Tracklist CD
01 Karol XVII & MB Valence - Old Memories (The Beginning Mix)
02 Karol XVII & MB Valence - Aqua (Album Edit)
03 Karol XVII & MB Valence feat. Lazarusman - 2022 Whispers (Album Retouch)
04 Karol XVII & MB Valence feat. Jono McCleery - Fool's Gold (Album Original Version)
05 Karol XVII & MB Valence - Echoes & The Beauty (Jackspeare Interpretation)
06 Karol XVII & MB Valence - Disharmony (Original Mix)
07 Karol XVII & MB Valence - Waterfall Drops (The Last Update Mix)
08 Karol XVII & MB Valence - Sonus (Jackspeare Original Interpretation)
09 Karol XVII & MB Valence feat. Keely Timlin - Bang Bang (Back to 2013 Mix)
10 Karol XVII & MB Valence - Jackspeare Theme (Album Version)
11 Karol XVII & MB Valence - Digisong (Original Vision)
12 Karol XVII & MB Valence - Universum (Jackspeare Original Interpretation)
13 Karol XVII & MB Valence - Humanity (Album Final Cut)


Release Info:

Get Physical Music family members Karol XVII & MB Valence unveil their stunning new album, ‘Essay’, in February 2022. Following well-received teaser singles, the full album is a storytelling trip through many shades of heartfelt house.

Polish pair Karol XVII & MB Valence have been a key part of the global dance scene for more than a decade. In that time, they have established their own Loco Records, been nominated as Best Deep House Artists at the Beatport Music Awards and have continued to push the genre forwards. Drawing on their backgrounds as composers and sound engineers, the duo has put out plenty of singles on Get Physical and contributed to 2020's 'Retrospective,' but ‘Essay’ is their boldest artistic statement to date.

The lovely atmosphere of 'Old Memories' opens the album with dreamy ambience and soothing breakbeats before 'Aqua' sinks you into a vast and pillowy deep house groove. It's a gorgeous track detailed with delicate synths. The lead single 'Whispers' is another stylish and seductive track featuring Johannesburg native and vocalist Lazarusman, before Jono McCleery features on 'Fool's Gold,' a richly melodic and harmonic lullaby with vulnerable vocals.

Real late night tension defines 'Echoes & The Beauty' (Jackspeare Interpretation) with its frazzled synths and mysterious rolling beats, while 'Disharmony' is characterised by uneasy, unsettling synth motifs that loop over more cavernous deep house drums. The fascinating album continues through the absorbing dub house and delicate pads of 'Waterfall Drops.' Another Jackspeare Interpretation, this time of 'Sonus,' makes for perfectly meditative and melancholic listening, and 'Bang Bang' then layers soft shakers over big rubbery kicks while a sensuous vocal hangs in the air. The stunning 'Jackspeare Theme' is nearly four minutes of suspensory cosmic ambiance and the album then plays out with the organic broken beats of 'Digisong,' electro-tinged future soul of 'Universum' (Jackspeare Original Interpretation), and pensive synth craft of sublime closer 'Humanity.'

‘Essay’ is the sumptuous sound of two producers at their very best.



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Tracklist CD
01. Soulspace - Lotus Eater (Original Mix)
02. Pawas - Naja ft. Arooj Aftab
03. Unnayanaa - Plus Loin ft. Erika Lernot
04. Small Town Guy - Oasis ft. Adil Smaali
05. Hamza – Morchang
06. Troja – Sutra
07. Low Volume – Sharaabi
08. Arnold From Mumbai – Roots
09. Kone Kone - Come Closer
10. Todh Teri - Sampadan 1 (Dub)
11. Murthovic - In The Flesh
12. MALFNKTION, MadStarBase - Chameleon

Infotext
India. An ancient land of abundant spices, colourful languages, vibrant cultures, infinite beliefs & ever-shifting terrains. This 5000-year-old society was one of the earliest in the world to philosophise & document the natural relationship between music & human spirituality. And through the decades of the recent past, modern India has been interestingly unique (and highly accommodative) to contemporary & global electronic dance music. This, in turn, has developed into fertile soil for local DJs and producers, to thrive & bloom across the motherland. From India's capital (New Delhi) to its major cities (Mumbai, Calcutta, Bangalore) & emerging cities (Hyderabad, Pune, Pondicherry) - all shades of contemporary house and techno are now being accepted as the popular pulse for their nights. It's fascinating how this fairly recent 'western' phenomenon has now deeply woven itself into India's 'eastern' culture & rich musical tapestry.
But then again, electronic music could never be 'claimed' by any particular country or continent. Since time immemorial, its spirit & appeal has transcended all lands & their boundaries. Each new track release in the physical world is a soulful expression in the spirit realm - blooming out from the hidden recesses of highly talented music producers. They are true 'artists' - buried waist deep in their art & craft - on laptops & studios scattered all across planet Earth. When you are enjoying mega festivals with your special gang of friends or while listening to your favourite podcast on your daily commute to work - music lovers simply need to close their eyes to quickly immerse in their personal moment with the artist's latest creation & offering. This simple act enables everybody to engage with music at the moment; giving him/her a rare opportunity to glimpse into the creator's mind. And sometimes, the artist touches your soul. These strongly personal & highly enriching experiences compel listeners to seek exciting music makers. With opened eyes, minds & hearts, they bar all sorts of 'real-world' prejudice.
Through the past 16 years, supporters & followers of Get Physical have had this innate sensibility - which collectively eclipses geographical, ideological & musical boundaries. Acknowledging this special spirit of music discovery, the label's country-specific compilations aim to expose the featured country's local heroes to its loyal family of global music enthusiasts. India Gets Physical is another endeavour by the label to present the next breed of contemporary Indian electronic music & artists, to dance music aficionados across Europe and rest of the world. They are pacing its release by launching two singles - including exclusive remixes - as precursors to the compilation. Going beyond their release commitments, Get Physical also proactively aims to explore & discover the Indian scene and extend their support locally. They aim to achieve this (post-release) by planning a full-fledged label tour across the subcontinent.
All the Indian artists on this compilation have been brought together by the mysterious Todh Teri (who also happens to be the mastermind behind the mix). An ardent revivalist of Indian cinema's rich disco & cabaret music legacy, Todh Teri's live sets blend these sensibilities with the funk, house & acid influences of being a Berliner. When asked about India Gets Physical, he says "The artists & music I've put together for this project are predominantly electronic, but with just a pinch of India in it. Clearly steering away from all probable cliches - all of these tracks sound very international but with just a hint of an Indian tone, scale or sound. It is our lil' nod to the motherland. With this compilation, Get Physical & I are pleased to present to you our process of finding & exposing more music producers from India - hopefully getting them the attention they truly deserve."



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Brasilian Import CD, Limited to 30 copies, when it´s gone it´s gone.

Tracklist:

01 Hauy - Redpath
02 Leo Janeiro, Mumbaata - Blaze
03 Lacozta - Plano
04 HNQO - Sorrow
05 Carrot Green - Movimento (Digitaria remix)
06 Andre Salata, Mumbaata - BR-116
07 Bruce Leroys - Rev is out
08 Gabe - Hierbas (Albuquerque Remix)
09 Rodrigo Ferrari - 10PM
10 Renato Ratier - Snapshots
11 Nuno Deconto - Raizes
12 Afternude - Tribal Syndrome
13 Ossaim - When You Say My Name
14 Flow & Zeo - Maresia


Short info:
Get Physical Presents: Cocada is a brand new compilation put together in cooperation with the
Brazil Music Conference, and is compiled and mixed by local and long time star Leo Janeiro. All
bar one of the 14 tracks is exclusive, and all come from exciting Brazilian talents, making for a great
window into the scene.

'Cocada' is a word that evokes strong childhood memories for all Brazilians. It is a delicious coconut
sweet which, says the label, "is a little surprise in the middle of an ordinary day that makes you
appreciate all the good things of Brazil." As such, it is a perfect name for this selection which features
tracks from big and emerging names alike.

"Under the name Cocada we'll be launching music and organizing workshops and parties, in order
to bring greater visibility to the electronic music being produced in Brazil and throughout Latin
America", says Get Physical's managing director Roland Leesker.

"Our desire is to create an international platform both for emerging underground producers and
well-known artists," A&R manager Matt Plessis adds. "Cocada is very sweet and we want to give
the world an opportunity to taste some of those powerful delights that have been produced in Brazil,".

Among the album's more established producers is HNQO, who runs the Playperview label and has
released on Hot Creations. His track 'Sorrow' is a moody cut with a shapeshifting lead synth that
brings a zoned out feel. Another big hitter is Renato Ratier, the owner of celebrated Brazilian clubs
D Edge and Warung, resident at the former and globe trotting DJ who has put out a couple of well
received albums. His 'Snapshots' is a track with brilliantly rumbling bass and starry night skies as
well as dubby chords that get you on your toes.

First out of the blocks is Hauy with the superbly languid and elastic deep house of 'Redpath' featuring
gently undulating synths and rolling drums. The man behind the mix then serves up 'Blaze'
with Mumbaata, and it's a tight, upright bit of melodic house with loose drums that reflect Brazil's
rich musical heritage.

Well-crafted melodic vibes are the backbone of this collection, with the likes of Lacozta, Albuquerque's
remix of 'Hierbas' and Andre Salata & Mumbaata's 'BR-116' all offering nicely atmospheric,
warm house grooves with big, sweeping melodies and poised chords that add plenty of colour and
majesty to the music. Bruce Leroys picks up the pace with his more edgy and driving tech cut 'Rev
Is Out' and things get all trippy and spaced out on the hypnotic 'Raizes' by Nuno Deconto.

This is a compelling selection of tracks that show that Brazil is a real hot bed of talent going into
2018, and Get Physical knows exactly where to find it.



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"Body Language Vol.17" ist eine gefühlstiefe und Sound-verliebte Reise durch den WhoMadeWho Orbit! Inklusive der weltneuen Single "Hi & Low".

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Wie schon den beiden Label-Mitbegründern von M.A.N.D.Y. zuvor, wird nun auch DJ T. die Ehre zuteil, für die 15. Ausgabe zum zweiten Mal Hand an die "Body Language"-Serie zu legen!

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Das Kölner Zweiergespann andhim, alias Simon Haehnel und Tobias Müller, treten in die Fußstapfen von u.a. M.A.N.D.Y., Dixon, DJ Hell und Catz 'N Dogz und kreieren mit der 14. Ausgabe der beliebten Body Language-Compilationreihe von Get Physical Music den

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Welcome to the 2013 Ibiza Season!

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"Body Language", die so traditionsreiche wie erfolgreiche Mix-CD-Serie auf Get Physical, geht in die zwölfte Runde - an den Reglern: das derzeit schwer angesagte Duo Catz'n Dogz!

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Auf der zehnten Folge der erfolgreichen "Body Language"-Serie übernehmen wieder die Get Physical-Macher M.A.N.D.Y. das Ruder, um den Beweis anzutreten, dass dies noch immer eine der absoluten Top-DJ-Mix-Serien ist.

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DJ T. begeistert mit seinem dritten Album. Produziert wurde es von Lopazz, mit im Studio waren Dave Aju, Jaw von dOP, James Teej und Khan!

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Thomas Schumacher (Elektrochemie LK) präsentiert und mixt die Labelwerkschau zum achtjährigen Jubiläum von Get Physical - mit Tracks von Nôze, Booka Shade, Damian Lazarus, Andy Cato, Kris Wadsworth, M.A.N.D.E.A.R., Elektrochemie u.v.a.!

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Nach dem letztjährigen Album-Highlight "Teufelswerk" meldet sich DJ Hell mit seinem bis dato persönlichsten DJ Mix der beliebten "Body Language" Serie auf Get Physical zurück! Mit Tracks von u.a. Depeche Mode, Die Vögel, David Bowie, Klaus Schulze u.v.a.

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Modeselektor should require very little introduction. The Berlin-based duo of Gernot Bronsert and Sebastian Szary have destroyed so many dancefloors around the world that their reputation precedes them and, as producers too, their stature has grown and grown. They've released two critically-acclaimed albums - Hello Mom! and Happy Birthday! - and collaborated with the likes of Thom Yorke and Paul St Hilaire.
Most recently they worked with Apparat on the much talked-about Moderat project: a collision of futuristic beat-styles, moody synth-textures and vocals, which has won them a whole load of new fans and seen them tour the globe with a truly mind-melting, chest-thumping audio-visual live show.
Somehow or other, Modeselektor still find time to be among the best, most reliable party-smashing DJs on the planet. Their contribution to Get Physical's Body Language mix series is a riotous, bass-heavy affair, one which takes in all kinds of interesting developments in cutting edge contemporary dance music.
MDSLKTR draw a natural line from the fizzing aqua-crunk of Rustie's 'Zig-Zag' to the R&B bump of Missy Elliott's Timbaland-produced 'Lick Shots', from the skippy 90s techno of G-Man's 'Quo Vadis' to the tough Berghain minimalism of Norman Nodge.
Dubstep - a big influence on the Moderat project - plays a pivotal role in the mix: moody, synth-led masterpieces by Peverelist and Benga recall classic Detroit techno, while Untold's devastating 'Anaconda' is sheer dancefloor energy. Scuba's 'Klinik' isn't so much dubstep as broken, reductionist house music.
Throughout the mix, Gernot and Sebastian astound with their ability to bring apparently disparate tunes together into perfect synchrony: who else would have thought to marry the edgy 2-step of Horsepower Productions to the austere 4/4 pulse of vintage Robert Hood, and on into the crunching digital dancehall of Major Lazer? Sometimes the links that Modeselektor forge are less bizarre but no less effective: Joker & Rustie's wonky standard 'Play Doe' is a natural companion to Busta Rhymes' 'Gimme Some More' and the low-slung strip-club thump of Mark Pritchard & Om'mas Keith's 'Wind It Up'.
There's still room for surprises though: the mix's closing chapter is heralded by a cheeky blast of what is perhaps the pop song of 2009, Animal Collective's effervescent 'My Girls'. We're left with 'A New Error', probably the most haunting and memorable tune from Moderat's recent album, and a fine finale to this stupendous, genre-hopping mix.
The uncompromising, big-hearted Body Language Vol.8 is the most refreshing and outrageously banging mix you'll hear all year, a stellar addition to a series which has seen previous contributions from the likes of M.A.N.D.Y., DJ T., Matthew Dear and Junior Boys. It's the very opposite of boring. Hell, it might just be the party album of the year…
TRACKLIST CD:

01 Outro
02 Rustie - Zig-Zag
03 Missy Elliott - Lick Shots (Instrumental)
04 Osborne - The Count
05 Boy 8-Bit - Cricket Scores
06 Felix Da Housecat - Kickdrum
07 Alex Cortex - Huyendo Part 2
08 G-Man - Quo Vadis
09 Norman Nodge - NN 8.0
10 Benga - Emotions
11 Peverelist - Clunk Click Every Trip
12 Untold - Anaconda
13 MOVES!!! - All Skate
14 Busta Rhymes - Gimme Some More (Amended Version)
15 Joker & Rustie - Play Doe
16 Mark Pritchard & Om'mas Keith - Wind It Up
17 Djedjotronic - Dirty & Hard (feat. Spoek) vs Dorian Concept - Trilingual Dance Sexperience
18 Horsepower Productions - Let's Dance (Club Mix)
19 Robert Hood - Unix
20 Major Lazer - Pon De Floor
21 Boys Noize - Nerve
22 Siriusmo - Nights Off
23 Modeselektor - The Black Block (Marcel Dettman Redifinition)
24 Scuba - Klinik
25 Animal Collective - My Girls
26 Modeselektor - Fill #1
27 Siriusmo - Die Rockwurst
28 Si Begg vs Juice Aleem - Rock My Hologram (Original Instrumental)
29 Moderat - A New Error


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Modeselektor should require very little introduction. The Berlin-based duo of Gernot Bronsert and Sebastian Szary have destroyed so many dancefloors around the world that their reputation precedes them and, as producers too, their stature has grown and grown. They've released two critically-acclaimed albums - Hello Mom! and Happy Birthday! - and collaborated with the likes of Thom Yorke and Paul St Hilaire.
Most recently they worked with Apparat on the much talked-about Moderat project: a collision of futuristic beat-styles, moody synth-textures and vocals, which has won them a whole load of new fans and seen them tour the globe with a truly mind-melting, chest-thumping audio-visual live show.
Somehow or other, Modeselektor still find time to be among the best, most reliable party-smashing DJs on the planet. Their contribution to Get Physical's Body Language mix series is a riotous, bass-heavy affair, one which takes in all kinds of interesting developments in cutting edge contemporary dance music.
MDSLKTR draw a natural line from the fizzing aqua-crunk of Rustie's 'Zig-Zag' to the R&B bump of Missy Elliott's Timbaland-produced 'Lick Shots', from the skippy 90s techno of G-Man's 'Quo Vadis' to the tough Berghain minimalism of Norman Nodge.
Dubstep - a big influence on the Moderat project - plays a pivotal role in the mix: moody, synth-led masterpieces by Peverelist and Benga recall classic Detroit techno, while Untold's devastating 'Anaconda' is sheer dancefloor energy. Scuba's 'Klinik' isn't so much dubstep as broken, reductionist house music.
Throughout the mix, Gernot and Sebastian astound with their ability to bring apparently disparate tunes together into perfect synchrony: who else would have thought to marry the edgy 2-step of Horsepower Productions to the austere 4/4 pulse of vintage Robert Hood, and on into the crunching digital dancehall of Major Lazer? Sometimes the links that Modeselektor forge are less bizarre but no less effective: Joker & Rustie's wonky standard 'Play Doe' is a natural companion to Busta Rhymes' 'Gimme Some More' and the low-slung strip-club thump of Mark Pritchard & Om'mas Keith's 'Wind It Up'.
There's still room for surprises though: the mix's closing chapter is heralded by a cheeky blast of what is perhaps the pop song of 2009, Animal Collective's effervescent 'My Girls'. We're left with 'A New Error', probably the most haunting and memorable tune from Moderat's recent album, and a fine finale to this stupendous, genre-hopping mix.
The uncompromising, big-hearted Body Language Vol.8 is the most refreshing and outrageously banging mix you'll hear all year, a stellar addition to a series which has seen previous contributions from the likes of M.A.N.D.Y., DJ T., Matthew Dear and Junior Boys. It's the very opposite of boring. Hell, it might just be the party album of the year…
TRACKLIST :
A1 Siriusmo - Nights Off
A2 Animal Collective - My Girls
B1 Missy Elliott - Lick Shots (Instrumental)
B2 Mark Pritchard & Om'mas Keith - Wind It Up
B3 Major Lazer - Pon De Floor feat VYBZ Kartel
C1 Moderat - A New Error
C2 Peverelist - Clunk Click Every Trip
D1 Felix Da Housecat - Kickdrum
D2 Modeselektor - The Black Block (Marcel Dettman Redifinition)



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Get Physical co-founder DJ T. returns with his second album, The Inner Jukebox, a singular and accomplished set that reflects its maker's ongoing interest in rigorously re-inventing classic sounds for modern ears and dancefloors.
After four years of 12" releases and collaborative experiments, DJ T.'s full-length follow-up to 2005's Boogie Playground is upon us. While Boogie Playground was an exploration of T.'s 70s and 80s influences, a melting-pot of styles that touched upon electro, disco, italo and funk, The Inner Jukebox draws inspiration from the 90s and is a more focussed adventure - it's T.'s vision of house music as it should be. So much "house" around right now is really just glorified minimal techno, vibe-killing in its meticulousness; by contrast, the tracks which comprise The Inner Jukebox are bold, vivid, expressive. They're cerebral and carefully crafted, yes, but more importantly they have a bounce and a sexiness to them. T. has always sought to make proper, no-nonsense dance music with real groove at its heart - and The Inner Jukebox finds him fully realizing that ambition.
Produced with Thomas Schumacher, who used to helm Elektrochemie and now produces acclaimed solo material for Get Physical, The Inner Jukebox is an assuredly mature work, but is notable also for its youthful exuberance and confidence. This is no concept album - it's about quality dance music that will sound great in the club, the car, the home, wherever. The album opens with its title track, a deep, atmospheric piece replete with dubby chords and shuffling, brushed snares; even without a kickdrum, the tension is built up beautifully with sampled, wordless voice-fragments - a recurring feature throughout the album.
Drawing upon the vast record collection and sound-archive which he has built up over the years, T. samples human voices and cuts them up so that they no longer convey words but rather act as percussive, syllabic stabs. This technique is employed to dramatic effect on 'Dis', a track that's been getting incredible reactions when road-tested in the club, thanks in no small part to the relentless, conga-like percussion which brings a Latin swing to proceedings; the later track 'Bateria' is explicitly samba-influenced. On all The Inner Jukebox's songs you can really hear the time and care that T. and Schumacher have put into their drum programming - the weight and heft of those beats is spot-on, their arrangement spacious, their grain detailed but not unduly fussed over.
The two producers come from different musical backgrounds. Though his origins are in techno and Detroit sound, in recent years Schumacher has fallen in love with house, its whole grammar and aesthetic. With T. as his guide, that love has deepened; it finds its full expression on The Inner Jukebox. The duo found they had a real chemistry in creating the album, a mutual understanding of what they want from music; and together they've developed their own finely-tuned and versatile production language. As always with T.'s work there is a classicism on show, a deep respect for the history of dance music and what has gone before. The Inner Jukebox celebrates in particular the simple elegance and vivacity of 90s house and techno, but never resorts to mere homage. See the phasing 'Mr Piano Hands' and the fantastically upbeat anthem-in-waiting 'Shine On', a triumphant melding of ultra-modern modulation and decidedly retro rave vamps.
As with its predecessor Boogie Playground, samples abound on The Inner Jukebox, giving it a subtle electro and hip-hop flavour that's all too rare in house these days. 'Lit From Within', a swirl of disembodied vocals and phased horns, is pure drama; 'Weirdo' enthrals with its glitched funk patterns and 'Gorilla Hug' - all jacking drums and heavy, double-tracked bassline - is every bit as powerful as its title suggests. Crucially, whatever stylistic avenues the album pursues, the distinct fingerprint of DJ T. can always be felt.
The Inner Jukebox's robust, sensuous harks back to a time before house music splintered into a million different micro-scenes and genres; its tune aren't made just for "peaktime" or "after-hours" or "warm-up", they're made for any time. There's such a clarity of vision to them, every element sounds deliberate - and yet for all its attention to detail, The Inner Jukebox still gives the listener room to breathe; rejecting clinical feel of so much recent club music for a sound more soulful, more intuitive, more three-dimensional. So put another dime in the jukebox baby…
Track List CD:
1 The Inner Jukebox
2 Dis
3 Gorilla Hug
4 Bateria
5 Mr. Piano Hands
6 Lit from Within
7 Rituality
8 Switch
9 Shine On
10 Weirdo
11 To The Drum


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Rights: World excluding France & UK

Packaging: 1x Gold Vinyl & 1 x Khaki Vinyl Gatefold sleeve, 2x printed inner sleeve, marketing sticker

GENRE : Electronics

TRACKLIST

DOUBLE VINYLS
Side One
1. Time Becomes
2. Planet of the Shapes

Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)

Side Three
1. Remind
2. Walk Now…

Side Four
1. Monday
2. Halcyon + On + On
3. Input Out


SHORT PRODUCT INFORMATIONS

- LTD DOUBLE GOLD & KHAKI LP: Limited edition, Double Gold & Khaki Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year


SHORT INFOS / KEY POINTS

- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.


- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.


- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year

- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.




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Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm with mat UV & spot Gloss , 24 page booklet (like a book) + special printed panels for CDs/DVD, front sticker

PRODUCT INFOS:

LIMITED 4CD+1DVD BOXSET

" The definitive version of Bronski Beat's The Age of Consent
" Meticulously researched by project consultant Barnaby Ashton-Bullock
" 67 tracks, including 22 previously unreleased tracks uncovered and restored from the London Records archive
" 5 Discs in wallets (4 audio CDs and 1 DVD)
o The Age of Consent [16 Tracks]
" The original album, plus 6 bonus tracks [7" versions and radio edits]
o Hundreds & Thousands [11 Tracks]
" The original remix album, plus 5 bonus tracks
o Consent Extended - The 12 Inches Plus [11 Tracks]
" Rare 12" versions, US Club Mixes, B-sides
o Ignore at Your Peril - The Rarities Plus [19 Tracks]
" Radio sessions, previously unreleased early versions, and studio sessions
o DVD - The First Chapter - The Videos Plus [10 Tracks]
" Restored music videos
" Top of The Pops performances
" Original TV adverts
" 24-page booklet featuring rare and unseen photos, and essays by:
o Tom Rasmussen
o Lesley Chow
o Lucy Robinson
o Barnaby Ashton-Bullock

SHORT BIOG
Synth pop trio Bronski Beat's 1984 debut The Age of Consent is a rarity in musical history - an album that both defined a generation and challenged the status quo. Its four singles, and particular lead single 'Smalltown Boy', have endured with astonishing resonance, offering home to all listeners dreaming of escape from their familiar surroundings and situations.

Every track on the album places the listener 'in the room': they are in it, living it, rolling inside each song's thematic meaning. Through the blue-eyed wonder of singer Jimmy Somerville's vocal pirouettes, they too take the punch of hate in 'Why?', question the bible with alongside a male voice choir on 'It Ain't Necessarily So', and watch the same crappy TV advertising on 'Junk'. They are part of the trade-off between lust and commerce in 'Love and Money' and the heated near climax of 'Need A Man Blues.'

40 years later and The Age of Consent remains as prescient and vital as ever as it did on its original release; truly transgressive - defiant, queer, and laden with hooks. To celebrate this important anniversary, London Records revisit the album across a series of expanded formats, uncovering sonic archival gems, new mixes, essays and more.



TRACKLISTING:

LIMITED 4CD+1DVD BOXSET

DISC ONE : THE AGE OF CONSENT - THE ALBUM PLUS
1. WHY?
2. IT AIN'T NECESSARILY SO
3. SCREAMING
4. NO MORE WAR
5. LOVE AND & MONEY
6. SMALLTOWN BOY
7. HEATWAVE
8. JUNK
9. NEED A MAN BLUES
10. I FEEL LOVE / JOHNNY REMEMBER ME
11. SMALLTOWN BOY (DJ 7" EDIT) - Bonus track
12. WHY? (REMIX) - Bonus track
13. IT AIN'T NECESSARILY SO (7" VERSION) - Bonus track
14. I FEEL LOVE (7" VERSION) WITH MARC ALMOND - Bonus track
15. RUN FROM LOVE (RADIO VERSION) - Bonus track
16. HARD RAIN (NME 7" VERSION) - Bonus track

DISC TWO : HUNDREDS & THOUSANDS - THE REMIX PLUS
1. HEATWAVE (HARVEY GOLDBERG REMIX)
2. WHY (HARVEY GOLDBERG REMIX)
3. RUN FROM LOVE (DOMINIC MAITA REMIX)
4. HARD RAIN (HARVEY GOLDBERG REMIX)
5. SMALLTOWN BOY (HARVEY GOLDBERG REMIX)
6. JUNK (HARVEY GOLDBERG REMIX)
7. LOVE AND MONEY (HUNDREDS & THOUSANDS REMIX) * - Bonus track
8. INFATUATION / MEMORIES - Bonus track
9. CLOSE TO THE EDGE - Bonus track
10. I FEEL LOVE (CAKE MIX) WITH MARC ALMOND - Bonus track
11. CADILLAC CAR (EXTENDED) - Bonus track

DISC THREE : CONSENT EXTENDED - THE 12 INCHES PLUS
1. SMALLTOWN BOY (12" VERSION)
2. WHY? (12" VERSION)
3. IT AIN'T NECESSARILY SO (12" VERSION)
4. I FEEL LOVE (12" VERSION) WITH MARC ALMOND
5. RUN FROM LOVE (US CLUB REMIX '85) *
6. SMALLTOWN BOY (US CLUB REMIX '84) *
7. RED DANCE
8. THE POTATO FIELDS
9. PUIT D'AMOUR
10. SIGNS (AND WONDERS)
11. I FEEL LOVE (FRUIT MIX)

DISC FOUR : IGNORE AT YOUR PERIL - THE RARITIES PLUS
1. SMALLTOWN BOY (CAPITAL RADIO SESSION, MAY '84) *
2. HEATWAVE (CAPITAL RADIO SESSION, MAY '84) *
3. HARD RAIN (CAPITAL RADIO SESSION, MAY '84 )*
4. WHY? (EARLY VERSION, MARCH '84) *
5. CRAZY MARAQUITTA (STUDIO SESSION) *
6. IT AIN'T NECESSARILY SO (EARLY VERSION) *
7. UPSIDE DOWN (STUDIO SESSION) *
8. SCREAMING (EARLY VERSION, MARCH '84) *
9. THE POWER OF THE GOLD (STUDIO SESSION) *
10. LOVE AND MONEY (EARLY VERSION) *
11. FIRST CHURCH (FEEL LOVE) (STUDIO SESSION) *
12. JUNK (EARLY VERSION 2) *
13. WALKING (STUDIO SESSION) *
14. NO MORE WAR (EARLY VERSION) *
15. GO (YOU & ME) (STUDIO SESSION) *
16. CLOSE TO THE EDGE (EARLY ALTERNATE EXTENDED MIX) *
17. HEATWAVE (EARLY VERSION) *
18. THE OTHER SIDE OF THE TRACKS (STUDIO SESSION) *
19. SMALLTOWN BOY (EARLY VERSION, MARCH '84) *

DISC FIVE / DVD : THE FIRST CHAPTER - THE VIDEOS PLUS
OFFICIAL MUSIC VIDEOS
1. SMALLTOWN BOY (RESTORED PROMO)
2. WHY? (RESTORED PROMO)
3. IT AIN'T NECESSARILY SO (RESTORED PROMO)
4. I FEEL LOVE (RESTORED PROMO) WITH MARC ALMOND
TOP OF THE POPS PERFORMANCES
5. SMALLTOWN BOY (BBC 'TOP OF THE POPS', JUNE '84)
6. WHY? (BBC 'TOP OF THE POPS', SEPTEMBER '84)
7. IT AIN'T NECESSARILY SO (BBC 'TOP OF THE POPS', DECEMBER '84)
8. I FEEL LOVE (BBC 'TOP OF THE POPS', APRIL '85) WITH MARC ALMOND
ORIGINAL TV ADVERTS
9. THE AGE OF CONSENT - TV ADVERT #1 (DECEMBER '84) *
10. THE AGE OF CONSENT - TV ADVERT #2 (JANUARY '85) *
* PREVIOUSLY UNRELEASED



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2024 Repress


- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork

Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation

We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.

Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.

The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.

Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).


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CD

Tracklist:

01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope


NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.




























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180g 2LP in very High Quality Packaging. LP Gatefold Reverse Board - lasercut stencilled "braille typo" , printed innersleeves with lasered artist name title (a/b) and transmat logo (b/c) , sticker



Tracklist 2LP:

A1 Francesco Tristano - Sakamoto: Merry Christmas Mr. Lawrence (Francesco Tristano Rework)
A2 Francesco Tristano feat. Derrick May - The Mentor
B1 Francesco Tristano - Pacific FM
B2 Francesco Tristano feat. Derrick May - Infinite Rise
C1 Francesco Tristano feat. Derrick May - In Da Minor
C2 Francesco Tristano - Rocco's Bounce
D1 Francesco Tristano - Xokolad
D2 Francesco Tristano feat. Derrick May - Esoteric Thing

Short info:

It's not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three - the godfathers of Detroit techno - and yet, anyone who's followed the Luxembourg artist will know that expectation is not a currency he deals in.

Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his "most techno and synth-based project yet," the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. "I had to lure him into my studio," Tristano says of May with a smile, "he was like Alice in Wonderland when he saw the synthesizers."

Originally developed as a way create new material for Tristano's p:anorig project - a unique live set-up debuted at Barcelona's Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience - Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. "I can hook up all these synthesizers that I've picked up over the years," he continues, "it's the fulfillment of that." With an instrumentarium of analogue, digital, classic and modern gear - ranging from Prophets to Moogs, to Rolands and Yamahas - at his and May's disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren't just using these synths, they're paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.

The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of 'Esoteric Thing', drifting along to the sound of birdsong, to more beat-centric pieces such as 'The Mentor' and the quirky 'Xokolade' , the equipment, and the love it's been treated with, shines through. Both Tristano and May's individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. 'Pacific FM' is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of 'In Da Minor' is undercut by eerie, unpredictable glass synth-work; 'Rocco's Bounce' is free-form jazz tugged into line by structured four-to-the-floor; there's even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto's classic 'Merry Christmas, Mr. Lawrence'.

Those hoping for a Francesco Tristano piano album: be duly warned. "The piano is there, but it's more like the shadow of the piano. We don't have the mass of that sound, it's more like the reminiscence of that sound," says Tristano. But it's this which gives Surface Tension the aforementioned significance. Tristano hasn't abandoned his roots - they're deep, but there, for those who wish to find them - yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.



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Territories: Worldwide no restrictions

Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29

B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23

C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41

D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24

Release Notes:

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.


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Track list CD:
1. Alva Noto - Xerrox Kirlian (00:06:12)
2. Alva Noto - Xerrox Neige (00:04:55)
3. Alva Noto - Xerrox Voyage (00:03:50)
4. Alva Noto - Xerrox Plongée (00:05:36)
5. Alva Noto - Xerrox Cosmos (00:03:52)
6. Alva Noto - Xerrox Île (00:06:24)
7. Alva Noto - Xerrox Argo (00:05:32)
8. Alva Noto - Xerrox Calypsoid 1 (00:04:32)
9. Alva Noto - Xerrox Canaux (00:04:13)
10. Alva Noto - Xerrox Utopia (00:03:06)
11. Alva Noto - Xerrox Sans Retour (00:04:23)
12. Alva Noto - Xerrox Calypsoid 2 (00:11:06)
13. Alva Noto - Xerrox Apesanteur (00:04:32)
14. Alva Noto - Xerrox Néant (00:02:54)

Release Info:

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.

Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.


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Nicolas Jaar has graduated-- Space is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music's most exciting producers.
Tracklisting:
01 . être
02 . Colomb
03 . Sunflower
04 . Too many kids finding rain in the dust
05 . Keep me there
07. Problems with the sun
08. Space is only noise if you can see
09. Almost fell
10 . Balance her in between your eyes
11 . Specters of the future
12 . Trace
13 . Variations
14 . ^tre



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CD
This year's highly anticipated 'Live at Cocoon Ibiza' mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.

The release drops in unison with a 12" that includes two live versions of tracks from it as well two new exclusive studio tracks.

Tracklist:
(01) Planetary Assault Systems – Angel of the east
(02) Planetary Assault Systems – Peru Drift
(03) Planetary Assault Systems – Engage now
(04) Planetary Assault Systems – Whistle Viper
(05) Planetary Assault Systems – Message from the drone sector
(06) Planetary Assault Systems – Unreleased
(07) Planetary Assault Systems – Desert Races
(08) Planetary Assault Systems – Arc
(09) Planetary Assault Systems – Eyes Themselves
(10) Planetary Assault Systems – Rip the cut
(11) Planetary Assault Systems – Raww
(12) Planetary Assault Systems – Give it up
(13) Planetary Assault Systems – Voodoo

This year’s highly anticipated ‘Live at Cocoon Ibiza’ mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise.
As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for us to relive the magic.
Over the course of eighty spellbinding minutes, Slater captivates with evocative sci-fi imagery and high class melodic minimalism, smoothly shifting from moments of high pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalogue to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
Debuting on Cocoon with a rare appearance outside of Slater’s usual labels Ostgut Ton and his own Mote Evolver, a 12” release drops in unison with the mix including four Planetary Assault Systems productions: on one side both 'RAWW’ and 'RUN' are exclusive studio versions, whilst on the flip are live versions of 'Desert Races' and 'Give It Up' featuring live sax by Tim Ower, offering some of techno's finest moments, while the mix itself is an essential testament to the forward looking nature of not only Cocoon Ibiza, but also Luke Slater himself.






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WAS - Word and Sound Medien GmbH
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Territories: Worldwide no restrictions

Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38

Release Notes:

Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”

The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.

The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.

The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."

Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.

The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.

With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!

The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.

Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!


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