TRACKLIST:
A1. August Moon
A2. Death Smiles
A3. Sunflower
A4. Seeing Double
A5. The Tiger Bite
A6. Wandering Eye
A7. The Hornet's Nest
B1. Tooth Rot (Bonus)
B2. Feline
B3. Puzzle
B4. The Scarab's Quest
B5. XYZ (Bonus)
B6. This Kind Of Love
B7. June (Bonus)

After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new
album commercially available for the first time entitled Occhio Occhio.
The album contains insect-themed outernational grooves with tropical and arabian flavours
and smooth and buttered tunes with soulful vibes that are reminiscent of classic european
library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's
mystique, with travels through funk territories and all the while frenzied percussion-heavy
break beats keep b-girls and b-boys moving on the floor.
Including the sold out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3
exclusive tracks for this vinyl edition.

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New hard hitting 45 by infamous cinematic fantasy funk supergroup Pigalle Connection. Produced by Paris' own keyboard wizard Guillaume Métenier and Mocambo's Björn Wagner, heavy clavinet and breakbeat drums lead the imaginary chase soundtrack "Flics Sur Le Péripherique" through massive horn attacks, mysterious string themes and ethereal synth lines, evoking plenty colourful scenes over a relentless beat. A slice of funk that is equally suited for the breakin' floor as it is for b-movie dreams. The flip side "Transit" contrast the a-side's frantic action with an almost dubby downtempo crime jazz groove full of suspended tension and cold chilled anticpation. Featuring Guillaume Métenier on clavinet, moog, piano & hammond B3; Björn Wagner on guitar, bass, percussion, hammered dulcimer & glockenspiel; the Mocambo horns section and John Reed on drums.

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Mocambo is proud to welcome Peki Momés, a Turkish artist who has always expressed herself creatively, but accidentally began recording music in 2023. With no pre-education in music, Peki Momés brings a stylish, fresh perspective to groove music, blending her vocals with a unique mix of intuition and uncompromising authenticity. Her first two songs showcase her versatility, offering distinct sounds that work as both dancefloor hits and listening gems. Göç Mevisimi transports listeners to a secret place between Japanese City Pop and outernational/tropical boogie sound. Dirty disco grooves, soothing Fender Rhodes, jazzy flute and charming lyrics in Turkish language about our constant search and movement that makes us all passagers of life create a bonafide piece of global underground. Rüya, on the flip side, is a heavy psych joint that embodies the gritty sound of psychedelic Anatolia. With wobbling grooves, fuzzy guitars and contemporary vocals, it brings a raw, yet hypnotic energy. Now collaborating with Mocambo Records, Peki Momés is working on an album that promises to offer a fresh approach to Turkish alternative music, ready to captivate music lovers around the world.

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25 killer library music cuts by the German film music maestro on audiophile pressing in deluxe 2x10" set. Uberrare and never released before material from 1968-1976, sourced from Peter Thomas' personal reel-to-reel tape archive. Limited edition of 500 pieces. From brassy big band funk, space jazz, krauty synth experiments to proto-hiphop, cosmic schlagers, heavy easy listening, soulful soundtrack moods and absurdly dreamy LSD ballads, this compilation encompasses the composer's most obscure and yet most transcendent work. Peter Thomas is widely acknowledged as Germany's most inventive film music composer of the 1960s and 1970, best known for his iconic soundtrack work. He scored over 600 films and episodes, from the crime blockbusters of Jerry Cotton and Edgar Wallace to indie arthouse films like Playgirl, Bruce Lee's The Big Boss and the extraterrestrial Space Patrol and Chariot of the Gods. dHis recordings for music libraries often provided an even more leftfield approach. Their visionary 'dope beats' appeal provoked a keen interest from vinyl aficionados, beatmakers and rare groove DJs alike. Unavailable for the public, the original "for professional usage only" albums are now sought-after collector's items that fetch astronomic prices on the 2ndhand market. This double 10" album is the definite selection of Thomas' best library cues from the Golden Ring Records, KPM and DeWolfe catalogues, many of them available publicly for the first time - plus four recently unearthed "lost" tracks from Warner Chappell's CPM Archive series that have never been released on vinyl before. All music was carefully transferred from Peter Thomas' private master tapes and cut in full dynamics, housed in a beautiful fold-out cover with liner notes and private pictures. The compilation was realised in cooperation with Peter Thomas' son Philip who takes care of the Peter Thomas Sound Orchester catalogue after his father's death in 2020.

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Percussion-heavy Anatolian breakdance funk from Berlin. B-boy drums and bongos collide with Cümbüs (turkish lute), Ney (flute) and violin to create an inter-/outernational organic global groove track.The flip side features a drums-only mix for further DJ pleasure. Limited edition of 300x with each record handstamped. Tamer Yigit is a Turkish-German actor, director & musician. Although best known for his work in film, he has been a hiphop activist since the early days, from breaking to producing some of the first German crews rapping in turkish language. Grewing up in West-Berlin between the sounds from his family's homeland and the blossoming hiphop culture that spilled over from the USA, "Uprocking" is a natural fusion of elements that have been living together in his ears for ages.

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Transcendental outernational funk and psychedelic jazz from mystery L.A.- based collective Sun Atlas

Little is known about Sun Atlas. The group members are hidden behind masks and costumes to keep their identities secret and to put the focus entirely on the music and oneness. A sense of community and universal spirit as an alternative to idolization and individualism is heavily reflected in their eclectic musical style.

The sound of Sun Atlas is mystical and cosmopolitan, combining afrobeat, cinematic soul, spiritual & ethio jazz with space sounds, hiphop-breaks and a garage funk vibe.

Their cryptic first 45 single "The Mystic Parade" b/w "Grand Theft" sold out immediately after release and has often been mistaken for either "lost" hiphop samples, 70s habibi funk or another project in disguise from the inner circles of the Mocambo, Big Crown or Daptonefamilies (which it is not).

Return To The Spirit picks up where Sun Atlas' first single leftoff, with everyone wondering where the journey might lead. With the door to a colourful universe opened, the full-length format gives time & space for further exploration.

The ltd.first vinyl edition comes in black vinyl in a deluxe handmade tip-on sleeve.

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2nd edition with alternative sleeve and label design.

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Unreleased, "lost" 7inch off the Bruton library music album "Deep Funk". Two killer cuts by the Sound Stylistics: The Message is a piece of heavy soul featuring the vocals of late great UK soul singer Noel McKoy, Freedom Sound is a space funk groove with moog synth on top. Officially licenced from BMG Zomba Production Music in 2007, manufactured and forgotten. These 45s have just been unearthed from the pressing plant's storage room after more than 15 years.

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Unreleased, "lost" 7inch off the Bruton library music album "Deep Funk". The last two cuts by the Sound Stylistics: Heavy Soul is exactly what the title suggests, an "instrumental with a driving groove" and a perfect tune to get a party started, while "Move It Up" has a more relaxed vibe while still being gritty.Officially licenced from BMG Zomba Production Music in 2007, manufactured and forgotten. These 45s have just been unearthed from the pressing plant's storage room after more than 15 years.

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Original soul man Carlton Jumel Smith and the infamous Mocambo crew hook up for a double sider 45 of the highest order. The A-side "Keep On Swinging" is a slab of tough street funk with real-life storytelling about persistance and not giving up, hitting heavy on the one. Carlton's message of and positivity and encouragement continues on the flip side, "Hope", an uptempo sweet soul hitter with a strong gospel vibe over urgent breakbeats. Recorded on 8-track tape featuring members of the Mighty Mocambos and Bacao Rhythm & Steel Band, this single is equally at home at breakdance battles as it is at soul allnighters, and whether you're in a gangster limousine or in church – turn it up! "Long live soul music".

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Stunning outernational funk for the psych breaks dancefloor featuring the mesmerizing vocals of Ukrainian jazz singer Mona. Sung in her mother language, "Moya Vode" is about the "ancient ritual to put a spell on water and remove all negativity through its power". Mona and MC Fame, a well-known Ukrainian hiphop producer and activist, both left their hometown Kyiv last year and found a new home in the Hammerbrook district of Hamburg, Germany, where they quickly connected with the lively funk scene of the city. Together with the Mocambo crew they set off to work out some magic by combining universal funk grooves and Ukrainian folklore. Mona's mystical soulful vocals are backed by the "Hammerbrook Sound Machine", a group featuring members of Bacao Rhythm & Steel Band and the Mighty Mocambos, with instruments like the Tsymbaly or Drymba added on top. The "folk-funk" continues more electronically on the instrumental flip side when MC Fame takes over the lead on Moog synthesizer. Dive into this spell!

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Heroes Of Limbo strike again with two stunning interpretations of hiphop and R&B staples on one 45. The mystery funk collective took the scene by storm last summer with their flips on Eric B. & Rakim's 'Don't Sweat The Technique' and Pete Rock & C.L. Smooth's 'T.R.O.Y.', moving all copies on release day. Here the reimagine the Beatnuts unmistakable 'Watch Out Now' and Aaliyah's smash hit 'Try Again' in a their hypnotic, polyrhythmic afrobeat-inspired style. A sure shot double sided slice of musical pineapples.

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A unique longplayer by Germany's Funk champions The Mighty Mocambos: 'Scénarios' is a wild journey through iconic performances captured on 8-track tape, including celebrated versions of breakdance favourites like 'Axel F.' And 'Let The Music Play' as well as brand new original material composed especially for recordings in unusual settings. Hamburg's deep funk chefs are known for their intuitive recordings that capture the energy of a live performance, and with this record they go all the way.


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Heroes Of Limbo rework two hip-hop staples with stunning afrobeat arrangements. Eric B. & Rakim's 'Don't Sweat The Technique' and Pete Rock & C.L. Smooth's 'They Reminisce Over You (T.R.O.Y.)' are stripped to their instrumental essence with polyrhythmic drums and percussions, powered up by a massive big band brass section and going bonkers altogether. A sure shot double-sided winner for all DJs that want to leave their crowd guessing whether they're taken to the streets of New York or to the Shrine in Lagos, Nigeria.

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Heroes Of Limbo rework two hip-hop staples with stunning afrobeat arrangements. Eric B. & Rakim's 'Don't Sweat The Technique' and Pete Rock & C.L. Smooth's 'They Reminisce Over You (T.R.O.Y.)' are stripped to their instrumental essence with polyrhythmic drums and percussions, powered up by a massive big band brass section and going bonkers altogether. A sure shot double-sided winner for all DJs that want to leave their crowd guessing whether they're taken to the streets of New York or to the Shrine in Lagos, Nigeria.
Limited yellow vinyl edition

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The Vicious Seeds from St. Petersburg have been putting out 45s with their blend of raw cinematic grooves and deep funk instrumentals for a while, here they introduce us to vibraphonist Pavel Chiznik, who adds his midas touch to the group's well seasoned rhythm section. Reminiscent of early CTI recordings and - of course - Roy Ayers, the band delivers their own version of summer jazz dope beats, with sample-friendly drumbreaks, funky basslines, psych guitars and lush vibes. With communication to the group largely cut off or heavily censored, we leave it to the music to do the talking and spread the band's message. "Make records, not war".

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Mocambo Records is proud to present the official reissue of this uberrare piece of German psychedelic soul! Susan Avilés' epic 'Eine schöne Welt' from 1970 is one of the toughest 45s to get hold of. With its dope wah-drumbreak-intro, lush orchestration and powerful vocal performance, the tune has deservedly turned from an obscure sleeper into one of the most wanted European rare grooves. On the flip side is the orchestral folk soul 'Versuche zu versteh'n' - and uptempo number with breakbeat drumming hidden behind a wall of sound that has become an obscure b-boy favourite. The record comes in a picture sleeve with original photos from the era - a picture showing the singer holding a copy of her own single and a shot for an autograph card to support the original release. All audio and photography licensed from the family estate of Susan Avilés. The original recordings have been carefully remastered for this limited vinyl run by Michael Schütz.

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Danish singer, producer, DJ, and composer Astrid Engberg releases her masterful sophomore album Trust, a tribute to intuition and new motherhood. Spanning contemporary soul, R&B, nu jazz, and modern classical, Trust sees her collaborating with a line-up of Nordic talent and the venerated violinist Miguel Atwood-Ferguson, known for works with Flying Lotus, Thundercat and Hiatus Kaiyote. Taking form after the birth of her first child, the album was created with playful joy, openness, and gratitude over a nine-month period.

“You need to trust that what you hear is the way you need to go. I want to encourage others to trust themselves through me learning to trust myself.”

Trust is released via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.

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2023 Repress. Serious math rock/industrial rhythm fire on this ace album from 2018 - repressed! TIP!

The five tracks being compiled from their debut CD “New Games” (2013) and their second album “Rhythm & Sound” (2015). The titles of those releases provide a hint: a sense of joyful play within defined structures, and an emphasis on propulsive pulse and a prioritizing of pure percussive sound over melodic content. With guitar, bass, drums and saxophone, goat create music which is unlike any band, utilizing harmonics outside standard tonality, as well as clever muting, to craft the intricate, driven, forceful compositions of Koshiro Hino, aka YPY.

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There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.

Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Over the past few years, London based DJ and curator Sam Don has shone new light into the Reggae sub-genre of Lovers Rock with his comps 'For the love of You'. His deep, yet deeply accessible selections have opened the ears of many to the genre. With this new compilation 'Just A Touch' Sam shines his torch even deeper, this time through crates of UK Underground Soul. He painstakingly researched and tracking down each producer to bring you some of the sweetest soul cuts that will ever grace your eardrums. Sam Don explains: Whilst the US is most well-known for soul music, the UK has created its own take on the genre, due to the melting pot of cultures and musical styles that makes the UK so special. I didn't 'set out' to make a compilation like this, but one night an idea came to me, and I sketched it out at home with my record collection. When I saw how well these sounds came together, I started my mission to find the people involved with them and 'Just A Touch' was created.

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Tracklisting
A1 Radikal Guru - Lion Returns
B1 Radikal Guru - All Nighter

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Tracklisting:
A1 Suburban Architecture - Visions '96 (Blame remix)
B1 Suburban Architecture - Future Jazz '95 (DJ Trace remix)

Sales Note
Suburban Architecture are pleased to announce the second in their 'Architecture Dubs' series of limited edition 10" vinyl releases, which sees some of the most revered names active during the mid 90s golden era of Drum & Bass deliver remixes of Suburban Architecture material in homage to that most innovative of periods. Following on from the now sold out release of Architecture Dub #001 (featuring remixes from Peshay and DJ Trax), #002 delivers new remixes from two further legends of the scene, Blame and DJ Trace.

Blame has enjoyed a storied career in the genre, having released extensively on two of the most highly regarded 90s imprints, Moving Shadow and LTJ Bukem's Good Looking Records, before establishing his own imprint 720 Degrees. For this release Blame tackles 'Visions '96', a favourite from Suburban Architecture's now highly collectible debut EP, 'Visions', introducing a jazzy bass groove, rousing vocals and energising breakdowns to the Jazz Fusion sonics of the original.

DJ Trace is another name who needs little introduction. With seminal releases on highly regarded underground labels Lucky Spin and Dee Jay Recordings among others, Trace's work joins the dots between early Hardcore, mid 90s Intelligence and the darker sounds of the late 90s. His remix of 'Future Jazz '95' is a stripped back, stepping rework that will please fans of his classic tracks 'After Hours' and 'Miles High'.

Pressed on 10" vinyl and housed in brown Kraft paper sleeves, the series makes visual reference to the exclusive dubplate pressings which introduced so many classic cuts to the UK's dancefloors in the 90s.

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