Cult French duo Principles of Geometry is back after an 8 years hiatus with a 26 tracks love letter to IDM & electronica, "ABCDEFGHIJKLMNOPQRSTUVWXYZ".

Tracklisting:
LP1
A1. An introduction to
A2. Brosome Ride
A3. Cmd Ctrl
A4. Digital state
A5. Emquvist

B1. First, I heard color
B2. Gear
B3. Hummerican
B4. Inward Seminar

LP2
C1. Jeopardy
C2. Knowledge Hills
C3. Loom Letter
C4. Mountain Meadows
C5. Nebula Center for the Youth

D1. Oiralt
D2. Polyedra one
D3. Qontinent Ag
D4. RAM
D5.Sequent
D6.Tape Voices

LP3
E1. U r Eyecandy
E2. Vestige
E3. We did it Joe
E4. Xenism
E5. Yes Computer
E6. Zeitgeist (without Auqura)

3rd LP has an etching design by The Designers Republic on the F-side

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MORE INFO SOON... ULTRA LIMITED PRESSING featuring THE BEASTIE BOYS in two parts...

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After Georgio Moroder, Dieter Moebius or Jeff Mills, it is Joakim’s turn to compose a soundtrack for one of the greatest masterpieces of Cinema - the first movie to enter UNESCO’s Memory of the World Register, Fritz Lang’s Metropolis.

Tracklisting:
LP 1
A
1. Opening Titles
2. Opening Scene
3. Garden Party
4. Joh's Office
5. The Church
B
1. Freder And Georgy
2. In Bed
3. Rotwang Working
4. Lab Visit
5. Stop The Flood
6. Hel Transfer
7. Father And Son

LP 2
C
1. The Chase
2. The Belly Dance
3. City Of Lights
4. Babylon
5. Children Are Safe
6. Madness
7. Georgy Dies
D
1. City Collapse
2. Flood
3. Burn The Witch
4. Roof Chase
5. The End

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Cult French duo Principles of Geometry is back after an 8 years hiatus with a 26 tracks love letter to IDM & electronica, "ABCDEFGHIJKLMNOPQRSTUVWXYZ".

Tracklisting:
LP1
A1. An introduction to
A2. Brosome Ride
A3. Cmd Ctrl
A4. Digital state
A5. Emquvist

B1. First, I heard color
B2. Gear
B3. Hummerican
B4. Inward Seminar

LP2
C1. Jeopardy
C2. Knowledge Hills
C3. Loom Letter
C4. Mountain Meadows
C5. Nebula Center for the Youth

D1. Oiralt
D2. Polyedra one
D3. Qontinent Ag
D4. RAM
D5.Sequent
D6.Tape Voices

LP3
E1. U r Eyecandy
E2. Vestige
E3. We did it Joe
E4. Xenism
E5. Yes Computer
E6. Zeitgeist (without Auqura)

3rd LP has an etching design by The Designers Republic on the F-side

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Japanese born Shoko Igarashi's debut album Simple Sentences is a record that, not unlike a piece of luggage checking in from city to city, has managed to absorb vitalin fluences from each place it has landed. Shoko grew upin rural Japan, she studied in the US and is currently living in the most quintessential European city, Brussels. Shining in its diversity, Simple Sentences carries elements from each one of those stops in her life.

Tracklist
1.1Sand Dungeon
1.2Anime Song
1.3Comfy Place
1.4Shokoism
1.5Monochrome Chronicle
1.6Lovely Song
1.7CASH OK (PREMIRE : https://www.youtube.com/watch?v=j-LUvs8lC7Y)
1.8AppleBanana
1.9Happy Child
1.10Tsuki No Yama



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New album by french producer Joakim on his label Tigersushi. Through 16 tracks, he explores a world of sounds that blur the line between the natural and the artificial, a psychedelic journey on a modern Noah’s Ark, back to his roots in IDM, Classical music, avant-garde Pop and Ambient.

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(Krikor rmx) Maestro is Tigersushi's new gem discovery. Krikor revives the industrial filthy groove of Maestro's heros Throbbing Gristle and Chris & Cosey. Dark and sexy.


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A young band from Manchester, Y.O.U. ventured to Paris last year to record their debut album with Tigersushi boss Joakim. Starting as a typical brit pop band, Y.O.U. has evolved towards a more synthetic sound that blends acoustic and electronic instruments, pop and experimental music, rock and dance. No wonder these guys come from Manchester, a city where new forms of hybrid dance and pop music evolved and became popular in the 1980s (such as New Order, etc). On remix duties we have Jeremy Greenspan, one half of Junior Boys (whose solo output includes two 12inches on Caribou's imprint Jiaolong), who delivers a track with a strong Detroit / Carl Craig-ish flavor. DyE also offers his own take, delivering an epic remix that is also an appetizer for his upcoming new solo material to be released on Tigersushi.

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Tigersushi surprise us and drop a new 12" from label boss, Joakim... 2 Gloriously Produced Tracks, As Usual...! Almost 2 years have passed since Joakim released Nothing Gold. Not that he's been lazy. Those 2 years have probably been the busiest for the tall Musician/producer/DJ/label manager who produced numerous bands in his Fountain Studio in Paris (Zombie Zombie, Montevideo, Alba Lua, Acid Washed and more...). Joakim also did a few remixes (Aeroplane, Charlotte Gainsbourg, Lescop, Arsenal, Renaissance Man...) ans recorded a collaboration EP with Kindness that was the debut release on his new label Crowdspacer (www.crowdspacer.com). Not to mention the constant touring, running Tigersushi records and a move from Paris to New York city! Since Joakim has 4 hands, he also managed to start recording some material for a new album between 2 recording sessions and just before he had to move his studio out, he finished those 2 tracks : the slow, claustrophobic but hopeful « Heartbeats » and « Another Light » which brings that subtle typical melancholy to the clubs. Now Joakim is setting up a mini home studio in his flat in NYC, somehow going back to his roots when he started making music at his parents house with a cheap keyboard more than 10 years ago. Usually in the music business, artists release a first single once the album is finished and start a promo campaign from there. But Joakim doesn't really understand the music business (don't tell anyone!), so he decided to release those 2 tracks without having any more finished material for his upcoming album nor an idea of what it will be like. In those times when everything is instant, he'd rather release new material leading to an album while the tracks are finished. Just like a work in progress you will witness an album taking shape before your ears. This is a way to bypass the traditional rhythm of an album launch when everything needs to be done and ready months before the actual release, which usually results in the author being already bored and working on something else when the music comes out.

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After a very successful debut EP on Sound Pellegrino (best seller on the label so far) and a single on the über cool blog/label Discobelle, Matthias Zimmermann decided to present his new EP on Tigersushi *Matthias Zimmerman is one of the most exciting new young producer on the future house and bass scene, mixing irresistible beats with beautiful melodies and balearic atmospheres.this new EP is part of a concept series of releases, each song has a character's name, each character is an inhabitant of an island that Matthias imagined.

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Prince and Throbbing Gristle on a boat is the kind of feeling you get while listening to his album. Stompin beats and overdriven synths, oldschool drum machines and outer-space sound sculptures. On this first single, Krikor and his Dead Hillbillies invited the great Nicolas Ker of Poni Hoax fame to lay his deep dreadful voice. For proper dancefloor action, Krikor reduced the original himself to a heavy bass disco monster full of percussions and tape delay. On the flip, two typical Krikor tracks, stomping beats and acid guitars bringing the (dark) funk back in Electronic music.

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Tigersushi presents DyE debut EP. DyE is French, young and passionate. This EP was recorded in his bedroom within a few sleepless nights. A few analog synthetisers, drum machines and an MPC. No Laptop, no Midi. Old school techniques for futuristic minimalistic ELECTRO. Raw like a sushi. It's ghetto AND it's deep. Dopplereffekt meets Sound Stream in a razor blade fight.

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Poni Hoax poppiest moment comes reshaped by CHLOE, one of our favourite French producer and DJ. She managed to turn the original into a long hypnotic house journey driven by repetitive voice drones and cut ups and a pounding bass. Deep, subtly melancholic, cold and warm at the same time, everything we love about Chloe is there. On the flip side, Principles Of Geometry exercise their passion for detuned synthetisers on the beautiful Juno 106 chords of Poni Hoax's Paper Bride, the opening track of their recent album.

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Next batch coming in on the 14th of july.

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

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Repress !


First time vinyl edition/compilation of all 4 highly sought-after CHBB cassettes
Incl. unreleased tracks
2LP
Wide-spine pantone printed sleeve
incl. download code

CHBB was a project by Beate Bartel (Mania D./Matador) and Chris Haas (DAF) that developed from their collaboration in 1981, while working on the self-titled album 'Liaisons Dangereuses‘. They released their music only on four limited cassettes.

This compilation presents the complete works of CHBB, including all recordings from their original cassettes alongside previously unreleased tracks produced by both artists.

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Acclaimed UK electronic music producer, DMX Krewhas announced a brand new album, 'UnlikelySeeming', on the Byrd Out label out on 3rd May. The8-track album showcases his blend of joyous,melodic synth hooks, textured pads and analoguedrum machine rhythms. Leaving to one sidepummeling sounds, the focus of this album is onsonic fun, mining the 80s pop vibe DMX Krew doesso well. BBC 6 Music's Tom Ravenscroft describesthe trailing single 'Wednesday Memory' as "thefunkiest thing ever ... it's almost too joyous". Fromthe first 'A New Story', through to 'UncertainCalculation', DMX Krew delivers densely layered andsatisfying tracks, demonstrating the more imaginativeside of his output. The slight outlier is 'Continuation'which offers the most forceful 303 workout, bestsuited to a sweaty dance floor in the early hours.Overall the feel is playful, intelligent, melodic andwonderfully fun - best exemplified by multi-synthmasterpiece 'Data Cruncha' and Megadrive-esquetitle track 'Unlikely Seeming'. To finish the album,'Unlikely Seeming' is given a rework by Portland-based artist Break Mode, managing to achieve aremix that is at once ethereal and uplifting - it has4am written all over it. DMX Krew, aka EdwardUpton, has been crafting innovative electronic musicfor nearly 30 years, releasing on the likes of Rephlex,Central Processing Unit, and Gudu. With a soundrooted in synth-pop, electro, and Italo disco, DMXKrew's music evokes nostalgia for pop melodies andthe early days of rave culture


A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW


Stream: http://tinyurl.com/UnlikelySeemingSC

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A new compilation explores the far reaches of the post-punk, experimental and electronic landscape in Switzerland on Senza Decoro: Liebe & Anarchia in Switzerland 1980-1990. Curated by producer / DJ Mehmet Aslan.

Tracklist
1.1Dr. Chattanooga & The Navarones - Kabylmarabù
1.2Mittageisen - Anfang
1.3Elephant Château - Wir Fangen Mit Arbeit An
1.4Unknownmix - Nightmare
1.5Aboriginal Voices - Le Jour L'ennui
1.6Café Türk - Söyledir
1.7Lilliput - Boat-Song
1.8Bells Of Kyoto - Asho II
2.1Schamanen Circel - Arbeiter (The Worker)
2.2El Deux - Gletscher (Mehmet Aslan Edit)
2.3Konx - Basic Ground Without Voice (Mehmet Aslan Edit)
2.4Jürg Nutz - Labyrinth
2.5Schaltkreis Wassermann - Arabesque
2.6Die Welttraumforscher - Mondfolklore
2.7Christine Scaller - L'ombre Dorée Du Scarabée Bleu

Stream: https://listen.k7.com/b62b09e4-0c20-4b29-aa66-7b24f5e02f06

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