1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Kenji Kawai
Label:WRWTFWW
Cat-No:wrwtfww048-SLVR
Release-Date:02.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Label:WRWTFWW
Cat-No:wrwtfww048-SLVR
Release-Date:02.09.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Silver Edition - Warehouse find - Last copies
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LIMITED EDITION (500 COPIES WORLWIDE) YELLOW & RED INK SPOT COLORED VINYL
LP: 180g vinyl, Gatefold Heavy Sleeve, Obi, Liner Notes
Tracklisting:
A1. Outset 01:11
A2. Theme of Patlabor 2 02:19
A3. Portent 01:03
A4. Wyvern 06:11
A5. Unnatural City I 03:53
A6. Asia 04:42
A7. Unnatural City II 02:21
A8. With Love 02:34
B1. Outbreak 10:16
B2. Zoom Down 02:04
B3. IXTL 06:09
B4. At Parting 02:51
B5. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: 180g vinyl, Gatefold Heavy Sleeve, Obi, Liner Notes
Tracklisting:
A1. Outset 01:11
A2. Theme of Patlabor 2 02:19
A3. Portent 01:03
A4. Wyvern 06:11
A5. Unnatural City I 03:53
A6. Asia 04:42
A7. Unnatural City II 02:21
A8. With Love 02:34
B1. Outbreak 10:16
B2. Zoom Down 02:04
B3. IXTL 06:09
B4. At Parting 02:51
B5. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Kenji Kawai - 01. Outset 01:11
2
Kenji Kawai - 02. Theme of Patlabor 2 02:19
3
Kenji Kawai - 03. Portent 01:03
4
Kenji Kawai - 04. Wyvern 06:11
5
Kenji Kawai - 05. Unnatural City I 03:53
6
Kenji Kawai - 06. Asia 04:42
7
Kenji Kawai - 07. Unnatural City II 02:21
8
Kenji Kawai - 08. With Love 02:34
9
Kenji Kawai - 09. Outbreak 10:16
10
Kenji Kawai - 10. Zoom Down 02:04
11
Kenji Kawai - 11. IXTL 06:09
12
Kenji Kawai - 12. At Parting 02:51
13
Kenji Kawai - 13. Hallucination 04:33
CD: Digipack, Cavalier, Liner Notes
Tracklisting:
01. Outset 01:11
02. Theme of Patlabor 2 02:19
03. Portent 01:03
04. Wyvern 06:11
05. Unnatural City I 03:53
06. Asia 04:42
07. Unnatural City II 02:21
08. With Love 02:34
09. Outbreak 10:16
10. Zoom Down 02:04
11. IXTL 06:09
12. At Parting 02:51
13. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
01. Outset 01:11
02. Theme of Patlabor 2 02:19
03. Portent 01:03
04. Wyvern 06:11
05. Unnatural City I 03:53
06. Asia 04:42
07. Unnatural City II 02:21
08. With Love 02:34
09. Outbreak 10:16
10. Zoom Down 02:04
11. IXTL 06:09
12. At Parting 02:51
13. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Kenji Kawai - A1. Outset 01:11
2
Kenji Kawai - A2. Theme of Patlabor 2 02:19
3
Kenji Kawai - A3. Portent 01:03
4
Kenji Kawai - A4. Wyvern 06:11
5
Kenji Kawai - A5. Unnatural City I 03:53
6
Kenji Kawai - A6. Asia 04:42
7
Kenji Kawai - A7. Unnatural City II 02:21
8
Kenji Kawai - A8. With Love 02:34
9
Kenji Kawai - B1. Outbreak 10:16
10
Kenji Kawai - B2. Zoom Down 02:04
11
Kenji Kawai - B3. IXTL 06:09
12
Kenji Kawai - B4. At Parting 02:51
13
Kenji Kawai - B5. Hallucination 04:33
LP: 180g vinyl, Gatefold Heavy Sleeve, Obi, Liner Notes
Tracklisting:
A1. Outset 01:11
A2. Theme of Patlabor 2 02:19
A3. Portent 01:03
A4. Wyvern 06:11
A5. Unnatural City I 03:53
A6. Asia 04:42
A7. Unnatural City II 02:21
A8. With Love 02:34
B1. Outbreak 10:16
B2. Zoom Down 02:04
B3. IXTL 06:09
B4. At Parting 02:51
B5. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A1. Outset 01:11
A2. Theme of Patlabor 2 02:19
A3. Portent 01:03
A4. Wyvern 06:11
A5. Unnatural City I 03:53
A6. Asia 04:42
A7. Unnatural City II 02:21
A8. With Love 02:34
B1. Outbreak 10:16
B2. Zoom Down 02:04
B3. IXTL 06:09
B4. At Parting 02:51
B5. Hallucination 04:33
Info
WRWTFWW Records is absolutely honored to announce the release of Kenji Kawai’s complete soundtrack to Mamoru Oshii's 1993 superb political thriller science-fiction mecha anime PATLABOR 2: The Movie, available on vinyl for the first time ever and housed in a beautiful heavy gatefold sleeve with obi, as well as on digipack CD. Both versions come with liner notes by the great Masaaki Hara.
A true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as Ghost in the Shell, Avalon, Ring, Ip Man, and Seven Swords among numerous others. PATLABOR 2: The Movie (Original Soundtrack) is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future.
PATLABOR 2: The Movie (Original Soundtrack) is an ideal companion to Kenji Kawai’s Ghost in the Shell soundtrack, already available on WRWTFWW Records.
Points of interests
- For fans of electronic, soundtracks, ambient, experimental, minimalism, synth, Kenji Kawai, Geinoh Yamashirogumi, Ghost in the Shell, Akira, anime music, Japan, robots, urban isolation, hope for the future.
- First ever vinyl release of Kenji Kawai’s PATLABOR 2: The Movie (Original Soundtrack), in full audiophile experience: LP in a heavy gatefold sleeve with obi. Also available on CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from WRWTFWW
1
Momoko Kikuchi - Ocean Side
2
Momoko Kikuchi - Shadow Surfer
3
Momoko Kikuchi - Blind Curve
4
Momoko Kikuchi - Summer Eyes
5
Momoko Kikuchi - Futari No Night Dive
6
Momoko Kikuchi - Seishun No Ijiwaru
7
Momoko Kikuchi - Evening Break
8
Momoko Kikuchi - So Many Dreams
9
Momoko Kikuchi - I Will
Genre: City Pop, Funk, Pop, Synth, Soul
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi
Tracklisting LP
A1 Ocean Side 4:39
A2 Shadow Surfer 3:30
A3 Blind Curve 4:04
A4 Summer Eyes 3:42
A5 Futari No Night Dive 4:20
B1 Seishun No Ijiwaru 4:34
B2 Evening Break 3:49
B3 So Many Dreams 5:29
B4 I Will 6:57
Info
WRWTFWW Records is very excited to announce the first release from its new City Pop Series with Japanese singer, actress, entertainer, scholar and all-around legend Momoko Kikuchi’s sun-drenched classic Ocean Side album, available now as a limited-edition transparent vinyl LP in a heavyweight sleeve with obi.
A cult classic among Japanese music collectors, Ocean Side was originally released in 1984 by mythical label VAP and features lush compositions and arrangements by J-Pop icon Tetsuji Hayashi (Mariya Takeuchi, Miki Matsubara, Omega Tribe, Junichi Inagaki, Urusei Yatsura anime, soundtrack…). Momoko Kikuchi’s city pop gem is a flawless mix of heartwarming beachside funk, breezy grooves, and silky-smooth vocals - the feel-good music we all need in our life right now.
The 9-track summer-is-forever adventure notably includes the ultra-funky megahit “Blind Curve”, the fan-favorite title song, and the insanely romantic ballad “Futari No Night Drive”. A vibrant reflection of summer in 1980s Japan, Ocean Side masterfully balances nostalgia and elegance, and provides part of the origin story for revered modern music genres such as chillwave, and future funk, and vaporwave.
The official reissue licensed from VAP, Inc. is sourced from the original masters with an audiophile-cut by Sidney Meyer at Emil Berliner Studios.
WRWTFWW’s City Pop Series and its Lopetz/Büro Destruct-designed logo also includes jazz-fusion-AOR-mellow-funk treasure Safari (1984), a limited capsule collection of merch, and much more to come in the near future.
Points of interests
- For fans of city pop, J-pop, funk, soul, chillwave, future funk, vaporwave, the 80s, the summer, 80s summer movies, surfing, swimming, the beach, Mattfoley’s Beach Club™.
- Super limited edition transparent vinyl LP reissue of city pop mega classic Ocean Side by Momoko Kikuchi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Pizza Hotline - Polygon Island
2
Pizza Hotline - Region Free
3
Pizza Hotline - Z-buffer
4
Pizza Hotline - BIOS
5
Pizza Hotline - Memory Cycles
6
Pizza Hotline - Collision Detection
7
Pizza Hotline - Stage Select
8
Pizza Hotline - Y2K Dreamscape
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:WRWTFWW
Cat-No:WRWTFWW092CD
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2CD Excl
Label:WRWTFWW
Cat-No:WRWTFWW092CD
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2CD Excl
1
Yutaka Hirose - Library
2
Yutaka Hirose - The other side part 1
3
Yutaka Hirose - Deserts
4
Yutaka Hirose - Uprising
5
Yutaka Hirose - The other side part 2
6
Yutaka Hirose - Contrast
7
Yutaka Hirose - Mixture
8
Yutaka Hirose - The other side part 3
9
Yutaka Hirose - Weed
10
Yutaka Hirose - Color
11
Yutaka Hirose - The other side part 4
12
Yutaka Hirose - Notation
Territory: WORLD
DCD: Digipack, Stickers, Liner Notes
Tracklisting DCD
CD1
01. Library
02. The other side part 1
03. Deserts
04. Uprising
05. The other side part 2
06. Contrast
CD2
01. Mixture
02. The other side part 3
03. Weed
04. Color
05. The other side part 4
06. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
DCD: Digipack, Stickers, Liner Notes
Tracklisting DCD
CD1
01. Library
02. The other side part 1
03. Deserts
04. Uprising
05. The other side part 2
06. Contrast
CD2
01. Mixture
02. The other side part 3
03. Weed
04. Color
05. The other side part 4
06. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:WRWTFWW
Cat-No:WRWTFWW092
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW092
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Yukata Hirose - Library
2
Yukata Hirose - The other side part 1
3
Yukata Hirose - Deserts
4
Yukata Hirose - Uprising
5
Yukata Hirose - The other side part 2
6
Yukata Hirose - Contrast
7
Yukata Hirose - Mixture
8
Yukata Hirose - The other side part 3
9
Yukata Hirose - Weed
10
Yukata Hirose - Color
11
Yukata Hirose - The other side part 4
12
Yukata Hirose - Notation
Territories: WORLD
Genre: Experimental, Electronic, Abstract, Ambient, IDM
DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes
Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Experimental, Electronic, Abstract, Ambient, IDM
DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes
Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Limited Cassette Version
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Joe Hisaishi - Sonatine ?act of violence?
2
Joe Hisaishi - Light And Darkness
3
Joe Hisaishi - Play On The Sands
4
Joe Hisaishi - Rain After That
5
Joe Hisaishi - A On The Fullmoon Mystery
6
Joe Hisaishi - Into A Trance
7
Joe Hisaishi - Sonatine ?in the beginning?
8
Joe Hisaishi - Magic Mushroom
9
Joe Hisaishi - Eye Witness
10
Joe Hisaishi - Runaway Trip
11
Joe Hisaishi - Mobius Band
12
Joe Hisaishi - Die Out Of Memories
13
Joe Hisaishi - See You...
14
Joe Hisaishi - Sonatine ?be over?
Territories: WORLD EXCL JP
Genre: Soundtrack, Modern Classical, Ambient
Tracklisting CD
01. Sonatine ?act of violence?
02. Light And Darkness
03. Play On The Sands
04. Rain After That
05. A On The Fullmoon Mystery
06. Into A Trance
07. Sonatine ?in the beginning?
08. Magic Mushroom
09. Eye Witness
10. Runaway Trip
11. Mobius Band
12. Die Out Of Memories
13. See You...
14. Sonatine ?be over?
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi's original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition digipack CD with selective varnish printing.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano's A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki's Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble's MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer's more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi's own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano's Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- Official CD reissue of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Soundtrack, Modern Classical, Ambient
Tracklisting CD
01. Sonatine ?act of violence?
02. Light And Darkness
03. Play On The Sands
04. Rain After That
05. A On The Fullmoon Mystery
06. Into A Trance
07. Sonatine ?in the beginning?
08. Magic Mushroom
09. Eye Witness
10. Runaway Trip
11. Mobius Band
12. Die Out Of Memories
13. See You...
14. Sonatine ?be over?
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi's original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition digipack CD with selective varnish printing.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano's A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki's Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble's MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer's more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi's own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano's Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- Official CD reissue of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Grauzone - Plastikherz
2
Grauzone - My Eyes
3
Grauzone - Animals Dance
4
Grauzone - Alone In The Jungle
5
Grauzone - Sommer 80
6
Grauzone - Funky Punk
7
Grauzone - Moskau
8
Grauzone - Waiting For A Light
9
Grauzone - Grauzone
Territories: WORLD
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:WRWTFWW
Cat-No:WRWTFWW049K
Release-Date:27.06.2025
Genre:Soundtracks
Configuration:Cassette Tape Excl
Label:WRWTFWW
Cat-No:WRWTFWW049K
Release-Date:27.06.2025
Genre:Soundtracks
Configuration:Cassette Tape Excl
Territories: World
ULTRA LIMITED EDITION - Cassette/Tape - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
- Please mind that you wwill receive a random selection of the artworks - Either BUY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33
Info
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Points of interests
- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.
- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
ULTRA LIMITED EDITION - Cassette/Tape - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
- Please mind that you wwill receive a random selection of the artworks - Either BUY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33
Info
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Points of interests
- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.
- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Territories: World
ULTRA LIMITED EDITION - WHITE VINYL - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
- Please mind that you wwill receive a random selection of the artworks - Either B UY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33
Info
ULTRA LIMITED EDITION - WHITE VINYL - 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Points of interests
- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.
- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
ULTRA LIMITED EDITION - WHITE VINYL - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
- Please mind that you wwill receive a random selection of the artworks - Either B UY, OBEY, WATCH TV or SLEEP. A specific selection cannot be guaranteed -
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Tracklisting DLP
A1. TV Broadcast - 1:49
A2. Coming To L.A. - 4:02
A3. A Message - 2:39
A4. The Siege Of Justiceville - 5:40
A5. Return To Church - 1:26
A6. All Out Of Bubble Gum - 2:40
B1. Back To The Street - 2:24
B2. Kidnapped - 3:31
B3. Transient Hotel - 2:17
B4. Underground - 3:22
B5. Wake Up - 3:26
C1. Chew Bubble Gum And Kick Ass - 0:19
C2. Sunglasses On - 2:49
C3. Back Alley - 2:38
C4. Transport Station - 2:18
C5. Tunnel - 2:06
C6. Holly's Hill - 2:41
C7. Roll Away - 1:18
C8. Get Me Out - 1:52
C9. Portal - 1:39
C10. Out The Window / L.A. Blues - 2:49
D1. All Out Of Bubblegum (Film Version) - 3:45
D2. TV Signal - 3:20
D3. Underground (Film Version) - 7:06
D4. Commercial Break - 0:45
D5. Car Commercial - 0:22
D6. Press On Nails - 0:49
D7. The Cheese Dip - 0:35
D8. They Live Main Theme - 3:33
Info
ULTRA LIMITED EDITION - WHITE VINYL - 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!
FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.
Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.
This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!
Points of interests
- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.
- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Joe Hisaishi - Sonatine ~act of violence~
2
Joe Hisaishi - Light And Darkness
3
Joe Hisaishi - Play OnThe Sands
4
Joe Hisaishi - Rain After That
5
Joe Hisaishi - A On The Fullmoon Mystery
6
Joe Hisaishi - Into A Trance
7
Joe Hisaishi - Sonatine ~in the beginning~
8
Joe Hisaishi - Magic Mushroom
9
Joe Hisaishi - Eye Witness
10
Joe Hisaishi - Runaway Trip
11
Joe Hisaishi - Mobius Band
12
Joe Hisaishi - Die Out Of Memories
13
Joe Hisaishi - See You...
14
Joe Hisaishi - Sonatine ~be over~
Territories: WORLD EXCL Japan
LP: Heavyweight Sleeve with Selective Varnish Print, Special Paper Obi
Tracklisting LP
A1. Sonatine ~act of violence~
A2. Light And Darkness
A3. Play OnThe Sands
A4. Rain After That
A5. A On The Fullmoon Mystery
A6. Into A Trance
A7. Sonatine ~in the beginning~
B1. Magic Mushroom
B2. Eye Witness
B3. Runaway Trip
B4. Mobius Band
B5. Die Out Of Memories
B6. See You...
B7. Sonatine ~be over~
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi’s original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition housed in a luxurious heavyweight sleeve with selective varnish printing and a special paper obi belt.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano’s A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki’s Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble’s MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer’s more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi’s own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano’s Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin’ya Tsukamoto’s Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- First vinyl release of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: Heavyweight Sleeve with Selective Varnish Print, Special Paper Obi
Tracklisting LP
A1. Sonatine ~act of violence~
A2. Light And Darkness
A3. Play OnThe Sands
A4. Rain After That
A5. A On The Fullmoon Mystery
A6. Into A Trance
A7. Sonatine ~in the beginning~
B1. Magic Mushroom
B2. Eye Witness
B3. Runaway Trip
B4. Mobius Band
B5. Die Out Of Memories
B6. See You...
B7. Sonatine ~be over~
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi’s original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition housed in a luxurious heavyweight sleeve with selective varnish printing and a special paper obi belt.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano’s A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki’s Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble’s MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer’s more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi’s own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano’s Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin’ya Tsukamoto’s Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- First vinyl release of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
Maxi vinyl: Limited Edition Blue Vinyl Variant, 12" cut at 45rpm, 350gsm sleeve, Sticker
Tracklisting
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve. This special limited edition is available in blue vinyl variant.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Points of interests
- For fans of electronic, new wave, cold wave, Swiss wave, Neue Deutsche Welle (Welle means wave!), synth, pop, post-punk, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, Swizerland, mountains, polar bears, and xerox machines.
- Official reissue of cult maxi single Eisbär by Swiss band Grauzone with cult 45rpm-or-33prm-ready b-side "FILM 2".
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Lunar Cruise and MWKAJU ensemble’s projects, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani, Bernard Parmegiani soundtracks, Colored Music’s self-titled album, EP-4’s Lingua Franca-1, Normal Brain’s Lady Maid…), label founded and curated by Olivier Ducret of Mental Groove and Musique Pour La Danse (Miss Kittin, Orbe, Donato Dozzy, Imperial Tiger Orchestra...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher & Rainier Lericolais, John Armleder, Sylvie Fleury…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve. This special limited edition is available in blue vinyl variant.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Points of interests
- For fans of electronic, new wave, cold wave, Swiss wave, Neue Deutsche Welle (Welle means wave!), synth, pop, post-punk, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, Swizerland, mountains, polar bears, and xerox machines.
- Official reissue of cult maxi single Eisbär by Swiss band Grauzone with cult 45rpm-or-33prm-ready b-side "FILM 2".
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Lunar Cruise and MWKAJU ensemble’s projects, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani, Bernard Parmegiani soundtracks, Colored Music’s self-titled album, EP-4’s Lingua Franca-1, Normal Brain’s Lady Maid…), label founded and curated by Olivier Ducret of Mental Groove and Musique Pour La Danse (Miss Kittin, Orbe, Donato Dozzy, Imperial Tiger Orchestra...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher & Rainier Lericolais, John Armleder, Sylvie Fleury…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Danny Scott Lane - Another Classic
2
Danny Scott Lane - Elvis
3
Danny Scott Lane - I Can’t See
4
Danny Scott Lane - View Of The Beach
5
Danny Scott Lane - The One You Love
6
Danny Scott Lane - Getting Started
7
Danny Scott Lane - Both Of Us
8
Danny Scott Lane - In One House
9
Danny Scott Lane - Not Knowing
10
Danny Scott Lane - Two Times
11
Danny Scott Lane - Missing Romeo
Territories: World
LP: Limited Edition of 500, Heavy 350gsm Metallic Silver Cardboard Sleeve, Sticker
Tracklisting LP
A1. Another Classic
A2. Elvis
A3. I Can’t See
A4. View Of The Beach
A5. The One You Love
B1. Getting Started
B2. Both Of Us
B3. In One House
B4. Not Knowing
B5. Two Times
B6. Missing Romeo
Info
WRWTFWW Records is happy to announce its fourth collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the release of his newest full-length Songs For Sex. The seductive 11-track album is available as a limited edition LP (500 copies worldwide) housed in a shiny 350gsm silver cardboard sleeve. It is also available digitally.
Danny Scott Lane returns with Songs For Sex, a sultry funk, jazz, and ambient exploration inspired by candid conversations about intimacy. Smooth yet messy, uplifting yet off-kilter, this album captures every mood. It’s sensual furniture (leather sofa) music, deep passion minimalism, hedonistic downtempo, glossy and warm soul electronica.
The velvety sonic affair features the lush sounds of Joseph Shabson, David Lackner, and Simon Herody on flutes and saxophones, making it an irresistible modern brand of smooth jazz, the ideal soundtrack for your favorite pastime.
Songs For Sex follows the release of Danny Scott Lane’s chillout masterpieces Home Decor, Shower, and Caput, all available on WRWTFWW Records. Complete the funky collection now!
Points of interests
For fans of smooth ambient jazz, cool jazz, downtempo, flutes and saxophones, sensual seduction, intimacy, good times, cozy nights and easy mornings, wild nights and easy mornings, leather sofas, and feeling alive.
Super limited imited edition vinyl for Danny Scott Lane’s seductive 2025 album Songs For Sex.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: Limited Edition of 500, Heavy 350gsm Metallic Silver Cardboard Sleeve, Sticker
Tracklisting LP
A1. Another Classic
A2. Elvis
A3. I Can’t See
A4. View Of The Beach
A5. The One You Love
B1. Getting Started
B2. Both Of Us
B3. In One House
B4. Not Knowing
B5. Two Times
B6. Missing Romeo
Info
WRWTFWW Records is happy to announce its fourth collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the release of his newest full-length Songs For Sex. The seductive 11-track album is available as a limited edition LP (500 copies worldwide) housed in a shiny 350gsm silver cardboard sleeve. It is also available digitally.
Danny Scott Lane returns with Songs For Sex, a sultry funk, jazz, and ambient exploration inspired by candid conversations about intimacy. Smooth yet messy, uplifting yet off-kilter, this album captures every mood. It’s sensual furniture (leather sofa) music, deep passion minimalism, hedonistic downtempo, glossy and warm soul electronica.
The velvety sonic affair features the lush sounds of Joseph Shabson, David Lackner, and Simon Herody on flutes and saxophones, making it an irresistible modern brand of smooth jazz, the ideal soundtrack for your favorite pastime.
Songs For Sex follows the release of Danny Scott Lane’s chillout masterpieces Home Decor, Shower, and Caput, all available on WRWTFWW Records. Complete the funky collection now!
Points of interests
For fans of smooth ambient jazz, cool jazz, downtempo, flutes and saxophones, sensual seduction, intimacy, good times, cozy nights and easy mornings, wild nights and easy mornings, leather sofas, and feeling alive.
Super limited imited edition vinyl for Danny Scott Lane’s seductive 2025 album Songs For Sex.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Fuzzbee Morse - Main Title
2
Fuzzbee Morse - Stuck
3
Fuzzbee Morse - Teddy
4
Fuzzbee Morse - The House
5
Fuzzbee Morse - The Basement
6
Fuzzbee Morse - Judy And Dolls
7
Fuzzbee Morse - Mr. Punch
8
Fuzzbee Morse - Dark Hallways
9
Fuzzbee Morse - Gabriel’s Workroom
10
Fuzzbee Morse - Toys For Us Kids
11
Fuzzbee Morse - The Rooms
12
Fuzzbee Morse - Isabel And Judy
13
Fuzzbee Morse - The End Of Isabel
14
Fuzzbee Morse - The Dolls Attack
15
Fuzzbee Morse - So Long, Shortstuff
16
Fuzzbee Morse - Toys Are Loyal
17
Fuzzbee Morse - Trapped
18
Fuzzbee Morse - End Title
Genre: Soundtrack, 80s, Cult, Horror, Score, Synth, Orchestral
LP: Limited Edition of 500, Heavyweight 350gsm Sleeve, Cut Out Sticker, Composer Notes
Tracklisting LP
A1. Main Title
A2. Stuck
A3. Teddy
A4. The House
A5. The Basement
A6. Judy And Dolls
A7. Mr. Punch
A8. Dark Hallways
A9. Gabriel’s Workroom
A10. Toys For Us Kids
A11. The Rooms
A12. Isabel And Judy
B1. The End Of Isabel
B2. The Dolls Attack
B3. So Long, Shortstuff
B4. Toys Are Loyal
B5. Trapped
B6. End Title
Info
WRWTFWW Records is very excited to announce the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lost-then-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes.
Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) and released by Charles Band’s infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is 80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes.
The haunting score comes from master Fuzzbee Morse who composed it in Richard Band’s garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before!) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky’s The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives and Eleanor Rigby!
Dolls follows the WRWTFWW release of Fuzzbee Morse’s Ghoulies II (1988) as well as 3 other soundtracks from the Empire Pictures vaults: Richard Band’s Ghoulies (1985), TerrorVision (1986), and Troll (1986). All still available – complete the collection now!
Points of interests
- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, Stuart Gordon, John Carpenter, b-movies, sci-fi, Gremlins, toys, evil toys, Toys R Us, the good old days, toys you can play with at 33rpm, Christmas presents.
- First ever release for the soundtrack of cult horror movie Dolls (1987), with cut out sticker and composer notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: Limited Edition of 500, Heavyweight 350gsm Sleeve, Cut Out Sticker, Composer Notes
Tracklisting LP
A1. Main Title
A2. Stuck
A3. Teddy
A4. The House
A5. The Basement
A6. Judy And Dolls
A7. Mr. Punch
A8. Dark Hallways
A9. Gabriel’s Workroom
A10. Toys For Us Kids
A11. The Rooms
A12. Isabel And Judy
B1. The End Of Isabel
B2. The Dolls Attack
B3. So Long, Shortstuff
B4. Toys Are Loyal
B5. Trapped
B6. End Title
Info
WRWTFWW Records is very excited to announce the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lost-then-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes.
Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) and released by Charles Band’s infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is 80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes.
The haunting score comes from master Fuzzbee Morse who composed it in Richard Band’s garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before!) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky’s The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives and Eleanor Rigby!
Dolls follows the WRWTFWW release of Fuzzbee Morse’s Ghoulies II (1988) as well as 3 other soundtracks from the Empire Pictures vaults: Richard Band’s Ghoulies (1985), TerrorVision (1986), and Troll (1986). All still available – complete the collection now!
Points of interests
- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, Stuart Gordon, John Carpenter, b-movies, sci-fi, Gremlins, toys, evil toys, Toys R Us, the good old days, toys you can play with at 33rpm, Christmas presents.
- First ever release for the soundtrack of cult horror movie Dolls (1987), with cut out sticker and composer notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:WRWTFWW
Cat-No:WRWTFWW093
Release-Date:14.02.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW093
Release-Date:14.02.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Ultramarine - All Of A Sudden
2
Ultramarine - Surfacing
3
Ultramarine - Sucker 4U
4
Ultramarine - On The Brink
5
Ultramarine - Zombie
6
Ultramarine - By Turns
7
Ultramarine - Ambush
8
Ultramarine - 4U Version
9
Ultramarine - Ghost Routine
10
Ultramarine - What Machines Want
Territory: WORLDWIDE
Genre: Electronic, Leftfield, Jazz, Techno, Minimalism
DLP: 350gsm Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. All Of A Sudden
A2. Surfacing
B1. Sucker 4U
B2. On The Brink
B3. Zombie
C1. By Turns
C2. Ambush
C3. 4U Version
D1. Ghost Routine
D2. What Machines Want
Info
WRWTFWW Records is honored to reissue revered UK electronic duo Ultramarine’s best kept secret from their discography, the superb A User’s Guide album, available as a limited double LP housed in a beautiful heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarine’s story is told, the duo’s fifth album, 1998’s A User’s Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released – in part because the label it originally came out on, New Electronica, folded shortly afterwards – A User’s Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the “sound palette” that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians they’d become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create – part of which was spent developing this head-spinning new sound – but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A User’s Guide still sounds fresh and modern – a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A User’s Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener ‘All of a Sudden’, the queasy, lopsided tech-jazz of ‘Sucker For You’, the locked-in beats and mind-mangling motifs of ‘Zombie’, the ghostly, out-there electro of ‘Ambush’, the Autechre-esque ‘Ghost Routine’ and the triumphant closing cut ‘What Machines Want’, a classic of minimalistic, jazz-flecked techno futurism.
Fully remastered from the original DATs by Jason G at Transition Studios, the 2024 vinyl edition of A User’s Guide thrusts Ultramarine’s most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net).
Points of interests
For fans of electronic, leftfield, postrock, tech-jazz, IDM, minimalism, futurist electronica, dub techno, house, experimental, Autechre, Tortoise, Basic Channel, forgotten gems from superb discographies, very good music, and very very very very good music.
Official vinyl reissue of legendary UK electronic’s duo Ultramarine’s timeless and radical album A User’s Guide.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Electronic, Leftfield, Jazz, Techno, Minimalism
DLP: 350gsm Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. All Of A Sudden
A2. Surfacing
B1. Sucker 4U
B2. On The Brink
B3. Zombie
C1. By Turns
C2. Ambush
C3. 4U Version
D1. Ghost Routine
D2. What Machines Want
Info
WRWTFWW Records is honored to reissue revered UK electronic duo Ultramarine’s best kept secret from their discography, the superb A User’s Guide album, available as a limited double LP housed in a beautiful heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarine’s story is told, the duo’s fifth album, 1998’s A User’s Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released – in part because the label it originally came out on, New Electronica, folded shortly afterwards – A User’s Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the “sound palette” that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians they’d become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create – part of which was spent developing this head-spinning new sound – but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A User’s Guide still sounds fresh and modern – a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A User’s Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener ‘All of a Sudden’, the queasy, lopsided tech-jazz of ‘Sucker For You’, the locked-in beats and mind-mangling motifs of ‘Zombie’, the ghostly, out-there electro of ‘Ambush’, the Autechre-esque ‘Ghost Routine’ and the triumphant closing cut ‘What Machines Want’, a classic of minimalistic, jazz-flecked techno futurism.
Fully remastered from the original DATs by Jason G at Transition Studios, the 2024 vinyl edition of A User’s Guide thrusts Ultramarine’s most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net).
Points of interests
For fans of electronic, leftfield, postrock, tech-jazz, IDM, minimalism, futurist electronica, dub techno, house, experimental, Autechre, Tortoise, Basic Channel, forgotten gems from superb discographies, very good music, and very very very very good music.
Official vinyl reissue of legendary UK electronic’s duo Ultramarine’s timeless and radical album A User’s Guide.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Pizza Hotline - Ice Planet
2
Mitch Murder - Terminal Velocity
3
Pizza Hotline - The Racers We’ve Lost
4
Mitch Murder - Oceanic Zone
5
Pizza Hotline - Dark Void
6
Mitch Murder - Diverge
Territories: WORLD
LP: Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Pizza Hotline – Ice Planet
A2. Mitch Murder – Terminal Velocity
A3. Pizza Hotline – The Racers We’ve Lost
B1. Mitch Murder – Oceanic Zone
B2. Pizza Hotline – Dark Void
B3. Mitch Murder – Diverge
Info
WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.
Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.
Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.
Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!
The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.
Fasten your seatbelt and join the fun.
Points of interests
For fans of liquid DNB, jungle, the AMEN break, video games, ambient, synthwave, Playstation, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select and Polygon Island, David Hasselhoff, futuristic racing tournaments, Minecraft, nice cars, ice planets, and the high speed life.
First ever collaboration project between Pizza Hotline and Mitch Murder – now on limited vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP: Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Pizza Hotline – Ice Planet
A2. Mitch Murder – Terminal Velocity
A3. Pizza Hotline – The Racers We’ve Lost
B1. Mitch Murder – Oceanic Zone
B2. Pizza Hotline – Dark Void
B3. Mitch Murder – Diverge
Info
WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.
Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.
Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.
Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!
The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.
Fasten your seatbelt and join the fun.
Points of interests
For fans of liquid DNB, jungle, the AMEN break, video games, ambient, synthwave, Playstation, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select and Polygon Island, David Hasselhoff, futuristic racing tournaments, Minecraft, nice cars, ice planets, and the high speed life.
First ever collaboration project between Pizza Hotline and Mitch Murder – now on limited vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Shinichiro Yokota - Bells
2
Shinichiro Yokota - Night Drive
3
Shinichiro Yokota - Gaming Man
4
Shinichiro Yokota - Fuyuukan
5
Shinichiro Yokota - Gotta Have House
6
Shinichiro Yokota - Machibouke
7
Shinichiro Yokota - Way Of Jungle
8
Shinichiro Yokota - Quiet Town Of Tokyo
9
Shinichiro Yokota - Right Here Right Now
10
Shinichiro Yokota - Sora - Sky Magic
11
Shinichiro Yokota - Water Melodies
12
Shinichiro Yokota - Nippon No Natsu
13
Shinichiro Yokota - Rain
14
Shinichiro Yokota - Orange Moon
15
Shinichiro Yokota - I Know You Like It
16
Shinichiro Yokota - Tokyo 018
17
Shinichiro Yokota - Time Traveling
18
Shinichiro Yokota - This Moment
19
Shinichiro Yokota - Timeless
20
Shinichiro Yokota - Take Yours
21
Shinichiro Yokota - Night Drive (Reprise)
22
Shinichiro Yokota - Simoon
23
Shinichiro Yokota - Lens 1992
24
Shinichiro Yokota - Bass Man
Territory: WORLD
Genre: House, Deep House, New York House, Downtempo, Electronic
Box Set: Cardboard Slipcase, 6 x 12inches in Heavyweight 350gsm Sleeves, Logo Sticker Sheets, Hype Sticker, Limited Edition of 500
Tracklisting 6 x 12inch Box Set
A1. Bells
A2. Night Drive
B1. Gaming Man
B2. Fuyuukan
C1. Gotta Have House
C2. Machibouke
D1. Way Of Jungle
D2. Quiet Town Of Tokyo
E1. Right Here Right Now
E2. Sora - Sky Magic
F1. Water Melodies
F2. Nippon No Natsu
G1. Rain
G2. Orange Moon
H1. I Know You Like It
H2. Tokyo 018
I1. Time Traveling
I2. This Moment
J1. Timeless
J2. Take Yours
K1. Night Drive (Reprise)
K2. Simoon
L1. Lens 1992
L2. Bass Man
Info
WRWTFWW Records is in a state of total bliss as it announces the release of the Pitstop Box compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota’s two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12inches housed (!) in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets.
Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota’s album discography finally gets a long overdue vinyl release in the form of a limited-edition box set housing (!) six 12inches and a total of 24 songs showcasing the house legend’s celebrated sound. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota’s music is loved for its simplicity, its hypnotic quality, and, most importantly, its SOUL – homegrown 90s soulful melodic club music…pure love!
The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota’s personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits (“Right Here Right Now”, “Night Drive” and the list goes on), a cover of “Simoon” by Haruomi Hosono’s Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada.
Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992 (from which his viral hit “Do It Again” is from), he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It’s this side of Yokota’s life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased 90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.
Full unadulterated pleasure forever - from night drives to dancefloors.
Points of interests
For fans of 90s house, NY house, deep house, sample house, jazzy house, soulful house, true house, also downtempo, funk, old school hip hop, Larry Heard, Yellow Magic Orchestra, Soichi Terada, sports cars, listening to house music in sports cars, listening to house music while driving at night, listening to house music to dance, listening to house because it feels good, good things in general.
First ever vinyl release for Shinichiro Yokota’s Do It Again and Again (2016) and I Know You Like It (2019) albums, together in a beautiful slipcase box set!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: House, Deep House, New York House, Downtempo, Electronic
Box Set: Cardboard Slipcase, 6 x 12inches in Heavyweight 350gsm Sleeves, Logo Sticker Sheets, Hype Sticker, Limited Edition of 500
Tracklisting 6 x 12inch Box Set
A1. Bells
A2. Night Drive
B1. Gaming Man
B2. Fuyuukan
C1. Gotta Have House
C2. Machibouke
D1. Way Of Jungle
D2. Quiet Town Of Tokyo
E1. Right Here Right Now
E2. Sora - Sky Magic
F1. Water Melodies
F2. Nippon No Natsu
G1. Rain
G2. Orange Moon
H1. I Know You Like It
H2. Tokyo 018
I1. Time Traveling
I2. This Moment
J1. Timeless
J2. Take Yours
K1. Night Drive (Reprise)
K2. Simoon
L1. Lens 1992
L2. Bass Man
Info
WRWTFWW Records is in a state of total bliss as it announces the release of the Pitstop Box compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota’s two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12inches housed (!) in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets.
Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota’s album discography finally gets a long overdue vinyl release in the form of a limited-edition box set housing (!) six 12inches and a total of 24 songs showcasing the house legend’s celebrated sound. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota’s music is loved for its simplicity, its hypnotic quality, and, most importantly, its SOUL – homegrown 90s soulful melodic club music…pure love!
The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota’s personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits (“Right Here Right Now”, “Night Drive” and the list goes on), a cover of “Simoon” by Haruomi Hosono’s Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada.
Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992 (from which his viral hit “Do It Again” is from), he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It’s this side of Yokota’s life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased 90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.
Full unadulterated pleasure forever - from night drives to dancefloors.
Points of interests
For fans of 90s house, NY house, deep house, sample house, jazzy house, soulful house, true house, also downtempo, funk, old school hip hop, Larry Heard, Yellow Magic Orchestra, Soichi Terada, sports cars, listening to house music in sports cars, listening to house music while driving at night, listening to house music to dance, listening to house because it feels good, good things in general.
First ever vinyl release for Shinichiro Yokota’s Do It Again and Again (2016) and I Know You Like It (2019) albums, together in a beautiful slipcase box set!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Daisuke Hinata - Lake High
2
Daisuke Hinata - DC3
3
Daisuke Hinata - How Do you Do
4
Daisuke Hinata - Mr. C. Tee
5
Daisuke Hinata - High Tech Tree
6
Daisuke Hinata - Citrus
7
Daisuke Hinata - L.A. 88
Territories: world excluding Japan
Genre: Ambient, Synth-pop, Electronic, Environmental, Leftfield, Feel-good
LP: Turquoise & Light Pink Colored Vinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Lake High
A2. DC3
A3. How Do you Do
A4. Mr. C. Tee
B1. High Tech Tree
B2. Citrus
B3. L.A. 88
Info
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip.
Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyo ongaku, minimalistic proto-chillwave, the synth melody of a pleasant Sunday breeze as the ocean waves breathe in and breathe out. Steve Winwood and Steely Dan come to mind as the ambient sound design of an imaginary John Hughes movie unfolds as all pieces of the puzzle come together for a blissful journey of simple pleasures.
Daisuke Hinata is a Grammy-nominated artist, composer, producer, and member of Interior. This is WRWTFWW’s third release centered around the work of the band, following the reissue of their Haruomi Hosono-produced self-titled debut (1982) and the first release ever of Sculpture of Time (Apocalypse), their rarely heard before commissioned piece for German environmental artist NILS-UDO. All still available on We Release!
*Music You've Never Heard Anywhere Else Before*
Points of interests
For fans of ambient, environmental, chill, meditative, sound design, synthesizers, feel-good music, John Hughes movies, listening to music as the sun is shining, driving by the Ocean, Steve Winwood, Steely Dan, the 80s and the 90s, good coffee breaks with your cat or your dog, good moments in life.
First ever vinyl release for the solo 1989 album from Daisuke Hinata from famed Japanese environment/ambient/synthpop unit Interior.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Ambient, Synth-pop, Electronic, Environmental, Leftfield, Feel-good
LP: Turquoise & Light Pink Colored Vinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Lake High
A2. DC3
A3. How Do you Do
A4. Mr. C. Tee
B1. High Tech Tree
B2. Citrus
B3. L.A. 88
Info
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip.
Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyo ongaku, minimalistic proto-chillwave, the synth melody of a pleasant Sunday breeze as the ocean waves breathe in and breathe out. Steve Winwood and Steely Dan come to mind as the ambient sound design of an imaginary John Hughes movie unfolds as all pieces of the puzzle come together for a blissful journey of simple pleasures.
Daisuke Hinata is a Grammy-nominated artist, composer, producer, and member of Interior. This is WRWTFWW’s third release centered around the work of the band, following the reissue of their Haruomi Hosono-produced self-titled debut (1982) and the first release ever of Sculpture of Time (Apocalypse), their rarely heard before commissioned piece for German environmental artist NILS-UDO. All still available on We Release!
*Music You've Never Heard Anywhere Else Before*
Points of interests
For fans of ambient, environmental, chill, meditative, sound design, synthesizers, feel-good music, John Hughes movies, listening to music as the sun is shining, driving by the Ocean, Steve Winwood, Steely Dan, the 80s and the 90s, good coffee breaks with your cat or your dog, good moments in life.
First ever vinyl release for the solo 1989 album from Daisuke Hinata from famed Japanese environment/ambient/synthpop unit Interior.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Hajime Mizoguchi - A Monologue 2:50
2
Hajime Mizoguchi - Jin-Roh - Main Theme - Opening Version 2:37
3
Hajime Mizoguchi - Dark Star 2:06
4
Hajime Mizoguchi - Sting 0:37
5
Hajime Mizoguchi - Mad Black 0:47
6
Hajime Mizoguchi - Damp 0:19
7
Hajime Mizoguchi - Gray Black 0:36
8
Hajime Mizoguchi - Blue Clouds 3:10
9
Hajime Mizoguchi - Silence & Wind 1:19
10
Hajime Mizoguchi - Fragrance Rain 1:09
11
Hajime Mizoguchi - Latest Flame 3:01
12
Hajime Mizoguchi - Curse 2:50
13
Hajime Mizoguchi - Pride 2:51
14
Hajime Mizoguchi - Unit One 1:57
15
Hajime Mizoguchi - Long Destiny 0:57
16
Hajime Mizoguchi - The Force 3:41
17
Hajime Mizoguchi - Keel 3:12
18
Hajime Mizoguchi - Angel 1:34
19
Hajime Mizoguchi - Shadow Of Rainbow 1:36
20
Hajime Mizoguchi - Seal 2:41
21
Hajime Mizoguchi - The Top 4:37
22
Hajime Mizoguchi - Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Territories: World excluding Japan
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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1
Coastal Commission - Straight No Chaser
2
Coastal Commission - Rhodes Through Space
Growing up on the slag heaps of County Durham Northumbria, young Sam Robson dreamed of one day finding a better way & somewhere to live with nicer bloody weather! An avid record collector from an early age he looked to music for the answer…
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith002seven
Release-Date:04.04.2025
Genre:Soul/Funk
Configuration:7" Excl
Label:Be With Records
Cat-No:bewith002seven
Release-Date:04.04.2025
Genre:Soul/Funk
Configuration:7" Excl
1
Freddie Scott - You Got What I Need
2
Freddie Scott - Powerful Love
2025 Repress
Tracklisting
A) You Got What I Need
B) Powerful Love
Infos:
Neck-snapping soul masterpiece from Freddie Scott, famously sampled by Biz Markie for his melancholic pop-rap hit "Just A Friend" and a surefire piano-driven basement party anthem in its own right.
The work of the legendary producers Gamble & Huff, the track was also sampled by Ghostface Killah for the wonderful "Save Me Dear" with Jay Dilla also utilising the crunching drums to lace many memorable productions for A Tribe Called Quest and Slum Village.
A peerless piece of deep soul and hip-hop history, here's your chance to own the first ever officially licensed reissue on 45.
On the flip, "Powerful Love" is uptempo guitar-soul with finger-popping swing. Featuring delicate horns and gorgeous backing vocals, it's an unfairly slept-on gem but, given the weight of the A-Side, this is perfectly understandable.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting
A) You Got What I Need
B) Powerful Love
Infos:
Neck-snapping soul masterpiece from Freddie Scott, famously sampled by Biz Markie for his melancholic pop-rap hit "Just A Friend" and a surefire piano-driven basement party anthem in its own right.
The work of the legendary producers Gamble & Huff, the track was also sampled by Ghostface Killah for the wonderful "Save Me Dear" with Jay Dilla also utilising the crunching drums to lace many memorable productions for A Tribe Called Quest and Slum Village.
A peerless piece of deep soul and hip-hop history, here's your chance to own the first ever officially licensed reissue on 45.
On the flip, "Powerful Love" is uptempo guitar-soul with finger-popping swing. Featuring delicate horns and gorgeous backing vocals, it's an unfairly slept-on gem but, given the weight of the A-Side, this is perfectly understandable.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Kimiko Kasai With Herbie Hancock - No Title
2
Kimiko Kasai With Herbie Hancock - No Title
3
Kimiko Kasai With Herbie Hancock - No Title
4
Kimiko Kasai With Herbie Hancock - No Title
5
Kimiko Kasai With Herbie Hancock - No Title
6
Kimiko Kasai With Herbie Hancock - No Title
7
Kimiko Kasai With Herbie Hancock - No Title
8
Kimiko Kasai With Herbie Hancock - No Title
Territories: World ex Japan
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Marcia Griffiths - Here I Am Baby (Come And Take Me)
2
Marcia Griffiths - Everything I Own
3
Marcia Griffiths - Green Grasshopper
4
Marcia Griffiths - Play Me
5
Marcia Griffiths - Children At Play
6
Marcia Griffiths - Sweet Bitter Love
7
Marcia Griffiths - Gypsy Man
8
Marcia Griffiths - There’s No Me Without You
9
Marcia Griffiths - The First Time Ever I Saw Your Face
10
Marcia Griffiths - I Just Don’t Want To Be Lonely
11
Marcia Griffiths - Mark My Word
12
Marcia Griffiths - The First Cut Is The Deepest
13
Marcia Griffiths - Melody Life
14
Marcia Griffiths - Working To The Top (My Ambition) (Part 1)
15
Marcia Griffiths - Don’t Let Me Down
16
Marcia Griffiths - Band Of Gold
17
Marcia Griffiths - Put A Little Love In Your Heart
18
Marcia Griffiths - I See You, My Love
19
Marcia Griffiths - It’s Too Late
20
Marcia Griffiths - Baby If You Don’t Love Me
21
Marcia Griffiths - Love Walked In
22
Marcia Griffiths - When Will I See You Again
23
Marcia Griffiths - Play Me (Part 2)
Territory: Worldwide no exceptions
2024 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2024 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
3
VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
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VARIOUS ARTISTS - No Title
LP - territory: WW- UK/USA/CA/ Benelux
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Sass - A1 : Much Too Much (5:52)
2
Sass - B1 : Much Too Much - Instrumental (6:15)
Format Notes: 2020 re-issue, 140g vinyl, 45 RPM, audio from the original tapes, plain sleeve
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Track List:
A1 : Much Too Much (5:52)
B1 : Much Too Much - Instrumental (6:15)
Release Notes:
Be With hereby presents aural perfection.
Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982.
In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.
Produced by the band’s vocalist Mic Murphy, who also wrote the track along with fellow band member LaForrest Cope, the band needed just one session to capture “Much Too Much”. The recording studio just so happened to be run by Silvio Tancredi and when the tracks were finished he offered to put them out on his 25 West record label. The vocal version and an instrumental mix were released as a 12" the following year. Mic tells us this meant Sass “were one of the few bands to have a record release while still playing on the club circuit. So the reaction exceeded our expectations at the time”.
According to Mic “Much Too Much” was something a little different from the band’s live sound at the time, “it was more R&B smoothed out than the more funk rock we usually leaned into”. Indeed, the track glides with grace, poise and patience. The elegant, easy tempo, combined with the magnificent melody and Mic’s signature sublime vocal conjures magic. The blend of deep boogie-funk power and heavenly sweetness is both infectious and goosebump-inducing.
Over on the flip-side, the instrumental slaps harder. Without Mic’s vocal it’s just pure groove, with nothing to stop you vibing all night - the bassline, the drums and the melody still connect. Hard. Pick your side, you won’t lose.
Working directly with Mic Murphy means that the audio for this re-issue of the classic 12" comes from the original tapes. Cut at 45 RPM and released in a plain sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Mic told us just how much it means to him to have “Much To Much” re-issued: “It’s an amazing feeling to have something you created almost 40 years ago still have relevance and even more amazing to be considered among the Northern Soul boogie anthems. And it’s especially important to me that we’re available again on vinyl”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Phenomenal Handclap Band - Judge Not (Ray Mang Special Mix) 7:57
2
Phenomenal Handclap Band - Judge Not (Ray Mang Instrumental Mix) 7:18
3
Phenomenal Handclap Band - Judge Not (Ray Mang Reprise) 5:18
Tracklist 12":
A) Judge Not (Ray Mang Special Mix) 7:57
B1) Judge Not (Ray Mang Instrumental Mix) 7:18
B2) Judge Not (Ray Mang Reprise) 5:18
Gospelhouse from heaven! Yes - this is a very special record: NYC‘s Phenomenal Handclap Band meets London’s Ray Mang - the psychedelic soul disciples meet the disco champ by way of remix.
Ray Mang is a hero to fans of underground disco: remixer, collector, producer, DJ - he is part of that magic circle of London DJ connoisseurs around DJ Harvey. He has the magic disco touch, and has applied it to great effect to PHB’s "Judge Not". He did a fresh, new take on house-heavy gospel disco that is sure to fill any dancefloor. Try it!
For those who don't know New York's almost legendary band: The Phenomenal Handclap Band is led by producer Daniel Collás, and consists of some of New York's finest new soul & disco musicians. Some of them used to play in the Amy Winehouse band and others can be heard on some of Mark Ronson's productions. Their biggest moment was when they released their single "15 to 20" some years ago (on Gomma Records) and Paul McCartney wrote them a letter about how much he loved that song when he heard it on BBC Radio 1.
On "Judge Not" they come up with dazzling piano lines, a deep rare funk rhythm section, and a street corner gospel choir that brings you to your feet.
Ray Mang heard the original version of this song and was hyped to become involved in the remix, and the pairing is complementary to say the least.
Many of you know PHB from their collaborations with such luminaries as Peaches or Marcos Valle or Bryan Ferry, a prime appearance at the Glastonbury Festival, and direct support on Bryan Ferry’s US tour.
The group is currently finishing a new album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A) Judge Not (Ray Mang Special Mix) 7:57
B1) Judge Not (Ray Mang Instrumental Mix) 7:18
B2) Judge Not (Ray Mang Reprise) 5:18
Gospelhouse from heaven! Yes - this is a very special record: NYC‘s Phenomenal Handclap Band meets London’s Ray Mang - the psychedelic soul disciples meet the disco champ by way of remix.
Ray Mang is a hero to fans of underground disco: remixer, collector, producer, DJ - he is part of that magic circle of London DJ connoisseurs around DJ Harvey. He has the magic disco touch, and has applied it to great effect to PHB’s "Judge Not". He did a fresh, new take on house-heavy gospel disco that is sure to fill any dancefloor. Try it!
For those who don't know New York's almost legendary band: The Phenomenal Handclap Band is led by producer Daniel Collás, and consists of some of New York's finest new soul & disco musicians. Some of them used to play in the Amy Winehouse band and others can be heard on some of Mark Ronson's productions. Their biggest moment was when they released their single "15 to 20" some years ago (on Gomma Records) and Paul McCartney wrote them a letter about how much he loved that song when he heard it on BBC Radio 1.
On "Judge Not" they come up with dazzling piano lines, a deep rare funk rhythm section, and a street corner gospel choir that brings you to your feet.
Ray Mang heard the original version of this song and was hyped to become involved in the remix, and the pairing is complementary to say the least.
Many of you know PHB from their collaborations with such luminaries as Peaches or Marcos Valle or Bryan Ferry, a prime appearance at the Glastonbury Festival, and direct support on Bryan Ferry’s US tour.
The group is currently finishing a new album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) (9:07)
2
DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) (5:38)
3
DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix)(6:12
2023 repress
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Willie Hutch - A1 : Ain’t Gonna Stop (3:06)
2
Willie Hutch - A2 : You Can’t Miss Something That You Never Had (2:32)
3
Willie Hutch - A3 : A Love That’s Worth Having (2:47)
4
Willie Hutch - A4 : Good To The Last Drop (3:00)
5
Willie Hutch - A5 : That’s What I Call Lovin’ You (1:54)
6
Willie Hutch - A6 : You Gotta Try (2:26)
7
Willie Hutch - B1 : Let Me Give You The Love You Need (2:34)
8
Willie Hutch - B2 : Lucky To Be Loved By You (2:50)
9
Willie Hutch - B3 : Keep On Doin’ What You Do (2:18)
10
Willie Hutch - B4 : Your Love Keeps Liftin’ Me Higher (2:32)
11
Willie Hutch - B5 : Do What You Wanna Do (3:12)
Format Notes: 2022 re-press, 180g vinyl
Track List:
A1 : Ain’t Gonna Stop (3:06)
A2 : You Can’t Miss Something That You Never Had (2:32)
A3 : A Love That’s Worth Having (2:47)
A4 : Good To The Last Drop (3:00)
A5 : That’s What I Call Lovin’ You (1:54)
A6 : You Gotta Try (2:26)
B1 : Let Me Give You The Love You Need (2:34)
B2 : Lucky To Be Loved By You (2:50)
B3 : Keep On Doin’ What You Do (2:18)
B4 : Your Love Keeps Liftin’ Me Higher (2:32)
B5 : Do What You Wanna Do (3:12)
Release Notes:
A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown’s top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today.
His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features eleven timeless grooves, with a blend of beat ballads and undeniable dancers.
The album’s centrepiece is undoubtedly the iconic, brooding minor-key masterpiece “A Love That’s Worth Having”. The album’s most recognisable track, it's a towering ballad drenched in stylish, sliding horns and elevated by its stunning backing vocalists. It was famously sampled by Madlib to augment his soundtrack for Stones Throw’s Our Vinyl Weighs A Ton as well as 9th Wonder for the Murs classic “Dreamchaser”. Whilst one can understand these iconic beatmakers for leaning on the work of a master, you really need to own the track in its full, unedited glory.
Horn-heavy opener “Ain’t Gonna Stop” is a funk-fuelled monster, Hutch's fatback vocal aided by a vicious drum ‘n’ conga rhythm whilst the bumping uptown soul of “You Can’t Miss Something That You Never Had” anticipates the Motown-vibe that Hutch went on to create. Supple guitar licks propel the loping, head-nod breaks of “Good To The Last Drop” whilst “That’s What I Call Lovin’ You” features gospel piano and plaintive, tender vocal turn. Rounding out Side A, the blazing horns of “You Gotta Try” hints at the Blaxploitation that was to come.
Ushering in the flipside, the thundering proto-70s-Motown rhythm of “Let Me Give You The Love You Need” segues neatly into the bouncing Northern Soul favourite “Lucky To Be Loved By You” whilst Hutch’s gutbucket guitar stylings are all over the smouldering "Keep On Doin’ What You Do". “Your Love Keeps Liftin’ Me Higher” is not a rendition of the Jackie Wilson classic; rather, it’s a powerhouse original that indicates where Hutch would take his sound on The Mack. Closing the album, the anthemic “Do What You Wanna Do” name-checks contemporary dance fads before instructing the listener to just get up and dance.
Brilliantly supported by a heavy roster of studio cats who combined to create a winning combination of horns, strings, and gorgeous female background vocalists, Soul Portrait is as complete a soul album as the decade’s very best. Tricky to find for a number of years, this lovingly produced reissue is certainly welcome. Paired with the soaring follow-up, Season For Love, these recordings shine a new light on the early work of a soul legend. Mastered for vinyl by Simon Francis, it has been pressed on 180g vinyl for the first time and features the original artwork and liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Track List:
A1 : Ain’t Gonna Stop (3:06)
A2 : You Can’t Miss Something That You Never Had (2:32)
A3 : A Love That’s Worth Having (2:47)
A4 : Good To The Last Drop (3:00)
A5 : That’s What I Call Lovin’ You (1:54)
A6 : You Gotta Try (2:26)
B1 : Let Me Give You The Love You Need (2:34)
B2 : Lucky To Be Loved By You (2:50)
B3 : Keep On Doin’ What You Do (2:18)
B4 : Your Love Keeps Liftin’ Me Higher (2:32)
B5 : Do What You Wanna Do (3:12)
Release Notes:
A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown’s top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today.
His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features eleven timeless grooves, with a blend of beat ballads and undeniable dancers.
The album’s centrepiece is undoubtedly the iconic, brooding minor-key masterpiece “A Love That’s Worth Having”. The album’s most recognisable track, it's a towering ballad drenched in stylish, sliding horns and elevated by its stunning backing vocalists. It was famously sampled by Madlib to augment his soundtrack for Stones Throw’s Our Vinyl Weighs A Ton as well as 9th Wonder for the Murs classic “Dreamchaser”. Whilst one can understand these iconic beatmakers for leaning on the work of a master, you really need to own the track in its full, unedited glory.
Horn-heavy opener “Ain’t Gonna Stop” is a funk-fuelled monster, Hutch's fatback vocal aided by a vicious drum ‘n’ conga rhythm whilst the bumping uptown soul of “You Can’t Miss Something That You Never Had” anticipates the Motown-vibe that Hutch went on to create. Supple guitar licks propel the loping, head-nod breaks of “Good To The Last Drop” whilst “That’s What I Call Lovin’ You” features gospel piano and plaintive, tender vocal turn. Rounding out Side A, the blazing horns of “You Gotta Try” hints at the Blaxploitation that was to come.
Ushering in the flipside, the thundering proto-70s-Motown rhythm of “Let Me Give You The Love You Need” segues neatly into the bouncing Northern Soul favourite “Lucky To Be Loved By You” whilst Hutch’s gutbucket guitar stylings are all over the smouldering "Keep On Doin’ What You Do". “Your Love Keeps Liftin’ Me Higher” is not a rendition of the Jackie Wilson classic; rather, it’s a powerhouse original that indicates where Hutch would take his sound on The Mack. Closing the album, the anthemic “Do What You Wanna Do” name-checks contemporary dance fads before instructing the listener to just get up and dance.
Brilliantly supported by a heavy roster of studio cats who combined to create a winning combination of horns, strings, and gorgeous female background vocalists, Soul Portrait is as complete a soul album as the decade’s very best. Tricky to find for a number of years, this lovingly produced reissue is certainly welcome. Paired with the soaring follow-up, Season For Love, these recordings shine a new light on the early work of a soul legend. Mastered for vinyl by Simon Francis, it has been pressed on 180g vinyl for the first time and features the original artwork and liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2025 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Samuel Jonathan Johnson - My Music (5:45)
2
Samuel Jonathan Johnson - What The World Needs Now Is Love (4:28)
3
Samuel Jonathan Johnson - Sweet Love (2:36)
4
Samuel Jonathan Johnson - Because I Love You (4:10)
5
Samuel Jonathan Johnson - It Ain’t Easy (3:54)
6
Samuel Jonathan Johnson - You (4:12)
7
Samuel Jonathan Johnson - Just Us (3:00)
8
Samuel Jonathan Johnson - Yesterdays And Tomorrow (4:25)
9
Samuel Jonathan Johnson - Thank You Mother Dear (3:00)
10
Samuel Jonathan Johnson - Reason For The Reason (3:03)
Territories: Worldwide no restrictions
Format Notes: 2019 re-issue, 140g vinyl
Track List:
A1 : My Music (5:45)
A2 : What The World Needs Now Is Love (4:28)
A3 : Sweet Love (2:36)
A4 : Because I Love You (4:10)
A5 : It Ain’t Easy (3:54)
B1 : You (4:12)
B2 : Just Us (3:00)
B3 : Yesterdays And Tomorrow (4:25)
B4 : Thank You Mother Dear (3:00)
B5 : Reason For The Reason (3:03)
Release Notes:
My Music is a stellar spiritual soul / jazz-funk gem, recorded by keyboardist-singer Samuel Jonathan Johnson in 1978. The epitome of a cult classic, it didn't do much upon its release but steadily found an audience over the decades that followed. It eventually worked its way into the culture, and latterly the wantlists, of wave after wave of soul aficionados.
This is music that shares the jazzy R&B DNA of contemporaries like Roy Ayers and is an intoxicating blend of mellow moments and more groove-heavy tracks. Spacey keys and lush production give it a luxurious, enveloping warmth.
My Music opens with the gorgeous title track: an indulgent slow jam opus. Introducing us to Johnson’s compelling musical vision, it features a rich mélange of production techniques. Dripping in strings, horns, backing singers, popping funk bass lines and swooshing synth waves, it’s an unusually structured cosmic two stepper that has an irrepressible groove. Accordingly, it’s been a favourite with the diggers and it was sampled by The Alchemist for Jadakiss’s “We Gonna Make It” (and it was also used on Ras Kass’s “Home Sweet Home”… but that’s a story for another time).
The up-tempo “Sweet Love” bubbles over with joy, its uplifting lyrics backed by infectious bass and jazzy Fender Rhodes lines. It follows a cover of “What the World Need’s Now Is Love”, taken at a funereal pace that transforms it into a heartfelt plea for love and understanding. Essential in these dark days.
After a full-minute-long opening of lush cinematic strings and horns, “Because I Love You” makes space for Samuel’s voice, accompanied by some keys and just a sprinkle of guitar. It builds back up and then mellows its way out to a jazz lounge finish (in all the right ways). The feel-good ebullience of the Stevie Wonder-esque “It Ain’t Easy” closes out the LP’s first side.
The second side bursts open with the heavy bounce and disco-funk basslines of “You”, a slightly off-beat string-laden dancer with insistent horns and a piano-assisted groove. Next up is “Just Us”, a legendary steppers track that could be heard oozing out of deep soul radios and funk sound systems back in the late 80s.
“Yesterdays and Tomorrow” is a moving original ballad that is followed by an exquisite high-stepping paean to mom in the form of “Thank You Mother Dear”. The thumping easy-glide of “Reason For The Reason” brings the album to a close.
Respectfully mastered by Simon Francis and cut by the master Pete Norman, this reissue of Samuel Jonathan Johnson’s sole LP sounds as sumptuous as that scarlet gown on the front cover. The sleeve artwork was lovingly restored by the Be With team. My Music is a luxurious and rare collection of songs that now has an opportunity to reach beyond its cult audience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 2019 re-issue, 140g vinyl
Track List:
A1 : My Music (5:45)
A2 : What The World Needs Now Is Love (4:28)
A3 : Sweet Love (2:36)
A4 : Because I Love You (4:10)
A5 : It Ain’t Easy (3:54)
B1 : You (4:12)
B2 : Just Us (3:00)
B3 : Yesterdays And Tomorrow (4:25)
B4 : Thank You Mother Dear (3:00)
B5 : Reason For The Reason (3:03)
Release Notes:
My Music is a stellar spiritual soul / jazz-funk gem, recorded by keyboardist-singer Samuel Jonathan Johnson in 1978. The epitome of a cult classic, it didn't do much upon its release but steadily found an audience over the decades that followed. It eventually worked its way into the culture, and latterly the wantlists, of wave after wave of soul aficionados.
This is music that shares the jazzy R&B DNA of contemporaries like Roy Ayers and is an intoxicating blend of mellow moments and more groove-heavy tracks. Spacey keys and lush production give it a luxurious, enveloping warmth.
My Music opens with the gorgeous title track: an indulgent slow jam opus. Introducing us to Johnson’s compelling musical vision, it features a rich mélange of production techniques. Dripping in strings, horns, backing singers, popping funk bass lines and swooshing synth waves, it’s an unusually structured cosmic two stepper that has an irrepressible groove. Accordingly, it’s been a favourite with the diggers and it was sampled by The Alchemist for Jadakiss’s “We Gonna Make It” (and it was also used on Ras Kass’s “Home Sweet Home”… but that’s a story for another time).
The up-tempo “Sweet Love” bubbles over with joy, its uplifting lyrics backed by infectious bass and jazzy Fender Rhodes lines. It follows a cover of “What the World Need’s Now Is Love”, taken at a funereal pace that transforms it into a heartfelt plea for love and understanding. Essential in these dark days.
After a full-minute-long opening of lush cinematic strings and horns, “Because I Love You” makes space for Samuel’s voice, accompanied by some keys and just a sprinkle of guitar. It builds back up and then mellows its way out to a jazz lounge finish (in all the right ways). The feel-good ebullience of the Stevie Wonder-esque “It Ain’t Easy” closes out the LP’s first side.
The second side bursts open with the heavy bounce and disco-funk basslines of “You”, a slightly off-beat string-laden dancer with insistent horns and a piano-assisted groove. Next up is “Just Us”, a legendary steppers track that could be heard oozing out of deep soul radios and funk sound systems back in the late 80s.
“Yesterdays and Tomorrow” is a moving original ballad that is followed by an exquisite high-stepping paean to mom in the form of “Thank You Mother Dear”. The thumping easy-glide of “Reason For The Reason” brings the album to a close.
Respectfully mastered by Simon Francis and cut by the master Pete Norman, this reissue of Samuel Jonathan Johnson’s sole LP sounds as sumptuous as that scarlet gown on the front cover. The sleeve artwork was lovingly restored by the Be With team. My Music is a luxurious and rare collection of songs that now has an opportunity to reach beyond its cult audience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Gerry Read - It’ll all be over 03:55min
2
Gerry Read - Satyricon 04:58min
3
Gerry Read - It’ll all be over (DJ Koze remix) 05:01min
2023 repress
Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min
Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min
Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore