FORMAT 150 signed copies, vinyl only with special lenticular print, NO repress

VAGUELY RELATED TO Coil, Talaboman, Vox Populi, Carl Craig

TRACKLIST:
A1. Hippo Dance (Re-enchanted Mix)
A2. Gibbon Trance (There’s Water In My Boots Mix)
B1. Kepler-39 (Late Night Pond Mix)
B2. Blood Garden (Capitalocene Mix)


RELEASE INFO:
This is an appetizer : 4 “club” mixes of new tracks from Joakim’s forthcoming album Second Nature,
all re-mixed by the man himself, navigating between hypnotic Techno, trance-inducing Downtempo
and percussive New Beat.
This is probably Joakim’s most ambitious project so far. An album about our relationship to Nature to
make it short or how Western civilization disconnected Nature from Culture. Every song was born
using field recordings as a basis canvas, the sounds of Nature are the lead voice here. A nature that
is transformed, sublimized, questioning our ideas of what’s artificial, what’s the wilderness, the place
of humans in the age of the Anthropocene and painting a psychedelic landscape to open our ears and
our hearts.
The artwork features a lenticular print (2 images in 1) showing Naruto, a monkey who took a selfie
using a photographer’s camera who later tried to claim the copyright of that image. That claim raised
questions whether copyright can be extended to “non-humans” and was ultimately rejected by the
U.S. Copyright Office who specifically listed 'a photograph taken by a monkey' as an example of an
item that cannot be copyrighted.

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Mini Album

Tracklist:

A1 – Lonely Stone
A2 – Dog Days
A3 – Born Again Jazzman
B1 – Nöpö (The White Cat)
B2 – The Way UR Far
B3 – It’s Too Late

"One of the hardest thing as a musician is to maintain this naive, almost utopian and emotional approach to our music. Especially when it comes to a highly codified genre like Electronic music which appeared in the late 80s/early 90s like a promise of a bright future for music, everything sounding so fresh and revolutionary. When Katerina sent me those demos I heard that freshness, that pure intention, something I remember from discovering melancholic Detroit tunes in the 90s or early Warp ‘artificial intelligence’ compilations, bridging the gap between techno and more intricate electronica. It’s been a while since I didn’t hear an EP so sincere - and not JUST nostalgic, that makes me want to dance alone in my living room and forget about everything else. It’s a subtle thing that makes the difference but that difference is everything, it’s Music."

- Joakim


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2024 Repress


- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork

Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation

We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.

Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.

The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.

Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).


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Rights: World excluding France & UK

Packaging: 1x Gold Vinyl & 1 x Khaki Vinyl Gatefold sleeve, 2x printed inner sleeve, marketing sticker

GENRE : Electronics

TRACKLIST

DOUBLE VINYLS
Side One
1. Time Becomes
2. Planet of the Shapes

Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)

Side Three
1. Remind
2. Walk Now…

Side Four
1. Monday
2. Halcyon + On + On
3. Input Out


SHORT PRODUCT INFORMATIONS

- LTD DOUBLE GOLD & KHAKI LP: Limited edition, Double Gold & Khaki Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year


SHORT INFOS / KEY POINTS

- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.


- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.


- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year

- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.




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Rights: World excluding France & UK

Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm with mat UV & spot Gloss , 24 page booklet (like a book) + special printed panels for CDs/DVD, front sticker

PRODUCT INFOS:

LIMITED 4CD+1DVD BOXSET

" The definitive version of Bronski Beat's The Age of Consent
" Meticulously researched by project consultant Barnaby Ashton-Bullock
" 67 tracks, including 22 previously unreleased tracks uncovered and restored from the London Records archive
" 5 Discs in wallets (4 audio CDs and 1 DVD)
o The Age of Consent [16 Tracks]
" The original album, plus 6 bonus tracks [7" versions and radio edits]
o Hundreds & Thousands [11 Tracks]
" The original remix album, plus 5 bonus tracks
o Consent Extended - The 12 Inches Plus [11 Tracks]
" Rare 12" versions, US Club Mixes, B-sides
o Ignore at Your Peril - The Rarities Plus [19 Tracks]
" Radio sessions, previously unreleased early versions, and studio sessions
o DVD - The First Chapter - The Videos Plus [10 Tracks]
" Restored music videos
" Top of The Pops performances
" Original TV adverts
" 24-page booklet featuring rare and unseen photos, and essays by:
o Tom Rasmussen
o Lesley Chow
o Lucy Robinson
o Barnaby Ashton-Bullock

SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

LIMITED 4CD+1DVD BOXSET

DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track

DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track

DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)

DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *

DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED



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CD

Tracklist:

01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope


NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.




























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Nicolas Jaar has graduated-- Space is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music's most exciting producers.
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre



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Territories: Worldwide no restrictions

Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29

B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23

C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41

D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24

Release Notes:

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.


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Track list CD:
1. Alva Noto - Xerrox Kirlian (00:06:12)
2. Alva Noto - Xerrox Neige (00:04:55)
3. Alva Noto - Xerrox Voyage (00:03:50)
4. Alva Noto - Xerrox Plongée (00:05:36)
5. Alva Noto - Xerrox Cosmos (00:03:52)
6. Alva Noto - Xerrox Île (00:06:24)
7. Alva Noto - Xerrox Argo (00:05:32)
8. Alva Noto - Xerrox Calypsoid 1 (00:04:32)
9. Alva Noto - Xerrox Canaux (00:04:13)
10. Alva Noto - Xerrox Utopia (00:03:06)
11. Alva Noto - Xerrox Sans Retour (00:04:23)
12. Alva Noto - Xerrox Calypsoid 2 (00:11:06)
13. Alva Noto - Xerrox Apesanteur (00:04:32)
14. Alva Noto - Xerrox Néant (00:02:54)

Release Info:

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.

Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.


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Niemand anderer als Franceso Tristano hat die Kuratierung der 16. Ausgabe von Get Physicals "Body Language"-Reihe übernommen. Künstler wie M.A.N.D.Y., Dixon, Catz 'N Dogz , Andhim oder DJ T. haben die Compilation-Reihe zu dem gemacht, was sie heute ist.

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180g 2LP in very High Quality Packaging. LP Gatefold Reverse Board - lasercut stencilled "braille typo" , printed innersleeves with lasered artist name title (a/b) and transmat logo (b/c) , sticker



Tracklist 2LP:

A1 Francesco Tristano - Sakamoto: Merry Christmas Mr. Lawrence (Francesco Tristano Rework)
A2 Francesco Tristano feat. Derrick May - The Mentor
B1 Francesco Tristano - Pacific FM
B2 Francesco Tristano feat. Derrick May - Infinite Rise
C1 Francesco Tristano feat. Derrick May - In Da Minor
C2 Francesco Tristano - Rocco's Bounce
D1 Francesco Tristano - Xokolad
D2 Francesco Tristano feat. Derrick May - Esoteric Thing

Short info:

It's not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three - the godfathers of Detroit techno - and yet, anyone who's followed the Luxembourg artist will know that expectation is not a currency he deals in.

Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his "most techno and synth-based project yet," the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. "I had to lure him into my studio," Tristano says of May with a smile, "he was like Alice in Wonderland when he saw the synthesizers."

Originally developed as a way create new material for Tristano's p:anorig project - a unique live set-up debuted at Barcelona's Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience - Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. "I can hook up all these synthesizers that I've picked up over the years," he continues, "it's the fulfillment of that." With an instrumentarium of analogue, digital, classic and modern gear - ranging from Prophets to Moogs, to Rolands and Yamahas - at his and May's disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren't just using these synths, they're paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.

The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of 'Esoteric Thing', drifting along to the sound of birdsong, to more beat-centric pieces such as 'The Mentor' and the quirky 'Xokolade' , the equipment, and the love it's been treated with, shines through. Both Tristano and May's individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. 'Pacific FM' is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of 'In Da Minor' is undercut by eerie, unpredictable glass synth-work; 'Rocco's Bounce' is free-form jazz tugged into line by structured four-to-the-floor; there's even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto's classic 'Merry Christmas, Mr. Lawrence'.

Those hoping for a Francesco Tristano piano album: be duly warned. "The piano is there, but it's more like the shadow of the piano. We don't have the mass of that sound, it's more like the reminiscence of that sound," says Tristano. But it's this which gives Surface Tension the aforementioned significance. Tristano hasn't abandoned his roots - they're deep, but there, for those who wish to find them - yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.



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Territories: Worldwide no restrictions

Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Emergency 9:35
A2 Beyond Games 8:20
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B1 Where 12:09
B2 Vashkar 4:58
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C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
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D1 Sangria For Three 13:08
D2 Something Spiritual 5:38

Release Notes:

Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”

The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.

The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.

The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."

Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.

The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.

With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!

The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.

Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore