Culture owner D’Julz and Dutch techno hero Steve Rachmad. Steve is renowned for his funky take on techno, honing his skills as a DJ and producer over 25 years and establishing himself as a respected and hugely talented artist in the process. The first of two tracks on this new EP is entitled ‘Sabre Song’ - a stomping, illuminating cut straight out of the Rachmad school of Detroit-influenced techno. D’Julz heard Steve play the track at Womb in Tokyo and had to sign it on the spot. ‘Sabre Song’ is a perfect fit for Bass Culture with its groovy bassline, cutting hats and ‘big band’ instrumentation. On the flip D’Julz himself contributes an edit of one of Steve’s nineties classic, a favourite of his and one which both men agreed should be given a release. Pumping out at a speedy tempo, the force is strong with ‘Activa’, transporting us back to the rave era with its catchy melody, and retro physique. Summer vibes all the way with this one. More