After Georgio Moroder, Dieter Moebius or Jeff Mills, it is Joakim’s turn to compose a soundtrack for one of the greatest masterpieces of Cinema - the first movie to enter UNESCO’s Memory of the World Register, Fritz Lang’s Metropolis.

Tracklisting:
LP 1
A
1. Opening Titles
2. Opening Scene
3. Garden Party
4. Joh's Office
5. The Church
B
1. Freder And Georgy
2. In Bed
3. Rotwang Working
4. Lab Visit
5. Stop The Flood
6. Hel Transfer
7. Father And Son

LP 2
C
1. The Chase
2. The Belly Dance
3. City Of Lights
4. Babylon
5. Children Are Safe
6. Madness
7. Georgy Dies
D
1. City Collapse
2. Flood
3. Burn The Witch
4. Roof Chase
5. The End More

New album by french producer Joakim on his label Tigersushi. Through 16 tracks, he explores a world of sounds that blur the line between the natural and the artificial, a psychedelic journey on a modern Noah’s Ark, back to his roots in IDM, Classical music, avant-garde Pop and Ambient. More

As the title suggests, Joakim recorded this new album last year at Studio Venezia, the installation/sculptural ensemble/recording studio created by Xavier Veilhan for the prestigious 2017 Venice Art Biennale. Built inside the French Pavilion & inspired by the grotto-like Merzbau by Kurt Schwitters, Studio Venezia had dozens of artists create and record there over the 6 months of the Biennale (from Chassol to Brian Eno, from Joakim to Sebastien Tellier), invited by Xavier Veilhan himself with the help of co-curator Christian Marclay. With an impressive collection of rare instruments from medieval horns to rare modular synths (Baschet crystals and percussions, a Buchla, a clavinet...), Studio Venezia was an amazing creative playground for the adventurous musician. Those instruments were captured by a team of sound engineers in the best possible way thanks to Nigel Godrich’s (Beck, Radiohead...) mobile studio loaded with state of the art vintage recording gear.In terms of influences, Joakim tried to channel the spirit of proto-ambient German heroes Cluster, 60s and 70s modal jazz, Japanese evocative minimalism and drone composers’ hypnotic transcendence.

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The first release by Parisian iconoclast Joakim for his friends and European colleagues at DJ Tennis’ Life And Death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro.
"I met Manfredi (Tennis) through Luke Jenner (ex The Rapture) in NYC. When Manfredi has a few days off his busy touring schedule, he comes to my studio to work with Luke on their collaboration project. We usually talk about synths, food, DJ gossip and complain about espressos in NYC. About 6 months ago we were eating Korean fried chicken and Manfredi asked me if I’d like to do something for his label Life & Death. At the time I had a bunch of club tunes I started working on and somehow had a feeling some of them could be a fit for Life & Death so I played those and Manfredi very quickly picked one, ‘Daemon’. I thought putting out something on Life & Death was at the same time kind of odd (and if you didn’t notice yet, I like when things are unexpected) and totally appropriate. More

In 2015 musician, producer, DJ, record collector and Tigersushi head honcho Joakim played for the first time at Mareh festival in Boipeba, Brasil. Like many before him and many since, he found the experience a transformative one. And why not? So many like-minded souls gathered together on a remote island in Bahia listening to the sounds of amazing DJs while dancing barefoot in idyllic coastal settings all night long. What's not to like? It's quite a concept. In the moment of that experience, Joakim vowed to head straight to the studio on his return home to try and recapture that magical vibe, which he did. And true to his word he offered it back to Mareh for release on their imprint. A musical gift from the heart. The wonderful percussion and drums characteristic of Joakim's productions drift in and around the mix and sit gently alongside the sound of the waves. Beautiful arps reach out and capture the glittering stars at night and the first glorious sign of light at sunrise as the party continues. Underneath everything the bassline continues to punch through, blending primeval Carnival vibes with an electronic sensibility. Lovingly mastered and beautifully pressed onto 10 inch vinyl in manila covers, this limited edition release is worthy of any record collection. It also represents a little piece of the magic that is Boipeba, and will certainly fit perfectly into those Balearic and Adriatic settings too.

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Tigersushi surprise us and drop a new 12" from label boss, Joakim... 2 Gloriously Produced Tracks, As Usual...! Almost 2 years have passed since Joakim released Nothing Gold. Not that he's been lazy. Those 2 years have probably been the busiest for the tall Musician/producer/DJ/label manager who produced numerous bands in his Fountain Studio in Paris (Zombie Zombie, Montevideo, Alba Lua, Acid Washed and more...). Joakim also did a few remixes (Aeroplane, Charlotte Gainsbourg, Lescop, Arsenal, Renaissance Man...) ans recorded a collaboration EP with Kindness that was the debut release on his new label Crowdspacer (www.crowdspacer.com). Not to mention the constant touring, running Tigersushi records and a move from Paris to New York city! Since Joakim has 4 hands, he also managed to start recording some material for a new album between 2 recording sessions and just before he had to move his studio out, he finished those 2 tracks : the slow, claustrophobic but hopeful « Heartbeats » and « Another Light » which brings that subtle typical melancholy to the clubs. Now Joakim is setting up a mini home studio in his flat in NYC, somehow going back to his roots when he started making music at his parents house with a cheap keyboard more than 10 years ago. Usually in the music business, artists release a first single once the album is finished and start a promo campaign from there. But Joakim doesn't really understand the music business (don't tell anyone!), so he decided to release those 2 tracks without having any more finished material for his upcoming album nor an idea of what it will be like. In those times when everything is instant, he'd rather release new material leading to an album while the tracks are finished. Just like a work in progress you will witness an album taking shape before your ears. This is a way to bypass the traditional rhythm of an album launch when everything needs to be done and ready months before the actual release, which usually results in the author being already bored and working on something else when the music comes out. More